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In reply to: The Incense of the Quadrivium’s Mystiques
The whole summer had been a blur. So much so it felt at times to Eris she’d woken up from a dream to enter another one; carefully crafted illusions as heavy as an obfuscating spell.
She could remember the fair, vaguely the Games too —each event felt like another layer of enchantment, casting a surreal pallor over everything. Indeed, the summer was a blur of fleeting images and half-remembered events, like how everyone quickly disbanded to go for a respite and a salutary holiday. Truth be told, the witches of the Quadrivium all needed it after the utter chaotic year they’d been through.
The resurgence of Malové at the fair, left unexplained, had appeared as an evidence. They all needed the tough love that only she as a head of Coven could provide, rather than the micro-management of the well-meaning but people-inapt Austreberthe. To be fair, Eris wasn’t sure Malové was still in charge or not —Eris had never as much struggled with continuity as now; she could feel they were all flipping through and sliding into potential realities opened by the incoming Samhain doorways on the horizons.
Standing on the cusp of autumn, Eris décided to prepare herself for a clarity spell under the iridescent harvest moon.
As the leaves began to turn and the air grew crisp, Eris stood poised to harness the energies of the propitious harvest moon. Preparation for a clarity spell required ascertained precision and intention waved into the elements.
Eris began by setting her space. The clearing near Lake Saimaa was her sanctum, a place where the natural energies converged seamlessly with her own. She laid out a circle of stones, each one representing a different aspect of clarity—vision, truth, focus, and discernment. In the center, she placed a mirror, a symbolic portal to the inner self and higher understanding.
Mandrake, her Norwegian Forest cat, watched with a knowing gaze, his presence grounding her as she moved through the rituals. Echo, the familiar sprite, flitted about, ensuring everything was in place.
“Mandrake, guard the perimeter,” Eris instructed. The cat slinked off into the shadows, his eyes glowing with an otherworldly light.
Eris took a deep breath and began to chant, her voice steady and resonant:
“By the light of the harvest moon,
I call forth clarity, swift and soon.
Let fog disperse and shadows flee,
Reveal the truth, illuminate me.”She sprinkled dried hellebores around the mirror, their protective and healing properties amplifying the spell’s potency. The hellebores, collected from Normandy, held within them the strength of her Viking ancestors and the promise of Imbolc’s rebirth. They were not just flowers; they were talismans of resilience and transformation.
As the moon reached its zenith, Eris held a vial of enchanted water. She poured it over the mirror, watching as the surface shimmered and rippled, reflecting the moonlight with an ethereal glow. The water, drawn from the depths of Lake Saimaa, was imbued with the ancient magic of the land.
Eris closed her eyes and focused on her intentions. She saw the faces of her sisters at the Quadrivium Emporium, each one struggling with their own burdens. Stalkers, postcards, camphor chests, ever prancing reindeers high on mushrooms. She saw the chaotic energies of early spring, swirling, and the potential and peril they carried. She saw Malové’s stern visage, a reminder of the standards they were meant to uphold, and a reminder to make more magical rejuvenating cream.
“Show me the path,” she whispered. “Guide me through the haze.”
The mirror began to clear, the ripples settling into a smooth, reflective surface. Images started to form—visions of the future, hints of what lay ahead. She saw herself within the coven with renewed purpose, her objectives clear and her drive rekindled. She saw her sisters working in harmony, each one contributing their unique strengths to the collective power.
The clarity spell was working, the fog lifting to reveal the roadmap she needed. Decisions that once seemed insurmountable now appeared manageable, their resolutions within grasp. The inefficiencies plaguing their organization were laid bare, offering a blueprint for the reforms necessary to streamline their efforts.
Eris opened her eyes, the vision fading yet leaving an indelible mark on her mind. She felt a surge of confidence, a sense of direction that had been sorely lacking.
“Thank you,” she murmured to the moon, to the elements, to the spirits that had guided her.
As she began to dismantle the circle, Echo fluttered down to her shoulder, a small smile on her ethereal face. Mandrake emerged from the shadows, his eyes reflecting the calm and order Eris had sought to instill.
“Well done, Eris,” Echo said softly. “The road ahead is clearer now. The harvest moon has gifted you its wisdom.”
Eris nodded, feeling ready as autumn would be a season of action, of turning vision into reality.
In reply to: The Elusive Samuel Housley and Other Family Stories
The Tailor of Haddon
Wibberly and Newton of Over HaddonIt was noted in the Bakewell parish register in 1782 that John Wibberly 1705?-1782 (my 6x great grandfather) was “taylor of Haddon”.
James Marshall 1767-1848 (my 4x great grandfather), parish clerk of Elton, married Ann Newton 1770-1806 in Elton in 1792. In the Bakewell parish register, Ann was baptised on the 2rd of June 1770, her parents George and Dorothy Newton of Upper Haddon. The Bakewell registers at the time covered several smaller villages in the area, although what is currently known as Over Haddon was referred to as Upper Haddon in the earlier entries.
Newton:
George Newton 1728-1798 was the son of George Newton 1706- of Upper Haddon and Jane Sailes, who were married in 1727, both of Upper Haddon.
George Newton born in 1706 was the son of George Newton 1676- and Anne Carr, who were married in 1701, both of Upper Haddon.
George Newton born in 1676 was the son of John Newton 1647- and Alice who were married in 1673 in Bakewell. There is no last name for Alice on the marriage transcription.
John Newton born in 1647 (my 9x great grandfather) was the son of John Newton and Anne Buxton (my 10x great grandparents), who were married in Bakewell in 1636.
1636 marriage of John Newton and Anne Buxton:
Wibberly
Dorothy Wibberly 1731-1827 married George Newton in 1755 in Bakewell. The entry in the parish registers says that they were both of Over Haddon. Dorothy was baptised in Bakewell on the 25th June 1731, her parents were John and Mary of Over Haddon.
John Wibberly and Mary his wife baptised nine children in Bakewell between 1730 and 1750, and on all of the entries in the parish registers it is stated that they were from Over Haddon. A parish register entry for John and Mary’s marriage has not yet been found, but a marriage in Beeley, a tiny nearby village, in 1728 to Mary Mellor looks likely.
John Wibberly died in Over Haddon in 1782. The entry in the Bakewell parish register notes that he was “taylor of Haddon”.
The tiny village of Over Haddon was historically associated with Haddon Hall.
A baptism for John Wibberly has not yet been found, however, there were Wibersley’s in the Bakewell registers from the early 1600s:
1619 Joyce Wibersley married Raphe Cowper.
1621 Jocosa Wibersley married Radulphus Cowper
1623 Agnes Wibersley married Richard Palfreyman
1635 Cisley Wibberlsy married ? Mr. Mason
1653 John Wibbersly married Grace DaykenHaddon Hall
Sir Richard Vernon (c. 1390 – 1451) of Haddon Hall.
Vernon’s property was widespread and varied. From his parents he inherited the manors of Marple and Wibersley, in Cheshire. Perhaps the Over Haddon Wibersley’s origins were from Sir Richard Vernon’s property in Cheshire. There is, however, a medieval wayside cross called Whibbersley Cross situated on Leash Fen in the East Moors of the Derbyshire Peak District. It may have served as a boundary cross marking the estate of Beauchief Abbey. Wayside crosses such as this mostly date from the 9th to 15th centuries.Found in both The History and Antiquities of Haddon Hall by S Raynor, 1836, and the 1663 household accounts published by Lysons, Haddon Hall had 140 domestic staff.
In the book Haddon Hall, an Illustrated Guide, 1871, an example from the 1663 Christmas accounts:
Also in this book, an early 1600s “washing tally” from Haddon Hall:
Over Haddon
Martha Taylor, “the fasting damsel”, was born in Over Haddon in 1649. She didn’t eat for almost two years before her death in 1684. One of the Quakers associated with the Marshall Quakers of Elton, John Gratton, visited the fasting damsel while he was living at Monyash, and occasionally “went two miles to see a woman at Over Haddon who pretended to live without meat.” from The Reliquary, 1861.
In reply to: The Incense of the Quadrivium’s Mystiques
It made sense to go to Ireland during the hot Andalucian summer, and it hadn’t taken much to convince Truella to take a break from her dig and her research. Thousands of years of history would still be there waiting for her when she got home, and it would be a pleasure to see some green lawns and fields. Maybe it would rain, indeed, it was likely that it would. And by the time the Roman Games were over, there would be less of the hot summer at home to endure. Still, it was a nuisance to have to get her winter clothes down out of the attic. She was sure to find it chilly, even cold.
