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His razor blade in left hand (he was ambidextrous with a slight favour for the left side), Ed suddenly remembered his future struggle with the daft cumbersome vermillion man, so he quickly turned off the portal. Then, against all common sense and years of procedures, decided to put it into his pocket.
Everything following came back at once, interspersed with bits of smashed objects and blurs. But something he distinctly remembered was that Mari Fe was in the apartment, although he didn’t remember bringing her home from last night. It was against company policy to sleep with subordinates, so it had to mean something fishy.
Recalibrating the portal using the failsafe code, he directed it to the secret headquarters where he had started to stockpile dangerous artefacts collected from previous surge control operations, deciding it was the best course of action before assessing who was to be trusted or not in his Chicks team…

It had been several days since the Sinstringia sank not far from Rome and Luigi’s niece Flinella was still missing. She had been on board the cruise ship, a last minute decision to take the trip. When the police had banged on the door of her apartment the previous week, she fled through the bedroom window. She started to run, and realized it was attracting attention, so she slowed her pace and projected the impression that blue and white night shirts were the latest fashion. The slower pace calmed her somewhat, until she realized that the latest fashion energy she was projecting was also attracting attention, so she pulled some plastic bags out of a rubbish container and projected bag lady energy instead, and became virtually invisible.

New Venice, October 2117

Now, where were we? Midora suddenly felt that the need for an agenda was called for. Spread out in front of her were a few collages and some balls of energy from all the links and connections she had found in the stories of her ancestors and gathered so far.

Since her fathers Oscar and Bart had adopted the twins Hari and Jacq, her usually tidy room had been a mess. Fortunately, the adoption was almost complete, and in a mere week, the twins would then be able to choose another family, which they made clear they intended to do. She felt so appreciative that adoption was no longer bound by traditional laws of responsibility of the parents and ridden by culpability; instead, it was a healthier cooperation between the parents and children, and children were free to go with other families if they felt the desire for a different experience.
When they’d adopted Hari and Jacq, Bart and Oscar had wanted for a continuation of the experience of bringing up children, which they did not have for a long time with Midora, as she was quite independent from an early age. And in truth, Jacq and Hari were very interactive and playful, and to be perfectly honest, quite a handful; in a few weeks, the apartment would surely seem deserted and empty.

So, during that time, Midora’s researches on the stories had been put to a halt, and a lots of her energy balls which were usually neatly ordered on her lightboard were now merged for some, changed of forms for others… all thanks to her half-bros. She barely knew were to start to get a better view of it now.

Let me see… there were a few threads going on there, and all we need is untangle some of them…

She’d had fun reconnecting with the “Island of Dr Transvestite” theme, but now she found out, her favorite characters Shar and Glor, were now disembodied, stranded in transition, and perhaps waiting to be reborn to a nine-titted alien in the Worseversity after failed attempts of channeling. So far, no signs of developments for them though.

As far as the Ooh-dimension was concerned, the shift of Vowellness was probably complete, and she couldn’t find anything new being published by Ms Tattler in all now probable directions she was looking into. She was of course ignoring the disrupted echoes from the Jumbled Eights thread, which were probably the brainstorming board of ideas of the writer, which she had the greatest difficulty to follow (she wondered if even the writer could).

Her own thread and the details of the history of the Wrick family was always sketchy and full of holes; she’d attempted at learning more about the elusive Becky , but she kept blinking in and out of continuity, too quickly for her to follow her anywhere in her explorations.

Oh, and the Alienor dimension was still going on, though most of its development wasn’t yet showing up. What had happened of Arona, Franiel, Irtak’s father, the gripshawk? And now that Malvina was gone too… She’d found Mrs Chesterhope after her strange amnesiac shapeshifting accident however; and that was encouraging.

So strange, all of these characters are so alive, she thought fondly, and yet none of them seem motivated enough to project themselves out with force and steadiness into her energy balls which still had a sort of blurriness and haphazardness to them.

She made the intent to project more energy in the direction of stabilizing the currents of the strands of stories, and the energy balls’ colors started to shimmer lightly. That was certainly the way to go. Which one would be the most alluring to explore and follow?

