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    Matteo — December 1st 2023: the Advent Visit

    (near Avignon, France)

    The hallway smelled of nondescript antiseptic and artificial lavender, a lingering scent jarring his senses with an irreconciliable blend of sterility and forced comfort. Matteo shifted the small box of Christmas decorations under his arm, his boots squeaking slightly against the linoleum floor. Outside, the low winter sun cast long, pale shadows through the care facility’s narrow windows.

    When he reached Room 208, Matteo paused, hand resting on the doorframe. From inside, he could hear the soft murmur of a holiday tune—something old-fashioned and meant to be cheerful, likely playing from the small radio he’d gifted her last year. Taking a breath, he stepped inside.

    His mother, Drusilla sat by the window in her padded chair, a thick knit shawl draped over her frail shoulders. She was staring intently at her hands, her fingers trembling slightly as they folded and unfolded the edge of the shawl. The golden light streaming through the window framed her face, softening the lines of age and wear.

    “Hi, Ma,” Matteo said softly, setting the box down on the small table beside her.

    Her head snapped up at the sound of his voice, her eyes narrowing as she fixed him with a sharp, almost panicked look. “Léon?” she said, her voice shaking. “What are you doing here? How are you here?” There was a tinge of anger in her tone, the kind that masked fear.

    Matteo froze, his breath catching. “Ma, it’s me. Matteo. I’m Matteo, your son, please calm down” he said gently, stepping closer. “Who’s Léon?”

    She stared at him for a long moment, her eyes clouded with confusion. Then, like a tide retreating, recognition crept back into her expression. “Matteo,” she murmured, her voice softer now, though tinged with exhaustion. “Oh, my boy. I’m sorry. I—” She looked away, her hands clutching the shawl tighter. “I thought you were someone else.”

    “It’s okay,” Matteo said, crouching beside her chair. “I’m here. It’s me.”

    Drusilla reached out hesitantly, her fingers brushing his cheek. “You look so much like him sometimes,” she said. “Léon… your father. He’d hold his head just like that when he didn’t want anyone to know he was worried.”

    As much as Matteo knew, Drusilla had arrived in France from Italy in her twenties. He was born soon after. She had a job as a hairdresser in a little shop in Avignon, and did errands and chores for people in the village. For the longest time, it was just the two of them, as far as he’d recall.

    Matteo’s chest tightened. “You’ve never told me much about him.”

    “There wasn’t much to tell,” she said, her voice distant. “He came. He left. But he gave me something before he went. I always thought it would mean something, but…” Her voice trailed off as she reached into the pocket of her shawl and pulled out a small silver medallion, worn smooth with age. She held it out to him. “He said it was for you. When you were older.”

    Matteo took the medallion carefully, turning it over in his hand. It was a simple but well-crafted Saint Christopher medal, the patron saint of travellers, with faint initials etched on the back—L.A.. He didn’t recognize the letters, but the weight of it in his palm felt significant, grounding.

    “Why didn’t you give it to me before?” he asked, his voice quiet.

    “I forgot I had it,” she admitted with a faint, sad laugh. “And then I thought… maybe it was better to keep it. Something of his, for when I needed it. But I think it’s yours now.”

    Matteo slipped the medallion into his pocket, his mind spinning with questions he didn’t want to ask—not now. “Thanks, Ma,” he said simply.

    Drusilla sighed and leaned back in her chair, her gaze drifting to the small box he’d brought. “What’s that?”

    “Decorations,” Matteo said, seizing the moment to shift the focus. “I thought we could make your room a little festive for Christmas.”

    Her face softened, and she smiled faintly. “That’s nice,” she said. “I haven’t done that in… I don’t remember when.”

    Matteo opened the box and began pulling out garlands and baubles. As he worked, Drusilla watched silently, her hands still clutching the shawl. After a moment, she spoke again, her voice quieter now.

    “Do you remember our house in Crest?” she asked.

    Matteo paused, a tangle of tinsel in his hands. “Crest?” he echoed. “The place where you wanted to move to?”

    Drusilla nodded slowly. “I thought it would be nice. A co-housing place. I could grow old in the garden, and you’d be nearby. It seemed like a good idea then.”

    “It was a good idea,” Matteo said. “It just… didn’t happen.”

    “No,… you’re right” she said, collecting her thoughts for a moment, her gaze distant. “You were too restless. Always moving. I thought maybe you’d stay if we built something together.”

    Matteo swallowed hard, the weight of her words pressing on him. “I wanted to, Ma,” he said. “I really did.”

    Drusilla’s eyes softened, and she reached for his hand, her grip surprisingly strong. “You’re here now,” she said. “That’s what matters.”

    :fleuron2:

    They spent the next hour decorating the room. Matteo hung garlands around the window and draped tinsel over the small tree he’d set up on the table. Drusilla directed him with occasional nods and murmured suggestions, her moments of lucidity shining like brief flashes of sunlight through clouds.

    When the last bauble was hung, Drusilla smiled faintly. “It’s beautiful,” she said. “Like home.”

    Matteo sat beside her, emotion weighing on him more than the physical efforts and the early drive. He was thinking about the job offer in London, the chance to earn more money to ensure she had everything she needed here. But leaving her felt impossible, even as staying seemed equally unsustainable. He was afraid it was just a justification to avoid facing the slow fraying of her memories.

    Drusilla’s voice broke through his thoughts. “You’ll figure it out,” she said, her eyes closing as she leaned back in her chair. “You always do.”

    Matteo watched her as she drifted into a light doze, her breathing steady and peaceful. He reached into his pocket, his fingers brushing against the medallion. The weight of it felt like both a question and an answer—one he wasn’t ready to face yet.

    “Patron saint of travellers”, that felt like a sign, if not a blessing.

    #7653

    Matteo — Winter 2023: The Move

    The rumble of the moving truck echoed faintly in the quiet residential street as Matteo leaned against the open door, arms crossed, waiting for the signal to load the boxes. He glanced at the crisp winter sky, a pale gray threatening snow, and then at the house behind him. Its windows were darkened by empty rooms, their once-lived-in warmth replaced by the starkness of transition. The ornate names artistically painted on the mailbox struck him somehow. Amei & Tabitha M.: his clients for the day.

    The cold damp of London’s suburbia was making him long even more for the warmth of sunny days. With the past few moves he’s been managing for his company, the tipping had been generous; he could probably plan a spring break in South of France, or maybe make a more permanent move there.

    The sound of the doorbell brought him back from his rêverie.

    Inside the house, the faint sounds of boxes being taped and last-minute goodbyes carried through the hallways. Matteo had been part of these moves too many times to count now. People always left a little bit of themselves behind—forgotten trinkets, echoes of old conversations, or the faint imprint of a life lived. It was a rhythm he’d come to expect, and he knew his part in it: lift, carry, and disappear into the background.

    :fleuron2:

    Matteo straightened as the door opened and a girl that could have been in her early twenties, but looked like a teenager stepped out, bundled against the cold. She held a steaming mug in one hand and balanced a box awkwardly on her hip with the other.

    “That’s the last of it,” she called over her shoulder. “Mum, are you sure you don’t want me to take the notebooks?”

    “They’re fine in the car, Tabitha!” A voice—calm and steady, maybe tinged with weariness—floated from inside.

    The girl named Tabitha turned to Matteo, offering the box. “This is fragile,” she said, a smile tugging at her lips. “Be nice to it.”

    Matteo took the box carefully, glancing at the mug in her hand. “You’re not leaving that behind, are you?” he asked with a faint smile.

    Tabitha laughed. “This? No way. That’s my lifeline. The mug stays.”

    :fleuron2:

    As Matteo carried the box to the truck, his eyes caught on something inside—a weathered postcard tucked haphazardly between the pages of a journal. The image on the front was striking: a swirling green fairy, dancing above a glass of absinthe. La Fée Verte was scrawled in looping letters across the top.

    “Tabitha!” Her mother’s voice carried out to the driveway, and Matteo turned instinctively. She stepped out onto the porch, her scarf wrapped loosely around her neck, her breath visible in the chilly air. Matteo could see the resemblance—the same poise and humor in her gaze, though softened by something older, quieter.

    “Put this somewhere, will you” she said, holding up another postcard, this one with a faded image of a winding mountain road.

    Tabitha grinned, stepping forward to take it. “Thanks, Mum. That one’s special.” She tucked it into her coat pocket.

    “Special how?” her mother asked lightly.

    “It’s from Darius,” Tabitha said, her tone almost teasing. “… The one you never want to talk about.” she leaned teasingly. “One of his cryptic postcards —too bad I was too young to really remember him, he must have been fun to be around.”

    Matteo’s ears perked at the name, though he kept his head down, settling the box in place. It wasn’t unusual to overhear snippets like this during a move, but something about the unusual name roused his curiosity.

    “Why you want to keep those?” Amei asked, tilting her head.

    Tabitha shrugged. “They’re kind of… a map, I guess. Of people, not places.”

    Amei paused, her expression softening. “He was always good at that,” she murmured, almost to herself.

    :fleuron2:

    The conversation lingered in Matteo’s mind as the day went on. By the time the truck was loaded, and he’d helped arrange the last of the boxes in Amei’s new, smaller apartment, the name and the postcard had taken root.

    As Matteo stacked the final piece of furniture—a worn bookshelf—against the living room wall, he noticed Amei lingering near a window, her gaze distant.

    “It’s different, isn’t it?” she said suddenly, not looking at him.

    “Moving?” Matteo asked, unsure if the question was for him.

    “Starting over,” she clarified, her voice quieter now. “Feels smaller, even when it’s supposed to be lighter.”

    Matteo didn’t reply, sensing she wasn’t looking for an answer. He stepped back, nodding politely as she thanked him and disappeared into the kitchen.

    :fleuron2:

    The postcard stuck in his mind for days after. Matteo had heard of absinthe before, of course—its mystique, its history—but something about the way Tabitha had called the postcard a “map of people” resonated.

    By the time spring arrived, Matteo was wandering through Avignon, chasing vague curiosities and half-formed questions. When he saw Lucien crouched over his chalk labyrinth, the memory of the postcard rose unbidden.

    “Do you know where I can find absinthe?” he asked, the question more instinct than intent.

    Lucien’s raised eyebrow and faint smile felt like another piece clicking into place. The connections were there—threads woven in patterns he couldn’t yet see. But for the first time in months, Matteo felt he was back on the right path.

    #7652

    Darius: The Call Home

    South of France: Early 2023

    Darius stared at the cracked ceiling of the tiny room, the faint hum of a heater barely cutting through the January chill. His breath rose in soft clouds, dissipating like the ambitions that had once kept him moving. The baby’s cries from the next room pierced the quiet again, sharp and insistent. He hadn’t been sleeping well—not that he blamed the baby.

    The young couple, friends of friends, had taken him in when he’d landed back in France late the previous year, his travel funds evaporated and his wellness “influencer” groups struggling to gain traction. What had started as a confident online project—bridging human connection through storytelling and mindfulness—had withered under the relentless churn of algorithm changes and the oversaturated market: even in its infancy, AI and its well-rounded litanies seemed the ubiquitous answers to humanities’ challenges.

    “Maybe this isn’t what people need right now,” he had muttered during one of his few recent live sessions, the comment section painfully empty.

    The atmosphere in the apartment was strained. He felt it every time he stepped into the cramped kitchen, the way the couple’s conversation quieted, the careful politeness in their questions about his plans.

    “I’ve got some things in the works,” he’d say, avoiding their eyes.

    But the truth was, he didn’t.

    It wasn’t just the lack of money or direction that weighed on him—it was a gnawing sense of purposelessness, a creeping awareness that the threads he’d woven into his identity were fraying. He could still hear Éloïse’s voice in his mind sometimes, low and hypnotic: “You’re meant to do more than drift. Trust the pattern. Follow the pull.”

    The pull. He had followed it across continents, into conversations and connections that felt profound at the time but now seemed hollow, like echoes in an empty room.

     

    When his phone buzzed late one night, the sound startling in the quiet, he almost didn’t answer.

    “Darius,” his aunt’s voice crackled through the line, faint but firm. “It’s time you came home.”

    Arrival in Guadeloupe

    The air in Pointe-à-Pitre was thick and warm, clinging to his skin like a second layer. His aunt met him at the airport, her sharp gaze softening only slightly when she saw him.

    “You look thin,” she said, her tone clipped. “Let’s get you fed.”

