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“Ah there you are at last,” muttered Fwick to the cloaked man. “Before you leave I must get you to sign this form.”

“What is it?” asked Pee.

“Good Lord, what the F was that noise!” shouted Fwick, looking around in fright. “Ah! I see you have been endowed with a remarkably raucous voice! You startled me!” Taking some deep breaths to calm himself, Fwick continued.

“It is a disclaimer … a technical matter, basically saying be it on your own heads …” Fwick paused to chuckle at his own joke, “Ahem as I was saying, basically absolving me from any responsibility should you encounter any difficulties on your excursions into the Eight Dimension, or ED as we Saucerers call it. When you have signed, I can give you the four notes which will open ED for you.”

Sanso had been hanging around for far too long, trying to make sense of all the funny ideas that people have, and trying to get to grips with all their adventures and escapades, their convoluted ponderings, and all the friends and associates that were continually weaving themselves through the many threads. He’d all but forgotten that he was a wanderer by nature, used to travelling alone. Somehow he’d become stuck in their ways, despite not ever really fitting in completely, and he wasn’t entirely sure how it had happened. Perhaps it had been the broccoli. With a defiant devil may care spirit, he’d eaten the broccoli
from the jar marked “You Fool”, when all the others had chosen the broccoli in the jar labeled “Thank You”. Well, he’d chosen it, there was no blaming anyone else for it, after all. But the effects had all but worn off, and he was starting to get the old familiar itch to travel again, to explore.

“You can go in any direction you want” he heard himself say as he mentally transported himself back to a scene in his Story. “You’ll always be at the centre of everything.”

How very strange that he’d forgotten that. That brocolli was powerful stuff.

“You interpret the signs however you want to…” the voice of Sanso In Another Scene continued, “and then you act on it. And I’ll tell you this as well, it’s about time you stopped rehashing Old Scenes and started exploring some new ones. Just go, go now! Put one foot in front of the other, and just go ~ go back into the cave.”

Sanso was on the verge of protesting that he didn’t have a plan, and then remembered how much he liked surprises.

For the briefest moment, Sanso wondered if he should leave a note for anyone, or get the laundry in before he set off, or pack a suitcase or something, but decided to start off as he meant to carry on ~ alone, impulsive and free to wander the world of his own making.

There was a large black cow blocking the entrance to the cave. The cow was dead and bloated, although it hadn’t started to smell yet. Sanso wondered whether it was a sign, and decided that it was. It would be rather pointless to create a large dead cow blocking the cave entrance if it had no significance to the story, he deduced, although he hadn’t yet worked out an appropriate meaning for the sign.

Weighing up his options, Sanso realized there were several choices he could make. He could delete the previous paragraph, and simply walk into the cave. He could wait until the cow decomposed, and then simply climb over the bones. He could wander around until he found another cave entrance, or simply teleport himself into the cave behind the cow.

However, the only option that he could think of that would include the Meaning of the Dead Cow Blocking The Cave Entrance would be to stay with the cow until the meaning had been found. If he ignored the cow, he might be Missing An Important Meaning. Notwithstanding, the meaning may turn up later, whether he forgot about it or not.

Sanso decided to sit and meditate on the Meaning of the Cow before proceeding. He could change his mind at any moment if he got bored.

Write any rubbish, dance across the page, gesticulate wildly and enthusiastically from rubbish! Oh My God! That sounds Brilliant! and so incredibly freeing!

She had been suffering from the Fiction Writer Within, her true identity.
Now to write about any good week, and see fiction idea in the depths under that reluctant thought, a great time to decide to do a slobber drip gag kiss.

Her new favourite philosophy was that everything was top marks for everything: such an encouragement to creative urges. Full credit for the flow!
Beam brightly, a surprise gift you may use if you wish ~ and have fun!

Some shaven sheep on the floor where mother goose got pens… that’s what I call giant game! Meddling it’s intricate design, and its daft words pointed to the distinct lack of any mention of God.

We’re talking threads, spinning a myth, warming and weaving, all meaningless beleifs with which to travel, peanuts that can’t be contained inside ones own weaving, in and out of the warped story, and the weft Text.

Viewers may be considerd to be a patchwork piece. These indiviual multitudes are loom weights to create a tapestry in the style, so to speak, of the background qualities of Finnley.

In this focus you choose this situation, that of God. You shall focus an attention to detail and perfection, balance, movement, with tremendous detail.

