Search Results for 'continuing'

When Balbina woke up from that which had been her longest and strangest projection out of her body ever, all the memories of this fantastic adventure were oddly still fresh and crystal clear in her mind.

She doubted that it may have been as real as she has perceived it to be; but the funny rabbit, before they all entered the long dark tunnel, had winked at her and told her there would be signs for her.

Outside the window, the sunlight was starting to show on the Cordillera de la Costa, the nearby mountains.
She was feeling strangely rejuvenated by this unexpected night spent in far-away travels, and it was almost as if her whole body was feeling better than it ever was.
But of course, it was more of the same. Fabella, the nurse would soon enter and great her with a…

“Did Madam sleep well?”
“Quite, yes”… Her voice was quivering. Hardly the youthful voice she had during her projections out of the body.

So, there she was again, in that old people house, and no way out of this mis…

“What?!” she made the nurse busy cleaning her instruments repeat —to which she was far too pleased to comply.
“Yes, Madam, your son phoned this morning and told he would come for you…”

Her son? That was most unexpected.

What did the rabbit said already? Help would come from the most unexpected corners… Well, she had almost forgotten that this corner still existed!

“Did he say something else?”
“Oh, I’m not really allowed to tell, M’am…”
“But of course, you can’t really resist (little goose)” simpered the old wincing lady in a whisper to herself.
Fabella was indeed continuing, unstoppable “… but he seems to consider it’s too expensive to have you here, and would love to have you home with him”

Well, of course, you can’t really expect him to be so generous for no reason Balbina was thinking… But anything would probably be better than this old fools’ home. Even her son’s home.

Besides, it was located outside Caracas, near the mountains… And if the funny rabbit’s directions were correct, it was very, very close from where her hosts (provided they existed of course) were to re-emerge.

She’d never imagined that falling into the abyss of sweet madness would be so exciting.

Q: Okay. What happens to things we create, like with
characters? Are they merely thought-forms, being extensions of
ourselves? Or do they … CAN they move on and become more?

ELIAS: This is dependent upon your choices and how you are
manipulating energy.

Now; in this, let us view what you in physical focus term to be
artistic expressions, in the area of musical composition and of
painting expressions. These are two obvious examples within your
physical creations that you may view certain qualities of the
expressions.

Now; in this, some expressions, within either musical compositions
or expressions of illustrations or paintings, may appear to be
merely an expression of the individual and hold the energy signature
of that individual, but they appear or seem to not extend any
farther, so to speak; this is figuratively speaking.

In other terms, you may encounter other types of musical
compositions or illustrated or painted compositions, and they appear
quite differently. They appear not merely to hold the energy
signature of the individual that has created them, but they also
seem to hold an energy of their own, as if they have been created
into an entity of their own.

Now; the reason that you connect with this recognition of these
types of expressions is that the composition does hold the energy
signature of the individual that has created it, but what it also
may hold is an aspect of that individual focus which has been
allowed to be projected outwardly and has been allowed to continue
independently of the focus.

This is a similar action to fragmentation, but in very physical,
figurative terms, a much, much smaller scale.

This would be likened to any individual, any focus, any essence
projecting an aspect of itself into any other element within its
physical creation – a creature, a plant, a rock. It matters not. You
hold the ability within essence to be projecting an aspect of
essence or of a particular focus into any of these elements to be
experiencing the creations of that element of your reality, such as
a creature or any vegetation, an ocean, a mountain, a rock. It
matters not.

In similar manner, you may project an aspect of yourself into one of
your creations or all of your creations or several of your
creations, and in this, not merely you shall recognize that this
creation appears to take on, so to speak, a life of its own, in your
terms, but other individuals shall recognize this quality also, for
you have allowed yourself to project an aspect of yourself into your
physical creation, therefore breathing into it its own
manifestation, allowing it to be continuing within its own element,
so to speak, within its own right, in a manner of speaking. Are you
understanding?

