Search Results for 'slid'

When Berberus arrived at Gazalbion, still wet from his swim down beanstalk through the City’s sewer waterslides, the Great Processor in person came to great him.

“Dear, dear, what have we here. That’s not so often the P’hope sends someone down here with us poor heathen… To what do we owe the pleasure?”

By the look of his office, the Processor was doing well. Small favours had earned him enough belief of his worth, and his office was full of amenities otherwise hard to come by and much more to sustain, down there.

“Would you share with me some hydromel, made from waterbee honey, you’re not mistaken. That should help you get more… comfortable.” He said his last word intently, giving a look at the hook-leg.

Berberus liked to have people guess at why he kept it so visible, while obviously he could have conjured enough belief to alter it himself. It gave him an edge over them. And the hook gave nasty scars too.

“Not drinking on duty.”
“Very well, suit yourself.” the Processor said drinking his voraciously.

“Any strange people coming lately? Out of the ordinary beliefs to contain?”
The other brushed off the question “No, not really… Now, about this promotion our dear friend the P’hope mentioned back in 2020, what do you think… Any chance to get out of this hellhole? Promised Land my butt. What do we get next? Flying whales?”
“You’re not. Answering. My. Question.” Berberus was already losing his patience and started to mentally conjure the many painful ways he could believe this talk would end.
“I have already answered it, and if you have nothing else to share with me, you might as well me back to your sad master.”

The Processor made a movement to get up from his chair, but a swift and precise swipe of the hook-leg anchored him back in it.

The other was looking at him with empty eyes, and the Processor’s mistake was to think he was an idiot that could be sent away easily.
He poured himself another drink, casually answering with a “We’re done. Get out.”

When Berberus got out, it was of his own volition, leaving a trail of blood up to the door.
He had managed to extract one word from the slob before his soul left his body: Sanso

The tunnel-sliding in the jelly cart was actually much smoother than the zebra ride prior. “Bless those frogs, aren’t their croaking some delightful melody of the spheres to our ears?” Sanso in his wetsuit was oblivious to the slime around, grinning as widely as a puppy with an old boot to tear to pieces.

Bless that jelly cart… Sadie was thinking instead, beeswax in her ears, thankful for the heart of silence and peace inside. Save for the chitchat of the others, she could temporarily forget about the ezapper (slide safety measures prohibiting the use of ecletical devices during such travels), and retreat in the sweet serenity of her inner peace.

That was,… until the image of Linda Paul abruptly came into her inner eye, almost having her buggering it off with wild manic gestures and in a string of loud swearwords — an emotion which she immediately managed to turn into nothingness, but sadly not the image.
It was a memory of what she’d told her before they left.

It’s high fucking time, honey pie… she’d told her. High fucking time you find yourself a fucking amazing Drag Queen name, sweetie bee. Look, she’d said, drawing closer with an air of grand voodoo priestress, this ain’t no fucking small talk, this is important.
I can come up with ten thousands of names in a minute for you, but you got to choose for yourself.
Sadie had almost rolled her eyes, but just mentioned as lovingly as she could. “Am I not a bit too… female for that?” To which Linda had burst into laughter hysterically, then continued with even more compunction. “Ain’t nothing to do with gender, sweetie, I thought you knew that much.”
“Besides, offering yourself your Drag Queen name is an act of love and empowerment. You should try it when you’re ready. And then, you’ll accomplish miracles.”

Not that Linda Paul was known for euphemisms or understatements, but Sadie found she might give it some thought.
If only to get rid of that annoying affected voice in her face.

There was a lot of commotion that night.

It all started a little bit before 6 PM, while the winter sun was very pale and slowly rolling behind the horizon. Jean-Pierre Duroy of the Royal Intendancy had the maids rounded up in matching uniforms to finish the cleaning of the Opera House, and ready to start to light the thousands of beeswax candles with almost military precision. This didn’t go without hiccup of course, but they did mostly well, and the Opera House was ready for the comedians before 5:55, leaving them with 5 spare minutes to catch their breath before the eighteen rings of the bell.

