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  • #1904
    TracyTracy
    Participant

      Katie impression: I have a focus as Raquella which reminds me of Tikfijikoo and the experiments….

      #587
      ÉricÉric
      Keymaster

        Georges and Salome’s journal

        From Salome’s account of their first journey to the Alienor star system

        I had more insights about the Murtuane and its biosphere. The race of green-skinned people seem to foster some deeply religious feelings. Not religious as in our age old beliefs on Earth, nothing of that sort. It’s more “religious” in the sense of caring for life, and the sacredness of it.
        It seems they are so attuned to their feelings that they can feel in each other’s waves of moods, so that it becomes very difficult for them to entertain such violence that we have been enacting for so long on Earth.
        It is like they form some kind of invisible bond, and can feel each other through the belonging of some kind of unseen social memory complex. I think they call each others Children of Turmak, or somewhat close.

        There are other forms of lives present here, many underwater, and I can feel some ties between the Nirguals (those huge eagle-like winged beings) and what we, on Earth, remember as “dragons”. It is as though they are different forms of the same energetic blueprints, or species… In evolutionary terms, it would be tantamount to say that they share a common ancestor, but I know it is none of that either.
        The Nirguals (let us call them like that for the time being) are indigenous to this planetoid of Murtuane, but they somewhat seem to have seeded some of them on the Duane, the dual or sister planet — though this is my loose interpretation… But even though it reminds me of a cuckoo being forgetful of its eggs in another nest, this strikes me as an evidence of some kind of awareness of each other, by each of the planets sentients. And also of an evidence of a kind of travel route between the two, though discontinuous if not vagarious, and probably uni-directional as per now, as nothing tends to corroborate a continuous interaction.

        #1313

        In reply to: Yuki’s Livrary

        ÉricÉric
        Keymaster

          November 9 th

          For Yurick, or perhaps shall we say, The Artist Formerly Known As Quintin this sequence of sequence of 911 has the signification of a reminder to be paying attention to self, and being present to himself.
          The last few days have been, in appearance, quite devoid of exciting new installments of the story, yet, we nudge him not to judge this lack of activity on his part as categorically as he has been used to do. It was a time of self-retreat, a time we have shared with many other essences, as all is connected.
          A very fine point which has been brought forth by Elias a few days ago (in Yurick’s perception of time) has been that you want to appreciate the process. His illustration was that of a beautiful flower bud that you hold, and that you don’t want to tear open, but rather let itself reveal its splendor, and also, its surprises.

          It has prompted Yurick to remember something, which had lots of meaning to him.
          Some years ago, when he was in Kyoto’s forests, he picked up an acorn, as he liked to have seeds or tree corns in his pockets. Back from his trip, in his home, there was this big pot of earth were an old plant had died from the summer heat, and he planted the acorn in it.
          And he waited. Till he had to move, some months later, having renounced to have the acorn grow at all, as the soil’s surface was remaining desperately flat. Perhaps it had rotten altogether. Before leaving the apartment, Yurick started to rummage with his bare hands into the soil, to look for the remains of the acorn he believed had rotten, only to find it perfectly healthy. And even more, it had grown lots of long roots.
          So he took it back home, where it was planted and still continues to grow at a rapid rate.

          Looking at the now big sapling reminds Yurick how that process of growing roots was important for the plant, as they were essential for the oak to be able to survive the winters colds and the summers heats.

          Such is the importance of these moments were inspiration seem to be scarce, or away. It is ever present, growing its roots very carefully inside the soil of your being, and expanding your connexions, redefining some, bringing new nourishments to yourself… The effects are not always immediately visible, but things never cease to move.

          Be prepared to be amazed by the colors of the flowers and leaves your seed produces, for as Yurick’s oak was an unusual kind of oak (a chestnut oak ), the very seeds that are in your pockets or waiting in the soils of your dream gardens may reveal their own surprises…

          #1448
          TracyTracy
          Participant

            http://www.north-of-africa.com/article.php3?id_article=418

            This might be a better link for the comment about the connection between Egypt and Tuaregs :) :weather-clear:

            as well as the Egypt connection :

            At Jabbaren, he found a city with alleys, cross-roads and squares. The walls were covered with hundreds of paintings. Jabbaren is a Tuareg word meaning “giants” and the name refers to the paintings found inside the city, some of which depict human figures that are indeed gigantic in size. One of them measured up to eighteen feet high. Several of these paintings depicted “Martians” and for Lhote, it was the first time he discovered paintings of hundreds of oxen. Jabbaren was soon labelled one of the oldest sites of the Tassili.

