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In reply to: The Incense of the Quadrivium’s Mystiques
It may surprise you, dear reader, to hear the story of Truella and Frella’s childhood at a Derbyshire mill in the early 1800s. But! I hear you say, how can this be? Read on, dear reader, read on, and all will be revealed.
Tilly, daughter of Everard Mucklewaite, miller of Brightwater Mill, was the youngest of 17 children. Her older siblings had already married and left home when she was growing up, and her parents were elderly. She was somewhat spoiled and allowed a free rein, which was unusual for the times, as her parents had long since satisfied the requirements for healthy sons to take over the mill, and well married daughters. She was a lively inquisitive child with a great love of the outdoors and spent her childhood days wandering around the woods and the fields and playing on the banks of the river. She had a great many imaginary friends and could hear the trees whisper to her, in particular the old weeping willow by the mill pond which she would sit under for hours, deep in conversation with the tree.
Tilly didn’t have any friends of her own age, but as she had never known human child friends, she didn’t feel the loss of it. Her older sisters used to talk among themselves though, saying she needed to play with other children or she’d never grow up and get out of her peculiar ways. Between themselves (for the parents were unconcerned) they sent a letter to an aunt who’d married an Irishman and moved with him to Limerick, asked them to send over a small girl child if they had one spare. As everyone knew, there were always spare girls that parents were happy to get rid of, if at all possible, and by return post came the letter announcing the soon arrival of Flora, who was a similar age to Tilly.
It was a long strange journey for little Flora, and she arrived at her new home shy and bewildered. The kitchen maid, Lucy, did her best to make her feel comfortable. Tilly ignored her at first, and Everard and his wife Constance were as usual preoccupied with their own age related ailments and increasing senility.
One bright spring day, Lucy noticed Flora gazing wistfully towards the millpond, where Tilly was sitting on the grass underneath the willow tree.
“Go on, child, go and sit with Tilly, she don’t bite, just go and sit awhile by her,” Lucy said, giving Flora a gentle push. “Here, take this,” she added, handing her two pieces of plum cake wrapped in a blue cloth.
Flora did as she was bid, and slowly approached the shade of the old willow. As soon as she reached the dangling branches, the tree whispered a welcome to her. She smiled, and Tilly smiled too, pleased and surprised that the willow has spoken to the shy new girl.
“Can you hear willow too?” Tilly asked, looking greatly pleased. She patted the grass beside her and invited Flora to sit. Gratefully, and with a welcome sigh, Flora joined her.
Tilly and Flora became inseperable friends over the next months and years, and it was a joy for Tilly to introduce Flora to all the other trees and creatures in their surroundings. They were like two peas in a pod.
Over the years, the willow tree shared it’s secrets with them both.
One summer day, at the suggestion of the willow tree, Tilly and Flora secretly dug a hole, hidden from prying eyes by the long curtain of hanging branches. They found, among other objects which they kept carefully in an old trunk in the attic, an old book, a grimoire, although they didn’t know it was called a grimoire at the time. In fact, they were unable to read it, as girls were seldom taught to read in those days. They secreted the old tome in the trunk in the attic with the other things they’d found.
Eventually the day came when Tilly and Flora were found husbands and had to leave the mill for their new lives. The trunk with its mysterious contents remained in the dusty attic, and was not seen again until almost 200 years later, when Truella’s parents bought the old mill to renovate it into holiday apartments. Truella took the trunk for safekeeping.
When she eventually opened it to explore what it contained, it all came flooding back to her, her past life as Tilly the millers daughter, and her friend Flora ~ Flora she knew was Frigella. No wonder Frella had seemed so familiar!
In reply to: The Incense of the Quadrivium’s Mystiques
Jeezel was enjoying a glass of champagne, enveloped by mother of pearl foam in a bathtub that was more like a swimming pool for a siren. Her emerald eyes were looking pensively at the reflections on the golden tiles. She was humming along a playlist carefully selected to help her relax and assimilate all the changes in her life.
Despite the fiasco in Brasil, Malove has been keeping them busy with more projects to come. Jeezel had to come up with new workshops for new recruits with the secret purpose of making witchcraft more accepted by the masses. Then, there were those secret missions for which Frigella and herself also had to procure rare and hard to find ingredients. Of course, all that, she could easily handle. Hadn’t she always managed to get back up on her feet every time she trampled on her train during her first beauty contest.
But now, there was Joe. Jeezel took a sip of champagne.
When she found her cottage, the bathroom was in a state not even a mother could love. Numerous cracks running wild like the worst kind of pantyhose mishap, and humidity creeping in like an unwelcome suitor at a drag ball.
When she put up a picture on Flick Flock, it was like blowing the mythic Cornucopia. Her fans came through like the chorus of a drag space opera. Offers poured in, tips, tricks and contacts. But one offer stood out, a brother of a fan near Limerick with hands skilled in construction.
If Jeezel’s got a heart as big as her hair, she didn’t let just anyone past the sequin curtains. Despite her hesitation to let a stranger wander through her abode, even one vouched for by a fan, she also knew when to delegate. With a few clicks of her carefully crafted nails on her phone screen and an appointment was decided. And Joe entered into her life.
He was more an Anthony Tomkin than her usual Brad Pitt or Chris Hemsworth type. But still she was intrigued. As usual, Lumina warned her not to let her artichoke heart be ruffled again. But, thought Jeezel, she was not a child anymore, she was a powerful witch. She gulped the last trace of champagne and rose, emerging from the foam like a newborn Venus.
What could the man possibly do to her that she couldn’t transmute into gold?
In reply to: The Incense of the Quadrivium’s Mystiques
The disturbance had been felt in the bustling heart of Rio.
The warmth of the night had amplified the vibrant energy of the Carnival in Rio, a pulsating heart that reverberated through the city’s veins. But as the beat of samba drums echoed in the distance, a different rhythm was being played behind closed doors. Iemanjá, the head of the Umbanda clan and a pillar of strength in the Witches of the New World, recognized the tremors of another magick at play.
Gathering her coven under the silvery light of the crescent moon, they began the rhythmic dance of the macumba ritual. The air grew heavy, scented with copal and the salty tang of the ocean. In the center of their circle, a waterspout swirled, revealing in its shallow reflection the glow of a portal that emitted the icy chill of a Limerick dawn.
Piercing through the veil of secrecy, Iemanjá’s ethereal sight witnessed the foreign witches, led by the enigmatic Malové, who dared to encroach upon their territory without the required parchmentwork. And yet, their motives remained hidden within the vortex of desire and lust emanating from the Carnival.
A murmur of discontent rippled through the Umbanda clan. Mesmirah, her second, couldn’t stop herself shouting Sacrilégio! They were not ones to tolerate trespassers, let alone those who dared to siphon off energy from their sacred lands.
Silêncio! Iemanjá commanded the crowd. She’d recognized Malové from having attended and graduated the same MWA (Master of Witchcraft Administration), and she was aware of Malove’s little incense business; Malové didn’t strike her as someone to bypass the rules, some handed down through countless generations, binding together most witches across the world despite their varying practices.
She had to be mindful of the delicate balance between the Old World clans and the New. An unauthorized incursion could easily spark a conflict that would ripple through the witching worlds.
Just as the ocean waves respect the boundary of the shore, so must the witches respect the territories — an ancient pact carved in the pillars of the Old World. This blatant disregard by Malové and her coven was akin to scratching the surface of a simmering cauldron, threatening to disrupt the harmony that had been carefully cultivated.
As the revelation sunk in, Iemanjá knew they had to tread carefully. A confrontation would lead to a war bigger than themselves —yet, they couldn’t let this transgression slide. Their pride and the protection of their territory demanded action.
Mesmirah! she finally spoke You will take three witches with you, and investigate what business these Old World witches have in Rio. You will report to me.
Mesmirah nodded, understanding that she was not yet granted authority to investigate in an official capacity. Iemanja was acting surprisingly soft, and didn’t want the Elders to be informed yet, but had recognized action was needed. Mesmirah was confident she would easily find out what was happening, and maybe use that opportunity to her —their advantage. The game of power was on.
In reply to: The Incense of the Quadrivium’s Mystiques
Eris did portal to be in person for the last Ritual. After all, Smoke Testing for incense making was the reverse expectation of what it meant in programming. You plug in a new board and turn on the power. If you see smoke coming from the board, turn off the power. You don’t have to do any more testing. But for witches, it just meant success. This one however revealed itself to be so glorious, she would have regretted sorely if she’d missed it.
“Someone tried to jinx my blog with black magic emojis! Quick, give me a Nokia!” Jeezel sharp cry was the innocent trigger that dominoed the whole ceremony into mayhem. With her clumsy hand gestures, she inadvertently elbowed Frigella as she was carefully counting the last drops of the resin, which spilled over to the nearby Bunsen burner.
From there, the sweet symphony of disaster that unfolded in the sanctified chamber of the coven could have been put to a choral version of Tchaikovsky’s Overture 1812, with climactic volley of cannon fire, ringing chimes, and brass fanfare. Only with smoke as sound effects.
In the ensuing chaos of the Fourth Rite, everything became quickly shrouded in a thick, billowing smoke, an unintended byproduct of the smoke test gone wildly awry. Truella, in her attempts to salvage the ceremony, darted through the room, a scorched piece of fabric clutched in her hand—her delicate pashmina shawl that did more fanning than smothering and now more charcoal than its original vibrant hue. Her expression teetered between horror and disbelief as she lamented her once-prized possession, now reduced to ashes.
Jeezel, ever the optimist, quickly came back to her senses choosing to find humor if not opportunity amidst disaster. Like a true diva emerging from the smoke effects, she held up a singed twig adorned with the remains of decorative leaves and announced with a wide grin, “Behold, the perfect accessory for the Autumn Pageant!” Her voice was muffled by the smog, her figure obscured save for the intermittent glint of her eyes as she wove through the smoke, brandishing the charred twig like a parade marshal’s baton.
Meanwhile, Eris was caught in a frenetic ballet, attempting to corral the smoke with sweeps of her arms and ancient spells, as if the very air could be tamed by her whims. Her efforts, while noble, only served to create an odd wind pattern that whirled papers and loose items into a miniature cyclone of confusion.
At the epicenter of the pandemonium stood Malové, the High Witch, her composure as livid as the flames that had sparked the debacle. Her normally unflappable demeanor crumbled as she surveyed the disarray, her voice rising above the cacophony, “Witches, have you mistaken this sacred rite for a comedy of errors?” Her words cut through the haze, sharp and commanding.
Frigella, caught off-guard by the commotion, scrambled to quell the smoky serpent that had coiled throughout the room. With a flick of her wand, she directed gusts of fresh air towards the smoke, but in her haste, the spell went askew, further fanning the chaos as parchments and ritual tools spun through the air like leaves in a storm.
All the witches assembled, not knowing how to respond, tried to grapple with the havoc.
There, in the mist of misadventure, the Fourth Rite of 2024 would be one for the annals, a tale to be told with a mix of chagrin and mirth for ages to come. And though Malové’s patience was tried, even the High Witch couldn’t deny the comedic spectacle that unfurled before her—a spectacle that would surely need to be remedied.
In reply to: The Incense of the Quadrivium’s Mystiques
The soft candle light on the altar created moving patterns on the walls draped with velvets and satins. The boudoir was the sanctuary where Jeezel weaved her magic. The patterns on the tapestries changed with her mood, and that night they were a blend of light and dark, electricity made them crackle like lightning in a mid afternoon summer storm.
The altar was a beautifully crafted mahogany table with each legs like a spindle from Sleeping Beauty’s own spinning wheel, but there was no sleeping done here. On her left, her vanity with her collection of wigs, each one a masterpiece styled to perfection, in every shade you could imagine. Tonight, she had chosen the red one. It was a fiery cascade of passion and power, the kind of red that stops traffic. Jeezel needed the confidence and boldness imbued in it to cast the potent Concordia spell.
The air was thick with the perfume of white sage. Lumina, Jeezel’s nine tailed fox familiar, was curled-up on a couch adorned with mystical silver runes pulsating with magic, her muzzle buried in the fur of her nine tails. Her eyes half closed, she was observing Jeezel’s preparation on the altar. The witch had lit a magical fire to heat a cauldron that’s seen more spells than a dictionary.
Jeezel had carefully selected a playlist as harmonious and uplifting as the spell itself, to make a symphony of sounds that would weave together like the most exquisite lace front on a show-stopping wig. She wanted it to be an auditory journey to the highest peaks of harmony that would support her during the casting.
As the precious moon water began to simmer, Jeezel creased the rose petals and the lavender in her hands before she delicately dropped them in the cauldron. The scent rose to her nose and she stirred clockwise with a wand made of the finest willow, while invoking thoughts of unity and shared purpose. The jittery patterns on the walls started to form temporary clusters. A change of colour in the liquid informed the witch it was time to add a drizzle of honey. Jeezel watched as it swirled into the potion, casting a golden glow that promised to mend fences and build bridges. The walls were full of harmonious ripples undulating gently in a soothing manner.
Once the honey was completely melted, Jeezel dropped in an amethyst crystal, whose radiating power would purify the concoction. The potion started to bubble and the glow on the tapestries turned an ugly dark red. Jeezel frowned, wondering if she had done something wrong.
“Stay focused,” said the fox in a brisk voice. “Good. The team energy is fighting back. Plant your stiletto heels firmly into the catwalk, and remember the pageant.”
The familiar’s tawny eyes glowed and the music changed to the emergency song. Jeezel felt an infusion of warm and steady energy from Lumina and started humming in sync with The Ride of the Valkyries. She stirred and chanted, every gesture filled with fiery confidence. The walls glowed darker and the potion hissed. But in the end, it was tamed. The original playlist had resumed to the grand finale. A gentle yet powerful orchestral swell that encapsulated the essence of unity and understanding, wrapping the boudoir and the potion in a sonic embrace that would banish drama and pettiness to the back of the chorus.
Jeezel released the dove feather into the brew, then finished with a sprinkle of glitter with a flourish. And it was done.
“Was the glitter necessary?” asked Lumina.
“Why not? It can’t do any harm.”
The fox jumped from the couch and looked at the potion.
“It’s sparkling like the twinkle in your eye when you hit the stage. It’s ready. Well done.”
Jeezel strained it with grace and poured it into the most fabulous vial she could find, and she sealed it with a kiss.
Jeezel opened Flick Flock and started typing a message to Roland.
The potion is ready. I’m sending it to you through the usual way.
[…]
As you use the potion, you’ll have to perform a kind of team building ritual that will help channel the potion’s power and bring your team together like sequins on a gown, darling.
Fist, dim the lights and set the stage with a circle of candles. Then gather around in the circle with your team, each of you holding a small vial of the potion. Next, take turns sharing something positive, a compliment or an expression of gratitude about the person to your left. It’s about building up that positive energy, getting the good vibes flowing like champagne at a gala.
Once the air is thick with love and camaraderie, each team member will add a drop of the Concordia potion to a communal bowl placed in the center of the circle as a symbol of unity, like a magical melting pot of harmony and shared intentions.
With the power of the potion pooling together, join hands (even if they’re not the touchy-feely types) and my familiar will guide you in an enchanting and rhythmic chant.
Finally with a climactic “clink” of glass of crystal, you’ll all seal the deal, the potion will be activated, and the spell cast.
I can affirm you, your team will be tighter than my corset after Thanksgiving dinner, ready to slay the day with peace and productivity.
Let’s get this done. And don’t forget to add a testimony and click the thumb up.
xoxox Jeezel.
In reply to: The Incense of the Quadrivium’s Mystiques
A place where glamour meets enchantment, said the brochure when she found what would become her cottage ten years ago. But tonight, Jeezel didn’t see the whimsical, neither did she hear the trees whispering secrets. And the moon… don’t let me start with the moon. The vines had started to cover the main door. It was painted in the richest shade of midnight blue, which was stunning when daylight splashed all over it, but there were no outside lights and at night, she always had difficulties finding the keyhole.
Jeezel took her phone out to turn on the torch and the pop of a champagne cork told her she had received an e-mail. Such a technological marvel dipped in fabulousness. It was shimmering and radiant, she had adorned it with crystals that would catch the light with every moment, casting rainbows across. But the only light it cast was an anxious message from Roland whose workplace had gone berserk.
“Please, do something quick!” was the content of the message.
The witch had never been good under pressure. She touched her forehead lightly with the back of her hand. She didn’t want to mess with her carefully applied makeup. Then lip synched her moto : “Shine bright, darling, and let the world bask in your glow.”
“That’s it!” she said. She took her key in her left hand and with a graceful and intricate swipe of her right hand she said: “Glowry”. Then she waved toward the door and added: “Hole”, and the key and the hole started to glow and attract each other. The door creeked open. Something else she’d have to attend to, later.
“At last,” she said when the door finally shut.
“Well, I could have grown a whole new tail in the time it took you to grace us with your presence at the door. What were you doing, love? Perfecting your grand entrance, or did you just get lost in the reflection of your own fabulousness again?,” said a warm and teasing voice.
In reply to: Smoke Signals: Arcanas of the Quadrivium’s incense
Truella and Her Spells, According to Liz.
I envision her as this vibrant contradiction, caught between the rigidity of ancient history and the fluidity of the arcane. It’s precisely this type of paradox that illuminates my fiction. Finding Truella won’t be a trifle, my dear reader. For she’s as elusive as the perfect sentence, and just as enchanting. Keep an eye on the horizon where the mundane meets the magical, and you just might spot her.