    The ride to Capesterre-Belle-Eau was a blur of green —banana fields and palms swaying in the breeze, the mountains rising in the distance like sleeping giants. The scent of the sea mingled with the earthy sweetness of the land, a sharp contrast to the sterile chill of the south of France.

    “You’ll help with the house,” his aunt said, her hands steady on the wheel. “And the fields. Don’t think you’re here to lounge.”

    He nodded, too tired to argue.

    :fleuron2:

    The first few weeks felt like penance. His aunt was tireless, moving with an energy that gainsaid her years, barking orders as he struggled to keep up.

    “Your hands are too soft,” she said once, glancing at his blistered palms. “Too much time spent talking, not enough doing.”

    Her words stung, but there was no malice in them—only a brutal honesty that cut through his haze.

    Evenings were quieter, spent on the veranda with plates of steaming rice and codfish, with the backdrop of cicadas’ relentless and rhythmic agitation. She didn’t ask about his travels, his work, or the strange detours his life had taken. Instead, she told stories—of storms weathered, crops saved, neighbors who came together when the land demanded it.

    A Turning Point

    One morning, as the sun rose over the fields, his aunt handed him a machete.

    “Today, you clear,” she said.

    He stood among the ruined banana trees, their fallen trunks like skeletal remains of what had once been vibrant and alive. The air was heavy with the scent of damp earth and decay.

    With each swing of the machete, he felt something shift inside him. The physical labor, relentless and grounding, pulled him out of his head and into his body. The repetitive motion—strike, clear, drag—was almost meditative, a rhythm that matched the heartbeat of the land.

    By midday, his shirt clung to his back, soaked with sweat. His muscles ached, his hands stung, but for the first time in months, his mind felt quiet.

    As he paused to drink from a canteen, his aunt approached, a rare smile softening her stern features.

    “You’re starting to see it, aren’t you?” she said.

    “See what?”

    “That life isn’t just what you chase. It’s what you build.”

    :fleuron2:

    Over time, the work became less about obligation and more about integration. He began to recognize the faces of the neighbors who stopped by to lend a hand, their laughter and stories sending vibrant pulsating waves resonant of a community he hadn’t realized he missed.

    One evening, as the sun dipped low, a group gathered to share a meal. Someone brought out drums, the rhythmic beat carrying through the warm night air. Darius found himself smiling, his feet moving instinctively to the music.

    The trance of Éloïse’s words—the pull she had promised—dissipated like smoke in the wind. What remained was what mattered: it wasn’t the pull but the roots —the people, the land, the stories they shared.

    The Bell

    It was his aunt who rang the bell for dinner one evening, the sound sharp and clear, cutting through the humid air like a call to attention.

    Darius paused, the sound resonating in his chest. It reminded him of something—a faint echo from his time with Éloïse and Renard, but different. This was simpler, purer, untainted by manipulation.

    He looked at his aunt, who was watching him with a knowing smile. “You’ve been lost a long time, haven’t you?” she said quietly.

    Darius nodded, unable to speak.

    “Good,” she said. “It means you know the way back.”

    :fleuron2:

    By the time he wrote to Amei, his hand no longer trembled. “Guadeloupe feels like a map of its own,” he wrote, the words flowing easily. “its paths crossing mine in ways I can’t explain. It made me think of you. I hope you’re well.”

    For the first time in years, he felt like he was on solid ground—not chasing a pull, but rooted in the rhythm of the land, the people, and himself.

    The haze lifted, and with it came clarity and maybe hope. It was time to reconnect—not just with long-lost friends and shared ideals, but with the version of himself he thought he’d lost.

    #7651
    Yurara FamelikiYurara Fameliki
    Participant

      Exploring further potential backstory for the characters – to be explored further…

      :fleuron2:

      This thread beautifully connects to the lingering themes of fractured ideals, missed opportunities, and the pull of reconnection. Here’s an expanded exploration of the “habitats participatifs” (co-housing communities) and how they tie the characters together while weaving in subtle links to their estrangement and Matteo’s role as the fifth element.

      Backstory: The Co-Housing Dream

      Habitat Participatif: A Shared Vision

      The group’s initial bond, forged through shared values and late-night conversations, had coalesced around a dream: buying land in the Drôme region of France to create a co-housing community. The French term habitat participatif—intergenerational, eco-conscious, and collaborative living—perfectly encapsulated their ideals.

      What Drew Them In:

      • Amei: Longing for a sense of rootedness and community after years of drifting.
      • Elara: Intrigued by the participatory aspect, where decisions were made collectively, blending science and sustainability.
      • Darius: Enchanted by the idea of shared creative spaces and a slower, more intentional way of living.
      • Lucien: Inspired by the communal energy, imagining workshops where art could flourish outside the constraints of traditional galleries.

      The Land in Drôme

      They had narrowed their options to a specific site near the village of Crest, not far from Lyon. The land, sprawling and sun-drenched, had an old farmhouse that could serve as a communal hub, surrounded by fields and woods. A nearby river threaded through the valley, and the faint outline of mountains painted the horizon.

      The traboules of Lyon, labyrinthine passageways, had captivated Amei during an earlier visit, leaving her wondering if their metaphorical weaving through life could mirror the paths their group sought to create.

      The Role of Monsieur Renard

      When it came to financing, the group faced challenges. None of them were particularly wealthy, and pooling their resources fell short. Enter Monsieur Renard, whose interest in supporting “projects with potential” brought him into their orbit through Éloïse.

      Initial Promise:

      • Renard presented himself as a patron of innovation, sustainability, and community projects, offering seed funding in exchange for a minor share in the enterprise.
      • His charisma and Éloïse’s insistence made him seem like the perfect ally—until his controlling tendencies emerged.

      The Split: Fractured Trust

      Renard’s involvement—and Éloïse’s increasing influence on Darius—created fault lines in the group.

      1. Darius’s Drift:
        • Darius became entranced by Renard and Éloïse’s vision of community as something deeper, bordering on spiritual. Renard spoke of “energetic alignment” and the importance of a guiding vision, which resonated with Darius’s creative side.
        • He began advocating for Renard’s deeper involvement, insisting the project couldn’t succeed without external backing.
      2. Elara’s Resistance:
        • Elara, ever the pragmatist, saw Renard as manipulative, his promises too vague and his influence too broad. Her resistance created tension with Darius, whom she accused of being naive.
        • “This isn’t about community for him,” she had said. “It’s about control.”
      3. Lucien’s Hesitation:
        • Lucien, torn between loyalty to his friends and his own fascination with Éloïse, wavered. Her talk of labyrinths and collective energy intrigued him, but he grew wary of her sway over Darius.
        • When Renard offered to fund Lucien’s art, he hesitated, sensing a price he couldn’t articulate.
      4. Amei’s Silence:
        • Amei, haunted by her own experiences with manipulation in past relationships, withdrew. She saw the dream slipping away but couldn’t bring herself to fight for it.

      Matteo’s Unseen Role

      Unbeknownst to the others, Matteo had been invited to join as a fifth partner—a practical addition to balance their idealism. His background in construction and agriculture, coupled with his easygoing nature, made him a perfect fit.

      The Missed Connection:

      • Matteo had visited the Drôme site briefly, a stranger to the group but intrigued by their vision. His presence was meant to ground their plans, to bring practicality to their shared dream.
      • By the time he arrived, however, the group’s fractures were deepening. Renard’s shadow loomed too large, and the guru-like influence of Éloïse had soured the collaborative energy. Matteo left quietly, sensing the dream unraveling before it could take root.

      The Fallout: A Fractured Dream

      The group dissolved after a final argument about Renard’s involvement:

      • Elara refused to move forward with his funding. “I’m not selling my future to him,” she said bluntly.
      • Darius, feeling betrayed, accused her of sabotaging the dream out of stubbornness.
      • Lucien, caught in the middle, tried to mediate but ultimately sided with Elara.
      • Amei, already pulling away, suggested they put the project on hold.

      The land was never purchased. The group scattered soon after, their estrangement compounded by the pandemic. Matteo drifted in a different direction, their connection lost before it could form.

      Amei’s Perspective: Post-Split Reflection

      In the scene where Amei buys candles :

      • The shopkeeper’s comments about “seeking something greater” resonate with Amei’s memory of the co-housing dream and how it became entangled with Éloïse and Renard’s influence.
      • Her sharper-than-usual reply reflects her lingering bitterness over the way “seeking” led to manipulation and betrayal.

      Reunion at the Café: A New Beginning

      When the group reunites, the dream of the co-housing project lingers as a symbol of what was lost—but also of what could still be reclaimed. Matteo’s presence at the café bridges the gap between their fractured past and a potential new path.

      Matteo’s Role:

      • His unspoken connection to the co-housing plan becomes a point of quiet irony: he was meant to be part of their story all along but arrived too late. Now, at the café, he steps into the role he missed years ago—the one who helps them see the threads that still bind them.
      #7650
      Yurara FamelikiYurara Fameliki
      Participant

        Some elements for inspiration as to the backstory of the group and how it could tie to the current state of the story:

        :fleuron2:

        Here’s a draft version of the drama surrounding Éloïse and Monsieur Renard (the “strange couple”), incorporating their involvement with Darius, their influence on the group’s dynamic, and the fallout that caused the estrangement five years ago.

        The Strange Couple: Éloïse and Monsieur Renard

        Winter 2019: Paris, Just Before the Pandemic

        The group’s last reunion before their estrangement was supposed to be a celebration—one of those rare moments when their diverging paths aligned. They had gathered in Paris in late December, the city cloaked in gray skies and glowing light. The plan was simple: a few days together, catching up, exploring old haunts, and indulging in the kind of reckless spontaneity that had defined their earlier years.

        It was Darius who disrupted the rhythm. He had arrived late to their first dinner, rain-soaked and apologetic, with Éloïse and Monsieur Renard in tow.

        First Impressions of Éloïse and Monsieur Renard

        Éloïse was striking—lithe, dark-haired, with sharp eyes that seemed to unearth secrets before you could name them. She moved with a predatory grace, her laughter a mix of charm and edge. Renard was her shadow, older and impeccably dressed, his silvery hair and angular features giving him the air of a fox. He spoke little, but when he did, his words had the weight of finality, as if he were accustomed to being obeyed.

        “They’re just friends,” Darius said when the others exchanged wary glances. “They’re… interesting. You’ll like them.”

        But it didn’t take long for Éloïse and Renard to unsettle the group. At dinner, Éloïse dominated the conversation, her stories wild and improbable—of séances in abandoned mansions, of lost artifacts with strange energies, of lives transformed by unseen forces. Renard’s occasional interjections only added to the mystique, his tone implying he’d seen more than he cared to share.

        Lucien, ever the skeptic, found himself drawn to Éloïse despite his instincts. Her talk of energies and symbols resonated with his artistic side, and when she mentioned labyrinths, his attention sharpened.

        Elara, in contrast, bristled at their presence. She saw through their mystique, recognizing in Renard the manipulative charisma of someone who thrived on control.

        Amei was harder to read, but she watched Éloïse and Renard closely, her silence betraying a guardedness that hinted at deeper discomfort.

        Darius’s Growing Involvement

        Over the following days, Darius spent more time with Éloïse and Renard, skipping planned outings with the group. He spoke of them with a reverence that was uncharacteristic, praising their insight into things he’d never thought to question.

        “They see connections in everything,” he told Amei during a rare moment alone. “It’s… enlightening.”

        “Connections to what?” she asked, her tone sharper than she intended.

        “Paths, people, purpose,” he replied vaguely. “It’s hard to explain, but it feels… right.”

        Amei didn’t press further, but she mentioned it to Elara later. “It’s like he’s slipping into something he can’t see his way out of,” she said.

        The Séance

        The turning point came during an impromptu gathering at Éloïse and Renard’s rented apartment—a dimly lit space filled with strange objects: glass jars of cloudy liquid, intricate carvings, and an ornate bronze bell hanging above the mantelpiece.

        Éloïse had invited the group for what she called “an evening of clarity.” The others arrived reluctantly, wary of what she had planned but unwilling to let Darius face it alone.

        The séance began innocuously enough—Éloïse guiding them through what she described as a “journey inward.” She spoke in a low, rhythmic tone, her words weaving a spell that was hard to resist.

        Then things took a darker turn. She asked them to focus on the labyrinth she had drawn on the table—a design eerily similar to the map Lucien had found weeks earlier.

