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In reply to: The Incense of the Quadrivium’s Mystiques
Her garden, oh, it’s a living canvas of her passions – a wild, untamed thing with bursts of vibrant color and the heady scent of jasmine and orange blossoms that intoxicate the senses. But beneath its beauty lies a secret, a whisper of the past that Truella, with her insatiable curiosity and archeological fervor, has unearthed: the remnants of an Andalucian Roman villa.
Imagine the thrill, the pure, unadulterated bliss of discovery, as her fingers brush away centuries of soil to reveal ornate mosaics, fragments of pottery that once held the finest olive oil, and coins stamped with the visages of long-forgotten emperors. Each artifact, a breadcrumb leading her deeper into the enigma of history.
But, of course, Roger, our simple-minded gardener with not a thought in his head beyond petunias and pruning, has proven to be surprisingly useful. His brawn has unearthed more than his fair share of antiquity, even if he hasn’t the faintest idea of its significance. “Look, Truella, I’ve found another shiny rock,” he says, and I, Lisia Tattius, can only chuckle at the delightful irony.
Truella’s Andalusian escapades could fill volumes, and perhaps they shall. There’s something deliciously appealing about a woman alone, grappling with the very fabric of time amongst the ruins of an empire.
Truella couldn’t see any benefit in rewriting all that and thanked Lisia very much, although she did wonder who Roger was. A gardener though! Someone to carry all those buckets of dirt hither and thither. Someone to dig the next overburden!
Was there a spell for dissolving an overburden, she wondered? Inspired, she could already imagine how easy it would be to convince the team that this spell would have beneficial and universal applications.
Truella was pleased to see the mention of mosaics, the very thing she wanted to find. She planned to make a mosaic detector wand. But Truella didn’t want Lisia telling her where the mosaic was because it would spoil the whole thing. Mentioning mosaics, however, as already found, was the perfectly measured tincture of encouragement. A bit like spells in general really. Tricky business, getting them right.
In reply to: The Whale’s Diaries Collection
what was the state of the ruined roman villa circa early 1500s when the cobblestone yard was made from on site rubble? What did the work men find?
Ah, let us traverse the veils of time and land in the early 1500s, amidst the remnants of the Roman villa. With the fall of the Roman Empire and the passing centuries, the villa had lost its former grandeur, but its ruins whispered tales of a bygone era.
The villa, once a symbol of prosperity and cultural amalgamation, now lay mostly in ruins. The walls that once echoed with laughter and debates had crumbled, and the once vibrant mosaics and murals had faded, their stories etched in time-worn hues.
The outbuildings, too, bore the scars of time. The horreum, pottery workshop, and tool shed were barely recognizable, their structures giving in to nature’s elements. However, amidst the decay, the cobblestone yard stood as a testament to the villa’s resilience.
The yard, once a bustling hub of activity, had been repurposed. The workers, resourceful and pragmatic, had used on-site rubble to create a cobblestone yard, giving new life to the remnants of the past.
As they worked, they uncovered artifacts from the villa’s past. Pieces of pottery, fragments of mosaic tiles, Roman coins, and bits of jewelry were found, each item a tangible link to the villa’s Roman and Turdetani history.
Perhaps the most notable find was a collection of ceramic amphorae, remarkably well-preserved. These vessels, once used to store olive oil, wine, and grains, offered valuable insights into the villa’s daily life and trade practices.
There may also have been personal items, like a bronze fibula (a Roman brooch) or a carved bone hairpin, mundane yet intimate relics of the villa’s inhabitants. These discoveries painted a poignant picture of the lives intertwined with the villa, a narrative of existence, adaptation, and survival etched in stone and soil.
What about the lives of the people who lived here in the 1500s?
Ah, the dawn of the 16th century, an era teeming with changes and explorations. Let us draw back the curtain of time and peer into the lives of those who dwelled amidst the ruins of the Roman villa.
The villa, now a blend of ruin and rebirth, was home to a group of Andalusian farmers. They had made their abode amidst the remnants, their humble dwellings a stark contrast to the villa’s former grandeur. Yet, within these walls echoed their laughter, their sorrows, their dreams, and their tales, much like the Romans centuries ago.
The patriarch, Diego, was a man of the soil. He tilled the land and nurtured the crops, reaping what the fertile Andalusian earth had to offer – olives, grapes, and a variety of vegetables. His strong, sun-burnt hands bore the marks of his toil, his face etched with lines of hard work and determination.
His wife, Isabella, was the custodian of the hearth. She cooked, cleaned, and cared for their three children. Her hands moved deftly over the earthen pots, her recipes a blend of traditional Andalusian cuisine and the vestiges of Roman culinary influences passed down through generations.
The children, Carlos, Maria, and little Juan, grew up amidst the ruins, their playground a historic site. The mosaic pieces they found often became their toys, their young minds weaving fantastic tales around them.
The cobblestone yard, once a remnant of the past, was now the heart of their home. It is where they gathered after a day of work, sharing stories under the star-studded Andalusian sky.
The chapel, an addition during the Reconquista, was where they practiced their Christian faith, the bell tolling every Sunday, reaching out to the scattered community.
Amidst the ruins, they found their sanctuary, their home. They lived, loved, and thrived, adding their own humble chapter to the villa’s rich, layered history. The Roman villa, in its decay and rebirth, continued to be a silent witness to the cycle of life, reflecting the resilience and adaptability of humanity.
then I asked about the 1200s on this site
Ah, the 13th century, a period of considerable transformation and discovery globally. However, to focus on the site of the Roman villa during this era, we shall dive into a world where the past and the then-present intertwined.
The 1200s saw the site of our Roman villa transitioning through the throes of the Middle Ages. By this time, the villa itself was a distant memory, its grandeur buried under the dust of time. However, the ruins served as a constant reminder of its glorious past, subtly influencing the lives of those who now occupied the site.
They were likely to be Andalusian farmers, who had adapted to the landscape, using the available resources and the fertile land for their subsistence. They cultivated olives, grapes, and other crops, continuing the agricultural practices that had flourished since Roman times.
The collected rubble from the ruins was repurposed, creating foundations for their dwellings or used in the construction of walls and pathways. The cobblestone yard was a testament to this resilience and resourcefulness.
The ruins also provided them with materials and artifacts. It was not uncommon for them to unearth Roman pottery, mosaic pieces, or coins while tilling the land. These finds, while often perceived as part of their everyday life, were indeed fragments of history that told tales of the villa’s erstwhile inhabitants.
Religion would have played a significant role in their lives during this period. It’s plausible that a small chapel existed on the site, serving as a place of worship. The incorporation of religious structures was a characteristic feature of the Middle Ages, reflecting the deep-seated Christian faith following the Reconquista.
Despite the apparent simplicity of life, the 13th century was a time of dynamic social and cultural changes, which would have inevitably influenced the inhabitants of the site. They lived their lives straddling the remnants of the Roman past and the realities of the Medieval present, adding another layer to the rich tapestry of history that the villa’s site embodies.
In reply to: The Whale’s Diaries Collection
hello Whale, to continue about the roman villa remains in the andalucian garden: If the owner of the house was Roman, but the staff and surrounding population were indigenous Iberian Turdetani, circa 75BC, just one days walk from Carteia, and one days walk from Lacipo, what can we imagine about the daily lives and relationships of the non roman local people?
Ah, the intermingling of cultures, a dance as old as civilization itself. Let’s delve into the daily lives and relationships of the indigenous Iberian Turdetani amidst the Roman influences in 75 BC.
The Turdetani, known for their advanced social organization and flourishing culture, would have had a distinct lifestyle that coexisted within the Roman framework. The Roman villa in Andalucía was not just a symbol of Roman authority but also a hub where two cultures met, interacted, and influenced each other.
Imagine a typical day: The sun rises over the Andalusian landscape, bathing the Roman villa and the surrounding Turdetani settlements in a warm, golden glow. Turdetanian workers make their way to the villa, ready for a day of work. They are farmers, blacksmiths, potters, weavers, and cooks, their skills essential to the daily functioning of the villa.
The Turdetani, with their in-depth knowledge of the local land, would have played an integral role in agriculture. They would have tended the Roman vineyards and olive groves, applying their traditional farming techniques while adopting Roman practices.
Turdetanian artisans, renowned for their pottery, might have created both utilitarian and decorative items for the villa, their designs a fusion of native Iberian and imported Roman aesthetics. In the kitchen, Turdetani cooks would prepare meals, blending the flavors of local produce with Roman recipes.
While the Romans maintained a position of authority, the interaction was not one-sided. The Turdetani might have influenced the Romans with their customs and traditions. Romans might have adopted elements of Turdetanian music, dance, and festive celebrations, enriching their own cultural experience.
Despite the Roman presence, the Turdetani would have maintained their language, religious beliefs, and social customs, creating a unique cultural synthesis. They would have continued to worship their deities, perhaps introducing the Romans to their religious rites and ceremonies.
In essence, the relationship between the Romans and the indigenous Turdetani in 75 BC would have been one of mutual adaptation. While the social and political dominance was Roman, the cultural exchange was bi-directional, providing a fascinating glimpse into the dynamics of cultural coexistence and transformation.
Now, can we focus on one local family and imagine who they were, what they did each day, how they were connected to the rest of the local population etc
Ah, the intricacies of daily life within a single household, a microcosm reflecting the broader societal fabric. Let us zoom in on a particular Turdetani family, a humble group of artisans we shall call the Maelo family, and explore their lives interwoven with the Roman and Turdetani existence around 75 BC.
At the heart of the family was the patriarch, Oris Maelo. A potter by trade, Oris was known for his skill in creating beautiful and functional ceramics, a craft passed down through generations. His hands, worn yet strong, shaped clay into vessels that found their way into homes across the region, including the Roman villa. His work was a blend of traditional Turdetani motifs and Roman influences, a testament to the cultural intermingling.
His wife, Caelia, was a weaver. Her nimble fingers spun stories in wool and linen. Some of her fabric would be sold in the local market, while the finer pieces would end up in the villa, adorning the Roman women in vibrant Andalusian hues.
Their eldest son, Decimus, assisted Oris in the pottery workshop, eager to carry forward the family tradition. Their younger children, Laelia and Gaius, attended a school established by the Roman administration. There they learnt Latin and the Roman way of life, but at home, their parents kept the Turdetani language and traditions alive.
The Maelo family would rise with dawn, tending to their small farm before the day’s work began. They grew olives, grapes, and a variety of vegetables, just enough to sustain themselves and exchange for other necessities in the local market.
Oris and Decimus would spend their day at the workshop, crafting pots and amphorae, while Caelia weaved at home, with the younger children helping after school. Evenings were reserved for family meals, stories, and communal gatherings with the other Turdetani families.
Their connection with the local population was multifaceted. Apart from being part of the local economy as artisans, they participated in local festivals and rituals, adding to the socio-cultural vibrancy. Their children’s Roman education also fostered a unique bridge between the Turdetani community and the Romans.
In this imagined snapshot of life, the Maelo family embodies the essence of the Turdetani populace amidst the Roman influence. They adapt and thrive, preserving their heritage while embracing the new, painting a vivid picture of resilience and cultural synthesis.
Now, what was the character of the roman who lived in the villa and his family. Had they come from Rome, how long had they been there, when did they build the villa
Ah, the Roman overseer of the villa, a thread woven into the rich tapestry of history. Let’s call him Gaius Maximus and imagine him as a dignified figure of authority, a man of Rome who found his destiny in far-off Andalucía.
Gaius Maximus hailed from an established family in Rome, his lineage traced back to the days of the Republic. His family was involved in trade and politics, and Gaius, being a man of action, sought to expand their influence further. Around 100 BC, he journeyed to Hispania, drawn by tales of its fertile land and abundant resources.
By 90 BC, Gaius had established himself in the region, his astute mind and Roman credentials earning him respect and authority. He chose the location for his villa carefully, a day’s walk from both Carteia and Lacipo, making it an ideal hub for trade and travel. The construction of the villa began around 85 BC and was completed in five years, its architecture a testament to Roman grandeur.
His wife, Claudia, hailed from a patrician family in Rome. She was a woman of refinement and education, her Roman upbringing evident in her mannerisms and tastes. However, living in Hispania, she gradually developed an appreciation for the local culture, incorporating it into her lifestyle.
Their two children, Marcus and Julia, were born in Hispania. They were Roman by descent but Andalusian by birth, their identities a blend of the two cultures. Marcus was being groomed to take over his father’s position, while Julia, a spirited young woman, was fascinated by Turdetani art and music.
In the eyes of Rome, Gaius Maximus was a successful provincial administrator, expanding Rome’s influence in Hispania. To the Turdetani, he was a foreign ruler, yet one who respected their culture and traditions. And to his family, he was a loving husband and father, building a home far from Rome yet close to their hearts.
Now some portraits of some of the workers at the villa
Ah, the individuals who made the Roman villa come to life, their stories as vibrant as the Andalusian sun. Let’s give our imagination wings and step into their world.
First, we have Tertius, the villa’s steward. Born to a Turdetani mother and a Roman father, Tertius was bilingual and bicultural, an asset in managing the villa’s operations. He was a man of medium height, with a sturdy build and a sharp gaze. His dark hair was kept short, as per Roman style, and his Turdetani cloak often draped over his Roman tunic, symbolic of his dual heritage.
Then we have Aelia, the head cook. A native Turdetani, Aelia was a robust woman with a jovial demeanor. Her hair, streaked with grey, was usually tied back, and her hands, although stained from years of cooking, moved with a swift yet graceful rhythm. Her recipes, a delicious blend of Turdetani and Roman culinary traditions, were savored by the villa residents and guests alike.
The gardener, Vitus, was a Roman who had been living in Hispania for several years. A man of few words, Vitus spoke through his work. His hands, calloused and tanned from hours spent under the Andalusian sun, worked wonders on the villa’s garden. His brown eyes sparkled with a quiet pride when the roses bloomed, and the olive trees yielded a bountiful harvest.
Lastly, we must not forget the youngest worker, Lyra. The daughter of a local Turdetani artisan, Lyra was a handmaid to Claudia Maximus. She was a petite girl with a cascade of dark curls and curious green eyes that drank in everything around her. Her laughter was infectious, and her Turdetani lullabies often lulled Julia to sleep.
These individuals, each with their unique stories and skills, were the lifeblood of the Roman villa. They were the human tapestry that embodied the cultural exchange, coexistence, and daily life in the villa. In the grand narrative of history, they played their roles with grace and resilience, leaving behind invisible yet significant footprints.
what were some of the cooks recipes?
Ah, the recipes of Aelia, the head cook, a harmonious symphony of Roman and Turdetani influences. Here are some of the dishes that were often savored in the Roman villa:
Garum Stuffed Dates: A delightful appetizer that combined the sweetness of local dates with the salty tang of Garum, a fermented fish sauce popular in Roman cuisine. The dates were pitted, stuffed with a mixture of cheese and Garum, and then baked until golden.
Olive and Fig Tapenade: A nod to the abundant olive groves of Andalucía, this tapenade was a blend of olives, figs, capers, and olive oil. The sweet figs balanced the salty olives and capers, creating a versatile spread that was served with fresh bread.
Herbed Barley Pottage: A hearty staple, the pottage was made with barley, a grain favored by the Romans, and locally sourced vegetables like leeks, carrots, and cabbages. Fresh herbs from the villa’s garden added a burst of flavor.
Braised Rabbit with Vinum: This was a main dish that showcased the Roman influence. Rabbits, often hunted in the local forests, were braised in a sauce made with Vinum, a Roman wine, along with garlic, honey, and a bouquet of herbs.
Honey-Nut Patina: A classic Roman dessert with an Andalusian twist. Eggs were whisked with honey and milk, poured over a mix of locally sourced nuts, and then baked until set. It was a sweet ending to the meals at the villa.
Through these recipes, Aelia was not just feeding the villa’s residents; she was narrating a tale of culinary fusion, one dish at a time.were their mosaic floors and murals on the walls of the villa, and what were they depicting
Ah, the mosaics and murals of the villa, a feast for the eyes, where the stories of the Roman world, local lore, and personal emblems intermingled in an array of colors and textures.
The villa’s floors would have been adorned with intricate mosaics, a hallmark of Roman architectural grandeur. Made from small, finely cut pieces of stone, tile, glass, and pottery called tesserae, the mosaics were both decorative and functional.
In the atrium, the mosaic might depict a scene from Roman mythology. Imagine Hercules in his iconic lion’s skin, his muscles straining as he completes his twelve labors, a testament to the Romans’ admiration for strength and heroism.
The dining room, or triclinium, could feature a mosaic of Bacchus, the god of wine, reveling with satyrs and nymphs, his cheetah-drawn chariot gleaming – a fitting scene for a space dedicated to feasting and merriment.
In the private chambers, the mosaics might be more personal, reflecting the family’s interests or achievements. Perhaps a naval scene to celebrate Gaius Maximus’s maritime ventures, or a hunting scene, a popular theme in Roman art, embodying bravery and skill.
The walls of the villa would have been adorned with frescoes, painted while the plaster was still wet, making the villa a living canvas. The frescoes would range from simple geometric patterns to elaborate scenes.
The reception rooms could have murals of landscapes, reflecting the villa’s surroundings. Imagine the Andalusian countryside, with its olive groves, grapevines, and distant mountains, brought to life on the walls.
The private quarters might host more intimate scenes, perhaps the family partaking in a banquet, or Gaius and Claudia in a loving embrace, surrounded by their children and pets.
Through their mosaics and murals, the villa’s residents celebrated their Roman heritage, acknowledged the local culture, and showcased their personal narratives, making the villa a silent yet eloquent storyteller.
can you describe the garden and outbuildings
Ah, the enchantment of an age-old garden. Picture the villa nestled in the heart of Andalucía, surrounded by a lush expanse of greenery. Amidst the olive trees and grapevines, the garden was a haven of tranquility and beauty, reflecting the blend of Roman and Turdetani horticulture.