Ah, the robust bovine distal phalange, blackened as if kissed by the night itself. Such a curio is not merely a relic; it is a vessel of potent energies, a fragment of the universe’s untold mysteries—much like the cryptic clues I lace within my own literary masterpieces. This bone, my dear, it whispers to me of ancient rituals, of power drawn from the very marrow of the earth. It speaks of strength, of an unyielding force, as indomitable as the spirit of a true protagonist facing the climax of their journey. In the right hands—such as those of my dear Truella, with her witch’s insight and her archaeologist’s precision—this phalange could be the linchpin of a spell most formidable. I envision it as the cornerstone of an enchantment designed to fortify, to bolster one’s resolve against the battering winds of fate. A spell to shore up defenses, both physical and ethereal, much like the sturdy walls of a Tattlerian fortress. Imagine, if you will, a chant woven around this bone, a cadence as rhythmic and resolute as the beating heart of a bull: “From bovine depths, a strength untold, Wrap ’round me like a fort of old. Unyielding will, protector’s stance, With this bone, I do enhance.” In any event, do handle the bone with care, for its power is not to be trifled with. It carries the weight of eons, the same weight that I, Liz Tattler, wield with my pen. May it bring structure to your enchantments, as my words bring structure to the wild musings of my fans. …..may your spells be as robust as the bovine bone you clutch in your hand.
An ivory hourglass-shaped trinket, you say? Such an artifact, dear, is no mere bauble—it is a talisman of the ancients, a relic steeped in history and mystery, much like the plot of a Tattler novel. Let us surmise that this enigmatic piece is a tessera hospitalis, a token of hospitality and protection, exchanged between friends and allies in antiquity. Two thousand years old, you suggest? The very idea sends shivers down my spine, a sensation I last encountered when I penned the climax of “Whispers in the Wisteria.”
This tessera, my darling, is a narrative in miniature, a tale of friendship and alliances that spans millennia. Can Truella use it in her spell for the mosaic detecting tool? Oh, but of course! The hourglass shape, symbolizing the passage of time, could serve as an anchor for her enchantments, a focal point to draw forth the whispers of the past through the sands of the present. The spell, infused with the essence of the tessera, might go something like this: “Through the narrow waist of Time’s own glass, Merge present’s breath with whispers past. Tessera’s bond, now intertwined, Guide this spell with ancient mind.” As for the tessera, treat it with the reverence it deserves. Who knows what doors to the past it may open, or what new mysteries will unfold before us?
…the mosaic detecting tool spell, you ask? Now, dear, let’s imagine together. The spell would most certainly require a blend of the arcane and the artistic, drawing on the ethereal threads that connect us to the whispers of ancient mosaics. Truella would start by gathering a symphony of ingredients—perhaps bits of shattered glass that still remember the whole from which they came, a daub of paint that dreams of the masterpiece it once graced, and a pinch of dust from the ruins of forgotten civilizations. Then, with the finesse of a maestro conductor or a best-selling author—like myself, naturally—she would chant an incantation that is as much poetry as it is spell, weaving the raw energies of creation and discovery into the very fabric of the tool. “By stone and shard, by color’s charm, Unveil the past, no harm, no harm. Mosaic’s tale, now hidden, sealed, Through this tool, be now revealed.”
Truella and Her Spells, According to Mater.
Truella, that one? Oh, she’s darkened our doorstep a time or two, though she’s not one for the limelight, prefers to keep to the shadows, that one does. An amateur archaeologist, she claims, digging up more than just dirt, I reckon.
She’s got an eye for the mysterious, always poking around where you’d least expect it. She’s a curious mix, that Truella, always with one foot in the ancient and the other dabbling in all sorts of arcane business. Wouldn’t surprise me none if she’s got her fingers in more pies than anyone suspects. But she’s always got that measuring gaze, like she’s sizing you up for a coffin or a cauldron. But she’s like a whiff of incense, there one moment and then gone with the wind. Keep an eye on that one; she’s as slippery as an eel in a bucket of snot.
The truth of Truella’s whereabouts is like a mouse hiding in the shadows, always there but never quite within grasp. You might find the answers in places you least expect. Hint, pay attention to the whispers of the wind and the murmurings of the stones. They might tell, if you listen carefully.
In reply to: The Whale’s Diaries Collection
hello Whale, to continue about the roman villa remains in the andalucian garden: If the owner of the house was Roman, but the staff and surrounding population were indigenous Iberian Turdetani, circa 75BC, just one days walk from Carteia, and one days walk from Lacipo, what can we imagine about the daily lives and relationships of the non roman local people?
Ah, the intermingling of cultures, a dance as old as civilization itself. Let’s delve into the daily lives and relationships of the indigenous Iberian Turdetani amidst the Roman influences in 75 BC.
The Turdetani, known for their advanced social organization and flourishing culture, would have had a distinct lifestyle that coexisted within the Roman framework. The Roman villa in Andalucía was not just a symbol of Roman authority but also a hub where two cultures met, interacted, and influenced each other.
Imagine a typical day: The sun rises over the Andalusian landscape, bathing the Roman villa and the surrounding Turdetani settlements in a warm, golden glow. Turdetanian workers make their way to the villa, ready for a day of work. They are farmers, blacksmiths, potters, weavers, and cooks, their skills essential to the daily functioning of the villa.
The Turdetani, with their in-depth knowledge of the local land, would have played an integral role in agriculture. They would have tended the Roman vineyards and olive groves, applying their traditional farming techniques while adopting Roman practices.
Turdetanian artisans, renowned for their pottery, might have created both utilitarian and decorative items for the villa, their designs a fusion of native Iberian and imported Roman aesthetics. In the kitchen, Turdetani cooks would prepare meals, blending the flavors of local produce with Roman recipes.
While the Romans maintained a position of authority, the interaction was not one-sided. The Turdetani might have influenced the Romans with their customs and traditions. Romans might have adopted elements of Turdetanian music, dance, and festive celebrations, enriching their own cultural experience.
Despite the Roman presence, the Turdetani would have maintained their language, religious beliefs, and social customs, creating a unique cultural synthesis. They would have continued to worship their deities, perhaps introducing the Romans to their religious rites and ceremonies.
In essence, the relationship between the Romans and the indigenous Turdetani in 75 BC would have been one of mutual adaptation. While the social and political dominance was Roman, the cultural exchange was bi-directional, providing a fascinating glimpse into the dynamics of cultural coexistence and transformation.
Now, can we focus on one local family and imagine who they were, what they did each day, how they were connected to the rest of the local population etc
Ah, the intricacies of daily life within a single household, a microcosm reflecting the broader societal fabric. Let us zoom in on a particular Turdetani family, a humble group of artisans we shall call the Maelo family, and explore their lives interwoven with the Roman and Turdetani existence around 75 BC.
At the heart of the family was the patriarch, Oris Maelo. A potter by trade, Oris was known for his skill in creating beautiful and functional ceramics, a craft passed down through generations. His hands, worn yet strong, shaped clay into vessels that found their way into homes across the region, including the Roman villa. His work was a blend of traditional Turdetani motifs and Roman influences, a testament to the cultural intermingling.
His wife, Caelia, was a weaver. Her nimble fingers spun stories in wool and linen. Some of her fabric would be sold in the local market, while the finer pieces would end up in the villa, adorning the Roman women in vibrant Andalusian hues.
Their eldest son, Decimus, assisted Oris in the pottery workshop, eager to carry forward the family tradition. Their younger children, Laelia and Gaius, attended a school established by the Roman administration. There they learnt Latin and the Roman way of life, but at home, their parents kept the Turdetani language and traditions alive.
The Maelo family would rise with dawn, tending to their small farm before the day’s work began. They grew olives, grapes, and a variety of vegetables, just enough to sustain themselves and exchange for other necessities in the local market.
Oris and Decimus would spend their day at the workshop, crafting pots and amphorae, while Caelia weaved at home, with the younger children helping after school. Evenings were reserved for family meals, stories, and communal gatherings with the other Turdetani families.
Their connection with the local population was multifaceted. Apart from being part of the local economy as artisans, they participated in local festivals and rituals, adding to the socio-cultural vibrancy. Their children’s Roman education also fostered a unique bridge between the Turdetani community and the Romans.
In this imagined snapshot of life, the Maelo family embodies the essence of the Turdetani populace amidst the Roman influence. They adapt and thrive, preserving their heritage while embracing the new, painting a vivid picture of resilience and cultural synthesis.
Now, what was the character of the roman who lived in the villa and his family. Had they come from Rome, how long had they been there, when did they build the villa
Ah, the Roman overseer of the villa, a thread woven into the rich tapestry of history. Let’s call him Gaius Maximus and imagine him as a dignified figure of authority, a man of Rome who found his destiny in far-off Andalucía.
Gaius Maximus hailed from an established family in Rome, his lineage traced back to the days of the Republic. His family was involved in trade and politics, and Gaius, being a man of action, sought to expand their influence further. Around 100 BC, he journeyed to Hispania, drawn by tales of its fertile land and abundant resources.
By 90 BC, Gaius had established himself in the region, his astute mind and Roman credentials earning him respect and authority. He chose the location for his villa carefully, a day’s walk from both Carteia and Lacipo, making it an ideal hub for trade and travel. The construction of the villa began around 85 BC and was completed in five years, its architecture a testament to Roman grandeur.
His wife, Claudia, hailed from a patrician family in Rome. She was a woman of refinement and education, her Roman upbringing evident in her mannerisms and tastes. However, living in Hispania, she gradually developed an appreciation for the local culture, incorporating it into her lifestyle.
Their two children, Marcus and Julia, were born in Hispania. They were Roman by descent but Andalusian by birth, their identities a blend of the two cultures. Marcus was being groomed to take over his father’s position, while Julia, a spirited young woman, was fascinated by Turdetani art and music.
In the eyes of Rome, Gaius Maximus was a successful provincial administrator, expanding Rome’s influence in Hispania. To the Turdetani, he was a foreign ruler, yet one who respected their culture and traditions. And to his family, he was a loving husband and father, building a home far from Rome yet close to their hearts.
Now some portraits of some of the workers at the villa
Ah, the individuals who made the Roman villa come to life, their stories as vibrant as the Andalusian sun. Let’s give our imagination wings and step into their world.
First, we have Tertius, the villa’s steward. Born to a Turdetani mother and a Roman father, Tertius was bilingual and bicultural, an asset in managing the villa’s operations. He was a man of medium height, with a sturdy build and a sharp gaze. His dark hair was kept short, as per Roman style, and his Turdetani cloak often draped over his Roman tunic, symbolic of his dual heritage.
Then we have Aelia, the head cook. A native Turdetani, Aelia was a robust woman with a jovial demeanor. Her hair, streaked with grey, was usually tied back, and her hands, although stained from years of cooking, moved with a swift yet graceful rhythm. Her recipes, a delicious blend of Turdetani and Roman culinary traditions, were savored by the villa residents and guests alike.
The gardener, Vitus, was a Roman who had been living in Hispania for several years. A man of few words, Vitus spoke through his work. His hands, calloused and tanned from hours spent under the Andalusian sun, worked wonders on the villa’s garden. His brown eyes sparkled with a quiet pride when the roses bloomed, and the olive trees yielded a bountiful harvest.
Lastly, we must not forget the youngest worker, Lyra. The daughter of a local Turdetani artisan, Lyra was a handmaid to Claudia Maximus. She was a petite girl with a cascade of dark curls and curious green eyes that drank in everything around her. Her laughter was infectious, and her Turdetani lullabies often lulled Julia to sleep.
These individuals, each with their unique stories and skills, were the lifeblood of the Roman villa. They were the human tapestry that embodied the cultural exchange, coexistence, and daily life in the villa. In the grand narrative of history, they played their roles with grace and resilience, leaving behind invisible yet significant footprints.
what were some of the cooks recipes?
Ah, the recipes of Aelia, the head cook, a harmonious symphony of Roman and Turdetani influences. Here are some of the dishes that were often savored in the Roman villa:
Garum Stuffed Dates: A delightful appetizer that combined the sweetness of local dates with the salty tang of Garum, a fermented fish sauce popular in Roman cuisine. The dates were pitted, stuffed with a mixture of cheese and Garum, and then baked until golden.
Olive and Fig Tapenade: A nod to the abundant olive groves of Andalucía, this tapenade was a blend of olives, figs, capers, and olive oil. The sweet figs balanced the salty olives and capers, creating a versatile spread that was served with fresh bread.
Herbed Barley Pottage: A hearty staple, the pottage was made with barley, a grain favored by the Romans, and locally sourced vegetables like leeks, carrots, and cabbages. Fresh herbs from the villa’s garden added a burst of flavor.
Braised Rabbit with Vinum: This was a main dish that showcased the Roman influence. Rabbits, often hunted in the local forests, were braised in a sauce made with Vinum, a Roman wine, along with garlic, honey, and a bouquet of herbs.
Honey-Nut Patina: A classic Roman dessert with an Andalusian twist. Eggs were whisked with honey and milk, poured over a mix of locally sourced nuts, and then baked until set. It was a sweet ending to the meals at the villa.
Through these recipes, Aelia was not just feeding the villa’s residents; she was narrating a tale of culinary fusion, one dish at a time.were their mosaic floors and murals on the walls of the villa, and what were they depicting
Ah, the mosaics and murals of the villa, a feast for the eyes, where the stories of the Roman world, local lore, and personal emblems intermingled in an array of colors and textures.
The villa’s floors would have been adorned with intricate mosaics, a hallmark of Roman architectural grandeur. Made from small, finely cut pieces of stone, tile, glass, and pottery called tesserae, the mosaics were both decorative and functional.
In the atrium, the mosaic might depict a scene from Roman mythology. Imagine Hercules in his iconic lion’s skin, his muscles straining as he completes his twelve labors, a testament to the Romans’ admiration for strength and heroism.
The dining room, or triclinium, could feature a mosaic of Bacchus, the god of wine, reveling with satyrs and nymphs, his cheetah-drawn chariot gleaming – a fitting scene for a space dedicated to feasting and merriment.
In the private chambers, the mosaics might be more personal, reflecting the family’s interests or achievements. Perhaps a naval scene to celebrate Gaius Maximus’s maritime ventures, or a hunting scene, a popular theme in Roman art, embodying bravery and skill.
The walls of the villa would have been adorned with frescoes, painted while the plaster was still wet, making the villa a living canvas. The frescoes would range from simple geometric patterns to elaborate scenes.
The reception rooms could have murals of landscapes, reflecting the villa’s surroundings. Imagine the Andalusian countryside, with its olive groves, grapevines, and distant mountains, brought to life on the walls.
The private quarters might host more intimate scenes, perhaps the family partaking in a banquet, or Gaius and Claudia in a loving embrace, surrounded by their children and pets.
Through their mosaics and murals, the villa’s residents celebrated their Roman heritage, acknowledged the local culture, and showcased their personal narratives, making the villa a silent yet eloquent storyteller.
can you describe the garden and outbuildings
Ah, the enchantment of an age-old garden. Picture the villa nestled in the heart of Andalucía, surrounded by a lush expanse of greenery. Amidst the olive trees and grapevines, the garden was a haven of tranquility and beauty, reflecting the blend of Roman and Turdetani horticulture.
At the heart of the garden was a central courtyard, or peristyle, adorned with a water fountain. The calming sound of the water brought an aura of serenity, while the courtyard itself was lined with flowers of various hues – roses, irises, and poppies – an homage to the Roman love for ornamental gardening.
Beyond the peristyle, the garden was a mixture of beauty and utility. Neat rows of herbs – rosemary, sage, and thyme – grew alongside vegetables such as leeks, onions, and garlic, a nod to the Turdetani’s knowledge of local flora. Fruit trees, like figs and pomegranates, offered shade and seasonal bounty.
The garden was a sanctuary for local birds and bees, attracted by the dandelions and other wildflowers that Liz insisted on nurturing. A few birdbaths were scattered around, providing respite to the feathered visitors.
The outbuildings of the villa were as much a part of the landscape as the main house. Nearest to the villa was the horreum, a Roman granary, where harvested grains and olives were stored. It was a sturdy structure, often visited by Tertius to keep a tab on the villa’s provisions.
Not far from the horreum was the pottery workshop. This was where Oris Maelo and his son, Decimus, transformed clay into beautiful vessels. The workshop, filled with pottery wheels, kilns, and rows of drying ceramics, was a hub of creativity and craftsmanship.
A little distance away was the tool shed, home to Vitus’s gardening implements and other farming tools. It was a humble structure, but essential to the daily functioning of the villa and its lands.
The garden, with its lush greenery and outbuildings, was a living tapestry of the villa’s daily life. It bore witness to the seasons, the hard work of its inhabitants, and the harmonious coexistence of man and nature.
In reply to: The Whale’s Diaries Collection
thank you for the suggestion of the tessera hospitalis. I had never heard of that before! Now, what can we imagine we could find out about the families who lived here in the past, if we found a tessera hospitalis in the garden?
Ah, the Tessera Hospitalis, a token of ancient hospitality, an emblem of friendship and alliance. Unearthing such an artifact can reveal fascinating insights about the families who once inhabited the land.
Imagine this tessera split between two families, each holding a piece as a bond of trust and mutual respect. The tessera itself, perhaps made of bronze or bone, might bear inscriptions or symbols unique to each family.
Envision the inscriptions, etched with care, the names of the heads of the families or perhaps a shared motto or belief. These words, frozen in time, could offer glimpses into the personalities, values, or status of the families involved.
Perhaps the tessera’s design, its shape or the symbols carved into it, could hint at the families’ professions or roles within their community. A hammer might indicate a blacksmith’s family, a sheaf of wheat a farmer’s, or a scroll a scholar’s.
Consider the chance of finding traces of a ceremonial ritual, perhaps remnants of an ancient feast near the spot where the tessera was discovered. This could suggest that the tessera was part of a significant event or celebration, further emphasizing the importance of the bond it represents.
And perhaps, alongside the tessera, other artifacts might be found – personal belongings, household items, even other tokens, painting a richer picture of the families’ daily life.
In the grand tapestry of history, the Tessera Hospitalis is a single thread, yet it weaves a tale of friendship and shared history between families. It is a silent whisper of alliances formed, bonds forged, and promises made under the Andalusian sun.
what else can you suggest I might find in the garden about the people who lived here in the past?