Truella was not fond of water sports (or any sports, but particularly those involving water) and unfortunately the focus of the games seemed to be on swimming and boating. But one of the events has captured her interest. A miniaturisation spell was required, which contestants had to provide themselves, for the Puddles in Potholes races. The worst road in Limerick would be cordoned off and all the potholes filled with water (if they weren’t already full of rain water, which was likely). When Eris pointed out that a miniaturised person could drown in a puddle as easily as a full sized one could drown in a lake, Truella was ready with her answer. If she was drowning, she would immediately reverse the spell and resume her full size. Eris had raised an eyebrow, remarking that she had better make sure her spell was up to scratch, unlike her incense spells had been. Jeezel had wanted to know why she couldn’t just make an enlarging spell and just swim in the river, to which Truella has replied that she didn’t know how deep the river was and how much enlarging would be required. Snorting, Frella said she obviously didn’t know how deep the potholes in Limerick were.
Austreberthe had put their names down for the donkey chariot races, for which they had three days when they arrived to construct the cart and make the costumes. Luckily Frella had plenty of local contacts, and had willingly taken charge of assembling all the materials.
The Booths of the Gods would require some thought. Which Roman god would she choose to be? Which special godly power could she make a spell for? Truella sighed, and went to find her book of Roman gods and goddesses.
In reply to: The Incense of the Quadrivium’s Mystiques
“Why has Frella gone so soon?” asked Truella, when the beastly morality prayers were finished. “She was supposed to accompany us down the cellars tonight. I tell you what,” Truella rubbed her eyes and pushed her hair back, “This has been the longest day I’ve ever known. And it’s not over yet. Maybe we should leave the exploration of the cellars until tomorrow night.”
“Suits me,” said Zeezel, “I didn’t want to go down there anyway. The thought of going down there would ruin my evening, and I’ve got a gorgeous little cocktail dress picked out for tonight.”
“Jeezel, ” Eris said warningly, “We’re here on business.”
“Oh, lighten up, Eris! None of us even knows what we’re really here for! One minute it’s a boring merger or even a takeover, the next minute it’s all cloak and dagger mystery, then it’s a morality play, what’s it gonna be next?”
“A Barbara Cartland novel? Or 50 shades of undertakers?” Eris said with scowl.
“You don’t want to go down the cellar either, do you, Eris?” Truella asked, knowing the answer. “Never mind. You go and say some more prayers with Audrey. Jez, enjoy your evening to the hilt,” Truella wiggled her eyebrows. “I’ll go on my own.”
The others looked at her open mouthed. “You can’t be serious!”
“She isn’t going on her own,” Eric said darkly.
“I don’t know what you mean,” Truella pretended innocence. Of course she wasn’t going on her own. Rufus would go with her, and she even had an idea to invite Sassafras and Sandra. “Oh, alright then, I won’t go,” she lied. ” I’ll wait for you and we’ll go tomorrow night. But only if Frella comes back so she can come with us.”
Eris wasn’t stupid, she knew exactly what Truella was planning. She had to rein Truella in, but how? Suddenly, inspiration struck.
“We’d better go and get ready for dinner,” Eris said, “See you all later in the dining hall.” And with that she stalked out of the room.
As soon as she was out of the door, Eris sprinted up the hallway. She had to get to him before Truella got there. Crashing into Brother Bartolo as she careered round a corner, she apologised hurriedly and asked if he knew where Rufus was. Bartolo informed her that he’d seen Rufus by the fountain. Eris resisted the temptation to remark snidely about him needing to cool down.
He was still there when Eris reached the courtyard, sitting on the side of the water feature, trailing his hand in the water and looking gloweringly pensive. Eris took a deep breath.
“Mind if I join you?” she asked pleasantly, sitting down beside him. “We’re so grateful to you guys for coming to help us out, it’s all quite a lot for us to take in, you know?” Eris smiled disarmingly. “We’d feel so much better if Frella was here with us. We did manage to get her here, but something went wrong and she didn’t stay as long as we hoped she would. She’s on a mission in Ireland, and couldn’t come over, but Sister Audrey kindly offered to let Frella posess her for 24 hours, and then I don’t know what happened but Frella was called back abruptly to her own body.” Eris knew she was garbling semi incoherently, which was most unlike her normally, but she thought this approach would appeal. Rufus seemed to be the type to be a sucker for a damsel in distress. “If only someone else would offer to let Frella possess his body for 24 hours so that she can come and join us…”
Eris’s little spell must have worked a treat, as Rufus promptly agreed. “I can help you with this. I offer my body for Frella to possess, if you think it will assist you.”
Eris beamed at him. “What a charming gentleman you are!” she gushed, surprisingly both of them as she leaned forward and impulsively kissed his cheek. “I must go,” she said. Horrified, her face crimson, she fled back inside the cloisters.
In reply to: The Incense of the Quadrivium’s Mystiques
“Or someone willing would do.”
Moments ago, the witches had turned at the uninvited guest who had appeared out of nowhere in the middle of their brainstorm.
Sister Audrey was in the corner, and looked at the assembled lot with a cold stare. “Any witch worth her salt knows that. It’s better for a possession spell to be on willing host, the simpletons are really last resort. I’ll do it. I understand you need your coven to uncover some mysteries, and what’s best than to start trusting each others.”
Truella, Jeezel, Eris looked at the floating orb with a question mark on their face.
“What say you Frella?”
Frella, at a loss for words, and mildly peer-pressured, replied “oh FFS, I suppose so.”
In reply to: Smoke Signals: Arcanas of the Quadrivium’s incense
Cedric Spellbind:
Cedric Spellbind stood tall, though not imposing, with a wiry frame that belied his years of rigorous witch-hunting. His eyes, a piercing green, darted nervously beneath the brim of his deerstalker hat, giving him the appearance of a man constantly on edge. A seasoned agent of MAMA, he carried an air of determined resolve, despite his recent demotion to desk duty in Limerick.
With a face that seemed perpetually caught between youthful eagerness and a weariness beyond his years, Cedric was a man marked by his contradictions. His dark hair, often disheveled from restless nights, framed a face etched with the lines of a life spent in pursuit of the arcane and the elusive.
Clad in a trench coat that had seen better days, Cedric’s attire was a patchwork of practicality and the remnants of a more distinguished past. Despite his amateurish attempts at stealth and the financial strains of his profession, Cedric’s spirit remained unbroken. He was a man driven by a fascination with the unknown and a cautious curiosity, particularly when it came to the enigmatic Frigella O’Green.
Yet, beneath the veneer of a bumbling spy, there lay a heart of determination and a mind constantly strategizing, always ready to seize the next opportunity to prove his worth in the clandestine world of witch hunting.
In reply to: Smoke Signals: Arcanas of the Quadrivium’s incense
The Morticians Guild:
Nemo Tenebris, and let me tell ya, he’s a character straight out of one of those dark romance novels. Tall, brooding, with tousled hair somewhere between charcoal and mahogany, he’s got that rugged charm that makes even the bravest witches’ hearts skip a beat. His hands are like an artist’s, always deliberate and precise, whether he’s handling ancient texts or, well, more corporeal tasks. His personality? Think intense and enigmatic, with occasional bursts of biting humor. He’s the type who’ll share a grim tale and then light the room with a grin that makes you question your reality. Don’t underestimate him – he’s a master of necromancy and has an uncanny sensitivity to life’s deepest mysteries.
Silas Gravewalker. An older gent, he looks as though he’s always expecting a foggy night – grey cloak, even greyer hair, and eyes the color of storm clouds. His demeanor is gentle but don’t mistake it for weakness. He’s the wise old guardian of the Guild, carrying centuries of rituals, chants, and incantations within him. Silas is a remarkable blend of grandfatherly wisdom and hidden strength, and he’s a calming presence in the midst of chaos. His sense of humor is dryer than the Outback in summer, subtle yet striking at just the right moments. When Silas speaks, you listen, because his words are often tinged with layers of arcane meaning.