            I think the mummy may be 6 meters tall………(Rahim told me that the tombs there were extraordinarily long….and we did have a giant enter the story ….) :yahoo_thinking:

            ~~~~~~~~~

            AND: The Tassili n’Ajjer

            …..the Hoggar Mountains and the Tassili n’Ajjer, one of the most enchanting mountain ranges on this planet……

            There were largely two forms of rock paintings, distinguishable by the location in which they were found. Some were found in rock shelters, such as at Aouanrhet. These sites were where the shaman performed his divination, as the face of a rock was often seen as a doorway to another dimension (another parallel with the paintings in the French caves).

            (this reminds me of Oversoul Seven! # book by Jane Roberts)

            Though one could interpret their location as the work of a nomadic people, Lhote’s team also found several urban settlements.
            He found small concentrations of human activity around Tan-Zoumiatak in the Tin Abou Teka massif. It was a little rocky citadel that dominated the gorge below. The citadel was cut through with a number of narrow alleys. Lhote described the art he found here as: “There were life-size figures painted in red ochre, archers with muscular arms and legs, enormous ‘cats’, many scenes with cattle, war-chariots and so forth. Up to this time I had never seen figures of this sort in the Tassili and the mass of paintings that I managed to view that day quite put into the shade all those I had seen up to then.”

            more:

            http://www.philipcoppens.com/tassili.html

            ~~~~~~~~~~~~~~~~~~~~~

            ENORMOUS CATS?????? :yahoo_surprise:

            #298

            The City, year 2257

            Janice had just awoken from a strange dream, where she was watching big round cabbages being harvested in what looked like Quintin’s father garden. They were all firmly rooted on a black irrigation pole across the garden, and people were using strange devices to turn them all delicately and pick them afterwards. In the dream, there were black puppies too, sleeping in the straw of a kind of hut nearby. And she had seen another creature, and had been surprised first because it was unlike anything she had ever met, even in dreams. It was hairless and brown as soft mud, and was hiding in the neighbour’s garden. Then it had crossed and came to play with her…

            Janice was lost in her thoughts strolling on the way to the common dome, when she met Rodney, her father’s friend.
            They had been recently trying with her father Jacob, and also Qixi to connect with their shifting focuses of the Ancients, two centuries and half before their time.
            Some of them, they had found, had been playing a sort of game of story-telling and clue-sowing… (Janice was laughing as her father’s friend, the scientist Arkandin, always insisted on seesawing instead)

            Perhaps her dream was telling her that the crop was ripe, and it was time to harvest some from it. She told her dream to Rodney. All at once, he was quite excited and they started to feel they wanted to chat more freely. So they went into one of the Medraw Caps that was available and soon imagined a comfortable environment for themselves to explore more.

            Janice could hear Al or Quintin complain about how things were getting confusing.
            She tried to convey to both of them that they could be excited about it, as it was expanding their understanding, but they weren’t very receptive.

            ~~~

            Somewhere Al was saying to Becky
            — The more you try to fix it, the more confused I am
            — Hahahahah yes! Becky was answering, I guess so! Ahahahah! Al, what a fabulous dance of confusion we do… The Confundo Tango
            — Ahahah, yes!

            Al started again to moan:
            — So who’s dead, who’s the shapeshifter? Who’s the human, who’s the cat? :-??

            (Rodney was laughing, as for him, he could accept the confusion as much easier, letting him free to wander around!)