Even a little bit before that, Nicole du Hausset who had spent the whole dreaded day in anguish about the Queen’s lost ferrets, while attending to Madame’s every whims, realized after scouring through the Palace and hearing through the grapevine of the maids’ ring of deals in stolen goods that she should slide a word to the Royal Intendant through some unofficial channels (she knew well Helper, who was a great influence on Cook, who then could talk discreetly to Annie Duroy, of the Royal Pastries and Cookies) so an investigation could be carried out without any particular mention of the ferrets. As she would realize later the morrow, not only would the ferrets be retrieved at the Opera House and the Royal Chapel, one for each location, except slightly lighter and cut open, an act that would be seen as a hidden message and possible attempt on the Good Queen’s life, and dealt with appropriately by a specially appointed Inquisitor —but also, and notwithstanding any longwindedness, that it would make little difference as the perpetrators would be nowhere to be found the next day, having vanished, it seemed, in the ensuing confusion (of which we will come to in a minute), stealing in the process the Royal Balloon and a few chouquettes from the Royal Cuisines.
Her duties fulfilled, and being now on the other side of the fateful date of Jan. 5th, 1757, at 17:57 without any significant change to her reality or life, she deducted her mission as the safekeeper of the time-smuggled ferrets was by then accomplished, and she could focus on her more pressing duties.

It was only 5:57 PM shy of a few more seconds, that Madame Pompadour, powdered like there was no tomorrow, would be helped by her two maids into her gorgeous John Pol Goatier designer dress, and her lambswool petticoats. She was dressed to kill, and that made her all the more suspicious in the minutes to come, but we are getting ahead of ourselves.
Madame de Pompadour’s schedule for the soirée was very precise. At 6 PM, she would greet her guests, and the King back from his afternoon at the Parliament at the entrance of the Palace, so they could all head to the Royal Opera, passing through the Chapel into the brightly candelight-lit half-built building where the show would take place.
There was to be a toast first, from fine champagne delivered the morning in zebra carriage (one of the Queens’ daughters idea, which had pleased enough the King that he’d booked them for an evening ride into the Gardens). She was all set, and with great dignity and carefulness, arrived at the spot a mere seconds after her Grace to great the King.

At the same time, Jean-Pierre Duroy, who had not seen them as he’d passed through the Chapel the first time (ungagged but still under sleeping curse and tucked in the corner of the stained glass windows depicting the martyrdom of Christ), and as he was getting anxious at the lack of punctuality of the comedians whom he’d thought sleeping in their trailer parked nearby, was notified that the trailer had been found empty by the bellboy he had sent to remind the comedians to be ready in 10.
A man of great resources, always ready with plans B to Z (he wouldn’t boast, but the zebras being one of such past plan Z, second only to an unlikely belching toad plan, the details of which we won’t get into just now), the Royal Intendant was ready to put in motion said plans, but the comedians suddenly emerged from the Chapel slightly groggy but apparently ready to take over their duties —especially the two ladies, who were bickering with the two men about being the Controllers of the Ascension. Little did all of them know at this moment that the hot air balloon was being highjacked by a team of rogue maids in cahoots with the Russian Ballet props technicians who had arrived some days before the bulk of the Russian troupe trainees.
The Russian ballet dancers were indeed still stuck in the heavy snows somewhere along their trip to Versailles, so the four comedians with their balloon and tricks were technically, already a Plan B.

By then, it was well into 5:59 PM, and the next minute would seem to stretch forever, but for the sake of a patient audience, we will not make it over 10.

In the first half of this fatefulest minute, Casanova had arrived with Father Balbi, his travelling companion, followed by none other than St Germain, all dapper and heavily scented. A score of less important nobilities the names of which we won’t go through were also here.
There were seconds enough in that first half minute, to rub cheeks and say plaisanteries and even utter a few rude witty comments with sweet tongues laced in vinegar, whatever that meant, and also enjoy the sparkling wine served at perfect chilly temperature.
It was only as we entered the second half of this minute that the King arrived, padded in heavy and warm coats and looking exhausted.
Seconds were spent in the same proceedings as above mentioned, if only in a slightly accelerated fashion, and slightly and almost unnoticeably higher pitched voices.

That’s only when the mission bell’s sang Welcome to the Eighteenth’s Hour et ali (for naught), in loud and ringing dongs that the unthinkable happened, living all witnesses traumatized enough that nobody could think of anything to do before the third dong had elapsed.
The King collapsed, a knife in his ribs. The perpetrator was caught by the guards before the end of the last dong.

While the King was rushed to the RER (Royal Emergency Room), and attended to by Royal Leechers and Clyster Masters who felt it was wise to call the Royal Priest seeing that there was little blood to leech, back at the Chapel and Opera House, the maids and Jean-Pierre were in a rush to blow out the candles, as it was obvious their attention was required elsewhere, and that the show would be cancelled.
Everyone would sigh in relief, but not before a few more hours of the drama, when they realized the King’s heavy padding had saved his life, and that the gapping wound everyone was dreading was no more than a pen’s prick. This would encourage Annie to admonish her children when they wouldn’t eat more of her delightful pastries.

