Search Results for 'tunnels'

When Yikes had first asked Arona, when he was like 6 or 7 years old if he had a father, Arona had brushed the question aside with a roll of an eye, and an annoyed flicker of the other.

“Of course you have, little pooh…”

It was glaringly obvious that the little Ugling wasn’t bearing any likeness with her handsome model Vincentius, so she didn’t mock the little guy’s intelligence by asking why he was even inquiring of such a thing.
And for a few years, telling him the story of how he was given to her by the dwarf Palani was enough to calm the torrent of his questions.

Later though, as he was gaining strength and other skills taught to him by Vincentius, who was ever patient and dedicated to the well-being of Arona and the child, his questions became an obsession, and he took upon himself to discover the truth he could feel was wrapped in fantasy and nonsense —or at least, not told completely.

Perhaps it was an indiscretion of a glukenitch found in the many caves there were nearby their home, nobody knew for certain. (Glukenitches sharing one mind, they knew many of the secrets of the caves they sometimes deigned to share with strangers…) anyway, nobody knew for certain, but he found out about the mysterious Sanso, and how he became ‘acquainted’ with Arona (whom Yikes had never called but by her first name).

Yikes was now in his teen years, and wanted more than ever to meet Sanso, although he never quite revealed that secret plan least it would upset the loving and caring Arona. He had to find someone to help him in his research, but where they lived, encounters were scarce.

One day, a young woman he’d never met before went to see Arona. They were friends apparently, and he overheard Arona call her Salome, while they were discussing about lots of people, whose names he mostly didn’t know. He was feeling uncomfortable around nice ladies, and almost didn’t show up for dinner. However, an embarrassed silence and a sideway glance as a certain “he” was being inquired about by Arona raised his ears, and he took upon himself to try to learn more from the lady.
So when she left, he followed her to the entrance of one of the nearby caves, and showed up —apparently without surprising the lady called Salome. She was well aware of his presence, and of his desire to find Sanso.
“The man defies logic,” she then warned Yikes “and you need a riddle outside of logic to catch him and his attention.”
That was almost all of what she said before disappearing into the damp cave’s tunnel. That and… “no need to beat a dead cow.”

Yikes had pondered that for days, without success.
Until the illumination came: all he had to do was become the hunter, and bait his prey.
For that, he would kill the fatted calf, to welcome the return of the prodigal father.

And put his bait near the tunnels near the realms from whence he roamed aimlessly.

Bronkel was stern as ever, yet you could feel in his eyes that he was troubled.

— “What? That’s roobish, isn’t it?”
— “No! Elizabeth! Not at all! It’s your best book in years! Poople will want more!”
— “Well, we’ll see… For now, I think my moose needs some rest”

Her detox had done her great. Her beautifool violet eyes weren’t as bloodshot as before, and she could even see some of her hair grow back in places. Elizabeth in some surge of energy had collected all the bits written here and there, loose paper flying at times with some missing (perhaps used during her poohnuts hazes to light fires in the office).
Some of these paper she wasn’t even sure were hers, or writing attempts by Finnley, but she didn’t care; they were all so funny and interesting.

For instance, she wasn’t too soore that she’d have Veranassasss —whatever her bloody name was— go off with the pilot of the plane, but that sounded nice for her. So she’d used that part too.

Of course, the Spanish couple, Paqui and Jose had reemerged at the boulder moving party after a long trip in the underground space-traveling tunnels. Leo and Bea were not so glad they’d reappeared so early, but had found it was time to move on, and continue their quest for more bizarre and entertaining artifacts. And they wanted to go to Morocco anyway, in this gorgeous blue city…
Young Becky decided she wanted to go abroad to travel the world. “And study too” had said Dan who wasn’t as shifty as Dory, a thing for which she thanked heavens profusely every day.

Sharon, Gloria and Mavis after some more bizarre adventures among the Masai tribes finally found their way back home, while Akita continued his explorations of this strange shifting world of the 21st century.