Rufus Blackwood: Enter Rufus Blackwood, the stoic guardian of the guild. He’s tall and broad-shouldered, with a presence that commands both respect and a shiver down the spine. His hair is a dusty shade of midnight black, streaked with the occasional silver – probably from the weight of the secrets he carries. His eyes are a pale grey, like the fog rolling off a moor, always scanning, always measuring. He’s perpetually clad in a long, leather duster coat that sweeps the floor as he glides across the room.
Personality-wise, Rufus is the strong, silent type, but when he speaks, it feels like ancient tombs whispering forgotten wisdom. He’s got a dry humor that surfaces in the most unexpected moments, like a ray of moonlight in a pitch-black night. He’s fiercely protective of his coven and guildmates, and there’s a sense of old-world honor about him. Underneath that granite exterior is a surprisingly tender heart that only a select few have glimpsed.
Garrett Ashford: Now, Garrett Ashford, he’s a bit of a dandy, as far as morticians go. Picture a man of average height but with presence larger than life. His hair is a striking ash blonde, always perfectly coiffed, and his attire is meticulously sharp – tailored suits, often in dark, rich fabrics with just a hint of eccentricity, like a red silk handkerchief or a silver pocket watch. His eyes are a sharp, pale blue, twinkling with a touch of playful mischief.
Garrett’s got a personality as polished as his appearance. He’s charismatic, with a knack for easing tensions with a well-timed joke or a charming smile. Though he might come off as a bit of a showman, make no mistake – Garrett’s got depth and a sharp mind. He’s a skilled embalmer and incantation master, knowing just the right touch to handle even the most delicate of cases. His flair for the dramatic doesn’t overshadow his competence; it complements it. He’s the kind of bloke who can discuss the darkest of topics with a light-hearted grace, making him a bit of a paradox but undeniably captivating.
In reply to: The Incense of the Quadrivium’s Mystiques
When Truella had stopped reacting, she had another look over the memo, noticing the location of the preposterous sounding coven they were to associate with. She had assumed that it would be in the north, or at least in Madrid, but was astonished to discover they were based very close to her village. She wondered why she had never heard of them. She supposed that they did their money minded business elsewhere and were merely based here, hidden in the cork woods, masquerading as one of those ghastly upmarket hotels for corrupt politicians. One could only see the distinctive tower from the roads, as the old convent was hidden deep in the woods. Nobody Truella knew had ever had any money to get through the gates and have a closer look.
This gave Truella an idea. What an opportunity! It would give her a way in.
Actually, I think it might be a great idea, girls. Let’s give it our best shot. Austreberthe has my support on this.
Eris, Frella and Zez nearly dropped their gadgets when they read Truella’s latest message. Frella was the first to respond.
Go on then, tell us. What changed your mind?
Location, location, location! Truella replied. Check out where they’re based!
After a few minutes, Frella replied.
You better spill the beans and tell us what you’re planning. That is, if you want us to cooperate with you and go along with this latest trashy money grabbing fiasco in the making. I thought our plan was to have the summer off? What does the location mean to you?
Speak for yourself, Frella, Eris replied, rather miffed. At least she’s going to go along with it, for Flove’s sake, let’s just do what we’ve been asked to do without complaining for once!
I’m with you, Eris, Jeezel piped up, I quite fancy a flamenco puffer jacket. Or a nice knitted sombrero. And we can visit Truella while we’re there on business.
Outnumbered, Frella sighed. I still think Truella should explain. Explain fully. And don’t expect me anytime soon, either. I have to solve the mystery of the camphor chest first.
In reply to: The Incense of the Quadrivium’s Mystiques
Looking at the news, Truella had started to push messages into the group’s channel. Frigella, Jeezel, and Eris were unusually quick to answer.
Truella: (rolling her eyes icon) “So, Austreberthe’s brilliant plan is to merge our sophisticated incense business with… what was it again? Puffer coats and kilts made by Spanish witch nuns? I honestly can’t wait to see how that plays out.”
Frigella: (smirking) “Oh, don’t forget the quills. How could we possibly survive without those finely crafted quills? I mean, who needs innovation in magic when you can have a hand-stitched quilt from a nun’s workshop?”
Jeezel: (chuckling) “I can see it now—our next product line: ‘Blessed Be the Quilted Puffer Coats.’ Perfect for those chilly nights when you’re out casting spells in the woods. Truly revolutionary.”
Truella: “Yes, and let’s not overlook the cultural synergy. Religious Spanish nuns known to overdo the religious stuff, merging with our… less-than-conventional coven. A match made in heaven, for sure.”
Jeezel: “I can already hear Austreberthe’s sales pitch. ‘Introducing the new line of enchanted apparel—each item blessed with a dash of piety and a sprinkle of old-world charm. Because nothing says cutting-edge magic like a quilted kilt.'”
Frigella: “And the quills! ‘Handcrafted by the devout sisters, these quills will not only enhance your writing but also keep your soul in line.’ Imagine the marketing campaigns!”
Jeezel: “It’s like we’re stepping back into the Middle Ages. What’s next? A line of chastity belts with magical locks?”
Frigella: “I get that Austreberthe is trying to diversify and all, but does she really think this will integrate seamlessly with our brand? We’ve built our reputation on unique, powerful incense blends. How do quills and coats fit into that?”
Jeezel: (looking for the snorting icon) “Don’t forget the puffer coats. Perfect for those who wish to repent in style.”
Eris not wanting to sound too sycophantic, and trying to remain optimistic considering it was after all part of all the potential business she’d looked into: “Well, it seemed like a good idea in the beginning. You should have seen what we avoided! Plus, they have a solid balance sheet, believe it on not, I’m sure that’s what got Austreberthe. I knew Malové had her reservations, but before she left, she pushed hard for it, so maybe there’s some hidden genius in this we just can’t see yet. And Austreberthe will have a cunning plan to fuse these disparate elements into something… cohesive.”
Truella: (raising an eyebrow) “Cohesive like a patched-up quilt, you mean? I suppose we’ll have to wait and see if this grand vision of hers is a stroke of genius or just… well, a stroke.”
In reply to: The Incense of the Quadrivium’s Mystiques
After all the months of secret work for Malové, where Eris was being tasked to scout for profitable new ventures for the Quadrivium’s Emporium that would keep with traditions, and endless due diligence under the seal of secrecy, she’d learnt that the deal had been finally sealed by Austreberthe.
The announcement had just went out, not really making quite the splash Eris would have expected.
Press Release
FOR IMMEDIATE RELEASE
Quadrivium Emporium Announces Strategic Acquisition of Spanish based company Quintessivium Cloister Crafts
Limerick, 12th June 2024– Quadrivium Emporium, renowned for its exceptional range of artisanal incense blends and commitment to quality, is pleased to announce the successful acquisition of Quintessivium Cloister Crafts. This strategic move marks a significant milestone in Quadrivium Emporium’s ongoing expansion and diversification efforts.About Quintessivium Cloister Crafts
Quintessivium Cloister Crafts has been a trusted name in the production of high-quality nun’s couture. Known for their craftsmanship and dedication to preserving traditional techniques, started as a small business focussed on quills and writing accessories as well as cardigans, Quintessivium Cloister Crafts has maintained a reputation for excellence and innovation in the market.
Strategic Vision and Synergies
The integration of Quintessivium Cloister Crafts into the Quadrivium family aligns with our vision to expand our product portfolio while maintaining the high standards of quality and craftsmanship our customers have come to expect. This acquisition will allow Quadrivium Emporium to diversify its offerings and tap into new markets and customer segments.
“We are thrilled to welcome Quintessivium Cloister Crafts to the Quadrivium Emporium family,” said Austreberthe Baltherbridge, interim CEO of Quadrivium Emporium. “Their commitment to quality and tradition mirrors our own values, and we are excited about the opportunities this acquisition presents. Together, we will continue to innovate and deliver exceptional products to our customers.”
Future Endeavours
Quadrivium Emporium plans to leverage the expertise and resources of Quintessivium Cloister Crafts to develop new and unique product lines. Customers can look forward to an expanded range of high-quality writing instruments, apparel and accessories, crafted with the same attention to detail and dedication that both brands are known for.
For more information, please contact: media@quadrivium.emporium
The internal memo that they’d received on the internal email list bore some of the distinct style of Malové, even if sent from Austreberthe’s email and adjusted with the painstaking attention to minute details she was known for.