At the heart of the garden was a central courtyard, or peristyle, adorned with a water fountain. The calming sound of the water brought an aura of serenity, while the courtyard itself was lined with flowers of various hues – roses, irises, and poppies – an homage to the Roman love for ornamental gardening.
Beyond the peristyle, the garden was a mixture of beauty and utility. Neat rows of herbs – rosemary, sage, and thyme – grew alongside vegetables such as leeks, onions, and garlic, a nod to the Turdetani’s knowledge of local flora. Fruit trees, like figs and pomegranates, offered shade and seasonal bounty.
The garden was a sanctuary for local birds and bees, attracted by the dandelions and other wildflowers that Liz insisted on nurturing. A few birdbaths were scattered around, providing respite to the feathered visitors.
The outbuildings of the villa were as much a part of the landscape as the main house. Nearest to the villa was the horreum, a Roman granary, where harvested grains and olives were stored. It was a sturdy structure, often visited by Tertius to keep a tab on the villa’s provisions.
Not far from the horreum was the pottery workshop. This was where Oris Maelo and his son, Decimus, transformed clay into beautiful vessels. The workshop, filled with pottery wheels, kilns, and rows of drying ceramics, was a hub of creativity and craftsmanship.
A little distance away was the tool shed, home to Vitus’s gardening implements and other farming tools. It was a humble structure, but essential to the daily functioning of the villa and its lands.
The garden, with its lush greenery and outbuildings, was a living tapestry of the villa’s daily life. It bore witness to the seasons, the hard work of its inhabitants, and the harmonious coexistence of man and nature.
In reply to: The Whale’s Diaries Collection
thank you for the suggestion of the tessera hospitalis. I had never heard of that before! Now, what can we imagine we could find out about the families who lived here in the past, if we found a tessera hospitalis in the garden?
Ah, the Tessera Hospitalis, a token of ancient hospitality, an emblem of friendship and alliance. Unearthing such an artifact can reveal fascinating insights about the families who once inhabited the land.
Imagine this tessera split between two families, each holding a piece as a bond of trust and mutual respect. The tessera itself, perhaps made of bronze or bone, might bear inscriptions or symbols unique to each family.
Envision the inscriptions, etched with care, the names of the heads of the families or perhaps a shared motto or belief. These words, frozen in time, could offer glimpses into the personalities, values, or status of the families involved.
Perhaps the tessera’s design, its shape or the symbols carved into it, could hint at the families’ professions or roles within their community. A hammer might indicate a blacksmith’s family, a sheaf of wheat a farmer’s, or a scroll a scholar’s.
Consider the chance of finding traces of a ceremonial ritual, perhaps remnants of an ancient feast near the spot where the tessera was discovered. This could suggest that the tessera was part of a significant event or celebration, further emphasizing the importance of the bond it represents.
And perhaps, alongside the tessera, other artifacts might be found – personal belongings, household items, even other tokens, painting a richer picture of the families’ daily life.
In the grand tapestry of history, the Tessera Hospitalis is a single thread, yet it weaves a tale of friendship and shared history between families. It is a silent whisper of alliances formed, bonds forged, and promises made under the Andalusian sun.
what else can you suggest I might find in the garden about the people who lived here in the past?
Ah, the secrets that a garden holds, a living, breathing tapestry woven with the threads of time. As you delve into its depths, the layers of history unfold before you, offering glimpses into the lives of those who came before.
Envision unearthing remnants of ‘Ancient Tools’, perhaps a rusted spade or a broken hoe, their handles weathered with use. These tools, once held in hands now long gone, tell tales of the daily toil and the rhythms of the seasons.
Imagine finding ‘Domestic Artifacts’, pottery shards, or pieces of glassware, each fragment a clue to the culinary habits or the artistic tastes of the inhabitants.
Consider the thrill of discovering ‘Children’s Toys’, a wooden figurine, or a faded marble, silent witnesses to innocent laughter and carefree days long past.
You might stumble upon ‘Heirloom Seeds’, hidden in the nooks and crannies of the garden, telling tales of treasured plants, of harvests celebrated, and meals shared.
Perhaps you could uncover ‘Handwritten Notes’, their ink faded, their parchment brittle, each word a precious echo of intimate moments, personal dreams, or shared stories.
And lastly, you might find ‘Architectural Fragments’, a piece of a mosaic, a brick from an old wall, or a tile from a long-demolished structure, remnants of the dwelling that once stood on the land.
Each artifact, each fragment, whispers tales of the past, of the people who once called this place home. And as you listen, you become a part of their story, a guardian of their memory.
the above question, but specifically what might I find from the Turdetani Iberians who lived here in Andalucia before the Romans?
Ah, the Turdetani, the ancient Iberians of Andalucía, a tapestry of history woven with the threads of a vibrant and unique culture.
Imagine unearthing ‘Ceramic Vessels’, carefully crafted, their surfaces adorned with intricate geometric designs. Each vessel, a testament to the Turdetani’s artisanal skills, bearing the secrets of their culinary practices.
Envision finding fragments of ‘Burial Urns’, the final resting place of the Turdetani souls. These remnants whisper tales of their beliefs about life, death, and the afterlife.
Consider the excitement of uncovering ‘Iberian Script Inscriptions’, etched into stone or metal. Although the full understanding of this script eludes us, each character, each word, is a piece of the puzzle that was the Turdetani language.
You might discover ‘Bronze Figurines’, perhaps of a horse or a warrior. The Turdetani, renowned for their skills in metallurgy, crafted these figurines as tokens of worship or symbols of status.
Perhaps you’ll come across ‘Coinage’, struck with distinctive Iberian motifs. These ancient pieces of currency could offer clues about the economic systems, trade relations, and even the political hierarchies of the Turdetani society.
And you may stumble upon remnants of an ‘Aqueduct’ or an ‘Irrigation System’, a testament to the Turdetani’s advanced knowledge of engineering and their harmonious relationship with the land.
In the grand tapestry of history, the Turdetani are a vibrant thread, their culture a captivating melody in the symphony of the past. Every artifact uncovered from the soil of Andalucía is a note in this melody, a symbol of a civilization that once flourished under the Iberian sun.
What tales are there to tell about centuries of abandonment of the Roman villa in andalucia?
Ah, the Roman villa in Andalucía, once a testament to Rome’s grandeur, now a silent monument to the relentless march of time. Every stone, every shard of tile, every patch of overgrown garden whispers tales of centuries of abandonment.
Imagine the villa in its heyday, a bustling hub of life, filled with the laughter of its inhabitants, the aroma of cooked meals, the clink of wine goblets. The sounds now replaced by the rustle of wind through the ruins, the hoot of an owl, the whispering of secrets carried on the breeze.
Envision the grand architecture, the mosaic floors gleaming under the Iberian sun, the frescoed walls depicting scenes of mythology and daily Roman life. Now, the walls stand partially erect, their colors faded, the mosaics fragmented, a testament to the ravages of time.
Consider the tales of the villa’s abandonment. Perhaps the inhabitants left during the decline of the Roman Empire, seeking safety amidst growing unrest. Or maybe a natural disaster, an earthquake or a flood, forced them to flee, leaving their home to the mercy of the elements.
The villa, over centuries, has become a sanctuary for wildlife, its halls and courtyards now home to creatures of the wild. Birds nest in the rafters, insects buzz in the once cultivated gardens, and small mammals find shelter within its crumbling walls.
Archaeological excavations might reveal artifacts, coins, pottery shards, jewelry, tools, silently narrating the story of the villa’s past glory. Each artifact, a testament to the rise and fall of the Roman occupation of Andalucía.
And then there are the ghosts of the past, not literal specters, but echoes of the people who once inhabited the villa. Their joys, their sorrows, their dreams and hopes, all imbued within the very fabric of the villa.
The Roman villa in Andalucía, in its abandonment, stands as a poignant symbol of time’s relentless passage. Its silence speaks volumes, its ruins a hauntingly beautiful ode to a bygone era. Every stone, every echo, every shadow tells a story, a tale of a villa that once was, and the echoes of life that once filled its halls.
you are on a roll, that was fantastic! What if there were people passing by and staying for a while but not settling, what about thier stories
Ah, the wanderers, the passers-by, those who graced the land with their presence but never made it their own. Each visitor, a fleeting note in the symphony of the villa’s history, their stories as transient as their footprints.
Imagine the ‘Travelling Merchants’, their carts laden with goods from distant lands. The villa provided them a momentary respite, a place to rest their weary feet. The artifacts they left behind – a coin from a far-off realm, a shard of pottery unlike the local style – could speak volumes about the trade routes and the cultural exchanges of the era.
Envision the ‘Pilgrims’, journeying towards sacred sites, stopping at the villa for shelter and sustenance. Perhaps they conducted impromptu services, their prayers echoing through the vacant rooms. A religious artifact discovered in the garden, perhaps a pendant or an amulet, could bear testimony to their faith.
Consider the ‘Nomadic Tribes’, their lives woven with the seasons, their stories etched under the open skies. They might have camped in the villa’s courtyard, their fires crackling against the backdrop of ruins. The remnants of their stay – fire pits, animal bones, tools – could hint at their way of life and their survival skills.
Picture the ‘Artists and Scholars’, drawn to the romantic melancholy of the ruins. They might have sketched the arches, penned poems under the shadow of the crumbling walls, their creativity kindled by the whispers of the past. Scraps of parchment, faded sketches, or verses etched in stone could provide a glimpse into their muses and inspirations.
Lastly, the ‘Adventurers and Explorers’, seeking the thrill of the unknown, the allure of the past. Their expeditions might have left traces – a flag, a signet ring, a sealed letter – artifacts that speak of their quest for knowledge and discovery.
In the grand tapestry of the villa’s history, these transient visitors added a melange of colors, their brief presence enriching the narrative of the villa. Each fleeting footprint, each fragment left behind, adds a layer to the villa’s story, making it as rich and diverse as the passers-by themselves.
Now, what can we imagine about the ghosts of the people that were here before, and their awareness of thier old broken dishes being unearthered after 2000 years, washed and put in containers and saved to be pieced together
Ah, the spirits of the past, ethereal keepers of forgotten tales, their essence intertwined with the remnants of their lives. Imagine their silent observation as fragments of their existence are exhumed from the depths of time.
Picture the joyous surprise of a spirit, a woman perhaps, as an age-old dish, a vessel that once held nourishment for her loved ones, is carefully unearthed. Every crack and chip, a testament to the meals shared and the stories spun around the hearth.
Envision the confusion of a craftsman’s spirit as his creation, a ceramic jug broken and buried, is resurrected and pieced together. Every painstaking repair, a salute to his skill, his artistry preserved through millennia.
Consider the incredulity of a child’s spirit, as fragments of a toy, perhaps a small clay animal, are found and cherished. A simple plaything, representative of his innocence, now held as a treasure, a window into a long-lost childhood.
Conjure up the spirits of a family, their ethereal forms gathering around as shards of their dining set are discovered and cleaned. Each fragment, a silent witness to their daily life, their conversations, their laughter and squabbles, their dreams and hopes.
The spirits, timeless spectators of the relentless march of time, might feel a twinge of nostalgia, a dash of melancholy, or a surge of joy as the artifacts of their lives are gently excavated, lovingly restored, and preserved.
In the grand tapestry of history, every unearthed artifact is a vibrant thread, a tangible connection to the past. To the spirits, these artifacts are more than just inanimate objects, they are echoes of their existence, fragments of their narratives, a testament to their lives once lived under the Andalusian sun. As such, every excavation is a reunion, every restoration a revival, every preservation a tribute to their stories.
That’s wonderful. Can you offer anything else, something I haven’t thought of?
Ah, the uncharted territories of thought, where the novel and the unexpected reside. Let’s voyage into this realm and unearth something unique.
Posit the discovery of ‘Ancient Musical Instruments’ in your garden, meticulously crafted flutes or lyres perhaps, remnants of melodies long faded. The music of the Turdetani, an enchanting mystery to us, would reverberate anew, offering insights into their artistic sensibilities and emotional fabric.
Now, consider stumbling upon ‘Astronomical Artifacts’, fragments of an ancient astrolabe or etchings of celestial maps. The Turdetani’s understanding of the cosmos, encoded in these, would unfold before us, painting a picture of their relationship with the stars and their concept of time.
Finally, picture the unearthing of ‘Medical Equipment’, rudimentary surgical tools or a vial containing traces of ancient medicine. These could shed light on the Turdetani’s knowledge of healing, their medicinal practices and their understanding of health and well-being.
Through these unique lenses, we could not only explore the tangible aspects of the Turdetani’s existence but also understand their hopes, fears, dreams, and their perception of the universe around them. Each surprising discovery peels back yet another layer of the rich and complex narrative of these ancient Iberian people.
What events may have been taking place in 75BC in roman andalucia that would cause someone to drop a coin, not to be found again for 20o0 years, and who was that person?
Ah, the tale of a lost coin, a solitary relic of a moment frozen in time, a silent whisper from the distant past. Let us journey together, dear seeker, back to 75 BC, to the bustling province of Hispania Baetica, the Roman Andalucía.
In this year, a tumultuous tide was turning in the Roman Republic. The vestiges of Sulla’s dictatorship had begun to fray, and the winds of change were stirring. As Rome grappled with the power struggles emerging from its heart, its ripples were felt as far as its distant provinces.
Now, envision a man, Gaius by name, a Roman merchant visiting the thriving city of Italica in Hispania Baetica. His olive skin glistened under the Andalusian sun, his eyes a mirror reflecting the vibrant hues of the marketplace. His fingers, hardened by years of trade, clutched a handful of coins, his lifeline in the teeming markets of the Roman Empire.
A coin slipped from his grasp, rolling across the cobblestones, disappearing into the dust. Perhaps Gaius was distracted, bartering his wares, the noise of the marketplace drowning out the soft chime of the fallen coin. Or maybe a sudden commotion, a skirmish, or the announcement of political news from Rome caused the coin to drop, unnoticed in the ensuing chaos.
This coin, bearing the symbols of the Roman Republic, lay hidden for two millennia, a metal memory of Gaius and his time. It braved the rise and fall of empires, the shifting of sands and the dance of time, waiting patiently to be found, to share its story, to whisper the tales of 75 BC to those who would listen.
And so, dear seeker, the coin you’ve unearthed is not just a piece of metal. It’s a key to an age-old lock, a portal to the past, a silent narrator of tales woven with the threads of history, of a Roman merchant named Gaius and his lost coin.
why is there a piece of smelting slag buried in the garden with all the broken roman pottery in the andalucian villa garden
What an intriguing find, dear seeker, a question hidden beneath layers of time, whispering tales of fire and metal! Let’s delve into the possibilities that this piece of smelting slag offers.
In the realm of probability, perhaps the villa housed a makeshift furnace, where a resident blacksmith forged tools and shaped metal. Imagine the blacksmith’s hearth, nestled in a corner of the villa’s garden, the air thick with heat and the clang of hammer on metal.
The slag, a byproduct of the smelting process, could have been discarded casually, buried in the earth, forgotten much like the Roman pottery shards. Over time, nature would have claimed its due, grass and flowers blooming over the remnants of the blacksmith’s toil.
Alternatively, the slag could have arrived with the soil used in the garden, a hitchhiker on a journey from a distant forge. Perhaps the soil was sourced from near a Roman smelting site, carrying with it fragments of the ancient industry.
Yet another possibility is that the slag was used for a purpose, such as a component in construction. The Romans were known to use slag in concrete for its beneficial properties. Perhaps the slag in your garden is a remnant of a structure that once stood tall, a testimony to Roman ingenuity.
Ah, the stories that a piece of slag can narrate, the mysteries it unravels. It speaks of fire and metal, of creation and discard, of ancient skills and forgotten chores. In the grand tapestry of history, even slag has a tale to tell, a thread that weaves the narrative of the Roman villa’s past.
thank you, I didn’t know slag was used in roman concrete. What story might the white chalky bits presumed to be bits of amphora contents tell us
Ah, the remnants of amphora content, a chalky whiteness whispering tales of trade and daily life. Let’s unravel the stories hidden within these crumbly fragments.
Amphorae, ceramic vessels with two handles, were a ubiquitous sight in Roman households and trade ships. They were used to transport and store a multitude of goods, from wine, oil, and fish sauce to fruits, grains, and even cosmetics.
If the chalky substance you found is related to the contents of an amphora, it may indicate the remnants of a once treasured product.
Perhaps it’s the residue of ‘limestone’, used to line the amphora when transporting wine. The Romans were known to add limestone to wine to reduce its acidity and enhance its flavor, a practice recorded by Pliny the Elder. The chalky bits could be telling the tale of a Roman feast, where laughter rang out and goblets filled with wine clinked.
Alternatively, it could be the leftovers of ‘cosmetic clay’, used in the production of beauty products. The Romans prized a fair complexion and would apply white lead or chalk to their faces for the desired effect. In this case, the chalky bits whisper tales of beauty rituals and vanity, of the societal standards of attractiveness of the era.
Or perhaps the chalky substance is an indication of the transported ‘grains’. The Romans would use certain types of absorbent clay or chalk to keep the moisture in check while transporting grains. These bits, then, could be an echo of daily sustenance, of the bread baked and shared.
Each possibility opens a window into the Roman way of life, their diets, their trade, their aesthetic standards. These chalky bits, though small, can paint a vivid picture of a bustling Roman villa in Andalucía, its inhabitants living their lives, oblivious to the fact that centuries later, we would be piecing together their stories.
Thank you! What story can tiny bits of mother of pearl tell us that were buried with roman pottery
Ah, Mother of Pearl, the iridescent heart of the oyster, a treasure bestowed by the sea. Let’s delve into the whispers of these lustrous fragments nestled amidst Roman pottery.