Even the bizarre animals stories in the ZOO she’d kept. They’d even found Arky the Aardvark. He had been accidentally buried under Oligan the Oliphant’s pile of poop. The poor Oliphant had suffered from an excess of mangoes in his diet, and Arky was so eager to collect poop for his garden of flowers that he hadn’t noticed the harbingers of it.
Pawanie the lady Panda and Barry the White Bear had since then decided to take care of the little Aardvark, and provide it with their own poop to fertilize the flower garden. Theirs was a garden to behold, with the most beautiful flowers to be seen in miles. Attracting creatures from all over the place.

There were a few points Elizabeth had left deliberately unanswered; the mad doctor, who was probably still alive somewhere, and most important of all… if, after all this children bearing with Sean, Becky ended up with Sam or not.
One thing was sure though, they were all moving to the City. The sooner the better.

Inside the cave Malvina was considering to move again.

She couldn’t help but giggle softly at the thought of Arona fulminating at how restless that dragon of hers was. To tell the truth, she was one of high restlessness too. And her dragon, and his offspring were most of the time merely resonating to her high energy. Otherwise, they would be too happy to be left alone to dream in a corner of a cave glowing of glukenitch lights.

Now, she had to wait for Leormn’s return from his little vacation to be able to move swiftly. Granted she could do it alone, but it would be so tedious, with all those eggs hidden in various places. Perhaps she could do with a little vacationing herself. She was thinking, Georges and Salome would be certainly glad to take care of the cave in her absence, and of her guests.

She would go see them; she loved the little Ugling who was growing so fast he would now run in many places and ask funny questions. Vincentius (with the grumpy cat perched on his large shoulders out of reach from the bullying little one) was teaching him lots of things on the vegetation (mostly fungus and lichens inside) and on geology that the boy was eager to learn, with an unmistakable affinity for rocks though. He would be quick to learn how to summon the rock’s consciousness for many purposes.

She almost got lost in the tunnels again. “Someone should get those indications straight, dammit!” she swore as she entered a dead-end. A few turns right, and another left, and she was in front of the painted wall with the ‘PEACE OFF’ painted door. So that’s where they went… the door was visibly shut now…
A nearby snort suddenly caught her attention.

“Buckberry? What are you doing here little precious; hasn’t Arona taken you with her? Well, silly me, obviously not.” She added, seeing the floor covered with crushed buckberries juice. “Awww, you don’t even have the appetite for your cherished buckberries…”

Malvina knew of course that it wasn’t the closed door that kept Buckberry here, as he most probably could go wherever Arona was, if she summoned him properly, but it was rather the fact she had left without notice. Malvina laughed heartily “Aahaha, don’t be soft Buckie, she’s probably been tricked by your daddie and your little buggers of brothers, but she’ll come back…”

Arkandin confirmed a group focus in Kuzhebar. He also confirmed that I’m observing Edward Gorey (the limerick connection). Oh, and the girl IS my brother!

Excavations and underground tunnels in Sri Lanka …….

Points!

— Arona, my dear?

The silky voice of Malvina resounded in Arona’s ear, while she was meditating on the implications of the story Vincentius had told her.

— Yes?
— May I borrow you Buckberry and your sabulmantium for a few moments?
— Oh sure, no need to ask… Though I don’t think you require my permission for Buckberry, isn’t he free as I am?
— Oh yes he is, exactly as you said, free as you are

Arona could have sworn she felt a winking energy rippling through her flesh, making some unfamiliar electrical currents crawl underneath her skin. She would have said she was thoroughly disliking it, though she wasn’t really sure if she was.

— Oh, Malvina added as if an innocent afterthought, we are moving by the way, perhaps you may find interesting to join us for the homationing ceremony. You may learn some more about your sabulmantium.
— Well, why not, answered Arona having no idea of what a homationing ceremony could be…
— Very well, please join us in the main entrance, where I am playing the harp. We will be waiting for you.
— I’ll be there in a second.