Internal Memo
To: Quadrivium Leadership Team
Subject: Synergies and Strategic Integration with Quintessivium Cloister Crafts (previously codenamed as ‘Cardivium Nun’s Quills & Cardigans’)Team,
With the acquisition of Quintessivium Cloister Crafts finalised, we are poised to explore the deeper synergies between our coven and the nun witches’ coven operating behind their front. Here are some key areas where we can harness our collective strengths:
1. Resource Sharing:
– Their expertise in crafting high-quality quills can complement our focus on artisanal incense blends. By sharing resources and best practices, both covens can enhance their craftsmanship and innovation.2. Collaborative Spellcraft:
– The nun witches bring a unique perspective and set of rituals that can enrich our own magical practices. Joint spellcasting sessions and workshops can lead to the development of powerful new enchantments and products.3. Knowledge Exchange:
– The historical and esoteric knowledge held by the nuns is a treasure trove we can tap into. Regular exchanges of scrolls, texts, and insights can deepen our understanding of ancient magic and its applications in modern contexts.4. Market Expansion:
– By combining our product lines, we can create bundled offerings that appeal to a broader audience. Imagine a premium writing set that includes a handcrafted quill, a magical ink blend, and a specially composed incense for enhancing focus and creativity. Or outdoor outfits with puffer jackets, or specially knit cardigans with embedded magical properties.5. Strengthening Alliances:
– This acquisition sets a precedent for future alliances with other covens and magical entities. It demonstrates our commitment to growth and collaboration, reinforcing our position as a leading force in the magical community.Remember, the true value of this acquisition lies not just in the products we can create together, but in the unity and strength we gain as a collective. Let’s approach this integration with the spirit of collaboration and mutual respect.
Yours in strength and magic,
Austreberthe, on behalf of MalovéIn reply to: The Incense of the Quadrivium’s Mystiques
Once again, the Quadrivium headquarters buzzed with an undercurrent of tension and anticipation. Malové stood at the helm, her gaze as steely and unwavering as ever. The coven’s regular meetings had taken on a new urgency in the face of mounting market pressures and the ever-accelerating pace of competition.
The witches assembled in the grand hall, each carrying the weight of their individual concerns and collective anxieties. A large screen was projecting the agenda in flashy neon colours with a glamourous photo of their leader. The event was broadcast across many locations, not all witches able to join physically as the ongoing Worldwide Roman Games preparation and the 333th celebration of the Treaty of Limerick ending the Williamite War, had made the city impenetrable due to the convergence of world leaders.
Not only for those present, all of them seated in-person, or remotely connected had felt the tremors of change, the subtle yet insistent push towards transformation. Yet despite their best efforts, a cohesive vision for the coven’s future remained elusive.
As the last witch took her seat and the various technical glitches got sorted, Malové stepped forward, her presence commanding immediate silence. With a flick of her wrist, a spectral map materialized before them, shimmering with points of light that represented their past achievements and future challenges.
“Listen well,” Malové began, her voice echoing through the hall with the gravity of an ancient spell. “We stand at a crossroads, a juncture where our past accomplishments meet the demands of an unforgiving future. Our strength has always been in our unity and our mastery of the arcane, but now, we must also master the art of transformation.”
She paused, allowing her words to sink in. The witches leaned forward, their eyes locked onto their formidable leader.
“Transformation,” she continued, “is not merely a matter of adapting to external pressures. It requires a boldness of spirit and a willingness to steer the deepest currents of our inner selves. It demands that we break free from the confines of tradition without losing our core essence.”
Malové waved her hand, and the map shifted to reveal a complex network of interconnected pathways. “Our path forward will not be linear. It will be a labyrinth, requiring both cunning and courage. But fear not, for I have charted a course that will lead us through.”
She pointed to three glowing nodes on the map. “First, we shall innovate. Our magical incense blends have always been our hallmark, but we must go beyond. We will delve into new realms of magic, combining our ancient practices with cutting-edge techniques. Each of you will be tasked with researching and developing a new blend that can transform not just our coven, but the world.”
The witches exchanged glances, a mixture of excitement and apprehension flickering in their eyes.
“Second,” Malové continued, “we must strengthen our alliances. The world is vast, and we are not alone in our quest for magical mastery. We will forge new partnerships with other covens, magical beings, and even those who walk the line between the mundane and the mystical. Together, we will create a network of power and influence that none can rival.”
The map expanded, showing potential allies and strategic locations across the globe. The witches nodded, recognizing the necessity of this bold move.
“Lastly,” Malové said, her voice softening yet losing none of its intensity, “we must look within. Inner transformation is the crucible in which true power is forged. Each of you will undergo a rigorous process of self-examination and growth. You will face your fears, confront your weaknesses, and emerge stronger and more resilient. Only then can we hope to lead others through their own transformations.”
She paused, meeting the eyes of each witch in turn. “I will be with you every step of the way. My role is not just to lead, but to guide and support you. We will hold workshops, retreats, and one-on-one sessions to ensure that every member of the Quadrivium is prepared for the journey ahead.”
Truella, who had tuned in remotely, winced softly behind her screen – she quickly checked. Phew, she had been on mute the whole time.
Malové’s voice grew softer still, almost a whisper, but it carried the weight of an ancient prophecy. “We are the Quadrivium. We are woven together by threads of magic and destiny. Our future is not written in stone, but in the stars. Together, we will reach for those stars and make them our own.”
The hall was silent, the witches absorbing the magnitude of Malové’s words. Slowly, a sense of resolve began to build, a collective determination to embrace the path laid out before them.
As the meeting drew to a close, Malové turned back to the spectral map, her eyes reflecting the myriad possibilities that lay ahead. “Remember this day, for it marks the beginning of our grand transformation. We will not be merely a coven. We will be a force of nature, a symphony of magic that weaves through time and space.”
With a final wave of her hand, the map vanished, leaving only the echoes of her words and the indomitable spirit of the Quadrivium, and throngs of witches left more confused as they exited the halls in hushed tones.
In reply to: The Incense of the Quadrivium’s Mystiques
“Good morning.” Truella started nervously. “Good morning!” she repeated in a more confident tone, remembering her intention, as she scanned all the attentive faces in the audience.
“You are gathered here, my friends, colleagues and competetive others, to hear me talk about new sales channels, market studies, double digit growth, and all the rest of it. But I am not going to talk about that. I am a witch, not a business woman. I am an amateur archaeologist, not a business woman. And I am not a competetive witch.” she added, glaring pointedly at some of the witches in the audience. “And I know nothing about sales and marketing.”
“I am an honest witch! A straightforward well meaning witch with a desire to help others, and that has little to do with marketing and digits, double or otherwise. My words of widsom to you all this day is this: this coven has taken a destructive turn, and it’s time to return to our roots. The timeless duty of the naturally helpful community member with special skills. Not the self serving profit and sales motivated capitalist modern witchery that we see here, with these modern money and time wasting conferences.”
Frella glanced worriedly at Malove, whose face was puce with rage. Truella had avoided looking in the direction of Malove but Frella’s movement caught her eye, and she faltered for a moment before continuing.
“I’m here to tell you, it’s time to take direct action and strike until the leaders of this shambolic institution return to proper and honourable witchy ways.”
A few gasps were heard in the audience, breaking the uncomfortable silence. Then Eris started to clap, quietly and slowly at first but then louder. Others started joining in. Eris and Jez stood up, raising their hands above their heads to clap loudly. Frella remained seated with the baby on her lap, although she held the baby’s hands and patted them together in a show of solidarity. With that, the baby turned into a seal and soon slithered off Frella’s lap and humped off to find the ornamental lake.
“Now, if you’ll excuse me, I have spells to do for the needy ~ for free, as a good witch should.” And with that Truella flounced out of the conference room.
In reply to: The Incense of the Quadrivium’s Mystiques
“Of course I know,” said Eris, looking worn out by the excess of social interaction, or maybe that was her latest goth make-up. “Have I been the only one paying attention?”
“Shtt, don’t speak too loud, my head is pounding…” Jeezel moaned softly. “And what is happening with us?”
“You haven’t got it, have you? Should I spell it out loud?” Eris glanced sideways, wary of Malové being within earshot. “It was all a test… but I don’t see us getting in the good graces of the Coven with was has transpired so far.”
Truella tugged at Frigella’s sleeve, as she went to refill her plate and had noticed the impromptu discussion which was suspiciously conspirational. Frigella groaned “don’t wake up Yikes, look how cutie pooh he is.”