“Well, it’s a fiction, she could be anywhere. That and if you stopped changing the facts and names for a moment, you’d be able to knit them together into new understandings.”

Charmille was knitting while answering to impatient young Becky who for all of the birds’ chatter in the apartment couldn’t really concentrate on her schoolwork, and had only one thought in mind (more insistent than the fleeting thousands other ones that is): she wanted to go outside immerse herself in the helter skelter of New York City.

“And why should I care!” Becky was about to start another tirade of self-righteous indignation at the failure to recognize her brilliance when she stopped herself in her tracks. She was suddenly amazed at the intricacy of the pattern Charmille was creating with two simple sticks and the many colourful threads in her black and white box. That was an art in itself, and Becky wasn’t impervious to art, quite the contrary. She could spot art in the slightest and singlest stroke of graffiti on the walls of the City. She could even see them dancing endless farandoles in front of her eyes. She was perhaps the only one she knew who was able to see that, but what her aunt was doing was very much like it.
Sometimes, she’d had people laugh at her when she was younger. She was telling them about her vivid dreams, that she’d spent hours in one dream looking at a single napkin, how soft it was, how superbly almost real it was —even if that was just a dream napkin— while, according to others, she could have done more “lofty” things instead —like go and see ascended masters.

“But I like movement! I don’t want to be stuck in slimy facts!”
“Well dear, you should know that… wherever you are, there you are. Even if wherever is elsewhere.”

The cryptic statement made by the poised lady somehow struck a cord. She wanted to disguise facts into fictions, or fiction as facts, but any way she was going, she was still struggling with herself, the essence at her core. It didn’t matter if she wanted to have the needle jump to another loop (and get out of that particular loop) because it was all part of the same cloth she was creating. It suddenly gave her much to ponder…

A hotel room in New Venice, January 2034

Sean had agreed reluctantly.
As his father Lord Wrick had been aware for some time, Sean had been heavily drinking following the death of Margaret, and though he could still speak with her, he had a hard time not to take her as an illusion from his guilty mind.
So, wary of the impacts on his grand-children, Guinevere and Peregrine, Hilarion Wrick had demanded him to personally take care of their education, and have them move with him. The year before, he had acquired an old mansion in the Orkney Islands, in a healthy location far from the buzz of towns, and was in the process of having it restored. Its previous owner, Baron O’Dolly seemed to have disappeared and Lord Wrick had seized the occasion, as there was a nice big area of land around the place. Restoration would soon be over, he’d said, and he was wishing the children would move in the next spring.

Of course, Sean had known that his father’s proposal was no mere proposal. With the wealth and lawyers he had at his disposal, even if he would have to wait years, he could get what he was wanting. Even if he was to crush everything in the process. So he had agreed.

— Why do you feel sorry? You are no fit to raise children, and Becky is certainly no better than you… the ghost of Margaret was saying
— You know what it is, I feel so inadequate… What will my children remember of me?
— Don’t be stupid, they love you… And I’ll talk to them… On the contrary, loving the old bat won’t be as easy for them

This almost brought up a smile on Sean’s face.

— Yes, you’re right, and you are right for Becky and I… Perhaps we’ll have children, but for now, I suppose we want to enjoy being together, and take a deep bracing breath.
— Then stop being so gloomy and go call her. Perhaps you even want to start looking for an apartment in New Venice for both of you, to make her a big nice surprise for your wedding. She didn’t seem so fond of the idea of staying in Dublin for extended periods of time.
— Yes! And I’ll book our honey moon too… She wants to see so many places I suppose I’ll have to book a cruise over the world. And perhaps get tickets for the first trip in the cross-oceanic tunnel… Thank you Margaret, I’m so full of projects…
— Why, thank YOU, she said with a bwink (a simultaneous blinking and winking, in ghost’s jargon).

Outside the apartment, the sky was a pale grey, with some delicate hues of more silvered clouds of smoke spewed out by the brick and concrete chimneys. Winter time was a few degrees warmer in the big city than in the countryside, on most of the scales he could think of: temperature, decibels at least,… and certainly a few others he didn’t know of.