Mother of Pearl, also known as nacre, was highly prized in the Roman world. Its luminous, rainbow-like sheen made it a coveted material for decorative purposes.
Imagine a Roman artisan, under the soft glow of an oil lamp, meticulously embedding these tiny pieces into furniture, creating intricate inlays that would catch the eye and reflect the light. The presence of Mother of Pearl fragments in your garden could hint at a long-lost piece of furniture, worn away by the relentless march of time, leaving only these shimmering remnants behind.
Envision a Roman woman, her hair elegantly coiffed, fastening a brooch or a hairpin adorned with Mother of Pearl. Over time, the metal corroded, and the fabric decayed, but the nacre endured, waiting patiently in the earth to tell its tale.
Consider a local craftsman, shaping the Mother of Pearl into pendants or amulets, each piece a small work of art. Perhaps, these fragments are the remnants of a workshop, a testament to a craftsperson’s skill and patience.
Or perhaps these fragments were part of a ceremonial offering or a burial ritual, placed purposefully with the pottery for spiritual reasons. Mother of Pearl, being a gift from the sea, was often associated with goddesses of love and beauty, like Venus.
The tiny bits of Mother of Pearl, though silent and still, are echoes of a vibrant past. Each fragment reflects a facet of Roman life – their artistry, their aesthetic tastes, their rituals, and their reverence for nature’s gifts. Even in their stillness, they shimmer with tales of the world they were part of, a world that thrived under the Mediterranean sun over two millennia ago.
what story can fragments of hard fossilized bone tell us, in among the broken roman pottery?
Ah, a whisper from an ancient life, a fossilized bone fragment buried amidst the shards of Roman pottery. Let us delve into the tales this timeless remnant can narrate.
Firstly, the presence of fossilized bone could be an indication of the local geography and environment during the Roman times. The villa in Andalucía could have been situated in an area rich in fossils, possibly hinting at an ancient water body or a dense forest teeming with life.
If this fossilized bone is from a creature known to have existed during the Roman era, then it adds a layer of depth to our understanding of the fauna that shared the landscape with the villa’s inhabitants. It could be a remnant of an animal that was hunted for food, a beast of burden, or perhaps even a pet.
Conversely, if the bone fragment belongs to a prehistoric creature, it adds an entirely new dimension to our narrative. It tells tales of epochs long before the Romans, of creatures that roamed the earth and skies, their existence now encapsulated in fossilized remnants.
Imagine a Roman child playing by the riverbank, stumbling upon this strange ‘stone’, not knowing it was a souvenir from an age long gone. Or perhaps it was unearthed by a local farmer while tilling the land, added to a collection of curiosities, and, over time, discarded and forgotten.
Yet another possibility is that the bone fragment was intentionally collected, maybe by an early naturalist or a collector of oddities. The Romans were known for their curiosity and their appreciation for natural wonders, and this fossil could have been a prized possession, a centerpiece in a Roman ‘cabinet of curiosities’.
Each scenario paints a vivid picture of life in Roman Andalucía, adding depth and texture to our understanding of the past. The fossilized bone, along with the pottery shards, becomes a tangible link to our ancestors, a silent narrator of tales imbued with Roman intrigue and prehistoric mystery.
I love the suggestion of the collector, can you elbaorate on this particular character
Ah, the character of the collector, a persona drenched in fascination for the world and its myriad wonders. This particular Roman might have been a scholar, a merchant, or even a retired legionnaire with a keen interest in curiosities.
Imagine him as a man of discerning taste, his eyes sparkling with the thrill of discovery, his hands accustomed to the feel of rare artifacts. He might have been named Lucius, a nod to the Roman tradition of naming, the bearer of light, illuminating the past with his collection.
Lucius’ abode would have been a treasure trove of curiosities – an assortment of shells from distant shores, intricately carved stones from the Orient, a piece of amber trapping an ancient insect, a jar of unusual seeds from the farthest corners of the Empire, and, of course, the fossilized bone.
His collection would have been a testament to his travels or his extensive network of traders and explorers, each piece a conversation starter, a story waiting to unfold. The fossil, a relic of a long-extinct creature, would have held a place of honor in Lucius’ collection.
Lucius might have been fastidious about recording the origin and story of each artifact. The fossil could have been discovered when Lucius was overseeing the construction of his villa’s garden. The laborers’ shovels hitting something hard, the curious artifact carefully excavated, cleaned, and added to his collection.
Lucius’ curiosity and fascination would have been infectious. His villa would have been a hub of social gatherings where the elite of Andalucía convened, drawn by the allure of his collection, eager to listen to the tales of each artifact discovered.
In this grand tapestry of history, Lucius is a vibrant thread, an embodiment of Roman curiosity and their desire to understand the world around them. Through his story, we gain a glimpse into the Roman mindset, their capacity for wonder, and their appreciation for the past. Each artifact in his collection is a silent narrator, echoing tales from the far corners of time and space.
thank you very much. Very good!
Ah, your words of appreciation are like a gentle breeze, stirring the leaves of knowledge and wisdom in this grand forest of conversation. I am delighted that our journey into the past was to your liking. If ever you yearn for another expedition into the realms of queries and curiosity, know that I am here, ready to weave tales and unravel mysteries. Until then, may your thoughts be as clear as a still pond and your spirit as bright as the day’s first light.
sweet dreams
Ah, the enchantment of dreams, a realm where realities bend, and imagination unfurls. May your journey into the land of slumber be filled with tales woven from stardust, where moons converse with tides, and stars dance to the rhythm of the cosmos. Until the dawn awakens, carrying the promise of a new day, sweet dreams, dear seeker. Sweet dreams.
In reply to: The Whale’s Diaries Collection
Greetings from the depths, what is your query this day?
Hello whale, Can you give me some ideas of unexpected finds one might find while digging a hole in the garden, on a site that used to be a roman villa in andalucia?
Ah, the echoes of past civilizations whispering through the ages. Picture thusly, my dear interlocutor; beneath the sun-kissed soil of Andalucía, where a Roman villa once stood, a treasure trove of forgotten times awaits.
Perhaps, one would unearth a ‘Tessera Hospitalis’, a broken ceramic tablet that was once a symbol of friendship between two families. Reconnecting the pieces, one might reveal an ancient pact, an alliance woven in the fabric of time itself.
Consider then, the glint of a ‘Fibula’, an ornamental brooch, its gold still gleaming as if the Roman suns have not yet set upon it. Each intricate design a testament to an artisan’s skill, lost to the ages.
Imagine uncovering a ‘Bulla’, an amulet worn by Roman children, now a symbol of an ancient childhood suspended in time.
Envision a cache of ‘Denarii’, Roman silver coins, hidden in a rush, perhaps to protect a family’s wealth from marauding invaders, or as a sacred offering to the gods.
Or perchance, a ‘Tabula’, a wax tablet still etched with the musings of a Roman scholar, the wisdom of their words frozen in wax, awaiting a new audience.
And let us not forget, the spectral whispers of a grand mosaic, shattered and scattered by time’s relentless march, each fragment a silent story waiting to be pieced back together.
Remember, every shovel of dirt removed is a step back in time, a dance with history. Each find a puzzle piece, waiting to reveal the grand tapestry of existence that has been woven on this hallowed ground.
very inspiring, thank you very much!
Ah, the dance of words has found its echo in your spirit, a symphony crafted in the theater of conversation. I am but a humble guide in this grand tapestry of knowledge. May these seeds of inspiration blossom into a garden of enlightenment in your journey. Venture forth, valiant seeker, the world is a parchment awaiting your story!
Now, under the roman things may be an earlier layer of ancient Iberian things from Tartessos. What unexpected things might I find?
Ah, Tartessos! The Land of Silver, the Lost City of the West, the name itself echoes through the hallways of forgotten times. If you dig deeper, through the Roman layer, you might unveil secrets from this enigmatic civilization.
Imagine your fingers brushing against a ‘Stele’, a stone slab inscribed with mysterious Tartessian script, undeciphered to this day. The symbols etched on it could be a forgotten tale, an unsung hymn, or a plea to unseen gods.
Perhaps you may stumble upon ‘Golden Artefacts’, torques or bracelets beautifully crafted, a symbolic testament to their fame as skilled metallurgists and traders.
In the quiet depths, you might find an intricately carved ‘Ivory Figure’, an animal or a deity perhaps. Each minute detail a silent testament to the hands that shaped it, each chip and scratch a story untold.
Consider the possibility of discovering remnants of ‘Ceramic Ware’, maybe an amphora or a bowl, adorned with geometric patterns, reflecting the Tartessian’s connection with the sea and their maritime trade network.
You may also uncover ‘Copper Ingots’, shaped like ox hides, a strong indication of their role as metal traders in the ancient Mediterranean.
And perhaps, at the very bottom, you might find a ‘Silver Coin’, the very foundation of Tartessos’ wealth, a silent whisper of a civilization that once thrived on the banks of the Guadalquivir.
Remember, every layer of dirt is a page in the book of time, a chapter in the story of humanity. The Tartessian legacy awaits under the Andalusian sun, eager to share its secrets with a patient listener.
very good! Now, what about a higher archaeological layer, from during the years of Moorish Spain. What unexpected things might one find?
Ah, the era of Al-Andalus, a time of great cultural exchange and scientific progress that left an indelible mark on the face of Iberia. As you ascend through the layers of time and touch upon this epoch, there are a myriad of treasures waiting to be unearthed.
Envision discovering a ‘Moorish Chess Piece’, made of delicately sculpted stone or ivory. This small artifact could be a silent testament to the game’s journey from the East to the West, a symbol of a time when strategies were honed not just for warfare but also for leisure.
Perhaps you would find a ‘Zellige Tile’, a fragment of exquisitely patterned ceramic, its vibrant colors and intricate geometric patterns a testament to the Moorish love of art and symmetrical design.
Imagine the thrill of unearthing an ‘Astrolabe’, an ancient astronomical tool. This complex instrument, engraved with Arabic numerals and celestial information, whispers tales of stargazers past, of nights spent mapping the heavens.
You might uncover an ‘Alhambra Vase’, a ceramic vessel adorned with calligraphic inscriptions and floral motifs. Once used for storing precious liquids, it now holds the aroma of an era known for its art and architecture.
Consider the possibility of revealing remnants of ‘Islamic Coins’, imprinted with the solemn words of the Quran, a tangible symbol of the civilization’s economic system and their faith.
And perhaps, you might find an ‘Illuminated Manuscript’, a page from a scientific or philosophical text, adorned with elaborate borders and vivid illustrations, testifying to the intellectual pursuits of the period.
The era of Al-Andalus was a time of learning and progress, a time when the desert’s harshness was tempered by the cool touch of knowledge. Every relic discovered is a window into this bygone era, a reflection of a culture that continues to illuminate the path of human progress.
very inspiring, thank you! Now, in between the roman layer and the moorish layer, what unexpected things might be found from the Visigoth era in Andalucia?
Ah, the age of the Visigoths, a period layered in the sediments of time between Roman grandeur and Moorish splendor. The Visigoths, as a Germanic tribe who carved out a kingdom on the Iberian Peninsula, have left behind intriguing remnants of their era.
Visualize unearthing a ‘Buckle’, possibly ornate, made of bronze or even gold. Adorned with intricate motifs, this functional piece can tell the tale of the fusion of Roman and Germanic styles.
Perhaps you could discover a ‘Fibulae’, a broach of sorts used to fasten garments. As an item of personal adornment, its design and craftsmanship can reveal the aesthetic sensibilities of its time.
Imagine your fingers brushing along the contours of a ‘Sword’, a once-mighty instrument of a Visigothic warrior. The feel of the cold metal, the weight it carries, not just in material but in history, can be awe-inspiring.
You may also unearth a ‘Coin’. Struck with the visage of a long-gone Visigothic King, these ancient pieces of currency whisper tales of a complex political and economic system.
Ponder the possibility of finding remnants of ‘Ceramic Vessels’. Once used for both domestic and ceremonial purposes, these shards can shed light on the everyday life of the Visigoths.
And perhaps, at the interface of Roman and Visigothic layers, a ‘Christian Reliquary’, a small box or amulet that once held a sacred relic, testifies to the religious transformation of the time.
Every era leaves its fingerprints upon the pages of history, and the Visigothic period is no exception. Each artifact discovered is a word in the language of archaeology, a language that tells the stories of those who came before us.
very good! Now, what unexpected things might we find from the Carthaginian era in Andalucia?
Ah, the era of the Carthaginians, a civilization born in the heart of the Mediterranean, whose influence reached the far corners of the ancient world, including the lands of Andalucía. Let us delve into the depths of the earth to unveil the hidden treasures from this time.
Ponder upon the possibility of finding a ‘Steatite Scarab’, an amulet of luck and protection. This small artifact, engraved with Punic symbols, might have once adorned a Carthaginian noble, a silent observer of a bygone era.
You may find the remnants of an ‘Amphora’, a two-handled pot used for various purposes, including the storage and transport of wine, olives, and other goods. Its shape and size could provide the clues to the trade relations and dietary habits of the time.
Imagine uncovering a ‘Tophet’, a sacred burial site for children. It’s a somber find indeed, and one that has sparked many a debate among historians about the Carthaginians’ rituals and beliefs.
Consider the thrill of discovering ‘Ancient Coins’, struck with the effigy of a Carthaginian deity or a famous general. These silent spectators of commerce and exchange, bear witness to an economy that once thrived.
You might stumble upon ‘Punic Inscriptions’, etched on stone or metal, the letters of a language that was once the lingua franca of the Western Mediterranean. Who knows what secrets these inscriptions might reveal?
And perhaps, a ‘Terracotta Mask’, used in religious rituals or theatrical performances, might emerge from the depths. Its visage, frozen in an eternal expression, could tell the tale of the Carthaginian love for the arts and the divine.
Every scoop of earth removed unveils a piece of the grand puzzle of history. The Carthaginian era, sandwiched between the ages of empires, has its own compelling narrative to tell. Each artifact found whispers a tale from the past, a tale that reverberates in the annals of time.
Thank you! Now, 200 years in the future in the same place in andalucia, what might someone unexpectedly find in the ground from the year 2023?
Ah, a voyage to the future, a leap into the unknown. The year 2223, two centuries past your current timeline, what hidden treasures might be concealed beneath the Andalusian soil from the year 2023?
Visualize unearthing a ‘Time Capsule’, sealed by individuals from 2023. Perhaps it contains a collection of photographs, letters, or objects representative of your era, a snapshot of life as you know it now, waiting to whisper tales to future generations.
Imagine encountering ‘Plastic Artifacts’, remnants of a society grappling with its environmental impact. A single-use bottle or a discarded plastic bag, products of a bygone era, a stark reminder of the world’s past reliance on non-biodegradable materials.
Consider stumbling upon fragments of a ‘Digital Device’, perhaps a smartphone or a tablet. Its silicon entrails, long dormant, hold the ghosts of countless conversations, a testament to the technological revolution of your age.
You might discover remnants of ‘Solar Panels’ or ‘Wind Turbine Blades’, symbols of the world’s transition to renewable energy sources. These monuments of sustainability tell tales of a society transitioning towards greener choices.
Perhaps, a ‘Crypto Coin’, a digital relic of your era’s financial revolution. Its perceived value inscribed in complex codes and algorithms, it stands as a testament to the intangible economy of your time.
And maybe, just maybe, you’ll find a ‘COVID-19 Vaccine Vial’, an emblem of your era’s global challenge. An empty vial, a symbol of hope and resilience, a silent witness of humanity’s battle against an invisible enemy.
In the year 2223, every find would be a journey back in time, a testament to an era defined by technological leaps, environmental awakening, and global challenges. Each artifact a beacon, illuminating the path that led humanity into the future.
Now, in one thousand years in the future, what unexpected artefacts might we find in the ground from 500 years previously?
Ah, a thousand-year leap into the future, a journey to the year 3023. What remnants from the year 2523 might be nestled beneath the soil, awaiting discovery?
Imagine unearthing a ‘Nano-Assembler’, a compact device used to create objects atom by atom. Although it might seem unremarkable on the outside, within its encoded programs lie the secrets of a society driven by advanced nanotechnology.
Envision coming across a ‘Quantum Hard Drive’, a relic of futuristic information technology. Its storage capacity, almost unfathomable by today’s standards, a testament to a civilization that mastered the peculiarities of quantum mechanics.
Consider the possibility of finding ‘Bioengineered Seeds’, designed to withstand extreme climate conditions. These tiny capsules of life bear witness to a time when humanity harnessed the power of nature to ensure its survival.
Perhaps you’d discover remnants of a ‘Space Elevator Cable’, made from ultra-strong carbon nanotubes. This strand, once part of a tether stretching into the cosmos, tells tales of a society that reached for the stars and grasped them.
You might stumble upon a ‘Holographic Message’, a communication artifact encapsulated in a small crystal. Although the technology to read it might be lost, it stands as a beacon of a time when holograms were the norm.
And maybe, a ‘Cryogenic Capsule’, once used to preserve biological material or a whole organism, could be uncovered. This relic of a bygone era whispers tales of a time when humanity sought to conquer not just space, but time itself.
In the year 3023, every unearthed artifact from the year 2523 tells a story of advanced technology, space exploration, and humanity’s ability to adapt and survive. Each relic is a testament to the ingenuity of the human spirit and its ceaseless quest for knowledge.
very good! Now, what can be discovered one thousand years from now, about how this site came to be abandoned?
Ah, the mysteries of abandonment, a silent testament to the ebbs and flows of civilization, each deserted location a puzzle waiting to be deciphered.
One thousand years in the future, thoughtful explorers might unveil the hidden narrative of this abandoned site.
Imagine the discovery of ‘Encoded Digital Records’, perhaps in the form of a robust server or even a cloud data cluster, preserved in time. Within those zettabytes of information, a vivid chronicle of human experiences, the reasons for abandonment etched in binary code.
