Search Results for 'story'

It had been a moonth now that Elizabeth had got her first encounter with Pigoosus, her inner inspirer, on a dirty bench of the public park littered with pigeons droppings.

A whole moonth, and yet, it had been so full that she had barely noticed it passing. Even Finnley, the ever grunchy grumpy one, had felt ubiquitously absent (Elizabeth was quite fond of Lemone’s profoond quotes, and his consummate uooze of exquisitively bizarre words; so, “ubiquitously absent”, oxymoronic as it was, for all matter and purposes felt deliciously adequate to her present mood).
So, yes, even Finnley… who had felt recently so deeply absorbed by flocks of dust bunnies that went around the corners.

As for her, the grandioosa noovelist, she had used the inspiration of that day to take a break from that strange story she was writing, and which had accumulated so many loose ends that she’d grown yucky at the mere sight of a dish of spooghetti.
Instead, she had written a small unpretentious (as far as she could, that is) novelette, or children book as her publisher said. Of course, everything a little bit out of the ordinary was only good for children, and in fact, she couldn’t care less. She had tremendoose fun writing the Extra-vagrant Illustrated Tales of The Oogletoon Twins. Not only writing in fact, but also illustrating that intermission work (which was a first, as she had mostly the habit of doing coollages of various pictures teafed around, hence her fondness for Robert the robber magpie).

Notwithstanding, this was an interesting adventure for Elizabeth. Life was full of surprises, and she wouldn’t have thought that in becoming more “down to Oorth”, as her parents would have exhorted her to do, so to spook, she would have indeed be really, really closer to Oorth, but nonetheless, still in fairy land. Ahaha, that was putting her in the greatest of moods.
She smiled a broad smile to a fidgeting Finnley who was under the glowing neon light of the dark copy machine room, apparently in great conversation with some invisible being, as she went past the room, on her way to her office.

Checking on her compooter (her gorgeous iPear) she noticed an email from Barash… Another publisher that she was considering working with, when her current one had felt hesitant at publishing her illustrated book.
Decidedly, everything was going well for her these days.

Finn had a dream about the story:

Yurick had divided the individual comments/posts from the story and sorted out all the ones which had something to do with dragons. Finn was gathering them up to read them, the comments looked like soft white cushions. They were sort of squarish in appearance. As she read them in the order Yurick had sorted them, she realised they made more sense than she had previously thought. Apparently, Yurick told her, he had taken them to a publisher who said he might be interested in publishing them but they would need some re-working. Then Finn was at some building she did not recognise. She told a lady that she needed to care for the comments. Finn was putting them into a row of terracotta pots and as she did they were changing into plants, some of them were quite large already, others barely showed above the soil, some looked a bit weedy and limp. She thought they would probably need some watering.

I googled Circle of Eights

Give pairs seven post-its and ask the children to write down the main scenes. Take feedback and allow children to adjust/add to their post-its. Pairs then work on listing the scenes and sticking them in order. They should disregard any scenes that are not crucial, and just keep the key events.

Agree with the class the basic key scenes. Demonstrate how to make a few notes about each scene to help with a retelling.

In pairs, children make notes about each scene to help with retelling the tale. These should be kept to the barebones. In pairs, practice retelling the story, taking it in turns. Then put pairs together to retell their versions to another pair.

If time allows, build this up to circles of eight.

End the session by hearing several retellings. Encourage the children to evaluate between tellings, refining and improving their version.

Explore ways of altering the retellings. Children decide to alter one aspect. They then retell the tale, with the alteration. Pairs should then move into fours
and retell their new versions.

Build up to circles of eight if time allows.

The children recommend a version they have heard that is really effective. Listen to these, and as a class evaluate what makes an effective retelling. This enables more in-depth evaluation, especially by the storytellers themselves.

The glowing light was showing a familiar face…

— So the boy is wavering?
— Yes. He is uncertain of the path… Does seem to have difficulty to trust his calling and take responsibilities being the owner of…
— He’ll do that. We can’t let him run away from it, nor afford the time of little vacationing. Did you secure the item?
— Yes. But you know it is worthless unless willingly handed over by the previous owner, right?
— Certainly. But I feel he’ll soon wish it back.
— I have words of cankerous corruption, endemic to where he was sent.
— Precisely.

