Search Results for 'pants'

“Can’t you use one of these neat rockets of designer? We’re in 2222 for fuck’s sake!”, asked a lean green-faced lady, with her cheeks decorated with cucumber slices, who was lying next to Sanso in the pneumatic rotating bed of the R&R B&B.
“Can’t discuss business with you honey, sorry” he snapped, while looking for his pants and gilded codpiece in the mess of the room.

“And I thought of us as partners in crime…” she shrugged. Nonplussed, and quite naked apart from the cucumber covered parts, she lit a swigarette and switched the holographic display on.

“…when launching a rocket to orbit, a “dogleg” is a guided, powered turn during ascent phase that causes a rocket’s flight path to deviate from a “straight” path. A dogleg is necessary if the desired launch azimuth, to reach a desired orbital inclination, would take the ground track over land (or over a populated area, e.g. Russia usually does launch over land, but over unpopulated areas), or if the rocket is trying to reach an orbital plane that does not reach the latitude of the launch site. Doglegs are undesirable due to extra onboard fuel required, causing heavier load, and a reduction of vehicle performance.”

Sanso turned his head towards the display and raised an eyebrow. “Hell if I understood what it means, but that certainly explains a few things”.

“You’ve fattened.” She had not yet set foot on land that Vera’s first comment to Lulla set the tone.
Lulla threw the rest of the skewer in the bin, and managed a genial laughter. She was not one to take umbrage, much less to hold grudges. And although technically Vera was not right (she had managed to lose a stone since Fat Tuesday), she was still weighing a whooping 23 stone. Far from her 57 kg ideal weight. She laughed to herself at the thought that she was weighing more than two of her ideal self. That had to account for something.
Relocating from the coast of Guyana where she was born to São Paulo had not been easy on her silhouette, as she liked to blame the greasy fast-food here. But at some point she had ceased to care, although such snarky remarks sometimes still managed to push her buttons.

“Yes, I know, look at those leggings, the stripes have that effect on me.” she simpered with a wink that she was sure would annoy Vera no end. “So what are we doing here small Pohnpei, micro-Micronesia of all places anyway?” She asked, pushing her pocket-size folding Eggsway ahead of the curb, while Vera was strolling at her side, in long strides of her fine endless legs.
“To do some cleaning, what else?”

Lulla stopped her Eggsway to look with bewilderment at the stoical Vera.
“Madam Vera Pappaloosa,” she said slowly, with a hint of concern in her voice. “I hope it’s not one of those messy jobs again that require to dress in funny smelly hot pink outfits that make us look like hot pink plastic bag ladies, and swim in it until you’ve lost two pants sizes by sweating them off?”
“Oh, stop it Lulla. You guessed right, I suppose. But don’t worry, you can keep your hat on.”

Lulla was ready to turn her heels, or rather her Eggsway’s wheels around, when she was surprised by Vera’s crystalline laughter. She was all the more surprised that she didn’t even know Vera was capable of laughter, being so expert at concealing her emotions.
“I was just pulling your leg, we’re on a mission to find the next Pope.”

Well trained by the dictates of his religion, Luigi was unaccustomed to listening to his intuition (it was the work of the devil and the weakness of his sinful self, he believed), but as he mopped up the spilled coffee, he had an impulse so strong that he was unable to control it, and picked the book up and stuffed it into the inside pocket of his jacket. He checked his watch ~ what! it was 7:57 already! Where had the time gone? Five minutes later he emerged into the rosy glow of the early morning sunshine, making his way accross the square to the cafe where he customarily had coffee after his night shift at the Library. The occupants of the tents in the square were rustling about inside the tents, some of the early risers were sitting on folding chairs brewing up coffee on primus camping stoves. As Petronella poked her tousled head out of her tent, dreams of banana puddings in polystyrene cups still in her head, an old man shuffled past. A flock of pigeons swooped down at that moment, causing the old man to lurch. A book slid to the ground from under his jacket but he didn’t notice as he carried on accross the square. Petronella picked the book up, and retreated back into her tent.

“And what about Waterfringingmelon in Welsh, is that still too short?”“, Mrs bossy-pants Janet asked when she heard of the objections, still too lazy to recount the number of letters in between the W and the N.

Messmeerah started to carve the name of all the funny bunch on a huge jamón from the fifth leg (the meatiest) of a jelly boar of the steppes, starting with her own —name, not leg— as a reminder of the good time they had all together. She was thinking as well that it would taste lovely with some of these Jiborium’s truffles.

She was sad to had to let them go, but frankly her old routines were starting to get too scrambled. For one, she didn’t quite remember if Minky was still a redhair rat in her hair (now she thought of it, breeding tiny shrews in her attic didn’t really work so well), or was now back in his human form with a secret revenge of his own on his mind. But that would be maybe a slight stretch. And gosh, did she abhor stretch marks, even on her lovely brains.

— “Oh come on, dear,” one of the motley participants, a cheery big-boned and outrageously made-up of make-up woman said in a bizarre Lizabethian accent, with a hint of bossiness that showed she had not been used to being contradicted much in her life. “Join us on that trip to Mr Jiborium’s, you shall find yourself a use or two.”