        “You must find your center,” she said, her voice dropping. “But beware the edges. They’ll show you things you’re not ready to see.”

        The room grew heavy with silence. Darius leaned into the moment, his eyes closed, his breathing steady. Lucien tried to focus but felt a growing unease. Elara sat rigid, her scientific mind railing against the absurdity of it all. Amei’s hands gripped the edge of the table, her knuckles white.

        And then, the bell rang.

        It was faint at first, a distant chime that seemed to come from nowhere. Then it grew louder, resonating through the room, its tone deep and haunting.

        “What the hell is that?” Lucien muttered, his eyes snapping open.

        Éloïse smiled faintly but said nothing. Renard’s expression remained inscrutable, though his fingers tapped rhythmically against the table, as if counting something unseen.

        Elara stood abruptly, breaking the spell. “This is ridiculous,” she said. “You’re playing with people’s minds.”

        Darius’s eyes opened, his gaze unfocused. “You don’t understand,” he said softly. “It’s not a game.”

        The Fallout

        The séance fractured the group.

        • Elara: Left the apartment furious, calling Renard a charlatan and vowing never to entertain such nonsense again. Her relationship with Darius cooled, her disappointment palpable.
        • Lucien: Became fascinated with the labyrinth and its connection to his art, but he couldn’t shake the unease the séance had left. His conversations with Éloïse deepened in the following days, further isolating him from the group.
        • Amei: Refused to speak about what she’d experienced. When pressed, she simply said, “Some things are better left forgotten.”
        • Darius stayed with Éloïse and Renard for weeks after the others left Paris, becoming more entrenched in their world. But something changed. When he finally returned, he was distant and cagey, unwilling to discuss what had happened during his time with them.

        Lingering Questions

        1. What Happened to Darius with Éloïse and Renard?
          • Darius’s silence suggests something traumatic or transformative occurred during his deeper involvement with the couple.
        2. The Bell’s Role:
          • The bronze bell that rang during the séance ties into its repeated presence in the story. Was it part of the couple’s mystique, or does it hold a deeper significance?
        3. Lucien’s Entanglement:
          • Lucien’s fascination with Éloïse and the labyrinth hints at a lingering connection. Did she influence his art, or was their connection more personal?
        4. Éloïse and Renard’s Motives:
          • Were they simply grifters manipulating Darius and others, or were they genuinely exploring something deeper, darker, and potentially dangerous?

        Impact on the Reunion

        • The group’s estrangement is rooted in the fractures caused by Éloïse and Renard’s influence, compounded by the isolation of the pandemic.
        • Their reunion at the café is a moment of reckoning, with Matteo acting as the subtle thread pulling them back together to confront their shared past.
        #7647

        Darius: A Map of People

        June 2023 – Capesterre-Belle-Eau, Guadeloupe

        The air in Capesterre-Belle-Eau was thick with humidity, the kind that clung to your skin and made every movement slow and deliberate. Darius leaned against the railing of the veranda, his gaze fixed on the horizon where the sky blends into the sea. The scent of wet earth and banana leaves filling the air. He was home.

        It had been nearly a year since hurricane Fiona swept through Guadeloupe, its winds blowing a trail of destruction across homes, plantations, and lives. Capesterre-Belle-Eau had been among the hardest hit, its banana plantations reduced to ruin and its roads washed away in torrents of mud.

        Darius hadn’t been here when it happened. He’d read about it from across the Atlantic, the news filtering through headlines and phone calls from his aunt, her voice brittle with worry.

        “Darius, you should come back,” she’d said. “The land remembers everyone who’s left it.”

        It was an unusual thing for her to say, but the words lingered. By the time he arrived in early 2023 to join the relief efforts, the worst of the crisis had passed, but the scars remained—on the land, on the people, and somewhere deep inside himself.

        Home, and Not — Now, passing days having turned into quick six months, Darius was still here, though he couldn’t say why. He had thrown himself into the work, helped to rebuild homes, clear debris, and replant crops. But it wasn’t just the physical labor that kept him—it was the strange sensation of being rooted in a place he’d once fled.

        Capesterre-Belle-Eau wasn’t just home; it was bones-deep memories of childhood. The long walks under the towering banana trees, the smell of frying codfish and steaming rice from his aunt’s kitchen, the rhythm of gwoka drums carrying through the evening air.

        “Tu reviens pour rester cette fois ?” Come back to stay? a neighbor had asked the day he returned, her eyes sharp with curiosity.

        He had laughed, brushing off the question. “On verra,” he’d replied. We’ll see.

        But deep down, he knew the answer. He wasn’t back for good. He was here to make amends—not just to the land that had raised him but to himself.

        A Map of Travels — On the veranda that afternoon, Darius opened his phone and scrolled through his photo gallery. Each image was pinned to a digital map, marking all the places he’d been since he got the phone. Of all places, it was Budapest which popped out, a poor snapshot of Buda Castle.

        He found it a funny thought — just like where he was now, he hadn’t planned to stay so long there. He remembered the date: 2020, in the midst of the pandemic. He’d spent in Budapest most of it, sketching the empty streets.

        Five years ago, their little group of four had all been reconnecting in Paris, full of plans that never came to fruition. By late 2019, the group had scattered, each of them drawn into their own orbits, until the first whispers of the pandemic began to ripple across the world.

        Funding his travels had never been straightforward. He’d tried his hand at dozens of odd jobs over the years—bartending in Lisbon, teaching English in Marrakech, sketching portraits in tourist squares across Europe. He lived frugally, keeping his possessions light and his plans loose. Yet, his confidence had a way of opening doors; people trusted him without knowing why, offering him opportunities that always seemed to arrive at just the right time.

        Even during the pandemic, when the world seemed to fold in on itself, he had found a way.

        Darius had already arrived in Budapest by then, living cheaply in a rented studio above a bakery. The city had remained open longer than most in Europe or the world, its streets still alive with muted activity even as the rest of Europe closed down. He’d wandered freely for months, sketching graffiti-covered bridges, quiet cafes, and the crumbling facades of buildings that seemed to echo his own restlessness.

        When the lockdowns finally came like everywhere else, it was just before winter, he’d stayed, uncertain of where else to go. His days became a rhythm of sketching, reading, and sending postcards. Amei was one of the few who replied—but never ostentatiously. It was enough to know she was still there, even if the distance between them felt greater than ever.

        But the map didn’t tell the whole story. It didn’t show the faces, the laughter, the fleeting connections that had made those places matter.

        Swatting at a buzzing mosquito, he reached for the small leather-bound folio on the table beside him. Inside was a collection of fragments: ticket stubs, pressed flowers, a frayed string bracelet gifted by a child in Guatemala, and a handful of postcards he’d sent to Amei but had never been sure she received.

        One of them, yellowed at the edges, showed a labyrinth carved into stone. He turned it over, his own handwriting staring back at him.

        “Amei,” it read. “I thought of you today. Of maps and paths and the people who make them worth walking. Wherever you are, I hope you’re well. —D.”

        He hadn’t sent it. Amei’s responses had always been brief—a quick WhatsApp message, a thumbs-up on his photos, or a blue tick showing she’d read his posts. But they’d never quite managed to find their way back to the conversations they used to have.

        The Market —  The next morning, Darius wandered through the market in Trois-Rivières, a smaller town nestled between the sea and the mountains. The vendors called out their wares—bunches of golden bananas, pyramids of vibrant mangoes, bags of freshly ground cassava flour.

        “Tiens, Darius!” called a woman selling baskets woven from dried palm fronds. “You’re not at work today?”

        “Day off,” he said, smiling as he leaned against her stall. “Figured I’d treat myself.”

        She handed him a small woven bracelet, her eyes twinkling. “A gift. For luck, wherever you go next.”

        Darius accepted it with a quiet laugh. “Merci, tatie.”

        As he turned to leave, he noticed a couple at the next stall—tourists, by the look of them, their backpacks and wide-eyed curiosity marking them as outsiders. They made him suddenly realise how much he missed the lifestyle.

        The woman wore an orange scarf, its boldness standing out as if the color orange itself had disappeared from the spectrum, and only a single precious dash could be seen into all the tones of the market. Something else about them caught his attention. Maybe it was the way they moved together, or the way the man gestured as he spoke, as if every word carried weight.

        “Nice scarf,” Darius said casually as he passed.

        The woman smiled, adjusting the fabric. “Thanks. Picked it up in Rajasthan. It’s been with me everywhere since.”

        Her partner added, “It’s funny, isn’t it? The things we carry. Sometimes it feels like they know more about where we’ve been than we do.”

        Darius tilted his head, intrigued. “Do you ever think about maps? Not the ones that lead to places, but the ones that lead to people. Paths crossing because they’re meant to.”

        The man grinned. “Maybe it’s not about the map itself,” he said. “Maybe it’s about being open to seeing the connections.”

        A Letter to Amei —  That evening, as the sun dipped below the horizon, Darius sat at the edge of the bay, his feet dangling above the water. The leather-bound folio sat open beside him, its contents spread out in the fading light.

        He picked up the labyrinth postcard again, tracing its worn edges with his thumb.

        “Amei,” he wrote on the back just under the previous message a second one —the words flowing easily this time. “Guadeloupe feels like a map of its own, its paths crossing mine in ways I can’t explain. It made me think of you. I hope you’re well. —D.”

        He folded the card into an envelope and tucked it into his bag, resolving to send it the next day.

        As he watched the waves lap against the rocks, he felt a sense of motion rolling like waves asking to be surfed. He didn’t know where the next path would lead next, but he felt it was time to move on again.

        #7639
        ÉricÉric
        Keymaster

          Work in Progress: Character Timelines and Events

          Matteo

          • November 2024 (Reunion):
            • Newly employed at the Sarah Bernhardt Café, started after its reopening.
            • Writes the names of Lucien, Elara, Darius, and Amei in his notebook without understanding why.
            • Acquires the bell from Les Reliques, drawn to it as if guided by an unseen force.
            • Serves the group during the reunion, surprised to see all four together, though he knows them individually.
          • Summer 2024 (Olympics):
            • Working in a vineyard in southern France, nearing the end of the harvest season.
            • Receives a call for a renovation job in Paris, which pulls him toward the city.
            • Feels an intuitive connection to Paris, as if something is waiting for him there.
          • Past Events (Implied):
            • Matteo has a mysterious ability to sense patterns and connections in people’s lives.
            • Has likely crossed paths with the group in unremarkable but meaningful ways before.

           

          Darius

          • November 2024 (Reunion):
            • Arrives at the café, a wanderer who rarely stays in one place.
            • Reflects on his time in India during the autumn and the philosophical journey it sparked.
            • Brings with him an artifact that ties into his travels and personal story.
          • Summer 2024 (Olympics):
            • Living in Barcelona, sketching temples and engaging with a bohemian crowd.
            • Prompted by a stranger to consider a trip to India, sparking curiosity and the seeds of his autumn journey.
            • Begins to plan his travels, sensing that India is calling him for a reason he doesn’t yet understand.
          • Past Events (Implied):
            • Has a history of introducing enigmatic figures to the group, often leading to tension.
            • His intense, nomadic lifestyle creates both fascination and distance between him and the others.

           

          Elara

          • November 2024 (Reunion):
            • Travels from England to Paris to attend the reunion, balancing work and emotional hesitation.
            • Still processing her mother’s passing and reflecting on their strained relationship.
            • Finds comfort in the shared dynamics of the group but remains analytical about the events around the bell.
          • Summer 2024 (Olympics):
            • (was revealed to be a dream event) Attends a CERN conference in Geneva, immersed in intellectual debates and cutting-edge research. Receives news of her mother’s death in Montrouge, prompting a reflective journey to make funeral arrangements. Struggles with unresolved feelings about her mother but finds herself strangely at peace with the finality.
            • Dreams of her mother’s death during a nap in Tuscany, a surreal merging of past and present that leaves her unsettled.
            • Hears a bell’s clang, only to find Florian fixing a bell to the farmhouse gate. The sound pulls her further into introspection about her mother and her life choices.
            • Mentors Florian, encouraging him to explore his creativity, paralleling her own evolving relationship with her chalk research.
          • Past Events (Implied):
            • Moved to Tuscany after retiring from academia, pursuing independent research on chalk.
            • Fondly remembers the creative writing she once shared with the group, though it now feels like a distant chapter of her life.
            • Had a close but occasionally challenging relationship with Lucien and Amei during their younger years.
            • Values intellectual connections over emotional ones but is gradually learning to reconcile the two.

