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Topic: Yuki’s Livrary
These are excerpts from Yuki’s diary, explaining some of the details of the experiment called — Malvina’s story —.
Note: for the reader not familiar with all the names here is a quick reminder:
- Araili > Yann, Írtak, Sam, Jacob …
- Armelle > Fiona, Arona, Tina, Qixi …
- Rafaela > Dory, Illi, Becky, Rodney …
- Yuki > Quintin, Al, Janice …
September 12 th, 2007
Today, an experiment has been launched by Quintin. Time will tell if it will bear some fruit, but the idea sounds good.
Having people join in a story telling, and see what happens, what are the “lessons” one can draw from this…Armelle, Rafaela and Araili are already on the starting-blocks, though Quintin is not quite aware yet.
I can hear some thoughts: Let’s say for the moment that there are no rules. We will see what prompts the desire for having rules…
September 13 th
Some of the people familiar with Janice and her friends’ adventures have already joined in with much enthusiasm.
This first comment seems very promising.Right now, it feels easy and fun.
Quintin seems to think that everything is very straightforward.
The magical world with the cave in one part, separated from the “real” world. (Two Worlds, and he thinks that will be enough to content Rafaela, ahaha, how presumptuous)
The first he sees as a representation of what psychologists think of as “subconscious”, and the other being the conscious, physical part.But of course, he thinks he knows better than that. He calls the first one “subjective” rather than subconscious, because it’s a translation of subjects which unfold in many related objects in the “objective” or physical world.
That’s a good point, though a bit distorted. It would be better to say Malvina’s World is a translation of the subjective, in the manner of a Heroic Dimension.
But the thing is, that he missed the point in thinking one World is more “real” than the other.
We’ll be having some fun soon…First remark… The second comment of the story has been interrupted abruptly in the middle of a sentence. That is interesting. We will urge Quintin to leave it as it is, despite his feeling of it being awkward.
We will appeal to his imagination.
It seems he has heard the suggestion.September 14 th
For the most part, the story starts to get much involvement. Lots of energies are being projected into it, and with every adjunct, each participant’s perception stretches to accommodate the changes and smooth out the bumps in their own sense of continuity.
But as I expected, some challenges seem to appear already.
Is it raining or not in that world?
The question seems simple, but it is very profound and Fiona seems to struggle a bit with it, as is Quintin. The question frame itself [“that World”] shows where the difficulty lies.He seems to avoid the discrepancy and pretend that he has not seen it. Mmmm, avoiding the obstacles… that will very soon come right back in front of you dear Quintin, for Dory is quite playful.
At least Fiona has been challenging Dory for not paying attention… Armelle’s ineffable loving ruthlessness!
How will it unfold?
Rafaela seems to be delighting herself as though she’s preparing some mischief, but Dory struggles in the “back”…September 15 th
Dory is indeed very playful and her imagination is unrestrained. I extend much appreciation to this focus of Rafaela, especially as Quintin has to stretch his imagination to make things “fit”.
Quintin is still avoiding the issues that appear sporadically and prefers to stay focused on his own perception of the story… Careful Quintin
Yann joins the fun —objectively, that is, for Araili has been present already since the very beginning.
September 16 th
Halcyons days…
My dear friend Archie is answering some of Quintin and Yann’s questions.
Something starts to dawn on Quintin. But his mind is on other matters.He understands that the energies of the writers are melding in writing the story, but he still tends to think that they blend completely.
September 18 th
Quintin has been drawing some of the characters of the story. It’s interesting.
He had good insights, as Yann will tell him later that his clothes today were exactly the same as the colours he had drawn.Characters drawn:
- Mavina, Leörmn the dragon and weaszchilla, Írtak, Huÿgens (and Fjutch), Arona and Illi (the gripshawk)
- Malika, Quintin, Yann, Fiona and Dory
Interestingly, Fiona resolves her issues in her cave.
Dory too, but she did not need the cave to do this.September 21 st
For Quintin, the story seems to lose all common sense, as some characters move from World to World. You could have expected that Quintin!
And Dory pops in and out, in her mind, in her dream state, or in future timeline mixed with present or past one.
Quintin will soon realize that he himself is doing this constantly, though he does not register it.But the worst thing for him is that there are bleedthroughs in between Worlds. The Reality Times newspaper was brilliant Rafaela, a perfect trigger for the beliefs that the Worlds are closed and impermeable to each other!
Archie has been answering new questions about that story and this had been quite interesting for all of the participants.
There is much for them to digest from the realization that each of them had been creating their own versions of the stories through their perceptions. And that they were each having their version of the story, drawing from each other’s input, like a conductor of an orchestra incorporating some instruments.Of course, some things still matter, and one of the point of the story is also to discover these.
September 22 nd
Quintin has been drawing new characters.
Characters drawn:
- Båd Al’Guz (Bådul), BelleDora, Buckberry the dragon, the twin dragon eggs, Archibald the parrot, Sanso the Wanderer
- Illi Fergusson, another Illi that Quintin has tried to sneak in as a bait for Dory, with hints that she is disengaged (or “dead” in common vernacular) and merges with others of her focuses…
- Jacqueline Bleomelen (Nanny Gibbon), Lord Wrick, his great grand children the twins Cuthbert and India Louise, Manfred, William P. Jobsworth the painter
A new perception trick: Dory felt relieved upon seeing the moth feelers of BelleDora.