Glasgow, Scotland, February 25 ^th 2068, Wrick Fundation

— So Cuthbert has refused?
— Yes. With his sister busy with her first-born, she can’t take on that much responsibility either.
— This is most regrettable. Lord Wrick’s will was perfectly clear though. Should none of the twins accept running his empire, all of its wealth would be used for humanitarian projects of the Fundation.

A week before, Orkney Islands

— Cuthbert, you must accept.
— Please, don’t wear yourself out Pope. Your body is weak.

Cuthbert’s face was drenched by emotion. Despite his small frame and his scrawny body, Lord Hilarion Wrick’s strong will was still present, as if etched on his face by all the years of reign. He wouldn’t take a “no” for answer, even now he was dying, just as he had never accepted it in his nearly 120 years of existence.

— Cuthbert, listen to me. All this time you and your sister have spent at the Manor, all of the time I spent with you, this was not meant for naught, you know that. I was not some old decrepit rag of an elder waiting for his death cushioned between the laughters of his great-grand children. I noticed how you and your sister handled at an early age what I have been showing to you. The books,… the mummy even. This was only a test. What I had not found in Sean, nor in his son, I found out in you and your sister. Mind you, it took me that long, but it was worth the wait, and I know how to be patient.
— You’re repeating yourself Pope, I know this story. I am very grateful for all that you did, all the knowledge I owe to you, but I can’t accept. It’s just… too much! I just want to spend these moments with you.
— You just cannot whine throughout all of your existence Cuthbert. You chose to be born here, at this moment, in that family. There is no point in refusing what you have placed on your path.
— I’m not whining! It’s just that… I just want a normal life! answered Cuthbert vehemently
— Very well then. The face on the Lord was resolute despite his writhing in pain. You will have to see how much life is nothing meant to be normal. In the meantime, I would appreciate your letting me die alone.

Not quite sure if there’s a story sync here yet, but there are a couple of Edward Gorey syncs: I read one of his books last week that I’d bought on impulse from the 2nd hand bookshop a few weeks ago, and a blog friend posted that today is his birthday. At Dale’s energy games last week I had a conversation with his pencil drawn characters…..Oh and half of the book of his that I read was written in Limericks…..

Another wedding sync: Jan IM’d me yesterday to tell me a wedding story (as well as Rachel IMing me to tell me she was making an appointment with her wedding planner.)

The wolf in Cuthberts dream came from the Dreaming Methods bulletin received yesterday. Dreaming Methods is the website connected to Bill Johnson ( Bill Jobsworth connection in the story; the itinerant artist), the Yorkshire stone head carver.

— Arona, my dear?

The silky voice of Malvina resounded in Arona’s ear, while she was meditating on the implications of the story Vincentius had told her.

— Yes?
— May I borrow you Buckberry and your sabulmantium for a few moments?
— Oh sure, no need to ask… Though I don’t think you require my permission for Buckberry, isn’t he free as I am?
— Oh yes he is, exactly as you said, free as you are

Arona could have sworn she felt a winking energy rippling through her flesh, making some unfamiliar electrical currents crawl underneath her skin. She would have said she was thoroughly disliking it, though she wasn’t really sure if she was.

— Oh, Malvina added as if an innocent afterthought, we are moving by the way, perhaps you may find interesting to join us for the homationing ceremony. You may learn some more about your sabulmantium.
— Well, why not, answered Arona having no idea of what a homationing ceremony could be…
— Very well, please join us in the main entrance, where I am playing the harp. We will be waiting for you.
— I’ll be there in a second.

So, they were moving? Speak about implications… Arona muttered, stroking dozing Mandrake, who had feasted on too many of the moorats crawling inside the moisteous cave tunnels.
I guess I’ll take this astounding elan as a hint that I’ll be going alone she said. A yawn for all answer.
Considering it was Mandrake, that was almost a mark of distinctive affection… or was it rather of affectionate distinction?