            Illi was a woman, a shapeshifter who shape-shifted into a cat, then, she died. Becky was saying (Rodney added mentally “Now, she is disengaged” as he knew that “death” was a confusing word.) She was an archaeologist
            — Okay, that’s cool, that’s what I thought, Al acquiesced. Then thought back of what was said of her and wondered… Anyway, it will probably find a perfect answer …
            Becky nodded
            — I got lost myself when two Illis appeared, and a grip-thing as well
            — Because I didn’t want the grip-thing to be dead! Al couldn’t help but laugh. That would have been too easy, like wiggling out. Not using your imagination within the context of objective imagery to sort out “things”…

            ~~~

            While Rodney and Janice were seeing that their other focuses were kind of stuck in their explanation, they had time freeze and both decided to come back to their “now” to start from their understanding.
            A funny thought had come to Janice, that she shared with Rodney.
            — Oh, the funny thing you know, about Becky having written to Sean
            Rodney nodded. Janice continued:
            — It just appeared in my mind just moments ago, at the same time you (well, Rafaela) inserted into the story of Malvina. That Becky would have been asking Sean something, and that perhaps it would have helped him talk to his father in the future.

            — Well, that Sean is SUCH AN ENIGMA! bumped Rodney a bit excited by the implications.
            — What do you mean? asked Janice, who just remembered that Sean Doran has a cousin named Dorean.
            — Who is he? Where is he? was asking Rodney now.
            Rodney was having a hard time remembering what had been inserted yet in the story about him.

            So Janice manifested the Wrick family tree in front of them, so that he could see better. She started by manifesting an acorn, then threw in on the grass, and it sprung forth in a little sapling with signs hanging from its branches.

            — Well, it’s all in the script, answered Janice, he’s Lord Wrick’s son.
            — Oh boy, I am in trouble again for not keeping up with the facts! Rodney sighed, and laughed…
            Janice laughed “So that you can surprise yourself again!”

            Rodney felt thankful for the sumafiness of Janice who was always prompt to display helpful hallucinations and reminders.

            Janice stopped the growth of the family tree for a moment and started to comment it.
            — See, in Becky’s time of the reality play, Sean is Lord’s Wrick son, and has just lost his wife Margaret, and got his two young children around their 10s.
            — When is Becky’s time then? Rodney wondered, I hadn’t though of that…
            Becky’s time for the reality play is around 2033…
            Then Janice had the tree grow again, and sprout more branches from Sean’s children:
            — …Now, Sean is the grand-father of the twins, except than the twin’s time is around 2057 if it had not changed yet. It’s so carefully woven, but it’s fun how it effortlessly came to fit in.
            TRUST AND ALLOWING AND GOING WITH THE FLOW cried Rodney and Janice in unison, in the realisation of how well all this was.

            Rodney was beginning to remember it all.
            — I just remember the part about Sean, so he is still a bit of a mystery
            — Yes, absolutely
            — We don’t really know do we why Hilarion didn’t mention him
            — Oh, there’s also the Margaret newspaper thing… Janice fumbled in her memory to find the proper link that would display the image of the newspaper cut just at the right of the family tree. Adding with a wink “with more dates to get bearings”
            — Ahahah, I’d love to have pocketfuls of ball bearings said Rodney who manifested a pocketful to distract him from the load of information. OH YES! he cried, I had forgetten about this! What an incredibly HUGE story this is…

            Rodney was squinting his dream eyes
            — So, Sean was into humanitarian effort after 2001…
            — His father actually I think, said Janice. He was a bit too young.
            — Oh OK, I misread, that’s hard to read!

            Then, all of a second, Rodney erupted in an uproarious laugh
            AHAHAHA, I had just forgotten to de-hallucinate these pince-nez spectacles! Now, it is much easier to read!
            Janice was laughing so hard, she thought she would shatter the hallucination with the wobbles of the soundless sounds.
            Then she added:

            Sean is born around 2000, a bit before.
            — OK, maybe he went to help the Tuaregs, Rodney was accessing some information now. Maybe he was the one who put the mummy in the locked room that India found.
            — You know I had something funny in store for the mummy mystery, Janice couldn’t help but laugh again. I imagined we could have inserted Old Manon, coming down to secretly drink from her old malt whiskey’s flask, and finding them messing up with her old dear stuffed cat…
            — Maybe the mummy was the same one that Dory saw in the oblong hole in the ground outside the cave, Rodney was still accessing flickering images swirling around his head. And Sean was there helping the Tuaregs and moved it to safety.
            Of course, years previously, Illi Fergusson, the archeologist had buried the mummy there too for safe keeping.