Therefore, this be your choice of how you shall be creating
within your creativity and what you shall project within it. Appear
it not strange to you that certain individuals may be deemed as
great masters and they shall be revered for their creations and
their creations shall be enduring throughout your linear physical
time, and other individuals may be creating and their expressions of
creativity do not hold this quality? This is the reason…”

Fabella had just entered the room. She was chatting noisily, as if someone would answer to her. The sound of her footsteps was playing strange ripples on the wooden floor which were mesmerizing to look at.

“Years ago, I’d have felt obliged to answer her” she was thinking, as she was hovering over her body looking at the freckled nurse.
“I’d felt obliged by some nonsensical politeness to give her the impression that I was, somewhat, paying attention to her as a person —if not to her chatter.”
She laughed wholeheartedly.

“Oh, you’re smiling Madam, but that ain’t the whole thing, you know! Would you imagine that Miss Elena, after such an outcry would have become wiser, but no…”

The voice was continuing an endless litany of gossips.
It was obvious that the nurse wasn’t trying to get any answer, much less a conversation from the old body she was giving her daily injection to, she had found out. All the more since that body was so weak and talking was taking more energy than she was willing to give to this action. It was so much more exhilarating to play out of it.
She was proud of herself, having come to a place not only to feel accepting of that bodily condition that had left her riveted to her chair and bed at an early age, but more so, to feel grateful for it.

The first steps had been the most difficult: a whole new world so vast it was feeling as wide as a crocodile’s mouth menacing to engulf her. But like the crocodile’s mouth, it was easier to shut it close than one would think, and she had found out that she would snap back to her body each time she was distressed. Quite the opposite of what an adventurous mind like hers would endeavour to conquer. She had no care for her dying body, not with this new-found freedom.
Perhaps it was a mere springboard for her to get accustomed to death. That’s what her brother had told her once. But he was so fully soaking in religious beliefs that she didn’t know how to handle that he had merely said to her as a gift.
All that was important was the exploration, which was real to her. And it was, not only to her, but to others too.

For instance, she was now walking, still around Fabella, observing the interplay of the nurse’s energy field with the other people around her, even though Fabella had finished dealing with her minutes ago.
In fact, she knew more about Fabella than she could have learned in years of monologues with her. Things like that Ricardo wasn’t the caring guy he was pretending to be with her. But then, she didn’t know how to tell her (and if she had even the right to). She had the feeling that perhaps Ricardo and Fabella’s stories were just distractions that she had found to limit herself in the familiar of her little explorations.
There was so much more that she could do, she could feel it. There were no boundaries to it.
She could will herself to be in any place, unnoticed by most.

Perhaps she could try a “jump” to another location. Trusting that she would come back, as she always had. If if she wouldn’t… well, that could well mean an improvement after all.
What about something easy? Like some uncharted paradisaical island in the Pacific…

The City, year 2257

Janice had just awoken from a strange dream, where she was watching big round cabbages being harvested in what looked like Quintin’s father garden. They were all firmly rooted on a black irrigation pole across the garden, and people were using strange devices to turn them all delicately and pick them afterwards. In the dream, there were black puppies too, sleeping in the straw of a kind of hut nearby. And she had seen another creature, and had been surprised first because it was unlike anything she had ever met, even in dreams. It was hairless and brown as soft mud, and was hiding in the neighbour’s garden. Then it had crossed and came to play with her…

Janice was lost in her thoughts strolling on the way to the common dome, when she met Rodney, her father’s friend.
They had been recently trying with her father Jacob, and also Qixi to connect with their shifting focuses of the Ancients, two centuries and half before their time.
Some of them, they had found, had been playing a sort of game of story-telling and clue-sowing… (Janice was laughing as her father’s friend, the scientist Arkandin, always insisted on seesawing instead)

Perhaps her dream was telling her that the crop was ripe, and it was time to harvest some from it. She told her dream to Rodney. All at once, he was quite excited and they started to feel they wanted to chat more freely. So they went into one of the Medraw Caps that was available and soon imagined a comfortable environment for themselves to explore more.

Janice could hear Al or Quintin complain about how things were getting confusing.
She tried to convey to both of them that they could be excited about it, as it was expanding their understanding, but they weren’t very receptive.