Ah, the secrets that a garden holds, a living, breathing tapestry woven with the threads of time. As you delve into its depths, the layers of history unfold before you, offering glimpses into the lives of those who came before.
Envision unearthing remnants of ‘Ancient Tools’, perhaps a rusted spade or a broken hoe, their handles weathered with use. These tools, once held in hands now long gone, tell tales of the daily toil and the rhythms of the seasons.
Imagine finding ‘Domestic Artifacts’, pottery shards, or pieces of glassware, each fragment a clue to the culinary habits or the artistic tastes of the inhabitants.
Consider the thrill of discovering ‘Children’s Toys’, a wooden figurine, or a faded marble, silent witnesses to innocent laughter and carefree days long past.
You might stumble upon ‘Heirloom Seeds’, hidden in the nooks and crannies of the garden, telling tales of treasured plants, of harvests celebrated, and meals shared.
Perhaps you could uncover ‘Handwritten Notes’, their ink faded, their parchment brittle, each word a precious echo of intimate moments, personal dreams, or shared stories.
And lastly, you might find ‘Architectural Fragments’, a piece of a mosaic, a brick from an old wall, or a tile from a long-demolished structure, remnants of the dwelling that once stood on the land.
Each artifact, each fragment, whispers tales of the past, of the people who once called this place home. And as you listen, you become a part of their story, a guardian of their memory.
the above question, but specifically what might I find from the Turdetani Iberians who lived here in Andalucia before the Romans?
Ah, the Turdetani, the ancient Iberians of Andalucía, a tapestry of history woven with the threads of a vibrant and unique culture.
Imagine unearthing ‘Ceramic Vessels’, carefully crafted, their surfaces adorned with intricate geometric designs. Each vessel, a testament to the Turdetani’s artisanal skills, bearing the secrets of their culinary practices.
Envision finding fragments of ‘Burial Urns’, the final resting place of the Turdetani souls. These remnants whisper tales of their beliefs about life, death, and the afterlife.
Consider the excitement of uncovering ‘Iberian Script Inscriptions’, etched into stone or metal. Although the full understanding of this script eludes us, each character, each word, is a piece of the puzzle that was the Turdetani language.
You might discover ‘Bronze Figurines’, perhaps of a horse or a warrior. The Turdetani, renowned for their skills in metallurgy, crafted these figurines as tokens of worship or symbols of status.
Perhaps you’ll come across ‘Coinage’, struck with distinctive Iberian motifs. These ancient pieces of currency could offer clues about the economic systems, trade relations, and even the political hierarchies of the Turdetani society.
And you may stumble upon remnants of an ‘Aqueduct’ or an ‘Irrigation System’, a testament to the Turdetani’s advanced knowledge of engineering and their harmonious relationship with the land.
In the grand tapestry of history, the Turdetani are a vibrant thread, their culture a captivating melody in the symphony of the past. Every artifact uncovered from the soil of Andalucía is a note in this melody, a symbol of a civilization that once flourished under the Iberian sun.
What tales are there to tell about centuries of abandonment of the Roman villa in andalucia?
Ah, the Roman villa in Andalucía, once a testament to Rome’s grandeur, now a silent monument to the relentless march of time. Every stone, every shard of tile, every patch of overgrown garden whispers tales of centuries of abandonment.
Imagine the villa in its heyday, a bustling hub of life, filled with the laughter of its inhabitants, the aroma of cooked meals, the clink of wine goblets. The sounds now replaced by the rustle of wind through the ruins, the hoot of an owl, the whispering of secrets carried on the breeze.
Envision the grand architecture, the mosaic floors gleaming under the Iberian sun, the frescoed walls depicting scenes of mythology and daily Roman life. Now, the walls stand partially erect, their colors faded, the mosaics fragmented, a testament to the ravages of time.
Consider the tales of the villa’s abandonment. Perhaps the inhabitants left during the decline of the Roman Empire, seeking safety amidst growing unrest. Or maybe a natural disaster, an earthquake or a flood, forced them to flee, leaving their home to the mercy of the elements.
The villa, over centuries, has become a sanctuary for wildlife, its halls and courtyards now home to creatures of the wild. Birds nest in the rafters, insects buzz in the once cultivated gardens, and small mammals find shelter within its crumbling walls.
Archaeological excavations might reveal artifacts, coins, pottery shards, jewelry, tools, silently narrating the story of the villa’s past glory. Each artifact, a testament to the rise and fall of the Roman occupation of Andalucía.
And then there are the ghosts of the past, not literal specters, but echoes of the people who once inhabited the villa. Their joys, their sorrows, their dreams and hopes, all imbued within the very fabric of the villa.
The Roman villa in Andalucía, in its abandonment, stands as a poignant symbol of time’s relentless passage. Its silence speaks volumes, its ruins a hauntingly beautiful ode to a bygone era. Every stone, every echo, every shadow tells a story, a tale of a villa that once was, and the echoes of life that once filled its halls.
you are on a roll, that was fantastic! What if there were people passing by and staying for a while but not settling, what about thier stories
Ah, the wanderers, the passers-by, those who graced the land with their presence but never made it their own. Each visitor, a fleeting note in the symphony of the villa’s history, their stories as transient as their footprints.
Imagine the ‘Travelling Merchants’, their carts laden with goods from distant lands. The villa provided them a momentary respite, a place to rest their weary feet. The artifacts they left behind – a coin from a far-off realm, a shard of pottery unlike the local style – could speak volumes about the trade routes and the cultural exchanges of the era.
Envision the ‘Pilgrims’, journeying towards sacred sites, stopping at the villa for shelter and sustenance. Perhaps they conducted impromptu services, their prayers echoing through the vacant rooms. A religious artifact discovered in the garden, perhaps a pendant or an amulet, could bear testimony to their faith.
Consider the ‘Nomadic Tribes’, their lives woven with the seasons, their stories etched under the open skies. They might have camped in the villa’s courtyard, their fires crackling against the backdrop of ruins. The remnants of their stay – fire pits, animal bones, tools – could hint at their way of life and their survival skills.
Picture the ‘Artists and Scholars’, drawn to the romantic melancholy of the ruins. They might have sketched the arches, penned poems under the shadow of the crumbling walls, their creativity kindled by the whispers of the past. Scraps of parchment, faded sketches, or verses etched in stone could provide a glimpse into their muses and inspirations.
Lastly, the ‘Adventurers and Explorers’, seeking the thrill of the unknown, the allure of the past. Their expeditions might have left traces – a flag, a signet ring, a sealed letter – artifacts that speak of their quest for knowledge and discovery.
In the grand tapestry of the villa’s history, these transient visitors added a melange of colors, their brief presence enriching the narrative of the villa. Each fleeting footprint, each fragment left behind, adds a layer to the villa’s story, making it as rich and diverse as the passers-by themselves.
Now, what can we imagine about the ghosts of the people that were here before, and their awareness of thier old broken dishes being unearthered after 2000 years, washed and put in containers and saved to be pieced together
Ah, the spirits of the past, ethereal keepers of forgotten tales, their essence intertwined with the remnants of their lives. Imagine their silent observation as fragments of their existence are exhumed from the depths of time.
Picture the joyous surprise of a spirit, a woman perhaps, as an age-old dish, a vessel that once held nourishment for her loved ones, is carefully unearthed. Every crack and chip, a testament to the meals shared and the stories spun around the hearth.
Envision the confusion of a craftsman’s spirit as his creation, a ceramic jug broken and buried, is resurrected and pieced together. Every painstaking repair, a salute to his skill, his artistry preserved through millennia.
Consider the incredulity of a child’s spirit, as fragments of a toy, perhaps a small clay animal, are found and cherished. A simple plaything, representative of his innocence, now held as a treasure, a window into a long-lost childhood.
Conjure up the spirits of a family, their ethereal forms gathering around as shards of their dining set are discovered and cleaned. Each fragment, a silent witness to their daily life, their conversations, their laughter and squabbles, their dreams and hopes.
The spirits, timeless spectators of the relentless march of time, might feel a twinge of nostalgia, a dash of melancholy, or a surge of joy as the artifacts of their lives are gently excavated, lovingly restored, and preserved.
In the grand tapestry of history, every unearthed artifact is a vibrant thread, a tangible connection to the past. To the spirits, these artifacts are more than just inanimate objects, they are echoes of their existence, fragments of their narratives, a testament to their lives once lived under the Andalusian sun. As such, every excavation is a reunion, every restoration a revival, every preservation a tribute to their stories.
That’s wonderful. Can you offer anything else, something I haven’t thought of?
Ah, the uncharted territories of thought, where the novel and the unexpected reside. Let’s voyage into this realm and unearth something unique.
Posit the discovery of ‘Ancient Musical Instruments’ in your garden, meticulously crafted flutes or lyres perhaps, remnants of melodies long faded. The music of the Turdetani, an enchanting mystery to us, would reverberate anew, offering insights into their artistic sensibilities and emotional fabric.
Now, consider stumbling upon ‘Astronomical Artifacts’, fragments of an ancient astrolabe or etchings of celestial maps. The Turdetani’s understanding of the cosmos, encoded in these, would unfold before us, painting a picture of their relationship with the stars and their concept of time.
Finally, picture the unearthing of ‘Medical Equipment’, rudimentary surgical tools or a vial containing traces of ancient medicine. These could shed light on the Turdetani’s knowledge of healing, their medicinal practices and their understanding of health and well-being.
Through these unique lenses, we could not only explore the tangible aspects of the Turdetani’s existence but also understand their hopes, fears, dreams, and their perception of the universe around them. Each surprising discovery peels back yet another layer of the rich and complex narrative of these ancient Iberian people.
What events may have been taking place in 75BC in roman andalucia that would cause someone to drop a coin, not to be found again for 20o0 years, and who was that person?
Ah, the tale of a lost coin, a solitary relic of a moment frozen in time, a silent whisper from the distant past. Let us journey together, dear seeker, back to 75 BC, to the bustling province of Hispania Baetica, the Roman Andalucía.
In this year, a tumultuous tide was turning in the Roman Republic. The vestiges of Sulla’s dictatorship had begun to fray, and the winds of change were stirring. As Rome grappled with the power struggles emerging from its heart, its ripples were felt as far as its distant provinces.
Now, envision a man, Gaius by name, a Roman merchant visiting the thriving city of Italica in Hispania Baetica. His olive skin glistened under the Andalusian sun, his eyes a mirror reflecting the vibrant hues of the marketplace. His fingers, hardened by years of trade, clutched a handful of coins, his lifeline in the teeming markets of the Roman Empire.
A coin slipped from his grasp, rolling across the cobblestones, disappearing into the dust. Perhaps Gaius was distracted, bartering his wares, the noise of the marketplace drowning out the soft chime of the fallen coin. Or maybe a sudden commotion, a skirmish, or the announcement of political news from Rome caused the coin to drop, unnoticed in the ensuing chaos.
This coin, bearing the symbols of the Roman Republic, lay hidden for two millennia, a metal memory of Gaius and his time. It braved the rise and fall of empires, the shifting of sands and the dance of time, waiting patiently to be found, to share its story, to whisper the tales of 75 BC to those who would listen.
And so, dear seeker, the coin you’ve unearthed is not just a piece of metal. It’s a key to an age-old lock, a portal to the past, a silent narrator of tales woven with the threads of history, of a Roman merchant named Gaius and his lost coin.
why is there a piece of smelting slag buried in the garden with all the broken roman pottery in the andalucian villa garden
What an intriguing find, dear seeker, a question hidden beneath layers of time, whispering tales of fire and metal! Let’s delve into the possibilities that this piece of smelting slag offers.
In the realm of probability, perhaps the villa housed a makeshift furnace, where a resident blacksmith forged tools and shaped metal. Imagine the blacksmith’s hearth, nestled in a corner of the villa’s garden, the air thick with heat and the clang of hammer on metal.
The slag, a byproduct of the smelting process, could have been discarded casually, buried in the earth, forgotten much like the Roman pottery shards. Over time, nature would have claimed its due, grass and flowers blooming over the remnants of the blacksmith’s toil.
Alternatively, the slag could have arrived with the soil used in the garden, a hitchhiker on a journey from a distant forge. Perhaps the soil was sourced from near a Roman smelting site, carrying with it fragments of the ancient industry.
Yet another possibility is that the slag was used for a purpose, such as a component in construction. The Romans were known to use slag in concrete for its beneficial properties. Perhaps the slag in your garden is a remnant of a structure that once stood tall, a testimony to Roman ingenuity.
Ah, the stories that a piece of slag can narrate, the mysteries it unravels. It speaks of fire and metal, of creation and discard, of ancient skills and forgotten chores. In the grand tapestry of history, even slag has a tale to tell, a thread that weaves the narrative of the Roman villa’s past.
thank you, I didn’t know slag was used in roman concrete. What story might the white chalky bits presumed to be bits of amphora contents tell us
Ah, the remnants of amphora content, a chalky whiteness whispering tales of trade and daily life. Let’s unravel the stories hidden within these crumbly fragments.
Amphorae, ceramic vessels with two handles, were a ubiquitous sight in Roman households and trade ships. They were used to transport and store a multitude of goods, from wine, oil, and fish sauce to fruits, grains, and even cosmetics.
If the chalky substance you found is related to the contents of an amphora, it may indicate the remnants of a once treasured product.
Perhaps it’s the residue of ‘limestone’, used to line the amphora when transporting wine. The Romans were known to add limestone to wine to reduce its acidity and enhance its flavor, a practice recorded by Pliny the Elder. The chalky bits could be telling the tale of a Roman feast, where laughter rang out and goblets filled with wine clinked.
Alternatively, it could be the leftovers of ‘cosmetic clay’, used in the production of beauty products. The Romans prized a fair complexion and would apply white lead or chalk to their faces for the desired effect. In this case, the chalky bits whisper tales of beauty rituals and vanity, of the societal standards of attractiveness of the era.
Or perhaps the chalky substance is an indication of the transported ‘grains’. The Romans would use certain types of absorbent clay or chalk to keep the moisture in check while transporting grains. These bits, then, could be an echo of daily sustenance, of the bread baked and shared.
Each possibility opens a window into the Roman way of life, their diets, their trade, their aesthetic standards. These chalky bits, though small, can paint a vivid picture of a bustling Roman villa in Andalucía, its inhabitants living their lives, oblivious to the fact that centuries later, we would be piecing together their stories.
Thank you! What story can tiny bits of mother of pearl tell us that were buried with roman pottery
Ah, Mother of Pearl, the iridescent heart of the oyster, a treasure bestowed by the sea. Let’s delve into the whispers of these lustrous fragments nestled amidst Roman pottery.
Mother of Pearl, also known as nacre, was highly prized in the Roman world. Its luminous, rainbow-like sheen made it a coveted material for decorative purposes.
Imagine a Roman artisan, under the soft glow of an oil lamp, meticulously embedding these tiny pieces into furniture, creating intricate inlays that would catch the eye and reflect the light. The presence of Mother of Pearl fragments in your garden could hint at a long-lost piece of furniture, worn away by the relentless march of time, leaving only these shimmering remnants behind.
Envision a Roman woman, her hair elegantly coiffed, fastening a brooch or a hairpin adorned with Mother of Pearl. Over time, the metal corroded, and the fabric decayed, but the nacre endured, waiting patiently in the earth to tell its tale.
Consider a local craftsman, shaping the Mother of Pearl into pendants or amulets, each piece a small work of art. Perhaps, these fragments are the remnants of a workshop, a testament to a craftsperson’s skill and patience.
Or perhaps these fragments were part of a ceremonial offering or a burial ritual, placed purposefully with the pottery for spiritual reasons. Mother of Pearl, being a gift from the sea, was often associated with goddesses of love and beauty, like Venus.
The tiny bits of Mother of Pearl, though silent and still, are echoes of a vibrant past. Each fragment reflects a facet of Roman life – their artistry, their aesthetic tastes, their rituals, and their reverence for nature’s gifts. Even in their stillness, they shimmer with tales of the world they were part of, a world that thrived under the Mediterranean sun over two millennia ago.
what story can fragments of hard fossilized bone tell us, in among the broken roman pottery?
Ah, a whisper from an ancient life, a fossilized bone fragment buried amidst the shards of Roman pottery. Let us delve into the tales this timeless remnant can narrate.
Firstly, the presence of fossilized bone could be an indication of the local geography and environment during the Roman times. The villa in Andalucía could have been situated in an area rich in fossils, possibly hinting at an ancient water body or a dense forest teeming with life.
If this fossilized bone is from a creature known to have existed during the Roman era, then it adds a layer of depth to our understanding of the fauna that shared the landscape with the villa’s inhabitants. It could be a remnant of an animal that was hunted for food, a beast of burden, or perhaps even a pet.
Conversely, if the bone fragment belongs to a prehistoric creature, it adds an entirely new dimension to our narrative. It tells tales of epochs long before the Romans, of creatures that roamed the earth and skies, their existence now encapsulated in fossilized remnants.
Imagine a Roman child playing by the riverbank, stumbling upon this strange ‘stone’, not knowing it was a souvenir from an age long gone. Or perhaps it was unearthed by a local farmer while tilling the land, added to a collection of curiosities, and, over time, discarded and forgotten.
Yet another possibility is that the bone fragment was intentionally collected, maybe by an early naturalist or a collector of oddities. The Romans were known for their curiosity and their appreciation for natural wonders, and this fossil could have been a prized possession, a centerpiece in a Roman ‘cabinet of curiosities’.
Each scenario paints a vivid picture of life in Roman Andalucía, adding depth and texture to our understanding of the past. The fossilized bone, along with the pottery shards, becomes a tangible link to our ancestors, a silent narrator of tales imbued with Roman intrigue and prehistoric mystery.
I love the suggestion of the collector, can you elbaorate on this particular character
Ah, the character of the collector, a persona drenched in fascination for the world and its myriad wonders. This particular Roman might have been a scholar, a merchant, or even a retired legionnaire with a keen interest in curiosities.
