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This one is not a Lemone quote but could have been.
It’s from a series called Perception (S03E05)

Daniel: Think of your life as a story. Actually, you already do.
fMRI studies show us that following a story, a narrative with a beginning, middle, and end causes our brains to release cortisol and oxytocin.
These chemicals give us the uniquely human ability to connect with someone, even a total stranger, and empathize. In other words, stories are what we use to find meaning in our lives.
Now, imagine for a moment that we lived without the understanding that our story must eventually end.
What if our lives were as infinite as the universe, if the ticking clock never stopped?
What would our story be then? Would we… still love? Or care?
Would those tiny, fleeting moments that mean everything… Mean anything at all?

It was said long ago that the role of the parrot is that of opening communication centers. When this totem appears, one should look to see if one needs assistance in understanding views that are different from one’s own.
Huhu didn’t care about any of these human assigned meanings to its existence.

When the grip of Irina’s mind over Huhu the parrot was suddenly released, it found itself out of sight of the floating balloon and struggled to glide over the oceans’ air currents without losing too much altitude as well as precious degrees.

The air was cold and the ocean had no end in sight, and if a parrot knew despair, Huhu would have succumbed to it already. But it was a brave parrot, as though inhabited by some divine spark, and it continued bravely, only guided by his senses.

When it was about to faint from exhaustion, and dive dangerously close to the sea, was the precise moment when it noticed fumes swirling around in strange vortices erupting from the sea.
A strange boat appeared at the surface with a shining light.

Little did Huhu know, but it was the ghost galleon Santa Rosa which had a special thing for birds in distress, and would appear at times of need, a haven of luxuriant foliage and birds cackle, a benediction of safety in the turmoil of the seas.

Nobody knew clearly when the galleon sunk, one of the last of his kinds in the Old Continent, probably around the early 1111s, but one thing was sure, it was a ghost ship long before Huhu was born and brought to Versailles in 1757.

A ghostly form picked his soft body from the ground, delicately removing the key entangled on its foot, then placed the bird with great care on a bed of moss.

We can go now Belen said the man to the whale captain of the ghost ship.
Whale that! came the answer.

A long deck was stretching and unfolding from the shore into the ocean, passing above the shallow plateau of sand bathed in aquamarine waters, and the coral reef.
After stretching for about five miles and six feet, it was seemingly above open waters where schools of colourful fishes and placid turtles where swimming blissfully.

The submarine broke the surface of the waters on the evening of January 18th, at precisely 17:56 HST, Hawaii local time, a handful of seconds too early (or a minute too late) for fetching a prized synchronicity.

Jonbert soon realized that, as usual, it could only mean one thing: others were late, synchronistic timing notwithstanding.
Of course, other being late meant timing couldn’t be synchrone, and all figures couldn’t align properly.
The first mate robot reported back to him on the top deck where he was sipping his scotch and enjoying the late sun after months spent underwater.

— “Dear sir…”
— “Oh forget about the blasted dear, I’m nothing dear to you, you ingrate piece of rubbish”
— “Of course sir. If I may”
— “Blurt it out, goddammit! Where are they?”
— “Their signal doesn’t register at the resort we have booked for them.”
— “What?! And where is it now?”
— “The ezapper have been geolocalized at 5.56 miles inland, sir”

That darned missed synch again

— “Then, bloody go fetch them!”

– 346:
RICHARD: I guess I have a question about incarnations or parallel realities. Do humans experience focuses as other species, and specifically dolphins? ‘Cause I had an experience with a powerful hallucinogen at one time, that I was actually remembering of a time when we were all — or I and other people that I was with — dolphins. I mean, it sounds crazy!

But then as I’ve been reading about it, I heard about this tribe in South America, where you mentioned I had a previous focus. It’s an area where there are these pink dolphins that actually are said to be able to shift their body structure. It sounds crazy, but I’ll just throw it out there anyway! They change their appearance and come out of the water basically, and then go back. The tribe that lives there protects these dolphins. If anybody goes anywhere near them trying to harm them, they will kill them, and it’s out of love, not anger.