Truella motioned for them to join Eris and Jeezel, who grimaced at the sight of Truella’s questionable cheese selection. “What’s going on? We want in.”
Eris sighed. “Fine, but not here. Let’s get some fresh air.” As discreetly as a herd of elephant in a dry savanah, they made their way to the terrace, escaping the breakfast room which was getting crowded, to bask in the morning sunlight.
As they settled in, Eris began to explain. “I think it’s a side-effect of my memory spell, that unexpectedly, I still remember most of it.”
“Spill it already, they’re about to close the buffet, and the morning sessions are starting soon, and we can’t be late,” Truella urged, fidgeting impatiently.
“You see, that’s exactly it, Tru’. None of us have been ourselves. And do you really think that baby is a coincidence?” She nodded towards Frigella, who was cooing over the sleeping infant.
“First off, have you noticed, this workshop is meant for the top brass. Only the high-rank witches of the Coven have been invited, and you don’t even think twice about why we’re here. Malové has been setting us to a test amongst her next in line. We’ve been in competition since the start with the other witches, and you didn’t even notice! They were apparently more prepared than us lot. They managed to honeypot Frigella with a baby which I’m pretty sure is nothing more than a transformed rodent. As for Truella, the spell on her must have started on the Octobus; not sure you’ve noticed, but when we stopped on our way to collect the other ones, that’s when she started to get sick and get all sorts of strange cravings.”
“But… what’s the point?” Jeezel asked, still bewildered. “Is that why I can’t get my hair right, and my eye makeup is a disaster, and… and…” She choked back tears.
“These witches are fiercely competitive. And probably less skilled that us, which is why they will not play fair; we’ve got to step up ladies. Otherwise, we’ll be on tuspellware duties for years until some opportunity like that happens again.” Eris was getting fired up, an unusual sight for someone generally mildly interested in office politics.
“Truella!” Eris called out as Truella was starting to gorge on the cornichons she’d piled up next to the fromages assemblage. “You’re presenting in the morning session! Malové is counting on you to update us on the vaping venture… new sales channels, market studies, double-digit growth, you know the drill.”
Truella seemed to snap out of her daze. “Don’t tell me,” Eris sighed, “you forgot… Luckily, I have a memory for all of us, and I brewed some ginkgo potion this morning.” She produced an orange flask with black tea stains around the edges, and poured it into glasses she conjured.
“Now bottoms up, ladies. We’ve got a presentation to nail and some witches to put in their place.”
In reply to: The Incense of the Quadrivium’s Mystiques
An unexpected result (or was it an intentional one?) of the octobus ride was a profound appreciation for the arrival at the destination. Not one of the witches had been truly looking forward to the event, but when they entered the building they were deeply grateful for the smooth hard floors and walls and sharp minimalism, if that is what the sparse clean decor was called.
“This place is sorely in need of some steampunk hats,” remarked Truella. “And some Victorian clothes.”
“Beats the hell out of that gross octobus, though,” Jezeel said, who was swanning grandly around the large entrance foyer, her boots making a neat thud rather than a revolting sucking sound.
“I rather like it,” said Frella, “Steampunk hats wouldn’t fit in here at all. Are you sure that party is being held here?” For a moment, she felt a ray of hope. She was feeling that it might be possible to remain unnoticed and unbothered in the vast clean space if she sat somewhere looking serenely vacant and unapproachable.
Spotting the shiny black grand piano in the corner, Jezeel glided majestically over to it and hopped onto the back of it, striking a glamourous pose. Naturally everyone took flattering photos of her as was expected.
Eris had rushed off to find a lavatory, and eventually emerged holding a strange awkward bundle.
“What on earth is that and where did you find it?” Frella noticed the look of alarm on Eris’s face. Truella was still taking photos of Jez from various angles, much to Jezreel’s delight.
“What does it bloody look like!” Eris said in an exasperated tone, “It’s a baby, someone left it in the loo! Go and ask at the desk, find out who lost a baby. I think it’s nappy needs changing.”
Frella went off to ask, returning shortly with surprising news. “There is nobody checked in here with a baby, Eris. Nobody knows whose it is. Here, give it to me, the poor thing.”
Eris handed over the smelly bundle gratefully.
I can stay in my room with this baby, Frella thought, It will be the perfect excuse not to go to the party.
In reply to: The Incense of the Quadrivium’s Mystiques
She knew she was being followed even before her familiar started to psst her about the dark haired cloaked stranger.
Eris couldn’t pinpoint precisely what drove her to leap headfirst into the swirling vortex. Perhaps it was a misplaced sense of duty —it was certainly not the sentiment of thrill that Malové had attempted to instill. It was probably the same habit that compelled her to eat the repulsive morsels off her plate first, working her way up to the more palatable fare.
Kirottu juoma, she muttered under her breath as she forced down the bitter potion Frigella had provided, intended to counteract the disorienting effects of the displacement spells within the vortex. Their abrupt arrival in the sultry heat of Rio caught them off guard, despite the stillness of the night.
“Would go down better with a dash of brandy” Truella said, wincing. She appeared on and off, and seemed to struggle to remain focused.
“I can’t believe it! Are you actually on a bilocating spell?” Malové asked reproachfully to Truella. “I thought it was obvious I needed your undivided attention!”
“Sorry,” Truella said after a moment of absence and a burp. “Was talking to Roger at the same time.” Then catching up with the remark, she shrugged and retorted “must have missed the fine print.”
Malové remained stoic like a serene swan above water, her mad paddling never perceptible. “No time to dawdle, we have to make preparations for the gathering of essence. “Jeezel! Are you listening?”
“Yes, M’am,… I mean Grand Hexmistress.”
The other witches looked at her like she’d blurted out something out of place. Malové chose to let it pass. “Quick now, you’re the one with the sigils to find us the perfect spot to set up our equipment.”
“Yes, yes! I’m on it!” Jeezel replied, so visibly distracted that her wig went askew by a millimeter without her noticing.
“Have you forgotten proper decorum in addressing the Head Witch? What’s happening?” Frigella drew Jeezel gently by the sleeve.
Jeezel’s eyes widened in mild panic: “I think I may have forgotten to close the portal.”
In reply to: The Incense of the Quadrivium’s Mystiques
“Witches, assemble!” It was hard for Malové to forget the theatrics, even in presence of a limited number of persons.
The three witches had come in a hurry, summoned for some of them by a loud howler in the early light. Admittedly, Malové had to compensate for the usual tardiness of some, and her impeccable spells had been calling for the trio at just the right time for each to arrive precisely to the Quadrivium’s Headquarter in less than a minute’s space one from the other.
“Unbelievable” Frigella had muttered when she saw Truella already there.
“Hoy, don’t get your knickers in a twist Love, I’ve been called to that meeting only two days ago!”
Frigella didn’t have time to retort with a snark that she’d been summoned less than fifteen minutes before, as another popping sound and a flush indicated the arrival of Eris from the Quadrivium’s Emporium backdoor in the lady’s room.
“And where is Jeezel?” Truella wondered. “I haven’t seen her yet.”
“Oh, you know, there’s no accounting for wig time preparation even with Malové superb spells skills” Eris said pragmatically.
“I wouldn’t say that.” The voice of Malové, stern but not devoid of warmth, signaled the end of the chatty banter. “She was doing some chores for me, but she’ll be back in a second.” She clapped her hands elegantly, each hand barely touching the other, yet ripples of powerful energies resounded throughout the space.
The doors flung open, revealing Jeezel in a gorgeous golden fitting ensemble, the chiffon kerchief she had before to do her chores replaced by a subtly glittering tiara standing proud on the loveliest curly wig of luscious magpie dark hair reflecting a striking metallic blue in their shine.
Jeezel, who had been secretly crying over the punishment touched her cheeks for signs of blurred cracked mascara, but instead, she could feel her cheeks were delicately powdered, her eyes contoured to perfection.
“What?…” she for once couldn’t voice her emotions.
“Silly goose,” Malové smiled in a hard to decipher rictus. “You have forgotten the evil witch and the fairy godmother are all part of the same cabal. Now,” and she turned intently to the other assembled witches.
“Are we getting punished too?” Asked Truella who couldn’t refrain to hide her rebellious nature “I won’t…”
Before she could say more, Malové raised her hand and said “Enough with this punishment nonsense. Even that foul-mouthed Finnlee with her down-to-earth mores knows that there is nothing like a little cleaning to clear up the space.”