So, they were moving? Speak about implications… Arona muttered, stroking dozing Mandrake, who had feasted on too many of the moorats crawling inside the moisteous cave tunnels.
I guess I’ll take this astounding elan as a hint that I’ll be going alone she said. A yawn for all answer.
Considering it was Mandrake, that was almost a mark of distinctive affection… or was it rather of affectionate distinction?

Moving? She didn’t want to move, not yet, not like that… And to be honest, with all the stuff in that cave, she sure didn’t want to help pack all of this, be it by magic. What an impossible task.

Vincentius the nanny was taking care of Yikes, so she was confident should anything happen, he would be alright.

On the outside of the cave, the dragons were all lined up, as if waiting for some unknown signal. Leormn first in shades of teal, and his spawns, Buckberry, with the most florid and baroque hues of purple that one could imagine, and the two facetious Heckle and Jeckle in shades of emerald, looking unusually calm.

Malvina, with Leo the little marmoset on her left shoulder, was playing her harp, while Irtak was accompanying her playing a mouth harp.
Some drums had been disposed around, and quite naturally, Arona felt like beating the measure on these, getting slowly and slowly relaxed by the music and guttural sounds produced by the throat singing dragons.
She almost laughed and broke the meditating pattern when she let the memory of Sanso come into her awareness. What a shame he’d missed that, that would have fitted him better than her.

Slowly the sounds stopped, and Malvina very gracefully rose from her stool, and greeted Arona with a loving hug. Her flowing robe was a tender orchid hue with laces of thistle pink, and her silvery peach long flowing hair were giving her the aura of a princess.

— Wait, where are Georges and Salome? She said, are they already gone?
— No, they are waiting for us at the new location, she said with a smile… Now, Leormn will start the ceremony.

Arona almost said Wait again, in anticipation of what was to come, and finally decided to let it flow. The serene look of Malvina and her motherly smile was of a nurturing reassurance.

Outside, in the grassy lands, the dragons had all grown wings and were apparently ready to take off. A pile of conic shaped dirty sand was standing in front of the entrance, that Arona had never seen before.

She could feel Buckberry answer her unspoken question without even a word being uttered. It is soil from the cave, and we will use it now.

Arona watched the dragons rise in the sky full of damp gray clouds, and wondered what they were doing.
They are doing two things, Arona answered Malvina (again that disagreeable habit of reading thoughts, couldn’t help but think Arona, wishing there would be some World around where such thing wouldn’t be so easy), first they are checking what kind of creature are staying with us and following the movement, continued Malvina, ignoring the remark, and second, they are drawing with that sand from the cave a circle to enclose the area we want to move

Arona didn’t dare say the explanations were making her even fuzzier, so she nodded as if abreast of what was going on.

Popping sounds of the dragons blinking in and out to get some more dirt almost made her dizzy, and she forgot the strangest feeling she had when she thought she heard “the area we want to move”.

— Now, continued Mavina, the sabulmantium.

The dragons were now all back, and the pile of sand had disappeared.
Arona’s attention snapped back to herself, and she handed the fine object to the lady. She couldn’t help but notice the glowing eyes of Irtak, who apparently was very eager to see what would happen.
So he will move too, she thought, hope his father won’t be too sad… Why did she felt it was a separation from this place she had found she was liking…

— If you look closely, said Malvina to no one in particular, but Arona took it for herself, you will see how easy it is to come back if you feel so inclined.

At her touch, the coloured sands in the sabulmantium’s transparent dragon shell globe started to move. And all could see the cave being formed, with all the little people, dragons, glukenitches and even Leo and Mandrake… They were all here, enclosed into a circle of sand.

— Now, if you will follow me… said Malvina who traced on the ground a curvy symbol.

And very slowly, as the whole sand scenery inside the sabulmantium was turning in a round, they all felt as though they were dissolving into the air. Yet, they were all solid, and the interior of the cave was still too.
The only thing that was moving was the exterior, twirling and changing, getting out of focus, and moving erratically at the beginning, and then getting close to a focal point. Some fine tuning was occurring.