            Now, Janice was hooked:
            — Was it where Illi learned about shapeshifting tricks from the old tribe?
            Rodney noticed Janice’s funny remark and laughed before continuing:
            — The Tuaregs were conducting secret coleslaw experiments in the desert. In combination with sound and irrigation techniques, they were going to run the entire Sahara into a broccoli field.

            Janice was amazed at the cabbage “coincidence” and irrigation stuff with her dream of that morning. Of course she knew there where probably mis-interpretation of the imagery coming from Rodney’s visions, but something made sense.
            — Around which year? she asked
            — Arrggh I don’t know!… Then, taking a breath of dream air, Rodney said “1923”. When Illi learned shape-shifting trick, 1923.
            — It makes sense, said Janice who was now thinking of other dispersed informations about Illi Fergusson.
            — Yes, she learned from Dashine Ashara… Although who that is, I don’t yet know.
            — Wow, said Janice. She had felt a connection with the “da’sheen” sound. She continued: somewhere, Illi Fergusson has said: “my parents were aristocrats”
            — Yes, answered Rodney who was accessing again, they were, and they knew the Wildes .
            — And it was said too: “[…] a nurturing presence that reminded Illi of the maid she and her parents had in their cottage in South Africa”… like her parents were traveling a lot.
            — Ah, South Africa! Illi’s parents emigrated to South Africa with Sir Abingdon Portfellow, an elderly scholar on ancient artifacts and embalming.
            — Seems she knew John Lubbock too, said Janice again, reviving old data banks of information. Dates seem okay, so if she was around 30 in the Tuareg adventure, she could have met him.
            — Wow, said Rodney, this is even more interesting…

            “But we may sit at home and yet be in all quarters of the earth.” Janice had just summoned the voice of the naturalist and archaeologist. Rodney applauded “Lubbock said that? cool quote!”.
            — Yes, like Illi’s quote, which was from him “What we see depends mainly on what we look for”. I wonder if that’s one of your (Illi’s) overlapping focuses, said Janice

            — Well, Illi didnt stay long in South Africa with boring old whatever his name was, Rodney pursued
            — Yes, she was young with her parents. They were traveling…

            They were both amazed at the magical cooperation they were doing at that moment. Janice would have loved to share all of that with Qixi and Jacob, but probably their energies were present at the moment too, though not focused here.

            She then remembered something else:
            — Oh, and there is something else! Quintin’s dream of the woman detective. Let me fetch it she said, summoning now Quintin’s memory to talk to them.
            … by night, near a museum in London, in the 1920s. She was investigating a case of a strange disappearance near a small replicate of an Egyptian pyramid that had been put here for display. There had been an exposition of ancient artifacts in the museum, which had been recently unearthed by a team of archaeologists and graciously lent by Egypt’s officials. Strangely enough, the woman detective feels linked to the story, and is probably Dory
            Date fits again, she said in awe.
            — Perfect! said Rodney. She was of course Dory too, but in that focus she was Illi Fergusson… he slowed down, then said No! wait! The detective was another one of my focuses. The archeologist who stole the mummy for safekeeping was Illi.
            — Hmmm
            — Hmmm
            — So you are both the thief and the detective, the one who creates mystery for yourself, how interesting, giggled Janice.
            — Yes, and not only that Janice! Rodney was taking a mysterious air… I am the mummy too!

            Janice bust out laughing imagining Rodney in bandages. Yes, of course!
            Then, she had a name come with that: Apsh’un Shet she said, very self-absorbed.
            Now, that was Rodney’s turn to burst out laughing.
            — “I am not sure about that!”
            — Doubting my insights… mmm, how rude… Janice frowned then laughed again.
            — If you call me that, I may have to make you out to have a speech impediment
            — Sounds a good Egyptian name for me though, seems it means “Light of the Dawn
            — Does it? Oh that sounds nice…
            — Well, in some Egyptian dialect, yes. She was a Princess…
            — Hahaha! Reminds me of Aspen Shit. Rodney doubted Janice could be serious about that name, but Janice was now the one to be accessing some information.
            — Bit bossy Princess
            — Which dynasty?
            III rd, answered Janice, who fumbled in links of consciousness to find some timeline to project for them.
            — What year?
            Janice projected the timeline below then said
            — I’d say around 2657 B.C., in Ancients way of telling time.