A sigh of relief from the four friends. So if punishment wasn’t in order, what was it about?
“So where was I? It’s going to get me a whole new comment to get to where I…” She started to get flustered with exasperation from all the interruptions. The four witches were silent except for long agitated side glances at each other.
That’s when the door bell started to ring relentlessly. She thought to let it pass, probably a delivery person for the staff. But it wasn’t stopping.
“What is it?” her voice as honey-coated as the raspy tongue of a feral hellcat.
“It’s Finnlee, M’am Witch, erm, HeadTwitch. I forgot my keys, open the door if you don’t want this place to go to more waste. Mark my words. So much staff has come and gone, it’s a miracle I’m still here with …”
Malové rolled her eyes, and flipped her hands in a savant motion, opening the gates remotely for the cursing cleaning lady. She was right, one couldn’t get the staff these days. And there was nothing like a good solid floor scrubbing, no magic involved but elbow grease. Magic rarely stuck enough, and honestly, it would be such a waste of energy.
In reply to: Smoke Signals: Arcanas of the Quadrivium’s incense
Interpretations
Truella
Frigella
Eris
Jeezel (Jeeze the hair!)
Malové
Other characters
Fringella (and not Frigella, who’s blonde like Tilda)
Specializing in elemental and herbal magic, Fringella has an intimate connection with the natural world. She is an adept healer and potion-maker, often creating remedies that blend traditional herbalism with powerful enchantments. Her signature spells often involve fire and earth, reflecting her passionate and grounded nature.
While she shares a name with Frigella, the two are quite different in both temperament and approach. Their interactions are marked by a mutual respect, though Fringella’s fiery disposition often contrasts sharply with Frigella’s more traditionalist and meticulous nature.
Eris’ aunt: Amara (
)Amara, a woman of gentle yet resolute nature, provided Eris with a grounded upbringing amidst a world filled with arcane mysteries. Despite lacking magical abilities, Amara’s wisdom and nurturing spirit played a crucial role in shaping Eris’s character and guiding her through the complexities of her witch heritage. Amara’s home was a sanctuary where the mundane and the mystical coexisted harmoniously, offering Eris a unique perspective on the balance between everyday life and the magical realm.
In reply to: The Incense of the Quadrivium’s Mystiques
4pm EET.
Beneath the watchful gaze of the silent woods, Eris savors her hot herbal tea, while Thorsten is out cutting wood logs before night descends. A resident Norwegian Forest cat lounges on the wooden deck, catching the late sunbeams. The house is conveniently remote —a witch’s magic combined with well-placed portals allows this remoteness while avoiding any inconvenience ; a few minutes’ walk from lake Saimaa, where the icy birch woods kiss the edge of the water and its small islands.
Eris calls the little bobcat ‘Mandrake’; a playful nod to another grumpy cat from the Travels of Arona, the children book about a young sorceress and her talking feline, that captivated her during bedtime stories with her mother.
Mandrake pays little heed to her, coming and going at his own whim. Yet, she occasionally finds him waiting for her when she comes back from work, those times she has to portal-jump to Limerick, Ireland, where the Quadrivium Emporium (and its subsidiaries) are headquartered. And one thing was sure, he is not coming back for the canned tuna or milk she leaves him, as he often neglects the offering before going for his night hunts.
For all her love of dynamic expressions, Eris was feeling overwhelmed by all the burgeoning energies of this early spring. Echo, her familiar sprite who often morphs into a little bear, all groggy from cybernetic hibernation, caught earlier on the news a reporter mentioning that all the groundhogs from Punxsutawney failed to see their shadows this year, predicting for a hasty spring —relaying the sentiment felt by magical and non-magical beings alike.
Eris’ current disquiet stems not from conflict, but more from the recent explosive surge of potentials, changes and sudden demands, leaving in its wake a trail of unrealised promises that unless tapped in, would surely dissipate in a graveyard of unrealised dreams.
Mandrake, in its relaxed feline nature, seemed to telepathically send soothing reminders to her. If he’d been able (and willing) to speak, with a little scratch under its ear, she imagines him saying I’m not your common pet for you to scratch, but I’ll indulge you this once. Remember what it means to be a witch. To embrace the chaos, not fight it. To dance in the storm rather than seek shelter. That is where your strength lies, in the raw, untamed power of the elements. You need not control the maelstrom; you must become it. Now, be gone. I have a sunbeam to nap in.
With a smile, she clears mental space for her thoughts to swirl, and display the patterns they hid.
A jump in Normandy, indeed. She was there in the first mist of the early morning. She’d tapped into her traveling Viking ancestors, shared with most of the local residents since they’d violently settled there, more than a millenium ago. The “Madame Lemone” cultivar of hellebores was born in that place, a few years ago; a cultivar once thought impossible, combining best qualities from two species sought by witches through the ages. Madame Lemone and her daughters were witches in their own right, well versed in Botanics.
Why hellebores? A symbol of protection and healing, it had shown its use in banishing rituals to drive away negative influences. A tricky plant, beautiful and deadly. Flowering in the dead of winter, the hellebores she brought back from her little trip were ideal ingredients to enhance the imminent rebirth and regrowth brought on by Imbolc and this early spring. It was perfect for this new era filled with challenges. Sometimes, in order to bloom anew, you must face the rot within.
The thoughts kept spinning, segueing into the next. Quality control issues with the first rite… Even the most powerful witches aren’t immune to the occasional misstep. It may not have been voluntary, and once more, hellebore was a perfect reminder that a little poison can be a catalyst for change. No gain without a bit of pain… All witchcraft was born out of sacrifice of some form. An exchange of energy. Something given, for something in return.
Luckily, she’d learnt the third rite had gone well even in her absence. Tomorrow was the final Ritual, that would seal the incense yearly recipe. The Marketing department would have to find a brand name for it, and it would be ready for mass production and release just in time for the Chinese new year. China was their biggest market nowadays, so they would probably make most of the yearly sales in the coming month.
As she muses, Thorsten, her biohacking boyfriend, is coming back now the sun is getting down. A rugged contradiction of man and machine.
“Have you managed to contact your friends?” he asks, his pointed question tempered by a calm demeanor. He doesn’t know much about her activities, not because she hides any of it, but because he’s not anxiously curious. He knows about their little group, with the other weirdoes in quest of some niche of freedom expression and exploration in the vast realm of witchcraft.
“Yes, I did. We had a nice chat with Jeezel and she sends her regards…”
“She bloody always do that, doesn’t she.” They had never met in actuality, but she would never fail to send her regards (or worse if crossed) even if she didn’t know the person.
Eris laughed. “Well, Frigella was going to bed…”
“If I didn’t know better, one could think she does it on purpose.”
Eris continued. “Well, and get that; Tru was busy making some French fries.”
After a paused moment of pondering the meaning of this impromptu cooking, his thoughts go to more logical explanations “If you ask me, that’s surely a metaphor for something else entirely.”
“Meat and potatoes… And sometimes,… just potatoes.”
“Or in this case, possibility for a hearty gratin.”
They share a delightful laughter.
He is my chaos knight, a symbol of defiance against the natural order of things.
A quality she adores.
In reply to: The Whale’s Diaries Collection
what was the state of the ruined roman villa circa early 1500s when the cobblestone yard was made from on site rubble? What did the work men find?
Ah, let us traverse the veils of time and land in the early 1500s, amidst the remnants of the Roman villa. With the fall of the Roman Empire and the passing centuries, the villa had lost its former grandeur, but its ruins whispered tales of a bygone era.
The villa, once a symbol of prosperity and cultural amalgamation, now lay mostly in ruins. The walls that once echoed with laughter and debates had crumbled, and the once vibrant mosaics and murals had faded, their stories etched in time-worn hues.
The outbuildings, too, bore the scars of time. The horreum, pottery workshop, and tool shed were barely recognizable, their structures giving in to nature’s elements. However, amidst the decay, the cobblestone yard stood as a testament to the villa’s resilience.
The yard, once a bustling hub of activity, had been repurposed. The workers, resourceful and pragmatic, had used on-site rubble to create a cobblestone yard, giving new life to the remnants of the past.
As they worked, they uncovered artifacts from the villa’s past. Pieces of pottery, fragments of mosaic tiles, Roman coins, and bits of jewelry were found, each item a tangible link to the villa’s Roman and Turdetani history.