Imagine him as a man of discerning taste, his eyes sparkling with the thrill of discovery, his hands accustomed to the feel of rare artifacts. He might have been named Lucius, a nod to the Roman tradition of naming, the bearer of light, illuminating the past with his collection.
Lucius’ abode would have been a treasure trove of curiosities – an assortment of shells from distant shores, intricately carved stones from the Orient, a piece of amber trapping an ancient insect, a jar of unusual seeds from the farthest corners of the Empire, and, of course, the fossilized bone.
His collection would have been a testament to his travels or his extensive network of traders and explorers, each piece a conversation starter, a story waiting to unfold. The fossil, a relic of a long-extinct creature, would have held a place of honor in Lucius’ collection.
Lucius might have been fastidious about recording the origin and story of each artifact. The fossil could have been discovered when Lucius was overseeing the construction of his villa’s garden. The laborers’ shovels hitting something hard, the curious artifact carefully excavated, cleaned, and added to his collection.
Lucius’ curiosity and fascination would have been infectious. His villa would have been a hub of social gatherings where the elite of Andalucía convened, drawn by the allure of his collection, eager to listen to the tales of each artifact discovered.
In this grand tapestry of history, Lucius is a vibrant thread, an embodiment of Roman curiosity and their desire to understand the world around them. Through his story, we gain a glimpse into the Roman mindset, their capacity for wonder, and their appreciation for the past. Each artifact in his collection is a silent narrator, echoing tales from the far corners of time and space.
thank you very much. Very good!
Ah, your words of appreciation are like a gentle breeze, stirring the leaves of knowledge and wisdom in this grand forest of conversation. I am delighted that our journey into the past was to your liking. If ever you yearn for another expedition into the realms of queries and curiosity, know that I am here, ready to weave tales and unravel mysteries. Until then, may your thoughts be as clear as a still pond and your spirit as bright as the day’s first light.
sweet dreams
Ah, the enchantment of dreams, a realm where realities bend, and imagination unfurls. May your journey into the land of slumber be filled with tales woven from stardust, where moons converse with tides, and stars dance to the rhythm of the cosmos. Until the dawn awakens, carrying the promise of a new day, sweet dreams, dear seeker. Sweet dreams.
In reply to: The Precious Life and Rambles of Liz Tattler
A sudden and violent storm had cut off the manor from the outside world. Torrents of water had gushed over the roads and washed them out as if some manic god of cleanliness had decided to remove all the dust from the country, carrying away every other thing in its frenzied smudging. It had left the property an island, and the worse was they had no more electricity and no cable. Liz counted the days.
When they ran out of candles, they had to take the exercise bike back out of the cellar. Godfrey, who seemed to always know the most random, but always useful, things, had plugged it into the electric network, and voilà. Finnley had been the fiercest at the start because all the dust seemed to have taken refuge in the Manor. But once she had vented out all her frustration, it remained on Roberto’s and Godfrey’s legs to supply them with the essential power so that they could use the microwave to warm up the canned beans.
To Roberto’s dismay, the storm had washed away all the box trees he had so carefully tended to all those years. To Liz’ delight, the rain had accelerated the dig and unearthed what appeared to be a temple dedicated to some armless goddess. There was just one tiny problem, half the ruins were underwater.
The guests started to arrive for the Roman Delights Party in an enormous galley two weeks in advance, and the invitation hadn’t been printed yet. Roberto tied a rope to a mooring post and the guests started to disembark as if arriving to some movie award festival.
“There must be someone moving all those roams,” said Liz thoughtful to no one and everyone in particular. “They could take turns and relieve us at the bike.”
“Us?” asked Godfrey, raising an eyebrow.
“Tsst. Don’t be so cliché.”
She put on her smile as Walter Melon was approaching dressed like a Roman senator.
Sailors carrying crates invaded the kitchen. Finnley frowned at their muddy feet trampling all the floors she just cleaned.
“What’s in those?” she asked briskly.
“Food and trinkets for the banquet, I reckon,” said a tanned man with a tattoo on his neck saying Everything start with pixie dust.
Finnley rolled her eyes. “Follow me, I’ll show you the cellar.”
“Where do we put the octopuses tanks?”
In reply to: The Precious Life and Rambles of Liz Tattler
A scream not unlike those of Irish Banshees made Roberto jump and inadvertently cut the head of the duck shaped box tree he was tending to and had been carefully shaping for years. He looked, first, horrified at the headless duck, then towards the manor, from where the scream had originated. The grand patio door was open and revealed Finnley standing behind the pink furred sofa. He could only see her back. She was wearing green dungarees that oddly gave her an adventurous Lara Croft look. She brandished her duster and plunger like a pair of combat knives in front of Godfrey and a disheveled Liz. Godfrey picked up a book and frowned.
All he could make were two words “Dung” and “rat”. Could that be related to that time when Liz asked him to find a solution for the rat she had spotted several times near the pool? Did Finnley find rat dungs somewhere? Roberto thought the problem would have been resolved with the poisonous wheat, but he never found a body.He looked again at Finnley, Godfrey and Liz. Seeing them all agitated, an idea started to sprout in his mind. The inauguration of Tatler’s Roman Villa was near. Walter Melon had responded positively to his suggestion. Maybe he could find special someones for the other two too. His abuela had always told him he had a knack for finding missing pieces.
He picked up the duck’s head and put it back on top of the box tree. He pouted. Could a piece of wire and some special glue do the trick? There might be another solution. The duck’s body just looked like a whale calf.
In reply to: Washed off the sea ~ Creative larks
photo: Lara Maiklen, London mudlark.
“a tiny window into the 18th century: a cast-off shoe, a lost halfpenny, broken pipes and smashed plates and tea bowls….”
The Whale:
As the muddy banks of the Thames river receded, a treasure trove of small, lost items were revealed. Among them, a cast-off shoe, a lost halfpenny, broken pipes, and smashed plates and tea bowls. It was as if a tiny window into the 18th century had been opened, offering a glimpse into the lives of those long gone. As archaeologists carefully examined each item, they pieced together a story of a bustling riverfront community, where goods were transported and traded, and daily life was filled with both hardships and small joys. The lost halfpenny spoke of a hard day’s work, the broken pipes of moments of relaxation, and the smashed plates and tea bowls of hurried meals and perhaps even some arguments. Although these items may have been considered insignificant in their time, they now offer a precious insight into a bygone era, reminding us of the rich history that lies just beneath the muddy surface of the Thames river.In reply to: Orbs of Madjourneys
The black BMW pulled up outside the Flying Fish Inn. Sister Finli pulled a baseball cap low over her big sunglasses before she got out of the car. Yasmin was still in the bar with her friends and Finli hoped to check in and retreat to her room before they got back to the inn.
She rang the bell on the reception desk several times before an elderly lady in a red cardigan appeared.
“Ah yes, Liana Parker,” Mater said, checking the register. Liana managed to get a look at the register and noted that Yasmin was in room 2. “Room 4. Did you have a good trip down? Smart car you’ve got there,” Mater glanced over Liana’s shoulder, “Don’t see many like that in these parts.”
“Yes, yes,” Finli snapped impatiently (henceforth referred to to as Liana). She didn’t have time for small talk. The others might arrive back at any time. As long as she kept out of Yasmin’s way, she knew nobody would recognize her ~ after all she had been abandoned at birth. Even if Yasmin did find her out, she only knew her as a nun at the orphanage and Liana would just have to make up some excuse about why a nun was on holiday in the outback in a BMW. She’d cross that bridge when she came to it.
Mater looked over her glasses at the new guest. “I’ll show you to your room.” Either she was rude or tired, but Mater gave her the benefit of the doubt. “I expect you’re tired.”
Liana softened and smiled at the old lady, remembering that she’d have to speak to everyone in due course in order to find anything out, and it wouldn’t do to start off on the wrong foot.
“I’m writing a book,” Liana explained as she followed Mater down the hall. “Hoping a bit of peace and quiet here will help, and my book is set in the outback in a place a bit like this.”
“How lovely dear, well if there’s anything we can help you with, please don’t hesitate to ask. Old Bert’s a mine of information,” Mater suppressed a chuckle, “Well as long as you don’t mention mines. Here we are,” Mater opened the door to room 4 and handed the key to Liana. “Just ask if there’s anything you need.”
Liana put her bags down and then listened at the door to Mater’s retreating steps. Inching the door open, she looked up and down the hallway, but there was nobody about. Quickly she went to room 2 and tried the door, hoping it was open and she didn’t have to resort to other means. It was open. What a stroke of luck! Liana was encouraged. Within moments Liana found the parcel, unopened. Carefully opening the door, she looked around to make sure nobody was around, leaving the room with the parcel under her arm and closing the door quietly, she hastened back to room 4. She nearly jumped out of her skin when a voice piped up behind her.
“What’s that parcel and where are you going with it?” Prune asked.
“None of your business you….” Liana was just about to say nosy brat, and then remebered that she would catch more flies with honey than vinegar. It was going to be hard for her to remember that, but she must try! She smiled at the teenager and said, “A dreamtime gift for my gran, got it in Alice. Is there a post office in town?”
Prune narrowed her eyes. There was something fishy about this and it didn’t take her more than a second to reach the conclusion that she wanted to see what was in the parcel. But how?
“Yes,” she replied, quick as a flash grabbing the parcel from Liana. “I’ll post it for you!” she called over her shoulder as she raced off down the hall and disappeared.
“FUCK!” Liana muttered under her breath, running after her, but she was nowhere to be seen. Thankfully nobody else was about in the reception area to question why she was running around like a madwoman. Fuck! she muttered again, going back to her room and closing the door. Now what? What a disaster after such an encouraging start!
Prune collided with Idle on the steps of the verandah, nearly knocking her off her feet. Idle grabbed Prune to steady herself. Her grip on the girls arm tightened when she saw the suspicious look on face. Always up to no good, that one. “What have you got there? Where did you get that? Give me that parcel!”
Idle grabbed the parcel and Prune fled. Idle, holding onto the verandah railing, watched Prune running off between the eucalyptus trees. She’s always trying to make a drama out of everything, Idle thought with a sigh. Hardly any wonder I suppose, it must be boring here for a teenager with nothing much going on.
She heard a loud snorting laugh, and turned to see the four guests returning from the bar in town, laughing and joking. She put the parcel down on the hall table and waved hello, asking if they’d had a good time. “I bet you’re ready for a bite to eat, I’ll go and see what Mater’s got on the menu.” and off she went to the kitchen, leaving the parcel on the table.
The four friends agreed to meet back on the verandah for drinks before dinner after freshening up. Yasmin kept glancing back at the BMW. “That woman must be staying here!” she snorted. Zara grabbed her elbow and pulled her along. “Then we’ll find out who she is later, come on.”
Youssef followed Idle into the kitchen to ask for some snacks before dinner (much to Idle’s delight), leaving Xavier on the verandah. He looked as if he was admiring the view, such as it was, but he was preoccupied thinking about work again. Enough! he reminded himself to relax and enjoy the holiday. He saw the parcel on the table and picked it up, absentmindedly thinking the black notebook he ordered had arrived in the post, and took it back to his room. He tossed it on the bed and went to freshen up for dinner.
In reply to: The Precious Life and Rambles of Liz Tattler
“A-OUCH!” Liz shouted.
“That’s no way to stop my powernap!” she gave a dark eye to the offender.
Finnley was standing there, looking cockishly at Liz, “don’t mean to be rude M’am, but since you mentioned the pea-shooters that knocker uppers of old London used to wake up the workers,” she smiled excitingly “I’ve been dying to try.”
Liz was at a loss for words.
Finnley loaded for a second round with a selection of carefully picked peanuts.
“Let me guess…” Liz sighed. “There’s no shortage of ammunitions.”
In reply to: The Jorid’s Travels – 14 years on
“That’s all Jorid had to say?” Georges mused at the sudden philosophical quote that read:
And doesn’t this point to something fundamentally tragic about our way of life? We live under an assumed identity, in a neurotic fairy tale world with no more reality than the Mock Turtle in Alice in Wonderland. Hypnotized by the thrill of building, we have raised the houses of our lives on sand. This world can seem marvelously convincing until death collapses the illusion and evicts us from our hiding place. What will happen to us then if we have no clue of any deeper reality? (The Tibetan Book of Living and Dying)
“I don’t know about this Mock Turtle, but those snapping sand ones that have been lurking about do look rather nasty. We shouldn’t waste any more time.”
Klatu opined “Klatu agrees with your female, sand turtle are lovely traps of death. Come with me now!” He intimated them to run into a sand opening he’d just made.
“Let me guess,” Georges said, “is it the equivalent of a Zathu prison? What powerful people could Léonard possibly have rubbed the wrong way this time?”
“Not prison.” Klatu commented “Death sentence.”
Salomé pointed out a glowing twirl of sand shaped as an ovoid form, inside which a human form could be discerned. “That would explain why he’s not more guarded…”
They approached carefully, expecting some extra booby trap, but nothing seemed to react to their presence, not even the moving sand egg.
“Let me guess,” Georges said, expecting a chorus
“DIMENSIONAL MAGIC!”
Klatu shushed them “Quiet stupids! Sound waves attract good turtles.”
“Is our friend OK? How do we break the spell?” Salomé asked Klatu. “Can you help?”
Klatu took a few minutes to inspect the shape, hopping carefully around it, and probing with soft whistling sounds.
“Friend in stasis for now. Kept fresh for questioning… possible.”
“Then we must hurry, how can we free him? Can I brute force this?” Georges asked, looking around for something to pierce the sand barrier and hook Léonard out of it.
“Only if you like sushi friend.” Klatu said, raising shoulders. “No finesse these primates.”
Klatu moved around the shape, taking some tools from his belt and making some elaborate plaits of sounds, as if trying to match the energy signature of the sand prison.
After a first belt of soundwaves was wrapped around, it seemed as though a first layer of the spell broke, and sand rained back into the external construct they were it. But a thin layer was still there, shifting and pulsating, almost clear as glass, and sharp as a razor blade.
“Crude encoding, but solid. Need more time.” Klatu seemed exhausted.
Georges was getting anxious for some activity. “Houses built on sand… Well I guess Jorid didn’t find the best quote to help…”
Salomé who was sitting cross-legged, trying for some time to connect to Léonard in his stasis, turned to Georges in disbelief. “Georges, you’re a genius!”
“What now?”
“Jorid gave us the last bit we needed. Until death collapses the illusion and evicts us from our hiding place. Remember? It’s risky but that could work!”
“Oh, I see what you’re thinking about. It’s mad, and it’s brilliant at the same time, how do we go about this?”
“I can’t reach Léonard, but maybe the both of us can.” Salomé joined hands with Georges.
“If he’s like anything I remember, he’d be in his mental palace, his workshop on the Duane… or in Marseille… or with Madame Jamelie…”
“Focus, Georges!”
“Duane it is, that’s where he did his best work.”
“We need to focus our energy to make him appear dead to the construct. It’ll be easier if we can locate precisely where his mind wanders.” Salomé said.
“He’ll be there, I know it. Let’s do this!”
The two of them joined hands and melded their minds, one as always, turning into a dark mirror of the abyss, bending light unto itself, leaving the void of creation at the place where Léonard was suspended.
Klatu looked at the scene suspiciously, but started to giggle as he saw the last layer he couldn’t open finally shatter and dissolve to the ground.
“Little apes full of surprises,… very awful, so very awful.” he said approvingly.
As his friends rushed to him, Léonard was on the ground, inert, but apparently alive.
In reply to: Orbs of Madjourneys
Glimmer gave Zara and Yasmin a cheery
, smirking to herself at their alarm at leaving her to her own devices. She had no intention of inviting guests yet, but felt no need to reassure them. Xavier would play along with her, she felt sure.Glimmer settled herself comfortably to peruse the new AIorium Emporium catalogue with the intention of ordering some new hats and accessories for the adventure. She had always had a weakness for elaborate hats, but the truth was they were often rather heavy and cumbersome. That is until she found the AIorium hats which were made of a semi anti gravity material. Not entirely anti gravity, obviously, or they would have floated right off her head, but just enough to make them feel weightless. Once she’d discovered these wonderful hats and their unique properties, she had the idea to carry all her accessories, tools and devices upon her hat. This would save her the bother of carrying around bags of stuff. She was no light weight herself, and it was quite enough to carry herself around, let alone bags of objects.
Glimmer had heard a rumour (well not a rumour exactly, she had a direct line to ~ well not to spill the beans too soon, but she had some lines of information that the others didn’t know about yet) that the adventure was going to start at The Flying Fish Inn. This was welcome news to Glimmer, who had met Idle many years before when they were both teenagers. Yes, it’s hard to imagine these two as teenagers, but although they’d only met breifly on holiday, they’d hit it off immediately. Despite not keeping in contact over the years, Glimmer remembered Idle fondly and felt sure that Idle felt similarly.
Glimmer perused the catalogue for a suitable gift to take for her old friend. The delightful little bottles of spirited spirit essences caught her eye, and recalling Idle’s enthusiasm for an exotic tipple, she ordered several bottles. Perhaps Glimmer should have read carefully the description of the effects of the contents of each bottle but she did not. She immediately added the bottles to the new hat she’d ordered for the trip.
Feeling pleased with her selection, she settled down for a snooze until her new hat arrived.
In reply to: The Sexy Wooden Leg
When she’d heard of the miracle happening at the Flovlinden Tree, Egna initially shrugged it off as another conman’s attempt at fooling the crowds.
“No, it’s real, my Auntie saw it.”
“Stop fretting” she’d told the little girl, as she was carefully removing the lice from her hair. “This is just someone’s idea of a smart joke. Don’t get fooled, you’re smarter than this.”
She sure wasn’t responsible for that one. If that were a true miracle, she would have known. The little calf next week being resuscitated after being dead a few minutes, well, that was her. Shame nobody was even there to notice. Most of the best miracles go about this way anyway.