Meanwhile, using one of the last candles, the maids and their Russian lovers had lit the tub of lard of the hot air balloon, which rose slowly in the night sky, out of sight when most of the attention was directed towards the King’s fate hanging on a thread.

The four actors where vaguely wondering if they were still dreaming when they saw the carriage of thousands of tinsy frogs croaking through a portal, with brightly coloured dressed lady-men inside, and driven by an unkempt man with a wild gaze and an air of sheer insanity.

Of course, by then, they knew better than to discard it as a mere dream.

The four thespians from the “Théâtre du Soleil” were delighted to have been hired by the Royal Intendant to be the clou du spectacle. They were planning something sensational.
Chinese fireworks! And a huge colourful hot balloon, attached to a wicker basket big enough to carry them four acrobats in the air, and to bewitch the noble assembly stunned by their contortions and feats of equilibrium. They would make a fortune that night, and the the weather promised a clear bright sky with an ubiquitous full moon.

They’ve had last minute doubts about the balloon plan, as their usual supplier of beeswax unexpectedly declined to fulfill the order. The whole town suddenly found itself short of it, and it was thanks to the local lard supplier that they could find a suitable amount of fuel for the hot balloon.

They parked their brightly coloured theater trailer in the small courtyard in front of the Opera House. The construction rubble was blocking the way, and they would need to enter the Opera House though the Chapel, the Intendant had warned them.

They noticed a maid, and where about to ask her for confirmation as to the direction, but she was ducking suspiciously as though to avoid being seen, and slid out of view very swiftly.

Queen Marie, Our Good Queen, as the little gents liked to call her, had not been as excited at the prospect of the salon since a long time.
She ringed the bell for the servant girl to bring more wood, as drafts of chilly air were coming from outside. Although quite modern and shiny, the palace was not as equipped for the cold season as the old castles from her mother land. Worse, with age and soft weather, she’d grown accustomed to being warm, and couldn’t bear the cold any longer.

The crackling sound of the pine wood inside the small chimney was comforting and brought her back to her thoughts. A salon, full of delightful witty people, with laughters and costumes, entertainment and champagne wine. She’d heard a special batch of barrels from la Maison Ruinart would be brought especially for the Royalties. Of course, she knew most of those were small favors for the King’s mistress, Reinette, but she didn’t care. Oddly enough, she didn’t mind the woman, who had been always very delicate and considerate towards her, almost affectionate. To be honest, she was a blessing, as the inextinguishable appetite of the King for the flesh and woman beauty was now too hard to bear.

But a party like this, ah… She reveled in the thought of seeing again monsieur de St Galle and the mysterious Comte de St Germain who always was the light of the party with his extravagant stories.

The servant had finished to dress her for the night, putting her new powdered wig on the parakeet shaped wig-holder. She’d bought the wig with its lacquered holder in the morning from a small shop in Paris, which was had quite an aura of mystery she’d heard. Naturally she’d wanted to see for herself.
The wigmaker was a gaunt and unassuming young man who notwithstanding made an impression on her. Jean-Baptiste’s wigs were simple and elegant, albeit not terribly inspired. His eyes, on the other hand, had a piercing yet soft gaze about them, and didn’t seem embarrassed to look at her, almost through her, as if she were a person, instead of the Queen surrounded by a retinue of bland people eager to please.
“Let me draw you some fingers” he’d said to her, changing abruptly the topic from his rambling about books he was inspired to write about symbols. He’d forgotten the traditional address of “Your Majesty”, yet wouldn’t be stopped —regardless of the shocked expressions on the people’s faces.
“You see, I love symbols, and when I draw people’s fingers, I can foretell events to come”.
So that was it, she’d thought, the reason why everyone was ranting about him. He’d better be more inspired at that than wigs, as her patience was wearing thin.
She’d had fortune tellers draw her cards a few times, but the fingers drawing part was curious enough to entice her into removing the glove off her eburnated fingers and letting him do his trick.
An eldritch feeling crept though her spine as he was uttering words for each of the fingers he drew on with a slight pull of his hand, just enough not to crack the joints.