I’m just very intrigued by this particular species of dolphins. I’m just wondering, ‘cause I really had a close … I mean, I had an experience where I thought I was breathing … I mean, I was under the water in a hot tub for five minutes! So it was just because of my belief system, maybe, that I was not needing to breathe air anymore? (Pause) I guess that’s a question! (Laughing)

ELIAS: Very well. This … you may not be discounting yourself in this in your questioning, and not holding fearfulness with myself that I shall view this as an inconsequential question, for in actuality, this is an interesting question.

Early within the onset of these sessions, I offered information to this particular species, and that species which you term to be whales in this physical dimension. I have expressed that creatures within this dimension do not hold essence, but are created by you, which IS essence, although they are consciousness. But I have also expressed previously that these two particular species of creature within this dimension have moved into an area of assuming essence.

Now; at the time framework that I was discussing this physically with individuals previously, this action had not yet occurred, but was very close, as I was expressing. Within this present now, this is accomplished, that these particular creatures are also an expression of essence, and choosing to be manifest within this dimension NOT in the physical form of your species.

Now; as to the addressment of these particular creatures in this area of South America and your myths surrounding these creatures, these are not myths, they are not stories, and they are not what you term to be imagination.

In the experimentation of manipulating consciousness to be creating of essence, these particular creatures engage the action altering form, allowing the connection of the physical manifestation of essence within this dimension to be holding an accurate understanding and empathic sense of your species and to be creating of a connection physically, a knowing, but also recognizing that the choice is not to be manifest as essence in the form of your species, but to be manifest in this other species.

Now; within this present now, all of the species of this particular creature — dolphins, and also your whales — are manifestations of essence, unlike all of your other creations of creatures within this dimension.

This opens the window for much misunderstanding. Therefore, I shall clarify, for this is not to say that your creatures are lesser than you. They are different, for they are a creation of you. They are not essence. They are your creations, but they also are, in a manner of speaking, a part of you, just as your finger is not your entire body, but it is an element of you. Your dogs or your elephants are an extension of you. They are a creation of yours. Your dolphins and your whales are not. They are their own expression. They are their own essences.

RICHARD: And now, they’re creating their own realities.

ELIAS: Correct.

RICHARD: So then that has come about recently and will be a notable, dramatic change.

ELIAS: Correct.

In this, you have allowed yourself a similar experience in allowing yourself to empathically experience these other manifestations of essence, allowing yourself the experience of the dolphin in like manner to those particular dolphins which have offered themselves the experience of your species.

RICHARD: But when they did that, that experience, that was before they were essence. Wouldn’t that be a creation of our consciousness at that time, that caused them to take on a human form?

ELIAS: No! This has been their choice as consciousness, moving in the direction of creating essence for themselves within consciousness.

In that, they have created their experimentation with form within this dimension. This was an element of their choice, to experiment in their exploration of whether they shall participate within this dimension in similar form to you, or continue to manifest within the form they have chosen but incorporating essence. Therefore, there has been a time framework of experimentation of shifting shape.

Now; within this present now, this continues, but not for the same reason. This continues occasionally as a playful act, for they hold the knowing — unlike yourselves — objectively that they hold the ability to shift shape.

You also hold the ability to be creating this, but you do not offer yourselves the objective knowing of this. Therefore, you do not manifest this.

RICHARD: How? How do we do it?

ELIAS: Ha ha! (Grinning, and laughter)

How many ways to stab a pea with a syringe? Jonbert woke up from his nap with the most peculiar question on his mind.
At 153, he’d started to get those annoying narcoleptic fits. He would go down in a blink of an eye into a deep dreamless sleep, and wake up to the most embarrassing of situations.
He felt like kicking someone, and mumbled under his breath “Just bloody once, before it gets puréed”.

He could have sworn he heard one of the butler robots titter silly. Those darn robots were getting smarter every day, he would have to get them a good canning.
But more pressing matter were on his mind, and he blisslessly ignored the wondrous display of flying manta rays around the eight-flippered submarine.

Time-landing around Big Island was always tricky, he was glad the darned bots got this one right, tittering notwithstanding.
Why so tricky, he could hear minds wonder. Why can’t those minds just read the bloody Time Traveling Manual! he exploded. The Island is expanding, creating new land every day. One miscalculation, and your expensive submarine would be enclosed in molten lava! How many times he had to repeat it.
True enough, his temper had not improved with age, but that kept him alive well, thank you very much.