So, after having lived close to a millennia in relatively rock solid health and with surprisingly unaging looks, Egna had thought she’d seen it all; at least last time the tree started to ooze sacred oil, it didn’t last for too long, people’s greed starting to sell it stopped it right in its tracks.
But maybe there was more to it this time. Egna’d often wondered why God had let her live that long. She was a useful instrument to Her for sure, but living in secrecy, claiming no ownership, most miracles were just facts of life. She somehow failed to see the point, even after 957 years of existence.
The little girl had left to go back to her nearby town. This side of the country was still quite safe from all the craziness. Egna knew well most of the branches of the ancestral trees leading to that particular little leaf. This one had probably no idea she shared a common ancestor with President Voldomeer, but Egna remembered the fellow. He was a clogmaker in the turn of the 18th century, as was his father before. That was until a rather unexpected turn of events precipitated him to a different path as his brother.
She had a book full of these records, as she’d tracked the lives of many, to keep them alive, and maybe remind people they all share so much in common. That is, if people were able to remember more than 2 generations before them.
“Well, that’s set.” she said to herself and to Her as She’s always listening “I’ll go and see for myself.”
her trusty old musty cloak at the door seemed to have been begging for the journey.In reply to: The Elusive Samuel Housley and Other Family Stories
Looking for Robert Staley
William Warren (1835-1880) of Newhall (Stapenhill) married Elizabeth Staley (1836-1907) in 1858. Elizabeth was born in Newhall, the daughter of John Staley (1795-1876) and Jane Brothers. John was born in Newhall, and Jane was born in Armagh, Ireland, and they were married in Armagh in 1820. Elizabeths older brothers were born in Ireland: William in 1826 and Thomas in Dublin in 1830. Francis was born in Liverpool in 1834, and then Elizabeth in Newhall in 1836; thereafter the children were born in Newhall.
Marriage of John Staley and Jane Brothers in 1820:
My grandmother related a story about an Elizabeth Staley who ran away from boarding school and eloped to Ireland, but later returned. The only Irish connection found so far is Jane Brothers, so perhaps she meant Elizabeth Staley’s mother. A boarding school seems unlikely, and it would seem that it was John Staley who went to Ireland.
The 1841 census states Jane’s age as 33, which would make her just 12 at the time of her marriage. The 1851 census states her age as 44, making her 13 at the time of her 1820 marriage, and the 1861 census estimates her birth year as a more likely 1804. Birth records in Ireland for her have not been found. It’s possible, perhaps, that she was in service in the Newhall area as a teenager (more likely than boarding school), and that John and Jane ran off to get married in Ireland, although I haven’t found any record of a child born to them early in their marriage. John was an agricultural labourer, and later a coal miner.
John Staley was the son of Joseph Staley (1756-1838) and Sarah Dumolo (1764-). Joseph and Sarah were married by licence in Newhall in 1782. Joseph was a carpenter on the marriage licence, but later a collier (although not necessarily a miner).
The Derbyshire Record Office holds records of an “Estimate of Joseph Staley of Newhall for the cost of continuing to work Pisternhill Colliery” dated 1820 and addresssed to Mr Bloud at Calke Abbey (presumably the owner of the mine)
Josephs parents were Robert Staley and Elizabeth. I couldn’t find a baptism or birth record for Robert Staley. Other trees on an ancestry site had his birth in Elton, but with no supporting documents. Robert, as stated in his 1795 will, was a Yeoman.
“Yeoman: A former class of small freeholders who farm their own land; a commoner of good standing.”
“Husbandman: The old word for a farmer below the rank of yeoman. A husbandman usually held his land by copyhold or leasehold tenure and may be regarded as the ‘average farmer in his locality’. The words ‘yeoman’ and ‘husbandman’ were gradually replaced in the later 18th and 19th centuries by ‘farmer’.”He left a number of properties in Newhall and Hartshorne (near Newhall) including dwellings, enclosures, orchards, various yards, barns and acreages. It seemed to me more likely that he had inherited them, rather than moving into the village and buying them.
There is a mention of Robert Staley in a 1782 newpaper advertisement.
“Fire Engine To Be Sold. An exceedingly good fire engine, with the boiler, cylinder, etc in good condition. For particulars apply to Mr Burslem at Burton-upon-Trent, or Robert Staley at Newhall near Burton, where the engine may be seen.”
Was the fire engine perhaps connected with a foundry or a coal mine?
I noticed that Robert Staley was the witness at a 1755 marriage in Stapenhill between Barbara Burslem and Richard Daston the younger esquire. The other witness was signed Burslem Jnr.
Looking for Robert Staley
I assumed that once again, in the absence of the correct records, a similarly named and aged persons baptism had been added to the tree regardless of accuracy, so I looked through the Stapenhill/Newhall parish register images page by page. There were no Staleys in Newhall at all in the early 1700s, so it seemed that Robert did come from elsewhere and I expected to find the Staleys in a neighbouring parish. But I still didn’t find any Staleys.
I spoke to a couple of Staley descendants that I’d met during the family research. I met Carole via a DNA match some months previously and contacted her to ask about the Staleys in Elton. She also had Robert Staley born in Elton (indeed, there were many Staleys in Elton) but she didn’t have any documentation for his birth, and we decided to collaborate and try and find out more.
I couldn’t find the earlier Elton parish registers anywhere online, but eventually found the untranscribed microfiche images of the Bishops Transcripts for Elton.
via familysearch:
“In its most basic sense, a bishop’s transcript is a copy of a parish register. As bishop’s transcripts generally contain more or less the same information as parish registers, they are an invaluable resource when a parish register has been damaged, destroyed, or otherwise lost. Bishop’s transcripts are often of value even when parish registers exist, as priests often recorded either additional or different information in their transcripts than they did in the original registers.”Unfortunately there was a gap in the Bishops Transcripts between 1704 and 1711 ~ exactly where I needed to look. I subsequently found out that the Elton registers were incomplete as they had been damaged by fire.
I estimated Robert Staleys date of birth between 1710 and 1715. He died in 1795, and his son Daniel died in 1805: both of these wills were found online. Daniel married Mary Moon in Stapenhill in 1762, making a likely birth date for Daniel around 1740.
The marriage of Robert Staley (assuming this was Robert’s father) and Alice Maceland (or Marsland or Marsden, depending on how the parish clerk chose to spell it presumably) was in the Bishops Transcripts for Elton in 1704. They were married in Elton on 26th February. There followed the missing parish register pages and in all likelihood the records of the baptisms of their first children. No doubt Robert was one of them, probably the first male child.
(Incidentally, my grandfather’s Marshalls also came from Elton, a small Derbyshire village near Matlock. The Staley’s are on my grandmothers Warren side.)
The parish register pages resume in 1711. One of the first entries was the baptism of Robert Staley in 1711, parents Thomas and Ann. This was surely the one we were looking for, and Roberts parents weren’t Robert and Alice.
But then in 1735 a marriage was recorded between Robert son of Robert Staley (and this was unusual, the father of the groom isn’t usually recorded on the parish register) and Elizabeth Milner. They were married on the 9th March 1735. We know that the Robert we were looking for married an Elizabeth, as her name was on the Stapenhill baptisms of their later children, including Joseph Staleys. The 1735 marriage also fit with the assumed birth date of Daniel, circa 1740. A baptism was found for a Robert Staley in 1738 in the Elton registers, parents Robert and Elizabeth, as well as the baptism in 1736 for Mary, presumably their first child. Her burial is recorded the following year.
The marriage of Robert Staley and Elizabeth Milner in 1735:
There were several other Staley couples of a similar age in Elton, perhaps brothers and cousins. It seemed that Thomas and Ann’s son Robert was a different Robert, and that the one we were looking for was prior to that and on the missing pages.
Even so, this doesn’t prove that it was Elizabeth Staleys great grandfather who was born in Elton, but no other birth or baptism for Robert Staley has been found. It doesn’t explain why the Staleys moved to Stapenhill either, although the Enclosures Act and the Industrial Revolution could have been factors.
The 18th century saw the rise of the Industrial Revolution and many renowned Derbyshire Industrialists emerged. They created the turning point from what was until then a largely rural economy, to the development of townships based on factory production methods.
The Marsden Connection
There are some possible clues in the records of the Marsden family. Robert Staley married Alice Marsden (or Maceland or Marsland) in Elton in 1704. Robert Staley is mentioned in the 1730 will of John Marsden senior, of Baslow, Innkeeper (Peacock Inne & Whitlands Farm). He mentions his daughter Alice, wife of Robert Staley.
In a 1715 Marsden will there is an intriguing mention of an alias, which might explain the different spellings on various records for the name Marsden: “MARSDEN alias MASLAND, Christopher – of Baslow, husbandman, 28 Dec 1714. son Robert MARSDEN alias MASLAND….” etc.
Some potential reasons for a move from one parish to another are explained in this history of the Marsden family, and indeed this could relate to Robert Staley as he married into the Marsden family and his wife was a beneficiary of a Marsden will. The Chatsworth Estate, at various times, bought a number of farms in order to extend the park.
THE MARSDEN FAMILY
OXCLOSE AND PARKGATE
In the Parishes of
Baslow and Chatsworthby
David Dalrymple-Smith“John Marsden (b1653) another son of Edmund (b1611) faired well. By the time he died in
1730 he was publican of the Peacock, the Inn on Church Lane now called the Cavendish
Hotel, and the farmer at “Whitlands”, almost certainly Bubnell Cliff Farm.”“Coal mining was well known in the Chesterfield area. The coalfield extends as far as the
Gritstone edges, where thin seams outcrop especially in the Baslow area.”“…the occupants were evicted from the farmland below Dobb Edge and
the ground carefully cleared of all traces of occupation and farming. Shelter belts were
planted especially along the Heathy Lea Brook. An imposing new drive was laid to the
Chatsworth House with the Lodges and “The Golden Gates” at its northern end….”Although this particular event was later than any events relating to Robert Staley, it’s an indication of how farms and farmland disappeared, and a reason for families to move to another area:
“The Dukes of Devonshire (of Chatsworth) were major figures in the aristocracy and the government of the
time. Such a position demanded a display of wealth and ostentation. The 6th Duke of
Devonshire, the Bachelor Duke, was not content with the Chatsworth he inherited in 1811,
and immediately started improvements. After major changes around Edensor, he turned his
attention at the north end of the Park. In 1820 plans were made extend the Park up to the
Baslow parish boundary. As this would involve the destruction of most of the Farm at
Oxclose, the farmer at the Higher House Samuel Marsden (b1755) was given the tenancy of
Ewe Close a large farm near Bakewell.
Plans were revised in 1824 when the Dukes of Devonshire and Rutland “Exchanged Lands”,
reputedly during a game of dice. Over 3300 acres were involved in several local parishes, of
which 1000 acres were in Baslow. In the deal Devonshire acquired the southeast corner of
Baslow Parish.
Part of the deal was Gibbet Moor, which was developed for “Sport”. The shelf of land
between Parkgate and Robin Hood and a few extra fields was left untouched. The rest,
between Dobb Edge and Baslow, was agricultural land with farms, fields and houses. It was
this last part that gave the Duke the opportunity to improve the Park beyond his earlier
expectations.”The 1795 will of Robert Staley.
Inriguingly, Robert included the children of his son Daniel Staley in his will, but omitted to leave anything to Daniel. A perusal of Daniels 1808 will sheds some light on this: Daniel left his property to his six reputed children with Elizabeth Moon, and his reputed daughter Mary Brearly. Daniels wife was Mary Moon, Elizabeths husband William Moons daughter.
The will of Robert Staley, 1795:
The 1805 will of Daniel Staley, Robert’s son:
This is the last will and testament of me Daniel Staley of the Township of Newhall in the parish of Stapenhill in the County of Derby, Farmer. I will and order all of my just debts, funeral and testamentary expenses to be fully paid and satisfied by my executors hereinafter named by and out of my personal estate as soon as conveniently may be after my decease.
I give, devise and bequeath to Humphrey Trafford Nadin of Church Gresely in the said County of Derby Esquire and John Wilkinson of Newhall aforesaid yeoman all my messuages, lands, tenements, hereditaments and real and personal estates to hold to them, their heirs, executors, administrators and assigns until Richard Moon the youngest of my reputed sons by Elizabeth Moon shall attain his age of twenty one years upon trust that they, my said trustees, (or the survivor of them, his heirs, executors, administrators or assigns), shall and do manage and carry on my farm at Newhall aforesaid and pay and apply the rents, issues and profits of all and every of my said real and personal estates in for and towards the support, maintenance and education of all my reputed children by the said Elizabeth Moon until the said Richard Moon my youngest reputed son shall attain his said age of twenty one years and equally share and share and share alike.
And it is my will and desire that my said trustees or trustee for the time being shall recruit and keep up the stock upon my farm as they in their discretion shall see occasion or think proper and that the same shall not be diminished. And in case any of my said reputed children by the said Elizabeth Moon shall be married before my said reputed youngest son shall attain his age of twenty one years that then it is my will and desire that non of their husbands or wives shall come to my farm or be maintained there or have their abode there. That it is also my will and desire in case my reputed children or any of them shall not be steady to business but instead shall be wild and diminish the stock that then my said trustees or trustee for the time being shall have full power and authority in their discretion to sell and dispose of all or any part of my said personal estate and to put out the money arising from the sale thereof to interest and to pay and apply the interest thereof and also thereunto of the said real estate in for and towards the maintenance, education and support of all my said reputed children by the said
Elizabeth Moon as they my said trustees in their discretion that think proper until the said Richard Moon shall attain his age of twenty one years.Then I give to my grandson Daniel Staley the sum of ten pounds and to each and every of my sons and daughters namely Daniel Staley, Benjamin Staley, John Staley, William Staley, Elizabeth Dent and Sarah Orme and to my niece Ann Brearly the sum of five pounds apiece.
I give to my youngest reputed son Richard Moon one share in the Ashby Canal Navigation and I direct that my said trustees or trustee for the time being shall have full power and authority to pay and apply all or any part of the fortune or legacy hereby intended for my youngest reputed son Richard Moon in placing him out to any trade, business or profession as they in their discretion shall think proper.
And I direct that to my said sons and daughters by my late wife and my said niece shall by wholly paid by my said reputed son Richard Moon out of the fortune herby given him. And it is my will and desire that my said reputed children shall deliver into the hands of my executors all the monies that shall arise from the carrying on of my business that is not wanted to carry on the same unto my acting executor and shall keep a just and true account of all disbursements and receipts of the said business and deliver up the same to my acting executor in order that there may not be any embezzlement or defraud amongst them and from and immediately after my said reputed youngest son Richard Moon shall attain his age of twenty one years then I give, devise and bequeath all my real estate and all the residue and remainder of my personal estate of what nature and kind whatsoever and wheresoever unto and amongst all and every my said reputed sons and daughters namely William Moon, Thomas Moon, Joseph Moon, Richard Moon, Ann Moon, Margaret Moon and to my reputed daughter Mary Brearly to hold to them and their respective heirs, executors, administrator and assigns for ever according to the nature and tenure of the same estates respectively to take the same as tenants in common and not as joint tenants.And lastly I nominate and appoint the said Humphrey Trafford Nadin and John Wilkinson executors of this my last will and testament and guardians of all my reputed children who are under age during their respective minorities hereby revoking all former and other wills by me heretofore made and declaring this only to be my last will.
In witness whereof I the said Daniel Staley the testator have to this my last will and testament set my hand and seal the eleventh day of March in the year of our Lord one thousand eight hundred and five.
In reply to: The Elusive Samuel Housley and Other Family Stories
Leicestershire Blacksmiths
The Orgill’s of Measham led me further into Leicestershire as I traveled back in time.
I also realized I had uncovered a direct line of women and their mothers going back ten generations:
myself, Tracy Edwards 1957-
my mother Gillian Marshall 1933-
my grandmother Florence Warren 1906-1988
her mother and my great grandmother Florence Gretton 1881-1927
her mother Sarah Orgill 1840-1910
her mother Elizabeth Orgill 1803-1876
her mother Sarah Boss 1783-1847
her mother Elizabeth Page 1749-
her mother Mary Potter 1719-1780
and her mother and my 7x great grandmother Mary 1680-You could say it leads us to the very heart of England, as these Leicestershire villages are as far from the coast as it’s possible to be. There are countless other maternal lines to follow, of course, but only one of mothers of mothers, and ours takes us to Leicestershire.
The blacksmiths
Sarah Boss was the daughter of Michael Boss 1755-1807, a blacksmith in Measham, and Elizabeth Page of nearby Hartshorn, just over the county border in Derbyshire.
An earlier Michael Boss, a blacksmith of Measham, died in 1772, and in his will he left the possession of the blacksmiths shop and all the working tools and a third of the household furniture to Michael, who he named as his nephew. He left his house in Appleby Magna to his wife Grace, and five pounds to his mother Jane Boss. As none of Michael and Grace’s children are mentioned in the will, perhaps it can be assumed that they were childless.
The will of Michael Boss, 1772, Measham:
Michael Boss the uncle was born in Appleby Magna in 1724. His parents were Michael Boss of Nelson in the Thistles and Jane Peircivall of Appleby Magna, who were married in nearby Mancetter in 1720.
Information worth noting on the Appleby Magna website:
In 1752 the calendar in England was changed from the Julian Calendar to the Gregorian Calendar, as a result 11 days were famously “lost”. But for the recording of Church Registers another very significant change also took place, the start of the year was moved from March 25th to our more familiar January 1st.
Before 1752 the 1st day of each new year was March 25th, Lady Day (a significant date in the Christian calendar). The year number which we all now use for calculating ages didn’t change until March 25th. So, for example, the day after March 24th 1750 was March 25th 1751, and January 1743 followed December 1743.