In the bed warmed to a delightful temperature by the bouillotte, she began sliding into deep sleep, while a mixture of words half-forgotten or half-remembered danced around in her mind like the swirls of snowflakes dying on the warm window of her chamber: “funny moment, cold diversion, dream parade, house moustache pink, blue wonder carpets, possible king turned, green mirror travel, understand whole large parade”…

The impending strategy and budget review was now quickly upon them.

The much questioned old new authority of the Surge Team had decided all the countries had to join for that week long first round of strategy plan and as Long Poon was too much of a reminder of work (they said, but many suspected too much of a reminder of Ed Steam’s empire), Madam Li had graciously offered to host the venue in Shangpoon, where they had managed to corner 15,000 floating piglets and her services were still probably needed.

All the thirteen chief operatives were busy setting things in order, and delegating current tasks during their business trip. Some of them were still hopelessly fumbling in spreadsheets and slides —a inane exercise in style they thought, but still…

“I can’t stand it!” Cornella almost exploded in front of her computer, now returned to decent level of cleanliness since Aqua’s return. She was sick of this old ageing alzheimering authority. Not that she missed Ed too much now. He was a pig —and gawd, this waxed mustache from another epoch… A pig they all liked because they didn’t know better at the time and his charisma covered for all the tiny slips of behaviour or even judgement. She’d seen that same feeling when the ceremony was held for his ashes spreading; most of the tears shed there had looked a bit contrived.

The mission to replace the pope with an alien-reconfigured Jesuit was a success, thanks to clever team work and her stellar delicate planning skills. A plan hatched before Ed’s demise, but that the old guys had been glad to call theirs. That was the waking call for her. If they could get rid so easily of the papacy, she would blow that budget convention from inside.
That required thorough planning though, and a bit of luck. Most of the chick would gladly be on board with this.
That’s when the mysterious vanishing dog legs cabinet came back to her attention.

Well trained by the dictates of his religion, Luigi was unaccustomed to listening to his intuition (it was the work of the devil and the weakness of his sinful self, he believed), but as he mopped up the spilled coffee, he had an impulse so strong that he was unable to control it, and picked the book up and stuffed it into the inside pocket of his jacket. He checked his watch ~ what! it was 7:57 already! Where had the time gone? Five minutes later he emerged into the rosy glow of the early morning sunshine, making his way accross the square to the cafe where he customarily had coffee after his night shift at the Library. The occupants of the tents in the square were rustling about inside the tents, some of the early risers were sitting on folding chairs brewing up coffee on primus camping stoves. As Petronella poked her tousled head out of her tent, dreams of banana puddings in polystyrene cups still in her head, an old man shuffled past. A flock of pigeons swooped down at that moment, causing the old man to lurch. A book slid to the ground from under his jacket but he didn’t notice as he carried on accross the square. Petronella picked the book up, and retreated back into her tent.

Leörmn was erring through the corridors of his draggilish mind. Some of them were nicely painted he’d found, but apart from some friendly glukenitch glowing droppings, it all seemed a bit empty.

Of course, connections were ever there, floating around, and could be summoned as easily as a pleasant memory in the spacious eternal present. But those were not memories the dragon wanted to interact with.
Since they all had made that move of the cave anchoring point to the past, nothing was quite as it was. A truism of course, but sometimes you can’t do much more than state the obvious first, to be able to change it.

The remnants of the dynemotical ström (another word for wortex, or intercrossing of dimensions, or whatever you want to call this mess) was only starting to fray, and it had left them all in a kind of depressed mood. Depressed, as in less pressure, and a bit deflated.
As soon as he imagined the words, they became reality, for dragon speech is about the very essence of things, and it can make things be what they are said to be.
And so he was now morphed into a deflated rubber skin of a dragon, sliding inside the tunnel doing proutish sounds that he tried to put together into harmonious music notes, to entertain the schpurniatz colonies.

The notes started to take some funny foggy shapes and, using the painted walls as a partition, arranged some pretense of a sentence.

Words seem lamp; gives lost Malvina soon damn door, telling unexpected…

Mmm, a door? Of course, little sweet Arona had been painting a door, but why couldn’t he use it too?

The key was in bridging with the past now… that much he could tell, and perhaps that door may help.

September 24 ^th

Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

Relevant extracts:

At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…

This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

September 26 ^th

The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

Here would be what we will say to him, if he wants to listen:

« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.

« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

« We will let you ponder this, and we will continue our own story, writing about you… »

September 28 ^th

This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.

This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

With that said, let us see how much more will appear from that sandbox…

September 30 ^th

The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

The Secret Life of Margaret Wrick , a newspaper cut from 2033.

October 7 ^th

The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…