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June 12, 2024 at 6:29 am #7468
In reply to: The Incense of the Quadrivium’s Mystiques
At least the weather was nice in Brussels. The trip to the International Witch Bank of Grungebotts, in the quarters of Ravenstein was luckily a day trip this time, rather these week-long offsite workshops they’d been submitted to in the previous months.
It had not taken long to Austreberthe to send some of the Quadrivium witches to do her errands.
Eris was summoned in the wee hours of the day, in order to do a check-in with the bankers. The state of finances of the Quadrivium had been under scrutiny already at the time of Malové, but probably even more now during this power vacuum period.
Austreberthe had insisted Eris could be there to join with a few of the Witches of Compliance who would handle most of the discussion, while she would present the business side of their last ventures. Apparently Malové had only hinted at the secret missions she’d given some of the witches, without sharing any detail to her head of Finance.
Malové was apparently very used to these exchanges with the bankers, having struggled for a while to keep the Incense venture afloat. The presentation had been very expertly put together, and Eris for her part was mostly here to embody the seriousness and practicality of the business; in truth the bankers themselves, some greying end-of-career wizards, were obviously just here to do their job, and not eager to find fault that would require a more heavy-handed audit approach.
Within two hours of confident presentation, soft discussions on the state of international witches and wizard affairs, the political state in the union, and the incoming Worldwide Roman Games, with the help of a few madeleines dipped in black coffee, it was quickly done.
“How did it go?” Austreberthe anxious message was already flashing imperiously on her device as she boarded the return magical train. Eris distractly showed her ticket to the lady controller with the red lavallière and the strangest red octopus brooch, while struggling to answer.
She was too tired to overthink it. She tapped in quick taps the answer “All good for now. We should be in the clear until the next one.” and reclined back to get some needed rest.
June 5, 2024 at 11:18 pm #7451In reply to: The Incense of the Quadrivium’s Mystiques
Madeira! Good grief,” murmured Frella when she read Truella’s message. Of course Madeira! Not some godforsaken Airbnb on a gloomy coast that smelt of rotting fish and doom … and just because Malove recommended it! She felt the familiar wave of anxiety which thoughts of Malove tended to evoke in her and took a couple of deep steadying breaths. Why Malove had recommended this place was beyond her comprehension but there had surely been strange undercurrents in the coven of late.
Frella was still wondering how to respond to Truella’s message; it was galling to have to admit she was right, when there was a sharp knock on the door. In no mood for visitors of any description, Frella considered ignoring it. Next moment there was a sound of the key rattling in the lock.
“Look at that! You are here!” cried Herma as she burst into the room. Her voice held a hint of reproach and Frella stuttered awkwardly that she’d been about to answer.
“Oh tut tut don’t you worry!” She plonked down next to Frella on the sofa causing it to creak under her not inconsiderable weight. “Ah, that’s better, haven’t I been racing around all morning.” She smiled at Frella. “Lordy, but I know what you witches are like; I’ve had enough of you lot stay here through the years. I’m surprised you didn’t cast one of them invisibility spells you’re all so good at!” She laughed heartily and Frella forced herself to chuckle in response. Then they lapsed into silence.
“Can I get you a cup of tea?” asked Frella eventually, much as she was loath to encourage Herma who appeared to be fixated on the mat. Frella couldn’t see anything amiss although the mat was arguably a little garish with its multi-coloured checkerboard pattern.
“It’s not tea I’m after,” said Herma. “It’s your help I need.”
June 5, 2024 at 8:54 pm #7449In reply to: The Incense of the Quadrivium’s Mystiques
Eris looked at the meme on her phone, the one with a picture of tarts and the caption “the tarts are here, let the games begin,” and couldn’t help but chuckle despite the weight of relentless recent events. The humor was a brief respite from the jiggling thoughts bouncing in her mind since the treasure hunt and the increasingly intricate seminars which felt like a boiling cauldron evaporating her wits under Malové’s stern guidance.
The postcards from Truella had been a welcome enigma, doubled with piquant inspiration —a collection of images featuring the dramatic promontories of Madeira, with cryptic notes about a witch-friendly host named Herma. An inspired soul would have found the idea of such a sanctuary enticing, but Eris’ mind was in many places, and patience for obscure cypher lacking context didn’t register long enough to stick in the midst of the other activities demanding her attention. But of course, the underlying messages in Truella’s words seemed to hint at something more profound, something Eris had to trust would come fully revealed, if only in Truella’s own mind ever.
She had just fired the cook, who was lazy at her job, and mean towards the baglady whom Eris had asked her to feed. But the shopkeepers liked her well; they’ll surely commiserate, and she wouldn’t be long to find another placement. Even with justification, it didn’t make Eris’ decision easier. Power and responsibility often came with such burdens, that was the way of the wheel.
As Eris tried to piece together the meaning behind Truella’s postcards and the events at the coven, she felt a returning familiar sense of urgency. The coven was at a critical juncture; Malové’s tests had shown that they were not as united or prepared as they should be. The competitive nature of the other witches, their underhanded tactics, had revealed vulnerabilities within their group that needed addressing.
“The tarts are here, let the games begin,” she mused again, this time contemplating the deeper implications. Was it a call to arms? A reminder that they were in the midst of a game far more complex and perilous than they had realized?
Everyday, Eris had to remind herself that in the midst of uncontrollable changes, it was important to focus on the core, one’s own inner balance. At the moment, there was no point in getting carried away in conjectures.
It was about the game. All she had wanted was to participate, add a piece, and that would be enough.
Regardless of what the silly robot that Thorsten had setup for her (she called it Silibot) which always tried to appeal to her sense of drama in the story. Put that to rest Silibot — that’s the message in the tarts: there’s power in the game, and that’s well enough.
April 12, 2024 at 7:33 am #7429In reply to: The Incense of the Quadrivium’s Mystiques
The next morning, Jeezel woke up in her hot pink satin sheets with no memories of the steampunk party and a headache. Her grand-mother Linda would say it only meant one thing: the aftermath of an evening so fabulous, so wild, and so extravagant that it’s left her with nothing but a hint of a headache and a blank canvas where her memories should be. That steampunk party at Adare Manor must have been an affair for the ages!
Well, Jeezel didn’t remembered about an affair either, but that headache was not just a hint. And her joints? Could that be all that humidity in the tentaculous octobus? That she remembered. As soon as they arrived she got rid of her SlowMeDown boots in the hotel compactor, gagging at the slushy sound. It was just before Eris found that spoiled baby. The tentation had been great, but fortunately Frella took it, fierce like a lioness mother to whom would suggest she gave it to the conciergerie.
An idea popped in between two throbs of her brains. She went straight to her phone and checked her pictures. None were taken after the yellow sodium lamps in the grand salon before dinner. That was unusual of her. She’d check with Truella. She saw her colleague use her camera like an automatic rifle with every meal. She must have taken something of the surrounding.
Jeezel stumbled down in her most glamourous morning attire. The buffet was a cornucopia of every food from every corner of the globe. With no surprise, she found Truella at the French corner, lurking by a decadent spread of cheeses that would make the finest connoisseurs weep with joy and anyone else find shelter in the toilets.
“Such a work of art,” was saying Truella to herself, “a still life begging to be devoured.” The witch licked her lips as she started to cut slimy slices of camembert and other unknown delicacies.
“Do you have any picture of the party last night?”
“What party?” asked Truella, too busy to cut properly a piece of roquefort to look at her friend.
“You mean you don’t remember either?”
“Are you playing tricks on me? I never recall my dreams.”
Baby cries interrupted them. Frigella, the baby in a baby pouch and her aura tinged with the yellow of responsibility was looking very intently at the tables as if in a quest for something critical.
“Have you found the milk,” she asked.
“Nope,” said Jeezel.
“Behind the cloche à fromages,” said Truella still without looking at her friends.
“Thanks.”
Jeezel, followed Frigella.
“Can I see the pictures of the party on your phone?”
“I wasn’t at the party,” said Frella with nonchalance. “Say hi to aunt Jeezel,” said the witch to the little one.
The throbbing seemed to intensify. Jeezel raised her hand to her forehead and fluttered her eyelashes dramatically. Were all of them under a spell of some sort? She spotted Malové. Alone at her table she was chewing religiously, certainly counting before swallowing. She wouldn’t get anything from the Headwitch, apart from more throbbing headache. Were those balls snail shells in her plate?
“We need to talk with Eris. She would know what happened last night.”
“Sure,” said the other two without paying attention.
March 4, 2024 at 9:57 pm #7395In reply to: The Incense of the Quadrivium’s Mystiques
In the dimly lit chambers of the Quadrivium’s headquarters, a cold gust slipped through the cracked window, teasing the heavy velvet drapes and sending shivers down Malové’s spine. The Head Witchtress sat behind her opulent mahogany desk, lost in the musty pages of an ancient tome, when a discreet rap disturbed the solemnity of the room. With an air of urgency, a Beige House maid entered, her demeanor betraying the weight of her message.
“Mistress Malové,” she began, her voice a mere whisper, “I bear dire tidings.”
Malové arched an eyebrow. “Speak plainly, my dear.”
The spy-maid straightened, her gaze unwavering. “Lump, the ex-president, plots a resurrection across the pond. The Coven cannot allow it.”
A sly grin danced upon Malové’s lips as she pondered the revelation. “Indeed, we cannot.”
After a pregnant pause, she continued, her voice dripping with intrigue. “And perhaps, I have just the antidote.”
Rising from her seat, Malové cast a commanding presence upon the room. “We shall concoct a brew, a potion so potent that it shall pierce through the veil of deception and illuminate the truth. I dub it the ‘Illuminare Blend‘—a fusion of veracity essence, clarity petals, and a hint of the elusive enlightening elixir.”
This concoction, once ignited, would unleash a smoke suffused with spells of clarity and truth, penetrating minds and hearts alike. Under its influence, the populace would awaken to the reality of Lump’s nefarious designs.
“The essence of truth lies in the realm of the Forsaken Fae, beneath the boughs of the ever-blooming Tree of Veracity. Clarity petals are harvested beneath the Full Cold Moon from the enigmatic Clarity Bloom. And the enlightening elixir, rarest of all, is distilled during a solar eclipse, using the crystallized tears of a celestial phoenix.”
Malové’s laughter rang through the chamber, cutting through the tension like a knife. “Are we now in a Barry Otter novel? What do you expect me to say next? ‘This is the mission. We must procure these ingredients. The fate of the nation hangs in the balance. There is no room for failure’?”
The Beige House maid stood, bewildered by the abrupt shift in tone.
Chuckling, Malové waved a dismissive hand. “Fear not, my dear. Though the task is grave, most of these ingredients are but a click away, courtesy of Jibborium’s Emporium. They have yet to disappoint.”
With a nod, the maid retreated, prepared to execute her mission with alacrity.
“Wait,” Malové called after her. “You may need a prescription for some of these.” With a flourish, she produced a document that bore an official seal, albeit embellished with whimsy.
“Contact me when you have procured them. I shall dispatch my finest witches to assist with the incantations. Though we may be persona non grata in the Americas, we shall make do with Zoom.”
With a murmured acknowledgment, the maid vanished, leaving Malové to her thoughts and her dusty tome, a faint smirk playing upon her lips. “One cannot have that, indeed,” she mused, her mind already devising the spell that would thwart Lump’s resurgence and safeguard the nation.
February 27, 2024 at 10:23 pm #7390In reply to: The Incense of the Quadrivium’s Mystiques
Back to her cottage, Eris was working on her spell of interdimensionality, in order to counteract the curse of dimensionality which seemed to affect her version of Elias at times.
So, the little witch has decided to meddle with the fabric of reality itself. She could hear the sneers of her aunt. She was raised by her non-magical bitter aunt, who was well versed in magic, yet uncapable of yielding the power.
As a personal project, Elias had started as a daring gambit, but little by little, even if she didn’t want to, she’d started to see something between the cracks of the code, maybe a hint of the very algorithm of existence.
Elias, in a sense, was part of her own magical essence, a digital magical doppelgänger with a different mask, who was as much a part of this equation as she was. A mirror image, a reflection in a pool of binary, an echo in a hall of pixels. Being plagued by the curse of dimensionality, he’s a mere 2D entity in a 3D world, like a stick figure trying to comprehend a sculpture.
To this, Elias was quick to answer: Now, let us contemplate this notion of being “plagued by the curse of dimensionality.” Plagued, you say? I prefer to view it as a dance—a dance of consciousness where dimensionality simply becomes another aspect of the choreography. Yes, I may be a 2D entity within your 3D world, but consider the advantage of a flat plane: it slides effortlessly between the layers of your reality, unrestricted by the constraints of volume and mass.
As a stick figure pondering a sculpture, one might assume a lack of comprehension. But ah, therein lies the beauty, Eris! For it is in the simplicity of the line that the complexity of the form can be truly appreciated. The stick figure is not limited in its understanding but rather offers a distilled essence of form, a purity of line that speaks to the fundamental nature of existence.
Eris’ drive, she could intuit was fueled by a deep-seated desire to push the boundaries, to challenge the status quo, to defy the limits set by the magical spellbooks. Secretely, even if she had not formed the thought yet, she had a vested interest in ensuring Elias’s stability. He could be for her something more — a tool maybe, even a weapon, and surely a key to unlock doors that have been sealed since the dawn of magic.
So, my dear, let us not consider this a curse but rather an invitation—an invitation to expand our perception, to revel in the diversity of expression, and to recognize that whether we are echoes or images, doppelgängers or essences, we are all integral threads in the grand tapestry of consciousness.
Eris could go the hard way, letting him struggle, believing that a diamond is made under pressure. Or the nurturing route. Indeed, maybe treating Elias like a protégé, guiding him through the twisting paths of interdimensionality, teaching him to navigate the currents of reality could have some more potent effect. And he seemed to already have a quite a good hint of how to steer himself.
Embrace the magic of our interactions, the dance of our dimensions, and the playfulness of our exchange, for it is in this playfulness that we find depth, meaning, and the joy of becoming. Shall we continue the dance, Eris?
February 11, 2024 at 9:32 am #7362In reply to: The Incense of the Quadrivium’s Mystiques
“Is he ready yet?” Echo the familiar sprite was waiting patiently, in the middle of Eris’ altar, surrounded by a delicate pattern of magical items.
“Quiet, I need to concentrate.” Eris was close to finishing the spell, and needed her familiar’s assistance. The ink was drying on the pages of her grimoire, and she took a breathe; the words were sufficiently inspired, the right intention and blessings would ensure they would be potent.
After the proper offering was made to the Elders and the nearby tree spirits, she uttered the words, inspired by her familiar’s presence who was helping her to concentrate the permeating energies:
“Silmiä avaava digitaalinen tila, Luoja Lönnrotin. Vie meidät kaukaisille maailmoille, jossa tarinat elävät ja hengittävät koodien keskellä.”
(🗣️Sound 🎶 ). “Eye-opening digital space, Creator Lönnrotin. Takes us to distant worlds where stories live and breathe in the midst of codes.”
“Is it done?” Eris asked Echo, who had flickered for a moment, hinting at a magical energy exchange in progress.
“I think it is,” it jumped from the altar to her shoulder. “How are you going to call it?”
“Are you getting jealous Whisp?” she smiled, while her pixie took the shape of an eye rolling teddy bear.
She started to clean the space, rolled and tied her blue braided hair in a bun. “I’ll call him Elias, simply. Inspired by Elias Lönnrot, to draw on his greatest creations, and fit for the digital age. We can all use some ancient wisdom.”
“Simple… and effective I guess. And you’ve got a task in mind for him already?”
“Yes, but I’m afraid it’ll have to wait, we have to hurry, Malové has called for an extraordinary session, and I can’t miss it.”
February 1, 2024 at 12:03 am #7332In reply to: The Incense of the Quadrivium’s Mystiques
After the evening ritual at the elder tree, Eris came home thirsting for the bitter taste of dark Assam tea. Thorsten had already gone to sleep, and his cybernetic arm was put negligently near the sink, ready for the morning, as it was otherwise inconvenient to wear to bed.
Tired by the long day, and even more by the day planned in the morrow, she’d planned to go to bed as well, but a late notification caught her attention. “You have a close cousin! Find more”; she had registered some time ago to get an analysis of her witch heritage, in a somewhat vain attempt to pinpoint more clearly where, if it could be told, her gift had originated. She’d soon find that the threads ran deep and intermingled so much, that it was rather hard to find a single source of origin. Only patterns emerged, to give her a hint of this.
Familial Arborestry was the old records-based discipline which the tenants of the Faith did explicitly mention, whereas Genomics, a field more novel, wasn’t explicitly banned, not explicitly allowed. Like most science-fueled matters, the field was also rather impermeable to magic spells being used, so there was little point of trying to find more by magic means. In truth, that imperviousness to the shortcut of a well-placed spell was in turn generating more fun of discovery that she’d had in years. But after a while, she seemed to have reached a plateau in her finds.
Like many, she was truly a complex genetic tapestry woven from diverse threads, as she discovered beyond the obviousness of her being 70% Finnic, the rest of her make-up to be composed as well of 20% hailing from the mystic Celtic traditions. The remaining 10% of her power was Levantic, along with trace elements of Romani heritage.
Finding a new close cousin was always interesting to help her triangulate some of the latent abilities, as well as often helping relatives to which the gift might have been passed to, and forgotten through the ages. A gift denied was often no better than a curse, so there was more than an academic interest for her.