           

          Lucien

          • November 2024 (Reunion):
            • Sends the letter that brings the group together at the café, though his intentions are unclear even to himself.
            • In his Paris studio, struggles with an unfinished commissioned painting. Feels disconnected from his art and his sense of purpose.
            • Packs a suitcase with sketchbooks and a bundle wrapped in linen, symbolizing his uncertainty—neither a complete departure nor a definitive arrival.
            • Heads to the café in the rain, reluctant but compelled to reconnect with the group. Confronts his feelings of guilt and estrangement from the group.
          • Summer 2024 (Olympics):
            • Escapes Paris, overwhelmed by the crowds and noise of the Games, and travels to Lausanne.
            • Reflects on his artistic block and the emotional weight of his distance from the group.
            • Notices a sketch in his book of a doorway with a bell he doesn’t recall drawing, sparking vague recognition.
          • Past Events (Implied):
            • Once the emotional “anchor” of the group, he drifted apart after a falling-out or personal crisis.
            • Feels a lingering sense of responsibility to reunite the group but struggles with his own vulnerabilities.

          Amei

           

          • November 2024 (Reunion):
            • Joins the reunion at Lucien’s insistence, hesitant but curious about reconnecting with the group.
            • Brings with her notebooks filled with fragments of stories and a quiet hope for resolution.
            • Feels the weight of the group’s shared history but refrains from dwelling on it outwardly.
          • Summer 2024 (Olympics):
            • Recently moved into a smaller flat in London, downsizing after her daughter Tabitha left for university.
            • Has a conversation with Tabitha about life and change, hinting at unresolved emotions about motherhood and independence.
            • Tabitha jokes about Amei joining her in Goa, a suggestion Amei dismisses but secretly considers.
          • Past Events (Implied):
            • The last group meeting five years ago left her with lingering emotional scars.
            • Maintains a deep but quiet connection to Lucien and shares a playful dynamic with Elara.

           

          Tabitha (Amei’s Daughter)

          • November 2024:
            • Calls Amei to share snippets of her life, teasing her mother about her workaholic tendencies.
            • Reflects on their relationship, noting Amei’s supportive but emotionally guarded nature.
          • Summer 2024 (Olympics):
            • Planning her autumn trip to Goa with friends, viewing it as a rite of passage.
            • Discusses her mother’s habits with her peers, acknowledging Amei’s complexities while expressing affection.
          • Past Events (Implied):
            • Represents a bridge between Amei’s past and present, highlighting generational contrasts and continuities.

          Key Threads and Patterns

          • The Bell: Acts as a silent witness and instigator, threading its presence through pivotal moments in each character’s journey, whether directly or indirectly.
          • Shared Histories: While each character grapples with personal struggles, their paths hint at intersections in the past, tied to unresolved tensions and shared experiences.
          • Forward and Backward Motion: The narrative moves between the characters’ immediate challenges and the ripples of their past decisions, with the bell serving as a focal point for both.
          #7635

          Sat. Nov. 30, 2024 5:55am — Matteo’s morning

          Matteo’s mornings began the same way, no matter the city, no matter the season. A pot of strong coffee brewed slowly on the stove, filling his small apartment with its familiar, sense-sharpening scent. Outside, Paris was waking up, its streets already alive with the sound of delivery trucks and the murmurs of shopkeepers rolling open shutters.

          He sipped his coffee by the window, gazing down at the cobblestones glistening from last night’s rain. The new brass sign above the Sarah Bernhardt Café caught the morning light, its sheen too pristine, too new. He’d started the server job there less than a week ago, stepping into a rhythm he already knew instinctively, though he wasn’t sure why.

          Matteo had always been good at fitting in. Jobs like this were placeholders—ways to blend into the scenery while he waited for whatever it was that kept pulling him forward. The café had reopened just days ago after months of being closed for renovations, but to Matteo, it felt like it had always been waiting for him.

          :fleuron2:

          He set his coffee mug on the counter, reaching absently for the notebook he kept nearby. The act was automatic, as natural as breathing. Flipping open to a blank page, Matteo wrote down four names without hesitation:

          Lucien. Elara. Darius. Amei.

          He stared at the list, his pen hovering over the page. He didn’t know why he wrote it. The names had come unbidden, as though they were whispered into his ear from somewhere just beyond his reach. He ran his thumb along the edge of the page, feeling the faint indentation of his handwriting.

          The strangest part wasn’t the names— it was the certainty that he’d see them that day.

          Matteo glanced at the clock. He still had time before his shift. He grabbed his jacket, tucked the notebook into the inside pocket, and stepped out into the cool Parisian air.

          :fleuron2:

          Matteo’s feet carried him to a side street near the Seine, one he hadn’t consciously decided to visit. The narrow alley smelled of damp stone and dogs piss. Halfway down the alley, he stopped in front of a small shop he hadn’t noticed before. The sign above the door was worn, its painted letters faded: Les Reliques. The display in the window was an eclectic mix—a chessboard missing pieces, a cracked mirror, a wooden kaleidoscope—but Matteo’s attention was drawn to a brass bell sitting alone on a velvet cloth.

          The door creaked as he stepped inside, the distinctive scent of freshly burnt papier d’Arménie and old dust enveloping him. A woman emerged from the back, wiry and pale, with sharp eyes that seemed to size Matteo up in an instant.

          “You’ve never come inside,” she said, her voice soft but certain.

          “I’ve never had a reason to,” Matteo replied, though even as he spoke, the door closed shut the outside sounds.

          “Today, you might,” the woman said, stepping forward. “Looking for something specific?”

          “Not exactly,” Matteo replied. His gaze shifted back to the bell, its smooth surface gleaming faintly in the dim light.

          “Ah.” The shopkeeper followed his eyes and smiled faintly. “You’re drawn to it. Not uncommon.”

          “What’s uncommon about a bell?”

          The woman chuckled. “It’s not the bell itself. It’s what it represents. It calls attention to what already exists—patterns you might not notice otherwise.”

          Matteo frowned, stepping closer. The bell was unremarkable, small enough to fit in the palm of his hand, with a simple handle and no visible markings.

          “How much?”

          “For you?” The shopkeeper tilted his head. “A trade.”

          Matteo raised an eyebrow. “A trade for what?”

          “Your time,” the woman said cryptically, before waving her hand. “But don’t worry. You’ve already paid it.”

          It didn’t make sense, but then again, it didn’t need to. Matteo handed over a few coins anyway, and the woman wrapped the bell in a square of linen.

          :fleuron2:

          Back on the street, Matteo slipped the bell into his pocket, its weight unfamiliar but strangely comforting. The list in his notebook felt heavier now, as though connected to the bell in a way he couldn’t quite articulate.

          Walking back toward the café, Matteo’s mind wandered. The names. The bell. The shopkeeper’s words about patterns. They felt like pieces of something larger, though the shape of it remained elusive.

           

          The day had begun to align itself, its pieces sliding into place. Matteo stepped inside, the familiar hum of the café greeting him like an old friend. He stowed his coat, slipped the bell into his bag, and picked up a tray.

          Later that day, he noticed a figure standing by the window, suitcase in hand. Lucien. Matteo didn’t know how he recognized him, but the instant he saw the man’s rain-damp curls and paint-streaked scarf, he knew.

          By the time Lucien settled into his seat, Matteo was already moving toward him, notebook in hand, his practiced smile masking the faint hum of inevitability coursing through him.

          He didn’t need to check the list. He knew the others would come. And when they did, he’d be ready. Or so he hoped.

          #7634

          Nov.30, 2024 2:33pm – Darius: The Map and the Moment

          Darius strolled along the Seine, the late morning sky a patchwork of rainclouds and stubborn sunlight. The bouquinistes’ stalls were already open, their worn green boxes overflowing with vintage books, faded postcards, and yellowed maps with a faint smell of damp paper overpowered by the aroma of crêpes and nearby french fries stalls. He moved along the stalls with a casual air, his leather duffel slung over one shoulder, boots clicking against the cobblestones.

          The duffel had seen more continents than most people, its scuffed surface hinting at his nomadic life. India, Brazil, Morocco, Nepal—it carried traces of them all. Inside were a few changes of clothes, a knife he’d once bought off a blacksmith in Rajasthan, and a rolled-up leather journal that served more as a collection of ideas than a record of events.

          Darius wasn’t in Paris for nostalgia, though it tugged at him in moments like this. The city had always been Lucien’s thing —artistic, brooding, and layered with history. For Darius, Paris was just another waypoint. Another stop on a map that never quite seemed to end.

          It was the map that stopped him, actually. A tattered, hand-drawn thing propped against a pile of secondhand books, its edges curling like a forgotten leaf. Darius leaned in, frowning at its odd geometry. It wasn’t a city plan or a geographical rendering; it was… something else.

          “Ah, you’ve found my prize,” said the bouquiniste, a short older man with a grizzled beard and a cigarette dangling from his lips.

          “This?” Darius held up the map, his dark fingers tracing the looping, interconnected lines. They reminded him of something—a mandala, maybe, or one of those intricate yantras he’d seen in a temple in Varanasi.

          “It’s not a real place,” the bouquiniste continued, leaning closer as though revealing a secret. “More of a… philosophical map.”

          Darius raised an eyebrow. “A philosophical map?”

          The man gestured toward the lines. “Each path represents a choice, a possibility. You could spend your life trying to follow it, or you could accept that you already have.”

          Darius tilted his head, the edges of a smile forming. “That’s deep for ten euros.”

          “It’s twenty,” the bouquiniste corrected, his grin flashing gold teeth.

          Darius handed over the money without a second thought. The map was too strange to leave behind, and besides, it felt like something he was meant to find.

          He rolled it up and tucked it into his duffel, turning back toward the city’s winding streets. The café wasn’t far now, but he still had time.

          :fleuron2:

          He stopped by a street vendor selling espresso shots and ordered one, the strong, bitter taste jolting his senses awake. As he leaned against a lamppost, he noticed his reflection in a shop window: a tall, broad-shouldered man, his dark skin glistening faintly in the misty air. His leather jacket was worn at the elbows, his boots dusted with dirt from some far-flung place.

          He looked like a man who belonged everywhere and nowhere—a nomad who’d long since stopped wondering what home was supposed to feel like.

          India had been the last big stop. It was messy, beautiful chaos. The temples had been impressive, sure, but it was the street food vendors, the crowded markets, the strolls on the beach with the peaceful cows sunbathing, and the quiet, forgotten alleys that stuck with him. He’d made some connections, met some people who’d lingered in his thoughts longer than they should have.

          One of them had been a woman named Anila, who had handed him a fragment of something—an idea, a story, a warning. He couldn’t quite remember now. It felt like she’d been trying to tell him something important, but whatever it was had slipped through his fingers like water.

          Darius shook his head, pushing the thought aside. The past was the past, and Paris was the present. He looked at the rolled-up map peeking out of his duffel and smirked. Maybe Lucien would know what to make of it. Or Elara, with her scientific mind and love of puzzles.

          The group had always been a strange mix, like a band that shouldn’t work but somehow did. And now, after five years of silence, they were coming back together.

          The idea made his stomach churn—not with nerves, exactly, but with a sense of inevitability. Things had been left unsaid back then, unfinished. And while Darius wasn’t usually one to linger on the past, something about this meeting felt… different.

          The café was just around the corner now, its brass fixtures glinting through the drizzle. Darius slung his duffel higher on his shoulder and took one last sip of espresso before tossing the cup into a bin.

          Whatever this reunion was about, he’d be ready for it.

          But the map—it stayed on his mind, its looping lines and impossible paths pressing into his thoughts like a puzzle waiting to be solved.

          #7623

          At the Café

          The Sarah Bernardt Café shimmered under a pale grey November sky a busy last Saturday of the “Black Week”. Golden lights spilled onto cobblestones slick with rain, and the air buzzed with the din of a city alive in the moment. Inside, the crowd pressed together, laughing, arguing, living. And in a corner table by the fogged-up window, old friends were about to quietly converged, coming to a long overdue reunion.