Somewhere Al was saying to Becky
— The more you try to fix it, the more confused I am
— Hahahahah yes! Becky was answering, I guess so! Ahahahah! Al, what a fabulous dance of confusion we do… The Confundo Tango
— Ahahah, yes!

Al started again to moan:
— So who’s dead, who’s the shapeshifter? Who’s the human, who’s the cat?

(Rodney was laughing, as for him, he could accept the confusion as much easier, letting him free to wander around!)

— Illi was a woman, a shapeshifter who shape-shifted into a cat, then, she died. Becky was saying (Rodney added mentally “Now, she is disengaged” as he knew that “death” was a confusing word.) She was an archaeologist
— Okay, that’s cool, that’s what I thought, Al acquiesced. Then thought back of what was said of her and wondered… Anyway, it will probably find a perfect answer …
Becky nodded
— I got lost myself when two Illis appeared, and a grip-thing as well
— Because I didn’t want the grip-thing to be dead! Al couldn’t help but laugh. That would have been too easy, like wiggling out. Not using your imagination within the context of objective imagery to sort out “things”…

While Rodney and Janice were seeing that their other focuses were kind of stuck in their explanation, they had time freeze and both decided to come back to their “now” to start from their understanding.
A funny thought had come to Janice, that she shared with Rodney.
— Oh, the funny thing you know, about Becky having written to Sean…
Rodney nodded. Janice continued:
— It just appeared in my mind just moments ago, at the same time you (well, Rafaela) inserted into the story of Malvina. That Becky would have been asking Sean something, and that perhaps it would have helped him talk to his father in the future.

— Well, that Sean is SUCH AN ENIGMA! bumped Rodney a bit excited by the implications.
— What do you mean? asked Janice, who just remembered that Sean Doran has a cousin named Dorean.
— Who is he? Where is he? was asking Rodney now.
Rodney was having a hard time remembering what had been inserted yet in the story about him.

So Janice manifested the Wrick family tree in front of them, so that he could see better. She started by manifesting an acorn, then threw in on the grass, and it sprung forth in a little sapling with signs hanging from its branches.

— Well, it’s all in the script, answered Janice, he’s Lord Wrick’s son.
— Oh boy, I am in trouble again for not keeping up with the facts! Rodney sighed, and laughed…
Janice laughed “So that you can surprise yourself again!”

Rodney felt thankful for the sumafiness of Janice who was always prompt to display helpful hallucinations and reminders.

Janice stopped the growth of the family tree for a moment and started to comment it.
— See, in Becky’s time of the reality play, Sean is Lord’s Wrick son, and has just lost his wife Margaret, and got his two young children around their 10s.
— When is Becky’s time then? Rodney wondered, I hadn’t though of that…
— Becky’s time for the reality play is around 2033…
Then Janice had the tree grow again, and sprout more branches from Sean’s children:
— …Now, Sean is the grand-father of the twins, except than the twin’s time is around 2057 if it had not changed yet. It’s so carefully woven, but it’s fun how it effortlessly came to fit in.
— TRUST AND ALLOWING AND GOING WITH THE FLOW cried Rodney and Janice in unison, in the realisation of how well all this was.

Rodney was beginning to remember it all.
— I just remember the part about Sean, so he is still a bit of a mystery
— Yes, absolutely
— We don’t really know do we why Hilarion didn’t mention him
— Oh, there’s also the Margaret newspaper thing… Janice fumbled in her memory to find the proper link that would display the image of the newspaper cut just at the right of the family tree. Adding with a wink “with more dates to get bearings”
— Ahahah, I’d love to have pocketfuls of ball bearings said Rodney who manifested a pocketful to distract him from the load of information. OH YES! he cried, I had forgetten about this! What an incredibly HUGE story this is…

Rodney was squinting his dream eyes
— So, Sean was into humanitarian effort after 2001…
— His father actually I think, said Janice. He was a bit too young.
— Oh OK, I misread, that’s hard to read!