“Tell me about it” remarked God drily, offering challenging information. “The Sumari does not concern itself with Finnley” who stuck her tongue out at God, sighed in resignation and reached for the peanuts. “No point in fighting your warp.”

“Allow me to explain about loom weights,” said the man in the elaborate blue turban. “You create a type of pattern, so to speak, a tapestry. The picture of the tapestry is created in the style, so to speak, of the qualities of the family that you align with. The details and the background threads of the tapestry are the expressions of qualities of the family that you are belonging to.”

“I knew this tapestry and weaving stuff would fit in somewhere” interrupted LizAnn.

“Shh!” said Finnley.

“In this” the man in the blue turban continued, “You may notice certain qualities and expressions throughout your focus that appear to underlie all of your directions that you choose within your particular focus. This is the influence of the family that you are belonging to – in this situation, that of Sumafi.” He looked pointedly at Godfrey. “You shall notice throughout your focus what may be expressed as an attention to detail in the qualities of the Sumafi family, and at times this may be associated within your societal beliefs and definitions as a type of perfectionism.

“This is counterbalanced by the Sumari” he said with a glance at LizAnn, “Who do not concern their movement with tremendous attention to detail.”

“Tell me about it” remarked Godfrey drily.

The man in the blue turban grinned and continued, “The expression and qualities of the Sumari are merely to be creating new directions and offering challenging information which shall spark new explorations of your reality. But the attention of the Sumari does not concern itself with outcomes or endings or detail.”

“Yes, we had noticed” interjected Finnley, who stuck her tongue out at LizAnn. LizAnn made a rude gesture to Finnley and said “See, I told you I couldn’t help it.”

Godfrey sighed in resignation and reached for the peanuts. “I suppose the point of all that is that there’s no point in fighting your warp. Or is it weft?”

The writer wanted to write, full stop. The problem was that the writer’s desire to write was continually interrupted with things in brackets assuming monstrous and all comsuming proportions. Endless chains of things in brackets that always seemed to have priority.

“You could always write about the things in brackets, Ann,” remarked her new friend Lavender. “Might be fun. A thrilling blast, even.”

Ann glanced vaguely over the bookcase, wondering where her dictionary was. Did people still use dictionaries in book form? I suppose any book will do for the purpose, she decided, and reached for the nearest book, a book about Rembrandt. She opened it randomly five times, using a ball point pen as a pointer, and selected five words for Prof Underbaker’s assignment.

…now…excite…

What a coincidence, I might be able to kill two birds with one stone here, Ann thought, with a slight shudder at the bird killing metaphor (if it was indeed a metaphor, Ann tended to skip the Labelling Words classes)…

…someone…

Ah, but who? Who shall I excite?

…pointed…

Pointed in the right direction? Addressed someone pointedly? Not to put too fine a point on it…

….time

Ann was interested to note that her selection of words started with the word NOW and ended with TIME, and popped it into her clue box in an effort to stay on course and finish the assigment.

There was no time like the present. Indeed T’Eggy was well aware that All is Now, she’d heard about that theory in Wicks, the online magazine that she’d found so enlightening. She’d been reading a copy of Wicks (a reproduction, the originals were now collectors items and very valuable ~ in an artifact rather than a monetary value kind of way, monetary value having been devalued in the early part of the century) in the teleport waiting room when she met the handsome foreignor in the dusty blue robes. Of course, it was not unusual to meet foreignors in the teleport waiting room, not unusual at all, but the tall, dark, and handsome stranger had excited her. Perhaps it was the flash of long lean tanned thigh that she glimpsed as his robes caught on the door knob. Of course, even the ‘waiting room’ was a retro touch, because there was no need to ‘wait’ for teleport travel. It seemed ironic in a way that folks in the old days had perceived ‘waiting’ as an onerous thing, an somewhat unpleasant period of clock watching and crossword puzzle books. These days ‘waiting rooms’ were popular places to meet people and choose probability pools. The latest trend was Turtle Nights, and Frog Nights, where men and women gathered in waiting rooms to choose partners, to find that special someone, loosely based on the old Hen and Stag nights.

“Do teleport stations have door knobs, Ann?” Pedro interjected.

“Oh!” Ann was momentarily non plussed.

“Non plussed? Is that a word?” asked Pedro.