Yurick (or Quintin as he was still known) was spending some time at his friend Gustav ’s place, Gustav having moved a while ago from Vienna to Paris, for a new job opportunity in the gaming industry. Gustav was living for a large part in a fantasy world full of trolls, ogres, thieves, demonists and other creatures, which made his conversations always fascinating. It was like he could get his own information about some shifty aspects in consciousness, and they were translated rather undistortedly through these fantasy adventures.

To Yurick, Paris felt almost less familiar than these other dimensional worlds, and bearably less colourful. But when he’d come back the day before, he had found not much changed, and the ambivalence he felt towards Paris wasn’t a stark dislike, as he could have felt some months before. Furthermore, as he was becoming closer to Yann, colours were coming back into his perception of that odd reality.

And it seemed that Yurick was developing an uncanny propensity to see 23 or 53 each time he looked up at the clock. Making him wonder if that could have any use at all ;)).

November 9 ^th

For Yurick, or perhaps shall we say, The Artist Formerly Known As Quintin this sequence of sequence of 911 has the signification of a reminder to be paying attention to self, and being present to himself.
The last few days have been, in appearance, quite devoid of exciting new installments of the story, yet, we nudge him not to judge this lack of activity on his part as categorically as he has been used to do. It was a time of self-retreat, a time we have shared with many other essences, as all is connected.
A very fine point which has been brought forth by Elias a few days ago (in Yurick’s perception of time) has been that you want to appreciate the process. His illustration was that of a beautiful flower bud that you hold, and that you don’t want to tear open, but rather let itself reveal its splendor, and also, its surprises.

It has prompted Yurick to remember something, which had lots of meaning to him.
Some years ago, when he was in Kyoto’s forests, he picked up an acorn, as he liked to have seeds or tree corns in his pockets. Back from his trip, in his home, there was this big pot of earth were an old plant had died from the summer heat, and he planted the acorn in it.
And he waited. Till he had to move, some months later, having renounced to have the acorn grow at all, as the soil’s surface was remaining desperately flat. Perhaps it had rotten altogether. Before leaving the apartment, Yurick started to rummage with his bare hands into the soil, to look for the remains of the acorn he believed had rotten, only to find it perfectly healthy. And even more, it had grown lots of long roots.
So he took it back home, where it was planted and still continues to grow at a rapid rate.

Looking at the now big sapling reminds Yurick how that process of growing roots was important for the plant, as they were essential for the oak to be able to survive the winters colds and the summers heats.

Such is the importance of these moments were inspiration seem to be scarce, or away. It is ever present, growing its roots very carefully inside the soil of your being, and expanding your connexions, redefining some, bringing new nourishments to yourself… The effects are not always immediately visible, but things never cease to move.

Be prepared to be amazed by the colors of the flowers and leaves your seed produces, for as Yurick’s oak was an unusual kind of oak (a chestnut oak ), the very seeds that are in your pockets or waiting in the soils of your dream gardens may reveal their own surprises…

New Venice, November 2101

Midora was sleeping peacefully in her baby’s bed, and Oscar was dozing on the sofa, exhausted by his new role as a mother.

Bart was slowly finding himself back to his old studies. Just before Oscar became pregnant with their child, he was occupied with an old parchment his mother Indy had given to him.
She had said they had found it years ago with Oscar’s mum, her friend Eugenia. It was under a glass frame, among many other stuff she had accumulated along the years, mundane bric-a-brac flirting with sublime antiques —such was her mother strange decorative style…
Bart had known the parchment all his life, and her mother had sworn he would have it when the time would be right. During all this time he had thought she would most probably forget it altogether.

When Bill, his father had disengaged, two years before (only two months before the New Century’s festivities, at the age of 79) Indy had said she needed to make some room in her apartment, and get rid of old things which were full of memories. After all, she was only 49, and Bill hadn’t wanted to see her wither in sadness, that would be such a waste.
She had given him the old parchment.