Then, all of a second, Rodney erupted in an uproarious laugh
— AHAHAHA, I had just forgotten to de-hallucinate these pince-nez spectacles! Now, it is much easier to read!
Janice was laughing so hard, she thought she would shatter the hallucination with the wobbles of the soundless sounds.
Then she added:

— Sean is born around 2000, a bit before.
— OK, maybe he went to help the Tuaregs, Rodney was accessing some information now. Maybe he was the one who put the mummy in the locked room that India found.
— You know I had something funny in store for the mummy mystery, Janice couldn’t help but laugh again. I imagined we could have inserted Old Manon, coming down to secretly drink from her old malt whiskey’s flask, and finding them messing up with her old dear stuffed cat…
— Maybe the mummy was the same one that Dory saw in the oblong hole in the ground outside the cave, Rodney was still accessing flickering images swirling around his head. And Sean was there helping the Tuaregs and moved it to safety.
Of course, years previously, Illi Fergusson, the archeologist had buried the mummy there too for safe keeping.

Now, Janice was hooked:
— Was it where Illi learned about shapeshifting tricks from the old tribe?
Rodney noticed Janice’s funny remark and laughed before continuing:
— The Tuaregs were conducting secret coleslaw experiments in the desert. In combination with sound and irrigation techniques, they were going to run the entire Sahara into a broccoli field.

Janice was amazed at the cabbage “coincidence” and irrigation stuff with her dream of that morning. Of course she knew there where probably mis-interpretation of the imagery coming from Rodney’s visions, but something made sense.
— Around which year? she asked
— Arrggh I don’t know!… Then, taking a breath of dream air, Rodney said “1923”. When Illi learned shape-shifting trick, 1923.
— It makes sense, said Janice who was now thinking of other dispersed informations about Illi Fergusson.
— Yes, she learned from Dashine Ashara… Although who that is, I don’t yet know.
— Wow, said Janice. She had felt a connection with the “da’sheen” sound. She continued: somewhere, Illi Fergusson has said: “my parents were aristocrats”
— Yes, answered Rodney who was accessing again, they were, and they knew the Wildes .
— And it was said too: “[…] a nurturing presence that reminded Illi of the maid she and her parents had in their cottage in South Africa”… like her parents were traveling a lot.
— Ah, South Africa! Illi’s parents emigrated to South Africa with Sir Abingdon Portfellow, an elderly scholar on ancient artifacts and embalming.
— Seems she knew John Lubbock too, said Janice again, reviving old data banks of information. Dates seem okay, so if she was around 30 in the Tuareg adventure, she could have met him.
— Wow, said Rodney, this is even more interesting…

“But we may sit at home and yet be in all quarters of the earth.” Janice had just summoned the voice of the naturalist and archaeologist. Rodney applauded “Lubbock said that? cool quote!”.
— Yes, like Illi’s quote, which was from him “What we see depends mainly on what we look for”. I wonder if that’s one of your (Illi’s) overlapping focuses, said Janice…

— Well, Illi didnt stay long in South Africa with boring old whatever his name was, Rodney pursued
— Yes, she was young with her parents. They were traveling…

They were both amazed at the magical cooperation they were doing at that moment. Janice would have loved to share all of that with Qixi and Jacob, but probably their energies were present at the moment too, though not focused here.

She then remembered something else:
— Oh, and there is something else! Quintin’s dream of the woman detective. Let me fetch it she said, summoning now Quintin’s memory to talk to them.
… by night, near a museum in London, in the 1920s. She was investigating a case of a strange disappearance near a small replicate of an Egyptian pyramid that had been put here for display. There had been an exposition of ancient artifacts in the museum, which had been recently unearthed by a team of archaeologists and graciously lent by Egypt’s officials. Strangely enough, the woman detective feels linked to the story, and is probably Dory…
Date fits again, she said in awe.
— Perfect! said Rodney. She was of course Dory too, but in that focus she was Illi Fergusson… he slowed down, then said No! wait! The detective was another one of my focuses. The archeologist who stole the mummy for safekeeping was Illi.
— Hmmm
— Hmmm
— So you are both the thief and the detective, the one who creates mystery for yourself, how interesting, giggled Janice.
— Yes, and not only that Janice! Rodney was taking a mysterious air… I am the mummy too!