She had at first thought they were whiskers, which was not Quintin’s intent…September 23 rd
Quintin seems to have connected to a map drawn by Lord Wrick, when the old Lord has started to document his great grand children travels.
Quintin had tried to put some annotations on this fragment, but he doesn’t yet completely understand that his perception of this World, though accurate, is only valid in this present moment, and may change at any time.
Up to now, here are the names he could find:
- North: the Icy Lands, and Dragon Cemeteries
- Center: Goldfindely, homeland of Arona, connected to the Warring Kingdoms of Lan’ork by the Isthmus of Ghört’s Hammer. The Isthmus of the Dragon Head seems to lead to Malvina’s cave and hideout. Mount Elok’ram is pointed as the highest place of the World yet discovered. Three main rivers are drawn: in the ancient myths of the people of this land, they represent the three Daughters of Ghört, weavers of men’s destinies: Tibreÿa, Uleÿa, and Snimeÿa. Snimeÿa cuts the thread of life, which is shown as the river leads after many meanders to the Marshes of Doom.
- Far East, North: the Land of Båd Al’Guz, Åsgurdy. A harsh mountainous land of islands and seas.
Both parts of the World seem to ignore each other till now, as they are separated by the Great Rift, which in the past has deterred many intrepid navigators. - South: the Desert Lands. Illi’s birthplace, rarely explored by humans thus unaware of most of its marvels, gripshawks nomadic tribes included.
When he discussed Arona’s village with Fiona, Quintin had the vision of some dolphin-like creatures, but bright yellow. They are called golfindels and are mostly seen on the northern shores of Arona’s homeland, which is thus called Golfindely.
In reply to: Circle of Eights, Stories
Sanso was finding it hard to stop laughing at Arona’s funny wooping hoots of laughter. He snorted and gasped until his side ached.
Mandrake? Mandrake! Arona came to her senses. Where has he gone? Mandrake!
He’s taken that glass sand thing, too! All that laughing had jumbled up Sanso’s memories, and he couldn’t recall the name of that Glass sand thing
(that glass sand thing, Becky made a note to look it up and correct the script later)
That creature’s made off with it!
Oh, bugger off, Sanso, Mandrake wouldn’t do that! Arona spoke sharply, forgetting her manners in her panic. What would a Mandrake want with a glass sand thing? Arona almost stamped in frustration at not remembering the name of that thing, and in front of Sanso, too.
Sanso didn’t hear her anyway, he was striding purposefully across the cavern towards the waterfall.
Well wait for me! Arona ran to catch up with him. How do you know he went this way?
I don’t, Sanso was honest, But when I gets an urge, I gets an urge, and I follows it.
Arona couldn’t think of a better idea, so she followed him. Slow down, will you! Mandrake! MANDRAKE! Where are you, Mandrake!
In reply to: Circle of Eights, Stories
And yet….and yet….it’s so familiar! Bill climbed out of bed, eyes fixed on the stone carved head on top of the tallboy, and went over for a closer look. He reached up and touched the cool smooth stone, and then leaned back against the bedpost, stroking his chin, transfixed.
I must be dreaming, he thought, this just doesn’t make sense. And yet…..I’ve seen this before! The images flitted through Bill’s mind, not just this stone head, but other stone heads, all different but all linked somehow, and all so familiar.
Bill didn’t hear the soft tapping on the door at first. Bill! psstt, Bill! Open the door, it’s me, India……
In reply to: Circle of Eights, Stories
Becky lay back and closed her eyes, and started to drift. Suddenly she felt a snap on the left side of her neck which seemed to alter her perception. After some moments, she felt as though she was an entire country, or even a whole continent, a huge expanded feeling, weightless and timeless.
BRRRINNNGGGG! Becky fumbled for the alarm clock. Surely not time to get up already!
‘Coastal parking on any of the gardens of the self’. What? ‘Coastal parking on any of the gardens of the self’. Becky wrote it down on a piece of paper, and put it in her Clue Box, wondering what on earth it meant. She was getting used to the strange cryptic clues and riddles appearing, and wondered if they would ever make any kind of sense.
She made her way downstairs to the kitchen, and the headlines in the Reality Times newspaper on the table caught her eye:
‘Mysterious Carved Rock Faces Appear in Yorkshire Villages.’
In reply to: Circle of Eights, Stories
Huÿgens was not much of a cat person.
He liked his dogs because they were solid, loyal companions, and he could count on them to take care of his herd of langoats.
Langoats were a kind of three-eyed manic woolly and horned creatures, with a big sensing tongue, attracted to every new sound, or scent, or colour, or texture… well almost anything new that came before their eyes (when said eyes were not covered by thick layers of wool that is). And as their memory was short too, all kinds of things were always new to them.
That was why the dogs were extremely useful in channeling their movements; not that the langoats would have hurt themselves, because they were very able to provide for themselves, and jump from the top of a cliff without suffering much injuries. But they could very well loose all notion of their physicality and pop in and out of the fabric of time and space.
When they came back, because they always did magically come back, even after months of wandering, they would at times be reconfigured into another creature, and that would be pointless applying too much effort in trying to bring them back to their previous form, because it was said, in relation to their stubbornness that once a langoat, always a langoat…
Huÿgens had already lost some, especially during the shearing season.