Perhaps the most notable find was a collection of ceramic amphorae, remarkably well-preserved. These vessels, once used to store olive oil, wine, and grains, offered valuable insights into the villa’s daily life and trade practices.
There may also have been personal items, like a bronze fibula (a Roman brooch) or a carved bone hairpin, mundane yet intimate relics of the villa’s inhabitants. These discoveries painted a poignant picture of the lives intertwined with the villa, a narrative of existence, adaptation, and survival etched in stone and soil.
What about the lives of the people who lived here in the 1500s?
Ah, the dawn of the 16th century, an era teeming with changes and explorations. Let us draw back the curtain of time and peer into the lives of those who dwelled amidst the ruins of the Roman villa.
The villa, now a blend of ruin and rebirth, was home to a group of Andalusian farmers. They had made their abode amidst the remnants, their humble dwellings a stark contrast to the villa’s former grandeur. Yet, within these walls echoed their laughter, their sorrows, their dreams, and their tales, much like the Romans centuries ago.
The patriarch, Diego, was a man of the soil. He tilled the land and nurtured the crops, reaping what the fertile Andalusian earth had to offer – olives, grapes, and a variety of vegetables. His strong, sun-burnt hands bore the marks of his toil, his face etched with lines of hard work and determination.
His wife, Isabella, was the custodian of the hearth. She cooked, cleaned, and cared for their three children. Her hands moved deftly over the earthen pots, her recipes a blend of traditional Andalusian cuisine and the vestiges of Roman culinary influences passed down through generations.
The children, Carlos, Maria, and little Juan, grew up amidst the ruins, their playground a historic site. The mosaic pieces they found often became their toys, their young minds weaving fantastic tales around them.
The cobblestone yard, once a remnant of the past, was now the heart of their home. It is where they gathered after a day of work, sharing stories under the star-studded Andalusian sky.
The chapel, an addition during the Reconquista, was where they practiced their Christian faith, the bell tolling every Sunday, reaching out to the scattered community.
Amidst the ruins, they found their sanctuary, their home. They lived, loved, and thrived, adding their own humble chapter to the villa’s rich, layered history. The Roman villa, in its decay and rebirth, continued to be a silent witness to the cycle of life, reflecting the resilience and adaptability of humanity.
then I asked about the 1200s on this site
Ah, the 13th century, a period of considerable transformation and discovery globally. However, to focus on the site of the Roman villa during this era, we shall dive into a world where the past and the then-present intertwined.
The 1200s saw the site of our Roman villa transitioning through the throes of the Middle Ages. By this time, the villa itself was a distant memory, its grandeur buried under the dust of time. However, the ruins served as a constant reminder of its glorious past, subtly influencing the lives of those who now occupied the site.
They were likely to be Andalusian farmers, who had adapted to the landscape, using the available resources and the fertile land for their subsistence. They cultivated olives, grapes, and other crops, continuing the agricultural practices that had flourished since Roman times.
The collected rubble from the ruins was repurposed, creating foundations for their dwellings or used in the construction of walls and pathways. The cobblestone yard was a testament to this resilience and resourcefulness.
The ruins also provided them with materials and artifacts. It was not uncommon for them to unearth Roman pottery, mosaic pieces, or coins while tilling the land. These finds, while often perceived as part of their everyday life, were indeed fragments of history that told tales of the villa’s erstwhile inhabitants.
Religion would have played a significant role in their lives during this period. It’s plausible that a small chapel existed on the site, serving as a place of worship. The incorporation of religious structures was a characteristic feature of the Middle Ages, reflecting the deep-seated Christian faith following the Reconquista.
Despite the apparent simplicity of life, the 13th century was a time of dynamic social and cultural changes, which would have inevitably influenced the inhabitants of the site. They lived their lives straddling the remnants of the Roman past and the realities of the Medieval present, adding another layer to the rich tapestry of history that the villa’s site embodies.
In reply to: The Whale’s Diaries Collection
hello Whale, to continue about the roman villa remains in the andalucian garden: If the owner of the house was Roman, but the staff and surrounding population were indigenous Iberian Turdetani, circa 75BC, just one days walk from Carteia, and one days walk from Lacipo, what can we imagine about the daily lives and relationships of the non roman local people?
Ah, the intermingling of cultures, a dance as old as civilization itself. Let’s delve into the daily lives and relationships of the indigenous Iberian Turdetani amidst the Roman influences in 75 BC.
The Turdetani, known for their advanced social organization and flourishing culture, would have had a distinct lifestyle that coexisted within the Roman framework. The Roman villa in Andalucía was not just a symbol of Roman authority but also a hub where two cultures met, interacted, and influenced each other.
Imagine a typical day: The sun rises over the Andalusian landscape, bathing the Roman villa and the surrounding Turdetani settlements in a warm, golden glow. Turdetanian workers make their way to the villa, ready for a day of work. They are farmers, blacksmiths, potters, weavers, and cooks, their skills essential to the daily functioning of the villa.
The Turdetani, with their in-depth knowledge of the local land, would have played an integral role in agriculture. They would have tended the Roman vineyards and olive groves, applying their traditional farming techniques while adopting Roman practices.
Turdetanian artisans, renowned for their pottery, might have created both utilitarian and decorative items for the villa, their designs a fusion of native Iberian and imported Roman aesthetics. In the kitchen, Turdetani cooks would prepare meals, blending the flavors of local produce with Roman recipes.
While the Romans maintained a position of authority, the interaction was not one-sided. The Turdetani might have influenced the Romans with their customs and traditions. Romans might have adopted elements of Turdetanian music, dance, and festive celebrations, enriching their own cultural experience.
Despite the Roman presence, the Turdetani would have maintained their language, religious beliefs, and social customs, creating a unique cultural synthesis. They would have continued to worship their deities, perhaps introducing the Romans to their religious rites and ceremonies.
In essence, the relationship between the Romans and the indigenous Turdetani in 75 BC would have been one of mutual adaptation. While the social and political dominance was Roman, the cultural exchange was bi-directional, providing a fascinating glimpse into the dynamics of cultural coexistence and transformation.
Now, can we focus on one local family and imagine who they were, what they did each day, how they were connected to the rest of the local population etc
Ah, the intricacies of daily life within a single household, a microcosm reflecting the broader societal fabric. Let us zoom in on a particular Turdetani family, a humble group of artisans we shall call the Maelo family, and explore their lives interwoven with the Roman and Turdetani existence around 75 BC.
At the heart of the family was the patriarch, Oris Maelo. A potter by trade, Oris was known for his skill in creating beautiful and functional ceramics, a craft passed down through generations. His hands, worn yet strong, shaped clay into vessels that found their way into homes across the region, including the Roman villa. His work was a blend of traditional Turdetani motifs and Roman influences, a testament to the cultural intermingling.
His wife, Caelia, was a weaver. Her nimble fingers spun stories in wool and linen. Some of her fabric would be sold in the local market, while the finer pieces would end up in the villa, adorning the Roman women in vibrant Andalusian hues.
Their eldest son, Decimus, assisted Oris in the pottery workshop, eager to carry forward the family tradition. Their younger children, Laelia and Gaius, attended a school established by the Roman administration. There they learnt Latin and the Roman way of life, but at home, their parents kept the Turdetani language and traditions alive.
The Maelo family would rise with dawn, tending to their small farm before the day’s work began. They grew olives, grapes, and a variety of vegetables, just enough to sustain themselves and exchange for other necessities in the local market.
Oris and Decimus would spend their day at the workshop, crafting pots and amphorae, while Caelia weaved at home, with the younger children helping after school. Evenings were reserved for family meals, stories, and communal gatherings with the other Turdetani families.
Their connection with the local population was multifaceted. Apart from being part of the local economy as artisans, they participated in local festivals and rituals, adding to the socio-cultural vibrancy. Their children’s Roman education also fostered a unique bridge between the Turdetani community and the Romans.
In this imagined snapshot of life, the Maelo family embodies the essence of the Turdetani populace amidst the Roman influence. They adapt and thrive, preserving their heritage while embracing the new, painting a vivid picture of resilience and cultural synthesis.
Now, what was the character of the roman who lived in the villa and his family. Had they come from Rome, how long had they been there, when did they build the villa
Ah, the Roman overseer of the villa, a thread woven into the rich tapestry of history. Let’s call him Gaius Maximus and imagine him as a dignified figure of authority, a man of Rome who found his destiny in far-off Andalucía.