          Lucien was the first to arrive, dragging a weathered suitcase behind him. Its wheels rattled unevenly on the cobblestones, a sound he hated. His dark curls, damp from the rain, clung to his forehead, and his scarf, streaked with old paint, hung loose around his neck. He folded himself into a corner chair, his suitcase tucked awkwardly beside him. When the server approached, Lucien waved him off with a distracted shake of his head and opened a battered sketchbook.

          The next arrival was Elara. She entered briskly, shaking rain from her short gray-streaked hair, her eyes scanning the room as though searching for anomalies. A small roller bag trailed behind her, pristine and black, a sharp contrast to Lucien’s worn luggage. She stopped at the table and tilted her head.

          “Still brooding?” she asked, pulling off her coat and folding it neatly over the back of a chair.

          “Still talking?” Lucien didn’t look up, his pencil scratching faint lines across the page.

          Elara smiled faintly. “Two minutes in, and you’re already immortalizing us? You know I hate being drawn.”

          “You hate being caught off guard,” Lucien murmured. “But I never get your nose wrong.”

          She laughed, the sound light but brief, and sank into her seat, placing her bag carefully beside her.

          The door swung open again, and Darius entered, shaking the rain from his jacket. His presence seemed to fill the room immediately. He strode toward the table, a leather duffel slung over one shoulder and a well-worn travel pouch clutched in his hand. His boots clacked against the café’s tile floor, his movements easy, confident.

          “Did you walk here?” Elara asked as he dropped his things with a thud and pulled out a chair.

          “Ran into someone on the way,” he said, settling back. “Some guy selling maps. Got this one for ten euros—worth every cent.” He waved a yellowed scrap of paper that looked more fiction than cartography.

          Lucien snorted. “Still paying for strangers’ stories, I see.”

          “The good ones aren’t free.” Darius grinned and leaned back in his chair, propping one boot against the table leg.

          The final arrival was Amei. Her entrance was quieter but no less noticeable. She unwound her scarf slowly, her layered clothing a mix of textures and colors that seemed to absorb the café’s golden light. A tote bag rested over her shoulder, bulging with what could have been books, or journals, or stories yet untold.

          “You’re late,” Darius said, but his voice carried no accusation.

          “Right on time,” Amei replied, lowering herself into the last chair. “You’re all just early.”

          Her gaze swept across them, lingering on the bags piled at their feet. “I see I’m not the only one who came a long way.”

          “Not all of us live in Paris,” Elara said, with a glance at Lucien.

          “Only some of us make better life choices,” Lucien replied dryly.

          The comment drew laughter—a tentative sound that loosened the air between them, thick as it was with five years of absence.

           

          :fleuron2:

          #7618

          Matteo Appears

          Matteo approached the table, a tray balanced effortlessly in one hand, his dark eyes flicking over the group as though cataloging details in an invisible ledger. His waistcoat, sharp and clean, gave him a practiced professionalism, but there was something else—a casual, unspoken authority that drew attention.

          “Good evening,” he began, his voice smooth and low, almost conspiratorial. Then, he froze for the briefest moment, his gaze shifting from face to face, the easy smile tightening at the corners.

          “Well,” Matteo said finally, his smile broadening as if he’d just solved a riddle. “Here you all are. Together, at last.”

          The group exchanged glances, each of them caught off-guard by the comment.

          “You say that like you’ve been expecting us,” Elara said, her tone measured but sharp, as if probing for variables.

          “Not expecting,” Matteo replied, his eyes glinting. “But hoping, perhaps. It’s… good to see you all like this. It fits, somehow.”

          “What fits?” Darius asked, leaning forward. His voice was lighter than Elara’s but carried a weight that suggested he wouldn’t let the question drop easily.

          Matteo’s smile deepened, though he didn’t answer immediately. Instead, he set down his tray and folded his hands in front of him, his posture relaxed but deliberate, as though he were balancing on the edge of some invisible line.

          “You’ve never all been here before,” he said, a simple statement that landed like a challenge.

          “Wait,” Amei said, narrowing her eyes. “You know us?”

          “Oh, I know you,” Matteo replied, his tone as light as if they were discussing the weather. “Individually, yes. But together? This is new. And it’s… remarkable.”

          “Remarkable how?” Lucien asked, his pencil stilled over his sketchbook.

          Matteo tilted his head, considering the question as though weighing how much to say. “Let’s just call it a rarity. Things don’t often align so neatly. It’s not every day you see… well, this.”

          He gestured toward them with a sweeping hand, as if the mere fact of their presence at the table was something extraordinary.

          “You’re being cryptic,” Elara said, her voice edged with suspicion.

          “It’s a talent,” Matteo replied smoothly.

          “Alright, hold on.” Darius leaned back, his chair creaking under him. “How do you know us? I’ve never been here before. Not once.”

          “Nor I,” Amei added, her voice soft but steady.

          Matteo raised an eyebrow, his smile taking on a knowing tilt. “No, not here. But that’s not the only place to know someone, is it?”

          The words hung in the air, unsettling and oddly satisfying at once.

          “You’re saying we’ve met you before?” Elara asked.

          Matteo inclined his head. “In a manner of speaking.”

          “That doesn’t make sense,” Lucien said, his voice quiet but firm.

          “Doesn’t it?” Matteo countered, his tone almost playful. “After all, do we ever truly remember every thread that weaves us together? Sometimes we only see the pattern when it’s complete.”

          A pause settled over the table, heavy with unspoken questions. Matteo shifted his weight, breaking the silence with an easy gesture.

          “It doesn’t matter how,” he said finally. “What matters is that you’re here. That’s what counts.”

          “For what?” Amei asked, her eyes narrowing.

          “For whatever happens next,” Matteo replied, as if the answer were obvious. Then he straightened, his professional mask sliding back into place with effortless grace.

          “Now, what can I bring you?” he asked, his tone light again, as though the previous exchange hadn’t happened.

          One by one, they placed their orders, though their minds were clearly elsewhere. Matteo scribbled in his notebook, his pen moving with deliberate strokes, and then he looked up once more.

          “Thank you for being here,” he said, his voice quieter this time. “It’s been… a long time coming.”

          And with that, he was gone, disappearing into the crowd with the same fluidity he’d arrived.

          They sat in silence for a moment, his words pressing down on them like a hand on a wound, familiar and foreign all at once.

          “What the hell was that?” Darius asked finally, breaking the spell.

          “Does he seem… different to you?” Amei asked, her voice distant.

          “He seems impossible,” Elara replied, her fingers tapping an unconscious rhythm on the table.

          “He remembered me,” Lucien said, almost to himself. “Something about absinthe.”

          “I’ve never even met him,” Elara said, her voice rising slightly. “But he knew… too much.”

          “And he didn’t explain anything,” Darius added, shaking his head.

          “Maybe he didn’t need to,” Amei said softly, her gaze fixed on the space Matteo had just vacated.

          They lapsed into silence again, the noise of the café returning in fits and starts, like an orchestra warming up after a pause. Somewhere, a glass clinked against porcelain; outside, the violinist struck a note so low it hummed against the windowpane.

          The four of them sat there, strangers and friends all at once, the questions left dangling between them like stars in a cloudy sky. Whatever Matteo had meant, it was clear this moment was no coincidence. It wasn’t an end, nor a beginning—it was the start of something unraveling, something they couldn’t yet see.

          And though none of them said it aloud, the thought was the same: What had happened before?

          :fleuron2:

          Quintessence: Reversing the Fifth

          #7549
          TracyTracy
          Participant

            The Tailor of Haddon
            Wibberly and Newton of Over Haddon

             

            It was noted in the Bakewell parish register in 1782 that John Wibberly 1705?-1782 (my 6x great grandfather) was “taylor of Haddon”.

            Taylor of Haddon

             

            James Marshall 1767-1848 (my 4x great grandfather), parish clerk of Elton, married Ann Newton 1770-1806 in Elton in 1792. In the Bakewell parish register, Ann was baptised on the 2rd of June 1770, her parents George and Dorothy Newton of Upper Haddon. The Bakewell registers at the time covered several smaller villages in the area, although what is currently known as Over Haddon was referred to as Upper Haddon in the earlier entries.

             

            Newton:

            George Newton 1728-1798 was the son of George Newton 1706- of Upper Haddon and Jane Sailes, who were married in 1727, both of Upper Haddon.

            George Newton born in 1706 was the son of George Newton 1676- and Anne Carr, who were married in 1701, both of Upper Haddon.

            George Newton born in 1676 was the son of John Newton 1647- and Alice who were married in 1673 in Bakewell. There is no last name for Alice on the marriage transcription.

            John Newton born in 1647 (my 9x great grandfather) was the son of John Newton and Anne Buxton (my 10x great grandparents), who were married in Bakewell in 1636.

            1636 marriage of John Newton and Anne Buxton:

            John Newton Anne Buxton

             

             

            Wibberly

            Dorothy Wibberly 1731-1827 married George Newton in 1755 in Bakewell. The entry in the parish registers says that they were both of Over Haddon. Dorothy was baptised in Bakewell on the 25th June 1731, her parents were John and Mary of Over Haddon.

            Dorothy Wibberly

             

            John Wibberly and Mary his wife baptised nine children in Bakewell between 1730 and 1750, and on all of the entries in the parish registers it is stated that they were from Over Haddon. A parish register entry for John and Mary’s marriage has not yet been found, but a marriage in Beeley, a tiny nearby village, in 1728 to Mary Mellor looks likely.

            John Wibberly died in Over Haddon in 1782. The entry in the Bakewell parish register notes that he was “taylor of Haddon”.

            The tiny village of Over Haddon was historically associated with Haddon Hall.

            A baptism for John Wibberly has not yet been found, however, there were Wibersley’s in the Bakewell registers from the early 1600s:

            1619 Joyce Wibersley married Raphe Cowper.
            1621 Jocosa Wibersley married Radulphus Cowper
            1623 Agnes Wibersley married Richard Palfreyman
            1635 Cisley Wibberlsy married ? Mr. Mason
            1653 John Wibbersly married Grace Dayken

             

            Haddon Hall

            Haddon hall

             

            Sir Richard Vernon (c. 1390 – 1451) of Haddon Hall.
            Vernon’s property was widespread and varied. From his parents he inherited the manors of Marple and Wibersley, in Cheshire. Perhaps the Over Haddon Wibersley’s origins were from Sir Richard Vernon’s property in Cheshire. There is, however, a medieval wayside cross called Whibbersley Cross situated on Leash Fen in the East Moors of the Derbyshire Peak District. It may have served as a boundary cross marking the estate of Beauchief Abbey. Wayside crosses such as this mostly date from the 9th to 15th centuries.

            Found in both The History and Antiquities of Haddon Hall by S Raynor, 1836, and the 1663 household accounts published by Lysons, Haddon Hall had 140 domestic staff.

            In the book Haddon Hall, an Illustrated Guide, 1871, an example from the 1663 Christmas accounts:

            Haddon Hall accounts

            Haddon Accounts

             

            Also in this book, an early 1600s “washing tally” from Haddon Hall:

            washing tally

             

            Over Haddon

            Martha Taylor, “the fasting damsel”, was born in Over Haddon in 1649. She didn’t eat for almost two years before her death in 1684. One of the Quakers associated with the Marshall Quakers of Elton, John Gratton, visited the fasting damsel while he was living at Monyash, and occasionally “went two miles to see a woman at Over Haddon who pretended to live without meat.” from The Reliquary, 1861.

            #7548
            TracyTracy
            Participant

              Elton Marshall’s

              Early Quaker Emigrants to USA.

               

              The earliest Marshall in my tree is Charles Marshall (my 5x great grandfather), Overseer of the Poor and Churchwarden of Elton. His 1819 gravestone in Elton says he was 77 years old when he died, indicating a birth in 1742, however no baptism can be found.

              According to the Derbyshire records office, Elton was a chapelry of Youlgreave until 1866. The Youlgreave registers date back to the mid 1500s, and there are many Marshalls in the registers from 1559 onwards. The Elton registers however are incomplete due to fire damage.

              While doing a google books search for Marshall’s of Elton, I found many American family history books mentioning Abraham Marshall of Gratton born in 1667, who became a Quaker aged 16, and emigrated to Pennsylvania USA in 1700. Some of these books say that Abraham’s parents were Humphrey Marshall and his wife Hannah Turner. (Gratton is a tiny village next to Elton, also in Youlgreave parish.)

              Abraham’s son born in USA was also named Humphrey. He was a well known botanist.

              Abraham’s cousin John Marshall, also a Quaker, emigrated from Elton to USA in 1687, according to these books.

