Search Results for 'artist'

Racy Mc Tartshall had been absent for so long that it was hardly any wonder that nobody remembered her, despite the importance of her mission which had long since been forgotten. Mc Tart, as she was affectionately known (or would have been if anyone had remembered her) was a tartist of the highest calibre, consistently producing hugh class tart (which was of course three grades higher than high, and 2 grades higher than hagh, and so forth). Mc Tart had been investigating Nosebook, sniffing out potential distortions, claritortions, connectortions and myriad other contortions, for the distortium, claritortium, connectortium and contortium, respectively ~ focusing mainly on the connectortium, naturally enough.

While researching something or other that was no doubt relevant at the time but had long been forgotten, Mc Tart met Alfred in the Library. ““Aha! Alfred in the Library with a Book, was it!” she exclamined. “I knew I’d find a clue here”. “It wasn’t me!” he retorted, aghast. “It was Albert in the Chapless Pants club with a Rolling Pin!” Mc Tart, feigning an all knowing expression, replied “Ahhhh” and made a mental note to investigate.

Mental notes, known as m’otes for short, floated like wisps in the air currents and occasionally sparkled in the sunbeams, although more often than not, they clumped together under the bed in bunny shapes, slowly dying of boredom. Thankfully the sheer pointlessness of mental notes ~ m’otes ~ made not a whit of difference in the grand scheme of the connectortium investigation because of the abundant nature of Fluce’s ~ (fucking lucky chance encounters), notwithstanding the heated debates continuing in the Distortium about the precise nature of Fluce’s and their relationship to M’Otes ~ or not, depending on the point one wished to make at any particular time.

And so it was by Fluce that Mc Tart met Blithe, Heck and Walty in “le Tunnel” one dreary grey Noremember afternoon. There was nothing to suggest, on first inspection, any thing of interest for the Connectortium mission, but Mc Tart was not discouraged. “Many a moth maketh maths marbles” she reminded herself as she perused the nenu (which, the reader will deduce, is a hugher class of menu).

[link: high class]

“You see, by no manner is it an issue if things aren’t continuous” Walter was saying, which immediately brought to Ann’s mind the latest development at her end of the group project. For some reason lately she found that she was permanently signed in, as opposed to previously, when she’d had the dickens of a job to stay signed in long enough to make an entry. Permanently connected, as it were.

“….and I know it’s almost blasphemous to say that” Walter continued, causing Ann to raise an eyebrow, “…but the crux of the matter lays in the measure with which things are expanded and linked together.”

“If I may be so bold as to interrupt, sir,” Ann couldn’t restrain herself from interjecting, “Surely that is what readers are for? Is not the purpose of the writer, or indeed any artist, to simply offer particles, or pieces, for the viewer to add, or not, as they choose, to their own continuous storylines?”

Walter opened and closed his mouth like a godfish. (Ann had to laugh at the typographical error.)

“For example” Ann continued, warming to the subject, “When I random read book pages, then channel surf the TV, followed by a random roam around online, interspersed with perhaps a few phone calls, or various incidents throughout the day, I’m making a continuous story of my own, with pages and screenshots and conversation snippets borrowed, if you like, from many external sources (and before you say anything, I am aware that no source is external, but don’t let me start digressing). The era of being ‘told’ a story to beleive in its entirety is over! Everyone knows these days that we each make our own story, with a bit of this, and a bit of that. It’s The Age of Random Tips & Snippets, after all, everyone knows that! It’s T.A.R.T.S. time now!”

Chubby fingers? Ann examined her long artistic slender fingers for the umpteenth time. What on earth was Gremwick on about?

OH! Suddenly it hit her. He was writing about that probable Ann that branched off years ago, that bloated old alcoholic Ann. But she was still in the dark about that reference to detergent.

Ann glanced vaguely over the bookcase, wondering where her dictionary was. Did people still use dictionaries in book form? I suppose any book will do for the purpose, she decided, and reached for the nearest book, a book about Rembrandt. She opened it randomly five times, using a ball point pen as a pointer, and selected five words for Prof Underbaker’s assignment.

…now…excite…

What a coincidence, I might be able to kill two birds with one stone here, Ann thought, with a slight shudder at the bird killing metaphor (if it was indeed a metaphor, Ann tended to skip the Labelling Words classes)…

…someone…

Ah, but who? Who shall I excite?

…pointed…

Pointed in the right direction? Addressed someone pointedly? Not to put too fine a point on it…

….time

Ann was interested to note that her selection of words started with the word NOW and ended with TIME, and popped it into her clue box in an effort to stay on course and finish the assigment.