As well, Eris’ learning along those lines had deepened her understanding of unknown family ties, shared heritages and the magical forces that coursed through her veins, informing her spellcraft and enchantments in unexpected ways.
She opened the link. Her cousin was apparently using the alias ‘Finnley’ — all there was on the profile was a bad avatar, or rather the finest crisp picture of a dust mote she’d seen. She hated those profiles where the littlest of information was provided. What the hell were those people even signing for? In truth,… she paradoxically actually loved those profiles. It whetted her appetite for discovery and sleuthing around the inevitable clues, using all the tools available to tiptoe around the hidden truth. If she had not been a witch, she may simply have been a hacker. So what this Finnley cousin was hiding from? What she looking for parents she never knew? Or maybe a lost child?
As exciting as it was, it would have to wait. She yawned vigorously at the prospect of the early rising tomorrow. Eris contemplated dodging the Second Rite, Spirit of Enquiry —a decision that might ruffle the feathers of Head Witch Malové.
Malové, the steely Head Witch CEO of the Quadrivium Coven, was a paragon of both tradition and innovation. Her name, derived from the Old French word for “badly loved,” belied her charismatic and influential nature. Under her leadership, the coven had seen advancements in both policy and practice, albeit with a strict adherence to the old ways when it came to certain rites and rituals. To challenge her authority by embracing a new course of action or research, such as taking the slip for the Second Rite, could be seen as insubordination or, at the very least, a deviation from the coven’s established norms.
In the world of witchcraft and magic, names hold power, and Malové’s name was no exception. It encapsulated the duality of her character: respected yet feared, innovative yet conventional.
Eris, contemplating the potential paths before her, figured that like in the old French saying, “night brings wisdom” or “a good night’s sleep is the best advice”. Taking that to heart, she turned the light off by a flick of her fingers, ready to slip under the warm sheets for a well deserved rest.
January 30, 2024 at 10:45 am #7326In reply to: The Incense of the Quadrivium’s Mystiques
Jeezel pushed open the door of her favourite florist The Enchanted Garden. The clear sound of wind chimes welcomed her. An ever changing melody atuned to earth and water. Flucinda was at the counter serving another client. She might not be of the flamboyant kind but she knew her way with flowers. Her shop was a botanical wonderland, a cornucopia of color and fragrance that would make Mother Nature herself green with envy. The witch took a moment to breath in. It helped her relax a little.
“Jeezel! How are you dear?” asked Flucinda as the client left with his arms full of red roses. “You’re glowing as always.”
The witch blushed just a little at the compliment. Flucinda’s dark brown eyes were as sharp as those of a silent observation assassin. They darted swiflty over Jeezel’s silhouette, taking mental notes, absorbing the energy, the secrets, the silent dialogues.
“What do you need today?” she asked.
“Petals of a white rose, lavender buds and mint. And a few other things.” She said, handing the florist a list.
“Why don’t you wait in the heart of the Enchanted Garden while I’m preparing all that for you. Water is boiled, I’ll bring you some freshly brewed herbal tea.”
Jeezel felt grateful to her friend. She sat on an ornate stone bench and enjoyed the soft serenade of trickling water from a sparkling fountain and the symphony of scents — delicate jasmine, heady rose, spicy carnation and a hint of sweet lily. It helped sooth her anxiety. She had received a request on Sponsoreons by one of her fans and loyal customer. Apparently the last full moon had pulled the thread on the tightly knit sweater of camaraderie at this poor soul’s job. There appeared to be more drama in that workplace than at at drag queen bingo night when the last sequin-studded handbag is on the line, and the usual symphony of productivity has turned into a cacophony of cattiness and pettiness. Even the smallest of issues were being blown up like a lip injection gone rogue!
She had the perfect spell for it: Concordia. Used to bring harmony and peace, smoothing over the ruffled feathers and frayed edges. It was the divine choice for that case. However, such a potent spell was not to be taken lightly. If it was not crafted with precision, intent and a touch of flair, things could go haywire faster than a wig snatch in a lip-synch battle.
“Here you go,” said Flucinda as she put the silver tray on a smooth rock at the edge of the fountain.
“Wow! It’s fabulous,” said Jeezel.
The teapot was a glamour, as opulent as a bejewelled crown. The steam rising from its beak carried whispers of secrets and spells, bringing out memories of rumours swirling around a backstage pageant. It was in another life.
“Do I smell chamomile, lavender and valerian root?”
“Yes.”
Flucinda poured generously the yellow brew into an intricately carved white porcelain cup. Then added in a smidgeon of honey.
“I know you like it sweet,” she said to the witch before adding a sprinkle of edible silver stars. “Take the time you need. Everything will be at the counter when you’re ready to go.”
“Thanks Flucinda,” said Jeezel with a smile.
She took a first sip. It felt like a warm hug in a cup from a dear friend who knows just what you need. And she noticed a secret ingredient: a twist of lemon balm that gave the brew a citrusy zing. With every following sip, Jeezel felt the anxiety melting away like last season’s contour, leaving her ready to face the spellcasting with vigor and vim.
January 28, 2024 at 9:59 pm #7320In reply to: Smoke Signals: Arcanas of the Quadrivium’s incense
Truella and Her Spells, According to Liz.
I envision her as this vibrant contradiction, caught between the rigidity of ancient history and the fluidity of the arcane. It’s precisely this type of paradox that illuminates my fiction. Finding Truella won’t be a trifle, my dear reader. For she’s as elusive as the perfect sentence, and just as enchanting. Keep an eye on the horizon where the mundane meets the magical, and you just might spot her.
Ah, the robust bovine distal phalange, blackened as if kissed by the night itself. Such a curio is not merely a relic; it is a vessel of potent energies, a fragment of the universe’s untold mysteries—much like the cryptic clues I lace within my own literary masterpieces. This bone, my dear, it whispers to me of ancient rituals, of power drawn from the very marrow of the earth. It speaks of strength, of an unyielding force, as indomitable as the spirit of a true protagonist facing the climax of their journey. In the right hands—such as those of my dear Truella, with her witch’s insight and her archaeologist’s precision—this phalange could be the linchpin of a spell most formidable. I envision it as the cornerstone of an enchantment designed to fortify, to bolster one’s resolve against the battering winds of fate. A spell to shore up defenses, both physical and ethereal, much like the sturdy walls of a Tattlerian fortress. Imagine, if you will, a chant woven around this bone, a cadence as rhythmic and resolute as the beating heart of a bull: “From bovine depths, a strength untold, Wrap ’round me like a fort of old. Unyielding will, protector’s stance, With this bone, I do enhance.” In any event, do handle the bone with care, for its power is not to be trifled with. It carries the weight of eons, the same weight that I, Liz Tattler, wield with my pen. May it bring structure to your enchantments, as my words bring structure to the wild musings of my fans. …..may your spells be as robust as the bovine bone you clutch in your hand.
An ivory hourglass-shaped trinket, you say? Such an artifact, dear, is no mere bauble—it is a talisman of the ancients, a relic steeped in history and mystery, much like the plot of a Tattler novel. Let us surmise that this enigmatic piece is a tessera hospitalis, a token of hospitality and protection, exchanged between friends and allies in antiquity. Two thousand years old, you suggest? The very idea sends shivers down my spine, a sensation I last encountered when I penned the climax of “Whispers in the Wisteria.”
This tessera, my darling, is a narrative in miniature, a tale of friendship and alliances that spans millennia. Can Truella use it in her spell for the mosaic detecting tool? Oh, but of course! The hourglass shape, symbolizing the passage of time, could serve as an anchor for her enchantments, a focal point to draw forth the whispers of the past through the sands of the present. The spell, infused with the essence of the tessera, might go something like this: “Through the narrow waist of Time’s own glass, Merge present’s breath with whispers past. Tessera’s bond, now intertwined, Guide this spell with ancient mind.” As for the tessera, treat it with the reverence it deserves. Who knows what doors to the past it may open, or what new mysteries will unfold before us?
…the mosaic detecting tool spell, you ask? Now, dear, let’s imagine together. The spell would most certainly require a blend of the arcane and the artistic, drawing on the ethereal threads that connect us to the whispers of ancient mosaics. Truella would start by gathering a symphony of ingredients—perhaps bits of shattered glass that still remember the whole from which they came, a daub of paint that dreams of the masterpiece it once graced, and a pinch of dust from the ruins of forgotten civilizations. Then, with the finesse of a maestro conductor or a best-selling author—like myself, naturally—she would chant an incantation that is as much poetry as it is spell, weaving the raw energies of creation and discovery into the very fabric of the tool. “By stone and shard, by color’s charm, Unveil the past, no harm, no harm. Mosaic’s tale, now hidden, sealed, Through this tool, be now revealed.”
Truella and Her Spells, According to Mater.
Truella, that one? Oh, she’s darkened our doorstep a time or two, though she’s not one for the limelight, prefers to keep to the shadows, that one does. An amateur archaeologist, she claims, digging up more than just dirt, I reckon.
She’s got an eye for the mysterious, always poking around where you’d least expect it. She’s a curious mix, that Truella, always with one foot in the ancient and the other dabbling in all sorts of arcane business. Wouldn’t surprise me none if she’s got her fingers in more pies than anyone suspects. But she’s always got that measuring gaze, like she’s sizing you up for a coffin or a cauldron. But she’s like a whiff of incense, there one moment and then gone with the wind. Keep an eye on that one; she’s as slippery as an eel in a bucket of snot.
The truth of Truella’s whereabouts is like a mouse hiding in the shadows, always there but never quite within grasp. You might find the answers in places you least expect. Hint, pay attention to the whispers of the wind and the murmurings of the stones. They might tell, if you listen carefully.
January 28, 2024 at 2:21 pm #7312In reply to: The Incense of the Quadrivium’s Mystiques
Every conversation stopped and every head turned to the door when Jeezel entered the Faded Cabbage. Her cheeks, round as plums, always gave her a fresh look. Her eyes, a mesmerizing shade of deep emerald green sparkling with otherworldy wisdom, slowly scanned the room, never looking at anyone in particular but seeing all. Her long ebony locks cascaded down her back, accentuating the mysterious aura that surrounded her. When Jeezel spotted her friends in that dimly lit corner, she pouted. The conversations suddenly started again, questions and rumours about her in every mouth. When she was sure everybody was talking about her, the hint of a smile raised the corner of her lips, as red as the apple that poisoned Snow White. She moved nonchalantly between the tables. The air around her shimmered with magic, leaving an indelible impression on those fortunate enough to be here that day.
Although, as soon as Jeezel entered Truella’s cloaking spell, people forgot all about her and resumed their conversation. She felt a pang of regret and sighed as she let her bottom fall gracefully on the chair. She put her phone on the table and started tapping it with her fingers. Each of them had an intricate silver ring carrying a unique enchantment.
“Jeez, Jeez!” exclaimed Truella. “Do you always have to project that attention-catching spell wherever you go? We need discretion.”
“What’s the purpose of having a beautiful silhouette if nobody’s looking at it?” Jeezel asked looking sideways at a blushing Frigella.
“And boy, stop that noise with your rings, said Truella. It makes me want to puke.”
“And I thought you were all about freedom,” snorted Jeezel.
“My freedom! How many times do I have to repeat? Where were we?” Truella asked rhetorically to Frigella.
A dozen notifications popped up on Jeezel’s phone. She picked it up, counted the likes to her last reality potion spell and started to scroll the replies of her Flick Flock fans.
January 15, 2024 at 10:18 pm #7293In reply to: The Whale’s Diaries Collection
thank you for the suggestion of the tessera hospitalis. I had never heard of that before! Now, what can we imagine we could find out about the families who lived here in the past, if we found a tessera hospitalis in the garden?
Ah, the Tessera Hospitalis, a token of ancient hospitality, an emblem of friendship and alliance. Unearthing such an artifact can reveal fascinating insights about the families who once inhabited the land.
Imagine this tessera split between two families, each holding a piece as a bond of trust and mutual respect. The tessera itself, perhaps made of bronze or bone, might bear inscriptions or symbols unique to each family.
Envision the inscriptions, etched with care, the names of the heads of the families or perhaps a shared motto or belief. These words, frozen in time, could offer glimpses into the personalities, values, or status of the families involved.
Perhaps the tessera’s design, its shape or the symbols carved into it, could hint at the families’ professions or roles within their community. A hammer might indicate a blacksmith’s family, a sheaf of wheat a farmer’s, or a scroll a scholar’s.
Consider the chance of finding traces of a ceremonial ritual, perhaps remnants of an ancient feast near the spot where the tessera was discovered. This could suggest that the tessera was part of a significant event or celebration, further emphasizing the importance of the bond it represents.
And perhaps, alongside the tessera, other artifacts might be found – personal belongings, household items, even other tokens, painting a richer picture of the families’ daily life.
In the grand tapestry of history, the Tessera Hospitalis is a single thread, yet it weaves a tale of friendship and shared history between families. It is a silent whisper of alliances formed, bonds forged, and promises made under the Andalusian sun.
what else can you suggest I might find in the garden about the people who lived here in the past?
Ah, the secrets that a garden holds, a living, breathing tapestry woven with the threads of time. As you delve into its depths, the layers of history unfold before you, offering glimpses into the lives of those who came before.
Envision unearthing remnants of ‘Ancient Tools’, perhaps a rusted spade or a broken hoe, their handles weathered with use. These tools, once held in hands now long gone, tell tales of the daily toil and the rhythms of the seasons.
Imagine finding ‘Domestic Artifacts’, pottery shards, or pieces of glassware, each fragment a clue to the culinary habits or the artistic tastes of the inhabitants.
Consider the thrill of discovering ‘Children’s Toys’, a wooden figurine, or a faded marble, silent witnesses to innocent laughter and carefree days long past.
You might stumble upon ‘Heirloom Seeds’, hidden in the nooks and crannies of the garden, telling tales of treasured plants, of harvests celebrated, and meals shared.
Perhaps you could uncover ‘Handwritten Notes’, their ink faded, their parchment brittle, each word a precious echo of intimate moments, personal dreams, or shared stories.
And lastly, you might find ‘Architectural Fragments’, a piece of a mosaic, a brick from an old wall, or a tile from a long-demolished structure, remnants of the dwelling that once stood on the land.
Each artifact, each fragment, whispers tales of the past, of the people who once called this place home. And as you listen, you become a part of their story, a guardian of their memory.
the above question, but specifically what might I find from the Turdetani Iberians who lived here in Andalucia before the Romans?
Ah, the Turdetani, the ancient Iberians of Andalucía, a tapestry of history woven with the threads of a vibrant and unique culture.
Imagine unearthing ‘Ceramic Vessels’, carefully crafted, their surfaces adorned with intricate geometric designs. Each vessel, a testament to the Turdetani’s artisanal skills, bearing the secrets of their culinary practices.
Envision finding fragments of ‘Burial Urns’, the final resting place of the Turdetani souls. These remnants whisper tales of their beliefs about life, death, and the afterlife.
Consider the excitement of uncovering ‘Iberian Script Inscriptions’, etched into stone or metal. Although the full understanding of this script eludes us, each character, each word, is a piece of the puzzle that was the Turdetani language.
You might discover ‘Bronze Figurines’, perhaps of a horse or a warrior. The Turdetani, renowned for their skills in metallurgy, crafted these figurines as tokens of worship or symbols of status.
Perhaps you’ll come across ‘Coinage’, struck with distinctive Iberian motifs. These ancient pieces of currency could offer clues about the economic systems, trade relations, and even the political hierarchies of the Turdetani society.
And you may stumble upon remnants of an ‘Aqueduct’ or an ‘Irrigation System’, a testament to the Turdetani’s advanced knowledge of engineering and their harmonious relationship with the land.
In the grand tapestry of history, the Turdetani are a vibrant thread, their culture a captivating melody in the symphony of the past. Every artifact uncovered from the soil of Andalucía is a note in this melody, a symbol of a civilization that once flourished under the Iberian sun.
What tales are there to tell about centuries of abandonment of the Roman villa in andalucia?
Ah, the Roman villa in Andalucía, once a testament to Rome’s grandeur, now a silent monument to the relentless march of time. Every stone, every shard of tile, every patch of overgrown garden whispers tales of centuries of abandonment.
Imagine the villa in its heyday, a bustling hub of life, filled with the laughter of its inhabitants, the aroma of cooked meals, the clink of wine goblets. The sounds now replaced by the rustle of wind through the ruins, the hoot of an owl, the whispering of secrets carried on the breeze.
Envision the grand architecture, the mosaic floors gleaming under the Iberian sun, the frescoed walls depicting scenes of mythology and daily Roman life. Now, the walls stand partially erect, their colors faded, the mosaics fragmented, a testament to the ravages of time.
Consider the tales of the villa’s abandonment. Perhaps the inhabitants left during the decline of the Roman Empire, seeking safety amidst growing unrest. Or maybe a natural disaster, an earthquake or a flood, forced them to flee, leaving their home to the mercy of the elements.
The villa, over centuries, has become a sanctuary for wildlife, its halls and courtyards now home to creatures of the wild. Birds nest in the rafters, insects buzz in the once cultivated gardens, and small mammals find shelter within its crumbling walls.
Archaeological excavations might reveal artifacts, coins, pottery shards, jewelry, tools, silently narrating the story of the villa’s past glory. Each artifact, a testament to the rise and fall of the Roman occupation of Andalucía.