              (There are a number of books on Colonial Families in Pennsylvania that repeat each other so impossible to cite the original source)

              colonial books

               

              In the Youlgreave parish registers I found a baptism in 1667 for Humphrey Marshall son of Humphrey and Hannah. I didn’t find a baptism for Abraham, but it looks as though it could be correct. Abraham had a son he named Humphrey. But did it just look logical to whoever wrote the books, or do they know for sure? Did the famous botanist Humphrey Marshall have his own family records? The books don’t say where they got this information.

              An earlier Humphrey Marshall was baptised in Youlgreave in 1559, his father Edmund. And in 1591 another Humphrey Marshall was baptised, his father George.

              But can we connect these Marshall’s to ours? We do have an Abraham Marshall, grandson of Charles, born in 1792. The name isn’t all that common, so may indicate a family connection. The villages of Elton, Gratton and Youlgreave are all very small and it would seem very likely that the Marshall’s who went the USA are related to ours, if not brothers, then probably cousins.

               

              Derbyshire Quakers

              In “Derbyshire Quakers 1650-1761” by Helen Forde:

              “… Friends lived predominantly in the northern half of the country during this first century of existence. Numbers may have been reduced by emigration to America and migration to other parts of the country but were never high and declined in the early eighteenth century. Predominantly a middle to lower class group economically, Derbyshire Friends numbered very few wealthy members. Many were yeoman farmers or wholesalers and it was these groups who dominated the business meetings having time to devote themselves to the Society. Only John Gratton of Monyash combined an outstanding ministry together with an organising ability which brought him recognition amongst London Friends as well as locally. Derbyshire Friends enjoyed comparatively harmonious relations with civil and Anglican authorities, though prior to the Toleration Act of 1639 the priests were their worst persecutors…..”

              Also mentioned in this book: There were monthly meetings in Elton, as well as a number of other nearby places.
              John Marshall of Elton 1682/3 appears in a list of Quaker emigrants from Derbyshire.

              Quaker Emigrants

               

              The following image is a page from the 1753 book on the sufferings of Quakers by Joseph Besse as an example of some of the persecutions of Quakers in Derbyshire in the 1600s:

              A collection of the sufferings of the people called Quakers, for the testimony of a good conscience from the time of their being first distinguished by that name in the year 1650 to the time of the act commonly called the Act of toleration granted to Protestant dissenters in the first year of the reign of King William the Third and Queen Mary in the year 1689 (Volume 1)
              Besse, Joseph. 1753

              Note the names Margaret Marshall and Anne Staley.  This book would appear to contradict Helen Forde’s statement above about the harmonious relations with Anglican authority.

              Quaker Sufferings

               

               

              The Botanist

              Humphry Marshall 1722-1801 was born in Marshallton, Pennsylvania, the son of the immigrant from Elton, Abraham Marshall.  He was the cousin of botanists John Bartram and William Bartram. Like many early American botanists, he was a Quaker. He wrote his first book, A Few Observations Concerning Christ, in 1755.

              Humphry marshall book

               

              In 1785, Marshall published Arbustrum Americanum: The American Grove, an Alphabetical Catalogue of Forest Trees and Shrubs, Natives of the American United States (Philadelphia).

              Marshall has been called the “Father of American Dendrology”.

              A genus of plants, Marshallia, was named in honor of Humphry Marshall and his nephew Moses Marshall, also a botanist.

              In 1848 the Borough of West Chester established the Marshall Square Park in his honor. Marshall Square Park is four miles east of Marshallton.

              via Wikipedia.

               

              From The History of Chester County Pennsylvania, 1881, by J Smith Futhey and Gilbert Cope:

              Marshallton

               

              From The Chester Country History Center:

              “Immediately on the Receipt of your Letter, I ordered a Reflecting Telescope for you which was made accordingly. Dr. Fothergill had since desired me to add a Microscope and Thermometer, and will
              pay for the whole.’

              – Benjamin Franklin to Humphry, March 18, 1770

              “In his lifetime, Humphry Marshall made his living as a stonemason, farmer, and miller, but eventually became known for his contributions to astronomy, meteorology, agriculture, and the natural sciences.

              In 1773, Marshall built a stone house with a hothouse, a botanical laboratory, and an observatory for astronomical studies. He established an arboretum of native trees on the property and the second botanical garden in the nation (John Bartram, his cousin, had the first). From his home base, Humphry expanded his botanical plant exchange business and increased his overseas contacts. With the help of men like Benjamin Franklin and the English botanist Dr. John Fothergill, they eventually included German, Dutch, Swedish, and Irish plant collectors and scientists. Franklin, then living in London, introduced Marshall’s writings to the Royal Society in London and both men encouraged Marshall’s astronomical and botanical studies by supplying him with books and instruments including the latest telescope and microscope.

              Marshall’s scientific work earned him honorary memberships to the American Philosophical Society and the Philadelphia Society for Promoting Agriculture, where he shared his ground-breaking ideas on scientific farming methods. In the years before the American Revolution, Marshall’s correspondence was based on his extensive plant and seed exchanges, which led to further studies and publications. In 1785, he authored his magnum opus, Arbustum Americanum: The American Grove. It is a catalog of American trees and shrubs that followed the Linnaean system of plant classification and was the first publication of its kind.”

              Humphry signature

              #7546
              TracyTracy
              Participant

                The Potters of Darley Bridge

                Rebecca Knowles 1745-1823, my 5x great grandmother, married Charles Marshall 1742-1819, the churchwarden of Elton, in Darley, Derbyshire, in 1767. Rebecca was born in Darley in 1745, the youngest child of Roger Knowles 1695-1784, and Martha Potter 1702?-1772.

                Although Roger and Martha were both from Darley, they were married in South Wingfield by licence in 1724. Roger’s occupation on the marriage licence was lead miner. (Lead miners in Derbyshire at that time usually mined their own land.) Jacob Potter signed the licence so I assumed that Jacob Potter was her father.

                 

                marriage Roger Knowles

                 

                I then found the will of Jacobi Potter who died in 1719. However, he signed the will James Potter. Jacobi is latin for James. James Potter mentioned his daughter Martha in his will “when she comes of age”. Martha was the youngest child of James. James also mentioned in his will son James AND son Jacob, so there were both James’s and Jacob’s in the family, although at times in the documents James is written as Jacobi!

                 

                1720 will James Potter

                 

                Jacob Potter who signed Martha’s marriage licence was her brother Jacob.

                Martha’s brother James mentioned his sister Martha Knowles in his 1739 will, as well as his brother Jacob and his brother Joseph.

                 

                James Potter will

                 

                Martha’s father James Potter mentions his wife Ann in his 1719 will. James Potter married Ann Waterhurst in 1690 in Wirksworth, some seven miles from Darley. James occupation was innkeeper at Darley Bridge.

                I did a search for Waterhurst (there was only a transcription available for that marriage, not a microfilm) and found no Waterhursts anywhere, but I did find many Warhursts in Derbyshire. In the older records, Warhust is also spelled Wearhurst and in a number of other ways. A Martha Warhurst died in Peak Forest, Derbyshire, in 1681.  Her husbands name was missing from the deteriorated register pages.  This may or may not be Martha Potter’s grandmother: the records for the 1600s are scanty if they exist at all, and often there are bits missing and illegible entries.

                The only inn at Darley Bridge was The Three Stags Heads, by the bridge. It is now a listed building, and was on a medieval packhorse route. The current building was built in 1736, however there is a late 17th century section at rear of the cross wing. The Three Stags Heads was up for sale for £430,000 in 2022, the closure a result of the covid pandemic.

                 

                Three Stags Heads

                 

                Another listed building in Darley Bridge is Potters Cottage, with a plaque above the door that says “Jonathan and Alice Potter 1763”. Jonathan Potter 1725-1785 was James grandson, the son of his son Charles Potter 1691-1752. His son Charles was also an innkeeper at Darley Bridge: James left the majority of his property to his son Charles.

                 

                Charles Potter

                 

                Charles is the only child of James Potter that we know the approximate date of birth, because his age was on his grave stone.  I haven’t found any of their baptisms, but did note that many Potters were baptised in non conformist registers in Chesterfield.

                 

                Potters Cottage

                Potters Cottage

                 

                Jonathan Potter of Potters Cottage married Alice Beeley in 1748.

                “Darley Bridge was an important packhorse route across the River Derwent. There was a packhorse route from here up to Beeley Moor via Darley Dale. A reference to this bridge appears in 1504… Not far to the north of the bridge at Darley Dale is Church Lane; in 1635 it was known as Ghost Lane after a Scottish pedlar was murdered there. Pedlars tended to be called Scottish only because they sold cheap Scottish linen.”

                via Derbyshire Heritage website.

                According to Wikipedia, the bridge dates back to the 15th century.

                #7544
                TracyTracy
                Participant

                  Youlgreave

                  The Frost Family and The Big Snow

                   

                  The Youlgreave parish registers are said to be the most complete and interesting in the country. Starting in 1558, they are still largely intact today.

                  “The future historian of this parish will find a vast stock of material ready to hand, and if such a work was ever accomplished it would once more be seen how the history of even a remote village is but the history of the nation in little; how national victories were announced on the church bells, and national disasters by the proclamation of a form of prayer…”

                  J. Charles Cox, Notes on the Churches of Derbyshire, 1877.

                  Youlgreave registers

                   

                  Although the Youlgreave parish registers are available online on microfilm, just the baptisms, marriages and burials are provided on the genealogy websites. However, I found some excerpts from the churchwardens accounts in a couple of old books, The Reliquary 1864, and Notes on Derbyshire Churches 1877.

                  churchwardens accounts

                  Hannah Keeling, my 4x great grandmother, was born in Youlgreave, Derbyshire, in 1767. In 1791 she married Edward Lees of Hartington, Derbyshire, a village seven and a half miles south west of Youlgreave. Edward and Hannah’s daughter Sarah Lees, born in Hartington in 1808, married Francis Featherstone in 1835. The Featherstone’s were farmers. Their daughter Emma Featherstone married John Marshall from Elton. Elton is just three miles from Youlgreave, and there are a great many Marshall’s in the Youlgreave parish registers, some no doubt distantly related to ours.

                  Hannah Keeling’s parents were John Keeling 1734-1823, and Ellen Frost 1739-1805, both of Youlgreave.
                  On the burial entry in the parish registers in Youlgreave in 1823, John Keeling was 88 years old when he died, and was the “late parish clerk”, indicating that my 5x great grandfather played a part in compiling the “best parish registers in the country”. In 1762 John’s father in law John Frost died intestate, and John Keeling, cordwainer, co signed the documents with his mother in law Ann. John Keeling was a shoe maker and a parish clerk.

                  John Keeling

                   

                  John Keeling’s father was Thomas Keeling, baptised on the 9th of March 1709 in Youlgreave and his parents were John Keeling and Ann Ashmore. John and Ann were married on the 6th April 1708. Some of the transcriptions have Thomas baptised in March 1708, which would be a month before his parents married. However, this was before the Julian calendar was replaced by the Gregorian calendar, and prior to 1752 the new year started on the 25th of March, therefore the 9th of March 1708 was eleven months after the 6th April 1708.

                  Thomas Keeling married Dorothy, which we know from the baptism of John Keeling in 1734, but I have not been able to find their marriage recorded. Until I can find my 6x great grandmother Dorothy’s maiden name, I am unable to trace her family further back.

                  Unfortunately I haven’t found a baptism for Thomas’s father John Keeling, despite that there are Keelings in the Youlgrave registers in the early 1600s, possibly it is one of the few illegible entries in these registers.

                  The Frosts of Youlgreave

                  Ellen Frost’s father was John Frost, born in Youlgreave in 1707. John married Ann Staley of Elton in 1733 in Youlgreave.

                  (Note that this part of the family tree is the Marshall side, but we also have Staley’s in Elton on the Warren side. Our branch of the Elton Staley’s moved to Stapenhill in the mid 1700s. Robert Staley, born 1711 in Elton, died in Stapenhill in 1795. There are many Staley’s in the Youlgreave parish registers, going back to the late 1500s.)

                  John Frost (my 6x great grandfather), miner, died intestate in 1762 in Youlgreave. Miner in this case no doubt means a lead miner, mining his own land (as John Marshall’s father John was in Elton. On the 1851 census John Marshall senior was mining 9 acres). Ann Frost, as the widow and relict of the said deceased John Frost, claimed the right of administration of his estate. Ann Frost (nee Staley) signed her own name, somewhat unusual for a woman to be able to write in 1762, as well as her son in law John Keeling.