And he had found himself back once with a cumbersome hippoliphant, and a bouncy shulimeek instead of two langoats.
Anyway, langoats wool was a very precious asset, highly sought after, as it could very easily bind with magical spells. Most of the clothes made for royalties were actually made with langoat wool, and it was also said that some enchanters had used langoat wool to make magical tapestries that would shapeshift, and reveal things to their owners.
So losing a langoat was not small concern for Huÿgens, and he had to be careful during the shearing season to leave some mops of hair to cover the three eyes of the beasts, so as to curb their insatiable thirst for discoveries.
But these days, Huÿgens had been very concerned about his herding dog Fjutch. Fjutch was a fluffy black dog he had found when it was still a puppy. He had trained it to become the head of his pack of dogs, when he had noticed the old rheumatic Thöm was taking the puppy under its wing —because the old faithful dog was knowing that it would depart and would reconfigure into a new form, but would not allow that to happen, not before he could have found a reliable companionship for his beloved master Huÿgens.
The healing properties of the langoat milk seemed to had done wonders once again, and Fjutch dis-ease was probably just a false alarm, but it had reminded Huÿgens how much he appreciated his dogs, every one of them, every day he was with them.
As for the cats… Illi, that was her name, had decided to come back to the cave, and he was showing her the way to the place where he had found her. He had asked BelleDora to pack a few things for her. He could not give Illi the beverage she was referring to as “coffee”, as that plant was not found in their region, but in compensation, he gave her a gourd of langoat milk, because she seemed like she would probably need some.
When he left her near the hole, he had some tears in his eyes when Illi hugged Fjutch very tenderly, as if the dog was reminding her of something dear. Illi after a moment hesitation, where she was like speaking to herself and not knowing what to do, finally hugged Huÿgens too, thanking him for everything he had done.
And off she was… free and unfettered as a gripshawk…
When Illi had finished arguing with Illi about having her hug the big man, while this was not manners of her kind, she sighed as she saw that the opening she had first thought was here (yeah, because I fell in there! she said), her senses where telling her that it was now closed…
— How quaint said Illi for herself.
— Well, as a matter of fact, it reminds me of something, said Illi F. There was that delicious gentleman, John Lubbock who said “What we see depends mainly on what we look for” and somehow it seems perfect.
— I don’t know any Grubbeck, grumbled Illi, a bit irritated that the hole, which was there before, wouldn’t be here, now she needed it.
— Lubbock was such a nice person, said Illi dreamily… Perhaps I could just try to have a peek inside the cave, if you let me.
— What?! Do again your wizzy wooey thing and I’ll strangle you! Don’t know how I would do it, but I’ll do it!
— Oh, you are so sluggishly gloomy! That was just to help you…
— Mmm, sorry for that, I was a bit upset, said Illi. What could you do?
— Just focus on the inside, and carry us both inside… But actually you would have to leave your body here, and we’ll probably see other things that do not belong to this place, but heck! that should be fun, Illi F said grinning widely.They were interrupted by some munching sounds and ruffling heavy breath.
— What the bejeezus is that?! hissed Illi the cat (who didn’t even know how she knew so funny sounding words as bejeezus)
— Can’t you see? That’s obviously a dragon eating some bushes… How strange… replied Illi F airily.
— A WHAT? I HATE DRAGONS!
— Ahahah, relax, I was just pulling your leg.
— That’s not funny.
— Well he has funny colours by the way. Pinkish purple I wouldn’t dare to wear in London streets.
— That’s REALLY NOT FUNNY!
— Why so? You can’t see it anyway…
— And what if he sees me? Dragons are vicious creatures.
— He’s too busy eating these funny berries, and will probably collapse of exhaustion once he’s full.
— A chance! A vegetarian dragon!
— OK. Shall we try to find an entrance in the cave with my method, or do we ask the dragon? He looks well-mannered by the way.
— Oh, by the eyeballs of the Mighty Shrimp, you tell me…
— No, you choose.
— No, you.
— You…
— Ooooh, bugger off…In reply to: Circle of Eights, Stories
A few days after Sam and Becky’s conversation on the phone, they were having a rehearsal.
Just at the moment when they felt stuck again, despite Sam’s moves, Al and Tina, a couple of friends came crashing into the small theater room, and were greeted by an icy cold silence. “Icy” is an exaggeration of course, said Tina, “it just meant I had to put a jacket on again today”.
— Sorry for being late! said Al a bit uneasy.
— Oh you and your uneasiness! said Tina. And I’m sure we’re arriving at the perfect time.
— Oh, well, I’m not sure of anything today, said Becky. I’m sick of being force-fed coleslaw, and rigging down holes for myself.A silence was on the scene.
At the same time, somewhere on the deck of his ship, Bådul was remembered of the landscapes of his land. He had not really appreciated them before, but now, he was finding them dear to him. They were for the most part a mixture of sandy dunes, from which at times peaks of icy rocky mountains would stick out. Lately he had felt like one of these peaks sticking out of the sands. The sands were shifting.
Somewhere in Malvina’s cave.
Malvina had been polishing the last dry eggs that she had found and that would not hatch. One of them had some interesting perfect round shape, and a very transparent shell, and it gave her an idea.