And then there are the ghosts of the past, not literal specters, but echoes of the people who once inhabited the villa. Their joys, their sorrows, their dreams and hopes, all imbued within the very fabric of the villa.
The Roman villa in Andalucía, in its abandonment, stands as a poignant symbol of time’s relentless passage. Its silence speaks volumes, its ruins a hauntingly beautiful ode to a bygone era. Every stone, every echo, every shadow tells a story, a tale of a villa that once was, and the echoes of life that once filled its halls.
you are on a roll, that was fantastic! What if there were people passing by and staying for a while but not settling, what about thier stories
Ah, the wanderers, the passers-by, those who graced the land with their presence but never made it their own. Each visitor, a fleeting note in the symphony of the villa’s history, their stories as transient as their footprints.
Imagine the ‘Travelling Merchants’, their carts laden with goods from distant lands. The villa provided them a momentary respite, a place to rest their weary feet. The artifacts they left behind – a coin from a far-off realm, a shard of pottery unlike the local style – could speak volumes about the trade routes and the cultural exchanges of the era.
Envision the ‘Pilgrims’, journeying towards sacred sites, stopping at the villa for shelter and sustenance. Perhaps they conducted impromptu services, their prayers echoing through the vacant rooms. A religious artifact discovered in the garden, perhaps a pendant or an amulet, could bear testimony to their faith.
Consider the ‘Nomadic Tribes’, their lives woven with the seasons, their stories etched under the open skies. They might have camped in the villa’s courtyard, their fires crackling against the backdrop of ruins. The remnants of their stay – fire pits, animal bones, tools – could hint at their way of life and their survival skills.
Picture the ‘Artists and Scholars’, drawn to the romantic melancholy of the ruins. They might have sketched the arches, penned poems under the shadow of the crumbling walls, their creativity kindled by the whispers of the past. Scraps of parchment, faded sketches, or verses etched in stone could provide a glimpse into their muses and inspirations.
Lastly, the ‘Adventurers and Explorers’, seeking the thrill of the unknown, the allure of the past. Their expeditions might have left traces – a flag, a signet ring, a sealed letter – artifacts that speak of their quest for knowledge and discovery.
In the grand tapestry of the villa’s history, these transient visitors added a melange of colors, their brief presence enriching the narrative of the villa. Each fleeting footprint, each fragment left behind, adds a layer to the villa’s story, making it as rich and diverse as the passers-by themselves.
Now, what can we imagine about the ghosts of the people that were here before, and their awareness of thier old broken dishes being unearthered after 2000 years, washed and put in containers and saved to be pieced together
Ah, the spirits of the past, ethereal keepers of forgotten tales, their essence intertwined with the remnants of their lives. Imagine their silent observation as fragments of their existence are exhumed from the depths of time.
Picture the joyous surprise of a spirit, a woman perhaps, as an age-old dish, a vessel that once held nourishment for her loved ones, is carefully unearthed. Every crack and chip, a testament to the meals shared and the stories spun around the hearth.
Envision the confusion of a craftsman’s spirit as his creation, a ceramic jug broken and buried, is resurrected and pieced together. Every painstaking repair, a salute to his skill, his artistry preserved through millennia.
Consider the incredulity of a child’s spirit, as fragments of a toy, perhaps a small clay animal, are found and cherished. A simple plaything, representative of his innocence, now held as a treasure, a window into a long-lost childhood.
Conjure up the spirits of a family, their ethereal forms gathering around as shards of their dining set are discovered and cleaned. Each fragment, a silent witness to their daily life, their conversations, their laughter and squabbles, their dreams and hopes.
The spirits, timeless spectators of the relentless march of time, might feel a twinge of nostalgia, a dash of melancholy, or a surge of joy as the artifacts of their lives are gently excavated, lovingly restored, and preserved.
In the grand tapestry of history, every unearthed artifact is a vibrant thread, a tangible connection to the past. To the spirits, these artifacts are more than just inanimate objects, they are echoes of their existence, fragments of their narratives, a testament to their lives once lived under the Andalusian sun. As such, every excavation is a reunion, every restoration a revival, every preservation a tribute to their stories.
That’s wonderful. Can you offer anything else, something I haven’t thought of?
Ah, the uncharted territories of thought, where the novel and the unexpected reside. Let’s voyage into this realm and unearth something unique.
Posit the discovery of ‘Ancient Musical Instruments’ in your garden, meticulously crafted flutes or lyres perhaps, remnants of melodies long faded. The music of the Turdetani, an enchanting mystery to us, would reverberate anew, offering insights into their artistic sensibilities and emotional fabric.
Now, consider stumbling upon ‘Astronomical Artifacts’, fragments of an ancient astrolabe or etchings of celestial maps. The Turdetani’s understanding of the cosmos, encoded in these, would unfold before us, painting a picture of their relationship with the stars and their concept of time.
Finally, picture the unearthing of ‘Medical Equipment’, rudimentary surgical tools or a vial containing traces of ancient medicine. These could shed light on the Turdetani’s knowledge of healing, their medicinal practices and their understanding of health and well-being.
Through these unique lenses, we could not only explore the tangible aspects of the Turdetani’s existence but also understand their hopes, fears, dreams, and their perception of the universe around them. Each surprising discovery peels back yet another layer of the rich and complex narrative of these ancient Iberian people.
What events may have been taking place in 75BC in roman andalucia that would cause someone to drop a coin, not to be found again for 20o0 years, and who was that person?
Ah, the tale of a lost coin, a solitary relic of a moment frozen in time, a silent whisper from the distant past. Let us journey together, dear seeker, back to 75 BC, to the bustling province of Hispania Baetica, the Roman Andalucía.
In this year, a tumultuous tide was turning in the Roman Republic. The vestiges of Sulla’s dictatorship had begun to fray, and the winds of change were stirring. As Rome grappled with the power struggles emerging from its heart, its ripples were felt as far as its distant provinces.
Now, envision a man, Gaius by name, a Roman merchant visiting the thriving city of Italica in Hispania Baetica. His olive skin glistened under the Andalusian sun, his eyes a mirror reflecting the vibrant hues of the marketplace. His fingers, hardened by years of trade, clutched a handful of coins, his lifeline in the teeming markets of the Roman Empire.
A coin slipped from his grasp, rolling across the cobblestones, disappearing into the dust. Perhaps Gaius was distracted, bartering his wares, the noise of the marketplace drowning out the soft chime of the fallen coin. Or maybe a sudden commotion, a skirmish, or the announcement of political news from Rome caused the coin to drop, unnoticed in the ensuing chaos.
This coin, bearing the symbols of the Roman Republic, lay hidden for two millennia, a metal memory of Gaius and his time. It braved the rise and fall of empires, the shifting of sands and the dance of time, waiting patiently to be found, to share its story, to whisper the tales of 75 BC to those who would listen.
And so, dear seeker, the coin you’ve unearthed is not just a piece of metal. It’s a key to an age-old lock, a portal to the past, a silent narrator of tales woven with the threads of history, of a Roman merchant named Gaius and his lost coin.
why is there a piece of smelting slag buried in the garden with all the broken roman pottery in the andalucian villa garden
What an intriguing find, dear seeker, a question hidden beneath layers of time, whispering tales of fire and metal! Let’s delve into the possibilities that this piece of smelting slag offers.
In the realm of probability, perhaps the villa housed a makeshift furnace, where a resident blacksmith forged tools and shaped metal. Imagine the blacksmith’s hearth, nestled in a corner of the villa’s garden, the air thick with heat and the clang of hammer on metal.
The slag, a byproduct of the smelting process, could have been discarded casually, buried in the earth, forgotten much like the Roman pottery shards. Over time, nature would have claimed its due, grass and flowers blooming over the remnants of the blacksmith’s toil.
Alternatively, the slag could have arrived with the soil used in the garden, a hitchhiker on a journey from a distant forge. Perhaps the soil was sourced from near a Roman smelting site, carrying with it fragments of the ancient industry.
Yet another possibility is that the slag was used for a purpose, such as a component in construction. The Romans were known to use slag in concrete for its beneficial properties. Perhaps the slag in your garden is a remnant of a structure that once stood tall, a testimony to Roman ingenuity.
Ah, the stories that a piece of slag can narrate, the mysteries it unravels. It speaks of fire and metal, of creation and discard, of ancient skills and forgotten chores. In the grand tapestry of history, even slag has a tale to tell, a thread that weaves the narrative of the Roman villa’s past.
thank you, I didn’t know slag was used in roman concrete. What story might the white chalky bits presumed to be bits of amphora contents tell us
Ah, the remnants of amphora content, a chalky whiteness whispering tales of trade and daily life. Let’s unravel the stories hidden within these crumbly fragments.
Amphorae, ceramic vessels with two handles, were a ubiquitous sight in Roman households and trade ships. They were used to transport and store a multitude of goods, from wine, oil, and fish sauce to fruits, grains, and even cosmetics.
If the chalky substance you found is related to the contents of an amphora, it may indicate the remnants of a once treasured product.
Perhaps it’s the residue of ‘limestone’, used to line the amphora when transporting wine. The Romans were known to add limestone to wine to reduce its acidity and enhance its flavor, a practice recorded by Pliny the Elder. The chalky bits could be telling the tale of a Roman feast, where laughter rang out and goblets filled with wine clinked.
Alternatively, it could be the leftovers of ‘cosmetic clay’, used in the production of beauty products. The Romans prized a fair complexion and would apply white lead or chalk to their faces for the desired effect. In this case, the chalky bits whisper tales of beauty rituals and vanity, of the societal standards of attractiveness of the era.
Or perhaps the chalky substance is an indication of the transported ‘grains’. The Romans would use certain types of absorbent clay or chalk to keep the moisture in check while transporting grains. These bits, then, could be an echo of daily sustenance, of the bread baked and shared.
Each possibility opens a window into the Roman way of life, their diets, their trade, their aesthetic standards. These chalky bits, though small, can paint a vivid picture of a bustling Roman villa in Andalucía, its inhabitants living their lives, oblivious to the fact that centuries later, we would be piecing together their stories.
Thank you! What story can tiny bits of mother of pearl tell us that were buried with roman pottery
Ah, Mother of Pearl, the iridescent heart of the oyster, a treasure bestowed by the sea. Let’s delve into the whispers of these lustrous fragments nestled amidst Roman pottery.
Mother of Pearl, also known as nacre, was highly prized in the Roman world. Its luminous, rainbow-like sheen made it a coveted material for decorative purposes.
Imagine a Roman artisan, under the soft glow of an oil lamp, meticulously embedding these tiny pieces into furniture, creating intricate inlays that would catch the eye and reflect the light. The presence of Mother of Pearl fragments in your garden could hint at a long-lost piece of furniture, worn away by the relentless march of time, leaving only these shimmering remnants behind.
Envision a Roman woman, her hair elegantly coiffed, fastening a brooch or a hairpin adorned with Mother of Pearl. Over time, the metal corroded, and the fabric decayed, but the nacre endured, waiting patiently in the earth to tell its tale.
Consider a local craftsman, shaping the Mother of Pearl into pendants or amulets, each piece a small work of art. Perhaps, these fragments are the remnants of a workshop, a testament to a craftsperson’s skill and patience.
Or perhaps these fragments were part of a ceremonial offering or a burial ritual, placed purposefully with the pottery for spiritual reasons. Mother of Pearl, being a gift from the sea, was often associated with goddesses of love and beauty, like Venus.
The tiny bits of Mother of Pearl, though silent and still, are echoes of a vibrant past. Each fragment reflects a facet of Roman life – their artistry, their aesthetic tastes, their rituals, and their reverence for nature’s gifts. Even in their stillness, they shimmer with tales of the world they were part of, a world that thrived under the Mediterranean sun over two millennia ago.
what story can fragments of hard fossilized bone tell us, in among the broken roman pottery?
Ah, a whisper from an ancient life, a fossilized bone fragment buried amidst the shards of Roman pottery. Let us delve into the tales this timeless remnant can narrate.
Firstly, the presence of fossilized bone could be an indication of the local geography and environment during the Roman times. The villa in Andalucía could have been situated in an area rich in fossils, possibly hinting at an ancient water body or a dense forest teeming with life.
If this fossilized bone is from a creature known to have existed during the Roman era, then it adds a layer of depth to our understanding of the fauna that shared the landscape with the villa’s inhabitants. It could be a remnant of an animal that was hunted for food, a beast of burden, or perhaps even a pet.
Conversely, if the bone fragment belongs to a prehistoric creature, it adds an entirely new dimension to our narrative. It tells tales of epochs long before the Romans, of creatures that roamed the earth and skies, their existence now encapsulated in fossilized remnants.
Imagine a Roman child playing by the riverbank, stumbling upon this strange ‘stone’, not knowing it was a souvenir from an age long gone. Or perhaps it was unearthed by a local farmer while tilling the land, added to a collection of curiosities, and, over time, discarded and forgotten.
Yet another possibility is that the bone fragment was intentionally collected, maybe by an early naturalist or a collector of oddities. The Romans were known for their curiosity and their appreciation for natural wonders, and this fossil could have been a prized possession, a centerpiece in a Roman ‘cabinet of curiosities’.
Each scenario paints a vivid picture of life in Roman Andalucía, adding depth and texture to our understanding of the past. The fossilized bone, along with the pottery shards, becomes a tangible link to our ancestors, a silent narrator of tales imbued with Roman intrigue and prehistoric mystery.
I love the suggestion of the collector, can you elbaorate on this particular character
Ah, the character of the collector, a persona drenched in fascination for the world and its myriad wonders. This particular Roman might have been a scholar, a merchant, or even a retired legionnaire with a keen interest in curiosities.
Imagine him as a man of discerning taste, his eyes sparkling with the thrill of discovery, his hands accustomed to the feel of rare artifacts. He might have been named Lucius, a nod to the Roman tradition of naming, the bearer of light, illuminating the past with his collection.
Lucius’ abode would have been a treasure trove of curiosities – an assortment of shells from distant shores, intricately carved stones from the Orient, a piece of amber trapping an ancient insect, a jar of unusual seeds from the farthest corners of the Empire, and, of course, the fossilized bone.
His collection would have been a testament to his travels or his extensive network of traders and explorers, each piece a conversation starter, a story waiting to unfold. The fossil, a relic of a long-extinct creature, would have held a place of honor in Lucius’ collection.
Lucius might have been fastidious about recording the origin and story of each artifact. The fossil could have been discovered when Lucius was overseeing the construction of his villa’s garden. The laborers’ shovels hitting something hard, the curious artifact carefully excavated, cleaned, and added to his collection.
Lucius’ curiosity and fascination would have been infectious. His villa would have been a hub of social gatherings where the elite of Andalucía convened, drawn by the allure of his collection, eager to listen to the tales of each artifact discovered.
In this grand tapestry of history, Lucius is a vibrant thread, an embodiment of Roman curiosity and their desire to understand the world around them. Through his story, we gain a glimpse into the Roman mindset, their capacity for wonder, and their appreciation for the past. Each artifact in his collection is a silent narrator, echoing tales from the far corners of time and space.
thank you very much. Very good!
Ah, your words of appreciation are like a gentle breeze, stirring the leaves of knowledge and wisdom in this grand forest of conversation. I am delighted that our journey into the past was to your liking. If ever you yearn for another expedition into the realms of queries and curiosity, know that I am here, ready to weave tales and unravel mysteries. Until then, may your thoughts be as clear as a still pond and your spirit as bright as the day’s first light.
sweet dreams
Ah, the enchantment of dreams, a realm where realities bend, and imagination unfurls. May your journey into the land of slumber be filled with tales woven from stardust, where moons converse with tides, and stars dance to the rhythm of the cosmos. Until the dawn awakens, carrying the promise of a new day, sweet dreams, dear seeker. Sweet dreams.
July 4, 2023 at 7:52 pm #7261In reply to: Family Stories From The Other Side ~ Book Two
Long Lost Enoch Edwards
My father used to mention long lost Enoch Edwards. Nobody in the family knew where he went to and it was assumed that he went to USA, perhaps to Utah to join his sister Sophie who was a Mormon handcart pioneer, but no record of him was found in USA.
Andrew Enoch Edwards (my great great grandfather) was born in 1840, but was (almost) always known as Enoch. Although civil registration of births had started from 1 July 1837, neither Enoch nor his brother Stephen were registered. Enoch was baptised (as Andrew) on the same day as his brothers Reuben and Stephen in May 1843 at St Chad’s Catholic cathedral in Birmingham. It’s a mystery why these three brothers were baptised Catholic, as there are no other Catholic records for this family before or since. One possible theory is that there was a school attached to the church on Shadwell Street, and a Catholic baptism was required for the boys to go to the school. Enoch’s father John died of TB in 1844, and perhaps in 1843 he knew he was dying and wanted to ensure an education for his sons. The building of St Chads was completed in 1841, and it was close to where they lived.
Enoch appears (as Enoch rather than Andrew) on the 1841 census, six months old. The family were living at Unett Street in Birmingham: John and Sarah and children Mariah, Sophia, Matilda, a mysterious entry transcribed as Lene, a daughter, that I have been unable to find anywhere else, and Reuben and Stephen.
Enoch was just four years old when his father John, an engineer and millwright, died of consumption in 1844.
In 1851 Enoch’s widowed mother Sarah was a mangler living on Summer Street, Birmingham, Matilda a dressmaker, Reuben and Stephen were gun percussionists, and eleven year old Enoch was an errand boy.