            They both marveled at the splendid team work they had been doing, and hoped that the other focuses involved would be able to get some parts of their insights too.

            Rodney was seeing something else
            — There is also, a very fascinating link between Tassili in the Sahara and Egypt which is a mystery AND there is a connection with Egypt and Scotland too…
            Illi the gripshawk comes from the mysterious land of the Sands, south of the map fragment
            — We may unravel more than we think… Illi is an other dimensional focus of the Illi essence…
            — Yes she is. She is a connection too, being “lost” in the land of dragons after hopping through traveling portals…
            — Exactly
            — And they communicated because they are helping each other
            — Which is why she doesn’t always ‘fit’ into this reality’s energy configuration
            — And they have some difficulties at times with translations of other dimensional stuff
            — Yes! resulting in confusion!

            And they both laughed again, looking at the great tapestry of clues that was woven before their dream eyes.

            #261

            In searching for a sheet of paper to do some sketches of images going through his mind, Bill found an old poem he had started a long time ago, when he was feeling like he was completely transforming himself. He had not finished the poem, but had kept it all along…

            It said:

            I’ve been wandering through the valleys of death
            Where time knows no ending and all is gray
            And shadows seek nothing but oblivion itself
            In mazes of mist, minds’ errands led astray…

            Perhaps it was time to let go of useless things, Bill thought to himself.

            He watched the paper slowly smoldering and shrinking and falling to black and white cinders into the hearth.

            :fleuron:

            Before going to sleep that night, Quintin had the sensation of Janice’s presence. He was surprised, because she was no longer the little girl he had seen at times, but she was a very pretty young woman, with dark wavy hair.

            She had giggled at his surprise, telling him that yes, she was catching up with him…

            :fleuron:

            The City, year 2255 (%)

            Today was Janice’s birthday, but not her birthday as the Ancients, two and half a century from her time, would have counted it. It was counted from the time of the conception, as the future parents in this time were fully aware of the agreements they would have with the soul they would decide to give birth to.

            It was a reminder of this agreement between the parents and the child that was celebrated, and not the actual birth date.

            Janice had felt Cyprus’ presence quite strongly, and she decided to let herself open to the subjective communication. She was conversing with her friend Qixi, and sent her some energy to let her know she would probably remove her attention for a few moments, knowing she would be accepting.

            When she closed her eyes, she could immediately feel herself engulfed by the strong yet smooth energy of Cyprus; it was like being kissed by a swarm of blue sparkling butterflies.

            Then she opened her eyes.

            She was in an ancient classroom, with Cyprus focused as a teacher figure. Cyprus was seated behind her desk and came at once to great Janice.

            — Good morning!
            — Good morning Cyprus, you wanted to say something to me?
            — In actuality, you wanted me to tell you something, answered Cyprus with a mysterious smile.
            — Yes, I thought so. Is it about what I am choosing to do as an activity?
            — Correct.
            — You are aware that I want to be creating of worlds, and give them to people that would have commissioned them…
            — Yes, I am aware. And you wanted me to highlight some misconceptions about that.
            — Oh, misconceptions?
            — Yes. As you know, with these worlds that you create, you have infinite potential of explorations. You also know that they are not independent from the rest, even when you take great care of encapsulating them in an energy field. And as such, they are not cut-off from yourself, as soon as you deliver them.
            — It feels like a tremendous responsibility.
            — It is, and it is not. The responsibility is to yourself, as always. But, I wanted you to be aware that you hold some responsibility, to examine your own injections into these worlds that you create, so that you can be neutralizing what is not desired, and not merely hiding it deeper inside the world itself.
            — OK, I will do that…
            — Ahaha, there is another thing, my dear.
            — Oooh…
            — You also wanted me to make sure you understood what I meant.
            — Ahahaha, I see. Wiggling out won’t be as easy as I thought, Janice said with a smile. So, is it the reason for this classroom?
            — Nothing is hidden from you, as always.

            So Janice took a look at the sheet of paper on top of her own school desk.