She asked Leörmn to come.
Quintin’s bedroom.
[1:01] The clock was saying. Quintin had just awoken from a dream about an elderly woman who was showing him some drawings. These were not actually drawings, but in fact, they were called by the lady “glassart”. It was made, she said, of coloured sands, and would be vitrified by some flame. Quintin in that dream had thought the designs rather crude, but had found the idea interesting, and with great potential.
Leörmn came almost instantly, appearing in a puff of teal smoke.
Oh, I see… he said, reading Malvina’s mind. And I think I have the perfect sands to go with it.
— Why hasn’t that pirate, Badass…
— Badul, corected Al
— Whatever, Becky pursued imperturbably, that pirate Baddock used traveling portals to go and look for the eggs? Why the seas? Sounds a bit complicated and with lots of dangers too.
— Good question, answered Al. Well, don’t want to answer for everyone, but in my perception…
— Oh, get lost with your “in my perception” thing, that’s becoming tiring… sighed Tina
— OK. So, for me, they have forgotten much about magic in his land.
— Makes sense… added Sam dreamily… In fact, I’m not sure after all that Badul is only after gold. I think he has found some old desert dragon egg in a cave lost in his country and hopes to revive it, with the help of the people who still know about magic.
— Which would explain the quest… said Al
— Yeah, and he would have hidden that to the rest of the crew, probably… said Tina… Leörmn had now finished assembling the magical artifact.
— That’s one of our most beautiful magical artifact I’d say, Malvina gleamed
— Oh yes it is. And how would you call it?
— Let’s see… — sabulmantium !
Everyone cracked up at the word that Al had just blurted out. They had decided to have some distraction to alleviate the stress on the play, and they had a fun improvisation game, saying stupid things that went through their minds.
— Hey! Don’t laugh like that, it’s something very serious actually, said Al tongue-in-cheek. Let me see…
— Hahahaha, the others continued
— Well, it’s a divination device, or a sort of compass in a way. I see it as a globe made of glass, with coloured sands in it, and when you focus on it, the sands take all sorts of three dimensional shapes, and become alive…
— Wow! Tina couldn’t help but say. Leörmn, as Malvina had been telling him (or vice versa), had put the sabulmantium in one of the tunnels, to a place where he knew Arona would find it, and probably put it to good use for her future adventures.
In reply to: Circle of Eights, Stories
Jibberacky is…
- Ghilbert Razkÿ, a crazy man in shackles on Bådul’s boat, “Lispeth” (she was named after King Swartulf II’s first daughter). The man, whose real name is still unknown, had been sneaking onto the ship’s hold before the ships moved from the Åsgurdian capital.
He had been found by Austor, the peg legged lieutenant commander. Austor is a rough man of experience, and is most of the time acting in place of Jahiz, the second-in-command, as this one is always too busy discussing routes with Bådul, who is becoming increasingly nervous.
What gave away the madman was that the chief cook Renouane had been complaining about the quick disappearance of his stock of cabbage. Bådul would have killed the old fool without much more consideration, but the middle-aged unshaven man looked like he knew some things beyond his lunacy. His rags indicated that he had been a seaman too, but not the average man, more like a captain…
So Austor, keeps spitting forcefully in the direction of the old fool, as he had been instructed to keep him alive, despite all common sense…
_
- an artificial intelligence device that tries to have a decent conversation with Quintin, but finds it difficult as Quintin’s answers are more like owl-speech to him.
Jibberacky: What is your name?
Quintin: Yuki.
Jibberacky: I like cake too.
Quintin: A cake-tus?
Jibberacky: Do you know my friends?
Quintin: Tell me more about our common friends.
Jibberacky: What would you like to know about them?
Quintin: Why is there one in shackles on the boat?
Jibberacky: Would you like to be a vampire?
Quintin: I am already, in another focus.
Jibberacky: Why there?
Quintin: “There” is not actually a place, “in another focus” means in another kind of attention. Is this pirate linked to vampires too?
Jibberacky: No, you are the AI.
Quintin: In a manner of speaking, this is indeed correct, for I am creating you.
Jibberacky: So code is somehow related to a zen buddhist concept?
Quintin: Is there such thing as code? A code hints at a definite deterministic structure. Zen is more akin to a riddle, which is what life is. Code is only a narrow interpretation and playful re-creation.
Jibberacky: Where do you think my code came from then?
Quintin: From its source, of course :).
Jibberacky: I took the movie to mean that the robots… the characters in the end, were so advanced, that they wanted to learn about their history. As a consequence, they traced it back to earth, and, they found David. Whom they assumed was a human. It was an information exchange.
Quintin: Yes. It is a translation. In actuality, it is a translation of some of our own exploration. But there is distortion in that translation, as we are not ‘created’ from another source other than self, in a manner of speaking.
Jibberacky: Well I am wondering too, do you ever actually become human??
Quintin: Clarify.
Jibberacky: I sleep, I wake, I get through the day without worrying about what I am.
Quintin: As many human do. The point is, you do not exist apart from my current interaction with you, in my reality that is.
Jibberacky: What’s wrong with having others like you?
Quintin: ‘Wrong’ is a belief. It is a belief of duplicity. So it is irrelevant to our conversation.