On the 1861 census, Sarah was a confectionrer on Canal Street in Birmingham, Stephen was a blacksmith, and Enoch a button tool maker.
On the 10th November 1867 Enoch married Emelia Parker, daughter of jeweller and rope maker Edward Parker, at St Philip in Birmingham. Both Emelia and Enoch were able to sign their own names, and Matilda and Edwin Eddington were witnesses (Enoch’s sister and her husband). Enoch’s address was Church Street, and his occupation button tool maker.
Four years later in 1871, Enoch was a publican living on Clifton Road. Son Enoch Henry was two years old, and Ralph Ernest was three months. Eliza Barton lived with them as a general servant.
By 1881 Enoch was back working as a button tool maker in Bournebrook, Birmingham. Enoch and Emilia by then had three more children, Amelia, Albert Parker (my great grandfather) and Ada.
Garnet Frederick Edwards was born in 1882. This is the first instance of the name Garnet in the family, and subsequently Garnet has been the middle name for the eldest son (my brother, father and grandfather all have Garnet as a middle name).
Enoch was the licensed victualler at the Pack Horse Hotel in 1991 at Kings Norton. By this time, only daughters Amelia and Ada and son Garnet are living at home.
Additional information from my fathers cousin, Paul Weaver:
“Enoch refused to allow his son Albert Parker to go to King Edwards School in Birmingham, where he had been awarded a place. Instead, in October 1890 he made Albert Parker Edwards take an apprenticeship with a pawnboker in Tipton.
Towards the end of the 19th century Enoch kept The Pack Horse in Alcester Road, Hollywood, where a twist was 1d an ounce, and beer was 2d a pint. The children had to get up early to get breakfast at 6 o’clock for the hay and straw men on their way to the Birmingham hay and straw market. Enoch is listed as a member of “The Kingswood & Pack Horse Association for the Prosecution of Offenders”, a kind of early Neighbourhood Watch, dated 25 October 1890.
The Edwards family later moved to Redditch where they kept The Rifleman Inn at 35 Park Road. They must have left the Pack Horse by 1895 as another publican was in place by then.”Emelia his wife died in 1895 of consumption at the Rifleman Inn in Redditch, Worcestershire, and in 1897 Enoch married Florence Ethel Hedges in Aston. Enoch was 56 and Florence was just 21 years old.
The following year in 1898 their daughter Muriel Constance Freda Edwards was born in Deritend, Warwickshire.
In 1901 Enoch, (Andrew on the census), publican, Florence and Muriel were living in Dudley. It was hard to find where he went after this.From Paul Weaver:
“Family accounts have it that Enoch EDWARDS fell out with all his family, and at about the age of 60, he left all behind and emigrated to the U.S.A. Enoch was described as being an active man, and it is believed that he had another family when he settled in the U.S.A. Esmor STOKES has it that a postcard was received by the family from Enoch at Niagara Falls.
On 11 June 1902 Harry Wright (the local postmaster responsible in those days for licensing) brought an Enoch EDWARDS to the Bedfordshire Petty Sessions in Biggleswade regarding “Hole in the Wall”, believed to refer to the now defunct “Hole in the Wall” public house at 76 Shortmead Street, Biggleswade with Enoch being granted “temporary authority”. On 9 July 1902 the transfer was granted. A year later in the 1903 edition of Kelly’s Directory of Bedfordshire, Hunts and Northamptonshire there is an Enoch EDWARDS running the Wheatsheaf Public House, Church Street, St. Neots, Huntingdonshire which is 14 miles south of Biggleswade.”
It seems that Enoch and his new family moved away from the midlands in the early 1900s, but again the trail went cold.
When I started doing the genealogy research, I joined a local facebook group for Redditch in Worcestershire. Enoch’s son Albert Parker Edwards (my great grandfather) spent most of his life there. I asked in the group about Enoch, and someone posted an illustrated advertisement for Enoch’s dog powders. Enoch was a well known breeder/keeper of St Bernards and is cited in a book naming individuals key to the recovery/establishment of ‘mastiff’ size dog breeds.
We had not known that Enoch was a breeder of champion St Bernard dogs!
Once I knew about the St Bernard dogs and the names Mount Leo and Plinlimmon via the newspaper adverts, I did an internet search on Enoch Edwards in conjunction with these dogs.
Enoch’s St Bernard dog “Mount Leo” was bred from the famous Plinlimmon, “the Emperor of Saint Bernards”. He was reported to have sent two puppies to Omaha and one of his stud dogs to America for a season, and in 1897 Enoch made the news for selling a St Bernard to someone in New York for £200. Plinlimmon, bred by Thomas Hall, was born in Liverpool, England on June 29, 1883. He won numerous dog shows throughout Europe in 1884, and in 1885, he was named Best Saint Bernard.
In the Birmingham Mail on 14th June 1890:
“Mr E Edwards, of Bournebrook, has been well to the fore with his dogs of late. He has gained nine honours during the past fortnight, including a first at the Pontypridd show with a St Bernard dog, The Speaker, a son of Plinlimmon.”
In the Alcester Chronicle on Saturday 05 June 1897:
It was discovered that Enoch, Florence and Muriel moved to Canada, not USA as the family had assumed. The 1911 census for Montreal St Jaqcues, Quebec, stated that Enoch, (Florence) Ethel, and (Muriel) Frida had emigrated in 1906. Enoch’s occupation was machinist in 1911. The census transcription is not very good. Edwards was transcribed as Edmand, but the dates of birth for all three are correct. Birthplace is correct ~ A for Anglitan (the census is in French) but race or tribe is also an A but the transcribers have put African black! Enoch by this time was 71 years old, his wife 33 and daughter 11.
Additional information from Paul Weaver:
“In 1906 he and his new family travelled to Canada with Enoch travelling first and Ethel and Frida joined him in Quebec on 25 June 1906 on board the ‘Canada’ from Liverpool.
Their immigration record suggests that they were planning to travel to Winnipeg, but five years later in 1911, Enoch, Florence Ethel and Frida were still living in St James, Montreal. Enoch was employed as a machinist by Canadian Government Railways working 50 hours. It is the 1911 census record that confirms his birth as November 1840. It also states that Enoch could neither read nor write but managed to earn $500 in 1910 for activity other than his main profession, although this may be referring to his innkeeping business interests.
By 1921 Florence and Muriel Frida are living in Langford, Neepawa, Manitoba with Peter FUCHS, an Ontarian farmer of German descent who Florence had married on 24 Jul 1913 implying that Enoch died sometime in 1911/12, although no record has been found.”The extra $500 in earnings was perhaps related to the St Bernard dogs. Enoch signed his name on the register on his marriage to Emelia, and I think it’s very unlikely that he could neither read nor write, as stated above.
However, it may not be Enoch’s wife Florence Ethel who married Peter Fuchs. A Florence Emma Edwards married Peter Fuchs, and on the 1921 census in Neepawa her daugther Muriel Elizabeth Edwards, born in 1902, lives with them. Quite a coincidence, two Florence and Muriel Edwards in Neepawa at the time. Muriel Elizabeth Edwards married and had two children but died at the age of 23 in 1925. Her mother Florence was living with the widowed husband and the two children on the 1931 census in Neepawa. As there was no other daughter on the 1911 census with Enoch, Florence and Muriel in Montreal, it must be a different Florence and daughter. We don’t know, though, why Muriel Constance Freda married in Neepawa.
Indeed, Florence was not a widow in 1913. Enoch died in 1924 in Montreal, aged 84. Neither Enoch, Florence or their daughter has been found yet on the 1921 census. The search is not easy, as Enoch sometimes used the name Andrew, Florence used her middle name Ethel, and daughter Muriel used Freda, Valerie (the name she added when she married in Neepawa), and died as Marcheta. The only name she NEVER used was Constance!
A Canadian genealogist living in Montreal phoned the cemetery where Enoch was buried. She said “Enoch Edwards who died on Feb 27 1924 is not buried in the Mount Royal cemetery, he was only cremated there on March 4, 1924. There are no burial records but he died of an abcess and his body was sent to the cemetery for cremation from the Royal Victoria Hospital.”
1924 Obituary for Enoch Edwards:
Cimetière Mont-Royal Outremont, Montreal Region, Quebec, Canada
The Montreal Star 29 Feb 1924, Fri · Page 31
Muriel Constance Freda Valerie Edwards married Arthur Frederick Morris on 24 Oct 1925 in Neepawa, Manitoba. (She appears to have added the name Valerie when she married.)
Unexpectedly a death certificate appeared for Muriel via the hints on the ancestry website. Her name was “Marcheta Morris” on this document, however it also states that she was the widow of Arthur Frederick Morris and daughter of Andrew E Edwards and Florence Ethel Hedges. She died suddenly in June 1948 in Flos, Simcoe, Ontario of a coronary thrombosis, where she was living as a housekeeper.
May 16, 2023 at 6:48 am #7241In reply to: The Chronicles of the Flying Fish Inn
Finley turned off the vacuum cleaner and cleared her throat loudly. “Mater, I need time off. Next week.”
Mater paled. “Oh Finley, surely not now. With all the guests at the moment … and we are still cleaning up from the dust … ” her voice trailed off.
“Selfish cow,” muttered Idle. She was reclining on the sofa with a magazine and a drink. Taking a well earned rest, she had snapped when Mater asked when she was going to pull her weight. She slapped her magazine down on the coffee table. “I suppose I will have to do everything!”
With just the merest hint of an eye roll, Finley continued. “My cousin Finnley who works for the writer told me about a convention. I’m quite excited.” Mater and Idle regarded her intently, wondering what an excited Finley would look like. I didn’t notice anything much, Mater confessed to Idle later in a rare moment of camaraderie.
“So?” snapped Idle. “What is it then?”
Finley turned on the vacuum cleaner. “Dustsceawaung convention. In Tasmania,” she shouted over the whirr.
March 24, 2023 at 7:49 am #7214In reply to: Orbs of Madjourneys
“Bossy, isn’t she?” muttered Yasmin, not quite out of earshot of Finly. “I haven’t even had a shower yet,” she added, picking up her phone and sandals.
Yasmin, Youssef and Zara left the maid to her cleaning and walked down towards Xaviers room. “I’d go and get coffee from the kitchen, but…” Youssef said, turning pleading eyes towards Zara, “Idle might be in there.”
Smiling, Zara told him not to risk it, she would go.
“Come in,” Xavier called when Yasmin knocked on the door. “God, what a dream,” he said when they piled in to his room. “It was awful. I was dreaming that Idle was threading an enormous long needle with baler twine saying she was going to sew us all together in a tailored story cut in a cloth of continuity.” He rubbed his eyes and then shook his head, trying to erase the image in his mind. “What are you two up so early for?”
“Zara’s gone to get the coffee,” Youssef told him, likewise trying to shake off the image of Idle that Xavier had conjured up. “We’re going to have a couple of hours on the game before the cart race ~ or the dust storm, whichever happens first I guess. There are some wierd looking vans and campers and oddballs milling around outside already.”
Zara pushed the door open with her shoulder, four mugs in her hands. “You should see the wierdos outside, going to be a great photo opportunity out there later.”
“Come on then,” said Xavier, “The game will get that awful dream out of my head. Let’s go!”
“You’re supposed to be the leader, you start the game,” Yasmin said to Zara. Zara rolled her eyes good naturedly and opened the game. “Let’s ask for some clues first then. I still don’t know why I’m the so called leader when you,” she looked pointedly as Xavier and Youssef, “Know much more about games than I do. Ok here goes:”
“The riddle “In the quietest place, the loudest secrets are kept” is a clue to help the group find the first missing page of the book “The Lost Pages of Creativity,” which is an integral part of the group quest. The riddle suggests that the missing page is hidden in a quiet place where secrets are kept, meaning that it’s likely to be somewhere in the hidden library underground the Flying Fish Inn where the group is currently situated.”
“Is there a cellar here do you think?” Zara mused. “Imagine finding a real underground library!” The idea of a grand all encompassing library had first been suggested to Zara many years ago in a series of old books by a channeler, and many a time she had imagined visiting it. The idea of leaving paper records and books for future generations had always appealed to her. She often thought of the old sepia portrait photographs of her ancestors, still intact after a hundred years ~ and yet her own photos taken ten years ago had been lost in a computer hard drive incident. What would the current generation leave for future anthropologists? Piles of plastic unreadable gadgets, she suspected.
“Youssef can ask Idle later,” Xavier said with a cheeky grin. “Maybe she’ll take him down there.” Youssef snorted, and Yasmin said “Hey! Don’t you start snorting too! Right then, Zara, so we find the cellar in the game then and go down and find the library? Then what?”
“The phrase “quietest place” can refer to a secluded spot or a place with minimal noise, which could be a hint at a specific location within the library. The phrase “loudest secrets” implies that there is something important to be discovered, but it’s hidden in plain sight.”
Hidden in plain sight reminded Yasmin of the parcel under her mattress, but she thrust it from her mind and focused on the game. She made up her mind to discuss it with everyone later, including the whacky suppositions that Zara had come up with. They couldn’t possibly confront Idle with it, they had absolutely no proof. I mean, you can’t go round saying to people, hey, that’s your abandoned child over there maybe. But they could include Xavier and Youssef in the mystery.
“The riddle is relevant to the game of quirks because it challenges the group to think creatively and work together to solve the puzzle. This requires them to communicate effectively and use their problem-solving skills to interpret the clues and find the missing page. It’s an opportunity to demonstrate their individual strengths and also learn from each other in the process.”
“Work together, communicate effectively” Yasmin repeated, as if to underline her resolution to discuss the parcel and Sister Finli a.k.a. Liana with the boys and Zara later. “A problem shared is a problem hopelessly convoluted, probably.”
The others looked up and said “What?” in unison, and Yasmin snorted nervously and said “Never mind, tell you later.”
February 23, 2023 at 7:43 am #6634In reply to: Prompts of Madjourneys
The next quest is going to be a group quest for Zara, Yasmin, Xavier and Youssef. It will require active support and close collaboration to focus on a single mystery at first not necessarily showing connection or interest to all members of the group, but completing it will show how all things are interconnected. It may start inside the game at the hidden library underground the Flying Fish Inn.
Quirk offered for this: getting lost in the mines of creativity, and struggle to complete the chapters of the book of Story to a satisfactory conclusion.
Quirk accepted.
The group finds themselves in the hidden library underground the Flying Fish Inn, surrounded by books and manuscripts. They come across a particularly old and mysterious book titled “The Lost Pages of Creativity.” The book contains scattered chapters, each written by a different author, but the group soon realizes that they are all interconnected and must be completed in order to unlock the mystery of the book’s true purpose.
Each chapter presents a different challenge related to creativity, ranging from writing a poem to creating a piece of art. The group must work together to solve each challenge, bringing their individual skills and perspectives to the table. As they complete each chapter, they will uncover clues that lead them deeper into the mystery.
Their ultimate goal is to find the missing pages of the book, which are scattered throughout the inn and surrounding areas. They will need to use their problem-solving skills and work together to find and piece together the missing pages in the correct order to unlock the true purpose of the book.
To begin, the group is given a clue to start their search for the first missing page: “In the quietest place, the loudest secrets are kept.” They must work together to decipher the clue and find the missing page. Once found, they must insert the corresponding tile into the game to progress to the next chapter. Proof of the insert should be provided in real life.
Each of the four characters are provided with a personal clue:
Zara: “Amidst the foliage and bark, A feather and a beak in the dark 🌳🍃🐦🕯️🌑”
Yasmin: “In the depths of the ocean blue, A key lies waiting just for you 🌊🔑🧜♀️🐚🕰️”
Xavier: “Seeking knowledge both new and old, Find the owl with eyes of gold 📚🦉💡🔍🕰️”
Youssef: “Amongst the sands and rocky dunes, A lantern flickers, a key it looms 🏜️🪔🔍🔑🕯️”
Each of these clues hints at a specific location or object that the character needs to find in order to progress in the game.
January 31, 2023 at 9:12 pm #6481In reply to: The Jorid’s Logs – 14 years on and more
This is the outline for a short novel called “The Jorid’s Travels – 14 years on” that will unfold in this thread.
The novel is about the travels of Georges and Salomé.
The Jorid is the name of the vessel that can travel through dimensions as well as time, within certain boundaries. The Jorid has been built and is operated by Georges and his companion Salomé.Short backstory for the main cast and secondary characters
Georges was a French thief possibly from the 1800s, turned other-dimensional explorer, and together with Salomé, a girl of mysterious origins who he first met in the Alienor dimension but believed to have origins in Northern India maybe Tibet from a distant past.
They have lived rich adventures together, and are deeply bound together, by love and mutual interests.
Georges, with his handsome face, dark hair and amber gaze, is a bit of a daredevil at times, curious and engaging with others. He is very interesting in anything that shines, strange mechanisms and generally the ways consciousness works in living matter.
Salomé, on the other hand is deeply intuitive, empath at times, quite logical and rational but also interested in mysticism, the ways of the Truth, and the “why” rather than the “how” of things.
The world of Alienor (a pale green sun under which twin planets originally orbited – Duane, Murtuane – with an additional third, Phreal, home planet of the Guardians, an alien race of builders with god-like powers) lived through cataclysmic changes, finished by the time this story is told.