            — I’ll be around if you need me, reassured Cyprus.
            — Thank you, said Janice

            The paper was like a spot test, with a few questions on it.

            :fleuron2:

            Study on a Few Contradictory Beliefs

            1. GUILT

            a. An old lord has lost contact with his son, because of harsh things said in the past.

            Write a short story about him realizing how guilt is not effective, and how past can be changed from the point of present by direct action.

            b. Detail the main beliefs you can see associated with this action of guilt.

            2. FEAR

            a. A man chooses to be disengaging by drowning in a river. During his transition, he faces his fears, helped in that by a friendly spirit. The fears take the forms of a forest of trees, all similar, with branches and malicious roots extending to him. In his previous life, the man thought he was a fool, as an excuse to stand out of the numb crowd. But now he faces this crowd again, only to be able to go on his journey and let go.

            Write a short paragraph about his journey. Place yourself from the perspective of both him and the friendly spirit guiding him through his fears, and see how he helps himself in realizing he does not need to push the fears away, and that they can disappear easily.

            b. Detail the beliefs associated with his madness, that he needs to let go of in order to be crossing the forest, and go to the Bridge of Daffoldils that leads to his cave of Self.

            DUPLICITY

            In association with the last two examples, detail how duplicity (belief in good versus bad) is influencing of each of the actions, and can be neutralised by accepting self and trusting that you shall not betray yourself.

            :fleuron:

            Janice gave her paper to Cyprus, who took it and held it for a moment, evaluating the answers.

            Cyprus then made it burst into a bluish dancing flame, and when the paper had disappeared, smiled at Janice lovingly.

            #258
            F LoveF Love
            Participant

              India Louise sat at the end of the extraordinarily long oak dinner table. A tiny figure engrossed in some drawing. The morning sun shone in the window, brightening the otherwise dark room.

              Lord Wrick walked in, not seeming to see India Louise at first. He held a letter in his hand, and some old newspaper clippings. He sat down heavily at the table, opened the letter, and read it. After reading it, he sat staring into space for a long while.

              India Louise looked up from her drawing.

              What is wrong Grandpa? You look sad. She walked over to him and hugged him. See look at this. Look at my drawing of a flower, perhaps that will cheer you up. The painter Bill has been showing me how to use these paint sticks and also how to use my mind to help make the painting have life.

              It is beautiful India Louise.

              What did the letter say Grandpa. Why is it making you so sad?

              It is just an old letter, India Louise.

              Yes it looks very old. Was it bad news?

              Just reminds me of things I wish I had said a long time ago, said her great grandfather, Regret is an awful curse

              The little girl hugged him again. Yes it sounds awful. I think I will draw another flower for you grandpa.

              He smiled. Thank you India Louise. I will be back soon. I will put the letter away now.

              Yes, put it away now. I can’t see any point looking at it if it makes you sad, and then come and see the flower I will draw for you.

              Lord Wrick walked over to the bookshelves and reached up. There was a tin on the top shelf. He opened the tin and got out an old key.

              He walked down the passage way, to the right and then down some stairs leading to the cellar. There was a door, which had not been opened for some time, and he had to use some force to get the key to work in the lock.

              The room was dark, musty, mostly full of what would seem to be junk, which had been thrown there when people did not know what else was to be done with it. There was an old chest of drawers against one wall. He pulled open the top draw, fingering gently some of the items, more old letters, a feather, some pebbles, a diary, some old paintings and photos. He knew each object had a life of it’s own, memories which create worlds. He added the letter and the newspaper article.

              As he left the room, he wondered whether to lock the door again, and decided not to. He had a funny feeling within himself as he made this decision to leave it open, a shift, as though his simple decision had changed things, somehow.

              Silly old fool he thought, laughing at himself. He would go and see the flower that India Louise was drawing for him.

              #246

              Huÿgens was not much of a cat person.

              He liked his dogs because they were solid, loyal companions, and he could count on them to take care of his herd of langoats.

              Langoats were a kind of three-eyed manic woolly and horned creatures, with a big sensing tongue, attracted to every new sound, or scent, or colour, or texture… well almost anything new that came before their eyes (when said eyes were not covered by thick layers of wool that is). And as their memory was short too, all kinds of things were always new to them.