Moving? She didn’t want to move, not yet, not like that… And to be honest, with all the stuff in that cave, she sure didn’t want to help pack all of this, be it by magic. What an impossible task.

Vincentius the nanny was taking care of Yikes, so she was confident should anything happen, he would be alright.

On the outside of the cave, the dragons were all lined up, as if waiting for some unknown signal. Leormn first in shades of teal, and his spawns, Buckberry, with the most florid and baroque hues of purple that one could imagine, and the two facetious Heckle and Jeckle in shades of emerald, looking unusually calm.

Malvina, with Leo the little marmoset on her left shoulder, was playing her harp, while Irtak was accompanying her playing a mouth harp.
Some drums had been disposed around, and quite naturally, Arona felt like beating the measure on these, getting slowly and slowly relaxed by the music and guttural sounds produced by the throat singing dragons.
She almost laughed and broke the meditating pattern when she let the memory of Sanso come into her awareness. What a shame he’d missed that, that would have fitted him better than her.

Slowly the sounds stopped, and Malvina very gracefully rose from her stool, and greeted Arona with a loving hug. Her flowing robe was a tender orchid hue with laces of thistle pink, and her silvery peach long flowing hair were giving her the aura of a princess.

— Wait, where are Georges and Salome? She said, are they already gone?
— No, they are waiting for us at the new location, she said with a smile… Now, Leormn will start the ceremony.

Arona almost said Wait again, in anticipation of what was to come, and finally decided to let it flow. The serene look of Malvina and her motherly smile was of a nurturing reassurance.

Outside, in the grassy lands, the dragons had all grown wings and were apparently ready to take off. A pile of conic shaped dirty sand was standing in front of the entrance, that Arona had never seen before.

She could feel Buckberry answer her unspoken question without even a word being uttered. It is soil from the cave, and we will use it now.

Arona watched the dragons rise in the sky full of damp gray clouds, and wondered what they were doing.
They are doing two things, Arona answered Malvina (again that disagreeable habit of reading thoughts, couldn’t help but think Arona, wishing there would be some World around where such thing wouldn’t be so easy), first they are checking what kind of creature are staying with us and following the movement, continued Malvina, ignoring the remark, and second, they are drawing with that sand from the cave a circle to enclose the area we want to move

Arona didn’t dare say the explanations were making her even fuzzier, so she nodded as if abreast of what was going on.

Popping sounds of the dragons blinking in and out to get some more dirt almost made her dizzy, and she forgot the strangest feeling she had when she thought she heard “the area we want to move”.

— Now, continued Mavina, the sabulmantium.

The dragons were now all back, and the pile of sand had disappeared.
Arona’s attention snapped back to herself, and she handed the fine object to the lady. She couldn’t help but notice the glowing eyes of Irtak, who apparently was very eager to see what would happen.
So he will move too, she thought, hope his father won’t be too sad… Why did she felt it was a separation from this place she had found she was liking…

— If you look closely, said Malvina to no one in particular, but Arona took it for herself, you will see how easy it is to come back if you feel so inclined.

At her touch, the coloured sands in the sabulmantium’s transparent dragon shell globe started to move. And all could see the cave being formed, with all the little people, dragons, glukenitches and even Leo and Mandrake… They were all here, enclosed into a circle of sand.

— Now, if you will follow me… said Malvina who traced on the ground a curvy symbol.

And very slowly, as the whole sand scenery inside the sabulmantium was turning in a round, they all felt as though they were dissolving into the air. Yet, they were all solid, and the interior of the cave was still too.
The only thing that was moving was the exterior, twirling and changing, getting out of focus, and moving erratically at the beginning, and then getting close to a focal point. Some fine tuning was occurring.

And in a snap,
The landscape
Was
In all its splendor…

— Greetings! a smiling couple at the entrance of the cave said to the people inside.

Up to now, 71 events entered in the dataset, mostly from the first 300+ comments of the story thread; a bit more than half of the story… Half sync someone?

If you spot some unplotted event on the map that you wish to have plotted, or some event missing or not what you think it should be, this thread is for you!