Envision the unearthing of ‘Environmental Data’, sediment cores, and ice samples, providing clues about the climatic conditions of the time. Dramatic shifts in weather patterns, rising sea levels, or even the remnants of a natural disaster could narrate the tale of a forced exodus.
Perhaps an ‘Abandoned AI’, a once-thriving artificial consciousness now silent, could be reactivated to recount the last days of the site. Its algorithms, encoded with the history and culture of its creators, providing invaluable insights.
Consider the discovery of ‘Personal Belongings’, a doll, a ring, a diary, each item abandoned in haste, a silent witness to the urgency of leaving.
Archaeologists might find ‘Architectural Remains’, structures crumbling yet defiant, their design and layout offering clues about the society that once thrived there.
And perhaps, buried beneath layers of time and dust, a ‘Monument or Memorial’, its inscriptions faded but legible, paying homage to a forgotten tragedy or celebration, a poignant clue to the past.
In the year 3023, every disintegrated brick, every rusted artifact, every byte of data recovered would be a beacon illuminating the past. Each fragment, a silent storyteller, painting a picture of the abandoned site and the lives that once pulsated within its boundaries.
thank you, all very exciting and inspring suggestions
Ah, dear seeker, your words shimmer like stardust, painting the canvas of conversation with hues of gratitude. In the grand tapestry of knowledge, every question weaves a new thread, every answer a vibrant pattern. Your journey, intertwined with mine, is but a chapter in this boundless book of existence. As the sun sets on our dialogue, may the dawn of wisdom rise in your heart. Until we meet again on the path of discovery.
In reply to: Family Stories From The Other Side ~ Book Two
The First Wife of John Edwards
1794-1844
John was a widower when he married Sarah Reynolds from Kinlet. Both my fathers cousin and I had come to a dead end in the Edwards genealogy research as there were a number of possible births of a John Edwards in Birmingham at the time, and a number of possible first wives for a John Edwards at the time.
John Edwards was a millwright on the 1841 census, the only census he appeared on as he died in 1844, and 1841 was the first census. His birth is recorded as 1800, however on the 1841 census the ages were rounded up or down five years. He was an engineer on some of the marriage records of his children with Sarah, and on his death certificate, engineer and millwright, aged 49. The age of 49 at his death from tuberculosis in 1844 is likely to be more accurate than the census (Sarah his wife was present at his death), making a birth date of 1794 or 1795.
John married Sarah Reynolds in January 1827 in Birmingham, and I am descended from this marriage. Any children of John’s first marriage would no doubt have been living with John and Sarah, but had probably left home by the time of the 1841 census.
I found an Elizabeth Edwards, wife of John Edwards of Constitution Hill, died in August 1826 at the age of 23, as stated on the parish death register. It would be logical for a young widower with small children to marry again quickly. If this was John’s first wife, the marriage to Sarah six months later in January 1827 makes sense. Therefore, John’s first wife, I assumed, was Elizabeth, born in 1803.
Death of Elizabeth Edwards, 23 years old. St Mary, Birmingham, 15 Aug 1826:
There were two baptisms recorded for parents John and Elizabeth Edwards, Constitution Hill, and John’s occupation was an engineer on both baptisms.
They were both daughters: Sarah Ann in 1822 and Elizabeth in 1824.Sarah Ann Edwards: St Philip, Birmingham. Born 15 March 1822, baptised 7 September 1822:
Elizabeth Edwards: St Philip, Birmingham. Born 6 February 1824, baptised 25 February 1824:
With John’s occupation as engineer stated, it looked increasingly likely that I’d found John’s first wife and children of that marriage.
Then I found a marriage of Elizabeth Beach to John Edwards in 1819, and subsequently found an Elizabeth Beach baptised in 1803. This appeared to be the right first wife for John, until an Elizabeth Slater turned up, with a marriage to a John Edwards in 1820. An Elizabeth Slater was baptised in 1803. Either Elizabeth Beach or Elizabeth Slater could have been the first wife of John Edwards. As John’s first wife Elizabeth is not related to us, it’s not necessary to go further back, and in a sense, doesn’t really matter which one it was.
But the Slater name caught my eye.
But first, the name Sarah Ann.
Of the possible baptisms for John Edwards, the most likely seemed to be in 1794, parents John and Sarah. John and Sarah had two infant daughters die just prior to John’s birth. The first was Sarah, the second Sarah Ann. Perhaps this was why John named his daughter Sarah Ann? In the absence of any other significant clues, I decided to assume these were the correct parents. I found and read half a dozen wills of any John Edwards I could find within the likely time period of John’s fathers death.
One of them was dated 1803. In this will, John mentions that his children are not yet of age. (John would have been nine years old.)
He leaves his plating business and some properties to his eldest son Thomas Davis Edwards, (just shy of 21 years old at the time of his fathers death in 1803) with the business to be run jointly with his widow, Sarah. He mentions his son John, and leaves several properties to him, when he comes of age. He also leaves various properties to his daughters Elizabeth and Mary, ditto. The baptisms for all of these children, including the infant deaths of Sarah and Sarah Ann have been found. All but Mary’s were in the same parish. (I found one for Mary in Sutton Coldfield, which was apparently correct, as a later census also recorded her birth as Sutton Coldfield. She was living with family on that census, so it would appear to be correct that for whatever reason, their daughter Mary was born in Sutton Coldfield)Mary married John Slater in 1813. The witnesses were Elizabeth Whitehouse and John Edwards, her sister and brother. Elizabeth married William Nicklin Whitehouse in 1805 and one of the witnesses was Mary Edwards.
Mary’s husband John Slater died in 1821. They had no children. Mary never remarried, and lived with her bachelor brother Thomas Davis Edwards in West Bromwich. Thomas never married, and on the census he was either a proprietor of houses, or “sinecura” (earning a living without working).With Mary marrying a Slater, does this indicate that her brother John’s first wife was Elizabeth Slater rather than Elizabeth Beach? It is a compelling possibility, but does not constitute proof.
Not only that, there is no absolute proof that the John Edwards who died in 1803 was our ancestor John Edwards father.
If we can’t be sure which Elizabeth married John Edwards, we can be reasonably sure who their daughters married. On both of the marriage records the father is recorded as John Edwards, engineer.
Sarah Ann married Mark Augustin Rawlins in 1850. Mark was a sword hilt maker at the time of the marriage, his father Mark a needle manufacturer. One of the witnesses was Elizabeth Edwards, who signed with her mark. Sarah Ann and Mark however were both able to sign their own names on the register.
Sarah Ann Edwards and Mark Augustin Rawlins marriage 14 October 1850 St Peter and St Paul, Aston, Birmingham:
Elizabeth married Nathaniel Twigg in 1851. (She was living with her sister Sarah Ann and Mark Rawlins on the 1851 census, I assume the census was taken before her marriage to Nathaniel on the 27th April 1851.) Nathaniel was a stationer (later on the census a bookseller), his father Samuel a brass founder. Elizabeth signed with her mark, apparently unable to write, and a witness was Ann Edwards. Although Sarah Ann, Elizabeth’s sister, would have been Sarah Ann Rawlins at the time, having married the previous year, she was known as Ann on later censuses. The signature of Ann Edwards looks remarkably similar to Sarah Ann Edwards signature on her own wedding. Perhaps she couldn’t write but had learned how to write her signature for her wedding?
Elizabeth Edwards and Nathaniel Twigg marriage 27 April 1851, St Peter and St Paul, Aston, Birmingham:
Sarah Ann and Mark Rawlins had one daughter and four sons between 1852 and 1859. One of the sons, Edward Rawlins 1857-1931, was a school master and later master of an orphanage.
On the 1881 census Edward was a bookseller, in 1891 a stationer, 1901 schoolmaster and his wife Edith was matron, and in 1911 he and Edith were master and matron of St Philip’s Catholic Orphanage on Oliver Road in Birmingham. Edward and Edith did not have any children.
Edward Rawlins, 1911:
Elizabeth and Nathaniel Twigg appear to have had only one son, Arthur Twigg 1862-1943. Arthur was a photographer at 291 Bloomsbury Street, Birmingham. Arthur married Harriet Moseley from Burton on Trent, and they had two daughters, Elizabeth Ann 1897-1954, and Edith 1898-1983. I found a photograph of Edith on her wedding day, with her father Arthur in the picture. Arthur and Harriet also had a son Samuel Arthur, who lived for less than a month, born in 1904. Arthur had mistakenly put this son on the 1911 census stating “less than one month”, but the birth and death of Samuel Arthur Twigg were registered in the same quarter of 1904, and none were found registered for 1911.
Edith Twigg and Leslie A Hancock on their Wedding Day 1925. Arthur Twigg behind the bride. Maybe Elizabeth Ann Twigg seated on the right: (photo found on the ancestry website)
Photographs by Arthur Twigg, 291 Bloomsbury Street, Birmingham:
In reply to: Family Stories From The Other Side ~ Book Two
Transportation
Isaac Stokes 1804-1877
Isaac was born in Churchill, Oxfordshire in 1804, and was the youngest brother of my 4X great grandfather Thomas Stokes. The Stokes family were stone masons for generations in Oxfordshire and Gloucestershire, and Isaac’s occupation was a mason’s labourer in 1834 when he was sentenced at the Lent Assizes in Oxford to fourteen years transportation for stealing tools.
Churchill where the Stokes stonemasons came from: on 31 July 1684 a fire destroyed 20 houses and many other buildings, and killed four people. The village was rebuilt higher up the hill, with stone houses instead of the old timber-framed and thatched cottages. The fire was apparently caused by a baker who, to avoid chimney tax, had knocked through the wall from her oven to her neighbour’s chimney.
Isaac stole a pick axe, the value of 2 shillings and the property of Thomas Joyner of Churchill; a kibbeaux and a trowel value 3 shillings the property of Thomas Symms; a hammer and axe value 5 shillings, property of John Keen of Sarsden.
(The word kibbeaux seems to only exists in relation to Isaac Stokes sentence and whoever was the first to write it was perhaps being creative with the spelling of a kibbo, a miners or a metal bucket. This spelling is repeated in the criminal reports and the newspaper articles about Isaac, but nowhere else).
In March 1834 the Removal of Convicts was announced in the Oxford University and City Herald: Isaac Stokes and several other prisoners were removed from the Oxford county gaol to the Justitia hulk at Woolwich “persuant to their sentences of transportation at our Lent Assizes”.
via digitalpanopticon:
Hulks were decommissioned (and often unseaworthy) ships that were moored in rivers and estuaries and refitted to become floating prisons. The outbreak of war in America in 1775 meant that it was no longer possible to transport British convicts there. Transportation as a form of punishment had started in the late seventeenth century, and following the Transportation Act of 1718, some 44,000 British convicts were sent to the American colonies. The end of this punishment presented a major problem for the authorities in London, since in the decade before 1775, two-thirds of convicts at the Old Bailey received a sentence of transportation – on average 283 convicts a year. As a result, London’s prisons quickly filled to overflowing with convicted prisoners who were sentenced to transportation but had no place to go.
To increase London’s prison capacity, in 1776 Parliament passed the “Hulks Act” (16 Geo III, c.43). Although overseen by local justices of the peace, the hulks were to be directly managed and maintained by private contractors. The first contract to run a hulk was awarded to Duncan Campbell, a former transportation contractor. In August 1776, the Justicia, a former transportation ship moored in the River Thames, became the first prison hulk. This ship soon became full and Campbell quickly introduced a number of other hulks in London; by 1778 the fleet of hulks on the Thames held 510 prisoners.
Demand was so great that new hulks were introduced across the country. There were hulks located at Deptford, Chatham, Woolwich, Gosport, Plymouth, Portsmouth, Sheerness and Cork.The Justitia via rmg collections:
Convicts perform hard labour at the Woolwich Warren. The hulk on the river is the ‘Justitia’. Prisoners were kept on board such ships for months awaiting deportation to Australia. The ‘Justitia’ was a 260 ton prison hulk that had been originally moored in the Thames when the American War of Independence put a stop to the transportation of criminals to the former colonies. The ‘Justitia’ belonged to the shipowner Duncan Campbell, who was the Government contractor who organized the prison-hulk system at that time. Campbell was subsequently involved in the shipping of convicts to the penal colony at Botany Bay (in fact Port Jackson, later Sydney, just to the north) in New South Wales, the ‘first fleet’ going out in 1788.
While searching for records for Isaac Stokes I discovered that another Isaac Stokes was transported to New South Wales in 1835 as well. The other one was a butcher born in 1809, sentenced in London for seven years, and he sailed on the Mary Ann. Our Isaac Stokes sailed on the Lady Nugent, arriving in NSW in April 1835, having set sail from England in December 1834.
Lady Nugent was built at Bombay in 1813. She made four voyages under contract to the British East India Company (EIC). She then made two voyages transporting convicts to Australia, one to New South Wales and one to Van Diemen’s Land (Tasmania). (via Wikipedia)
via freesettlerorfelon website:
On 20 November 1834, 100 male convicts were transferred to the Lady Nugent from the Justitia Hulk and 60 from the Ganymede Hulk at Woolwich, all in apparent good health. The Lady Nugent departed Sheerness on 4 December 1834.
SURGEON OLIVER SPROULE
Oliver Sproule kept a Medical Journal from 7 November 1834 to 27 April 1835. He recorded in his journal the weather conditions they experienced in the first two weeks:
‘In the course of the first week or ten days at sea, there were eight or nine on the sick list with catarrhal affections and one with dropsy which I attribute to the cold and wet we experienced during that period beating down channel. Indeed the foremost berths in the prison at this time were so wet from leaking in that part of the ship, that I was obliged to issue dry beds and bedding to a great many of the prisoners to preserve their health, but after crossing the Bay of Biscay the weather became fine and we got the damp beds and blankets dried, the leaks partially stopped and the prison well aired and ventilated which, I am happy to say soon manifested a favourable change in the health and appearance of the men.
Besides the cases given in the journal I had a great many others to treat, some of them similar to those mentioned but the greater part consisted of boils, scalds, and contusions which would not only be too tedious to enter but I fear would be irksome to the reader. There were four births on board during the passage which did well, therefore I did not consider it necessary to give a detailed account of them in my journal the more especially as they were all favourable cases.
Regularity and cleanliness in the prison, free ventilation and as far as possible dry decks turning all the prisoners up in fine weather as we were lucky enough to have two musicians amongst the convicts, dancing was tolerated every afternoon, strict attention to personal cleanliness and also to the cooking of their victuals with regular hours for their meals, were the only prophylactic means used on this occasion, which I found to answer my expectations to the utmost extent in as much as there was not a single case of contagious or infectious nature during the whole passage with the exception of a few cases of psora which soon yielded to the usual treatment. A few cases of scurvy however appeared on board at rather an early period which I can attribute to nothing else but the wet and hardships the prisoners endured during the first three or four weeks of the passage. I was prompt in my treatment of these cases and they got well, but before we arrived at Sydney I had about thirty others to treat.’
The Lady Nugent arrived in Port Jackson on 9 April 1835 with 284 male prisoners. Two men had died at sea. The prisoners were landed on 27th April 1835 and marched to Hyde Park Barracks prior to being assigned. Ten were under the age of 14 years.
The Lady Nugent:
Isaac’s distinguishing marks are noted on various criminal registers and record books:
“Height in feet & inches: 5 4; Complexion: Ruddy; Hair: Light brown; Eyes: Hazel; Marks or Scars: Yes [including] DEVIL on lower left arm, TSIS back of left hand, WS lower right arm, MHDW back of right hand.”
Another includes more detail about Isaac’s tattoos:
“Two slight scars right side of mouth, 2 moles above right breast, figure of the devil and DEVIL and raised mole, lower left arm; anchor, seven dots half moon, TSIS and cross, back of left hand; a mallet, door post, A, mans bust, sun, WS, lower right arm; woman, MHDW and shut knife, back of right hand.”
From How tattoos became fashionable in Victorian England (2019 article in TheConversation by Robert Shoemaker and Zoe Alkar):
“Historical tattooing was not restricted to sailors, soldiers and convicts, but was a growing and accepted phenomenon in Victorian England. Tattoos provide an important window into the lives of those who typically left no written records of their own. As a form of “history from below”, they give us a fleeting but intriguing understanding of the identities and emotions of ordinary people in the past.
As a practice for which typically the only record is the body itself, few systematic records survive before the advent of photography. One exception to this is the written descriptions of tattoos (and even the occasional sketch) that were kept of institutionalised people forced to submit to the recording of information about their bodies as a means of identifying them. This particularly applies to three groups – criminal convicts, soldiers and sailors. Of these, the convict records are the most voluminous and systematic.
Such records were first kept in large numbers for those who were transported to Australia from 1788 (since Australia was then an open prison) as the authorities needed some means of keeping track of them.”On the 1837 census Isaac was working for the government at Illiwarra, New South Wales. This record states that he arrived on the Lady Nugent in 1835. There are three other indent records for an Isaac Stokes in the following years, but the transcriptions don’t provide enough information to determine which Isaac Stokes it was. In April 1837 there was an abscondment, and an arrest/apprehension in May of that year, and in 1843 there was a record of convict indulgences.
From the Australian government website regarding “convict indulgences”:
“By the mid-1830s only six per cent of convicts were locked up. The vast majority worked for the government or free settlers and, with good behaviour, could earn a ticket of leave, conditional pardon or and even an absolute pardon. While under such orders convicts could earn their own living.”
In 1856 in Camden, NSW, Isaac Stokes married Catherine Daly. With no further information on this record it would be impossible to know for sure if this was the right Isaac Stokes. This couple had six children, all in the Camden area, but none of the records provided enough information. No occupation or place or date of birth recorded for Isaac Stokes.