                  Frost and keeling

                   

                  John’s parents were David Frost and Ann. David was baptised in 1665 in Youlgreave. Once again, I have not found a marriage for David and Ann so I am unable to continue further back with her family. Marriages were often held in the parish of the bride, and perhaps those neighbouring parish records from the 1600s haven’t survived.

                  David’s parents were William Frost and Ellen (or Ellin, or Helen, depending on how the parish clerk chose to spell it). Once again, their marriage hasn’t been found, but was probably in a neighbouring parish.

                  William Frost’s wife Ellen, my 8x great grandmother, died in Youlgreave in 1713. In her will she left her daughter Catherine £20. Catherine was born in 1665 and was apparently unmarried at the age of 48 in 1713. She named her son Isaac Frost (born in 1662) executor, and left him the remainder of her “goods, chattels and cattle”.

                  Ellens will

                   

                  William Frost was baptised in Youlgreave in 1627, his parents were William Frost and Anne.
                  William Frost senior, husbandman, was probably born circa 1600, and died intestate in 1648 in Middleton, Youlgreave. His widow Anna was named in the document. On the compilation of the inventory of his goods, Thomas Garratt, Will Melland and A Kidiard are named.

                  (Husbandman: The old word for a farmer below the rank of yeoman. A husbandman usually held his land by copyhold or leasehold tenure and may be regarded as the ‘average farmer in his locality’. The words ‘yeoman’ and ‘husbandman’ were gradually replaced in the later 18th and 19th centuries by ‘farmer’.)

                  Unable to find a baptism for William Frost born circa 1600, I read through all the pages of the Youlgreave parish registers from 1558 to 1610. Despite the good condition of these registers, there are a number of illegible entries. There were three Frost families baptising children during this timeframe and one of these is likely to be Willliam’s.

                  Baptisms:
                  1581 Eliz Frost, father Michael.
                  1582 Francis f Michael. (must have died in infancy)
                  1582 Margaret f William.
                  1585 Francis f Michael.
                  1586 John f Nicholas.
                  1588 Barbara f Michael.
                  1590 Francis f Nicholas.
                  1591 Joane f Michael.
                  1594 John f Michael.
                  1598 George f Michael.
                  1600 Fredericke (female!) f William.

                  Marriages in Youlgreave which could be William’s parents:
                  1579 Michael Frost Eliz Staley
                  1587 Edward Frost Katherine Hall
                  1600 Nicholas Frost Katherine Hardy.
                  1606 John Frost Eliz Hanson.

                  Michael Frost of Youlgreave is mentioned on the Derbyshire Muster Rolls in 1585.

                  (Muster records: 1522-1649. The militia muster rolls listed all those liable for military service.)

                  Frideswide:

                  A burial is recorded in 1584 for Frideswide Frost (female) father Michael. As the father is named, this indicates that Frideswide was a child.

                  (Frithuswith, commonly Frideswide c. 650 – 19 October 727), was an English princess and abbess. She is credited as the foundress of a monastery later incorporated into Christ Church, Oxford. She was the daughter of a sub-king of a Merica named Dida of Eynsham whose lands occupied western Oxfordshire and the upper reaches of the River Thames.)

                  An unusual name, and certainly very different from the usual names of the Frost siblings. As I did not find a baptism for her, I wondered if perhaps she died too soon for a baptism and was given a saints name, in the hope that it would help in the afterlife, given the beliefs of the times. Or perhaps it wasn’t an unusual name at the time in Youlgreave. A Fridesweda Gilbert was buried in Youlgreave in 1604, the spinster daughter of Francis Gilbert. There is a small brass effigy in the church, underneath is written “Frideswide Gilbert to the grave, Hath resigned her earthly part…”

                  Frideswide

                  J. Charles Cox, Notes on the Churches of Derbyshire, 1877.

                   

                  King James

                  A parish register entry in 1603:
                  “1603 King James of Skottland was proclaimed kinge of England, France and Ireland at Bakewell upon Monday being the 29th of March 1603.”  (March 1603 would be 1604, because of the Julian calendar in use at the time.)

                  King James

                   

                  The Big Snow

                  “This year 1614/5 January 16th began the greatest snow whichever fell uppon the earth within man’s memorye. It covered the earth fyve quarters deep uppon the playne. And for heaps or drifts of snow, they were very deep; so that passengers both horse or foot passed over yates, hedges and walles. ….The spring was so cold and so late that much cattel was in very great danger and some died….”

                  The Big Snow

                  From the Youlgreave parish registers.

                  Our ancestor William Frost born circa 1600 would have been a teenager during the big snow.

                  #7534

                  Ms Nicraith Noble, the Mayor of Limerick taking a bath in the Shannon River with reporters had made the rounds of news in ways that were quite incomprehensible.

                  Obviously it was part of a media ploy to boost public attention for the incoming Roman Games.

                  “Did she require some anti-rash-and-boil spells?” Jeezel messaged on the network, worried about what such swimming stunt would do to her ravishing hair.

                  “Probably…” Eris responded in a terse manner “Don’t forget Austreberthe managed to get us to sponsor the event. She may have eased the deal with some goodies. Like anti-age spell too.”

                  Eris was glad Austreberthe had refocused the efforts towards the imminent launch of the Roman Games. Those mass events were key moments in the Coven’s seasonal activities, as they provided a bounty of emotions to refine and process for creation of their most epic incenses. The recent mass events had been too heavy on fear, anger and gloom-mongering, not the grade A quality they required.

                  Austreberthe had called all hands on deck to be ready for the event, having deemed the reconnaissance work in Spain’s cloisters sufficiently well under way to take a break from it. In truth, Eris suspected she’d started to receive the first invoices from the undertakers’ Guild and had realised it was a hefty cost for their consulting services.

                  On top of that, there was a recent case of the drunken sheep flu in Andalucia, some local variety of virus that got the cloister sisters fear for their elderly’s Mother Loreena’s health. Considering the gleeful vulture’s smiles of the Morticians in waiting, they had decided in agreement for an early dismiss into the Summer holidays retreats.

                  “More prayers, phew, glad they didn’t need us for that.” true to her swagger way, Truella had conceded and accepted to put a hold to her passionate researches —she’d managed to get their personal phone numbers too anyway.

                  “One week to the start of the Games then.” Eris sighed. The last stretch to summer holidays seemed to take forever.

                  #7531
                  TracyTracy
                  Participant

                    Rose lens

                    The rose coloured spectacle lens.

                     

                    Aunt Idle:

                    “Well, crikey, finding one pink sunglass lens on the road is quite the curiosity, isn’t it? Let’s delve into the symbolic undertones of such an odd discovery. Pink lens, no less—a splash of color with quite the story to tell.

                    1. Seeing the World through Rose-Tinted Glasses: Finding a pink sunglass lens can symbolize optimism and seeing the world in a positive light. But here’s the kicker—it’s just one lens. This suggests a duality; perhaps you’re being asked to blend optimism with realism. Life isn’t always about sunshine and rainbows, but choosing to see the bright side can balance out the darker shades.

                    2. Fragmented Perspectives: A single lens means you don’t have the full picture. You’re seeing things partially, which can indicate missing information or a need to look at situations from multiple angles. It’s a nudge to take off those blinders and open your other eye, figuratively speaking. You might be clinging to a half-truth or ignoring an important aspect of your life.

                    3. Lost and Found: In practical terms, a lone lens on the road means someone has lost it. It’s a signifier of separation, maybe something in your life has split or broken apart. It can be a gentle reminder to look into areas where you might have lost connection—be it with loved ones, a project, or even a part of yourself.

                    4. Symbol of Love and Compassion: Pink is often associated with love, compassion, and femininity. The lens could be a reminder to look at things with kindness and empathy. Perhaps there’s a situation in your life that requires a softer, more loving approach.

                    5. Hindsight and Insight: The road is a metaphor for your life’s journey. Finding the lens there might hint at reflecting on past experiences (hindsight) while gaining new understanding or clarity (insight). Maybe there’s an opportunity to learn from what’s happened and apply it moving forward, seeing things with fresh, yet incomplete, clarity.

                    Putting it in Truella’s Context: If Truella found this lens, it could be a sign she needs to reassess her current path or research direction. Her overwhelming stack of books and discovery of the ancient manuscript hint at a bigger picture she might not be seeing clearly yet. Perhaps she’s overly focused on one aspect and neglecting others.

                    Personal Symbolism for Aunt Idle: For you, Aunt Idle, this lens could be a cheeky nudge to reassess some of your adventurous antics and half-remembered tales. Maybe there’s an old mystery or a relationship needing a fresh perspective. Or it’s just life’s way of saying, “Look closer, love—you might be missing out!”

                    In any case, a single pink sunglass lens is a quirky, delightful piece of life’s puzzle, inviting you to ponder, reflect, and adjust your view. So, next time you’re journeying on the dusty roads of life and stumble upon such oddities, take a moment—there just might be a zinger of wisdom waiting for you. Cheers!”

                    ~~~

                    “A lone pink lens paves the road to the unseen clarity of kaleidoscopic sunrise.”
                    ~Journey of Reflections, Enrich P. Lwellman.

                    ~~~

                    The Snoot:

                    “Ahhh, a single pink lens, lost and found amidst the stone and dust! Sings of mysteries and tales untold! Perhaps a sprite misplaced their vision or a pixie left a clue.

                    Lean close! Such a find whispers soft secrets:

                    Balance Broken, Yet Bright    Like seeing life with a tint of whimsy! One eye tinted pink, the other clear. A call to mix reality with dreams, maybe?
                    Half Truth, Half Fantasy   A hint that stories blend truths and imaginations. Seek both sides to find whole pictures.
                    Lost and Waiting    Could be a sign someone’s journey is incomplete, needing you as a puzzle piece. Maybe the other lens waits for your path?

                    Snootly wisdom: Use the lens not to see, but to imagine.Peer through the pink and let dreams color your heart. Could be you’re on the cusp of a grand adventure; just follow the allure of the pink!

                    ~~~

                    Liz:

                    Oh, darling, how positively intriguing! A single pink sunglass lens left upon the road—why, it’s like a snippet from one of my novels, fraught with symbolism and brimming with untold stories.

                    Let’s unravel this little mystery together, shall we? First, the color pink itself is rich with meaning. It speaks of love, compassion, and a certain kind of whimsicality. It’s a hue that embodies the gentle side of passion, the tender whispers of the heart. Now, to find just one lens, separated from its twin, adds a layer of poignancy. It’s a fragment of something once whole, a poignant reminder of loss or incompletion.

                    One might surmise that this lens represents a part of oneself that has been misplaced or overlooked. Perhaps it’s a call to rediscover a piece of your own heart, the softer, more romantic side that life’s hustle and bustle may have sidelined. Or it could symbolize a different perspective—after all, sunglasses shield us from the sun’s glare, making things clearer in their own shaded way. This lone lens might be urging you to look at a situation with fresh eyes, to find beauty in the fragmented and the unexpected.

                    Imagine, if you will, a character in one of my novels stumbling upon this very lens. They’d be on the cusp of a grand adventure, naturally. The pink lens would become their talisman, a clue leading them to unforeseen revelations and untold treasures. It would be both a physical object and a metaphorical guide, urging them to view the world—and their place within it—through a lens of love and compassion.

                    Perhaps it is also a nod to the impermanence of things, a gentle reminder that beauty and meaning can be found even in life’s fleeting moments. Much like the single pink lens, our journeys are filled with fragments of experiences that, when pieced together, create a mosaic of our existence.

                    So, my dear, take this as a sign to embrace the whimsical, to seek out the overlooked pieces of your own story, and to cherish the beauty of the incomplete. After all, it’s the mysteries and the musings that make life a narrative worth living.

                    ~~~

                    Mater:

                    Ah, a single pink sunglass lens on the road, you say? Now that’s a curious find. Objects like that can be teeming with symbolic meaning if you’ve got the eyes to see it. Let’s break it down a bit, shall we?

                    Firstly, the color pink. Traditionally, pink is associated with love, compassion, and nurturing. It’s a color that often brings to mind warmth and affection, something tender and gentle. But finding just one lens suggests something is missing or incomplete—a piece of a larger whole.