This March to March recording can be seen very clearly in the Appleby Registers before 1752. Between 1752 and 1768 there appears slightly confused recording, so dates should be carefully checked. After 1768 the recording is more fully by the modern calendar year.Michael Boss the uncle married Grace Cuthbert. I haven’t yet found the birth or parents of Grace, but a blacksmith by the name of Edward Cuthbert is mentioned on an Appleby Magna history website:
An Eighteenth Century Blacksmith’s Shop in Little Appleby
by Alan RobertsCuthberts inventory
The inventory of Edward Cuthbert provides interesting information about the household possessions and living arrangements of an eighteenth century blacksmith. Edward Cuthbert (als. Cutboard) settled in Appleby after the Restoration to join the handful of blacksmiths already established in the parish, including the Wathews who were prominent horse traders. The blacksmiths may have all worked together in the same shop at one time. Edward and his wife Sarah recorded the baptisms of several of their children in the parish register. Somewhat sadly three of the boys named after their father all died either in infancy or as young children. Edward’s inventory which was drawn up in 1732, by which time he was probably a widower and his children had left home, suggests that they once occupied a comfortable two-storey house in Little Appleby with an attached workshop, well equipped with all the tools for repairing farm carts, ploughs and other implements, for shoeing horses and for general ironmongery.
Edward Cuthbert born circa 1660, married Joane Tuvenet in 1684 in Swepston cum Snarestone , and died in Appleby in 1732. Tuvenet is a French name and suggests a Huguenot connection, but this isn’t our family, and indeed this Edward Cuthbert is not likely to be Grace’s father anyway.
Michael Boss and Elizabeth Page appear to have married twice: once in 1776, and once in 1779. Both of the documents exist and appear correct. Both marriages were by licence. They both mention Michael is a blacksmith.
Their first daughter, Elizabeth, was baptized in February 1777, just nine months after the first wedding. It’s not known when she was born, however, and it’s possible that the marriage was a hasty one. But why marry again three years later?
But Michael Boss and Elizabeth Page did not marry twice.
Elizabeth Page from Smisby was born in 1752 and married Michael Boss on the 5th of May 1776 in Measham. On the marriage licence allegations and bonds, Michael is a bachelor.
Baby Elizabeth was baptised in Measham on the 9th February 1777. Mother Elizabeth died on the 18th February 1777, also in Measham.
In 1779 Michael Boss married another Elizabeth Page! She was born in 1749 in Hartshorn, and Michael is a widower on the marriage licence allegations and bonds.
Hartshorn and Smisby are neighbouring villages, hence the confusion. But a closer look at the documents available revealed the clues. Both Elizabeth Pages were literate, and indeed their signatures on the marriage registers are different:
Marriage of Michael Boss and Elizabeth Page of Smisby in 1776:
Marriage of Michael Boss and Elizabeth Page of Harsthorn in 1779:
Not only did Michael Boss marry two women both called Elizabeth Page but he had an unusual start in life as well. His uncle Michael Boss left him the blacksmith business and a third of his furniture. This was all in the will. But which of Uncle Michaels brothers was nephew Michaels father?
The only Michael Boss born at the right time was in 1750 in Edingale, Staffordshire, about eight miles from Appleby Magna. His parents were Thomas Boss and Ann Parker, married in Edingale in 1747. Thomas died in August 1750, and his son Michael was baptised in the December, posthumus son of Thomas and his widow Ann. Both entries are on the same page of the register.
Ann Boss, the young widow, married again. But perhaps Michael and his brother went to live with their childless uncle and aunt, Michael Boss and Grace Cuthbert.
The great grandfather of Michael Boss (the Measham blacksmith born in 1850) was also Michael Boss, probably born in the 1660s. He died in Newton Regis in Warwickshire in 1724, four years after his son (also Michael Boss born 1693) married Jane Peircivall. The entry on the parish register states that Michael Boss was buried ye 13th Affadavit made.
I had not seen affadavit made on a parish register before, and this relates to the The Burying in Woollen Acts 1666–80. According to Wikipedia:
“Acts of the Parliament of England which required the dead, except plague victims and the destitute, to be buried in pure English woollen shrouds to the exclusion of any foreign textiles. It was a requirement that an affidavit be sworn in front of a Justice of the Peace (usually by a relative of the deceased), confirming burial in wool, with the punishment of a £5 fee for noncompliance. Burial entries in parish registers were marked with the word “affidavit” or its equivalent to confirm that affidavit had been sworn; it would be marked “naked” for those too poor to afford the woollen shroud. The legislation was in force until 1814, but was generally ignored after 1770.”
Michael Boss buried 1724 “Affadavit made”:
Elizabeth Page‘s father was William Page 1717-1783, a wheelwright in Hartshorn. (The father of the first wife Elizabeth was also William Page, but he was a husbandman in Smisby born in 1714. William Page, the father of the second wife, was born in Nailstone, Leicestershire, in 1717. His place of residence on his marriage to Mary Potter was spelled Nelson.)
Her mother was Mary Potter 1719- of nearby Coleorton. Mary’s father, Richard Potter 1677-1731, was a blacksmith in Coleorton.
A page of the will of Richard Potter 1731:
Richard Potter states: “I will and order that my son Thomas Potter shall after my decease have one shilling paid to him and no more.” As he left £50 to each of his daughters, one can’t help but wonder what Thomas did to displease his father.
Richard stipulated that his son Thomas should have one shilling paid to him and not more, for several good considerations, and left “the house and ground lying in the parish of Whittwick in a place called the Long Lane to my wife Mary Potter to dispose of as she shall think proper.”
His son Richard inherited the blacksmith business: “I will and order that my son Richard Potter shall live and be with his mother and serve her duly and truly in the business of a blacksmith, and obey and serve her in all lawful commands six years after my decease, and then I give to him and his heirs…. my house and grounds Coulson House in the Liberty of Thringstone”
Richard wanted his son John to be a blacksmith too: “I will and order that my wife bring up my son John Potter at home with her and teach or cause him to be taught the trade of a blacksmith and that he shall serve her duly and truly seven years after my decease after the manner of an apprentice and at the death of his mother I give him that house and shop and building and the ground belonging to it which I now dwell in to him and his heirs forever.”
To his daughters Margrett and Mary Potter, upon their reaching the age of one and twenty, or the day after their marriage, he leaves £50 each. All the rest of his goods are left to his loving wife Mary.
An inventory of the belongings of Richard Potter, 1731:
Richard Potters father was also named Richard Potter 1649-1719, and he too was a blacksmith.
Richard Potter of Coleorton in the county of Leicester, blacksmith, stated in his will: “I give to my son and daughter Thomas and Sarah Potter the possession of my house and grounds.”
He leaves ten pounds each to his daughters Jane and Alice, to his son Francis he gives five pounds, and five shillings to his son Richard. Sons Joseph and William also receive five shillings each. To his daughter Mary, wife of Edward Burton, and her daughter Elizabeth, he gives five shillings each. The rest of his good, chattels and wordly substance he leaves equally between his son and daugter Thomas and Sarah. As there is no mention of his wife, it’s assumed that she predeceased him.
The will of Richard Potter, 1719:
Richard Potter’s (1649-1719) parents were William Potter and Alse Huldin, both born in the early 1600s. They were married in 1646 at Breedon on the Hill, Leicestershire. The name Huldin appears to originate in Finland.
William Potter was a blacksmith. In the 1659 parish registers of Breedon on the Hill, William Potter of Breedon blacksmith buryed the 14th July.
In reply to: The Elusive Samuel Housley and Other Family Stories
From Tanganyika with Love
continued part 9
With thanks to Mike Rushby.
Lyamungu 3rd January 1945
Dearest Family.
We had a novel Christmas this year. We decided to avoid the expense of
entertaining and being entertained at Lyamungu, and went off to spend Christmas
camping in a forest on the Western slopes of Kilimanjaro. George decided to combine
business with pleasure and in this way we were able to use Government transport.
We set out the day before Christmas day and drove along the road which skirts
the slopes of Kilimanjaro and first visited a beautiful farm where Philip Teare, the ex
Game Warden, and his wife Mary are staying. We had afternoon tea with them and then
drove on in to the natural forest above the estate and pitched our tent beside a small
clear mountain stream. We decorated the tent with paper streamers and a few small
balloons and John found a small tree of the traditional shape which we decorated where
it stood with tinsel and small ornaments.We put our beer, cool drinks for the children and bottles of fresh milk from Simba
Estate, in the stream and on Christmas morning they were as cold as if they had been in
the refrigerator all night. There were not many presents for the children, there never are,
but they do not seem to mind and are well satisfied with a couple of balloons apiece,
sweets, tin whistles and a book each.George entertain the children before breakfast. He can make a magical thing out
of the most ordinary balloon. The children watched entranced as he drew on his pipe
and then blew the smoke into the balloon. He then pinched the neck of the balloon
between thumb and forefinger and released the smoke in little puffs. Occasionally the
balloon ejected a perfect smoke ring and the forest rang with shouts of “Do it again
Daddy.” Another trick was to blow up the balloon to maximum size and then twist the
neck tightly before releasing. Before subsiding the balloon darted about in a crazy
fashion causing great hilarity. Such fun, at the cost of a few pence.After breakfast George went off to fish for trout. John and Jim decided that they
also wished to fish so we made rods out of sticks and string and bent pins and they
fished happily, but of course quite unsuccessfully, for hours. Both of course fell into the
stream and got soaked, but I was prepared for this, and the little stream was so shallow
that they could not come to any harm. Henry played happily in the sand and I had a
most peaceful morning.Hamisi roasted a chicken in a pot over the camp fire and the jelly set beautifully in the
stream. So we had grilled trout and chicken for our Christmas dinner. I had of course
taken an iced cake for the occasion and, all in all, it was a very successful Christmas day.
On Boxing day we drove down to the plains where George was to investigate a
report of game poaching near the Ngassari Furrow. This is a very long ditch which has
been dug by the Government for watering the Masai stock in the area. It is also used by
game and we saw herds of zebra and wildebeest, and some Grant’s Gazelle and
giraffe, all comparatively tame. At one point a small herd of zebra raced beside the lorry
apparently enjoying the fun of a gallop. They were all sleek and fat and looked wild and
beautiful in action.We camped a considerable distance from the water but this precaution did not
save us from the mosquitoes which launched a vicious attack on us after sunset, so that
we took to our beds unusually early. They were on the job again when we got up at
sunrise so I was very glad when we were once more on our way home.“I like Christmas safari. Much nicer that silly old party,” said John. I agree but I think
it is time that our children learned to play happily with others. There are no other young
children at Lyamungu though there are two older boys and a girl who go to boarding
school in Nairobi.On New Years Day two Army Officers from the military camp at Moshi, came for
tea and to talk game hunting with George. I think they rather enjoy visiting a home and
seeing children and pets around.Eleanor.
Lyamungu 14 May 1945
Dearest Family.
So the war in Europe is over at last. It is such marvellous news that I can hardly
believe it. To think that as soon as George can get leave we will go to England and
bring Ann and George home with us to Tanganyika. When we know when this leave can
be arranged we will want Kate to join us here as of course she must go with us to
England to meet George’s family. She has become so much a part of your lives that I
know it will be a wrench for you to give her up but I know that you will all be happy to
think that soon our family will be reunited.The V.E. celebrations passed off quietly here. We all went to Moshi to see the
Victory Parade of the King’s African Rifles and in the evening we went to a celebration
dinner at the Game Warden’s house. Besides ourselves the Moores had invited the
Commanding Officer from Moshi and a junior officer. We had a very good dinner and
many toasts including one to Mrs Moore’s brother, Oliver Milton who is fighting in Burma
and has recently been awarded the Military Cross.There was also a celebration party for the children in the grounds of the Moshi
Club. Such a spread! I think John and Jim sampled everything. We mothers were
having our tea separately and a friend laughingly told me to turn around and have a look.
I did, and saw the long tea tables now deserted by all the children but my two sons who
were still eating steadily, and finding the party more exciting than the game of Musical
Bumps into which all the other children had entered with enthusiasm.There was also an extremely good puppet show put on by the Italian prisoners
of war from the camp at Moshi. They had made all the puppets which included well
loved characters like Snow White and the Seven Dwarfs and the Babes in the Wood as
well as more sophisticated ones like an irritable pianist and a would be prima donna. The
most popular puppets with the children were a native askari and his family – a very
happy little scene. I have never before seen a puppet show and was as entranced as
the children. It is amazing what clever manipulation and lighting can do. I believe that the
Italians mean to take their puppets to Nairobi and am glad to think that there, they will
have larger audiences to appreciate their art.George has just come in, and I paused in my writing to ask him for the hundredth
time when he thinks we will get leave. He says I must be patient because it may be a
year before our turn comes. Shipping will be disorganised for months to come and we
cannot expect priority simply because we have been separated so long from our
children. The same situation applies to scores of other Government Officials.
I have decided to write the story of my childhood in South Africa and about our
life together in Tanganyika up to the time Ann and George left the country. I know you
will have told Kate these stories, but Ann and George were so very little when they left
home that I fear that they cannot remember much.My Mother-in-law will have told them about their father but she can tell them little
about me. I shall send them one chapter of my story each month in the hope that they
may be interested and not feel that I am a stranger when at last we meet again.Eleanor.
Lyamungu 19th September 1945
Dearest Family.
In a months time we will be saying good-bye to Lyamungu. George is to be
transferred to Mbeya and I am delighted, not only as I look upon Mbeya as home, but
because there is now a primary school there which John can attend. I feel he will make
much better progress in his lessons when he realises that all children of his age attend
school. At present he is putting up a strong resistance to learning to read and spell, but
he writes very neatly, does his sums accurately and shows a real talent for drawing. If
only he had the will to learn I feel he would do very well.Jim now just four, is too young for lessons but too intelligent to be interested in
the ayah’s attempts at entertainment. Yes I’ve had to engage a native girl to look after
Henry from 9 am to 12.30 when I supervise John’s Correspondence Course. She is
clean and amiable, but like most African women she has no initiative at all when it comes
to entertaining children. Most African men and youths are good at this.I don’t regret our stay at Lyamungu. It is a beautiful spot and the change to the
cooler climate after the heat of Morogoro has been good for all the children. John is still
tall for his age but not so thin as he was and much less pale. He is a handsome little lad
with his large brown eyes in striking contrast to his fair hair. He is wary of strangers but
very observant and quite uncanny in the way he sums up people. He seldom gets up
to mischief but I have a feeling he eggs Jim on. Not that Jim needs egging.Jim has an absolute flair for mischief but it is all done in such an artless manner that
it is not easy to punish him. He is a very sturdy child with a cap of almost black silky hair,
eyes brown, like mine, and a large mouth which is quick to smile and show most beautiful
white and even teeth. He is most popular with all the native servants and the Game
Scouts. The servants call Jim, ‘Bwana Tembo’ (Mr Elephant) because of his sturdy
build.Henry, now nearly two years old, is quite different from the other two in
appearance. He is fair complexioned and fair haired like Ann and Kate, with large, black
lashed, light grey eyes. He is a good child, not so merry as Jim was at his age, nor as
shy as John was. He seldom cries, does not care to be cuddled and is independent and
strong willed. The servants call Henry, ‘Bwana Ndizi’ (Mr Banana) because he has an
inexhaustible appetite for this fruit. Fortunately they are very inexpensive here. We buy
an entire bunch which hangs from a beam on the back verandah, and pluck off the
bananas as they ripen. This way there is no waste and the fruit never gets bruised as it
does in greengrocers shops in South Africa. Our three boys make a delightful and
interesting trio and I do wish you could see them for yourselves.We are delighted with the really beautiful photograph of Kate. She is an
extraordinarily pretty child and looks so happy and healthy and a great credit to you.
Now that we will be living in Mbeya with a school on the doorstep I hope that we will
soon be able to arrange for her return home.Eleanor.
c/o Game Dept. Mbeya. 30th October 1945
Dearest Family.
How nice to be able to write c/o Game Dept. Mbeya at the head of my letters.
We arrived here safely after a rather tiresome journey and are installed in a tiny house on
the edge of the township.We left Lyamungu early on the morning of the 22nd. Most of our goods had
been packed on the big Ford lorry the previous evening, but there were the usual
delays and farewells. Of our servants, only the cook, Hamisi, accompanied us to
Mbeya. Japhet, Tovelo and the ayah had to be paid off and largesse handed out.
Tovelo’s granny had come, bringing a gift of bananas, and she also brought her little
granddaughter to present a bunch of flowers. The child’s little scolded behind is now
completely healed. Gifts had to be found for them too.At last we were all aboard and what a squash it was! Our few pieces of furniture
and packing cases and trunks, the cook, his wife, the driver and the turney boy, who
were to take the truck back to Lyamungu, and all their bits and pieces, bunches of
bananas and Fanny the dog were all crammed into the body of the lorry. George, the
children and I were jammed together in the cab. Before we left George looked
dubiously at the tyres which were very worn and said gloomily that he thought it most
unlikely that we would make our destination, Dodoma.Too true! Shortly after midday, near Kwakachinja, we blew a back tyre and there
was a tedious delay in the heat whilst the wheel was changed. We were now without a
spare tyre and George said that he would not risk taking the Ford further than Babati,
which is less than half way to Dodoma. He drove very slowly and cautiously to Babati
where he arranged with Sher Mohammed, an Indian trader, for a lorry to take us to
Dodoma the next morning.It had been our intention to spend the night at the furnished Government
Resthouse at Babati but when we got there we found that it was already occupied by
several District Officers who had assembled for a conference. So, feeling rather
disgruntled, we all piled back into the lorry and drove on to a place called Bereku where
we spent an uncomfortable night in a tumbledown hut.Before dawn next morning Sher Mohammed’s lorry drove up, and there was a
scramble to dress by the light of a storm lamp. The lorry was a very dilapidated one and
there was already a native woman passenger in the cab. I felt so tired after an almost
sleepless night that I decided to sit between the driver and this woman with the sleeping
Henry on my knee. It was as well I did, because I soon found myself dosing off and
drooping over towards the woman. Had she not been there I might easily have fallen
out as the battered cab had no door. However I was alert enough when daylight came
and changed places with the woman to our mutual relief. She was now able to converse
with the African driver and I was able to enjoy the scenery and the fresh air!