There was no time like the present. Indeed T’Eggy was well aware that All is Now, she’d heard about that theory in Wicks, the online magazine that she’d found so enlightening. She’d been reading a copy of Wicks (a reproduction, the originals were now collectors items and very valuable ~ in an artifact rather than a monetary value kind of way, monetary value having been devalued in the early part of the century) in the teleport waiting room when she met the handsome foreignor in the dusty blue robes. Of course, it was not unusual to meet foreignors in the teleport waiting room, not unusual at all, but the tall, dark, and handsome stranger had excited her. Perhaps it was the flash of long lean tanned thigh that she glimpsed as his robes caught on the door knob. Of course, even the ‘waiting room’ was a retro touch, because there was no need to ‘wait’ for teleport travel. It seemed ironic in a way that folks in the old days had perceived ‘waiting’ as an onerous thing, an somewhat unpleasant period of clock watching and crossword puzzle books. These days ‘waiting rooms’ were popular places to meet people and choose probability pools. The latest trend was Turtle Nights, and Frog Nights, where men and women gathered in waiting rooms to choose partners, to find that special someone, loosely based on the old Hen and Stag nights.

“Do teleport stations have door knobs, Ann?” Pedro interjected.

“Oh!” Ann was momentarily non plussed.

“Non plussed? Is that a word?” asked Pedro.

“Pedro, stop interrupting! The assigment isn’t to design a teleport station!”

The teleport station had been designed in retro style, a facsimile of the Atocha train station in Madrid. Lack of need for physical details had not resulted in a lack of appreciation for physical detail simply for it’s artistic merit, not to mention historical educational value, and the TRANS (Teleport Relative to Any Now Space) Station was an award winning example of old fashioned detail. Why, it even had doorknobs, even though doors had been dispensed with several decades ago.

“I thought the assigment wasn’t to design a teleport station?” asked Pedro.

“Does it bloody matter?” retorted Ann, with a hint of exasperation. “The overall point is to write rubbish, and that’s what I’m doing!”

“I’m glad you pointed that out, Ann” remarked Pedro helpfully.

“Oh my god, look at the time!” Ann exclaimed. “It’s time for class!”

“Bugger that!” snorted Pedro. “I’d rather hear about what happened with T’Eggy and that tall dark stranger!”

“Aha!” Ann exclaimed, “So that’s it”. Ann had been pondering the symbology of the ‘out of order’ entry — well, truth be told, she had forgotten all about it until she reviewed the latest pages, and then it suddenly hit her: In the Rembrandt book she’d been reading, the dead artist had remarked that the conversations that had taken place in the latter part of the 20th century had actually occurred one day while he was still alive, daydreaming or slipping off to sleep while in his studio in Amsterdam.

“I suppose I should type out the relevant parts of the book to include in this entry” Ann thought, but she had an urge to go for a quick nap instead. Suddenly she could hardly keep her eyes open.

Harvey, I am lost. Completely and utterly lost. I can’t even remember my own name. I have vague recollections of giving away some piglets and little elephants, but …. her voice trailed off miserably.

Harvey, saddened to see his friend so upset, put down the four poster bed, and gave her a hug. Damn it, he couldn’t remember her name either. Didn’t she just tell him what it was recently … Lilac?

hmmm no that doesn’t sound right.

Well, it was a pretty name. He would call her Lilac.

Lilac, embarrassed by her display of emotion, laughed and rubbed away the tears from her eyes. Anyway what does it matter? Most of my friends have gone from here now. Apparently they have gone on to the “Ninth World”, and here I am still bungling around in number eight. What is worse, there are parts of this world I no longer seem to be able to access, including memories which are precious to me. Lilac reflected on what she had just said for a moment. Well they would be precious if I could remember what they are. I popped through the portal to Nine when I found my friends had gone, but I couldn’t make head nor tail of it.

She shuddered in horror at the recollection of the strange land she had found herself in. She remembered a woman, an artist she had called herself, with a crazed look on her face, trying to unravel a ball of string which seemed to go on endlessly, and all the while rambling in such a way that made no sense at all to Lilac.

Never mind, Lilac, I am still here, said Harvey kindly. I can’t make any sense of this place either. I don’t think it matters really. Here, I know what, hop on this four poster bed and I will teach you a few proxy dreaming skills. That will cheer you up!

String Theory

I am an artist, painting a portrait of my reality in vibrations, the physical culmination of tone and hue. Like a spiders web, a single line from a single spider, weaved in and out in a circular fashion, and I expect to connect all things in a linear fashion. But I do not. Yet any portion of my web is the precise area of my intent to snare the intended victim. So I hide in expectation of biting the head off and consuming it. In the dark, alone, like a dirty little secret.
And I think the string itself is a thread of association, much like the thread of a discussion tracked on email mailing lists. And the string can go in many directions, many hues, weaving a web of interaction, a sticky internet, iridescent in the morning dew. I notice the taste of this reality morning, before venturing off into other realms of daydreams. Other realities that are unfamiliar.
The spider inside her calls out in strings of nine, as I know the victim is me and my own ideas of self.

(from Share):paperclip:

The Far-West saga

In 1850s, in a probable reality of South America, we get acquainted with Twilight (Twi) and her brothers Jo and Elroy.
They have a precious blue bull in their possession, coveted by Ogrean, the kingpin of the town. Hopefully for them, Ogrean is arrested (temporarily) by Ted Marshall, the sheriff for his possible trafficking.
Notably, Ogrean is possibly involved in some of the crystal skulls discoveries, during his travel to New Honduras.