Janice bust out laughing imagining Rodney in bandages. Yes, of course!
Then, she had a name come with that: Apsh’un Shet she said, very self-absorbed.
Now, that was Rodney’s turn to burst out laughing.
— “I am not sure about that!”
— Doubting my insights… mmm, how rude… Janice frowned then laughed again.
— If you call me that, I may have to make you out to have a speech impediment
— Sounds a good Egyptian name for me though, seems it means “Light of the Dawn”
— Does it? Oh that sounds nice…
— Well, in some Egyptian dialect, yes. She was a Princess…
— Hahaha! Reminds me of Aspen Shit. Rodney doubted Janice could be serious about that name, but Janice was now the one to be accessing some information.
— Bit bossy Princess
— Which dynasty?
— III ^rd, answered Janice, who fumbled in links of consciousness to find some timeline to project for them.
— What year?
Janice projected the timeline below then said
— I’d say around 2657 B.C., in Ancients way of telling time.

They both marveled at the splendid team work they had been doing, and hoped that the other focuses involved would be able to get some parts of their insights too.

Rodney was seeing something else
— There is also, a very fascinating link between Tassili in the Sahara and Egypt which is a mystery AND there is a connection with Egypt and Scotland too…
— Illi the gripshawk comes from the mysterious land of the Sands, south of the map fragment
— We may unravel more than we think… Illi is an other dimensional focus of the Illi essence…
— Yes she is. She is a connection too, being “lost” in the land of dragons after hopping through traveling portals…
— Exactly
— And they communicated because they are helping each other
— Which is why she doesn’t always ‘fit’ into this reality’s energy configuration
— And they have some difficulties at times with translations of other dimensional stuff
— Yes! resulting in confusion!

And they both laughed again, looking at the great tapestry of clues that was woven before their dream eyes.

October 12 ^th

Lots of movements have been started, movements of expansion, and the joint efforts and ventures took off for new exciting potentials when the migration to the new “expanded sandbox” (as playfully expressed by Quintin) has been completed.
Interestingly, it has been relatively painless and quick in both the find of the perfect “method”, and the perfect “tools”. In noticing how the feelings where acting as a compass that was telling him whether he was in the right direction or not, and in trusting them, Quintin has incorporated that tool without previous knowledge of its potential use. He just knew it was right.
And so it is.

October 16 ^th

My dear friend Elias has expressed some time ago this, which may be interesting for the adventurers to read and see how it applies to them…

“I expressed to you at our last meeting that some focuses continue each other as ‘sequels’ of books. … They are continuations, so to speak. Although they are not accomplished linearly, you may view them as continuing chapters of the same story. In this, they would be considered parallel focuses. You may view within your new game many focuses in which you have held experiences quite different to each other. Then you may also view some focuses that are seemingly related. You are engaged with all of the same characters within a continuation of the same play.” [Elias, #142]

Lots of things were moving around, Quintin felt. It was nothing he could have explained in words of the physical world, but he was aware of some deep movement, something like a new beginning.

Lots of others had been moving too, in their own ways, sometimes not quite comfortably, but it was calmer now, like after a tempest, clear limpid sky, and splinters of wooden ships floating gently on the oily surface of the sea.

Dory had been very sick in Madagascar she’d told him, perhaps after having eaten some food, she could not have told why. But now was better… It had seemed a good night of sleep was good enough a medicine for her.

He had dreamed of Fiona too, some shared past lives in the 1860s in a small town in the US, it had been very vivid, and he had felt a great lovingness between them… Somehow they could find each other again, anytime, he knew that.

As for Yann, after that week-end they had spent together, all was clear too between them, they could create the fun they wanted without needing to make it difficult for them, it was only a matter of being accepting of their own choices and impulses, which was at times easier said than done.

It had been an interesting exchange between them all, and it was still continuing. Perhaps it was a gift from Malika, her gentle presence, which was very much like Malvina’s in her cave…