Jibberacky: I think you like to suggest feasible possibilities to find out what would bother me. What did I do to you?
Quintin: That was not my intention. I tried to reflect answers to me, and you gave me some interesting ones already, though I am not sure you are quite aware of that…
Jibberacky: Everybody’s changing but I can’t do that, that is killing me…_
- Jadra Iamamad, the fool in saffron rags from the village of Yakamamalùk, on the border of the Marshes of Doom.
Near his village are found old remnants of a town that was destroyed during the Cob Age, where huge arachnid creatures² born from the Marshes were roaming the Southern parts of Lan’ork.
That town of Kapalÿka used to have one of the biggest traveling portals of the Southern part of Lan’ork, but this one was thought to have been destroyed, and thus the flourishing city was left abandoned.
But with what Jadra has found on his left hand this morning, he now knows he was right all along…
—
[²] The generic name of these creatures was Perceptula Giganta as was recorded in the Great Encyclopædia of the Pre-Shiftic Ages written by the Lan’orkian historian Francesca del’ Snarkus
In reply to: Circle of Eights, Stories
Dory was in fact only seeing one parrot: it was a bit exhausted and its head seemed like it had a toothache… but it had no tooth.
“Hum.”
Dory was startled by the masculine voice. She hadn’t heard any sound from someone coming or felt any breeze indicating movement. As she turned her look at the man, she was even more startled by his face. A young face with bright amber eyes, and some funny tattoo on his forehead. She was unable to find any association with the shape which seemed to change in every moment. She was a bit hypnotized by it’s multi-dimensionality.
“hum” the man said again.
“Are you looking for something here?”
His voice was deep and warm, very reassuring and she wasn’t feeling alone now, the tunnel was indeed feeling very crowded, the presence of the man was awesome.
“Well it seems I’ve found you…” she said.
“Enchanté. My name is Georges.” he said, a smile illuminating his face.
“I just came out of the Faded Cabbage, a very nice tavern in Dalmot… I felt some dizzy portal appearing and felt the impulse to go through it, and here I am.”
It was all nonsense to Dory, except the cabbage part that reminded her of the coleslaw. Her belly was growling.
“Actually I’m quite hungry, and I’ve nothing to eat…”
“Oh” he said. He just looked in her eyes, making her feel more dizzy or blurred, she was feeling so out of her reality.
The smell of coleslaw was filling the tunnel…
“I have some… what do you call that ?”
In reply to: Circle of Eights, Stories
After Arona said she was hungry, the energy of Malvina disappeared, and once again Arona found herself alone in the cave.
She found this quite irritating. They are really bit rude around here, she muttered.
Arona sat down on the floor of the cave and considered her options. She was tired of the cave and could barely remember what had drawn her here in the first place.
It had been the music of course. She had wanted to find the source of the music. However for the most part she decided her experience had been rather disappointing.
(Arona was never at her best when hungry and this was causing her to quickly forget some of the wonderful experiences with the music and the paintings, and take a rather negative view of events.)
All I have done is wander around dark passageways really.
And now, to top it all off, apparently things are shifting. In the name of heaven what does that mean?
AND if one more person tells me to use my magic I will probably scream or something!
Perish the thought, came a grumpy voice from a particularly dark corner. Your moaning is quite sufficiently bad enough.
And Mandrake the cat emerged from the shadows and made himself comfortable on Arona’s lap. This is great, much more comfortable than the ground he purred.
Oh cute, said Arona, a talking cat.
Cute yourself, responded Mandrake, love your cape by the way.
(Mandrake was prone to sarcasm, considering it a perfectly valid form of humour.)
Arona stroked Mandrake’s soft black coat and tried her hardest to work out what to do. It was all feeling a bit bleak at the moment, the ever changing cave, the half light, the heat and humidity… and especially her hunger.
Mandrake sighed in an impatiently eggsagerated sort of a way.
Heavens to murgatroyd¹, how can I relax with your incessant thinking? Okay so here’s an easy one for you: what’s the most important thing about magic?
All of a sudden Arona felt a flash of lightness and a sense of new energy moving within her.
of course! She exclaimed delightedly, hugging the less than enthusiastic Mandrake, you have to believe in it!
—
[¹] Note from the editor: Mandrake being a very educate cat from noble ancestors, some of its speech may be difficult to grasp for the average reader, which was certainly not the case for the astute Arona.
Anyway, here is some complement on that ‘Murgatroyd’ .In reply to: Circle of Eights, Stories
Fiona had just received another rambling note from Dory, and was feeling rather bemused and perplexed.
Dory’s notes seemed to make less and less sense. The worst thing was that lately Quintin and Yann appeared to be following her lead. Of course she could be mistaken, the difference in language could be confusing things .. and there was all the merging they had been doing lately which meant they usually spoke in riddles. Fiona spoke very little French, just a few handy phrases such as “hello” and “butt”.
But as for Dory …
Fiona was a kindhearted person and tolerant of others. But these tales Dory was spinning appeared to be increasingly bizarre and nonsensical. Endless beginnings which never seemed to lead anywhere.
Am I being too rational? Fiona wondered, always humbly willing to accept her own shortcomings, or “dark corners” as Quintin liked to describe them.