That’s were they were supposed to collect the travelers, to entertain and train them a bit before leading them to the whale’s hotspot.
He would have to remain discreet for now on, and the prospect of having to refrain swearing loudly at ghosts seen by anyone but himself got him nervous all of a sudden.

They’d felt the Time Sewer get cleaned up, although it took a time to reach them. The frogs were paddling like crazy, and then the bubble reached them, propelling the jelly-bean shaped carriage like a rocket to their destination.

“Brace yourseeeeeeelves!” Sanso sung in the key of F, ending the frogs’ symphony with a perfect 5th.

“The mind has a tendency to forget unpleasant things…” Sadie was saying to the queens in a way to soothe their increasingly worried faces “It will be over in a minute”.
The last part didn’t get them any less worried.

Linda Paul was reviewing the leather-bound copy of the anthology of Walt van Wharff works she’d received weeks ago from an anonymous source. Van Wharff was apparently from XVIIth century in Newherland a leading authority in walvissen wetenschap or whalology as it were.
Linda wasn’t really even remotely interested in whales, but the book had picked her curiosity, or more exactly, the pink post-it on it, signed with a glitter lipstick lips mark, on which was written in some mysterious handwriting PBWY AND BO if you see that dearie, you know what it means

She had no clue what it was about, but the antique book had some interesting qualities, and she soon had found herself inexplicably engrossed in its reading.
The theory behind it was baffling, dealing with whale sightings, aperiodic tiling and crystal diffraction, but she managed to intuit that it had to do with detection of whale migratory patterns.

Given the literary quality of the book (or lack thereof) and his very confuse language constructs, its author was by no doubt dead in a state of miserable unfamousness. Notwithstanding, Linda Paul understood there was an unfinished equation that would reveal when they would appear next, which was likely to reveal a huge crystal of exotic properties.
So long as it glittered, she was already hooked onto that quest.

A few investigations and equations-solving on her ezapper later, she had found the next coordinates that she’d texted to her only current operatives, Sadie and her misfits.
She hoped they wouldn’t sabotage this one, and thus offer them all a second chance to book a full season for their adventures.

There was a lot of commotion that night.

It all started a little bit before 6 PM, while the winter sun was very pale and slowly rolling behind the horizon. Jean-Pierre Duroy of the Royal Intendancy had the maids rounded up in matching uniforms to finish the cleaning of the Opera House, and ready to start to light the thousands of beeswax candles with almost military precision. This didn’t go without hiccup of course, but they did mostly well, and the Opera House was ready for the comedians before 5:55, leaving them with 5 spare minutes to catch their breath before the eighteen rings of the bell.

Even a little bit before that, Nicole du Hausset who had spent the whole dreaded day in anguish about the Queen’s lost ferrets, while attending to Madame’s every whims, realized after scouring through the Palace and hearing through the grapevine of the maids’ ring of deals in stolen goods that she should slide a word to the Royal Intendant through some unofficial channels (she knew well Helper, who was a great influence on Cook, who then could talk discreetly to Annie Duroy, of the Royal Pastries and Cookies) so an investigation could be carried out without any particular mention of the ferrets. As she would realize later the morrow, not only would the ferrets be retrieved at the Opera House and the Royal Chapel, one for each location, except slightly lighter and cut open, an act that would be seen as a hidden message and possible attempt on the Good Queen’s life, and dealt with appropriately by a specially appointed Inquisitor —but also, and notwithstanding any longwindedness, that it would make little difference as the perpetrators would be nowhere to be found the next day, having vanished, it seemed, in the ensuing confusion (of which we will come to in a minute), stealing in the process the Royal Balloon and a few chouquettes from the Royal Cuisines.
Her duties fulfilled, and being now on the other side of the fateful date of Jan. 5th, 1757, at 17:57 without any significant change to her reality or life, she deducted her mission as the safekeeper of the time-smuggled ferrets was by then accomplished, and she could focus on her more pressing duties.