Taken aback by the turn of the events, Messmeerah, also known as Winky, took the jamón under her arm, and against all common sense decided to join the crew —thanking the Mighty Mungibs for the improbable feat of continuity that had appeared as a sign.

— “Well, if you don’t mind…” Yikesy was starting to object, but realized some things are best left unsaid, and it would be easy enough now to slip out of their sight (and off the rapacious motherly attentions of Mrs Janet, the big-boned tasteless-bags lady with an accent.)

— Of course, the secret location is Watermelon, interjected one of the participants rather bossily, one must say.
— Give or take a few letters…
— Or in Welsh maybe…

One tiny thing that Pee and his family wasn’t entirely aware of, as well as poor Bentworth Sadnick, was that the Old Portal was indeed… old.
An ancient generation’s which allowed only transfer of biological entities, whereas all things manufactured, such as the latest shiny head-fasteners, wouldn’t be passed through the portal.

This would have explained to the inquiring minds why there was an inordinate amount of plastic garbage in front of the rusty and Old Portal to the Eighth Dimension.

But no one thought of asking, forgetting for the most part that the elastics of their pants were made mostly of inorganic stuff…

A sudden message popped into the bathtub.
Opening the capsule, it was obvious it came from the future, as the color code was unmistakable.

Well Fall is officially here now. Time to get down to business. How would up to 3k extra a week fit into your life? We have alot of fun doing it and you can to. Call the number below to hear how you can get onboard.

The last part was more intriguing. Probably a code.

Lester’s ex-wife keeps the milk cold. Batman316 is a nugget.

He rose from the bubble of now cold goat milk bath for his sensitive skin, and dried his muscular body.
For this mission, he probably would have to get onto those old generation portals. He always had a spare pants for those missions, as only bio material could travel though. He sure didn’t want his pants to disintegrate in the heat of the action.

Quite frankly, Midora didn’t know how and where to look for Badul. She had spent lots of time delving into the labyrinth of chapters that composed the book, at first to no avail.
Only after some familiarization with the narrative had she come to roughly understand that the two books where rewriting the pages —or even, rewiring them— so that each time she started over, it was like a similar yet different story. Most of the alternate versions did occur within the same kind of environment, or the same dimensions as the previous ones, but there were always all kinds of small hints that made her get a small hunch that it was not quite the same story she had read before that was taking place now.
She had even become quite good at tracking down these flimsy moments where she found herself wondering what felt “different”, at odds, or simply not quite at the same place. Like in her dreams, these were precious cues telling her to pay attention. More than simple cues, of course some of them where howling at her face that something required her attention. The additions made by her distant relative Dory, or later on by her step-daughter Becky were compelling cases of such occurrences. Asynchronous apparitions of mummies sometimes reminded her of stories told by one of her father and where more generally speaking of symbolic death and regeneration, but when all of these cues where as many portals the details of which she could lose herself in…

Naasir had told her to find Badul. She knew Badul… Like Midora herself, Badul was a facet of the dreaming dragon who was exploring the many facets of itself in an intricate play, and it felt to her that Badul was stuck somewhere in the process and required some attention. In fact, she remembered that in all the versions of the stories that she had read about, Badul’s history was never ended. Each time, he was on his way to explore the new land he had discovered, and somehow, he just never get there.
When she was trying to get to the rest of the story, as much as she would search for it, there were only blank pages.
Perhaps it was for her to write them, like Indy did after she encountered that mummy decades ago, not necessarily to exorcise the experience, but rather to learn more about her connections.

What were her own connections? She wondered.
What did happen to Badul on his way to the clandestine traveling portal of Gralm Tur? And why did it matter? Did he found something about the network, and some link to the skulls which have been an obsession for quite some time for some of the major and most intriguing characters of this inter-dimensional sopoohpera?

Truth was, Badul felt a bit like an oddball to her. She didn’t know how to get close to him. Apparently, when she had read the early articles from her great-uncle Cuthbert, she had found out that he had connected quite well to the daunting character. As a matter of fact, most of his comments had helped flesh out the character, while most of the other participants in the books had been only remotely observing his deeds. However priceless these clues were, Midora knew by now that they were not absolute, and would rewrite differently if the story was asking for it. And in fact, perhaps her own addition would change whatever his fate would have been.

Midora could feel Badul differently now… a young boy, whom she is babysitting, in another life.
Bastian is baby Badul’s name and he’s a toddler, a toddler exploring an unknown world made of colourful toys.
Midora (her name’s Ada in that focus) likes to work for little Bastian’s family. The woman, his mother, looks a bit odd like Morticia Addams, or like a Cher just out of her bed, but Ada likes her. She’s busy traveling alot, and doesn’t have much time to care for the baby.

Midora thinks she has read about his woman somewhere in the books…
Could it be that? Yes,… there is little doubt about it.
It seems like she’s just run into young Carla…

September 24 ^th

Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

Relevant extracts:

At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…

This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

September 26 ^th

The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

Here would be what we will say to him, if he wants to listen:

« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.

« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

« We will let you ponder this, and we will continue our own story, writing about you… »

September 28 ^th

This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.

This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

With that said, let us see how much more will appear from that sandbox…

September 30 ^th

The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

The Secret Life of Margaret Wrick , a newspaper cut from 2033.

October 7 ^th

The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…