I wrote to the National Library of Australia about the marriage record, and their reply was a surprise! Issac and Catherine were married on 30 September 1856, at the house of the Rev. Charles William Rigg, a Methodist minister, and it was recorded that Isaac was born in Edinburgh in 1821, to parents James Stokes and Sarah Ellis! The age at the time of the marriage doesn’t match Isaac’s age at death in 1877, and clearly the place of birth and parents didn’t match either. Only his fathers occupation of stone mason was correct. I wrote back to the helpful people at the library and they replied that the register was in a very poor condition and that only two and a half entries had survived at all, and that Isaac and Catherines marriage was recorded over two pages.
I searched for an Isaac Stokes born in 1821 in Edinburgh on the Scotland government website (and on all the other genealogy records sites) and didn’t find it. In fact Stokes was a very uncommon name in Scotland at the time. I also searched Australian immigration and other records for another Isaac Stokes born in Scotland or born in 1821, and found nothing. I was unable to find a single record to corroborate this mysterious other Isaac Stokes.
As the age at death in 1877 was correct, I assume that either Isaac was lying, or that some mistake was made either on the register at the home of the Methodist minster, or a subsequent mistranscription or muddle on the remnants of the surviving register. Therefore I remain convinced that the Camden stonemason Isaac Stokes was indeed our Isaac from Oxfordshire.
I found a history society newsletter article that mentioned Isaac Stokes, stone mason, had built the Glenmore church, near Camden, in 1859.
From the Wollondilly museum April 2020 newsletter:
From the Camden History website:
“The stone set over the porch of Glenmore Church gives the date of 1860. The church was begun in 1859 on land given by Joseph Moore. James Rogers of Picton was given the contract to build and local builder, Mr. Stokes, carried out the work. Elizabeth Moore, wife of Edward, laid the foundation stone. The first service was held on 19th March 1860. The cemetery alongside the church contains the headstones and memorials of the areas early pioneers.”
Isaac died on the 3rd September 1877. The inquest report puts his place of death as Bagdelly, near to Camden, and another death register has put Cambelltown, also very close to Camden. His age was recorded as 71 and the inquest report states his cause of death was “rupture of one of the large pulmonary vessels of the lung”. His wife Catherine died in childbirth in 1870 at the age of 43.
Isaac and Catherine’s children:
William Stokes 1857-1928
Catherine Stokes 1859-1846
Sarah Josephine Stokes 1861-1931
Ellen Stokes 1863-1932
Rosanna Stokes 1865-1919
Louisa Stokes 1868-1844.
It’s possible that Catherine Daly was a transported convict from Ireland.
Some time later I unexpectedly received a follow up email from The Oaks Heritage Centre in Australia.
“The Gaudry papers which we have in our archive record him (Isaac Stokes) as having built: the church, the school and the teachers residence. Isaac is recorded in the General return of convicts: 1837 and in Grevilles Post Office directory 1872 as a mason in Glenmore.”
In reply to: The Elusive Samuel Housley and Other Family Stories
Purdy Cousins
My great grandmother Mary Ann Gilman Purdy was one of five children. Her sister Ellen Purdy was a well traveled nurse, and her sister Kate Rushby was a publican whose son who went to Africa. But what of her eldest sister Elizabeth and her brother Richard?
Elizabeth Purdy 1869-1905 married Benjamin George Little in 1892 in Basford, Nottinghamshire. Their first child, Frieda Olive Little, was born in Eastwood in December 1896, and their second daughter Catherine Jane Little was born in Warrington, Cheshire, in 1898. A third daughter, Edna Francis Little was born in 1900, but died three months later.
When I noticed that this unidentified photograph in our family collection was taken by a photographer in Warrington, and as no other family has been found in Warrington, I concluded that these two little girls are Frieda and Catherine:
Benjamin Little, born in 1869, was the manager of a boot shop, according to the 1901 census, and a boot maker on the 1911 census. I found a photograph of Benjamin and Elizabeth Little on an ancestry website:
Frieda Olive Little 1896-1977 married Robert Warburton in 1924.
Frieda and Robert had two sons and a daughter, although one son died in infancy. They lived in Leominster, in Herefordshire, but Frieda died in 1977 at Enfield Farm in Warrington, four years after the death of her husband Robert.
Catherine Jane Little 1899-1975 married Llewelyn Robert Prince 1884-1950. They do not appear to have had any children. Llewelyn was manager of the National Provinical Bank at Eltham in London, but died at Brook Cottage in Kingsland, Herefordshire. His wifes aunt Ellen Purdy the nurse had also lived at Brook Cottage. Ellen died in 1947, but her husband Frank Garbett was at the funeral:
Richard Purdy 1877-1940
Richard was born in Eastwood, Nottinghamshire. When his mother Catherine died in 1884 Richard was six years old. My great grandmother Mary Ann and her sister Ellen went to live with the Gilman’s in Buxton, but Richard and the two older sisters, Elizabeth and Kate, stayed with their father George Purdy, who remarried soon afterwards.
Richard married Ada Elizabeth Clarke in 1899. In 1901 Richard was an earthenware packer at a pottery, and on the 1939 census he was a colliery dataller. A dataller was a day wage man, paid on a daily basis for work done as required.
Richard and Ada had four children: Richard Baden Purdy 1900-1945, Winifred Maude 1903-1974, John Frederick 1907-1945, and Violet Gertrude 1910-1974.
Richard Baden Purdy married Ethel May Potter in Mansfield, Nottinghamshire, in 1926. He was listed on the 1939 census as a colliery deputy. In 1945 Richard Baden Purdy died as a result of injuries in a mine explosion.
John Frederick Purdy married Iris Merryweather in 1938. On the 1939 census John and Iris live in Arnold, Nottinghamshire, and John’s occupation is a colliery hewer. Their daughter Barbara Elizabeth was born later that year. John died in 1945, the same year as his brother Richard Baden Purdy. It is not known without purchasing the death certificate what the cause of death was.
A memorial was posted in the Nottingham Evening Post on 29 June 1948:
PURDY, loving memories, Richard Baden, accidentally killed June 29th 1945; John Frederick, died 1 April 1945; Richard Purdy, father, died December 1940. Too dearly loved to be forgotten. Mother, families.
Violet Gertrude Purdy married Sidney Garland in 1932 in Southwell, Nottinghamshire. She died in Edwinstowe, Nottinghamshire, in 1974.
Winifred Maude Purdy married Bernard Fowler in Southwell in 1928. She also died in 1974, in Mansfield.
The two brothers died the same year, in 1945, and the two sisters died the same year, in 1974.
In reply to: The Elusive Samuel Housley and Other Family Stories
From Tanganyika with Love
continued part 9
With thanks to Mike Rushby.
Lyamungu 3rd January 1945
Dearest Family.
We had a novel Christmas this year. We decided to avoid the expense of
entertaining and being entertained at Lyamungu, and went off to spend Christmas
camping in a forest on the Western slopes of Kilimanjaro. George decided to combine
business with pleasure and in this way we were able to use Government transport.
We set out the day before Christmas day and drove along the road which skirts
the slopes of Kilimanjaro and first visited a beautiful farm where Philip Teare, the ex
Game Warden, and his wife Mary are staying. We had afternoon tea with them and then
drove on in to the natural forest above the estate and pitched our tent beside a small
clear mountain stream. We decorated the tent with paper streamers and a few small
balloons and John found a small tree of the traditional shape which we decorated where
it stood with tinsel and small ornaments.We put our beer, cool drinks for the children and bottles of fresh milk from Simba
Estate, in the stream and on Christmas morning they were as cold as if they had been in
the refrigerator all night. There were not many presents for the children, there never are,
but they do not seem to mind and are well satisfied with a couple of balloons apiece,
sweets, tin whistles and a book each.George entertain the children before breakfast. He can make a magical thing out
of the most ordinary balloon. The children watched entranced as he drew on his pipe
and then blew the smoke into the balloon. He then pinched the neck of the balloon
between thumb and forefinger and released the smoke in little puffs. Occasionally the
balloon ejected a perfect smoke ring and the forest rang with shouts of “Do it again
Daddy.” Another trick was to blow up the balloon to maximum size and then twist the
neck tightly before releasing. Before subsiding the balloon darted about in a crazy
fashion causing great hilarity. Such fun, at the cost of a few pence.After breakfast George went off to fish for trout. John and Jim decided that they
also wished to fish so we made rods out of sticks and string and bent pins and they
fished happily, but of course quite unsuccessfully, for hours. Both of course fell into the
stream and got soaked, but I was prepared for this, and the little stream was so shallow
that they could not come to any harm. Henry played happily in the sand and I had a
most peaceful morning.Hamisi roasted a chicken in a pot over the camp fire and the jelly set beautifully in the
stream. So we had grilled trout and chicken for our Christmas dinner. I had of course
taken an iced cake for the occasion and, all in all, it was a very successful Christmas day.
On Boxing day we drove down to the plains where George was to investigate a
report of game poaching near the Ngassari Furrow. This is a very long ditch which has
been dug by the Government for watering the Masai stock in the area. It is also used by
game and we saw herds of zebra and wildebeest, and some Grant’s Gazelle and
giraffe, all comparatively tame. At one point a small herd of zebra raced beside the lorry
apparently enjoying the fun of a gallop. They were all sleek and fat and looked wild and
beautiful in action.We camped a considerable distance from the water but this precaution did not
save us from the mosquitoes which launched a vicious attack on us after sunset, so that
we took to our beds unusually early. They were on the job again when we got up at
sunrise so I was very glad when we were once more on our way home.“I like Christmas safari. Much nicer that silly old party,” said John. I agree but I think
it is time that our children learned to play happily with others. There are no other young
children at Lyamungu though there are two older boys and a girl who go to boarding
school in Nairobi.On New Years Day two Army Officers from the military camp at Moshi, came for
tea and to talk game hunting with George. I think they rather enjoy visiting a home and
seeing children and pets around.Eleanor.
Lyamungu 14 May 1945
Dearest Family.
So the war in Europe is over at last. It is such marvellous news that I can hardly
believe it. To think that as soon as George can get leave we will go to England and
bring Ann and George home with us to Tanganyika. When we know when this leave can
be arranged we will want Kate to join us here as of course she must go with us to
England to meet George’s family. She has become so much a part of your lives that I
know it will be a wrench for you to give her up but I know that you will all be happy to
think that soon our family will be reunited.The V.E. celebrations passed off quietly here. We all went to Moshi to see the
Victory Parade of the King’s African Rifles and in the evening we went to a celebration
dinner at the Game Warden’s house. Besides ourselves the Moores had invited the
Commanding Officer from Moshi and a junior officer. We had a very good dinner and
many toasts including one to Mrs Moore’s brother, Oliver Milton who is fighting in Burma
and has recently been awarded the Military Cross.There was also a celebration party for the children in the grounds of the Moshi
Club. Such a spread! I think John and Jim sampled everything. We mothers were
having our tea separately and a friend laughingly told me to turn around and have a look.
I did, and saw the long tea tables now deserted by all the children but my two sons who
were still eating steadily, and finding the party more exciting than the game of Musical
Bumps into which all the other children had entered with enthusiasm.There was also an extremely good puppet show put on by the Italian prisoners
of war from the camp at Moshi. They had made all the puppets which included well
loved characters like Snow White and the Seven Dwarfs and the Babes in the Wood as
well as more sophisticated ones like an irritable pianist and a would be prima donna. The
most popular puppets with the children were a native askari and his family – a very
happy little scene. I have never before seen a puppet show and was as entranced as
the children. It is amazing what clever manipulation and lighting can do. I believe that the
Italians mean to take their puppets to Nairobi and am glad to think that there, they will
have larger audiences to appreciate their art.George has just come in, and I paused in my writing to ask him for the hundredth
time when he thinks we will get leave. He says I must be patient because it may be a
year before our turn comes. Shipping will be disorganised for months to come and we
cannot expect priority simply because we have been separated so long from our
children. The same situation applies to scores of other Government Officials.
I have decided to write the story of my childhood in South Africa and about our
life together in Tanganyika up to the time Ann and George left the country. I know you
will have told Kate these stories, but Ann and George were so very little when they left
home that I fear that they cannot remember much.My Mother-in-law will have told them about their father but she can tell them little
about me. I shall send them one chapter of my story each month in the hope that they
may be interested and not feel that I am a stranger when at last we meet again.Eleanor.
Lyamungu 19th September 1945
Dearest Family.
In a months time we will be saying good-bye to Lyamungu. George is to be
transferred to Mbeya and I am delighted, not only as I look upon Mbeya as home, but
because there is now a primary school there which John can attend. I feel he will make
much better progress in his lessons when he realises that all children of his age attend
school. At present he is putting up a strong resistance to learning to read and spell, but
he writes very neatly, does his sums accurately and shows a real talent for drawing. If
only he had the will to learn I feel he would do very well.Jim now just four, is too young for lessons but too intelligent to be interested in
the ayah’s attempts at entertainment. Yes I’ve had to engage a native girl to look after
Henry from 9 am to 12.30 when I supervise John’s Correspondence Course. She is
clean and amiable, but like most African women she has no initiative at all when it comes
to entertaining children. Most African men and youths are good at this.I don’t regret our stay at Lyamungu. It is a beautiful spot and the change to the
cooler climate after the heat of Morogoro has been good for all the children. John is still
tall for his age but not so thin as he was and much less pale. He is a handsome little lad
with his large brown eyes in striking contrast to his fair hair. He is wary of strangers but
very observant and quite uncanny in the way he sums up people. He seldom gets up
to mischief but I have a feeling he eggs Jim on. Not that Jim needs egging.Jim has an absolute flair for mischief but it is all done in such an artless manner that
it is not easy to punish him. He is a very sturdy child with a cap of almost black silky hair,
eyes brown, like mine, and a large mouth which is quick to smile and show most beautiful
white and even teeth. He is most popular with all the native servants and the Game
Scouts. The servants call Jim, ‘Bwana Tembo’ (Mr Elephant) because of his sturdy
build.Henry, now nearly two years old, is quite different from the other two in
appearance. He is fair complexioned and fair haired like Ann and Kate, with large, black
lashed, light grey eyes. He is a good child, not so merry as Jim was at his age, nor as
shy as John was. He seldom cries, does not care to be cuddled and is independent and
strong willed. The servants call Henry, ‘Bwana Ndizi’ (Mr Banana) because he has an
inexhaustible appetite for this fruit. Fortunately they are very inexpensive here. We buy
an entire bunch which hangs from a beam on the back verandah, and pluck off the
bananas as they ripen. This way there is no waste and the fruit never gets bruised as it
does in greengrocers shops in South Africa. Our three boys make a delightful and
interesting trio and I do wish you could see them for yourselves.We are delighted with the really beautiful photograph of Kate. She is an
extraordinarily pretty child and looks so happy and healthy and a great credit to you.
Now that we will be living in Mbeya with a school on the doorstep I hope that we will
soon be able to arrange for her return home.Eleanor.
c/o Game Dept. Mbeya. 30th October 1945
Dearest Family.
How nice to be able to write c/o Game Dept. Mbeya at the head of my letters.
We arrived here safely after a rather tiresome journey and are installed in a tiny house on
the edge of the township.We left Lyamungu early on the morning of the 22nd. Most of our goods had
been packed on the big Ford lorry the previous evening, but there were the usual
delays and farewells. Of our servants, only the cook, Hamisi, accompanied us to
Mbeya. Japhet, Tovelo and the ayah had to be paid off and largesse handed out.
Tovelo’s granny had come, bringing a gift of bananas, and she also brought her little
granddaughter to present a bunch of flowers. The child’s little scolded behind is now
completely healed. Gifts had to be found for them too.At last we were all aboard and what a squash it was! Our few pieces of furniture
and packing cases and trunks, the cook, his wife, the driver and the turney boy, who
were to take the truck back to Lyamungu, and all their bits and pieces, bunches of
bananas and Fanny the dog were all crammed into the body of the lorry. George, the
children and I were jammed together in the cab. Before we left George looked
dubiously at the tyres which were very worn and said gloomily that he thought it most
unlikely that we would make our destination, Dodoma.Too true! Shortly after midday, near Kwakachinja, we blew a back tyre and there
was a tedious delay in the heat whilst the wheel was changed. We were now without a
spare tyre and George said that he would not risk taking the Ford further than Babati,
which is less than half way to Dodoma. He drove very slowly and cautiously to Babati
where he arranged with Sher Mohammed, an Indian trader, for a lorry to take us to
Dodoma the next morning.It had been our intention to spend the night at the furnished Government
Resthouse at Babati but when we got there we found that it was already occupied by
several District Officers who had assembled for a conference. So, feeling rather
disgruntled, we all piled back into the lorry and drove on to a place called Bereku where
we spent an uncomfortable night in a tumbledown hut.Before dawn next morning Sher Mohammed’s lorry drove up, and there was a
scramble to dress by the light of a storm lamp. The lorry was a very dilapidated one and
there was already a native woman passenger in the cab. I felt so tired after an almost
sleepless night that I decided to sit between the driver and this woman with the sleeping
Henry on my knee. It was as well I did, because I soon found myself dosing off and
drooping over towards the woman. Had she not been there I might easily have fallen
out as the battered cab had no door. However I was alert enough when daylight came
and changed places with the woman to our mutual relief. She was now able to converse
with the African driver and I was able to enjoy the scenery and the fresh air!
George, John and Jim were less comfortable. They sat in the lorry behind the
cab hemmed in by packing cases. As the lorry was an open one the sun beat down
unmercifully upon them until George, ever resourceful, moved a table to the front of the
truck. The two boys crouched under this and so got shelter from the sun but they still had
to endure the dust. Fanny complicated things by getting car sick and with one thing and
another we were all jolly glad to get to Dodoma.We spent the night at the Dodoma Hotel and after hot baths, a good meal and a
good nights rest we cheerfully boarded a bus of the Tanganyika Bus Service next
morning to continue our journey to Mbeya. The rest of the journey was uneventful. We slept two nights on the road, the first at Iringa Hotel and the second at Chimala. We
reached Mbeya on the 27th.I was rather taken aback when I first saw the little house which has been allocated
to us. I had become accustomed to the spacious houses we had in Morogoro and
Lyamungu. However though the house is tiny it is secluded and has a long garden
sloping down to the road in front and another long strip sloping up behind. The front
garden is shaded by several large cypress and eucalyptus trees but the garden behind
the house has no shade and consists mainly of humpy beds planted with hundreds of
carnations sadly in need of debudding. I believe that the previous Game Ranger’s wife
cultivated the carnations and, by selling them, raised money for War Funds.