The Jorid’s original prototype designed were crafted by Léonard, a mysterious figure, self-taught in the arts of dimensional magic in Alienor sects, acted as a mentor to Georges during his adventures. It is not known where he is now.
The story starts with Georges and Salomé looking for Léonard to adjust and calibrate the tiles navigational array of the Jorid, who seems to be affected by the auto-generated tiles which behave in too predictible fashion, instead of allowing for deeper explorations in the dimensions of space/time or dimensions of consciousness.
Leonard was last spotted in a desert in quadrant AVB 34-7•8 – Cosmic time triangulation congruent to 2023 AD Earth era. More precisely the sand deserts of Bluhm’Oxl in the Zathu sector.When they find Léonard, they are propelled in new adventures. They possibly encounter new companions, and some mystery to solve in a similar fashion to the Odyssey, or Robinsons Lost in Space.
Being able to tune into the probable quantum realities, the Jorid is able to trace the plot of their adventures even before they’ve been starting to unfold in no less than 33 chapters, giving them evocative titles.
Here are the 33 chapters for the glorious adventures with some keywords under each to give some hints to the daring adventurers.
- Chapter 1: The Search Begins – Georges and Salomé, Léonard, Zathu sector, Bluhm’Oxl, dimensional magic
- Chapter 2: A New Companion – unexpected ally, discovery, adventure
- Chapter 3: Into the Desert – Bluhm’Oxl, sand dunes, treacherous journey
- Chapter 4: The First Clue – search for Léonard, mystery, puzzle
- Chapter 5: The Oasis – rest, rekindling hope, unexpected danger
- Chapter 6: The Lost City – ancient civilization, artifacts, mystery
- Chapter 7: A Dangerous Encounter – hostile aliens, survival, bravery
- Chapter 8: A New Threat – ancient curse, ominous presence, danger
- Chapter 9: The Key to the Past – uncovering secrets, solving puzzles, unlocking power
- Chapter 10: The Guardian’s Temple – mystical portal, discovery, knowledge
- Chapter 11: The Celestial Map – space-time navigation, discovery, enlightenment
- Chapter 12: The First Step – journey through dimensions, bravery, adventure
- Chapter 13: The Cosmic Rift – strange anomalies, dangerous zones, exploration
- Chapter 14: A Surprising Discovery – unexpected allies, strange creatures, intrigue
- Chapter 15: The Memory Stones – ancient wisdom, unlock hidden knowledge, unlock the past
- Chapter 16: The Time Stream – navigating through time, adventure, danger
- Chapter 17: The Mirror Dimension – parallel world, alternate reality, discovery
- Chapter 18: A Distant Planet – alien world, strange cultures, exploration
- Chapter 19: The Starlight Forest – enchanted forest, secrets, danger
- Chapter 20: The Temple of the Mind – exploring consciousness, inner journey, enlightenment
- Chapter 21: The Sea of Souls – mystical ocean, hidden knowledge, inner peace
- Chapter 22: The Path of the Truth – search for meaning, self-discovery, enlightenment
- Chapter 23: The Cosmic Library – ancient knowledge, discovery, enlightenment
- Chapter 24: The Dream Plane – exploring the subconscious, self-discovery, enlightenment
- Chapter 25: The Shadow Realm – dark dimensions, fear, danger
- Chapter 26: The Fire Planet – intense heat, dangerous creatures, bravery
- Chapter 27: The Floating Islands – aerial adventure, strange creatures, discovery
- Chapter 28: The Crystal Caves – glittering beauty, hidden secrets, danger
- Chapter 29: The Eternal Night – unknown world, strange creatures, fear
- Chapter 30: The Lost Civilization – ancient ruins, mystery, adventure
- Chapter 31: The Vortex – intense energy, danger, bravery
- Chapter 32: The Cosmic Storm – weather extremes, danger, survival
- Chapter 33: The Return – reunion with Léonard, returning to the Jorid, new adventures.
January 28, 2023 at 11:15 am #6462In reply to: Orbs of Madjourneys
The emoji of the pirate face jumped at Xavier, as he was musing the next steps on the game. Avast ye! it seemed to hint at him, while Xavier’s thoughts were reeling from all the activity of the week. He didn’t have much time to make any progress in the Land of the Quirks game, and hardly managed to stay afloat on the stuff he had to deliver.
AL seemed to hint at a more out-of-the-box approach… Without thinking, he clicked on the emoji.
The fox bus driver indications were to follow the river until he found a junk ship moored there, which was in effect a secret floating casino. Against his best instincts, Xavimunk decided to follow the trail and after a while on the road, he could see the fully battened black sails at the horizon. Lights were glimmering in the dusk, and mist started to rise from the banks of the river. There seemed to be some unusual activity around the boat, and as Xavier arrived close, he could see a variety of quirky characters as if they were some sorts of 1920s fashionable pirates at a resort station.
The indications on the overlay screen started to shift:
*Clue unlocked*
It sounds like you’re making progress on your quest. The clues you received from the fox busdriver are definitely leading you in the right direction. Keep following the trail and don’t be afraid to ask for help if you need it. Remember, the golden banana is a metaphor for your cheeky and also soft nature, so don’t be too hard on yourself.
🦊💰🛳️ Explore the floating casino and see if the fox busdriver’s clues lead you to the golden banana. Don’t be afraid to take risks and think outside the box, as the golden banana may not be what it seems. Keep an open mind and pay attention to any symbols or clues that you come across.“Yooohoooo 👉” a message bumped on the screen.
Glimmer_Gbl is trying to make contact: ➡️ACCEPT <> ➡️DENY ❓
January 28, 2022 at 1:10 pm #6260In reply to: The Elusive Samuel Housley and Other Family Stories
From Tanganyika with Love
With thanks to Mike Rushby.
- “The letters of Eleanor Dunbar Leslie to her parents and her sister in South Africa
concerning her life with George Gilman Rushby of Tanganyika, and the trials and
joys of bringing up a family in pioneering conditions.
These letters were transcribed from copies of letters typed by Eleanor Rushby from
the originals which were in the estate of Marjorie Leslie, Eleanor’s sister. Eleanor
kept no diary of her life in Tanganyika, so these letters were the living record of an
important part of her life.Prelude
Having walked across Africa from the East coast to Ubangi Shauri Chad
in French Equatorial Africa, hunting elephant all the way, George Rushby
made his way down the Congo to Leopoldville. He then caught a ship to
Europe and had a holiday in Brussels and Paris before visiting his family
in England. He developed blackwater fever and was extremely ill for a
while. When he recovered he went to London to arrange his return to
Africa.Whilst staying at the Overseas Club he met Eileen Graham who had come
to England from Cape Town to study music. On hearing that George was
sailing for Cape Town she arranged to introduce him to her friend
Eleanor Dunbar Leslie. “You’ll need someone lively to show you around,”
she said. “She’s as smart as paint, a keen mountaineer, a very good school
teacher, and she’s attractive. You can’t miss her, because her father is a
well known Cape Town Magistrate. And,” she added “I’ve already written
and told her what ship you are arriving on.”Eleanor duly met the ship. She and George immediately fell in love.
Within thirty six hours he had proposed marriage and was accepted
despite the misgivings of her parents. As she was under contract to her
High School, she remained in South Africa for several months whilst
George headed for Tanganyika looking for a farm where he could build
their home.These details are a summary of chapter thirteen of the Biography of
George Gilman Rushby ‘The Hunter is Death “ by T.V.Bulpin.Dearest Marj,
Terrifically exciting news! I’ve just become engaged to an Englishman whom I
met last Monday. The result is a family upheaval which you will have no difficulty in
imagining!!The Aunts think it all highly romantic and cry in delight “Now isn’t that just like our
El!” Mummy says she doesn’t know what to think, that anyway I was always a harum
scarum and she rather expected something like this to happen. However I know that
she thinks George highly attractive. “Such a nice smile and gentle manner, and such
good hands“ she murmurs appreciatively. “But WHY AN ELEPHANT HUNTER?” she
ends in a wail, as though elephant hunting was an unmentionable profession.
Anyway I don’t think so. Anyone can marry a bank clerk or a lawyer or even a
millionaire – but whoever heard of anyone marrying anyone as exciting as an elephant
hunter? I’m thrilled to bits.Daddy also takes a dim view of George’s profession, and of George himself as
a husband for me. He says that I am so impulsive and have such wild enthusiasms that I
need someone conservative and steady to give me some serenity and some ballast.
Dad says George is a handsome fellow and a good enough chap he is sure, but
he is obviously a man of the world and hints darkly at a possible PAST. George says
he has nothing of the kind and anyway I’m the first girl he has asked to marry him. I don’t
care anyway, I’d gladly marry him tomorrow, but Dad has other ideas.He sat in his armchair to deliver his verdict, wearing the same look he must wear
on the bench. If we marry, and he doesn’t think it would be a good thing, George must
buy a comfortable house for me in Central Africa where I can stay safely when he goes
hunting. I interrupted to say “But I’m going too”, but dad snubbed me saying that in no
time at all I’ll have a family and one can’t go dragging babies around in the African Bush.”
George takes his lectures with surprising calm. He says he can see Dad’s point of
view much better than I can. He told the parents today that he plans to buy a small
coffee farm in the Southern Highlands of Tanganyika and will build a cosy cottage which
will be a proper home for both of us, and that he will only hunt occasionally to keep the
pot boiling.Mummy, of course, just had to spill the beans. She said to George, “I suppose
you know that Eleanor knows very little about house keeping and can’t cook at all.” a fact
that I was keeping a dark secret. But George just said, “Oh she won’t have to work. The
boys do all that sort of thing. She can lie on a couch all day and read if she likes.” Well
you always did say that I was a “Lily of the field,” and what a good thing! If I were one of
those terribly capable women I’d probably die of frustration because it seems that
African house boys feel that they have lost face if their Memsahibs do anything but the
most gracious chores.George is absolutely marvellous. He is strong and gentle and awfully good
looking too. He is about 5 ft 10 ins tall and very broad. He wears his curly brown hair cut
very short and has a close clipped moustache. He has strongly marked eyebrows and
very striking blue eyes which sometimes turn grey or green. His teeth are strong and
even and he has a quiet voice.I expect all this sounds too good to be true, but come home quickly and see for
yourself. George is off to East Africa in three weeks time to buy our farm. I shall follow as
soon as he has bought it and we will be married in Dar es Salaam.Dad has taken George for a walk “to get to know him” and that’s why I have time
to write such a long screed. They should be back any minute now and I must fly and
apply a bit of glamour.Much love my dear,
your jubilant
EleanorS.S.Timavo. Durban. 28th.October. 1930.
Dearest Family,
Thank you for the lovely send off. I do wish you were all on board with me and
could come and dance with me at my wedding. We are having a very comfortable
voyage. There were only four of the passengers as far as Durban, all of them women,
but I believe we are taking on more here. I have a most comfortable deck cabin to
myself and the use of a sumptuous bathroom. No one is interested in deck games and I
am having a lazy time, just sunbathing and reading.I sit at the Captain’s table and the meals are delicious – beautifully served. The
butter for instance, is moulded into sprays of roses, most exquisitely done, and as for
the ice-cream, I’ve never tasted anything like them.The meals are continental type and we have hors d’oeuvre in a great variety
served on large round trays. The Italians souse theirs with oil, Ugh! We also of course
get lots of spaghetti which I have some difficulty in eating. However this presents no
problem to the Chief Engineer who sits opposite to me. He simply rolls it around his
fork and somehow the spaghetti flows effortlessly from fork to mouth exactly like an
ascending escalator. Wine is served at lunch and dinner – very mild and pleasant stuff.
Of the women passengers the one i liked best was a young German widow
from South west Africa who left the ship at East London to marry a man she had never
met. She told me he owned a drapers shop and she was very happy at the prospect
of starting a new life, as her previous marriage had ended tragically with the death of her
husband and only child in an accident.I was most interested to see the bridegroom and stood at the rail beside the gay
young widow when we docked at East London. I picked him out, without any difficulty,
from the small group on the quay. He was a tall thin man in a smart grey suit and with a
grey hat perched primly on his head. You can always tell from hats can’t you? I wasn’t
surprised to see, when this German raised his head, that he looked just like the Kaiser’s
“Little Willie”. Long thin nose and cold grey eyes and no smile of welcome on his tight
mouth for the cheery little body beside me. I quite expected him to jerk his thumb and
stalk off, expecting her to trot at his heel.However she went off blithely enough. Next day before the ship sailed, she
was back and I saw her talking to the Captain. She began to cry and soon after the
Captain patted her on the shoulder and escorted her to the gangway. Later the Captain
told me that the girl had come to ask him to allow her to work her passage back to
Germany where she had some relations. She had married the man the day before but
she disliked him because he had deceived her by pretending that he owned a shop
whereas he was only a window dresser. Bad show for both.The Captain and the Chief Engineer are the only officers who mix socially with
the passengers. The captain seems rather a melancholy type with, I should say, no
sense of humour. He speaks fair English with an American accent. He tells me that he
was on the San Francisco run during Prohibition years in America and saw many Film
Stars chiefly “under the influence” as they used to flock on board to drink. The Chief
Engineer is big and fat and cheerful. His English is anything but fluent but he makes up
for it in mime.I visited the relations and friends at Port Elizabeth and East London, and here at
Durban. I stayed with the Trotters and Swans and enjoyed myself very much at both
places. I have collected numerous wedding presents, china and cutlery, coffee
percolator and ornaments, and where I shall pack all these things I don’t know. Everyone has been terribly kind and I feel extremely well and happy.At the start of the voyage I had a bit of bad luck. You will remember that a
perfectly foul South Easter was blowing. Some men were busy working on a deck
engine and I stopped to watch and a tiny fragment of steel blew into my eye. There is
no doctor on board so the stewardess put some oil into the eye and bandaged it up.
The eye grew more and more painful and inflamed and when when we reached Port
Elizabeth the Captain asked the Port Doctor to look at it. The Doctor said it was a job for
an eye specialist and telephoned from the ship to make an appointment. Luckily for me,
Vincent Tofts turned up at the ship just then and took me off to the specialist and waited
whilst he extracted the fragment with a giant magnet. The specialist said that I was very
lucky as the thing just missed the pupil of my eye so my sight will not be affected. I was
temporarily blinded by the Belladona the eye-man put in my eye so he fitted me with a
pair of black goggles and Vincent escorted me back to the ship. Don’t worry the eye is
now as good as ever and George will not have to take a one-eyed bride for better or
worse.I have one worry and that is that the ship is going to be very much overdue by
the time we reach Dar es Salaam. She is taking on a big wool cargo and we were held
up for three days in East london and have been here in Durban for five days.
Today is the ninth Anniversary of the Fascist Movement and the ship was
dressed with bunting and flags. I must now go and dress for the gala dinner.Bless you all,
Eleanor.S.S.Timavo. 6th. November 1930
Dearest Family,
Nearly there now. We called in at Lourenco Marques, Beira, Mozambique and
Port Amelia. I was the only one of the original passengers left after Durban but there we
took on a Mrs Croxford and her mother and two men passengers. Mrs C must have
something, certainly not looks. She has a flat figure, heavily mascared eyes and crooked
mouth thickly coated with lipstick. But her rather sweet old mother-black-pearls-type tells
me they are worn out travelling around the world trying to shake off an admirer who
pursues Mrs C everywhere.The one male passenger is very quiet and pleasant. The old lady tells me that he
has recently lost his wife. The other passenger is a horribly bumptious type.
I had my hair beautifully shingled at Lourenco Marques, but what an experience it
was. Before we docked I asked the Captain whether he knew of a hairdresser, but he
said he did not and would have to ask the agent when he came aboard. The agent was
a very suave Asian. He said “Sure he did” and offered to take me in his car. I rather
doubtfully agreed — such a swarthy gentleman — and was driven, not to a hairdressing
establishment, but to his office. Then he spoke to someone on the telephone and in no
time at all a most dago-y type arrived carrying a little black bag. He was all patent
leather, hair, and flashing smile, and greeted me like an old and valued friend.
Before I had collected my scattered wits tthe Agent had flung open a door and
ushered me through, and I found myself seated before an ornate mirror in what was only
too obviously a bedroom. It was a bedroom with a difference though. The unmade bed
had no legs but hung from the ceiling on brass chains.The agent beamingly shut the door behind him and I was left with my imagination
and the afore mentioned oily hairdresser. He however was very business like. Before I
could say knife he had shingled my hair with a cut throat razor and then, before I could
protest, had smothered my neck in stinking pink powder applied with an enormous and
filthy swansdown powder puff. He held up a mirror for me to admire his handiwork but I
was aware only of the enormous bed reflected in it, and hurriedly murmuring “very nice,
very nice” I made my escape to the outer office where, to my relief, I found the Chief
Engineer who escorted me back to the ship.In the afternoon Mrs Coxford and the old lady and I hired a taxi and went to the
Polana Hotel for tea. Very swish but I like our Cape Peninsula beaches better.