              That was why the dogs were extremely useful in channeling their movements; not that the langoats would have hurt themselves, because they were very able to provide for themselves, and jump from the top of a cliff without suffering much injuries. But they could very well loose all notion of their physicality and pop in and out of the fabric of time and space.

              When they came back, because they always did magically come back, even after months of wandering, they would at times be reconfigured into another creature, and that would be pointless applying too much effort in trying to bring them back to their previous form, because it was said, in relation to their stubbornness that once a langoat, always a langoat

              Huÿgens had already lost some, especially during the shearing season.

              And he had found himself back once with a cumbersome hippoliphant, and a bouncy shulimeek instead of two langoats.

              Anyway, langoats wool was a very precious asset, highly sought after, as it could very easily bind with magical spells. Most of the clothes made for royalties were actually made with langoat wool, and it was also said that some enchanters had used langoat wool to make magical tapestries that would shapeshift, and reveal things to their owners.

              So losing a langoat was not small concern for Huÿgens, and he had to be careful during the shearing season to leave some mops of hair to cover the three eyes of the beasts, so as to curb their insatiable thirst for discoveries.

              But these days, Huÿgens had been very concerned about his herding dog Fjutch. Fjutch was a fluffy black dog he had found when it was still a puppy. He had trained it to become the head of his pack of dogs, when he had noticed the old rheumatic Thöm was taking the puppy under its wing —because the old faithful dog was knowing that it would depart and would reconfigure into a new form, but would not allow that to happen, not before he could have found a reliable companionship for his beloved master Huÿgens.

              The healing properties of the langoat milk seemed to had done wonders once again, and Fjutch dis-ease was probably just a false alarm, but it had reminded Huÿgens how much he appreciated his dogs, every one of them, every day he was with them.

              As for the cats… Illi, that was her name, had decided to come back to the cave, and he was showing her the way to the place where he had found her. He had asked BelleDora to pack a few things for her. He could not give Illi the beverage she was referring to as “coffee”, as that plant was not found in their region, but in compensation, he gave her a gourd of langoat milk, because she seemed like she would probably need some.

              When he left her near the hole, he had some tears in his eyes when Illi hugged Fjutch very tenderly, as if the dog was reminding her of something dear. Illi after a moment hesitation, where she was like speaking to herself and not knowing what to do, finally hugged Huÿgens too, thanking him for everything he had done.

              And off she was… free and unfettered as a gripshawk

              ***

              When Illi had finished arguing with Illi about having her hug the big man, while this was not manners of her kind, she sighed as she saw that the opening she had first thought was here (yeah, because I fell in there! she said), her senses where telling her that it was now closed…

              How quaint said Illi for herself.
              — Well, as a matter of fact, it reminds me of something, said Illi F. There was that delicious gentleman, John Lubbock who said “What we see depends mainly on what we look for” and somehow it seems perfect.
              — I don’t know any Grubbeck, grumbled Illi, a bit irritated that the hole, which was there before, wouldn’t be here, now she needed it.
              — Lubbock was such a nice person, said Illi dreamily… Perhaps I could just try to have a peek inside the cave, if you let me.
              — What?! Do again your wizzy wooey thing and I’ll strangle you! Don’t know how I would do it, but I’ll do it!
              — Oh, you are so sluggishly gloomy! That was just to help you…
              — Mmm, sorry for that, I was a bit upset, said Illi. What could you do?
              — Just focus on the inside, and carry us both inside… But actually you would have to leave your body here, and we’ll probably see other things that do not belong to this place, but heck! that should be fun, Illi F said grinning widely.

              They were interrupted by some munching sounds and ruffling heavy breath.

              — What the bejeezus is that?! hissed Illi the cat (who didn’t even know how she knew so funny sounding words as bejeezus)
              — Can’t you see? That’s obviously a dragon eating some bushes… How strange… replied Illi F airily.
              — A WHAT? I HATE DRAGONS!
              — Ahahah, relax, I was just pulling your leg.
              — That’s not funny.
              — Well he has funny colours by the way. Pinkish purple I wouldn’t dare to wear in London streets.
              — That’s REALLY NOT FUNNY!
              — Why so? You can’t see it anyway…
              — And what if he sees me? Dragons are vicious creatures.
              — He’s too busy eating these funny berries, and will probably collapse of exhaustion once he’s full.
              — A chance! A vegetarian dragon!
              — OK. Shall we try to find an entrance in the cave with my method, or do we ask the dragon? He looks well-mannered by the way.
              — Oh, by the eyeballs of the Mighty Shrimp, you tell me…
              — No, you choose.
              — No, you.
              — You…
              — Ooooh, bugger off…

              #232

              A few days after Sam and Becky’s conversation on the phone, they were having a rehearsal.