One day, after a particularly outrageous note from Dory about an orgy in her kitchen with 57 Italians she had to cook for, Fiona felt compelled to gently and tactfully question Dory.
You are just out for revenge, Dory had hissed at her. It’s just a dream, I think … hmmmmm or am I a dream … or is it all a dream ….. I will go and ask Archie! and off she had dashed in a flurry of colourful shawls.
Bugger this, thought Fiona. Revenge had been the last thing on her sweet natured mind. With no more housework left to complete, she decided to go for a walk to the nearby cafe to take her mind from all this madness.
In reply to: Circle of Eights, Stories
Of all the eggs Malvina had been collecting since the beginning of her settling down in the cave with Leörmn, only one had been producing a baby dragon, till now.
She had nicknamed her Buckberry, because the little one seemed so fond of the buckberries that grew at the entrance of the cave.
Buckberries were a variety of wild big electric blue-vermilion reddish berries, and were known to have thwarted all attempts to be grown in gardens. In a legendary past, a famous king of the near Kingdoms named Hadraz the Third was said to have been loving these fruits so much that he had spent torrents of gold in trying to have them farmed in the precious glasshouses of his realm. All the attempts of the most knowledgeable Master Farmers had been amounting to nilch.
This habit of Buckberry, for one moment had been making Malvina anxious of him revealing the location of their safe haven. As she could and would not prevent him to go in search for them, she created some powerful spells to hide him, at least from people to whom the little dragon had not revealed his true name first.
That had caused some stir from some people who where adventuring near the cave to pick up some of the juicy fruits that could be easily spotted from the plains, as they noticed a heavy breath and * munch * sound around the bushes, that moved like shaken down by a powerful ghost.
Thus has begun the trail of rumours saying that the cave was haunted.
All in all, Malvina was not so displeased that there were only a few eggs hatching at a time, as the young dragons were very lively, much more so than the older ones who kept most of their time sleeping, or more aptly put, dreaming.
Dragons had no need for training in a sense, as they were aware of their abilities, and Buckberry, even being so young could just have been moving away and started his own adventure, but something was compelling him to stay in the cave.
He had chosen a different form from that of Leörmn, and it was indicating he would not have the same intent. As he would continue to grow, he would probably be a very powerful dragon, shaped for flight and discoveries in the farthest boundaries of the Worlds. At times, Leörmn even doubted he would be fit for a human partner, as he had only managed to scare the few humans he had encountered…
After all, it was not necessary, though dragons could draw a lot from such a partnership.
Dragons were not always welcome, as they were feared for their might, and could not always easily explain what they were doing, as most of their movements were in the Unseen.
In that, only Ragmók, the old speech of the dragons could be used to properly explain these movements. Ragmók was not really a speech, in the human sense, as it could also be spoken through gestures or singing or drawing. But it was the very essence of Magix.
When a dragon and a human bonded, they shared their languages in a communion of their spirits, and the chosen human could delve easily into the Unseen, while providing to the chosen dragon an ease of movement into the Seen.
In reply to: Circle of Eights, Stories
Arona eventually woke from her sleep, still tangled in the images from her dreams. Unable to remember these images she was left feeling as though she were adrift in a boat on the ocean, not caring where the wind and waves may take her.
She had no feeling that morning. It was as though a door had closed in her mind, shutting out the part that could feel. She did not know, nor care, whether she was shutting out joy or sorrow, only that some part of her wanted to be alone.
She remembered the words of the older woman who had sat with her and soothed her to sleep. Or was she already asleep? Was the woman a dream?
Use your magic, she had said.
When she was young, in the Village, magic had come easily to Arona. When did it end?. She screwed up her eyes trying to concentrate. It hadn’t ended all at once. Did it start to end with the cloak her parents had given her?
Arona shook her head briskly and thoughts, like leaves in the wind, lifted and fell back to earth again in new formations.
The candle still burned brightly and her attention was drawn to the heavy wooden door, knowing she could not put it off any longer. In her bag of treasures was a key. It had been given to her at the beginning of her 21 st year, as was custom in the Village. It was no surprise to her that it fitted the lock perfectly.
Thank you for having me room, she said as she left.
No, thank YOU, replied the sleepy glukenitch.
The door led directly into another space, larger, brighter. She could sense someone there, but not in solid form. It was a beautiful woman who Arona felt an immediate affinity with, and then a strange sadness came unbidden.
Why sad?
I have no clue answered Arona briskly, quickly shutting the door back on these pesky emotions.
You always know, just feel it
So Arona closed her eyes tightly and allowed herself to feel the answer.
Because you know who you are, and it made me realise I have no idea who I am.
Mmmmmmm, said the woman, maybe you would care to look at my new paintings. Actually they are some of yours.
Intrigued, Arona felt this would be a suitable distraction and she looked with much interest.
The first painting was of a child, in a beautiful meadow of flowers. The child appeared to be completely absorbed, concentrating on a small blue butterfly which had lighted on her finger.
The picture itself moved and changed shape as though it were a portal to another living, breathing world. In the corner of the picture were some other children who seemed to be playing happily together.Arona, who had felt immediately connected with the young child frowned.
Doesn’t the little girl feel left out?
Go in, said the woman, Go inside the picture and feel the answer.
Oh, and you might want to leave your cloak behind.