It was only 5:57 PM shy of a few more seconds, that Madame Pompadour, powdered like there was no tomorrow, would be helped by her two maids into her gorgeous John Pol Goatier designer dress, and her lambswool petticoats. She was dressed to kill, and that made her all the more suspicious in the minutes to come, but we are getting ahead of ourselves.
Madame de Pompadour’s schedule for the soirée was very precise. At 6 PM, she would greet her guests, and the King back from his afternoon at the Parliament at the entrance of the Palace, so they could all head to the Royal Opera, passing through the Chapel into the brightly candelight-lit half-built building where the show would take place.
There was to be a toast first, from fine champagne delivered the morning in zebra carriage (one of the Queens’ daughters idea, which had pleased enough the King that he’d booked them for an evening ride into the Gardens). She was all set, and with great dignity and carefulness, arrived at the spot a mere seconds after her Grace to great the King.

At the same time, Jean-Pierre Duroy, who had not seen them as he’d passed through the Chapel the first time (ungagged but still under sleeping curse and tucked in the corner of the stained glass windows depicting the martyrdom of Christ), and as he was getting anxious at the lack of punctuality of the comedians whom he’d thought sleeping in their trailer parked nearby, was notified that the trailer had been found empty by the bellboy he had sent to remind the comedians to be ready in 10.
A man of great resources, always ready with plans B to Z (he wouldn’t boast, but the zebras being one of such past plan Z, second only to an unlikely belching toad plan, the details of which we won’t get into just now), the Royal Intendant was ready to put in motion said plans, but the comedians suddenly emerged from the Chapel slightly groggy but apparently ready to take over their duties —especially the two ladies, who were bickering with the two men about being the Controllers of the Ascension. Little did all of them know at this moment that the hot air balloon was being highjacked by a team of rogue maids in cahoots with the Russian Ballet props technicians who had arrived some days before the bulk of the Russian troupe trainees.
The Russian ballet dancers were indeed still stuck in the heavy snows somewhere along their trip to Versailles, so the four comedians with their balloon and tricks were technically, already a Plan B.

By then, it was well into 5:59 PM, and the next minute would seem to stretch forever, but for the sake of a patient audience, we will not make it over 10.

In the first half of this fatefulest minute, Casanova had arrived with Father Balbi, his travelling companion, followed by none other than St Germain, all dapper and heavily scented. A score of less important nobilities the names of which we won’t go through were also here.
There were seconds enough in that first half minute, to rub cheeks and say plaisanteries and even utter a few rude witty comments with sweet tongues laced in vinegar, whatever that meant, and also enjoy the sparkling wine served at perfect chilly temperature.
It was only as we entered the second half of this minute that the King arrived, padded in heavy and warm coats and looking exhausted.
Seconds were spent in the same proceedings as above mentioned, if only in a slightly accelerated fashion, and slightly and almost unnoticeably higher pitched voices.

That’s only when the mission bell’s sang Welcome to the Eighteenth’s Hour et ali (for naught), in loud and ringing dongs that the unthinkable happened, living all witnesses traumatized enough that nobody could think of anything to do before the third dong had elapsed.
The King collapsed, a knife in his ribs. The perpetrator was caught by the guards before the end of the last dong.

While the King was rushed to the RER (Royal Emergency Room), and attended to by Royal Leechers and Clyster Masters who felt it was wise to call the Royal Priest seeing that there was little blood to leech, back at the Chapel and Opera House, the maids and Jean-Pierre were in a rush to blow out the candles, as it was obvious their attention was required elsewhere, and that the show would be cancelled.
Everyone would sigh in relief, but not before a few more hours of the drama, when they realized the King’s heavy padding had saved his life, and that the gapping wound everyone was dreading was no more than a pen’s prick. This would encourage Annie to admonish her children when they wouldn’t eat more of her delightful pastries.

Meanwhile, using one of the last candles, the maids and their Russian lovers had lit the tub of lard of the hot air balloon, which rose slowly in the night sky, out of sight when most of the attention was directed towards the King’s fate hanging on a thread.

The four actors where vaguely wondering if they were still dreaming when they saw the carriage of thousands of tinsy frogs croaking through a portal, with brightly coloured dressed lady-men inside, and driven by an unkempt man with a wild gaze and an air of sheer insanity.