              Just at the moment when they felt stuck again, despite Sam’s moves, Al and Tina, a couple of friends came crashing into the small theater room, and were greeted by an icy cold silence. “Icy” is an exaggeration of course, said Tina, “it just meant I had to put a jacket on again today”.

              Sorry for being late! said Al a bit uneasy.
              — Oh you and your uneasiness! said Tina. And I’m sure we’re arriving at the perfect time.
              — Oh, well, I’m not sure of anything today, said Becky. I’m sick of being force-fed coleslaw, and rigging down holes for myself.

              A silence was on the scene.

              :fleuron:

              At the same time, somewhere on the deck of his ship, Bådul was remembered of the landscapes of his land. He had not really appreciated them before, but now, he was finding them dear to him. They were for the most part a mixture of sandy dunes, from which at times peaks of icy rocky mountains would stick out. Lately he had felt like one of these peaks sticking out of the sands. The sands were shifting.

              :fleuron:

              Somewhere in Malvina’s cave.

              Malvina had been polishing the last dry eggs that she had found and that would not hatch. One of them had some interesting perfect round shape, and a very transparent shell, and it gave her an idea.

              She asked Leörmn to come.

              :fleuron:

              Quintin’s bedroom.

              [1:01] The clock was saying. Quintin had just awoken from a dream about an elderly woman who was showing him some drawings. These were not actually drawings, but in fact, they were called by the lady “glassart”. It was made, she said, of coloured sands, and would be vitrified by some flame. Quintin in that dream had thought the designs rather crude, but had found the idea interesting, and with great potential.

              :fleuron:

              Leörmn came almost instantly, appearing in a puff of teal smoke.

              Oh, I see… he said, reading Malvina’s mind. And I think I have the perfect sands to go with it.

              :fleuron:

              — Why hasn’t that pirate, Badass…
              Badul, corected Al
              — Whatever, Becky pursued imperturbably, that pirate Baddock used traveling portals to go and look for the eggs? Why the seas? Sounds a bit complicated and with lots of dangers too.
              — Good question, answered Al. Well, don’t want to answer for everyone, but in my perception…
              — Oh, get lost with your “in my perception” thing, that’s becoming tiring… sighed Tina
              — OK. So, for me, they have forgotten much about magic in his land.
              — Makes sense… added Sam dreamily… In fact, I’m not sure after all that Badul is only after gold. I think he has found some old desert dragon egg in a cave lost in his country and hopes to revive it, with the help of the people who still know about magic.
              — Which would explain the quest… said Al
              — Yeah, and he would have hidden that to the rest of the crew, probably… said Tina

              :fleuron:

              Leörmn had now finished assembling the magical artifact.

              — That’s one of our most beautiful magical artifact I’d say, Malvina gleamed
              — Oh yes it is. And how would you call it?
              — Let’s see…

              :fleuron:

              sabulmantium !

              Everyone cracked up at the word that Al had just blurted out. They had decided to have some distraction to alleviate the stress on the play, and they had a fun improvisation game, saying stupid things that went through their minds.

              — Hey! Don’t laugh like that, it’s something very serious actually, said Al tongue-in-cheek. Let me see…
              — Hahahaha, the others continued
              — Well, it’s a divination device, or a sort of compass in a way. I see it as a globe made of glass, with coloured sands in it, and when you focus on it, the sands take all sorts of three dimensional shapes, and become alive…
              — Wow! Tina couldn’t help but say.

              :fleuron:

              Leörmn, as Malvina had been telling him (or vice versa), had put the sabulmantium in one of the tunnels, to a place where he knew Arona would find it, and probably put it to good use for her future adventures.

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