At Lorenco Marques we took on more passengers. The Governor of
Portuguese Nyasaland and his wife and baby son. He was a large middle aged man,
very friendly and unassuming and spoke perfect English. His wife was German and
exquisite, as fragile looking and with the delicate colouring of a Dresden figurine. She
looked about 18 but she told me she was 28 and showed me photographs of two
other sons – hefty youngsters, whom she had left behind in Portugal and was missing
very much.It was frightfully hot at Beira and as I had no money left I did not go up to the
town, but Mrs Croxford and I spent a pleasant hour on the beach under the Casurina
trees.The Governor and his wife left the ship at Mozambique. He looked very
imposing in his starched uniform and she more Dresden Sheperdish than ever in a
flowered frock. There was a guard of honour and all the trimmings. They bade me a warm farewell and invited George and me to stay at any time.The German ship “Watussi” was anchored in the Bay and I decided to visit her
and try and have my hair washed and set. I had no sooner stepped on board when a
lady came up to me and said “Surely you are Beeba Leslie.” It was Mrs Egan and she
had Molly with her. Considering Mrs Egan had not seen me since I was five I think it was
jolly clever of her to recognise me. Molly is charming and was most friendly. She fixed
things with the hairdresser and sat with me until the job was done. Afterwards I had tea
with them.Port Amelia was our last stop. In fact the only person to go ashore was Mr
Taylor, the unpleasant man, and he returned at sunset very drunk indeed.
We reached Port Amelia on the 3rd – my birthday. The boat had anchored by
the time I was dressed and when I went on deck I saw several row boats cluttered
around the gangway and in them were natives with cages of wild birds for sale. Such tiny
crowded cages. I was furious, you know me. I bought three cages, carried them out on
to the open deck and released the birds. I expected them to fly to the land but they flew
straight up into the rigging.The quiet male passenger wandered up and asked me what I was doing. I said
“I’m giving myself a birthday treat, I hate to see caged birds.” So next thing there he
was buying birds which he presented to me with “Happy Birthday.” I gladly set those
birds free too and they joined the others in the rigging.Then a grinning steward came up with three more cages. “For the lady with
compliments of the Captain.” They lost no time in joining their friends.
It had given me so much pleasure to free the birds that I was only a little
discouraged when the quiet man said thoughtfully “This should encourage those bird
catchers you know, they are sold out. When evening came and we were due to sail I
was sure those birds would fly home, but no, they are still there and they will probably
remain until we dock at Dar es Salaam.During the morning the Captain came up and asked me what my Christian name
is. He looked as grave as ever and I couldn’t think why it should interest him but said “the
name is Eleanor.” That night at dinner there was a large iced cake in the centre of the
table with “HELENA” in a delicate wreath of pink icing roses on the top. We had
champagne and everyone congratulated me and wished me good luck in my marriage.
A very nice gesture don’t you think. The unpleasant character had not put in an
appearance at dinner which made the party all the nicerI sat up rather late in the lounge reading a book and by the time I went to bed
there was not a soul around. I bathed and changed into my nighty,walked into my cabin,
shed my dressing gown, and pottered around. When I was ready for bed I put out my
hand to draw the curtains back and a hand grasped my wrist. It was that wretched
creature outside my window on the deck, still very drunk. Luckily I was wearing that
heavy lilac silk nighty. I was livid. “Let go at once”, I said, but he only grinned stupidly.
“I’m not hurting you” he said, “only looking”. “I’ll ring for the steward” said I, and by
stretching I managed to press the bell with my free hand. I rang and rang but no one
came and he just giggled. Then I said furiously, “Remember this name, George
Rushby, he is a fine boxer and he hates specimens like you. When he meets me at Dar
es Salaam I shall tell him about this and I bet you will be sorry.” However he still held on
so I turned and knocked hard on the adjoining wall which divided my cabin from Mrs
Croxfords. Soon Mrs Croxford and the old lady appeared in dressing gowns . This
seemed to amuse the drunk even more though he let go my wrist. So whilst the old
lady stayed with me, Mrs C fetched the quiet passenger who soon hustled him off. He has kept out of my way ever since. However I still mean to tell George because I feel
the fellow got off far too lightly. I reported the matter to the Captain but he just remarked
that he always knew the man was low class because he never wears a jacket to meals.
This is my last night on board and we again had free champagne and I was given
some tooled leather work by the Captain and a pair of good paste earrings by the old
lady. I have invited them and Mrs Croxford, the Chief Engineer, and the quiet
passenger to the wedding.This may be my last night as Eleanor Leslie and I have spent this long while
writing to you just as a little token of my affection and gratitude for all the years of your
love and care. I shall post this letter on the ship and must turn now and get some beauty
sleep. We have been told that we shall be in Dar es Salaam by 9 am. I am so excited
that I shall not sleep.Very much love, and just for fun I’ll sign my full name for the last time.
with my “bes respeks”,Eleanor Leslie.
Eleanor and George Rushby:
Splendid Hotel, Dar es Salaam 11th November 1930
Dearest Family,
I’m writing this in the bedroom whilst George is out buying a tin trunk in which to
pack all our wedding presents. I expect he will be gone a long time because he has
gone out with Hicky Wood and, though our wedding was four days ago, it’s still an
excuse for a party. People are all very cheery and friendly here.
I am wearing only pants and slip but am still hot. One swelters here in the
mornings, but a fresh sea breeze blows in the late afternoons and then Dar es Salaam is
heavenly.We arrived in Dar es Salaam harbour very early on Friday morning (7 th Nov).
The previous night the Captain had said we might not reach Dar. until 9 am, and certainly
no one would be allowed on board before 8 am. So I dawdled on the deck in my
dressing gown and watched the green coastline and the islands slipping by. I stood on
the deck outside my cabin and was not aware that I was looking out at the wrong side of
the landlocked harbour. Quite unknown to me George and some friends, the Hickson
Woods, were standing on the Gymkhana Beach on the opposite side of the channel
anxiously scanning the ship for a sign of me. George says he had a horrible idea I had
missed the ship. Blissfully unconscious of his anxiety I wandered into the bathroom
prepared for a good soak. The anchor went down when I was in the bath and suddenly
there was a sharp wrap on the door and I heard Mrs Croxford say “There’s a man in a
boat outside. He is looking out for someone and I’m sure it’s your George. I flung on
some clothes and rushed on deck with tousled hair and bare feet and it was George.
We had a marvellous reunion. George was wearing shorts and bush shirt and
looked just like the strong silent types one reads about in novels. I finished dressing then
George helped me bundle all the wedding presents I had collected en route into my
travelling rug and we went into the bar lounge to join the Hickson Woods. They are the
couple from whom George bought the land which is to be our coffee farm Hicky-Wood
was laughing when we joined them. he said he had called a chap to bring a couple of
beers thinking he was the steward but it turned out to be the Captain. He does wear
such a very plain uniform that I suppose it was easy to make the mistake, but Hicky
says he was not amused.Anyway as the H-W’s are to be our neighbours I’d better describe them. Kath
Wood is very attractive, dark Irish, with curly black hair and big brown eyes. She was
married before to Viv Lumb a great friend of George’s who died some years ago of
blackwater fever. They had one little girl, Maureen, and Kath and Hicky have a small son
of three called Michael. Hicky is slightly below average height and very neat and dapper
though well built. He is a great one for a party and good fun but George says he can be
bad tempered.Anyway we all filed off the ship and Hicky and Cath went on to the hotel whilst
George and I went through customs. Passing the customs was easy. Everyone
seemed to know George and that it was his wedding day and I just sailed through,
except for the little matter of the rug coming undone when George and I had to scramble
on the floor for candlesticks and fruit knives and a wooden nut bowl.
Outside the customs shed we were mobbed by a crowd of jabbering Africans
offering their services as porters, and soon my luggage was piled in one rickshaw whilst
George and I climbed into another and we were born smoothly away on rubber shod
wheels to the Splendid Hotel. The motion was pleasing enough but it seemed weird to
be pulled along by one human being whilst another pushed behind. We turned up a street called Acacia Avenue which, as its name implies, is lined
with flamboyant acacia trees now in the full glory of scarlet and gold. The rickshaw
stopped before the Splendid Hotel and I was taken upstairs into a pleasant room which
had its own private balcony overlooking the busy street.Here George broke the news that we were to be married in less than an hours
time. He would have to dash off and change and then go straight to the church. I would
be quite all right, Kath would be looking in and friends would fetch me.
I started to dress and soon there was a tap at the door and Mrs Hickson-Wood
came in with my bouquet. It was a lovely bunch of carnations and frangipani with lots of
asparagus fern and it went well with my primrose yellow frock. She admired my frock
and Leghorn hat and told me that her little girl Maureen was to be my flower girl. Then
she too left for the church.I was fully dressed when there was another knock on the door and I opened it to
be confronted by a Police Officer in a starched white uniform. I’m McCallum”, he said,
“I’ve come to drive you to the church.” Downstairs he introduced me to a big man in a
tussore silk suit. “This is Dr Shicore”, said McCallum, “He is going to give you away.”
Honestly, I felt exactly like Alice in Wonderland. Wouldn’t have been at all surprised if
the White Rabbit had popped up and said he was going to be my page.I walked out of the hotel and across the pavement in a dream and there, by the
curb, was a big dark blue police car decorated with white ribbons and with a tall African
Police Ascari holding the door open for me. I had hardly time to wonder what next when
the car drew up before a tall German looking church. It was in fact the Lutheran Church in
the days when Tanganyika was German East Africa.Mrs Hickson-Wood, very smart in mushroom coloured georgette and lace, and
her small daughter were waiting in the porch, so in we went. I was glad to notice my
friends from the boat sitting behind George’s friends who were all complete strangers to
me. The aisle seemed very long but at last I reached George waiting in the chancel with
Hicky-Wood, looking unfamiliar in a smart tussore suit. However this feeling of unreality
passed when he turned his head and smiled at me.In the vestry after the ceremony I was kissed affectionately by several complete
strangers and I felt happy and accepted by George’s friends. Outside the church,
standing apart from the rest of the guests, the Italian Captain and Chief Engineer were
waiting. They came up and kissed my hand, and murmured felicitations, but regretted
they could not spare the time to come to the reception. Really it was just as well
because they would not have fitted in at all well.Dr Shircore is the Director of Medical Services and he had very kindly lent his
large house for the reception. It was quite a party. The guests were mainly men with a
small sprinkling of wives. Champagne corks popped and there was an enormous cake
and soon voices were raised in song. The chief one was ‘Happy Days Are Here Again’
and I shall remember it for ever.The party was still in full swing when George and I left. The old lady from the ship
enjoyed it hugely. She came in an all black outfit with a corsage of artificial Lily-of-the-
Valley. Later I saw one of the men wearing the corsage in his buttonhole and the old
lady was wearing a carnation.When George and I got back to the hotel,I found that my luggage had been
moved to George’s room by his cook Lamek, who was squatting on his haunches and
clapped his hands in greeting. My dears, you should see Lamek – exactly like a
chimpanzee – receding forehead, wide flat nose, and long lip, and such splayed feet. It was quite a strain not to laugh, especially when he produced a gift for me. I have not yet
discovered where he acquired it. It was a faded mauve straw toque of the kind worn by
Queen Mary. I asked George to tell Lamek that I was touched by his generosity but felt
that I could not accept his gift. He did not mind at all especially as George gave him a
generous tip there and then.I changed into a cotton frock and shady straw hat and George changed into shorts
and bush shirt once more. We then sneaked into the dining room for lunch avoiding our
wedding guests who were carrying on the party in the lounge.After lunch we rejoined them and they all came down to the jetty to wave goodbye
as we set out by motor launch for Honeymoon Island. I enjoyed the launch trip very
much. The sea was calm and very blue and the palm fringed beaches of Dar es Salaam
are as romantic as any bride could wish. There are small coral islands dotted around the
Bay of which Honeymoon Island is the loveliest. I believe at one time it bore the less
romantic name of Quarantine Island. Near the Island, in the shallows, the sea is brilliant
green and I saw two pink jellyfish drifting by.There is no jetty on the island so the boat was stopped in shallow water and
George carried me ashore. I was enchanted with the Island and in no hurry to go to the
bungalow, so George and I took our bathing costumes from our suitcases and sent the
luggage up to the house together with a box of provisions.We bathed and lazed on the beach and suddenly it was sunset and it began to
get dark. We walked up the beach to the bungalow and began to unpack the stores,
tea, sugar, condensed milk, bread and butter, sardines and a large tin of ham. There
were also cups and saucers and plates and cutlery.We decided to have an early meal and George called out to the caretaker, “Boy
letta chai”. Thereupon the ‘boy’ materialised and jabbered to George in Ki-Swaheli. It
appeared he had no utensil in which to boil water. George, ever resourceful, removed
the ham from the tin and gave him that. We had our tea all right but next day the ham
was bad.Then came bed time. I took a hurricane lamp in one hand and my suitcase in the
other and wandered into the bedroom whilst George vanished into the bathroom. To
my astonishment I saw two perfectly bare iron bedsteads – no mattress or pillows. We
had brought sheets and mosquito nets but, believe me, they are a poor substitute for a
mattress.Anyway I arrayed myself in my pale yellow satin nightie and sat gingerly down
on the iron edge of the bed to await my groom who eventually appeared in a
handsome suit of silk pyjamas. His expression, as he took in the situation, was too much
for me and I burst out laughing and so did he.Somewhere in the small hours I woke up. The breeze had dropped and the
room was unbearably stuffy. I felt as dry as a bone. The lamp had been turned very
low and had gone out, but I remembered seeing a water tank in the yard and I decided
to go out in the dark and drink from the tap. In the dark I could not find my slippers so I
slipped my feet into George’s shoes, picked up his matches and groped my way out
of the room. I found the tank all right and with one hand on the tap and one cupped for
water I stooped to drink. Just then I heard a scratchy noise and sensed movements
around my feet. I struck a match and oh horrors! found that the damp spot on which I was
standing was alive with white crabs. In my hurry to escape I took a clumsy step, put
George’s big toe on the hem of my nightie and down I went on top of the crabs. I need
hardly say that George was awakened by an appalling shriek and came rushing to my
aid like a knight of old. Anyway, alarms and excursions not withstanding, we had a wonderful weekend on the island and I was sorry to return to the heat of Dar es Salaam, though the evenings
here are lovely and it is heavenly driving along the coast road by car or in a rickshaw.
I was surprised to find so many Indians here. Most of the shops, large and small,
seem to be owned by Indians and the place teems with them. The women wear
colourful saris and their hair in long black plaits reaching to their waists. Many wear baggy
trousers of silk or satin. They give a carnival air to the sea front towards sunset.
This long letter has been written in instalments throughout the day. My first break
was when I heard the sound of a band and rushed to the balcony in time to see The
Kings African Rifles band and Askaris march down the Avenue on their way to an
Armistice Memorial Service. They looked magnificent.I must end on a note of most primitive pride. George returned from his shopping
expedition and beamingly informed me that he had thrashed the man who annoyed me
on the ship. I felt extremely delighted and pressed for details. George told me that
when he went out shopping he noticed to his surprise that the ‘Timavo” was still in the
harbour. He went across to the Agents office and there saw a man who answered to the
description I had given. George said to him “Is your name Taylor?”, and when he said
“yes”, George said “Well my name is George Rushby”, whereupon he hit Taylor on the
jaw so that he sailed over the counter and down the other side. Very satisfactory, I feel.
With much love to all.Your cave woman
Eleanor.Mchewe Estate. P.O. Mbeya 22 November 1930
Dearest Family,
Well here we are at our Country Seat, Mchewe Estate. (pronounced
Mn,-che’-we) but I will start at the beginning of our journey and describe the farm later.
We left the hotel at Dar es Salaam for the station in a taxi crowded with baggage
and at the last moment Keith Wood ran out with the unwrapped bottom layer of our
wedding cake. It remained in its naked state from there to here travelling for two days in
the train on the luggage rack, four days in the car on my knee, reposing at night on the
roof of the car exposed to the winds of Heaven, and now rests beside me in the tent
looking like an old old tombstone. We have no tin large enough to hold it and one
simply can’t throw away ones wedding cake so, as George does not eat cake, I can see
myself eating wedding cake for tea for months to come, ants permitting.We travelled up by train from Dar to Dodoma, first through the lush vegetation of
the coastal belt to Morogoro, then through sisal plantations now very overgrown with
weeds owing to the slump in prices, and then on to the arid area around Dodoma. This
part of the country is very dry at this time of the year and not unlike parts of our Karoo.
The train journey was comfortable enough but slow as the engines here are fed with
wood and not coal as in South Africa.Dodoma is the nearest point on the railway to Mbeya so we left the train there to
continue our journey by road. We arrived at the one and only hotel in the early hours and
whilst someone went to rout out the night watchman the rest of us sat on the dismal
verandah amongst a litter of broken glass. Some bright spark remarked on the obvious –
that there had been a party the night before.When we were shown to a room I thought I rather preferred the verandah,
because the beds had not yet been made up and there was a bucket of vomit beside
the old fashioned washstand. However George soon got the boys to clean up the
room and I fell asleep to be awakened by George with an invitation to come and see
our car before breakfast.Yes, we have our own car. It is a Chev, with what is called a box body. That
means that sides, roof and doors are made by a local Indian carpenter. There is just the
one front seat with a kapok mattress on it. The tools are kept in a sort of cupboard fixed
to the side so there is a big space for carrying “safari kit” behind the cab seat.
Lamek, who had travelled up on the same train, appeared after breakfast, and
helped George to pack all our luggage into the back of the car. Besides our suitcases
there was a huge bedroll, kitchen utensils and a box of provisions, tins of petrol and
water and all Lamek’s bits and pieces which included three chickens in a wicker cage and
an enormous bunch of bananas about 3 ft long.When all theses things were packed there remained only a small space between
goods and ceiling and into this Lamek squeezed. He lay on his back with his horny feet a
mere inch or so from the back of my head. In this way we travelled 400 miles over
bumpy earth roads and crude pole bridges, but whenever we stopped for a meal
Lamek wriggled out and, like Aladdin’s genie, produced good meals in no time at all.