Of course, by then, they knew better than to discard it as a mere dream.

“Who are you? Are you part of the show?”
The dragqueens had not noticed the four actors coming in the chapel, who were now standing in the aisle with some doubt clouding their faces about possible unexpected competition.

“And who are you?” Sadie returned the question with suave authority.
“The Wonderful Theater du Soleil, ma chère. You have in front of you Geoffroy du Limon, Lison Tailleur, Jean Pastisse, and Francette Fine, à votre service.”

Jean-Pierre Duroy couldn’t get his day going. There was a royally nagging problem of loo clogging that he couldn’t get solved. Apparently there were bugs in the microsoil under the soft underground, or was that the network of pipes he couldn’t tell. No amount of boiling water or any of the extravagant chemical concoctions by the Count of St Germain would seem to have any effect whatsoever this fine morning apart from making the matter worse.
It seemed that the removal and construction over the Grotto had not gone as well as planned when it came to plumbing.

There were more pressing matters however, notwithstanding that the royal defecation could well impact the mood for the day and maybe the whole country, so there was nothing light about it.
Such matter was to oversee the decoration of the main part of the Opera House which was already complete. Construction work had slowed during winter, and cement would take longer to settle, so there were still piles of tiles, gravel and other rubbles left lying around, but Madame de Pompadour was very eager to get a performance tonight, and had been so intent on it that she’d ordered for champagne, fine draperies, and even the newly fashionable toile de Jouy to drape inside the alcoves.
What she had not anticipated however was the inordinate amount of candles which were needed to light all the place brightly enough during the night.

The Royal beehives being unable to provide enough beeswax, they had to source the material from nearby hamlets, and already a throng of carts full of candles driven by some petite gens eager to sell theirs was lining at the entrance of the Palace pending security clearance.

Queen Marie, Our Good Queen, as the little gents liked to call her, had not been as excited at the prospect of the salon since a long time.
She ringed the bell for the servant girl to bring more wood, as drafts of chilly air were coming from outside. Although quite modern and shiny, the palace was not as equipped for the cold season as the old castles from her mother land. Worse, with age and soft weather, she’d grown accustomed to being warm, and couldn’t bear the cold any longer.

The crackling sound of the pine wood inside the small chimney was comforting and brought her back to her thoughts. A salon, full of delightful witty people, with laughters and costumes, entertainment and champagne wine. She’d heard a special batch of barrels from la Maison Ruinart would be brought especially for the Royalties. Of course, she knew most of those were small favors for the King’s mistress, Reinette, but she didn’t care. Oddly enough, she didn’t mind the woman, who had been always very delicate and considerate towards her, almost affectionate. To be honest, she was a blessing, as the inextinguishable appetite of the King for the flesh and woman beauty was now too hard to bear.

But a party like this, ah… She reveled in the thought of seeing again monsieur de St Galle and the mysterious Comte de St Germain who always was the light of the party with his extravagant stories.

The servant had finished to dress her for the night, putting her new powdered wig on the parakeet shaped wig-holder. She’d bought the wig with its lacquered holder in the morning from a small shop in Paris, which was had quite an aura of mystery she’d heard. Naturally she’d wanted to see for herself.
The wigmaker was a gaunt and unassuming young man who notwithstanding made an impression on her. Jean-Baptiste’s wigs were simple and elegant, albeit not terribly inspired. His eyes, on the other hand, had a piercing yet soft gaze about them, and didn’t seem embarrassed to look at her, almost through her, as if she were a person, instead of the Queen surrounded by a retinue of bland people eager to please.
“Let me draw you some fingers” he’d said to her, changing abruptly the topic from his rambling about books he was inspired to write about symbols. He’d forgotten the traditional address of “Your Majesty”, yet wouldn’t be stopped —regardless of the shocked expressions on the people’s faces.
“You see, I love symbols, and when I draw people’s fingers, I can foretell events to come”.
So that was it, she’d thought, the reason why everyone was ranting about him. He’d better be more inspired at that than wigs, as her patience was wearing thin.
She’d had fortune tellers draw her cards a few times, but the fingers drawing part was curious enough to entice her into removing the glove off her eburnated fingers and letting him do his trick.
An eldritch feeling crept though her spine as he was uttering words for each of the fingers he drew on with a slight pull of his hand, just enough not to crack the joints.