George, John and Jim were less comfortable. They sat in the lorry behind the
cab hemmed in by packing cases. As the lorry was an open one the sun beat down
unmercifully upon them until George, ever resourceful, moved a table to the front of the
truck. The two boys crouched under this and so got shelter from the sun but they still had
to endure the dust. Fanny complicated things by getting car sick and with one thing and
another we were all jolly glad to get to Dodoma.We spent the night at the Dodoma Hotel and after hot baths, a good meal and a
good nights rest we cheerfully boarded a bus of the Tanganyika Bus Service next
morning to continue our journey to Mbeya. The rest of the journey was uneventful. We slept two nights on the road, the first at Iringa Hotel and the second at Chimala. We
reached Mbeya on the 27th.I was rather taken aback when I first saw the little house which has been allocated
to us. I had become accustomed to the spacious houses we had in Morogoro and
Lyamungu. However though the house is tiny it is secluded and has a long garden
sloping down to the road in front and another long strip sloping up behind. The front
garden is shaded by several large cypress and eucalyptus trees but the garden behind
the house has no shade and consists mainly of humpy beds planted with hundreds of
carnations sadly in need of debudding. I believe that the previous Game Ranger’s wife
cultivated the carnations and, by selling them, raised money for War Funds.
Like our own first home, this little house is built of sun dried brick. Its original
owners were Germans. It is now rented to the Government by the Custodian of Enemy
Property, and George has his office in another ex German house.This afternoon we drove to the school to arrange about enrolling John there. The
school is about four miles out of town. It was built by the German settlers in the late
1930’s and they were justifiably proud of it. It consists of a great assembly hall and
classrooms in one block and there are several attractive single storied dormitories. This
school was taken over by the Government when the Germans were interned on the
outbreak of war and many improvements have been made to the original buildings. The
school certainly looks very attractive now with its grassed playing fields and its lawns and
bright flower beds.The Union Jack flies from a tall flagpole in front of the Hall and all traces of the
schools German origin have been firmly erased. We met the Headmaster, Mr
Wallington, and his wife and some members of the staff. The school is co-educational
and caters for children from the age of seven to standard six. The leaving age is elastic
owing to the fact that many Tanganyika children started school very late because of lack
of educational facilities in this country.The married members of the staff have their own cottages in the grounds. The
Matrons have quarters attached to the dormitories for which they are responsible. I felt
most enthusiastic about the school until I discovered that the Headmaster is adamant
upon one subject. He utterly refuses to take any day pupils at the school. So now our
poor reserved Johnny will have to adjust himself to boarding school life.
We have arranged that he will start school on November 5th and I shall be very
busy trying to assemble his school uniform at short notice. The clothing list is sensible.
Boys wear khaki shirts and shorts on weekdays with knitted scarlet jerseys when the
weather is cold. On Sundays they wear grey flannel shorts and blazers with the silver
and scarlet school tie.Mbeya looks dusty, brown and dry after the lush evergreen vegetation of
Lyamungu, but I prefer this drier climate and there are still mountains to please the eye.
In fact the lower slopes of Lolesa Mountain rise at the upper end of our garden.Eleanor.
c/o Game Dept. Mbeya. 21st November 1945
Dearest Family.
We’re quite settled in now and I have got the little house fixed up to my
satisfaction. I have engaged a rather uncouth looking houseboy but he is strong and
capable and now that I am not tied down in the mornings by John’s lessons I am able to
go out occasionally in the mornings and take Jim and Henry to play with other children.
They do not show any great enthusiasm but are not shy by nature as John is.
I have had a good deal of heartache over putting John to boarding school. It
would have been different had he been used to the company of children outside his
own family, or if he had even known one child there. However he seems to be adjusting
himself to the life, though slowly. At least he looks well and tidy and I am quite sure that
he is well looked after.I must confess that when the time came for John to go to school I simply did not
have the courage to take him and he went alone with George, looking so smart in his
new uniform – but his little face so bleak. The next day, Sunday, was visiting day but the
Headmaster suggested that we should give John time to settle down and not visit him
until Wednesday.When we drove up to the school I spied John on the far side of the field walking
all alone. Instead of running up with glad greetings, as I had expected, he came almost
reluctently and had little to say. I asked him to show me his dormitory and classroom and
he did so politely as though I were a stranger. At last he volunteered some information.
“Mummy,” he said in an awed voice, Do you know on the night I came here they burnt a
man! They had a big fire and they burnt him.” After a blank moment the penny dropped.
Of course John had started school and November the fifth but it had never entered my
head to tell him about that infamous character, Guy Fawkes!I asked John’s Matron how he had settled down. “Well”, she said thoughtfully,
“John is very good and has not cried as many of the juniors do when they first come
here, but he seems to keep to himself all the time.” I went home very discouraged but
on the Sunday John came running up with another lad of about his own age.” This is my
friend Marks,” he announced proudly. I could have hugged Marks.Mbeya is very different from the small settlement we knew in the early 1930’s.
Gone are all the colourful characters from the Lupa diggings for the alluvial claims are all
worked out now, gone also are our old friends the Menzies from the Pub and also most
of the Government Officials we used to know. Mbeya has lost its character of a frontier
township and has become almost suburban.The social life revolves around two places, the Club and the school. The Club
which started out as a little two roomed building, has been expanded and the golf
course improved. There are also tennis courts and a good library considering the size of
the community. There are frequent parties and dances, though most of the club revenue
comes from Bar profits. The parties are relatively sober affairs compared with the parties
of the 1930’s.The school provides entertainment of another kind. Both Mr and Mrs Wallington
are good amateur actors and I am told that they run an Amateur Dramatic Society. Every
Wednesday afternoon there is a hockey match at the school. Mbeya town versus a
mixed team of staff and scholars. The match attracts almost the whole European
population of Mbeya. Some go to play hockey, others to watch, and others to snatch
the opportunity to visit their children. I shall have to try to arrange a lift to school when
George is away on safari.I have now met most of the local women and gladly renewed an old friendship
with Sheilagh Waring whom I knew two years ago at Morogoro. Sheilagh and I have
much in common, the same disregard for the trappings of civilisation, the same sense of
the ludicrous, and children. She has eight to our six and she has also been cut off by the
war from two of her children. Sheilagh looks too young and pretty to be the mother of so
large a family and is, in fact, several years younger than I am. her husband, Donald, is a
large quiet man who, as far as I can judge takes life seriously.Our next door neighbours are the Bank Manager and his wife, a very pleasant
couple though we seldom meet. I have however had correspondence with the Bank
Manager. Early on Saturday afternoon their houseboy brought a note. It informed me
that my son was disturbing his rest by precipitating a heart attack. Was I aware that my
son was about 30 feet up in a tree and balanced on a twig? I ran out and,sure enough,
there was Jim, right at the top of the tallest eucalyptus tree. It would be the one with the
mound of stones at the bottom! You should have heard me fluting in my most
wheedling voice. “Sweets, Jimmy, come down slowly dear, I’ve some nice sweets for
you.”I’ll bet that little story makes you smile. I remember how often you have told me
how, as a child, I used to make your hearts turn over because I had no fear of heights
and how I used to say, “But that is silly, I won’t fall.” I know now only too well, how you
must have felt.Eleanor.
c/o Game Dept. Mbeya. 14th January 1946
Dearest Family.
I hope that by now you have my telegram to say that Kate got home safely
yesterday. It was wonderful to have her back and what a beautiful child she is! Kate
seems to have enjoyed the train journey with Miss Craig, in spite of the tears she tells
me she shed when she said good-bye to you. She also seems to have felt quite at
home with the Hopleys at Salisbury. She flew from Salisbury in a small Dove aircraft
and they had a smooth passage though Kate was a little airsick.I was so excited about her home coming! This house is so tiny that I had to turn
out the little store room to make a bedroom for her. With a fresh coat of whitewash and
pretty sprigged curtains and matching bedspread, borrowed from Sheilagh Waring, the
tiny room looks most attractive. I had also iced a cake, made ice-cream and jelly and
bought crackers for the table so that Kate’s home coming tea could be a proper little
celebration.I was pleased with my preparations and then, a few hours before the plane was
due, my crowned front tooth dropped out, peg and all! When my houseboy wants to
describe something very tatty, he calls it “Second-hand Kabisa.” Kabisa meaning
absolutely. That is an apt description of how I looked and felt. I decided to try some
emergency dentistry. I think you know our nearest dentist is at Dar es Salaam five
hundred miles away.First I carefully dried the tooth and with a match stick covered the peg and base
with Durofix. I then took the infants rubber bulb enema, sucked up some heat from a
candle flame and pumped it into the cavity before filling that with Durofix. Then hopefully
I stuck the tooth in its former position and held it in place for several minutes. No good. I
sent the houseboy to a shop for Scotine and tried the whole process again. No good
either.When George came home for lunch I appealed to him for advice. He jokingly
suggested that a maize seed jammed into the space would probably work, but when
he saw that I really was upset he produced some chewing gum and suggested that I
should try that . I did and that worked long enough for my first smile anyway.
George and the three boys went to meet Kate but I remained at home to
welcome her there. I was afraid that after all this time away Kate might be reluctant to
rejoin the family but she threw her arms around me and said “Oh Mummy,” We both
shed a few tears and then we both felt fine.How gay Kate is, and what an infectious laugh she has! The boys follow her
around in admiration. John in fact asked me, “Is Kate a Princess?” When I said
“Goodness no, Johnny, she’s your sister,” he explained himself by saying, “Well, she
has such golden hair.” Kate was less complementary. When I tucked her in bed last night
she said, “Mummy, I didn’t expect my little brothers to be so yellow!” All three boys
have been taking a course of Atebrin, an anti-malarial drug which tinges skin and eyeballs
yellow.So now our tiny house is bursting at its seams and how good it feels to have one
more child under our roof. We are booked to sail for England in May and when we return
we will have Ann and George home too. Then I shall feel really content.Eleanor.
c/o Game Dept. Mbeya. 2nd March 1946
Dearest Family.
My life just now is uneventful but very busy. I am sewing hard and knitting fast to
try to get together some warm clothes for our leave in England. This is not a simple
matter because woollen materials are in short supply and very expensive, and now that
we have boarding school fees to pay for both Kate and John we have to budget very
carefully indeed.Kate seems happy at school. She makes friends easily and seems to enjoy
communal life. John also seems reconciled to school now that Kate is there. He no
longer feels that he is the only exile in the family. He seems to rub along with the other
boys of his age and has a couple of close friends. Although Mbeya School is coeducational
the smaller boys and girls keep strictly apart. It is considered extremely
cissy to play with girls.The local children are allowed to go home on Sundays after church and may bring
friends home with them for the day. Both John and Kate do this and Sunday is a very
busy day for me. The children come home in their Sunday best but bring play clothes to
change into. There is always a scramble to get them to bath and change again in time to
deliver them to the school by 6 o’clock.When George is home we go out to the school for the morning service. This is
taken by the Headmaster Mr Wallington, and is very enjoyable. There is an excellent
school choir to lead the singing. The service is the Church of England one, but is
attended by children of all denominations, except the Roman Catholics. I don’t think that
more than half the children are British. A large proportion are Greeks, some as old as
sixteen, and about the same number are Afrikaners. There are Poles and non-Nazi
Germans, Swiss and a few American children.All instruction is through the medium of English and it is amazing how soon all the
foreign children learn to chatter in English. George has been told that we will return to
Mbeya after our leave and for that I am very thankful as it means that we will still be living
near at hand when Jim and Henry start school. Because many of these children have to
travel many hundreds of miles to come to school, – Mbeya is a two day journey from the
railhead, – the school year is divided into two instead of the usual three terms. This
means that many of these children do not see their parents for months at a time. I think
this is a very sad state of affairs especially for the seven and eight year olds but the
Matrons assure me , that many children who live on isolated farms and stations are quite
reluctant to go home because they miss the companionship and the games and
entertainment that the school offers.My only complaint about the life here is that I see far too little of George. He is
kept extremely busy on this range and is hardly at home except for a few days at the
months end when he has to be at his office to check up on the pay vouchers and the
issue of ammunition to the Scouts. George’s Range takes in the whole of the Southern
Province and the Southern half of the Western Province and extends to the border with
Northern Rhodesia and right across to Lake Tanganyika. This vast area is patrolled by
only 40 Game Scouts because the Department is at present badly under staffed, due
partly to the still acute shortage of rifles, but even more so to the extraordinary reluctance
which the Government shows to allocate adequate funds for the efficient running of the
Department.The Game Scouts must see that the Game Laws are enforced, protect native
crops from raiding elephant, hippo and other game animals. Report disease amongst game and deal with stock raiding lions. By constantly going on safari and checking on
their work, George makes sure the range is run to his satisfaction. Most of the Game
Scouts are fine fellows but, considering they receive only meagre pay for dangerous
and exacting work, it is not surprising that occasionally a Scout is tempted into accepting
a bribe not to report a serious infringement of the Game Laws and there is, of course,
always the temptation to sell ivory illicitly to unscrupulous Indian and Arab traders.
Apart from supervising the running of the Range, George has two major jobs.
One is to supervise the running of the Game Free Area along the Rhodesia –
Tanganyika border, and the other to hunt down the man-eating lions which for years have
terrorised the Njombe District killing hundreds of Africans. Yes I know ‘hundreds’ sounds
fantastic, but this is perfectly true and one day, when the job is done and the official
report published I shall send it to you to prove it!I hate to think of the Game Free Area and so does George. All the game from
buffalo to tiny duiker has been shot out in a wide belt extending nearly two hundred
miles along the Northern Rhodesia -Tanganyika border. There are three Europeans in
widely spaced camps who supervise this slaughter by African Game Guards. This
horrible measure is considered necessary by the Veterinary Departments of
Tanganyika, Rhodesia and South Africa, to prevent the cattle disease of Rinderpest
from spreading South.When George is home however, we do relax and have fun. On the Saturday
before the school term started we took Kate and the boys up to the top fishing camp in
the Mporoto Mountains for her first attempt at trout fishing. There are three of these
camps built by the Mbeya Trout Association on the rivers which were first stocked with
the trout hatched on our farm at Mchewe. Of the three, the top camp is our favourite. The
scenery there is most glorious and reminds me strongly of the rivers of the Western
Cape which I so loved in my childhood.The river, the Kawira, flows from the Rungwe Mountain through a narrow valley
with hills rising steeply on either side. The water runs swiftly over smooth stones and
sometimes only a foot or two below the level of the banks. It is sparkling and shallow,
but in places the water is deep and dark and the banks high. I had a busy day keeping
an eye on the boys, especially Jim, who twice climbed out on branches which overhung
deep water. “Mummy, I was only looking for trout!”How those kids enjoyed the freedom of the camp after the comparative
restrictions of town. So did Fanny, she raced about on the hills like a mad dog chasing
imaginary rabbits and having the time of her life. To escape the noise and commotion
George had gone far upstream to fish and returned in the late afternoon with three good
sized trout and four smaller ones. Kate proudly showed George the two she had caught
with the assistance or our cook Hamisi. I fear they were caught in a rather unorthodox
manner but this I kept a secret from George who is a stickler for the orthodox in trout
fishing.Eleanor.
Jacksdale England 24th June 1946
Dearest Family.
Here we are all together at last in England. You cannot imagine how wonderful it
feels to have the whole Rushby family reunited. I find myself counting heads. Ann,
George, Kate, John, Jim, and Henry. All present and well. We had a very pleasant trip
on the old British India Ship Mantola. She was crowded with East Africans going home
for the first time since the war, many like us, eagerly looking forward to a reunion with their
children whom they had not seen for years. There was a great air of anticipation and
good humour but a little anxiety too.“I do hope our children will be glad to see us,” said one, and went on to tell me
about a Doctor from Dar es Salaam who, after years of separation from his son had
recently gone to visit him at his school. The Doctor had alighted at the railway station
where he had arranged to meet his son. A tall youth approached him and said, very
politely, “Excuse me sir. Are you my Father?” Others told me of children who had
become so attached to their relatives in England that they gave their parents a very cool
reception. I began to feel apprehensive about Ann and George but fortunately had no
time to mope.Oh, that washing and ironing for six! I shall remember for ever that steamy little
laundry in the heat of the Red Sea and queuing up for the ironing and the feeling of guilt
at the size of my bundle. We met many old friends amongst the passengers, and made
some new ones, so the voyage was a pleasant one, We did however have our
anxious moments.John was the first to disappear and we had an anxious search for him. He was
quite surprised that we had been concerned. “I was just talking to my friend Chinky
Chinaman in his workshop.” Could John have called him that? Then, when I returned to
the cabin from dinner one night I found Henry swigging Owbridge’s Lung Tonic. He had
drunk half the bottle neat and the label said ‘five drops in water’. Luckily it did not harm
him.Jim of course was forever risking his neck. George had forbidden him to climb on
the railings but he was forever doing things which no one had thought of forbidding him
to do, like hanging from the overhead pipes on the deck or standing on the sill of a
window and looking down at the well deck far below. An Officer found him doing this and
gave me the scolding.Another day he climbed up on a derrick used for hoisting cargo. George,
oblivious to this was sitting on the hatch cover with other passengers reading a book. I
was in the wash house aft on the same deck when Kate rushed in and said, “Mummy
come and see Jim.” Before I had time to more than gape, the butcher noticed Jim and
rushed out knife in hand. “Get down from there”, he bellowed. Jim got, and with such
speed that he caught the leg or his shorts on a projecting piece of metal. The cotton
ripped across the seam from leg to leg and Jim stood there for a humiliating moment in a
sort of revealing little kilt enduring the smiles of the passengers who had looked up from
their books at the butcher’s shout.That incident cured Jim of his urge to climb on the ship but he managed to give
us one more fright. He was lost off Dover. People from whom we enquired said, “Yes
we saw your little boy. He was by the railings watching that big aircraft carrier.” Now Jim,
though mischievous , is very obedient. It was not until George and I had conducted an
exhaustive search above and below decks that I really became anxious. Could he have
fallen overboard? Jim was returned to us by an unamused Officer. He had been found
in one of the lifeboats on the deck forbidden to children.Our ship passed Dover after dark and it was an unforgettable sight. Dover Castle
and the cliffs were floodlit for the Victory Celebrations. One of the men passengers sat
down at the piano and played ‘The White Cliffs of Dover’, and people sang and a few
wept. The Mantola docked at Tilbury early next morning in a steady drizzle.