Twi who was dancing in the saloon of Madame Butterbutt, the town’s hallucinogenic toads-to-lick dispenser (insert some other romantic subplots involving the other dancer etc.) decides to go traveling in a freakus (freak show/circus).
She is now close to the West Coast, where she hopes to succeed in her writing and other artistic skills.

Becky was undecided. Add to the last entry? Or start another? Grinning wickedly, she started another.

Her second impulse selection was a slightly late coincidence, but a coincidence notwithstanding. It was about Sand Dragons . A Few days previously Becky had been to an auction. She bid for and won a first edition copy of Wisp magazine; it had cost her an arm and a leg, but she was delighted with her purchase. It would increase in value, and was a delight to read some of the first published articles of the many authors, poets, artists and photographers who would later become famous. The article about sand sculptures had reminded her of the T.R.A.P. day out.

Well, how about that! exclaimed Becky, reading the rest of the comment. Wish House is one of my most favourites, and I chose it by accident!

She read:

“Illi used to play a game with Cranky (as she affectionately called nanny Chraddock) in the long months while her parents were away, called Wish House. Every room in the sprawling Elizabethan house was a different time and place, and the moment they entered the room they imagined themselves to be different people, in other times. Petunia Duster the maid loved to join in too; consequently not alot of housework got done, but with Gus and Flora always off travelling, nobody minded. Playing was, after all, so much more important than dust. In fact, a thick layer of dust made the rooms all the more mysterious and magical.”

Becky ran her finger along the dust on her desk and smiled.

OH! Becky jumped. I almost forgot to make a note of the number, now what was it? she mused, scratching her head. I think it was 171

Becky wondered whether or not to start another entry. Intuitively, she chose not to. Her third random choice was another synchronicity with the first edition of Wisp: it was about pyramids in Spain. The first edition of Wisp magazine was particularly valuable as it was the first mention in print of the discovery of the Iberian pyramid culture.

Number 835 she noted

Leah Muir, born and bred in Glasgow in Scotland, first visited Marseille on a business trip. She was the personal assistant to the director of the “Twin City Exchange Programme”, Robin Abbott.

Leah fell in love with Marseille. Truth to tell, she fell in love with a racy fellow she met in the Café De l’Abbaye one tipsy afternoon, Enri Baccalao. Leah convinced her easy going boss to let her stay in Marseille for the rest of the exchange programme, and she moved into Enri’s apartment.

Enri was a gregarious and popular man, and his artistically shabby home was always full of people. Leah soon became great friends with a delightfully witty young woman of Italian and Burmese descent, Luce Mong.

not very good photos off my phone … a little while ago i went to an exhibition. Funny thing I had been been there about 10mins and a thought crossed my mind how i did not have much in common with the artist’s way of thinking. At that moment I suddenly realised that 90% of the exhibition was ceramic skulls and rabbits images. It was quite odd, I am usually so aware of those connections.
Popplewell exhibition rabbits
skulls
elias who?

Bill Artist, Magpie and “biggest” synchs:

A painting has just been sold for the largest sum ever for a living NZ artist $290,000 (i expect that works out to about $257,000 after tax).

The Artist is Bill Hammond and the painting is called “Fortified Gang Headquarters”. All his paintings have surreal bird/human shapes and this one reminded me of our Gang of Magpies on the island. I can even see some mummy cloth hanging from the branch of a tree

India Louise , standing in the draughty upstairs hallway outside Bill the artist’s bedroom, jumped out of her skin as Nanny Gibbon rushed down from her room on the third floor shouting, OCH AYE THE NOO! There’s a moose loose aboot the hoose!

Nanny Gibbon stopped abruptly when she saw India Louise.

Och, lassie, and what are you doing here in the wee hours of the night?

Er…..India had to think quickly. She couldn’t tell Nanny that she was hoping to tell Bill about the mummy that she and Eugenia had found in the unlocked ‘Locked Room’, so she said: There was a moose in my room! It went that way! she said, pointing up the stairs from which Nanny Gibbon had just descended.

OCH! The hoose is infested with moose! What’ll we doooo?

India Louise looked up at Nanny Gibbon quizzically. What was with all the ‘Och Aye’s’? Nanny was from Brittany, not Glasgow, what was the matter with her? Then India recalled the Scottish Dialect classes that Nanny had been attending…..obviously with a good deal of success.

The truth was that Nanny Gibbon was terrified of mice (which is how non-Scots pronounce moose); she suspected a reincarnational drama involving moose, er, mice, was the root of it all.

India was trying to think of something helpful to say (and congratulating herself on her quick thinking, although she regretted adding to Nanny’s alarm) when a shriek came from the direction of Cuthbert’s bedroom.

Nanny and India Louise raced along the corridor and banged on Cuthbert’s door.

OCH AYE, what NOO? Are ye alright, ma wee bairn? Open the dooor, Cuthbert! Nanny cried.

A pale trembling Cuthbert opened the door. I had an awful nightmare! I was reading our book, you know, the funny one with the blank pages, and I turned into a wolf

Och, there, there, ma wee laddie, there’s nay a wolf in the hoose, it’s a moose!

Cuthbert looked up at Nanny and said, rather rudely, Are you alright? Why are you talking like that?