“Pedro, stop interrupting! The assigment isn’t to design a teleport station!”

The teleport station had been designed in retro style, a facsimile of the Atocha train station in Madrid. Lack of need for physical details had not resulted in a lack of appreciation for physical detail simply for it’s artistic merit, not to mention historical educational value, and the TRANS (Teleport Relative to Any Now Space) Station was an award winning example of old fashioned detail. Why, it even had doorknobs, even though doors had been dispensed with several decades ago.

“I thought the assigment wasn’t to design a teleport station?” asked Pedro.

“Does it bloody matter?” retorted Ann, with a hint of exasperation. “The overall point is to write rubbish, and that’s what I’m doing!”

“I’m glad you pointed that out, Ann” remarked Pedro helpfully.

“Oh my god, look at the time!” Ann exclaimed. “It’s time for class!”

“Bugger that!” snorted Pedro. “I’d rather hear about what happened with T’Eggy and that tall dark stranger!”

The bell rang, and Ann made her way to her next class. Professor Amy Less was a new teacher at the Academy, and she was one of Ann’s favourites. Prof Less’s philosophy was that everything was perfect just as it was, which of great benefit to her students. Top marks for everything was such an encouragement to their creative urges. Even if they failed to attend class, or they were late with an assignment, she gave them full credit for going with the flow.

“Good afternoon class!” Professor Less beamed brightly at the assembled students. “Today’s assignment will be to make up a story about an surprise gift that you receive unexpectedly. Part of the assignment is to send an unexpected gift to someone else. You may use this class time to go shopping if you wish.” Prof Less smiled and added “And as always, have fun!”

“Any idea what this is all about?” Beattie asked, to nobody in particular. A crowd was gathering at the crossroad.

The crossroad reminded Bea of a movie she’d watched some years previously, called, coincidentally enough, Crossroads. A symbolic sort of place, although real enough, a junction seemingly in the middle of nowhere. There was a large oak tree looming above the intersection, but nothing else could be seen in any direction but endless expanses of fields. There was a wooden signpost, the old fashioned kind, with two slats of wood pinned crosswise in the middle to a leaning post, but the place names had long since weathered away.

It was an odd sort of place and not much traffic passed by. In fact, the only traffic to pass by the crossroad stopped and disengorged itself of passengers..

“Is that a word, Bea?” asked Leonora. “Disengorged?”

“Don’t butt in to the narrative part Leo, or the story won’t make any sense.” hisssed Beattie, “Wait until you’re supposed to speak as one of the characters.”

“Well alright, but I don’t suppose it will have much effect on the making sense aspect, either way. Do continue.”

To say it was a motley crew gathering would be an understatement.

“You got that right,” Leonora said, sotto voce, surupticiously scanning the assortment of individuals alighting from the rather nautical looking yellow cab. Bea glared at Leo. “I suppose I’ll have to include your interrupions as a part of the story now.”

“Good thinking, Batman!”

“Oh for Pete’s sake, Leo, don’t go mad with endless pointless remarks then, ok? Or I will delete you altogether, and that will be the end of it.”

“You can’t delete me. I exist as a character, therefore I am.”

“You might have a nasty accident though and slide off the page,” Bea replied warningly.

“Why don’t you just get on with it, Bea? Might shut me up, you never know…”. Leo smirked and put her ridiculously large sunglasses on, despite the swirling fog..

“Oh I thought it was sunny” said Leonora, taking her sunglasses back off again. “You hadn’t mentioned weather.” She put her sunglasses back on again anyway, the better to secretly examine the others assembled at the crossroads.

“Why don’t you go and introduce yourself to them and see if anyone knows why we’re here, Leo, while I get on with the story.”

“Who will write what they say, though?”

“I’ll add it later, just bugger off and see if anyone knows who sent us that mysterious invitation.”

“Right Ho, sport, I’m on the bobbins and lace case” replied Leo. Bea shuddered a bit at the mixture of identities bleeding through Leonora’s persona. “Och aye the noo!”

Dear god, thought Beattie, I wish I’d never started this.

“It’s the 57th Creative Challenge theme, so I have to do it,” Ann remarked to her editor. “Obviously”, she added.

“What do you mean, obviously?” asked her editor (Ann had forgotten his new name in the second book, and toyed breifly with the idea of making up a new one ~ perhaps Rumbold the Pale?)