And in a snap,
The landscape
Was
In all its splendor…

— Greetings! a smiling couple at the entrance of the cave said to the people inside.

— Frankly, Malvina seems a bit down, Tina said to Al after having read the play’s entry.
— Oh, well, I suppose she has too her bad hair days… sighed Al who had shaved his hair in a mohawk this morning. He was thinking of trying some new beliefs adjustments so that he would be able to regulate more precisely the flow of his hairs…
In fact, he knew it was just as easy as knowing that the hair do not grow, just like trees do not grow.
A bit like the mummy in that old book from Anne Rice who could just absorb the rays of the sun to regenerate his body…

Malika was painting her toenails. Bright fuchsia.
She would spend Thanksgiving with her family, and felt some lightness would be very needed in that environment.
She had decided on a white outfit, with light blue and white coach purse and little heeled shoes.
A little quartz pendant to complete the ensemble would be perfect.

Malvina had finished preparing the vials of silgreen bloom’s potion. There were thirty three of them, all lined up, and now she could go for her walk to the village.
Strangely, she became aware of an energy; in fact two energies. They were diffuse in the background before, but now, they were popping to the forefront, and very intensely.
Visitors?

That was unexpected…

Salome had thought of a gift for Malvina. She had shown it mentally to Georges, and he had smiled in her mind warmly.
And as they walked into the tunnels, they started to gather particles of matter of that dimension around their focus of attention, and slowly started to become translucent bodies, and then fully focused.

The gift was following them.

These guests have been once again distracted on their way to the party… Malvina was thinking, munching some raisins for her stomach was growling now.
Perhaps they were gathering more guests along the way, the cave was so full of surprises.

Oh yes they are, said Leörmn, they have now a little Ugling boy in their care… It’s like this young woman has truly a golden heart…
Aaaand, added Leörmn with a mischievous smile, I guess this unlikely couple with a baby will probably have some surprises in spare for us,… notwithstanding the fact that the cave’s tunnels are already steamy anyway.

Malvina caught off guard, almost rolled on the floor laughing at the unexpected probability that had surfaced in her mind, and blurted out a swear word “Boston!”

Al was concerned about Tina. He wondered why at times it was like their moods were at the antipodes of each other. Like one was in summer when the other one was in winter. Of course, seasons had gone awfully awry in the past (well, in people’s perception at least), and cherry trees were at times blooming in the late autumn, so that was hardly a good metaphore. Enfin bref…
Sometimes he wished they could move to a part of the Earth were the differences were leveled or not so dramatic, but of course, that would be focusing unduly on what seems awry, and not appreciating the differences for what they brought in understanding for each other.

Like most people now, Tina and him were living in a free relationship, not bonded by written contracts, just by a mutual wish to be experiencing a common exploration. But lately, especially with the play writing, deep issues had surfaced between them, and he was no longer sure of what they were exploring, as it was like shifting sands. Of course, now, most people were shifted themselves, thanks to the new generations of children who were exceptionally gifted in accessing their own essence. But for them, in their mid-30s, there were still issues linked to their old patterns of thoughts, many deeply ingrained ways of thinking, coming from many generations before them.
That T.R.A.P. attraction thing was a good example of the differences. It was mostly an attraction park for his generation, not really for children, as they were greatly able of doing these kinds of inner-travels without the aid of technology —not that they didn’t enjoy it either.

Al was thinking of a gift for Tina. He wanted to show her that she had really transformed Jadra, or that they had come a long way since the wandering in the cave tunnels, or that everything started to make sense, even the invisible friend Blohmul…
Well, there were still mysteries around him, (not mysteries really, but things yet at the state of seeds, or potentials) but he was no longer a hair on the soup they cooked. He was the blue fox of Mævel, and more interestingly, that cursed god was the son of Mirÿnda, the Goddess of Mirth —but that, Tina had not realized yet…

Actually, now that he was looking at the entry, Al noticed that Jadra was last seen with Mirÿnda, and that struck him as something more than a coincidence…

September 24 ^th

Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

Relevant extracts:

At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…

This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

September 26 ^th

The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

Here would be what we will say to him, if he wants to listen:

« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.

« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

« We will let you ponder this, and we will continue our own story, writing about you… »

September 28 ^th

This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.

This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

With that said, let us see how much more will appear from that sandbox…

September 30 ^th

The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

The Secret Life of Margaret Wrick , a newspaper cut from 2033.

October 7 ^th

The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…

A few days after Sam and Becky’s conversation on the phone, they were having a rehearsal.

Just at the moment when they felt stuck again, despite Sam’s moves, Al and Tina, a couple of friends came crashing into the small theater room, and were greeted by an icy cold silence. “Icy” is an exaggeration of course, said Tina, “it just meant I had to put a jacket on again today”.

— Sorry for being late! said Al a bit uneasy.
— Oh you and your uneasiness! said Tina. And I’m sure we’re arriving at the perfect time.
— Oh, well, I’m not sure of anything today, said Becky. I’m sick of being force-fed coleslaw, and rigging down holes for myself.

A silence was on the scene.

At the same time, somewhere on the deck of his ship, Bådul was remembered of the landscapes of his land. He had not really appreciated them before, but now, he was finding them dear to him. They were for the most part a mixture of sandy dunes, from which at times peaks of icy rocky mountains would stick out. Lately he had felt like one of these peaks sticking out of the sands. The sands were shifting.

Somewhere in Malvina’s cave.

Malvina had been polishing the last dry eggs that she had found and that would not hatch. One of them had some interesting perfect round shape, and a very transparent shell, and it gave her an idea.

She asked Leörmn to come.

Quintin’s bedroom.

[1:01] The clock was saying. Quintin had just awoken from a dream about an elderly woman who was showing him some drawings. These were not actually drawings, but in fact, they were called by the lady “glassart”. It was made, she said, of coloured sands, and would be vitrified by some flame. Quintin in that dream had thought the designs rather crude, but had found the idea interesting, and with great potential.

Leörmn came almost instantly, appearing in a puff of teal smoke.

Oh, I see… he said, reading Malvina’s mind. And I think I have the perfect sands to go with it.

— Why hasn’t that pirate, Badass…
— Badul, corected Al
— Whatever, Becky pursued imperturbably, that pirate Baddock used traveling portals to go and look for the eggs? Why the seas? Sounds a bit complicated and with lots of dangers too.
— Good question, answered Al. Well, don’t want to answer for everyone, but in my perception…
— Oh, get lost with your “in my perception” thing, that’s becoming tiring… sighed Tina
— OK. So, for me, they have forgotten much about magic in his land.
— Makes sense… added Sam dreamily… In fact, I’m not sure after all that Badul is only after gold. I think he has found some old desert dragon egg in a cave lost in his country and hopes to revive it, with the help of the people who still know about magic.
— Which would explain the quest… said Al
— Yeah, and he would have hidden that to the rest of the crew, probably… said Tina…

Leörmn had now finished assembling the magical artifact.

— That’s one of our most beautiful magical artifact I’d say, Malvina gleamed
— Oh yes it is. And how would you call it?
— Let’s see…

— sabulmantium !

Everyone cracked up at the word that Al had just blurted out. They had decided to have some distraction to alleviate the stress on the play, and they had a fun improvisation game, saying stupid things that went through their minds.

— Hey! Don’t laugh like that, it’s something very serious actually, said Al tongue-in-cheek. Let me see…
— Hahahaha, the others continued
— Well, it’s a divination device, or a sort of compass in a way. I see it as a globe made of glass, with coloured sands in it, and when you focus on it, the sands take all sorts of three dimensional shapes, and become alive…
— Wow! Tina couldn’t help but say.

Leörmn, as Malvina had been telling him (or vice versa), had put the sabulmantium in one of the tunnels, to a place where he knew Arona would find it, and probably put it to good use for her future adventures.