                    A sunglass lens, on the other hand, is meant to protect the eyes from harsh light, allowing you to see the world more clearly without being blinded. Seeing through a pink lens, metaphorically speaking, can mean looking at life with an optimistic or compassionate perspective. It’s like seeing the world through rose-colored glasses, as they say.

                    Now, finding just one lens on the road—well, roads are pathways, journeys, the direction we take in life. A single lens could indicate a moment of clarity or a shift in perspective on your journey. But it could also symbolize a need to find balance or the missing piece of your outlook to see the full picture clearly.

                    Maybe it’s a nudge from the universe to take a closer look at how you view your current path. Are you seeing things in the best light possible? Or perhaps it’s a reminder that while optimism and compassion are vital, you might be missing another crucial aspect—realism or practicality, perhaps?

                    Or, it could be as simple as a reminder to lighten up and find joy and playfulness in your journey.

                    Like a pink flamingo standing on one leg, sometimes life’s oddities are just there to make you smile and wonder.

                    Whatever the meaning, love, take it as a sign to reflect and consider. The road ahead is always full of mystery and wonder, and sometimes the smallest things can carry the biggest messages.

                    ~~~

                    Finnley:

                    Pink sunglass lens on the road, you say? Well, ain’t that a curious bit of rubbish. If we’re dabbling in symbolism, it could mean a variety of things depending on how fanciful you want to get. Pink is often associated with love, compassion, and care. So, finding a lens could mean you’re only seeing half the picture when it comes to matters of the heart. Or maybe you’re missing the rosy view on life, and you need to adjust your perspective.

                    Then again, it could just mean some poor sod lost their sunnies and now they’ve got a squint and a sunburnt nose. Life’s not always riddled with deep meanings, sometimes it’s just a bit of lost plastic on the tarmac.

                    Now, if you ask me, you ought to be more concerned about the litter. If everyone went around leaving bits and bobs all over the place, we’d be living in a right tip. So pick it up, toss it in the bin, and let’s keep things tidy, shall we?

                     

                    ~~~

                    Mandrake:

                    Ah, the solitary pink sunglass lens on the road. Delightfully poetic. A symbol of half-seen truths, perhaps? Seeing the world through rose-tinted glasses, but only partially. Could it be urging you to seek balance, to view life with both optimism and realism? Or maybe just a nudge from the universe to pick up your litter. Such profundity from a piece of plastic. Life’s a riddle, darling.

                    ~~~

                    Sha: A pink sunglass lens on the road, eh? Now that’s a right peculiar find if ever I ‘eard one. Makes you wonder what it means, don’t it?

                    Glo: Oh, Sha, you’re always lookin’ for the hidden meanin’ in things. It’s just a bit of plastic, ain’t it? Though, come to think of it, pink’s a powerful colour. Symbolises love, compassion, and all that mushy stuff.

                    Mavis: I reckon it might be a sign, ladies. A pink lens… maybe it’s tellin’ you to look at the world through rose-tinted glasses, y’know? See the good in things. Or it could be a message from the universe, remindin’ you to keep an eye out for the unusual.

                    Sha: Right you are, Mav! And let’s not forget the conspiracies! Maybe it’s a clue from them secret societies, leavin’ hints for those sharp enough to notice. Could be part of a bigger puzzle, a breadcrumb leadin’ to somethin’ magnificent.

                    Glo: Or maybe someone’s just dropped their specs out the car window in a rush, and it’s nothin’ more than that. But where’s the fun in that sort of thinkin’?

                    Mavis: True, true. We’ll go with the idea that it’s a symbol of keepin’ an open mind and lookin’ out for the small wonders of life. Who knows what other treasures we might find if we keep our eyes peeled?

                    Sha: And next time we’re out and about, let’s be on the lookout for the other lens. Could be a sign that we’re missin’ half the picture.

                    Glo: Oh, you and your signs, Sha! But alright, we’ll keep our peepers open. Never know what the universe might be tryin’ to tell us next.

                    #7526

                    Truella slept for longer than she intended, indeed, she had not intended to sleep at all, there was too much to do.  Trying to hold on to the fragments of dream recall, she sat up and rubbed her eyes. Glancing around the room, she couldn’t immediately remember what she was doing there. Suddenly she sat bolt upright. What was that conversation she’d had before falling alseep? Truella felt dizzy trying to remember. She stood up and started to pace the room, and noticed a letter had been pushed under the bedroom door. She frowned as she bent to pick it up. Nothing was written on the outside, but the envelope had been sealed with a blob of red wax. Truella opened the letter carefully without breaking the seal. A yellowy page was inside, written in Latin.

                     

                    Ordo Amphibiae-Luciae: pertinebant ad Ordinem Amphibiae-Luciae.

                     

                    Truella’s Latin was rusty to say the least. She sat back down on the bed struggling to decipher the message.

                     

                    The Order of Amphibia-Lucia: They belonged to the Order of Amphibia-Lucia. 

                    Nomen Amphibia-Lucia provenit ex duplici natura: tam terrena quam mundana. Rana facies symbolica est repraesentatio nexus eorum ad aquam, transformationem, et antiqua numina amphibiana.

                    The name “Amphibia-Lucia” stems from their dual nature: both earthly and otherworldly. The frog face is a symbolic representation of their connection to water, transformation, and ancient amphibian deities. They believe in metamorphosis, much like a tadpole turns into a frog, embodying cycles of death and rebirth These priestesses predated Christianity by eons. Their practices and rituals were about aligning with the cosmic cycles, harnessing planetary energies, and maintaining harmony between the seen and the unseen. They were known to perform rites that involved intricate dances, chants in forgotten tongues, and the use of ancient artifacts that, according to legend, could summon or banish entities from beyond our realm—dragons included.

                    Tartessus in obscurum, secretissimae sectae, ordo Amphibiae-Luciae, sub terra perrexit, ad litteram. Scientiam suam servaverunt, eam per generationes transeuntes, ritus suos in secretis clausulis sub culturis recentioribus obrutos servaverunt. Christianismus in terram pervasit, sed hae sorores aptatae, antiquas vias obtegunt sub specie hodiernae opinionis systemata superstites vigereque.

                     When Tartessos fell into obscurity, its most secretive sect, the Order of Amphibia-Lucia, went underground—literally. They preserved their knowledge, passing it down through generations, maintaining their rituals in secretive enclaves buried beneath newer civilizations. Christianity might’ve swept over the land, but these sisters adapted, cloaking their ancient ways under the guise of more contemporary belief systems to survive and thrive. 

                    In cellis cellis in ipsum cubiculum illorum claustrorum contextum habemus reliquias ordinis pervetusti, dogmatum ac dogmatum recentioris millennii securos. Hais ex quo saeviunt dii, rudis sacra, et advena mundus.

                    In the cellars woven into the very bedrock of those cloisters, we have the remnants of an archaic order, unconcerned with dogmas and doctrines of the more recent two millennia. They’re from a time when gods were wilder, rituals were raw, and the world was a stranger.

                    When the nuns under Hildegarde von Bingen’s influence merged with these ancient priestesses, it wasn’t just a blending of orders but a clash and harmony of traditions. Hildegarde herself, in her visionary wisdom, likely recognized the power and ancient wisdom of the Order of Amphibia-Lucia, choosing to weave their potent rituals into her own esoteric Christian practices.  The frog-faced sisters are no mere relics of an outdated faith. They’re the living embodiment of an ancient, potent lineage that predates and outlasts many of the world’s religions. They’re the keepers of ancient Tartessian magic, lurking in those cellars, waiting for the right time to hop back into the forefront of history.

                     

                    So that was it! But who had pushed the letter under her door? And why was it written in Latin? Had everyone else received a letter?

                    #7505

                    It was a good thing that Mother Lorena, who was notoriously hard of hearing was not within earshot.

                    She would have been horrified at the mention of conduction of “six rituals” in those hallowed grounds.

                    Luckily, she was busy reviewing and stoking fireplaces around the convent, due to the unexpected cold snap due to the Sahara sands painting the skies in a somber reddish darkly dark.

                    :fleuron:

                    Meanwhile, Eris who has followed Echo’s instructions after the sprite had LiDAR’d the underground spaces, had quickly found herself in the underground ways thanks to its instructions, close to the telluric surges origins. She could see there were pockets of magma softly bubbling underground. The upstairs agitation seemed to have stirred the currents.

                    A little spell, used wisely, would do just fine – as an omen, or as a threat, all sorts of motivations tactics which had the best of intentions in order to dispel tensions, with just the right alignment of energies… as touching the earth’s core, needed summoning of both respect and precision.

                    Ignis Draconis, come to form, Through the earth, through the storm, Guided by my whispered call, Rise, smoke dragons, one and all.

                    #7500

                    At the end of the undertakers’ speech, conversations surged, drowning out the 14th-century organ music. Mother Lorena, who seemed to have taken the expression lines to a deeper level, gave imperative angry looks at her nuns who swiftly moved to meet with the witches.

                    “Hold your beath,” said Eris to Jeezel. “That Mr ash blond hair is coming for you.”

                    “Sh*t! I don’t have time for that,” said Jeezel looking at the striking young man. Meticulously styled to perfection and a penchant for tailored suits, she knew that kind of dandy, they were more difficult to get rid of than an army of orange slugs after a storm. She stole a champagne flute from Bartolo’s silver tray and flitted with a graceful nonchalance towards the buffet.

                    “Hi Jeezel! I’m sister Maria. You’re so beautiful,” said a joyful voice. “You want some canapés? I made them myself.”

                    Jeezel turned and almost moved her hand to her mouth. A young woman wearing the austere yet elegant black habit of the Roman Catholic Church was handing her a plate full of potted meat and pickles toasts. She had chameleon eyes busy looking everywhere except to what was in front of her. The white wimple covering her red hair seemed totally out of place and her face made the strangest contortions as she obviously was trying not to smile.

                    “Hi, I’m… Jeezel. But you already know that,” she said. The young woman nodded too earnestly and Jeezel suddenly became aware the nuns certainly had files about her and the other witches like the ones Truella gave them. She looked at the greasy canapés and refused politely. She just had time to notice a crimson silk handkerchief in a breast pocket and a flash of ash blond hair closing in.

                    “Oh! I’m sorry. I just remember, I have to go speak to my friend over there,” Jeezel said noticing Truella with a nun in a Buddhist outfit.

                    She left the redhead nun with a laugh that twinkled like stardust.

                    Truella’s friend didn’t seem too happy to have Jeezel barging in on their conversation. She said she was called sister Ananda. Her stained glass painted face didn’t seem to fit her saffron bhikkunis. And the oddest thing was she dominated the conversation, mostly about the diversity of mushrooms she’d been cultivating in the shade of old cellars buried deep in the cloister’s underground tunnels. Truella was sipping her soda, and nodding occasionally. But from what Jeezel could observe, the witch was busy keeping an eye on that tall, dark mortician who certainly looked suspicious.

                    Young sister Maria hadn’t given up. She joined the conversation with a tray full of what looked like green and pink samosas. Jeezel started to feel like a doe hunted by a pack of relentless beagles.

                    “You need to try those! Sister Ananda made them for you,” said the young Nun. Her colourful lips showed she had just tasted a few of them.

                    “At last,” said Garrett with a voice too deep for such a young handsome face, “you’re as difficult to catch as moonlight on the water. Elusive, mesmerizing, and always just out of reach. One moment you’re dazzling us all with your brillance, the next…”

                    “As usual, you speak too much, Garrett,” said Silas, the oldest of the morticians who just joined the group. The old man’s voice was commanding and his poise projecting an air of unwavering confidence. He had neatly trimmed grey hair and piercing hazel eyes that seem to see right through to the heart of any matter. “May we talk for a moment, dear Jeezel? I think we have some things to discuss.”

                    “Do we?” she asked, a shiver going up her spine. Her voice sounded uncertain and her heart started beating faster. Did he know about the sacred relic she was looking for? Was he going to ask her on a date too?

                    “The ritual, dear. The ritual we have to perform together tonight.”

                    “Oh! Yes, the ritual,” she sighed with relief.

                    Silas took her hand and they left the group just as Truella was asking a Garrett: “Won’t Rufus join us?”

                    “I don’t think so,” he answered coldly. But his eyes were full of passion and his heart full of envy as he watched Jeezel  walk away with his mentor in a secluded lounge.

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