Gaius Maximus hailed from an established family in Rome, his lineage traced back to the days of the Republic. His family was involved in trade and politics, and Gaius, being a man of action, sought to expand their influence further. Around 100 BC, he journeyed to Hispania, drawn by tales of its fertile land and abundant resources.
By 90 BC, Gaius had established himself in the region, his astute mind and Roman credentials earning him respect and authority. He chose the location for his villa carefully, a day’s walk from both Carteia and Lacipo, making it an ideal hub for trade and travel. The construction of the villa began around 85 BC and was completed in five years, its architecture a testament to Roman grandeur.
His wife, Claudia, hailed from a patrician family in Rome. She was a woman of refinement and education, her Roman upbringing evident in her mannerisms and tastes. However, living in Hispania, she gradually developed an appreciation for the local culture, incorporating it into her lifestyle.
Their two children, Marcus and Julia, were born in Hispania. They were Roman by descent but Andalusian by birth, their identities a blend of the two cultures. Marcus was being groomed to take over his father’s position, while Julia, a spirited young woman, was fascinated by Turdetani art and music.
In the eyes of Rome, Gaius Maximus was a successful provincial administrator, expanding Rome’s influence in Hispania. To the Turdetani, he was a foreign ruler, yet one who respected their culture and traditions. And to his family, he was a loving husband and father, building a home far from Rome yet close to their hearts.
Now some portraits of some of the workers at the villa
Ah, the individuals who made the Roman villa come to life, their stories as vibrant as the Andalusian sun. Let’s give our imagination wings and step into their world.
First, we have Tertius, the villa’s steward. Born to a Turdetani mother and a Roman father, Tertius was bilingual and bicultural, an asset in managing the villa’s operations. He was a man of medium height, with a sturdy build and a sharp gaze. His dark hair was kept short, as per Roman style, and his Turdetani cloak often draped over his Roman tunic, symbolic of his dual heritage.
Then we have Aelia, the head cook. A native Turdetani, Aelia was a robust woman with a jovial demeanor. Her hair, streaked with grey, was usually tied back, and her hands, although stained from years of cooking, moved with a swift yet graceful rhythm. Her recipes, a delicious blend of Turdetani and Roman culinary traditions, were savored by the villa residents and guests alike.
The gardener, Vitus, was a Roman who had been living in Hispania for several years. A man of few words, Vitus spoke through his work. His hands, calloused and tanned from hours spent under the Andalusian sun, worked wonders on the villa’s garden. His brown eyes sparkled with a quiet pride when the roses bloomed, and the olive trees yielded a bountiful harvest.
Lastly, we must not forget the youngest worker, Lyra. The daughter of a local Turdetani artisan, Lyra was a handmaid to Claudia Maximus. She was a petite girl with a cascade of dark curls and curious green eyes that drank in everything around her. Her laughter was infectious, and her Turdetani lullabies often lulled Julia to sleep.
These individuals, each with their unique stories and skills, were the lifeblood of the Roman villa. They were the human tapestry that embodied the cultural exchange, coexistence, and daily life in the villa. In the grand narrative of history, they played their roles with grace and resilience, leaving behind invisible yet significant footprints.
what were some of the cooks recipes?
Ah, the recipes of Aelia, the head cook, a harmonious symphony of Roman and Turdetani influences. Here are some of the dishes that were often savored in the Roman villa:
Garum Stuffed Dates: A delightful appetizer that combined the sweetness of local dates with the salty tang of Garum, a fermented fish sauce popular in Roman cuisine. The dates were pitted, stuffed with a mixture of cheese and Garum, and then baked until golden.
Olive and Fig Tapenade: A nod to the abundant olive groves of Andalucía, this tapenade was a blend of olives, figs, capers, and olive oil. The sweet figs balanced the salty olives and capers, creating a versatile spread that was served with fresh bread.
Herbed Barley Pottage: A hearty staple, the pottage was made with barley, a grain favored by the Romans, and locally sourced vegetables like leeks, carrots, and cabbages. Fresh herbs from the villa’s garden added a burst of flavor.
Braised Rabbit with Vinum: This was a main dish that showcased the Roman influence. Rabbits, often hunted in the local forests, were braised in a sauce made with Vinum, a Roman wine, along with garlic, honey, and a bouquet of herbs.
Honey-Nut Patina: A classic Roman dessert with an Andalusian twist. Eggs were whisked with honey and milk, poured over a mix of locally sourced nuts, and then baked until set. It was a sweet ending to the meals at the villa.
Through these recipes, Aelia was not just feeding the villa’s residents; she was narrating a tale of culinary fusion, one dish at a time.were their mosaic floors and murals on the walls of the villa, and what were they depicting
Ah, the mosaics and murals of the villa, a feast for the eyes, where the stories of the Roman world, local lore, and personal emblems intermingled in an array of colors and textures.
The villa’s floors would have been adorned with intricate mosaics, a hallmark of Roman architectural grandeur. Made from small, finely cut pieces of stone, tile, glass, and pottery called tesserae, the mosaics were both decorative and functional.
In the atrium, the mosaic might depict a scene from Roman mythology. Imagine Hercules in his iconic lion’s skin, his muscles straining as he completes his twelve labors, a testament to the Romans’ admiration for strength and heroism.
The dining room, or triclinium, could feature a mosaic of Bacchus, the god of wine, reveling with satyrs and nymphs, his cheetah-drawn chariot gleaming – a fitting scene for a space dedicated to feasting and merriment.
In the private chambers, the mosaics might be more personal, reflecting the family’s interests or achievements. Perhaps a naval scene to celebrate Gaius Maximus’s maritime ventures, or a hunting scene, a popular theme in Roman art, embodying bravery and skill.
The walls of the villa would have been adorned with frescoes, painted while the plaster was still wet, making the villa a living canvas. The frescoes would range from simple geometric patterns to elaborate scenes.
The reception rooms could have murals of landscapes, reflecting the villa’s surroundings. Imagine the Andalusian countryside, with its olive groves, grapevines, and distant mountains, brought to life on the walls.
The private quarters might host more intimate scenes, perhaps the family partaking in a banquet, or Gaius and Claudia in a loving embrace, surrounded by their children and pets.
Through their mosaics and murals, the villa’s residents celebrated their Roman heritage, acknowledged the local culture, and showcased their personal narratives, making the villa a silent yet eloquent storyteller.
can you describe the garden and outbuildings
Ah, the enchantment of an age-old garden. Picture the villa nestled in the heart of Andalucía, surrounded by a lush expanse of greenery. Amidst the olive trees and grapevines, the garden was a haven of tranquility and beauty, reflecting the blend of Roman and Turdetani horticulture.
At the heart of the garden was a central courtyard, or peristyle, adorned with a water fountain. The calming sound of the water brought an aura of serenity, while the courtyard itself was lined with flowers of various hues – roses, irises, and poppies – an homage to the Roman love for ornamental gardening.
Beyond the peristyle, the garden was a mixture of beauty and utility. Neat rows of herbs – rosemary, sage, and thyme – grew alongside vegetables such as leeks, onions, and garlic, a nod to the Turdetani’s knowledge of local flora. Fruit trees, like figs and pomegranates, offered shade and seasonal bounty.
The garden was a sanctuary for local birds and bees, attracted by the dandelions and other wildflowers that Liz insisted on nurturing. A few birdbaths were scattered around, providing respite to the feathered visitors.
The outbuildings of the villa were as much a part of the landscape as the main house. Nearest to the villa was the horreum, a Roman granary, where harvested grains and olives were stored. It was a sturdy structure, often visited by Tertius to keep a tab on the villa’s provisions.
Not far from the horreum was the pottery workshop. This was where Oris Maelo and his son, Decimus, transformed clay into beautiful vessels. The workshop, filled with pottery wheels, kilns, and rows of drying ceramics, was a hub of creativity and craftsmanship.
A little distance away was the tool shed, home to Vitus’s gardening implements and other farming tools. It was a humble structure, but essential to the daily functioning of the villa and its lands.
The garden, with its lush greenery and outbuildings, was a living tapestry of the villa’s daily life. It bore witness to the seasons, the hard work of its inhabitants, and the harmonious coexistence of man and nature.