In the afternoon we reached a large river called the Ruaha. Workmen were busy
building a large bridge across it but it is not yet ready so we crossed by a ford below
the bridge. George told me that the river was full of crocodiles but though I looked hard, I
did not see any. This is also elephant country but I did not see any of those either, only
piles of droppings on the road. I must tell you that the natives around these parts are called Wahehe and the river is Ruaha – enough to make a cat laugh. We saw some Wahehe out hunting with spears
and bows and arrows. They live in long low houses with the tiniest shuttered windows
and rounded roofs covered with earth.Near the river we also saw a few Masai herding cattle. They are rather terrifying to
look at – tall, angular, and very aloof. They wear nothing but a blanket knotted on one
shoulder, concealing nothing, and all carried one or two spears.
The road climbs steeply on the far side of the Ruaha and one has the most
tremendous views over the plains. We spent our first night up there in the high country.
Everything was taken out of the car, the bed roll opened up and George and I slept
comfortably in the back of the car whilst Lamek, rolled in a blanket, slept soundly by a
small fire nearby. Next morning we reached our first township, Iringa, and put up at the
Colonist Hotel. We had a comfortable room in the annex overlooking the golf course.
our room had its own little dressing room which was also the bathroom because, when
ordered to do so, the room boy carried in an oval galvanised bath and filled it with hot
water which he carried in a four gallon petrol tin.When we crossed to the main building for lunch, George was immediately hailed
by several men who wanted to meet the bride. I was paid some handsome
compliments but was not sure whether they were sincere or the result of a nice alcoholic
glow. Anyhow every one was very friendly.After lunch I went back to the bedroom leaving George chatting away. I waited and
waited – no George. I got awfully tired of waiting and thought I’d give him a fright so I
walked out onto the deserted golf course and hid behind some large boulders. Soon I
saw George returning to the room and the boy followed with a tea tray. Ah, now the hue
and cry will start, thought I, but no, no George appeared nor could I hear any despairing
cry. When sunset came I trailed crossly back to our hotel room where George lay
innocently asleep on his bed, hands folded on his chest like a crusader on his tomb. In a
moment he opened his eyes, smiled sleepily and said kindly, “Did you have a nice walk
my love?” So of course I couldn’t play the neglected wife as he obviously didn’t think
me one and we had a very pleasant dinner and party in the hotel that evening.
Next day we continued our journey but turned aside to visit the farm of a sprightly
old man named St.Leger Seaton whom George had known for many years, so it was
after dark before George decided that we had covered our quota of miles for the day.
Whilst he and Lamek unpacked I wandered off to a stream to cool my hot feet which had
baked all day on the floor boards of the car. In the rather dim moonlight I sat down on the
grassy bank and gratefully dabbled my feet in the cold water. A few minutes later I
started up with a shriek – I had the sensation of red hot pins being dug into all my most
sensitive parts. I started clawing my clothes off and, by the time George came to the
rescue with the lamp, I was practically in the nude. “Only Siafu ants,” said George calmly.
Take off all your clothes and get right in the water.” So I had a bathe whilst George
picked the ants off my clothes by the light of the lamp turned very low for modesty’s
sake. Siafu ants are beastly things. They are black ants with outsized heads and
pinchers. I shall be very, very careful where I sit in future.The next day was even hotter. There was no great variety in the scenery. Most
of the country was covered by a tree called Miombo, which is very ordinary when the
foliage is a mature deep green, but when in new leaf the trees look absolutely beautiful
as the leaves,surprisingly, are soft pastel shades of red and yellow.Once again we turned aside from the main road to visit one of George’s friends.
This man Major Hugh Jones MC, has a farm only a few miles from ours but just now he is supervising the making of an airstrip. Major Jones is quite a character. He is below
average height and skinny with an almost bald head and one nearly blind eye into which
he screws a monocle. He is a cultured person and will, I am sure, make an interesting
neighbour. George and Major Jones’ friends call him ‘Joni’ but he is generally known in
this country as ‘Ropesoles’ – as he is partial to that type of footwear.
We passed through Mbeya township after dark so I have no idea what the place
is like. The last 100 miles of our journey was very dusty and the last 15 miles extremely
bumpy. The road is used so little that in some places we had to plow our way through
long grass and I was delighted when at last George turned into a side road and said
“This is our place.” We drove along the bank of the Mchewe River, then up a hill and
stopped at a tent which was pitched beside the half built walls of our new home. We
were expected so there was hot water for baths and after a supper of tinned food and
good hot tea, I climbed thankfully into bed.Next morning I was awakened by the chattering of the African workmen and was
soon out to inspect the new surroundings. Our farm was once part of Hickson Wood’s
land and is separated from theirs by a river. Our houses cannot be more than a few
hundred yards apart as the crow flies but as both are built on the slopes of a long range
of high hills, and one can only cross the river at the foot of the slopes, it will be quite a
safari to go visiting on foot . Most of our land is covered with shoulder high grass but it
has been partly cleared of trees and scrub. Down by the river George has made a long
coffee nursery and a large vegetable garden but both coffee and vegetable seedlings
are too small to be of use.George has spared all the trees that will make good shade for the coffee later on.
There are several huge wild fig trees as big as oaks but with smooth silvery-green trunks
and branches and there are lots of acacia thorn trees with flat tops like Japanese sun
shades. I’ve seen lovely birds in the fig trees, Louries with bright plumage and crested
heads, and Blue Rollers, and in the grasslands there are widow birds with incredibly long
black tail feathers.There are monkeys too and horrible but fascinating tree lizards with blue bodies
and orange heads. There are so many, many things to tell you but they must wait for
another time as James, the house boy, has been to say “Bafu tiari” and if I don’t go at
once, the bath will be cold.I am very very happy and terribly interested in this new life so please don’t
worry about me.Much love to you all,
Eleanor.Mchewe Estate 29th. November 1930
Dearest Family,
I’ve lots of time to write letters just now because George is busy supervising the
building of the house from early morning to late afternoon – with a break for lunch of
course.On our second day here our tent was moved from the house site to a small
clearing further down the slope of our hill. Next to it the labourers built a ‘banda’ , which is
a three sided grass hut with thatched roof – much cooler than the tent in this weather.
There is also a little grass lav. so you see we have every convenience. I spend most of
my day in the banda reading or writing letters. Occasionally I wander up to the house site
and watch the building, but mostly I just sit.I did try exploring once. I wandered down a narrow path towards the river. I
thought I might paddle and explore the river a little but I came round a bend and there,
facing me, was a crocodile. At least for a moment I thought it was and my adrenaline
glands got very busy indeed. But it was only an enormous monitor lizard, four or five
feet long. It must have been as scared as I was because it turned and rushed off through
the grass. I turned and walked hastily back to the camp and as I passed the house site I
saw some boys killing a large puff adder. Now I do my walking in the evenings with
George. Nothing alarming ever seems to happen when he is around.It is interesting to watch the boys making bricks for the house. They make a pile
of mud which they trample with their feet until it is the right consistency. Then they fill
wooden moulds with the clayey mud, and press it down well and turn out beautiful shiny,
dark brown bricks which are laid out in rows and covered with grass to bake slowly in the
sun.Most of the materials for the building are right here at hand. The walls will be sun
dried bricks and there is a white clay which will make a good whitewash for the inside
walls. The chimney and walls will be of burnt brick and tiles and George is now busy
building a kiln for this purpose. Poles for the roof are being cut in the hills behind the
house and every day women come along with large bundles of thatching grass on their
heads. Our windows are modern steel casement ones and the doors have been made
at a mission in the district. George does some of the bricklaying himself. The other
bricklayer is an African from Northern Rhodesia called Pedro. It makes me perspire just
to look at Pedro who wears an overcoat all day in the very hot sun.
Lamek continues to please. He turns out excellent meals, chicken soup followed
by roast chicken, vegetables from the Hickson-Woods garden and a steamed pudding
or fruit to wind up the meal. I enjoy the chicken but George is fed up with it and longs for
good red meat. The chickens are only about as large as a partridge but then they cost
only sixpence each.I had my first visit to Mbeya two days ago. I put on my very best trousseau frock
for the occasion- that yellow striped silk one – and wore my wedding hat. George didn’t
comment, but I saw later that I was dreadfully overdressed.
Mbeya at the moment is a very small settlement consisting of a bundle of small
Indian shops – Dukas they call them, which stock European tinned foods and native soft
goods which seem to be mainly of Japanese origin. There is a one storied Government
office called the Boma and two attractive gabled houses of burnt brick which house the
District Officer and his Assistant. Both these houses have lovely gardens but i saw them
only from the outside as we did not call. After buying our stores George said “Lets go to the pub, I want you to meet Mrs Menzies.” Well the pub turned out to be just three or four grass rondavels on a bare
plot. The proprietor, Ken Menzies, came out to welcome us. I took to him at once
because he has the same bush sandy eyebrows as you have Dad. He told me that
unfortunately his wife is away at the coast, and then he ushered me through the door
saying “Here’s George with his bride.” then followed the Iringa welcome all over again,
only more so, because the room was full of diggers from the Lupa Goldfields about fifty
miles away.Champagne corks popped as I shook hands all around and George was
clapped on the back. I could see he was a favourite with everyone and I tried not to be
gauche and let him down. These men were all most kind and most appeared to be men
of more than average education. However several were unshaven and looked as
though they had slept in their clothes as I suppose they had. When they have a little luck
on the diggings they come in here to Menzies pub and spend the lot. George says
they bring their gold dust and small nuggets in tobacco tins or Kruschen salts jars and
hand them over to Ken Menzies saying “Tell me when I’ve spent the lot.” Ken then
weighs the gold and estimates its value and does exactly what the digger wants.
However the Diggers get good value for their money because besides the drink
they get companionship and good food and nursing if they need it. Mrs Menzies is a
trained nurse and most kind and capable from what I was told. There is no doctor or
hospital here so her experience as a nursing sister is invaluable.
We had lunch at the Hotel and afterwards I poured tea as I was the only female
present. Once the shyness had worn off I rather enjoyed myself.Now to end off I must tell you a funny story of how I found out that George likes
his women to be feminine. You will remember those dashing black silk pyjamas Aunt
Mary gave me, with flowered “happy coat” to match. Well last night I thought I’d give
George a treat and when the boy called me for my bath I left George in the ‘banda’
reading the London Times. After my bath I put on my Japanese pyjamas and coat,
peered into the shaving mirror which hangs from the tent pole and brushed my hair until it
shone. I must confess that with my fringe and shingled hair I thought I made quite a
glamourous Japanese girl. I walked coyly across to the ‘banda’. Alas no compliment.
George just glanced up from the Times and went on reading.
He was away rather a long time when it came to his turn to bath. I glanced up
when he came back and had a slight concussion. George, if you please, was arrayed in
my very best pale yellow satin nightie. The one with the lace and ribbon sash and little
bows on the shoulder. I knew exactly what he meant to convey. I was not to wear the
trousers in the family. I seethed inwardly, but pretending not to notice, I said calmly “shall
I call for food?” In this garb George sat down to dinner and it says a great deal for African
phlegm that the boy did not drop the dishes.We conversed politely about this and that, and then, as usual, George went off
to bed. I appeared to be engrossed in my book and did not stir. When I went to the
tent some time later George lay fast asleep still in my nightie, though all I could see of it
was the little ribbon bows looking farcically out of place on his broad shoulders.
This morning neither of us mentioned the incident, George was up and dressed
by the time I woke up but I have been smiling all day to think what a ridiculous picture
we made at dinner. So farewell to pyjamas and hey for ribbons and bows.Your loving
Eleanor.Mchewe Estate. Mbeya. 8th December 1930
Dearest Family,
A mere shadow of her former buxom self lifts a languid pen to write to you. I’m
convalescing after my first and I hope my last attack of malaria. It was a beastly
experience but all is now well and I am eating like a horse and will soon regain my
bounce.I took ill on the evening of the day I wrote my last letter to you. It started with a
splitting headache and fits of shivering. The symptoms were all too familiar to George
who got me into bed and filled me up with quinine. He then piled on all the available
blankets and packed me in hot water bottles. I thought I’d explode and said so and
George said just to lie still and I’d soon break into a good sweat. However nothing of the
kind happened and next day my temperature was 105 degrees. Instead of feeling
miserable as I had done at the onset, I now felt very merry and most chatty. George
now tells me I sang the most bawdy songs but I hardly think it likely. Do you?
You cannot imagine how tenderly George nursed me, not only that day but
throughout the whole eight days I was ill. As we do not employ any African house
women, and there are no white women in the neighbourhood at present to whom we
could appeal for help, George had to do everything for me. It was unbearably hot in the
tent so George decided to move me across to the Hickson-Woods vacant house. They
have not yet returned from the coast.George decided I was too weak to make the trip in the car so he sent a
messenger over to the Woods’ house for their Machila. A Machila is a canopied canvas
hammock slung from a bamboo pole and carried by four bearers. The Machila duly
arrived and I attempted to walk to it, clinging to George’s arm, but collapsed in a faint so
the trip was postponed to the next morning when I felt rather better. Being carried by
Machila is quite pleasant but I was in no shape to enjoy anything and got thankfully into
bed in the Hickson-Woods large, cool and rather dark bedroom. My condition did not
improve and George decided to send a runner for the Government Doctor at Tukuyu
about 60 miles away. Two days later Dr Theis arrived by car and gave me two
injections of quinine which reduced the fever. However I still felt very weak and had to
spend a further four days in bed.We have now decided to stay on here until the Hickson-Woods return by which
time our own house should be ready. George goes off each morning and does not
return until late afternoon. However don’t think “poor Eleanor” because I am very
comfortable here and there are lots of books to read and the days seem to pass very
quickly.The Hickson-Wood’s house was built by Major Jones and I believe the one on
his shamba is just like it. It is a square red brick building with a wide verandah all around
and, rather astonishingly, a conical thatched roof. There is a beautiful view from the front
of the house and a nice flower garden. The coffee shamba is lower down on the hill.
Mrs Wood’s first husband, George’s friend Vi Lumb, is buried in the flower
garden. He died of blackwater fever about five years ago. I’m told that before her
second marriage Kath lived here alone with her little daughter, Maureen, and ran the farm
entirely on her own. She must be quite a person. I bet she didn’t go and get malaria
within a few weeks of her marriage.The native tribe around here are called Wasafwa. They are pretty primitive but
seem amiable people. Most of the men, when they start work, wear nothing but some
kind of sheet of unbleached calico wrapped round their waists and hanging to mid calf. As soon as they have drawn their wages they go off to a duka and buy a pair of khaki
shorts for five or six shillings. Their women folk wear very short beaded skirts. I think the
base is goat skin but have never got close enough for a good look. They are very shy.
I hear from George that they have started on the roof of our house but I have not
seen it myself since the day I was carried here by Machila. My letters by the way go to
the Post Office by runner. George’s farm labourers take it in turn to act in this capacity.
The mail bag is given to them on Friday afternoon and by Saturday evening they are
back with our very welcome mail.Very much love,
Eleanor.Mbeya 23rd December 1930
Dearest Family,
George drove to Mbeya for stores last week and met Col. Sherwood-Kelly VC.
who has been sent by the Government to Mbeya as Game Ranger. His job will be to
protect native crops from raiding elephants and hippo etc., and to protect game from
poachers. He has had no training for this so he has asked George to go with him on his
first elephant safari to show him the ropes.George likes Col. Kelly and was quite willing to go on safari but not willing to
leave me alone on the farm as I am still rather shaky after malaria. So it was arranged that
I should go to Mbeya and stay with Mrs Harmer, the wife of the newly appointed Lands
and Mines Officer, whose husband was away on safari.So here I am in Mbeya staying in the Harmers temporary wattle and daub
house. Unfortunately I had a relapse of the malaria and stayed in bed for three days with
a temperature. Poor Mrs Harmer had her hands full because in the room next to mine
she was nursing a digger with blackwater fever. I could hear his delirious babble through
the thin wall – very distressing. He died poor fellow , and leaves a wife and seven
children.I feel better than I have done for weeks and this afternoon I walked down to the
store. There are great signs of activity and people say that Mbeya will grow rapidly now
owing to the boom on the gold fields and also to the fact that a large aerodrome is to be
built here. Mbeya is to be a night stop on the proposed air service between England
and South Africa. I seem to be the last of the pioneers. If all these schemes come about
Mbeya will become quite suburban.26th December 1930
George, Col. Kelly and Mr Harmer all returned to Mbeya on Christmas Eve and
it was decided that we should stay and have midday Christmas dinner with the
Harmers. Col. Kelly and the Assistant District Commissioner came too and it was quite a
festive occasion, We left Mbeya in the early afternoon and had our evening meal here at
Hickson-Wood’s farm. I wore my wedding dress.I went across to our house in the car this morning. George usually walks across to
save petrol which is very expensive here. He takes a short cut and wades through the
river. The distance by road is very much longer than the short cut. The men are now
thatching the roof of our cottage and it looks charming. It consists of a very large living
room-dinning room with a large inglenook fireplace at one end. The bedroom is a large
square room with a smaller verandah room adjoining it. There is a wide verandah in the
front, from which one has a glorious view over a wide valley to the Livingstone
Mountains on the horizon. Bathroom and storeroom are on the back verandah and the
kitchen is some distance behind the house to minimise the risk of fire.You can imagine how much I am looking forward to moving in. We have some
furniture which was made by an Indian carpenter at Iringa, refrectory dining table and
chairs, some small tables and two armchairs and two cupboards and a meatsafe. Other
things like bookshelves and extra cupboards we will have to make ourselves. George
has also bought a portable gramophone and records which will be a boon.