In the bed warmed to a delightful temperature by the bouillotte, she began sliding into deep sleep, while a mixture of words half-forgotten or half-remembered danced around in her mind like the swirls of snowflakes dying on the warm window of her chamber: “funny moment, cold diversion, dream parade, house moustache pink, blue wonder carpets, possible king turned, green mirror travel, understand whole large parade”…

You may well ask how a large and solid standing stone broke in two. (The same stone, coincidentally, that fell over a couple of days ago). There is no mystery here, or supernatural phenomena, no extreme weather event or geological catastrophe. The stone was merely thrown over a fence, because the person throwing it attached no particular importance or significance to it; to him, it was “just another rock”. The person to whom the stone had importance and significance quickly decided there was an important significance to the stone splitting into two incident, although she had not yet deciphered what it was. The idea of “nothing being cast in stone” held considerable appeal, as did the simple idea of a stone circle relocating. It was unusual, unexpected, magical even ~ although not impossible, not often considered as a possibility, and rarely if ever considered as an idea worth pursuing. Perhaps that was because there was a strong belief of certain places in space having intrinsic related values, even if those values were not clear. Values based on the assumption that anything that has been in place for a very long time must be there for good reasons that we may not understand, but that we should respect them and revere them notwithstandingstone.

Stonehenge had moved. Standing stone circles don’t usually move, but this one did. For the reason that nothing is cast in stone, I suppose. Not quite sure yet where to reposition it. There are four standing stones, now, and not five. Or you could say there are now six instead of five, but two are quite short now. After the branch pruning days (some pruned by the wind and some pruned by chainsaw) (when is a fig branch not a fig? when it’s a prune), today was a digging and planting day in the less shady garden. A previously unusable area was now liberated from permanent shade, and a particularly good crop of seedlings meant that it was immediately usable. Hence, the unceremonious removal of the ceremonial stones. The stone circle was now a pile of stones, a stone heap without a plan ~ but with endless possibilities.

“Blimey! The Pope, eh? Are you teasing me again?”
Vera didn’t answer.
“Oh come on! Don’t give me that need-to-know-basis treatment, as much as I love a good riddle, I hate secrets! Are we going to look for the reincarnation of a famous Pope à la Little Buddha? Tell me, tell me!” Bouncing with excitement on the rolling Eggsway made her almost fall head over wheels into a flangeway carved into the muddy track that went deeper into the forest.

Regaining her balance, she looked ahead to see Vera was already a few meters ahead — and navigating the Eggsway was becoming difficult. She knew she should have opted for the 4×4 model…
So… Vera wasn’t really paying attention, she would have to try another approach to worm answers out of her. What was so special about this place anyway? Lost continent of Mu, ancient architecture, maybe underwater tunnels… Nothing that would lead directly to the Vatican she surmised… Unless…

They arrived at a clearing in the forest, where blue glow sticks had been placed in a round pattern. Vera was standing there, after having carefully placed a glowing green rote at the center, staring at the middle of the light circle, and without turning her head to look at her, told Lulla “Here’s your answer coming.”

A huge buzzing throb started to fill the air, sounding to concentrate at a focal point not higher than 10 inches above the ground, at the exact center of the blue circle. It begun sparkling and * BooM *, in all its slimy tentaculeous glory, a spaceship was there.

“Special delivery from our alien friends” Vera said, finally deigning to look at Lulla.

The rather small spaceship started to slowly expand, becoming larger, until an opening appeared, letting a form emerge from the membranous appearance of the hull. The form which looked like some person was suddenly dropped unceremoniously with a * Plop! * while the spacecraft elastically recovered its initial shape.
Moments later, it was gone, and with it the buzzing sound.
The green rote payment was gone too. Greedy aliens.

“Come on, let’s bag this guy and bring him home for phase 2. A red convertible SUV is waiting for us at the portal’s entrance.”
So, that’s where I come in… Lulla was starting to wonder what was the use of her being here, since Vera was so bossy and secretive. But now,… Of course she was better at hatting, but she could call herself without bragging a real bagging specialist.