There was a dockers strike on and it took literally hours for all the luggage to be
put ashore. The ships stewards simply locked the public rooms and went off leaving the
passengers shivering on the docks. Eventually damp and bedraggled, we arrived at St
Pancras Station and were given a warm welcome by George’s sister Cath and her
husband Reg Pears, who had come all the way from Nottingham to meet us.
As we had to spend an hour in London before our train left for Nottingham,
George suggested that Cath and I should take the children somewhere for a meal. So
off we set in the cold drizzle, the boys and I without coats and laden with sundry
packages, including a hand woven native basket full of shoes. We must have looked like
a bunch of refugees as we stood in the hall of The Kings Cross Station Hotel because a
supercilious waiter in tails looked us up and down and said, “I’m afraid not Madam”, in
answer to my enquiry whether the hotel could provide lunch for six.
Anyway who cares! We had lunch instead at an ABC tea room — horrible
sausage and a mound or rather sloppy mashed potatoes, but very good ice-cream.
After the train journey in a very grimy third class coach, through an incredibly green and
beautiful countryside, we eventually reached Nottingham and took a bus to Jacksdale,
where George’s mother and sisters live in large detached houses side by side.
Ann and George were at the bus stop waiting for us, and thank God, submitted
to my kiss as though we had been parted for weeks instead of eight years. Even now
that we are together again my heart aches to think of all those missed years. They have
not changed much and I would have picked them out of a crowd, but Ann, once thin and
pale, is now very rosy and blooming. She still has her pretty soft plaits and her eyes are
still a clear calm blue. Young George is very striking looking with sparkling brown eyes, a
ready, slightly lopsided smile, and charming manners.Mother, and George’s elder sister, Lottie Giles, welcomed us at the door with the
cheering news that our tea was ready. Ann showed us the way to mother’s lovely lilac
tiled bathroom for a wash before tea. Before I had even turned the tap, Jim had hung
form the glass towel rail and it lay in three pieces on the floor. There have since been
similar tragedies. I can see that life in civilisation is not without snags.I am most grateful that Ann and George have accepted us so naturally and
affectionately. Ann said candidly, “Mummy, it’s a good thing that you had Aunt Cath with
you when you arrived because, honestly, I wouldn’t have known you.”Eleanor.
Jacksdale England 28th August 1946
Dearest Family.
I am sorry that I have not written for some time but honestly, I don’t know whether
I’m coming or going. Mother handed the top floor of her house to us and the
arrangement was that I should tidy our rooms and do our laundry and Mother would
prepare the meals except for breakfast. It looked easy at first. All the rooms have wall to
wall carpeting and there was a large vacuum cleaner in the box room. I was told a
window cleaner would do the windows.Well the first time I used the Hoover I nearly died of fright. I pressed the switch
and immediately there was a roar and the bag filled with air to bursting point, or so I
thought. I screamed for Ann and she came at the run. I pointed to the bag and shouted
above the din, “What must I do? It’s going to burst!” Ann looked at me in astonishment
and said, “But Mummy that’s the way it works.” I couldn’t have her thinking me a
complete fool so I switched the current off and explained to Ann how it was that I had
never seen this type of equipment in action. How, in Tanganyika , I had never had a
house with electricity and that, anyway, electric equipment would be superfluous
because floors are of cement which the houseboy polishes by hand, one only has a
few rugs or grass mats on the floor. “But what about Granny’s house in South Africa?’”
she asked, so I explained about your Josephine who threatened to leave if you
bought a Hoover because that would mean that you did not think she kept the house
clean. The sad fact remains that, at fourteen, Ann knows far more about housework than I
do, or rather did! I’m learning fast.The older children all go to school at different times in the morning. Ann leaves first
by bus to go to her Grammar School at Sutton-in-Ashfield. Shortly afterwards George
catches a bus for Nottingham where he attends the High School. So they have
breakfast in relays, usually scrambled egg made from a revolting dried egg mixture.
Then there are beds to make and washing and ironing to do, so I have little time for
sightseeing, though on a few afternoons George has looked after the younger children
and I have gone on bus tours in Derbyshire. Life is difficult here with all the restrictions on
foodstuffs. We all have ration books so get our fair share but meat, fats and eggs are
scarce and expensive. The weather is very wet. At first I used to hang out the washing
and then rush to bring it in when a shower came. Now I just let it hang.We have left our imprint upon my Mother-in-law’s house for ever. Henry upset a
bottle of Milk of Magnesia in the middle of the pale fawn bedroom carpet. John, trying to
be helpful and doing some dusting, broke one of the delicate Dresden china candlesticks
which adorn our bedroom mantelpiece.Jim and Henry have wrecked the once
professionally landscaped garden and all the boys together bored a large hole through
Mother’s prized cherry tree. So now Mother has given up and gone off to Bournemouth
for a much needed holiday. Once a week I have the capable help of a cleaning woman,
called for some reason, ‘Mrs Two’, but I have now got all the cooking to do for eight. Mrs
Two is a godsend. She wears, of all things, a print mob cap with a hole in it. Says it
belonged to her Grandmother. Her price is far beyond Rubies to me, not so much
because she does, in a couple of hours, what it takes me all day to do, but because she
sells me boxes of fifty cigarettes. Some non-smoking relative, who works in Players
tobacco factory, passes on his ration to her. Until Mrs Two came to my rescue I had
been starved of cigarettes. Each time I asked for them at the shop the grocer would say,
“Are you registered with us?” Only very rarely would some kindly soul sell me a little
packet of five Woodbines.England is very beautiful but the sooner we go home to Tanganyika, the better.
On this, George and I and the children agree.Eleanor.
Jacksdale England 20th September 1946
Dearest Family.
Our return passages have now been booked on the Winchester Castle and we
sail from Southampton on October the sixth. I look forward to returning to Tanganyika but
hope to visit England again in a few years time when our children are older and when
rationing is a thing of the past.I have grown fond of my Sisters-in-law and admire my Mother-in-law very much.
She has a great sense of humour and has entertained me with stories of her very
eventful life, and told me lots of little stories of the children which did not figure in her
letters. One which amused me was about young George. During one of the air raids
early in the war when the sirens were screaming and bombers roaring overhead Mother
made the two children get into the cloak cupboard under the stairs. Young George
seemed quite unconcerned about the planes and the bombs but soon an anxious voice
asked in the dark, “Gran, what will I do if a spider falls on me?” I am afraid that Mother is
going to miss Ann and George very much.I had a holiday last weekend when Lottie and I went up to London on a spree. It
was a most enjoyable weekend, though very rushed. We placed ourselves in the
hands of Thos. Cook and Sons and saw most of the sights of London and were run off
our feet in the process. As you all know London I shall not describe what I saw but just
to say that, best of all, I enjoyed walking along the Thames embankment in the evening
and the changing of the Guard at Whitehall. On Sunday morning Lottie and I went to
Kew Gardens and in the afternoon walked in Kensington Gardens.We went to only one show, ‘The Skin of our Teeth’ starring Vivienne Leigh.
Neither of us enjoyed the performance at all and regretted having spent so much on
circle seats. The show was far too highbrow for my taste, a sort of satire on the survival
of the human race. Miss Leigh was unrecognisable in a blond wig and her voice strident.
However the night was not a dead loss as far as entertainment was concerned as we
were later caught up in a tragicomedy at our hotel.We had booked communicating rooms at the enormous Imperial Hotel in Russell
Square. These rooms were comfortably furnished but very high up, and we had a rather
terrifying and dreary view from the windows of the enclosed courtyard far below. We
had some snacks and a chat in Lottie’s room and then I moved to mine and went to bed.
I had noted earlier that there was a special lock on the outer door of my room so that
when the door was closed from the inside it automatically locked itself.
I was just dropping off to sleep when I heard a hammering which seemed to
come from my wardrobe. I got up, rather fearfully, and opened the wardrobe door and
noted for the first time that the wardrobe was set in an opening in the wall and that the
back of the wardrobe also served as the back of the wardrobe in the room next door. I
quickly shut it again and went to confer with Lottie.Suddenly a male voice was raised next door in supplication, “Mary Mother of
God, Help me! They’ve locked me in!” and the hammering resumed again, sometimes
on the door, and then again on the back of the wardrobe of the room next door. Lottie
had by this time joined me and together we listened to the prayers and to the
hammering. Then the voice began to threaten, “If you don’t let me out I’ll jump out of the
window.” Great consternation on our side of the wall. I went out into the passage and
called through the door, “You’re not locked in. Come to your door and I’ll tell you how to
open it.” Silence for a moment and then again the prayers followed by a threat. All the
other doors in the corridor remained shut.Luckily just then a young man and a woman came walking down the corridor and I
explained the situation. The young man hurried off for the night porter who went into the
next door room. In a matter of minutes there was peace next door. When the night
porter came out into the corridor again I asked for an explanation. He said quite casually,
“It’s all right Madam. He’s an Irish Gentleman in Show Business. He gets like this on a
Saturday night when he has had a drop too much. He won’t give any more trouble
now.” And he didn’t. Next morning at breakfast Lottie and I tried to spot the gentleman in
the Show Business, but saw no one who looked like the owner of that charming Irish
voice.George had to go to London on business last Monday and took the older
children with him for a few hours of sight seeing. They returned quite unimpressed.
Everything was too old and dirty and there were far too many people about, but they
had enjoyed riding on the escalators at the tube stations, and all agreed that the highlight
of the trip was, “Dad took us to lunch at the Chicken Inn.”Now that it is almost time to leave England I am finding the housework less of a
drudgery, Also, as it is school holiday time, Jim and Henry are able to go on walks with
the older children and so use up some of their surplus energy. Cath and I took the
children (except young George who went rabbit shooting with his uncle Reg, and
Henry, who stayed at home with his dad) to the Wakes at Selston, the neighbouring
village. There were the roundabouts and similar contraptions but the side shows had
more appeal for the children. Ann and Kate found a stall where assorted prizes were
spread out on a sloping table. Anyone who could land a penny squarely on one of
these objects was given a similar one as a prize.I was touched to see that both girls ignored all the targets except a box of fifty
cigarettes which they were determined to win for me. After numerous attempts, Kate
landed her penny successfully and you would have loved to have seen her radiant little
face.Eleanor.
Dar es Salaam 22nd October 1946
Dearest Family.
Back in Tanganyika at last, but not together. We have to stay in Dar es Salaam
until tomorrow when the train leaves for Dodoma. We arrived yesterday morning to find
all the hotels filled with people waiting to board ships for England. Fortunately some
friends came to the rescue and Ann, Kate and John have gone to stay with them. Jim,
Henry and I are sleeping in a screened corner of the lounge of the New Africa Hotel, and
George and young George have beds in the Palm Court of the same hotel.We travelled out from England in the Winchester Castle under troopship
conditions. We joined her at Southampton after a rather slow train journey from
Nottingham. We arrived after dark and from the station we could see a large ship in the
docks with a floodlit red funnel. “Our ship,” yelled the children in delight, but it was not the
Winchester Castle but the Queen Elizabeth, newly reconditioned.We had hoped to board our ship that evening but George made enquiries and
found that we would not be allowed on board until noon next day. Without much hope,
we went off to try to get accommodation for eight at a small hotel recommended by the
taxi driver. Luckily for us there was a very motherly woman at the reception desk. She
looked in amusement at the six children and said to me, “Goodness are all these yours,
ducks? Then she called over her shoulder, “Wilf, come and see this lady with lots of
children. We must try to help.” They settled the problem most satisfactorily by turning
two rooms into a dormitory.In the morning we had time to inspect bomb damage in the dock area of
Southampton. Most of the rubble had been cleared away but there are still numbers of
damaged buildings awaiting demolition. A depressing sight. We saw the Queen Mary
at anchor, still in her drab war time paint, but magnificent nevertheless.
The Winchester Castle was crammed with passengers and many travelled in
acute discomfort. We were luckier than most because the two girls, the three small boys
and I had a stateroom to ourselves and though it was stripped of peacetime comforts,
we had a private bathroom and toilet. The two Georges had bunks in a huge men-only
dormitory somewhere in the bowls of the ship where they had to share communal troop
ship facilities. The food was plentiful but unexciting and one had to queue for afternoon
tea. During the day the decks were crowded and there was squatting room only. The
many children on board got bored.Port Said provided a break and we were all entertained by the ‘Gully Gully’ man
and his conjuring tricks, and though we had no money to spend at Simon Artz, we did at
least have a chance to stretch our legs. Next day scores of passengers took ill with
sever stomach upsets, whether from food poisoning, or as was rumoured, from bad
water taken on at the Egyptian port, I don’t know. Only the two Georges in our family
were affected and their attacks were comparatively mild.As we neared the Kenya port of Mombassa, the passengers for Dar es Salaam
were told that they would have to disembark at Mombassa and continue their journey in
a small coaster, the Al Said. The Winchester Castle is too big for the narrow channel
which leads to Dar es Salaam harbour.From the wharf the Al Said looked beautiful. She was once the private yacht of
the Sultan of Zanzibar and has lovely lines. Our admiration lasted only until we were
shown our cabins. With one voice our children exclaimed, “Gosh they stink!” They did, of
a mixture of rancid oil and sweat and stale urine. The beds were not yet made and the
thin mattresses had ominous stains on them. John, ever fastidious, lifted his mattress and two enormous cockroaches scuttled for cover.We had a good homely lunch served by two smiling African stewards and
afterwards we sat on deck and that was fine too, though behind ones enjoyment there
was the thought of those stuffy and dirty cabins. That first night nearly everyone,
including George and our older children, slept on deck. Women occupied deck chairs
and men and children slept on the bare decks. Horrifying though the idea was, I decided
that, as Jim had a bad cough, he, Henry and I would sleep in our cabin.When I announced my intention of sleeping in the cabin one of the passengers
gave me some insecticide spray which I used lavishly, but without avail. The children
slept but I sat up all night with the light on, determined to keep at least their pillows clear
of the cockroaches which scurried about boldly regardless of the light. All the next day
and night we avoided the cabins. The Al Said stopped for some hours at Zanzibar to
offload her deck cargo of live cattle and packing cases from the hold. George and the
elder children went ashore for a walk but I felt too lazy and there was plenty to watch
from deck.That night I too occupied a deck chair and slept quite comfortably, and next
morning we entered the palm fringed harbour of Dar es Salaam and were home.Eleanor.
Mbeya 1st November 1946
Dearest Family.
Home at last! We are all most happily installed in a real family house about three
miles out of Mbeya and near the school. This house belongs to an elderly German and
has been taken over by the Custodian of Enemy Property and leased to the
Government.The owner, whose name is Shenkel, was not interned but is allowed to occupy a
smaller house on the Estate. I found him in the garden this morning lecturing the children
on what they may do and may not do. I tried to make it quite clear to him that he was not
our landlord, though he clearly thinks otherwise. After he had gone I had to take two
aspirin and lie down to recover my composure! I had been warned that he has this effect
on people.Mr Shenkel is a short and ugly man, his clothes are stained with food and he
wears steel rimmed glasses tied round his head with a piece of dirty elastic because
one earpiece is missing. He speaks with a thick German accent but his English is fluent
and I believe he is a cultured and clever man. But he is maddening. The children were
more amused than impressed by his exhortations and have happily Christened our
home, ‘Old Shenks’.The house has very large grounds as the place is really a derelict farm. It suits us
down to the ground. We had no sooner unpacked than George went off on safari after
those maneating lions in the Njombe District. he accounted for one, and a further two
jointly with a Game Scout, before we left for England. But none was shot during the five
months we were away as George’s relief is quite inexperienced in such work. George
thinks that there are still about a dozen maneaters at large. His theory is that a female
maneater moved into the area in 1938 when maneating first started, and brought up her
cubs to be maneaters, and those cubs in turn did the same. The three maneating lions
that have been shot were all in very good condition and not old and maimed as
maneaters usually are.George anticipates that it will be months before all these lions are accounted for
because they are constantly on the move and cover a very large area. The lions have to
be hunted on foot because they range over broken country covered by bush and fairly
dense thicket.I did a bit of shooting myself yesterday and impressed our African servants and
the children and myself. What a fluke! Our houseboy came to say that there was a snake
in the garden, the biggest he had ever seen. He said it was too big to kill with a stick and
would I shoot it. I had no gun but a heavy .450 Webley revolver and I took this and
hurried out with the children at my heels.The snake turned out to be an unusually large puff adder which had just shed its
skin. It looked beautiful in a repulsive way. So flanked by servants and children I took
aim and shot, not hitting the head as I had planned, but breaking the snake’s back with
the heavy bullet. The two native boys then rushed up with sticks and flattened the head.
“Ma you’re a crack shot,” cried the kids in delighted surprise. I hope to rest on my laurels
for a long, long while.Although there are only a few weeks of school term left the four older children will
start school on Monday. Not only am I pleased with our new home here but also with
the staff I have engaged. Our new houseboy, Reuben, (but renamed Robin by our
children) is not only cheerful and willing but intelligent too, and Jumbe, the wood and
garden boy, is a born clown and a source of great entertainment to the children.I feel sure that we are all going to be very happy here at ‘Old Shenks!.
Eleanor.