Like our own first home, this little house is built of sun dried brick. Its original
owners were Germans. It is now rented to the Government by the Custodian of Enemy
Property, and George has his office in another ex German house.This afternoon we drove to the school to arrange about enrolling John there. The
school is about four miles out of town. It was built by the German settlers in the late
1930’s and they were justifiably proud of it. It consists of a great assembly hall and
classrooms in one block and there are several attractive single storied dormitories. This
school was taken over by the Government when the Germans were interned on the
outbreak of war and many improvements have been made to the original buildings. The
school certainly looks very attractive now with its grassed playing fields and its lawns and
bright flower beds.The Union Jack flies from a tall flagpole in front of the Hall and all traces of the
schools German origin have been firmly erased. We met the Headmaster, Mr
Wallington, and his wife and some members of the staff. The school is co-educational
and caters for children from the age of seven to standard six. The leaving age is elastic
owing to the fact that many Tanganyika children started school very late because of lack
of educational facilities in this country.The married members of the staff have their own cottages in the grounds. The
Matrons have quarters attached to the dormitories for which they are responsible. I felt
most enthusiastic about the school until I discovered that the Headmaster is adamant
upon one subject. He utterly refuses to take any day pupils at the school. So now our
poor reserved Johnny will have to adjust himself to boarding school life.
We have arranged that he will start school on November 5th and I shall be very
busy trying to assemble his school uniform at short notice. The clothing list is sensible.
Boys wear khaki shirts and shorts on weekdays with knitted scarlet jerseys when the
weather is cold. On Sundays they wear grey flannel shorts and blazers with the silver
and scarlet school tie.Mbeya looks dusty, brown and dry after the lush evergreen vegetation of
Lyamungu, but I prefer this drier climate and there are still mountains to please the eye.
In fact the lower slopes of Lolesa Mountain rise at the upper end of our garden.Eleanor.
c/o Game Dept. Mbeya. 21st November 1945
Dearest Family.
We’re quite settled in now and I have got the little house fixed up to my
satisfaction. I have engaged a rather uncouth looking houseboy but he is strong and
capable and now that I am not tied down in the mornings by John’s lessons I am able to
go out occasionally in the mornings and take Jim and Henry to play with other children.
They do not show any great enthusiasm but are not shy by nature as John is.
I have had a good deal of heartache over putting John to boarding school. It
would have been different had he been used to the company of children outside his
own family, or if he had even known one child there. However he seems to be adjusting
himself to the life, though slowly. At least he looks well and tidy and I am quite sure that
he is well looked after.I must confess that when the time came for John to go to school I simply did not
have the courage to take him and he went alone with George, looking so smart in his
new uniform – but his little face so bleak. The next day, Sunday, was visiting day but the
Headmaster suggested that we should give John time to settle down and not visit him
until Wednesday.When we drove up to the school I spied John on the far side of the field walking
all alone. Instead of running up with glad greetings, as I had expected, he came almost
reluctently and had little to say. I asked him to show me his dormitory and classroom and
he did so politely as though I were a stranger. At last he volunteered some information.
“Mummy,” he said in an awed voice, Do you know on the night I came here they burnt a
man! They had a big fire and they burnt him.” After a blank moment the penny dropped.
Of course John had started school and November the fifth but it had never entered my
head to tell him about that infamous character, Guy Fawkes!I asked John’s Matron how he had settled down. “Well”, she said thoughtfully,
“John is very good and has not cried as many of the juniors do when they first come
here, but he seems to keep to himself all the time.” I went home very discouraged but
on the Sunday John came running up with another lad of about his own age.” This is my
friend Marks,” he announced proudly. I could have hugged Marks.Mbeya is very different from the small settlement we knew in the early 1930’s.
Gone are all the colourful characters from the Lupa diggings for the alluvial claims are all
worked out now, gone also are our old friends the Menzies from the Pub and also most
of the Government Officials we used to know. Mbeya has lost its character of a frontier
township and has become almost suburban.The social life revolves around two places, the Club and the school. The Club
which started out as a little two roomed building, has been expanded and the golf
course improved. There are also tennis courts and a good library considering the size of
the community. There are frequent parties and dances, though most of the club revenue
comes from Bar profits. The parties are relatively sober affairs compared with the parties
of the 1930’s.The school provides entertainment of another kind. Both Mr and Mrs Wallington
are good amateur actors and I am told that they run an Amateur Dramatic Society. Every
Wednesday afternoon there is a hockey match at the school. Mbeya town versus a
mixed team of staff and scholars. The match attracts almost the whole European
population of Mbeya. Some go to play hockey, others to watch, and others to snatch
the opportunity to visit their children. I shall have to try to arrange a lift to school when
George is away on safari.I have now met most of the local women and gladly renewed an old friendship
with Sheilagh Waring whom I knew two years ago at Morogoro. Sheilagh and I have
much in common, the same disregard for the trappings of civilisation, the same sense of
the ludicrous, and children. She has eight to our six and she has also been cut off by the
war from two of her children. Sheilagh looks too young and pretty to be the mother of so
large a family and is, in fact, several years younger than I am. her husband, Donald, is a
large quiet man who, as far as I can judge takes life seriously.Our next door neighbours are the Bank Manager and his wife, a very pleasant
couple though we seldom meet. I have however had correspondence with the Bank
Manager. Early on Saturday afternoon their houseboy brought a note. It informed me
that my son was disturbing his rest by precipitating a heart attack. Was I aware that my
son was about 30 feet up in a tree and balanced on a twig? I ran out and,sure enough,
there was Jim, right at the top of the tallest eucalyptus tree. It would be the one with the
mound of stones at the bottom! You should have heard me fluting in my most
wheedling voice. “Sweets, Jimmy, come down slowly dear, I’ve some nice sweets for
you.”I’ll bet that little story makes you smile. I remember how often you have told me
how, as a child, I used to make your hearts turn over because I had no fear of heights
and how I used to say, “But that is silly, I won’t fall.” I know now only too well, how you
must have felt.Eleanor.
c/o Game Dept. Mbeya. 14th January 1946
Dearest Family.
I hope that by now you have my telegram to say that Kate got home safely
yesterday. It was wonderful to have her back and what a beautiful child she is! Kate
seems to have enjoyed the train journey with Miss Craig, in spite of the tears she tells
me she shed when she said good-bye to you. She also seems to have felt quite at
home with the Hopleys at Salisbury. She flew from Salisbury in a small Dove aircraft
and they had a smooth passage though Kate was a little airsick.I was so excited about her home coming! This house is so tiny that I had to turn
out the little store room to make a bedroom for her. With a fresh coat of whitewash and
pretty sprigged curtains and matching bedspread, borrowed from Sheilagh Waring, the
tiny room looks most attractive. I had also iced a cake, made ice-cream and jelly and
bought crackers for the table so that Kate’s home coming tea could be a proper little
celebration.I was pleased with my preparations and then, a few hours before the plane was
due, my crowned front tooth dropped out, peg and all! When my houseboy wants to
describe something very tatty, he calls it “Second-hand Kabisa.” Kabisa meaning
absolutely. That is an apt description of how I looked and felt. I decided to try some
emergency dentistry. I think you know our nearest dentist is at Dar es Salaam five
hundred miles away.First I carefully dried the tooth and with a match stick covered the peg and base
with Durofix. I then took the infants rubber bulb enema, sucked up some heat from a
candle flame and pumped it into the cavity before filling that with Durofix. Then hopefully
I stuck the tooth in its former position and held it in place for several minutes. No good. I
sent the houseboy to a shop for Scotine and tried the whole process again. No good
either.When George came home for lunch I appealed to him for advice. He jokingly
suggested that a maize seed jammed into the space would probably work, but when
he saw that I really was upset he produced some chewing gum and suggested that I
should try that . I did and that worked long enough for my first smile anyway.
George and the three boys went to meet Kate but I remained at home to
welcome her there. I was afraid that after all this time away Kate might be reluctant to
rejoin the family but she threw her arms around me and said “Oh Mummy,” We both
shed a few tears and then we both felt fine.How gay Kate is, and what an infectious laugh she has! The boys follow her
around in admiration. John in fact asked me, “Is Kate a Princess?” When I said
“Goodness no, Johnny, she’s your sister,” he explained himself by saying, “Well, she
has such golden hair.” Kate was less complementary. When I tucked her in bed last night
she said, “Mummy, I didn’t expect my little brothers to be so yellow!” All three boys
have been taking a course of Atebrin, an anti-malarial drug which tinges skin and eyeballs
yellow.So now our tiny house is bursting at its seams and how good it feels to have one
more child under our roof. We are booked to sail for England in May and when we return
we will have Ann and George home too. Then I shall feel really content.Eleanor.
c/o Game Dept. Mbeya. 2nd March 1946
Dearest Family.
My life just now is uneventful but very busy. I am sewing hard and knitting fast to
try to get together some warm clothes for our leave in England. This is not a simple
matter because woollen materials are in short supply and very expensive, and now that
we have boarding school fees to pay for both Kate and John we have to budget very
carefully indeed.Kate seems happy at school. She makes friends easily and seems to enjoy
communal life. John also seems reconciled to school now that Kate is there. He no
longer feels that he is the only exile in the family. He seems to rub along with the other
boys of his age and has a couple of close friends. Although Mbeya School is coeducational
the smaller boys and girls keep strictly apart. It is considered extremely
cissy to play with girls.The local children are allowed to go home on Sundays after church and may bring
friends home with them for the day. Both John and Kate do this and Sunday is a very
busy day for me. The children come home in their Sunday best but bring play clothes to
change into. There is always a scramble to get them to bath and change again in time to
deliver them to the school by 6 o’clock.When George is home we go out to the school for the morning service. This is
taken by the Headmaster Mr Wallington, and is very enjoyable. There is an excellent
school choir to lead the singing. The service is the Church of England one, but is
attended by children of all denominations, except the Roman Catholics. I don’t think that
more than half the children are British. A large proportion are Greeks, some as old as
sixteen, and about the same number are Afrikaners. There are Poles and non-Nazi
Germans, Swiss and a few American children.All instruction is through the medium of English and it is amazing how soon all the
foreign children learn to chatter in English. George has been told that we will return to
Mbeya after our leave and for that I am very thankful as it means that we will still be living
near at hand when Jim and Henry start school. Because many of these children have to
travel many hundreds of miles to come to school, – Mbeya is a two day journey from the
railhead, – the school year is divided into two instead of the usual three terms. This
means that many of these children do not see their parents for months at a time. I think
this is a very sad state of affairs especially for the seven and eight year olds but the
Matrons assure me , that many children who live on isolated farms and stations are quite
reluctant to go home because they miss the companionship and the games and
entertainment that the school offers.My only complaint about the life here is that I see far too little of George. He is
kept extremely busy on this range and is hardly at home except for a few days at the
months end when he has to be at his office to check up on the pay vouchers and the
issue of ammunition to the Scouts. George’s Range takes in the whole of the Southern
Province and the Southern half of the Western Province and extends to the border with
Northern Rhodesia and right across to Lake Tanganyika. This vast area is patrolled by
only 40 Game Scouts because the Department is at present badly under staffed, due
partly to the still acute shortage of rifles, but even more so to the extraordinary reluctance
which the Government shows to allocate adequate funds for the efficient running of the
Department.The Game Scouts must see that the Game Laws are enforced, protect native
crops from raiding elephant, hippo and other game animals. Report disease amongst game and deal with stock raiding lions. By constantly going on safari and checking on
their work, George makes sure the range is run to his satisfaction. Most of the Game
Scouts are fine fellows but, considering they receive only meagre pay for dangerous
and exacting work, it is not surprising that occasionally a Scout is tempted into accepting
a bribe not to report a serious infringement of the Game Laws and there is, of course,
always the temptation to sell ivory illicitly to unscrupulous Indian and Arab traders.
Apart from supervising the running of the Range, George has two major jobs.
One is to supervise the running of the Game Free Area along the Rhodesia –
Tanganyika border, and the other to hunt down the man-eating lions which for years have
terrorised the Njombe District killing hundreds of Africans. Yes I know ‘hundreds’ sounds
fantastic, but this is perfectly true and one day, when the job is done and the official
report published I shall send it to you to prove it!I hate to think of the Game Free Area and so does George. All the game from
buffalo to tiny duiker has been shot out in a wide belt extending nearly two hundred
miles along the Northern Rhodesia -Tanganyika border. There are three Europeans in
widely spaced camps who supervise this slaughter by African Game Guards. This
horrible measure is considered necessary by the Veterinary Departments of
Tanganyika, Rhodesia and South Africa, to prevent the cattle disease of Rinderpest
from spreading South.When George is home however, we do relax and have fun. On the Saturday
before the school term started we took Kate and the boys up to the top fishing camp in
the Mporoto Mountains for her first attempt at trout fishing. There are three of these
camps built by the Mbeya Trout Association on the rivers which were first stocked with
the trout hatched on our farm at Mchewe. Of the three, the top camp is our favourite. The
scenery there is most glorious and reminds me strongly of the rivers of the Western
Cape which I so loved in my childhood.The river, the Kawira, flows from the Rungwe Mountain through a narrow valley
with hills rising steeply on either side. The water runs swiftly over smooth stones and
sometimes only a foot or two below the level of the banks. It is sparkling and shallow,
but in places the water is deep and dark and the banks high. I had a busy day keeping
an eye on the boys, especially Jim, who twice climbed out on branches which overhung
deep water. “Mummy, I was only looking for trout!”How those kids enjoyed the freedom of the camp after the comparative
restrictions of town. So did Fanny, she raced about on the hills like a mad dog chasing
imaginary rabbits and having the time of her life. To escape the noise and commotion
George had gone far upstream to fish and returned in the late afternoon with three good
sized trout and four smaller ones. Kate proudly showed George the two she had caught
with the assistance or our cook Hamisi. I fear they were caught in a rather unorthodox
manner but this I kept a secret from George who is a stickler for the orthodox in trout
fishing.Eleanor.
Jacksdale England 24th June 1946
Dearest Family.
Here we are all together at last in England. You cannot imagine how wonderful it
feels to have the whole Rushby family reunited. I find myself counting heads. Ann,
George, Kate, John, Jim, and Henry. All present and well. We had a very pleasant trip
on the old British India Ship Mantola. She was crowded with East Africans going home
for the first time since the war, many like us, eagerly looking forward to a reunion with their
children whom they had not seen for years. There was a great air of anticipation and
good humour but a little anxiety too.“I do hope our children will be glad to see us,” said one, and went on to tell me
about a Doctor from Dar es Salaam who, after years of separation from his son had
recently gone to visit him at his school. The Doctor had alighted at the railway station
where he had arranged to meet his son. A tall youth approached him and said, very
politely, “Excuse me sir. Are you my Father?” Others told me of children who had
become so attached to their relatives in England that they gave their parents a very cool
reception. I began to feel apprehensive about Ann and George but fortunately had no
time to mope.Oh, that washing and ironing for six! I shall remember for ever that steamy little
laundry in the heat of the Red Sea and queuing up for the ironing and the feeling of guilt
at the size of my bundle. We met many old friends amongst the passengers, and made
some new ones, so the voyage was a pleasant one, We did however have our
anxious moments.John was the first to disappear and we had an anxious search for him. He was
quite surprised that we had been concerned. “I was just talking to my friend Chinky
Chinaman in his workshop.” Could John have called him that? Then, when I returned to
the cabin from dinner one night I found Henry swigging Owbridge’s Lung Tonic. He had
drunk half the bottle neat and the label said ‘five drops in water’. Luckily it did not harm
him.Jim of course was forever risking his neck. George had forbidden him to climb on
the railings but he was forever doing things which no one had thought of forbidding him
to do, like hanging from the overhead pipes on the deck or standing on the sill of a
window and looking down at the well deck far below. An Officer found him doing this and
gave me the scolding.Another day he climbed up on a derrick used for hoisting cargo. George,
oblivious to this was sitting on the hatch cover with other passengers reading a book. I
was in the wash house aft on the same deck when Kate rushed in and said, “Mummy
come and see Jim.” Before I had time to more than gape, the butcher noticed Jim and
rushed out knife in hand. “Get down from there”, he bellowed. Jim got, and with such
speed that he caught the leg or his shorts on a projecting piece of metal. The cotton
ripped across the seam from leg to leg and Jim stood there for a humiliating moment in a
sort of revealing little kilt enduring the smiles of the passengers who had looked up from
their books at the butcher’s shout.That incident cured Jim of his urge to climb on the ship but he managed to give
us one more fright. He was lost off Dover. People from whom we enquired said, “Yes
we saw your little boy. He was by the railings watching that big aircraft carrier.” Now Jim,
though mischievous , is very obedient. It was not until George and I had conducted an
exhaustive search above and below decks that I really became anxious. Could he have
fallen overboard? Jim was returned to us by an unamused Officer. He had been found
in one of the lifeboats on the deck forbidden to children.Our ship passed Dover after dark and it was an unforgettable sight. Dover Castle
and the cliffs were floodlit for the Victory Celebrations. One of the men passengers sat
down at the piano and played ‘The White Cliffs of Dover’, and people sang and a few
wept. The Mantola docked at Tilbury early next morning in a steady drizzle.