“Well, I would have thought that was obvious, Godfrey!” Ann replied tartly, secretly delighted that she’d remembered the old boy’s name. Notwithstanding, Ann continued to make little ‘cuh’ and ‘tut’ noises, and rolled her eyes a bit, until Godfrey eventually replied.

“Spiggot on the spike freak, Lingenburg Dash”.

“I beg your pardon?” Ann looked at Godfrey in astonishment. “Holy Moly, I said that earlier myself, whatever does it mean?”

“I haven’t got a clue, dear,” he replied. “Just popped into my head, you know, how it does…” His voice trailed off as he stared into space.

“I’ll google it.” As Ann started the search, she realized she’d completely forgotten that she was doing the 57th Creative Challenge entry. “Blimey O Riley, what am I LIKE” she said to herself, with a wry grin ~ she wasn’t altogether sure what wry meant, but somehow she felt it was wry ~ “Now what was the theme again?”

“Misery Loves Company” Godfrey piped up. “And dare I say, it’s rather obvious what has occurred here.”

“What do you mean, obvious?” retorted Ann, somewhat snarkily, although nowhere near as snarkily as Lavender might have said it.

Godfrey resisted the urge to respoond with a few little ‘cuh’s’ and ‘tut’s’, and chose to simply smile enigmatically.

Ann scowled at her old freind and said “If you don’t spell it out, you maddening old coot, I’ll write you out of this story. I’ll delete you.”

“You can write me out of YOUR story if you wish, but I may continue to write YOU into MY story.”

“Oh Gawd, WHAT?” Ann said to herself. “Where did that come from?”

“Ann, let me explain.”

“You sound just like Elias, Godfrey!”

“Ha! Ha! Ha!”

“Ahahahahahahah”

“Now shut up and pay attention”

“Elias would never say that”

“That’s YOU saying that, Ann, to yourself,” said Godfrey.

“YOU said that Godfrey, it’s right here in black and white!” retorted Ann.

“It’s never black and white, Ann, and it’s only here in black and white as ME saying it because YOU wrote it.”

“Well there’s no answer to that” replied Ann. She went to put the kettle on.

Ann returned to her computer with a steaming mug of tea.

“Now, shall we get back to the point, Ann?” inquired Godfrey, with a wry grin.

“I must look up that word later”, Ann mused. “I seem to be inordinately fond of the word wry tonight, I wonder why. I Wonder Wry…”

“ANN!” Godfrey shouted. “Back to the point!”

Ann looked pained. “What point?”

“The point of this story, and the obvious occurence therein.”

“Welp, you’ve lost me there, Gordon, there was a point?”

“Oh My God, this could go on all night” Gordon was wringing his hands.

“Good God Gordon, didn’t see you come in!” exclaimed Godfrey.

Ann was giggling helplessly. She was rather pleased with the way she covered her faux pas over the editors name.

“‘Ann was giggling helplessly’; you see Ann, there is your clue!” Godfrey said excitedly, as he read aloud what Ann had just written.

“OH! NOW I get it! D’oh! Nonsense loves company! Giggling loves company! No wonder I couldn’t stay focused on misery!”

And please just stop barging in here unannounced! Unless you are back to explain the “Eau de Nil” remark, called out Lavender from her bedroom where she a moment ago she had been snoring like a wart hog.

“The thing about continuity, Lavender” remarked Aspidistra “is that when it appears to be elusive or absent, it’s simply that most of the continuity is simply veiled from view.”

“Well how do you know it’s continuous then? If it’s veiled from view, how do you know that the continuity is there?”

“Trust, my dear, simply trust, and add to the continuity impulsively, spontaneously, and don’t worry about anyone elses glimpses of the continuity string.” Aspidistra added, somewhat patronizingly

“Oh like you do, you mean” retorted Lavender with a snort.

“I hope you’re not catching that Swine Flooh, dear” Aspidistra replied kindly, misinterpreting the snort.

Phoebe popped her head back in the room where Mark was waiting.

“I am ever so sorry, Sheila must have left for the Cayman Islands already. Anyway, here, I found these lovely cufflinks, but really, as I am sure you will appreciate, have no use for them myself. Would you like them dear?”

Without giving the visibly bemused Mark time to refuse, Phoebe was off again.

She wondered if she had been wise giving away the cufflinks. Not to worry, she thought philosphically, I still have the handcuffs. They might come in useful at some stage.