Bart had always been so close to his mother, probably because she had him so young. She was 16 when they had married with Bill, and Bart was born right after. Of course, she always played the old flattery trick when people said she must be his big sister; it wasn’t actually far from the truth.

When he was younger, Bart had fearful dreams, of dying in atrocious pain, full of rash, at a young age in an alien and sunny place.
Curious as to what hint it may have been, Indy had been connecting with him to the energy of the dream. And together, they had tried to find the reason of that manifestation in the young boy’s dreams.
Despite her having such a fleeting memory, India Louise was skilled at connecting to other focuses, and particularly group ones, and Bart had found many information thanks to her. And the fearful dreams had disappeared.
He had found he was a young prince heir of the throne of Egypt, who was supposed to marry his sister. But both had died very suddenly. It was not quite clear as to whether the illness was the result of a plot from their father Pharaoh’s enemies, but the death was very unpleasant.
So unlike Bill’s disengagement, which was peaceful and full of love.

So yes, people were not far from the truth when they saw them as brother and sister.
According to Indy, the parchment was found within a cache inside the sister mummy’s sarcophagus, and might be linked to their shared focus. But her own psychic skills only extended as far as to notice connections, not as to go into more depths. That investigation, he would be able to do.

Egypt, 2657 B.C.

Lekshen had finished writing down what the long snouted god of his dream, Set had dictated to him.

It was a strange story, of Set being the god of the pariahs, throwing down structures of the Holy and the Truth, for the sake of expansion. Lekshen couldn’t understand all of what he had been talked into writing, but he had felt an intense activity and thrusts of gushing energy passing through him.

He needed sleep before hiding the text with the mummy.

Paris, 2007

That symbol, Quintin had dreamt repeatedly about it… It was a tile, he was sure. It could be oriented in two ways, and, depending on its orientation, it meant either injection or ejection of energy structures. It was linked to the family of the Speakers.

Let’s insert it again then, he smiled to himself.

When he connected with the symbols written on the parchment, Bartholomew was astounded. The energy was so familiar.
There was a book coming from his mother. She had inherited it from her aunt, Guiny… She probably got it herself from her mother Margaret, or perhaps her step-mother Becky… Bart wasn’t too sure…

Finally, he found it. Inside the cover, there was a dedication. To you, dear Becky, happy birthday! With love, Kathy (2017).
Kathy, Kathy… A flash of a rainbow-coloured anaconda into Bart’s mind… Must have been one of Dory’s friends.

“There was once a god who was not a god — who was not a god, for you are dealing with legends,” he said, nearly whispering. “There was a god in ancient Egypt, and his name was Seth, and he was disreputable. And he threw aside establishments, whenever other gods rose up and said, “We are the truth, we are pure and we are holy,” this disreputable god stood up, and with a voice like thunder, said: “You are nincompoops!”

“And the other gods did not like him,” Seth continued in his story-telling whisper, “and whenever they set up their altars, he came like thunder, but playfully, and tossed the altars asunder, and he said “Storms are natural, and good, and a part of the earth, even as placid skies are. Winds are good. Questions are good. Males and females are good. Even gods and demons are good, if you must believe in demons. But, structures are limited!”.

“And so this god, who was not a god, called Seth, went about kicking apart the structures, and he gathered about him others who kicked apart the structures. And they were themselves, whether they were male or female. Whether they thought of themselves as good or bad, or summer or winter, or as old or as young, they were creators. They were questioners.

“And whenever another personality set itself up and said, “I am the god before you, and my word is law,” then Seth went about saying, “You are a nincompoop,” and began to kick apart the structures. And so you are yourselves, in your way, all Seths, for you kick apart the structures, and you are the black sheep of the religions, and the black sheep of the scientists, and the black sheep of the physicians, and the black sheep of the your mothers and your fathers, and your sisters and your brothers.

“And yet, the mothers and the fathers and the sisters and the brothers listen,” Seth went on in that quiet voice in that quiet room. “for they do not have the courage to be the black sheep…”

Conversations With Seth, Volume 1, Chapter 9, by Susan Watkins