There was a dockers strike on and it took literally hours for all the luggage to be
put ashore. The ships stewards simply locked the public rooms and went off leaving the
passengers shivering on the docks. Eventually damp and bedraggled, we arrived at St
Pancras Station and were given a warm welcome by George’s sister Cath and her
husband Reg Pears, who had come all the way from Nottingham to meet us.
As we had to spend an hour in London before our train left for Nottingham,
George suggested that Cath and I should take the children somewhere for a meal. So
off we set in the cold drizzle, the boys and I without coats and laden with sundry
packages, including a hand woven native basket full of shoes. We must have looked like
a bunch of refugees as we stood in the hall of The Kings Cross Station Hotel because a
supercilious waiter in tails looked us up and down and said, “I’m afraid not Madam”, in
answer to my enquiry whether the hotel could provide lunch for six.
Anyway who cares! We had lunch instead at an ABC tea room — horrible
sausage and a mound or rather sloppy mashed potatoes, but very good ice-cream.
After the train journey in a very grimy third class coach, through an incredibly green and
beautiful countryside, we eventually reached Nottingham and took a bus to Jacksdale,
where George’s mother and sisters live in large detached houses side by side.
Ann and George were at the bus stop waiting for us, and thank God, submitted
to my kiss as though we had been parted for weeks instead of eight years. Even now
that we are together again my heart aches to think of all those missed years. They have
not changed much and I would have picked them out of a crowd, but Ann, once thin and
pale, is now very rosy and blooming. She still has her pretty soft plaits and her eyes are
still a clear calm blue. Young George is very striking looking with sparkling brown eyes, a
ready, slightly lopsided smile, and charming manners.Mother, and George’s elder sister, Lottie Giles, welcomed us at the door with the
cheering news that our tea was ready. Ann showed us the way to mother’s lovely lilac
tiled bathroom for a wash before tea. Before I had even turned the tap, Jim had hung
form the glass towel rail and it lay in three pieces on the floor. There have since been
similar tragedies. I can see that life in civilisation is not without snags.I am most grateful that Ann and George have accepted us so naturally and
affectionately. Ann said candidly, “Mummy, it’s a good thing that you had Aunt Cath with
you when you arrived because, honestly, I wouldn’t have known you.”Eleanor.
Jacksdale England 28th August 1946
Dearest Family.
I am sorry that I have not written for some time but honestly, I don’t know whether
I’m coming or going. Mother handed the top floor of her house to us and the
arrangement was that I should tidy our rooms and do our laundry and Mother would
prepare the meals except for breakfast. It looked easy at first. All the rooms have wall to
wall carpeting and there was a large vacuum cleaner in the box room. I was told a
window cleaner would do the windows.Well the first time I used the Hoover I nearly died of fright. I pressed the switch
and immediately there was a roar and the bag filled with air to bursting point, or so I
thought. I screamed for Ann and she came at the run. I pointed to the bag and shouted
above the din, “What must I do? It’s going to burst!” Ann looked at me in astonishment
and said, “But Mummy that’s the way it works.” I couldn’t have her thinking me a
complete fool so I switched the current off and explained to Ann how it was that I had
never seen this type of equipment in action. How, in Tanganyika , I had never had a
house with electricity and that, anyway, electric equipment would be superfluous
because floors are of cement which the houseboy polishes by hand, one only has a
few rugs or grass mats on the floor. “But what about Granny’s house in South Africa?’”
she asked, so I explained about your Josephine who threatened to leave if you
bought a Hoover because that would mean that you did not think she kept the house
clean. The sad fact remains that, at fourteen, Ann knows far more about housework than I
do, or rather did! I’m learning fast.The older children all go to school at different times in the morning. Ann leaves first
by bus to go to her Grammar School at Sutton-in-Ashfield. Shortly afterwards George
catches a bus for Nottingham where he attends the High School. So they have
breakfast in relays, usually scrambled egg made from a revolting dried egg mixture.
Then there are beds to make and washing and ironing to do, so I have little time for
sightseeing, though on a few afternoons George has looked after the younger children
and I have gone on bus tours in Derbyshire. Life is difficult here with all the restrictions on
foodstuffs. We all have ration books so get our fair share but meat, fats and eggs are
scarce and expensive. The weather is very wet. At first I used to hang out the washing
and then rush to bring it in when a shower came. Now I just let it hang.We have left our imprint upon my Mother-in-law’s house for ever. Henry upset a
bottle of Milk of Magnesia in the middle of the pale fawn bedroom carpet. John, trying to
be helpful and doing some dusting, broke one of the delicate Dresden china candlesticks
which adorn our bedroom mantelpiece.Jim and Henry have wrecked the once
professionally landscaped garden and all the boys together bored a large hole through
Mother’s prized cherry tree. So now Mother has given up and gone off to Bournemouth
for a much needed holiday. Once a week I have the capable help of a cleaning woman,
called for some reason, ‘Mrs Two’, but I have now got all the cooking to do for eight. Mrs
Two is a godsend. She wears, of all things, a print mob cap with a hole in it. Says it
belonged to her Grandmother. Her price is far beyond Rubies to me, not so much
because she does, in a couple of hours, what it takes me all day to do, but because she
sells me boxes of fifty cigarettes. Some non-smoking relative, who works in Players
tobacco factory, passes on his ration to her. Until Mrs Two came to my rescue I had
been starved of cigarettes. Each time I asked for them at the shop the grocer would say,
“Are you registered with us?” Only very rarely would some kindly soul sell me a little
packet of five Woodbines.England is very beautiful but the sooner we go home to Tanganyika, the better.
On this, George and I and the children agree.Eleanor.
Jacksdale England 20th September 1946
Dearest Family.
Our return passages have now been booked on the Winchester Castle and we
sail from Southampton on October the sixth. I look forward to returning to Tanganyika but
hope to visit England again in a few years time when our children are older and when
rationing is a thing of the past.I have grown fond of my Sisters-in-law and admire my Mother-in-law very much.
She has a great sense of humour and has entertained me with stories of her very
eventful life, and told me lots of little stories of the children which did not figure in her
letters. One which amused me was about young George. During one of the air raids
early in the war when the sirens were screaming and bombers roaring overhead Mother
made the two children get into the cloak cupboard under the stairs. Young George
seemed quite unconcerned about the planes and the bombs but soon an anxious voice
asked in the dark, “Gran, what will I do if a spider falls on me?” I am afraid that Mother is
going to miss Ann and George very much.I had a holiday last weekend when Lottie and I went up to London on a spree. It
was a most enjoyable weekend, though very rushed. We placed ourselves in the
hands of Thos. Cook and Sons and saw most of the sights of London and were run off
our feet in the process. As you all know London I shall not describe what I saw but just
to say that, best of all, I enjoyed walking along the Thames embankment in the evening
and the changing of the Guard at Whitehall. On Sunday morning Lottie and I went to
Kew Gardens and in the afternoon walked in Kensington Gardens.We went to only one show, ‘The Skin of our Teeth’ starring Vivienne Leigh.
Neither of us enjoyed the performance at all and regretted having spent so much on
circle seats. The show was far too highbrow for my taste, a sort of satire on the survival
of the human race. Miss Leigh was unrecognisable in a blond wig and her voice strident.
However the night was not a dead loss as far as entertainment was concerned as we
were later caught up in a tragicomedy at our hotel.We had booked communicating rooms at the enormous Imperial Hotel in Russell
Square. These rooms were comfortably furnished but very high up, and we had a rather
terrifying and dreary view from the windows of the enclosed courtyard far below. We
had some snacks and a chat in Lottie’s room and then I moved to mine and went to bed.
I had noted earlier that there was a special lock on the outer door of my room so that
when the door was closed from the inside it automatically locked itself.
I was just dropping off to sleep when I heard a hammering which seemed to
come from my wardrobe. I got up, rather fearfully, and opened the wardrobe door and
noted for the first time that the wardrobe was set in an opening in the wall and that the
back of the wardrobe also served as the back of the wardrobe in the room next door. I
quickly shut it again and went to confer with Lottie.Suddenly a male voice was raised next door in supplication, “Mary Mother of
God, Help me! They’ve locked me in!” and the hammering resumed again, sometimes
on the door, and then again on the back of the wardrobe of the room next door. Lottie
had by this time joined me and together we listened to the prayers and to the
hammering. Then the voice began to threaten, “If you don’t let me out I’ll jump out of the
window.” Great consternation on our side of the wall. I went out into the passage and
called through the door, “You’re not locked in. Come to your door and I’ll tell you how to
open it.” Silence for a moment and then again the prayers followed by a threat. All the
other doors in the corridor remained shut.Luckily just then a young man and a woman came walking down the corridor and I
explained the situation. The young man hurried off for the night porter who went into the
next door room. In a matter of minutes there was peace next door. When the night
porter came out into the corridor again I asked for an explanation. He said quite casually,
“It’s all right Madam. He’s an Irish Gentleman in Show Business. He gets like this on a
Saturday night when he has had a drop too much. He won’t give any more trouble
now.” And he didn’t. Next morning at breakfast Lottie and I tried to spot the gentleman in
the Show Business, but saw no one who looked like the owner of that charming Irish
voice.George had to go to London on business last Monday and took the older
children with him for a few hours of sight seeing. They returned quite unimpressed.
Everything was too old and dirty and there were far too many people about, but they
had enjoyed riding on the escalators at the tube stations, and all agreed that the highlight
of the trip was, “Dad took us to lunch at the Chicken Inn.”Now that it is almost time to leave England I am finding the housework less of a
drudgery, Also, as it is school holiday time, Jim and Henry are able to go on walks with
the older children and so use up some of their surplus energy. Cath and I took the
children (except young George who went rabbit shooting with his uncle Reg, and
Henry, who stayed at home with his dad) to the Wakes at Selston, the neighbouring
village. There were the roundabouts and similar contraptions but the side shows had
more appeal for the children. Ann and Kate found a stall where assorted prizes were
spread out on a sloping table. Anyone who could land a penny squarely on one of
these objects was given a similar one as a prize.I was touched to see that both girls ignored all the targets except a box of fifty
cigarettes which they were determined to win for me. After numerous attempts, Kate
landed her penny successfully and you would have loved to have seen her radiant little
face.Eleanor.
Dar es Salaam 22nd October 1946
Dearest Family.
Back in Tanganyika at last, but not together. We have to stay in Dar es Salaam
until tomorrow when the train leaves for Dodoma. We arrived yesterday morning to find
all the hotels filled with people waiting to board ships for England. Fortunately some
friends came to the rescue and Ann, Kate and John have gone to stay with them. Jim,
Henry and I are sleeping in a screened corner of the lounge of the New Africa Hotel, and
George and young George have beds in the Palm Court of the same hotel.We travelled out from England in the Winchester Castle under troopship
conditions. We joined her at Southampton after a rather slow train journey from
Nottingham. We arrived after dark and from the station we could see a large ship in the
docks with a floodlit red funnel. “Our ship,” yelled the children in delight, but it was not the
Winchester Castle but the Queen Elizabeth, newly reconditioned.We had hoped to board our ship that evening but George made enquiries and
found that we would not be allowed on board until noon next day. Without much hope,
we went off to try to get accommodation for eight at a small hotel recommended by the
taxi driver. Luckily for us there was a very motherly woman at the reception desk. She
looked in amusement at the six children and said to me, “Goodness are all these yours,
ducks? Then she called over her shoulder, “Wilf, come and see this lady with lots of
children. We must try to help.” They settled the problem most satisfactorily by turning
two rooms into a dormitory.In the morning we had time to inspect bomb damage in the dock area of
Southampton. Most of the rubble had been cleared away but there are still numbers of
damaged buildings awaiting demolition. A depressing sight. We saw the Queen Mary
at anchor, still in her drab war time paint, but magnificent nevertheless.
The Winchester Castle was crammed with passengers and many travelled in
acute discomfort. We were luckier than most because the two girls, the three small boys
and I had a stateroom to ourselves and though it was stripped of peacetime comforts,
we had a private bathroom and toilet. The two Georges had bunks in a huge men-only
dormitory somewhere in the bowls of the ship where they had to share communal troop
ship facilities. The food was plentiful but unexciting and one had to queue for afternoon
tea. During the day the decks were crowded and there was squatting room only. The
many children on board got bored.Port Said provided a break and we were all entertained by the ‘Gully Gully’ man
and his conjuring tricks, and though we had no money to spend at Simon Artz, we did at
least have a chance to stretch our legs. Next day scores of passengers took ill with
sever stomach upsets, whether from food poisoning, or as was rumoured, from bad
water taken on at the Egyptian port, I don’t know. Only the two Georges in our family
were affected and their attacks were comparatively mild.As we neared the Kenya port of Mombassa, the passengers for Dar es Salaam
were told that they would have to disembark at Mombassa and continue their journey in
a small coaster, the Al Said. The Winchester Castle is too big for the narrow channel
which leads to Dar es Salaam harbour.From the wharf the Al Said looked beautiful. She was once the private yacht of
the Sultan of Zanzibar and has lovely lines. Our admiration lasted only until we were
shown our cabins. With one voice our children exclaimed, “Gosh they stink!” They did, of
a mixture of rancid oil and sweat and stale urine. The beds were not yet made and the
thin mattresses had ominous stains on them. John, ever fastidious, lifted his mattress and two enormous cockroaches scuttled for cover.We had a good homely lunch served by two smiling African stewards and
afterwards we sat on deck and that was fine too, though behind ones enjoyment there
was the thought of those stuffy and dirty cabins. That first night nearly everyone,
including George and our older children, slept on deck. Women occupied deck chairs
and men and children slept on the bare decks. Horrifying though the idea was, I decided
that, as Jim had a bad cough, he, Henry and I would sleep in our cabin.When I announced my intention of sleeping in the cabin one of the passengers
gave me some insecticide spray which I used lavishly, but without avail. The children
slept but I sat up all night with the light on, determined to keep at least their pillows clear
of the cockroaches which scurried about boldly regardless of the light. All the next day
and night we avoided the cabins. The Al Said stopped for some hours at Zanzibar to
offload her deck cargo of live cattle and packing cases from the hold. George and the
elder children went ashore for a walk but I felt too lazy and there was plenty to watch
from deck.That night I too occupied a deck chair and slept quite comfortably, and next
morning we entered the palm fringed harbour of Dar es Salaam and were home.Eleanor.
Mbeya 1st November 1946
Dearest Family.
Home at last! We are all most happily installed in a real family house about three
miles out of Mbeya and near the school. This house belongs to an elderly German and
has been taken over by the Custodian of Enemy Property and leased to the
Government.The owner, whose name is Shenkel, was not interned but is allowed to occupy a
smaller house on the Estate. I found him in the garden this morning lecturing the children
on what they may do and may not do. I tried to make it quite clear to him that he was not
our landlord, though he clearly thinks otherwise. After he had gone I had to take two
aspirin and lie down to recover my composure! I had been warned that he has this effect
on people.Mr Shenkel is a short and ugly man, his clothes are stained with food and he
wears steel rimmed glasses tied round his head with a piece of dirty elastic because
one earpiece is missing. He speaks with a thick German accent but his English is fluent
and I believe he is a cultured and clever man. But he is maddening. The children were
more amused than impressed by his exhortations and have happily Christened our
home, ‘Old Shenks’.The house has very large grounds as the place is really a derelict farm. It suits us
down to the ground. We had no sooner unpacked than George went off on safari after
those maneating lions in the Njombe District. he accounted for one, and a further two
jointly with a Game Scout, before we left for England. But none was shot during the five
months we were away as George’s relief is quite inexperienced in such work. George
thinks that there are still about a dozen maneaters at large. His theory is that a female
maneater moved into the area in 1938 when maneating first started, and brought up her
cubs to be maneaters, and those cubs in turn did the same. The three maneating lions
that have been shot were all in very good condition and not old and maimed as
maneaters usually are.George anticipates that it will be months before all these lions are accounted for
because they are constantly on the move and cover a very large area. The lions have to
be hunted on foot because they range over broken country covered by bush and fairly
dense thicket.I did a bit of shooting myself yesterday and impressed our African servants and
the children and myself. What a fluke! Our houseboy came to say that there was a snake
in the garden, the biggest he had ever seen. He said it was too big to kill with a stick and
would I shoot it. I had no gun but a heavy .450 Webley revolver and I took this and
hurried out with the children at my heels.The snake turned out to be an unusually large puff adder which had just shed its
skin. It looked beautiful in a repulsive way. So flanked by servants and children I took
aim and shot, not hitting the head as I had planned, but breaking the snake’s back with
the heavy bullet. The two native boys then rushed up with sticks and flattened the head.
“Ma you’re a crack shot,” cried the kids in delighted surprise. I hope to rest on my laurels
for a long, long while.Although there are only a few weeks of school term left the four older children will
start school on Monday. Not only am I pleased with our new home here but also with
the staff I have engaged. Our new houseboy, Reuben, (but renamed Robin by our
children) is not only cheerful and willing but intelligent too, and Jumbe, the wood and
garden boy, is a born clown and a source of great entertainment to the children.I feel sure that we are all going to be very happy here at ‘Old Shenks!.
Eleanor.
In reply to: Twists and One Return From the Time Capsule
Nora moves silently along the path, placing her feet with care. It is more overgrown in the wood than she remembers, but then it is such a long time since she came this way. She can see in the distance something small and pale. A gentle gust of wind and It seems to stir, as if shivering, as if caught.
Nora feels strange, there is a strong sense of deja vu now that she has entered the forest.
She comes to a halt. The trees are still now, not a leaf stirs. She can hear nothing other than the sound of her own breathing. She can’t see the clearing yet either, but she remembers it’s further on, beyond the next winding of the path. She can see it in her mind’s eye though, a rough circle of random stones, with a greenish liquid light filtering through. The air smells of leaf mould and it is spongy underfoot. There’s a wooden bench, a grassy bank, and a circular area of emerald green moss. Finn thinks of it as place of enchantment, a fairy ring.