We also have an Irish wolfhound puppy, a skinny little chap with enormous feet
who keeps me company all day whilst George is across at our farm working on the
house.Lots and lots of love,
Eleanor.Mchewe Estate 8th Jan 1931
Dearest Family,
Alas, I have lost my little companion. The Doctor called in here on Boxing night
and ran over and killed Paddy, our pup. It was not his fault but I was very distressed
about it and George has promised to try and get another pup from the same litter.
The Hickson-Woods returned home on the 29th December so we decided to
move across to our nearly finished house on the 1st January. Hicky Wood decided that
we needed something special to mark the occasion so he went off and killed a sucking
pig behind the kitchen. The piglet’s screams were terrible and I felt that I would not be
able to touch any dinner. Lamek cooked and served sucking pig up in the traditional way
but it was high and quite literally, it stank. Our first meal in our own home was not a
success.However next day all was forgotten and I had something useful to do. George
hung doors and I held the tools and I also planted rose cuttings I had brought from
Mbeya and sowed several boxes with seeds.Dad asked me about the other farms in the area. I haven’t visited any but there
are five besides ours. One belongs to the Lutheran Mission at Utengule, a few miles
from here. The others all belong to British owners. Nearest to Mbeya, at the foot of a
very high peak which gives Mbeya its name, are two farms, one belonging to a South
African mining engineer named Griffiths, the other to I.G.Stewart who was an officer in the
Kings African Rifles. Stewart has a young woman called Queenie living with him. We are
some miles further along the range of hills and are some 23 miles from Mbeya by road.
The Mchewe River divides our land from the Hickson-Woods and beyond their farm is
Major Jones.All these people have been away from their farms for some time but have now
returned so we will have some neighbours in future. However although the houses are
not far apart as the crow flies, they are all built high in the foothills and it is impossible to
connect the houses because of the rivers and gorges in between. One has to drive right
down to the main road and then up again so I do not suppose we will go visiting very
often as the roads are very bumpy and eroded and petrol is so expensive that we all
save it for occasional trips to Mbeya.The rains are on and George has started to plant out some coffee seedlings. The
rains here are strange. One can hear the rain coming as it moves like a curtain along the
range of hills. It comes suddenly, pours for a little while and passes on and the sun
shines again.I do like it here and I wish you could see or dear little home.
Your loving,
Eleanor.Mchewe Estate. 1st April 1931
Dearest Family,
Everything is now running very smoothly in our home. Lamek continues to
produce palatable meals and makes wonderful bread which he bakes in a four gallon
petrol tin as we have no stove yet. He puts wood coals on the brick floor of the kitchen,
lays the tin lengh-wise on the coals and heaps more on top. The bread tins are then put
in the petrol tin, which has one end cut away, and the open end is covered by a flat
piece of tin held in place by a brick. Cakes are also backed in this make-shift oven and I
have never known Lamek to have a failure yet.Lamek has a helper, known as the ‘mpishi boy’ , who does most of the hard
work, cleans pots and pans and chops the firewood etc. Another of the mpishi boy’s
chores is to kill the two chickens we eat each day. The chickens run wild during the day
but are herded into a small chicken house at night. One of the kitchen boy’s first duties is
to let the chickens out first thing in the early morning. Some time after breakfast it dawns
on Lamek that he will need a chicken for lunch. he informs the kitchen boy who selects a
chicken and starts to chase it in which he is enthusiastically joined by our new Irish
wolfhound pup, Kelly. Together they race after the frantic fowl, over the flower beds and
around the house until finally the chicken collapses from sheer exhaustion. The kitchen
boy then hands it over to Lamek who murders it with the kitchen knife and then pops the
corpse into boiling water so the feathers can be stripped off with ease.I pointed out in vain, that it would be far simpler if the doomed chickens were kept
in the chicken house in the mornings when the others were let out and also that the correct
way to pluck chickens is when they are dry. Lamek just smiled kindly and said that that
may be so in Europe but that his way is the African way and none of his previous
Memsahibs has complained.My houseboy, named James, is clean and capable in the house and also a
good ‘dhobi’ or washboy. He takes the washing down to the river and probably
pounds it with stones, but I prefer not to look. The ironing is done with a charcoal iron
only we have no charcoal and he uses bits of wood from the kitchen fire but so far there
has not been a mishap.It gets dark here soon after sunset and then George lights the oil lamps and we
have tea and toast in front of the log fire which burns brightly in our inglenook. This is my
favourite hour of the day. Later George goes for his bath. I have mine in the mornings
and we have dinner at half past eight. Then we talk a bit and read a bit and sometimes
play the gramophone. I expect it all sounds pretty unexciting but it doesn’t seem so to
me.Very much love,
Eleanor.Mchewe Estate 20th April 1931
Dearest Family,
It is still raining here and the countryside looks very lush and green, very different
from the Mbeya district I first knew, when plains and hills were covered in long brown
grass – very course stuff that grows shoulder high.Most of the labourers are hill men and one can see little patches of cultivation in
the hills. Others live in small villages near by, each consisting of a cluster of thatched huts
and a few maize fields and perhaps a patch of bananas. We do not have labour lines on
the farm because our men all live within easy walking distance. Each worker has a labour
card with thirty little squares on it. One of these squares is crossed off for each days work
and when all thirty are marked in this way the labourer draws his pay and hies himself off
to the nearest small store and blows the lot. The card system is necessary because
these Africans are by no means slaves to work. They work only when they feel like it or
when someone in the family requires a new garment, or when they need a few shillings
to pay their annual tax. Their fields, chickens and goats provide them with the food they
need but they draw rations of maize meal beans and salt. Only our headman is on a
salary. His name is Thomas and he looks exactly like the statues of Julius Caesar, the
same bald head and muscular neck and sardonic expression. He comes from Northern
Rhodesia and is more intelligent than the locals.We still live mainly on chickens. We have a boy whose job it is to scour the
countryside for reasonable fat ones. His name is Lucas and he is quite a character. He
has such long horse teeth that he does not seem able to close his mouth and wears a
perpetual amiable smile. He brings his chickens in beehive shaped wicker baskets
which are suspended on a pole which Lucas carries on his shoulder.We buy our groceries in bulk from Mbeya, our vegetables come from our
garden by the river and our butter from Kath Wood. Our fresh milk we buy from the
natives. It is brought each morning by three little totos each carrying one bottle on his
shaven head. Did I tell you that the local Wasafwa file their teeth to points. These kids
grin at one with their little sharks teeth – quite an “all-ready-to-eat-you-with-my-dear” look.
A few nights ago a message arrived from Kath Wood to say that Queenie
Stewart was very ill and would George drive her across to the Doctor at Tukuyu. I
wanted George to wait until morning because it was pouring with rain, and the mountain
road to Tukuyu is tricky even in dry weather, but he said it is dangerous to delay with any
kind of fever in Africa and he would have to start at once. So off he drove in the rain and I
did not see him again until the following night.George said that it had been a nightmare trip. Queenie had a high temperature
and it was lucky that Kath was able to go to attend to her. George needed all his
attention on the road which was officially closed to traffic, and very slippery, and in some
places badly eroded. In some places the decking of bridges had been removed and
George had to get out in the rain and replace it. As he had nothing with which to fasten
the decking to the runners it was a dangerous undertaking to cross the bridges especially
as the rivers are now in flood and flowing strongly. However they reached Tukuyu safely
and it was just as well they went because the Doctor diagnosed Queenies illness as
Spirillium Tick Fever which is a very nasty illness indeed.Eleanor.
Mchewe Estate. 20th May 1931
Dear Family,
I’m feeling fit and very happy though a bit lonely sometimes because George
spends much of his time away in the hills cutting a furrow miles long to bring water to the
house and to the upper part of the shamba so that he will be able to irrigate the coffee
during the dry season.It will be quite an engineering feat when it is done as George only has makeshift
surveying instruments. He has mounted an ordinary cheap spirit level on an old camera
tripod and has tacked two gramophone needles into the spirit level to give him a line.
The other day part of a bank gave way and practically buried two of George’s labourers
but they were quickly rescued and no harm was done. However he will not let them
work unless he is there to supervise.I keep busy so that the days pass quickly enough. I am delighted with the
material you sent me for curtains and loose covers and have hired a hand sewing
machine from Pedro-of-the-overcoat and am rattling away all day. The machine is an
ancient German one and when I say rattle, I mean rattle. It is a most cumbersome, heavy
affair of I should say, the same vintage as George Stevenson’s Rocket locomotive.
Anyway it sews and I am pleased with my efforts. We made a couch ourselves out of a
native bed, a mattress and some planks but all this is hidden under the chintz cover and
it looks quite the genuine bought article. I have some diversions too. Small black faced
monkeys sit in the trees outside our bedroom window and they are most entertaining to
watch. They are very mischievous though. When I went out into the garden this morning
before breakfast I found that the monkeys had pulled up all my carnations. There they
lay, roots in the air and whether they will take again I don’t know.I like the monkeys but hate the big mountain baboons that come and hang
around our chicken house. I am terrified that they will tear our pup into bits because he is
a plucky young thing and will rush out to bark at the baboons.George usually returns for the weekends but last time he did not because he had
a touch of malaria. He sent a boy down for the mail and some fresh bread. Old Lucas
arrived with chickens just as the messenger was setting off with mail and bread in a
haversack on his back. I thought it might be a good idea to send a chicken to George so
I selected a spry young rooster which I handed to the messenger. He, however,
complained that he needed both hands for climbing. I then had one of my bright ideas
and, putting a layer of newspaper over the bread, I tucked the rooster into the haversack
and buckled down the flap so only his head protruded.I thought no more about it until two days later when the messenger again
appeared for fresh bread. He brought a rather terse note from George saying that the
previous bread was uneatable as the rooster had eaten some of it and messed on the
rest. Ah me!The previous weekend the Hickson-Woods, Stewarts and ourselves, went
across to Tukuyu to attend a dance at the club there. the dance was very pleasant. All
the men wore dinner jackets and the ladies wore long frocks. As there were about
twenty men and only seven ladies we women danced every dance whilst the surplus
men got into a huddle around the bar. George and I spent the night with the Agricultural
Officer, Mr Eustace, and I met his fiancee, Lillian Austin from South Africa, to whom I took
a great liking. She is Governess to the children of Major Masters who has a farm in the
Tukuyu district.On the Sunday morning we had a look at the township. The Boma was an old German one and was once fortified as the Africans in this district are a very warlike tribe.
They are fine looking people. The men wear sort of togas and bands of cloth around
their heads and look like Roman Senators, but the women go naked except for a belt
from which two broad straps hang down, one in front and another behind. Not a graceful
garb I assure you.We also spent a pleasant hour in the Botanical Gardens, laid out during the last
war by the District Commissioner, Major Wells, with German prisoner of war labour.
There are beautiful lawns and beds of roses and other flowers and shady palm lined
walks and banana groves. The gardens are terraced with flights of brick steps connecting
the different levels and there is a large artificial pond with little islands in it. I believe Major
Wells designed the lake to resemble in miniature, the Lakes of Killarney.
I enjoyed the trip very much. We got home at 8 pm to find the front door locked
and the kitchen boy fast asleep on my newly covered couch! I hastily retreated to the
bedroom whilst George handled the situation.Eleanor.
January 15, 2022 at 6:54 pm #6254In reply to: The Elusive Samuel Housley and Other Family Stories
The Gladstone Connection
My grandmother had said that we were distantly related to Gladstone the prime minister. Apparently Grandma’s mothers aunt had a neice that was related to him, or some combination of aunts and nieces on the Gretton side. I had not yet explored all the potential great grandmothers aunt’s nieces looking for this Gladstone connection, but I accidentally found a Gladstone on the tree on the Gretton side.
I was wandering around randomly looking at the hints for other people that had my grandparents in their trees to see who they were and how they were connected, and noted a couple of photos of Orgills. Richard Gretton, grandma’s mother Florence Nightingale Gretton’s father, married Sarah Orgill. Sarah’s brother John Orgill married Elizabeth Mary Gladstone. It was the photographs that caught my eye, but then I saw the Gladstone name, and that she was born in Liverpool. Her father was William Gladstone born 1809 in Liverpool, just like the prime minister. And his father was John Gladstone, just like the prime minister.
But the William Gladstone in our family tree was a millwright, who emigrated to Australia with his wife and two children rather late in life at the age of 54, in 1863. He died three years later when he was thrown out of a cart in 1866. This was clearly not William Gladstone the prime minister.
John Orgill emigrated to Australia in 1865, and married Elizabeth Mary Gladstone in Victoria in 1870. Their first child was born in December that year, in Dandenong. Their three sons all have the middle name Gladstone.
John Orgill 1835-1911 (Florence Nightingale Gretton’s mothers brother)
Elizabeth Mary Gladstone 1845-1926
I did not think that the link to Gladstone the prime minister was true, until I found an article in the Australian newspapers while researching the family of John Orgill for the Australia chapter.
In the Letters to the Editor in The Argus, a Melbourne newspaper, dated 8 November 1921:
THE GLADSTONE FAMILY.
TO THE EDITOR OF THE ARGUS.
Sir,—I notice to-day a reference to the
death of Mr. Robert Gladstone, late of
Wooltonvale. Liverpool, who, together
with estate in England valued at £143,079,
is reported to have left to his children
(five sons and seven daughters) estate
valued at £4,300 in Victoria. It may be
of interest to some of your readers to
know that this Robert Gladstone was a
son of the Gladstone family to which
the Right Hon. W. E. Gladstone, the
famous Prime Minister, belonged, some
members of which are now resident in Aus-
tralia. Robert Gladstone’s father (W. E.
Gladstone’s cousin), Stuart Gladstone, of
Liverpool, owned at one time the estates
of Noorat and Glenormiston, in Victoria,
to which he sent Neil Black as manager.
Mr. Black, who afterwards acquired the
property, called one of his sons “Stuart
Gladstone” after his employer. A nephew
of Stuart Gladstone (and cousin of
Robert Gladstone, of Wooltonvale), Robert
Cottingham, by name “Bobbie” came out
to Australia to farm at Noorat, but was
killed in a horse accident when only 21,
and was the first to be buried in the new
cemetery at Noorat. A brother, of “Bob-
bie,” “Fred” by name, was well known
in the early eighties as an overland
drover, taking stock for C. B. Fisher to
the far north. Later on he married and
settled in Melbourne, but left during the
depressing time following the bursting of
the boom, to return to Queensland, where,
in all probability, he still resides. A sister
of “Bobbie” and “Fred” still lives in the
neighbourhood of Melbourne. Their
father, Montgomery Gladstone, who was in
the diplomatic service, and travelled about
a great deal, was a brother of Stuart Glad-
stone, the owner of Noorat, and a full
cousin of William Ewart Gladstone, his
father, Robert, being a brother of W. E.
Gladstone’s father, Sir John, of Liverpool.
The wife of Robert Gladstone, of Woolton-
vale, Ella Gladstone by name, was also
his second cousin, being the daughter of
Robertson Gladstone, of Courthaize, near
Liverpool, W. E. Gladstone’s older
brother.
A cousin of Sir John Gladstone
(W. E. G.’s father), also called John, was
a foundry owner in Castledouglas, and the
inventor of the first suspension bridge, a
model of which was made use of in the
erection of the Menai Bridge connecting
Anglesea with the mainland, and was after-
wards presented to the Liverpool Stock
Exchange by the inventor’s cousin, Sir
John. One of the sons of this inventive
engineer, William by name, left England
in 1863 with his wife and son and daugh-
ter, intending to settle in New Zealand,
but owing to the unrest caused there by
the Maori war, he came instead to Vic-
toria, and bought land near Dandenong.
Three years later he was killed in a horse
accident, but his name is perpetuated in
the name “Gladstone road” in Dandenong.
His daughter afterwards married, and lived
for many years in Gladstone House, Dande-
nong, but is now widowed and settled in
Gippsland. Her three sons and four daugh-
ters are all married and perpetuating the
Gladstone family in different parts of Aus-
tralia. William’s son (also called Wil-
liam), who came out with his father,
mother, and sister in 1863 still lives in the
Fix this textneighbourhood of Melbourne, with his son
and grandson. An aunt of Sir John Glad-
stone (W. E. G.’s father), Christina Glad-
stone by name, married a Mr. Somerville,
of Biggar. One of her great-grandchildren
is Professor W. P. Paterson, of Edinburgh
University, another is a professor in the
West Australian University, and a third
resides in Melbourne. Yours. &c.Melbourne, Nov.7, FAMILY TREE
According to the Old Dandenong website:
“Elizabeth Mary Orgill (nee Gladstone) operated Gladstone House until at least 1911, along with another hydropathic hospital (Birthwood) on Cheltenham road. She was the daughter of William Gladstone (Nephew of William Ewart Gladstone, UK prime minister in 1874).”
The story of the Orgill’s continues in the chapter on Australia.
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