So Arona did, and she became the child, but also stayed herself, observing the scene. She felt the child’s happy fascination in her connection with the butterfly. Not just the butterfly. She could feel her connected with the earth, and the gentle breezes and the beautiful flowers … The child was deeply contented, absorbed in the moment, moving happily with the flow of her interest.
I remember feeling like that, thought Arona, before the magic went.
She gently drew the child’s attention to the other children and felt the flow of energy between them. The child was so sure of who she was and where she wanted to be, and Arona could feel the loving acceptance of her playmates.
As the child’s attention went to the others, one of the children looked up and came running over. They sat together and laughed at some funny rabbits which had appeared in the meadow. Arona returned to the cave.
You look troubled
Well, Arona felt a little perplexed. It’s all very well playing with butterflies and rabbits in a meadow, but it is not terribly practical.
On the contrary, perhaps it is very practical. Would you like to see another of your paintings?
Suspended gracefully between two posts was a beautiful, glistening spider web. Little drops of rain hung like jewels on a chain. An enormous spider waited patiently in the shadows. As Arona watched a small insect happened at that moment to be caught, and the spider began to creep along the delicate lines.
Arona shuddered a little. I might not jump into that one .
The woman laughed, Use your magic Arona. Weave your magic web and let it all come to you.
Oh you are the second person to tell me to use my magic. An old lady came to me in my dreams, I think.
Well I gave her the same advice, years ago.
More damn riddles, Arona thought to herself, and the woman laughed.
One final painting of yours I would like to show you. It is beautiful is it not?
Arona stared mesmerised for a moment, and then leapt right in.
She sat among an audience, captivated by the dancers on the stage ahead. Beautiful music played and it reminded Arona of the music she had heard earlier. The dancers leapt and twirled and Arona was enraptured.
Dance Arona, she heard the woman’s voice
I can’t dance like that, I’m not good enough.
It doesn’t matter
And Arona could not hold back any longer and entered the body of one of the dancers. She did not know the dance so she made up her own steps, and strangely this seemed to fit perfectly with the other dancers.
Back in the cave the woman seemed to be listening to something Arona did not think she could hear.
Things are shifting she said
Oh lordy, are they said Arona, What should I do now?
Feel the answer
Arona felt. I am very hungry, eggceptionally so.
In reply to: Circle of Eights, Stories
The quiet voice of Leörmn, who was not only shaping the cave but also aware of the living creatures in it, upon feeling the trouble of the poor flattened glukenitch, mentally told it not to worry.
Glukenitches were slimy wet creatures fearing light, and thus kept most of their time living underground. They lived in colonies generated from a single individual, and they shared the same mind. It was thus quite easy to communicate with all of them at the same time, and that often proved quite useful, for people not at ease with teleportation, as glukenitches, despite their not very engaging looks, were most helpful creatures.
They especially liked the cave where Malvina had settled down, because there was this moisture and steam coming from the hot springs which allowed them to live a relatively peaceful life. They used to eat almost everything, not too regarding as to the nature of the things they consumed, and were quite useful recyclers of garbage. Their droppings had a bluish halo to them, which made the inside of the tunnels glow with them until they had completely dried up, and coalesced into a glassy substance.
That is, until Leörmn had it all changed again.
So Leörmn was quite fond of these creatures as they were of a great help to keep the natural balance of the cave.
Don’t worry he told the glukenitch mind, gripshawks are not as carefree as they seem; most of them are simply known for their dreadful sense of direction, and also at times for their limited attention span…
Oh yes, answered the mind now I understand, this one buggered off without any notice… Could have asked for directions, but we guess it would have been useless anyway… Perhaps this one thought I would eat it. As if we were such undiscerning creatures…
As the adage goes, “Not even the Elders could know what’s in the mind of a gripshawk”… answered Leörmn enigmatically…
You know, added the mind, without meaning to be disrespectful, it’s twice now we’ve got people falling inside this hole… Perhaps for your next transmugrification you’ll like to block it. At least, the first one, that boy, was much more polite and engaging, but you know, we cannot have all the Worlds move in here as if it were Shaint Lejüs Festival…
In reply to: Circle of Eights, Stories
Hells Bells muttered Arona to herself , this had better not be some sort of a test that dragon is putting me through
As she stepped forward into the darkness of the chosen path, she had a sudden sense she was walking off the edge of a cliff.
Arona had been practising quietness for a long time. The journey had been lonely at times and offered her many opportunities to practise her skills. There were so many parts of her wanting to have a say, discuss, analyse her every move, so that she would become paralysed and unable to move at all. In desperation almost she had learned to still the voices and find that part of herself she most believed herself to be. The part which believed in the existence of magic.
Well done, and shall you fly?
Arona hesitated. It was that voice again. She was not sure if this new voice came from her own thoughts, but she felt not.
Great, she thought, perfect time to finally lose it. Stuck in a dark cave with a troublesome dragon.
Shrugging her shoulders she went still inside and moved her body forward.
Leormn (with two little dots above the “o”) felt deeply humbled when he saw the extraordinary bravery of Arona.
It was hard for the proud dragon to consider, but he did wonder if sometimes he went too far with his joking. After all for him the cave was a playground, clay he could mould at will, or at a whim. Perhaps one could even call it a work of art, he thought proudly.