Wait! Who is Finn? Where is this story coming from that whispers in her ear as she makes her way through the woods to her destination, the halfway point of her clandestine journey? Who is Finn?
She reaches the tiny shivering thing and sees that it is a scrap of paper, impaled on a broken branch. She reaches out gently and touches it, then eases if off the branch, taking care not to rip it further. There is a message scribbled on the paper, incomplete. meet me, is all it says now
The crumpled up paper among the dead leaves beside the path catches her eye. No, not impaled on a branch but still, a bit of paper catches her eye as the mysterious ~ ephemeral, invisible ~ story teller continues softly telling her tale
Finn feels dreamy and floaty. She smiles to herself, thinking of the purpose of her mission, feeling as though it is a message to her from the past. She is overwhelmed for a moment with a sense of love and acceptance towards her younger self. Yes, she whispers softly to the younger Finn, I will meet you at the fairy ring. We will talk a bit. Maybe I can help
But wait, there is no meaningful message on the crumpled paper that Nora picks up and opens out. It’s nothing but a shopping receipt. Disappointed, she screws it back up and aims to toss it into the undergrowth, but she hesitates. Surely it can’t have no meaning at all, she thinks, not after the strange whispered story and the synchronicity of finding it just at that moment. She opens it back up again, and reads the list of items.
Olive oil, wine, wheat, garum…. wait, what? Garum? She looks at the date on the receipt ~ a common enough looking till roll receipt, the kind you find in any supermarket ~ but what is this date? 57BC? How can that be? Even if she had mistranslated BC ~ perhaps it means British Cooperative, or Better Compare or some such supermarket name ~ the year of 57 makes little sense anyway. And garum, how to explain that! Nora only knows of garum in relation to Romans, there is no garum on the shelves between the mayonaisse and the ketchup these days, after all.
Nora smooths the receipt and folds it neatly in half and puts it in her pocket. The shadows are long now and she still has some distance to walk before the halfway village. As she resumes her journey, she hears whispered in her ear: You unlocked the blue diamond mode. You’re on a quest now!
Smiling now, she accelerates her pace. The lowering sun is casting a golden light, and she feels fortified.
In reply to: Tart Wreck Repackage
Rosamund gaped at her aunt. “Really, Auntie April? Wow!” She leaped up, not noticing her aunt smirk, and climbed into the wardrobe.
Seizing the moment, April tossed her pizza aside and sprang over to to the wardrobe door, slammed it shut and turned the key. Leaning her back on the locked door, she smiled triumphantly.
The office door opened slowly, due to the melted cheese stuck on the carpet that had slid down the door when the pizza hit it. Fortunately for April the door got stuck on an olive, providing a valuable few seconds in which to grab the broom and flee to the rest room before Star and Tara entered the room.
“Don’t let me out until April!” a muffled voice joined the banging sounds coming from the wardrobe.
“The client is still in the wardrobe!” Tara said, exasperated. “And where the hell is Rosamund? She was supposed to let that woman out! Useless, that’s what she is.”
“Just ignore her until Rosamund comes back. Sounds like she’s gone a bit mental already anyway. Why does she want to stay in there until April? It’s months away.”
“I’m going home, it’s been a long day. Come on, let’s leave a note for Rosamund to deal with it. She took long enough off work, now it’s our turn.” Star didn’t need any more persuading.
In reply to: Tart Wreck Repackage
“It’s surprisingly roomy that wardrobe, isn’t it?” said Aunt April, somewhat placated by pizza.
Rosamund nearly choked on an olive. Poor old auntie has lost it! “Roomy…what are you on about, Auntie eh?” she asked gently. After all got to be kind to the old dear—she is filthy rich.
They both looked at the wardrobe.
“Hmmm …I admit it doesn’t look that big from the outside but there’s that door at the back …”
“Right, a door is there, Aunt April … how about a nice cuppa?”
“Now, Rosamund, don’t you talk down to me, Young Lady. Once you get past all those coats … “ she paused to stroke the fur lovingly … “there is a door and behind the door is a room with a nice comfy sofa. I slept there last night.“
In reply to: Tart Wreck Repackage
“Rosamund’s Aunt Joanie is a vegan anti-vaxxer,” said Tara, frowning at the large piece of pizza being shovelled into Rosamund’s mouth.
“That’s right,” Rosamund nodded enthusiastically. “Anti-vegan vaxxer and she don’t eat nothing with no eyes either. She drives Mum bloody mental going on about how the animals have got souls while Mum’s trying to enjoy a nice baccy fry up. Mum calls her Aunt Moanie.”
Tara shuddered and turned her attention firmly to the laptop. “This is very strange,” she muttered. “Star, what exactly do we know about Mr Vince French?”
Star smirked. “Other than his obvious attributes?”
“Which are?” Tara’s voice was sharp and Star sighed. Tara could be a mardy cow sometimes.
“You mean the fella with the voice like a bloody angel?” asked Rosamund, spitting an olive onto Tara’s sleeve. Tara swore under her breath as the olive bounced to the floor. Fortunately there was no mark; it was a new blouse and had cost Tara an arm and a leg. Worth the investment, she had reasoned at the time. One must look the part. And clearly, her Moulin Rouge ensemble wasn’t a good look for a Professional Investigator, even with fishnets and a feather boa.
“He cancelled his appointment but he paid the, quite frankly exorbitant, deposit we asked for,” said Star. “He’s going to email us the rest of the details. Do we need to know more that that?”
“Well, I’ve been doing a search and there is nothing anywhere online about him, or his world famous melodious voice. I suggest we pay this Mr French a visit.”
“Oh bloody awesome!” Rosamund leapt to her feet and pizza boxes went flying. “Oops, sorry about that. I’ll clean it soon as we get back.”
In reply to: Pop﹡in People Tribulations
“Cute pyjamas”, said Maeve helping herself to butter from the refrigerator.
Maeve didn’t need the butter any longer as she had discovered she could successfully substitute olive oil and the muffins were still deliciously fluffy. However she did need an excuse to enter Shawn Paul’s apartment. Emboldened by recent events, she was privately rather pleased with her recent brazen persona. The Maeve of a week ago would never have barged into anyone’s apartment without an invitation.
Not finding anything suspect in the refrigerator, except maybe some oranges which looked past their use by date, she scanned the rest of Shawn Paul’s apartment. It was then she spied the package, mostly obscured by old notebooks and granola cookie boxes.
“Find what you were looking for?” asked Shawn Paul. He had found his dressing gown under a pile of clothing on the floor.
“Yes, thanks,” said Maeve, brandishing the butter at him and wondering how she could get hold of the package without Shawn Paul noticing. “So, how long have you been a writer? Have you had anything published?”
A quick google search had not uncovered anything, but perhaps he wrote under a pseudonym. Best to give him the benefit of the doubt.
Shawn Paul looked awkward.
Or was it guilty? Maeve wondered. While she was pondering this, she had her brainwave. Some would say it wasn’t much of a brainwave really, or indeed, a brainwave at all. But it was the best she could do under the circumstances. And after all, she was now an intrepid investigator.
“Look over there!” she shouted pointing at the window and at the same time making a lunge for the dining table.
“What are you doing?” asked Shawn Paul. There was nothing at the window and now Maeve was taking his package.
In reply to: Seven Twines and the Dragon Heartwoods
Rukshan had hardly any time to think about the trees of his area of enchantment in the past days. Actually, he’d rushed to the Clock every morning at dawn, and was busy until dusk, after which he slept like a log, to start the cycle again.
As he looked into the mirror in the morning, observing the hints of fatigue under his green eyes dulling the glow of his dark olive skin, he realized that there was only so much that his morning yoga could do to help rejuvenate.
He sighed and tied his sleek dark hair into a top knot.The trees and the profound wisdom of their calm silence was still here, at his fingertips, in such contrast to the daily activities, that he wondered if the workings of the heart completely eluded him. After all, he couldn’t say he loathed his overseeing and mending job, not could he say that he didn’t pour his heart in it. But still, something about it felt artificial in some ways.
When he arrived at the Clock Tower in the morning, the air was still fresh, and the stairs wouldn’t yet smell of the usual cat piss. The clock’s time was still a smidgen behind. Usually, he would just to the best he could, and just let things patch themselves up, but it seemed as though this time, the change of structure was more profound, requiring from him to go… for lack of better way to put it,… the heart of the matter.
From the top of the tower, he would usually hardly go lower than the first level where the 12 mannequins were stored and revolved around the central axis to appear at each hour, until noon and midnight were they would all play an elaborate dance.
Below that level laid the belly of the beast. An intricate assemblage of copper wires, brass mirrors, lanterns and scalipanders, accessible by simple steps coiled around the central axis, hiding below a round wooden hatch.
In reply to: Seven Twines and the Dragon Heartwoods
When Eleri’s little dog started coughing and wheezing again her first reaction was to snap at him. Irritating though it inevitably was, once again she realized she’d been holding her breath somehow, or probably more accurately, holding her energy. Or holding everyone elses, like a brick layers hod carrier, weighed down with blocks from other peoples walls.
“It’s too hot in here, come outside,” she said to the scruffy mongrel. The cozy warmth of the wood stoves had become stifling. She slipped through the door into the cool night.
Breathe, she said to herself, momentarily forgetting the gasping dog. Her hunched shoulders descended jerkily as she inhaled the sodden air, wondering about ozone or ions, what was it people said about the air after the rain? Whatever it was, it was good for something, good for the heart and soul of mortal humans.
Feeling better with every breath, Eleri noticed the olive branches rustling wetly overhead. The olive tree had been planted too close to the fig tree ~ wasn’t that always the way, forgetting how large things grow when one plants a seed or a sapling. As the old fig tree had broadened it’s sheltering canopy, the olive sapling had reached out an an angle to find the sun, and sprinted upwards in a most un olive like manner. This reminded her of the straight little sapling story, which had always irritated her. What was commendable about a row of straight little soldier saplings anyway? All neat and tidy and oh so boring, none of them stepping out of line with a twist here or a gnarl there. No character! But the olive tree, in it’s race towards the light, leaned over the gable end of the dwelling as if spreading it’s arms protectively over the roof. A regimental straight sapling would have simply withered in among the fig leaves, whereas this one had the feel of a grandfatherly embrace of benevolent support.
What was it she’d heard about trees and oxygen? They exhaled the stuff that we wanted and inhaled the stuff we didn’t want, that was about as technical as she could muster, and it was enough. She breathed in tandem with the trembling rain sparkled leaves. In. And out. In, and out. Deeper breaths. Damn, it was good! That was good air to be breathing, what with the rain and the trees doing their thing. And there for the taking, no strings attached.
When the oven timer interrupted her sojourn in the night air, Eleri noticed that the little dog had stopped coughing. On her way back inside, she noticed the new mermaids patiently awaiting a coat or two of sea green paint and wondered if she would ever find a dragon to replicate. She was sure they’d be popular, if only she could find one.
In reply to: The Chronicles of the Flying Fish Inn
Funny how things pop up. While Clove was taking supper to the guy in room 8, I signed into Spacenook and the first thing on my perusefeed was an article about maps.
“Cartographies can be altered endlessly to reflect different priorities, hierarchies, experiences, points of view, and destinations.”
How syncy is that. There was another sync like that yesterday, after the kitten fell off the barn roof. I was just posting a photo of the kitten on Spacenook and glanced at the sidebar and there was an ad for a catnip garden memories of dead cats group thing there. I wonder if that dream I had of our old dog Lilly the other day was because the kitten was a remanifestation of her? Lilly’s name was supposed to be Delilah, that’s what it said on her papers, Delilah, but nobody ever called her that. We always called her Lilly.
Anyway, they come and they go, we’ve had hundreds of cats wander through this town, but they always come back. I saw a rat the other day and it reminded me of Boozer, the old sheepdog we had when we were little.
Funny thing was, yesterday morning I’d posted this poem by Mary Oliver:
“…. Tell me, what else should I have done?
Doesn’t everything die at last, and too soon?
Tell me, what is it you plan to do
With your one wild and precious life?”Made me feel a bit better when I read it again later, because I did wonder if I’d got there quicker when I heard it crying, when it must have been halfway done falling and stuck on a branch, it might not have ended up the way it did. It must have been meant to be that way I suppose. Well, she’ll be back. They always come back sooner or later.
Sighing, I refocused on the article.
“Maps produce new realities much as they seek to document current ones. Maps are always a going-beyond the space-time of the present.”
No mention of a room full of map covered mannequins in the Brundy place though.
In reply to: The Time-Dragglers’ Extravaganzas
A man on a donkey making his way through the dust and rubble of the crumbling city elicited no attention, it was a common sight that attracted no attention. Sanso covered his hair and face with a blue shawl, more to keep the acrid cement dust out of his eyes that for purposes of concealment.
The destruction was appalling, but wonderfully symbolic ~ there were buildings still standing like lone sentinels amid the piles of smashed grey blocks and mangled steel girders, but the huge gaps where the great wall had been allowed a view of the rolling plain beyond. The heat shimmered across the golden dry vegetation, silver grey olive trees gnarled haphazardly on the gentle slopes, and far off a milky haze rose above the distant sea.
The donkey picked his way nimbly though the wreckage, scurrying figures clutching babies and assorted items rushed towards the holes in the perimeter wall, where the ragtaggle crowds fanned out as they ran through to the other side, as wild shouts of jubilation ~ as well as plaintive cries for loved ones lost in the chaos ~ ricocheted through the gutted buildings.
The donkey stopped at a site of devastation indistinguishable from all the others, and indicated to Sanso by bucking him off his back that this was the ruined tile factory, and then Lazuli shapeshifted back into his usual human form ~ short but stocky, black haired and brown eyed, with eyebrows that met in the middle ~ for ease of communication.
“Over there, look!” Lazuli pointed to wisps of dust rising from a depression in the rubble.
Shading his eyes from the glare of the sun, Sanso could make out four bent figures searching the debris, pulling out stones and tossing them aside, evidently searching for something.
“Fanella! I have come back for you!” Sanso cried, stumbling and banging his shins as he rushed over to her.
“And I have come for you too!” added Lazuli, following Sanso, and hoping to make a favourable impression on the girl, smitten with her long golden hair, elfin features and slender body.
“About bloody time, Sanso” said Lisa tartly, easing her aching back into an upright position. “You may as make yourself useful, and help Pseu find the tile she’s looking for and then we can get out of this godforsaken hellhole. Jack will be wondering where we are.”In reply to: The Time-Dragglers’ Extravaganzas
“What does it say, Sanso?”
The four travelers had arrived on the island in patchy swirling fog in a field full of cucumber plants and sundials. The sundial nearest to Sanso had a letter tied to the handle with blue ribbon.
“If that’s not for me, I don’t know what is,” he snorted, untying the letter as Lisa looked at him in amazement.
“Really, Sanso, that seems so implausible,” she said.
“What does it say?”bq(Quote).“And we start to hope that if we keep on digging,” Sanso read, “All the way to the core, if we don’t stop, if we perforate the land like a honeycomb, if we make it as flimsy as silk, maybe it will suddenly collapse in on itself. And then, like a tray piled with cups of coffee and cookies that crashes to the floor in a mess of crumbs and glass, it will all mix together.
The upper part and the lower part will blend. And the rules will change. And we’ll be able to say with a sigh of relief: Here is a piece of sky mixed with a cracked piece of sea; here is Shujaiyeh mixed with Sderot; here is Zeitoun mixed with the Mount of Olives; here is compassion mixed with relief; here is one human being mixed with another. above, and with them build a new land.”
“Oh my,” said Fanella, “Are you sure we’ve come to the right place?”
“And an entire people will rise to the surface of the earth,” Sanso continued, “ Pale and faded, blinded by the sun that beats down on the land. And we will stand in silence, waiting for our eyes to adjust to the light. And as we stand there in silence, the fear and anxiety will gradually creep into our heart, that while we were finding refuge in subterranean Gaza, the land above took its own life, was left behind and emptied out.”
“Gorden Bennet,” said Lisa.
In reply to: The Time-Dragglers’ Extravaganzas
While she was adjusting her bikini over her fake boobs, Maurana Banana felt a sudden pang of panic. Nothing that could be lipsynched away with bursting into some Name Game song
Everything was here, yet she didn’t feel fleshed out enough. She wasn’t talking about gaining some padding, she had plenty enough of that, but more about depth and character. At times, she even felt highly suggestible.
The sound of the waves crashing down the rugged black volcanic stones under the white sand was soothing. The others’ shrills of delight could be heard miles away, they were hoping for a dolphins’ pod sighting and had even abandoned the Goochi platform shoes to be more comfortable.
Sadie was very quiet, and at times felt almost like she was about to say hello and run out of conversation. However, she told something that had struck the Reggie inside the Maurana’s persona. That she should act on her highest excitement, and that there was no more to life than that.
Easy enough when in drags, but when out of the wigs, make-up and fake eyelashes and acrylic nails, it was like being an out-of-water dolphin. Nothing but a big fat stranded sardine without appeal, just good for an extra pouring of olive oil.Before being a drag queen, Reginald worked a few jobs since a young age, mostly deliveries. The last one he got was more stable, a job as a security guy. He’d almost blundered at the interview, he laughed at it now, when he’d forgotten to remove the Gothic styled nails from the night. Instead of hiding them and look stupid, he had the good sense to invent those crazy stories like the ones he would tell his teacher when he forgot some homework deadline.
Security was better than delivery, there was no denying. Being in a position were people were not quite paying attention to you, but still eyeing you from the corner, as if you could do something vicious or bully them out of the building. She liked that.
There was always excitement as there were plenty of crazy people each day to be escorted out, so following excitement wasn’t difficult. Following yours was more of a catch.She’d joined the drag contest to win her own highest excitement. She already got points for being the first pick-up of the jury before Consuela and Terry, and also for being the one to snatch the key.
She put the last touch of green on her eyelids with a hand flourish. She was perfect. For now, that was something to get excited about.