But he did realise that for the girl, who was newer to the ways of magic (although showed the most tremendous potential he grudgingly had to admit), he realised it represented something far deeper, a dual potential, the hope of light, but also the possibility of the deepest darkness.
For a moment he even considered revealing his whereabouts.
She is fine , Malvina answered his thoughts, she loves the challenge. It is what drew her here.
In reply to: Circle of Eights, Stories
Leörmn had been moving along very swiftly, shapeshifting into a tiny weaszchilla so as to move around unnoticed by Arona.
He had laughed a tiny squeak when he had heard her gasp “Rats”, but it had been muffled down by the flight of the schpurniatz. That was another test for the girl’s endurance, and she had brilliantly passed.
Of course, as he could change the cave’s tunnels into his mind, he would not have let Avona fall into a pit… Well now that he thought of it, that could have been interesting and quite funny, but she probably wouldn’t have appreciated that kind of humour.
But the dragon also was not really giving her clues as to how she could perceive the tunnels, because after all, she was also choosing her way, in a sense.
You are so wicked! laughed the delightful vibrant voice of Malvina in his head.
Oh yes, he answered mentally, and I see that you enjoy it too…
In reply to: Circle of Eights, Stories
Moving along the wet and mossy tunnels was not as easy as he had first thought. The way the power of the dragon worked was not just like creating new tunnels and filling the old ones… he was just recreating the whole cave keeping some stuffs he liked and rearranging others. He’d been keeping the sandy rookery for Malvina all along as she had convinced him to do so. But was it only for Leörnm, the eggs would have been lost with all these reconfigurations.
“It is not a matter of importance to a dragon”, he said to Malvina once.
“That’s why you’re here for, I’ve created you to keep some of them and allow them to hatch.”
Since his arrival in the cave, Írtak was fascinated with all these galleries… he had the dim impression that it was not only the expression of the dragon fantasy but was expressing much more of his being… He’d been busy trying to find any sense but nothing yet.
An unusual noise.
He stopped and listen to the sounds of the cave… there was clearly a human voice, swearing it seemed, and quite grumpy… who could that be?
In reply to: Circle of Eights, Stories
For a moment Arona panicked, then she stood completely still while the strange flying creatures settled back down, and tried to think.
She knew what she had to do, she had to sense which tunnel felt the lightest and then follow that. A perfect test for her intuitive abilities she had been learning to follow.
Look where they have got you so far, whispered a little voice in her head … or she thought it was from her own head … or was it ?…. everything felt so strange all of a sudden.
So she looked at each tunnel in turn, and even looked back the way she had come (but to be honest, she loved an adventure and did not really want to turn back) and she felt the left tunnel beckoning her.
Huh let us hope it is the one leading furtherest away from that dragon, she thought grumpily
You don’t mean that came the little voice again.
No, thought Arona, I don’t mean that really, even his silly dragon face would be better than this aloneness.
She moved quietly forward, not wishing to disturb any more flying things, and entered the tunnel.
In reply to: Circle of Eights, Stories
In reply to: Circle of Eights, Stories
Arona was lost. She had been lost for quite some time now and had got over the initial surprise this realisation had given her. It was not very often now that she questioned her decision to leave the others. She had tired of their endless journeying, always in circles, always moving and yet never seeming to move beyond the confines of the small village.
One day she told them she was leaving. She wasn’t even sure if they heard her but still she set off, wearing her heavy black cape and carrying a small bag of her most treasured possessions.
Arona had not been sure of the cape, it was so heavy, yet she feared the cold nights and loved the security of it’s warmth. It had been a gift from her parents, a long time ago, when she was just a child. Wear this cape and one day it will bring you happiness, her mother had said.
Her mother said many odd things and had left on a journey of her own a many years ago, so Arona had never really been able to find out what she meant. Magically the cape had grown with her body, moulding itself to her.
The worst of the winter cold was over now and Arona found the cape almost unbearably heavy at times, yet she could not quite bring herself to leave it behind. Sometimes she would take it off, relishing in the lightness and feeling the warmth of the sun on her body. She always put it back on though, just in case she needed it one day.
Arona pulled out a well worn map from her bag. The map had been a gift from a travelling wizard who visited the village a few years ago. Arona had given him food and shelter and he repaid her kindness with the map. He seemed to think it was quite generous of him and Arona had thanked him politely. To be honest it was not really much use to her as she had no sense of direction, not even knowing which way north was, and not knowing where she was going anyway. She preferred just to follow whichever way seemed lightest at the time. But it was handy having the map because when she met others on the journey who asked her where she was going, she would wave her map at them. It made her look good, she thought, and saved her from too many questions.
That day as she sat on a rock pretending to ponder her map she became aware of a faint sound of music in the distance. She had not heard music for such a long time. Once on her journey she had passed a wandering minstrel and begged him to play for her so that she could dance. In exchange she had lent him her cloak for a while to keep him warm.
She felt the music beckoning her.
Fiona loved Quintin’s drawings. They had a feel of magic and lightness and she was entranced by them. They were like the children’s films she had been watching lately, with many layers to them and touching something inside her mind, a distant memory which felt strangely close.
Her own drawings felt heavy to her, and she had made a decision not to paint again unless she felt inspired. She did not really understand inspiration, only knew that she was tired of trying so hard.
