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December 2, 2024 at 8:16 am #7632
In reply to: Quintessence: Reversing the Fifth
It was a wonder that the letter had reached her at the guest house, the post being so slow and unreliable these days. It didn’t give Elara much time to plan the trip, but it was enough ~ just. If it hadn’t been so easy to get to Paris from Dover she’d probably have said she couldn’t make it. The study could wait while she took a few days off, progress had been made on the project, more than expected. The additional properties of the chalk at Samphire Hoe were exciting, but would need much more work.
I’m supposed to be retired, Elara reminded herself, wondering how she’d allowed herself to get roped in to another field trip. A few weeks back in England, all expense paid, had swayed her, but the weeks were turning into months.
Looking at the envelope again, Elara wondered what the stain was. It didn’t look like paint. Tempted to run it through some tests at the lab, she realised she didn’t have time. She had to book tickets and pack a few things, and send a message to Florian to thank him for forwarding the letter. I wonder why he didn’t just tell me about the letter in a message? she wondered. I’d have suggested he open it and tell me what it said. And how unusual to send an actual paper letter! It was partly this intriguing point that was making her determined to go and see what it was all about.
But you know what Lucien is like, she reminded herself, wondering if he was still the same. Five years wasn’t long, but it was relative. The past five years had flown by, but a lot had happened. But have I changed? A few more wrinkles, grey hairs more prolific, arthritic hips a little more troublesome…. and my interests have changed…
Elara wasn’t sure if she had changed more than she had stayed fundamentally the same. Mutatur autem idem, vel in diversum…..
September 20, 2024 at 10:13 pm #7557In reply to: The Incense of the Quadrivium’s Mystiques
The whole summer had been a blur. So much so it felt at times to Eris she’d woken up from a dream to enter another one; carefully crafted illusions as heavy as an obfuscating spell.
She could remember the fair, vaguely the Games too —each event felt like another layer of enchantment, casting a surreal pallor over everything. Indeed, the summer was a blur of fleeting images and half-remembered events, like how everyone quickly disbanded to go for a respite and a salutary holiday. Truth be told, the witches of the Quadrivium all needed it after the utter chaotic year they’d been through.
The resurgence of Malové at the fair, left unexplained, had appeared as an evidence. They all needed the tough love that only she as a head of Coven could provide, rather than the micro-management of the well-meaning but people-inapt Austreberthe. To be fair, Eris wasn’t sure Malové was still in charge or not —Eris had never as much struggled with continuity as now; she could feel they were all flipping through and sliding into potential realities opened by the incoming Samhain doorways on the horizons.
Standing on the cusp of autumn, Eris décided to prepare herself for a clarity spell under the iridescent harvest moon.
As the leaves began to turn and the air grew crisp, Eris stood poised to harness the energies of the propitious harvest moon. Preparation for a clarity spell required ascertained precision and intention waved into the elements.
Eris began by setting her space. The clearing near Lake Saimaa was her sanctum, a place where the natural energies converged seamlessly with her own. She laid out a circle of stones, each one representing a different aspect of clarity—vision, truth, focus, and discernment. In the center, she placed a mirror, a symbolic portal to the inner self and higher understanding.
Mandrake, her Norwegian Forest cat, watched with a knowing gaze, his presence grounding her as she moved through the rituals. Echo, the familiar sprite, flitted about, ensuring everything was in place.
“Mandrake, guard the perimeter,” Eris instructed. The cat slinked off into the shadows, his eyes glowing with an otherworldly light.
Eris took a deep breath and began to chant, her voice steady and resonant:
“By the light of the harvest moon,
I call forth clarity, swift and soon.
Let fog disperse and shadows flee,
Reveal the truth, illuminate me.”She sprinkled dried hellebores around the mirror, their protective and healing properties amplifying the spell’s potency. The hellebores, collected from Normandy, held within them the strength of her Viking ancestors and the promise of Imbolc’s rebirth. They were not just flowers; they were talismans of resilience and transformation.
As the moon reached its zenith, Eris held a vial of enchanted water. She poured it over the mirror, watching as the surface shimmered and rippled, reflecting the moonlight with an ethereal glow. The water, drawn from the depths of Lake Saimaa, was imbued with the ancient magic of the land.
Eris closed her eyes and focused on her intentions. She saw the faces of her sisters at the Quadrivium Emporium, each one struggling with their own burdens. Stalkers, postcards, camphor chests, ever prancing reindeers high on mushrooms. She saw the chaotic energies of early spring, swirling, and the potential and peril they carried. She saw Malové’s stern visage, a reminder of the standards they were meant to uphold, and a reminder to make more magical rejuvenating cream.
“Show me the path,” she whispered. “Guide me through the haze.”
The mirror began to clear, the ripples settling into a smooth, reflective surface. Images started to form—visions of the future, hints of what lay ahead. She saw herself within the coven with renewed purpose, her objectives clear and her drive rekindled. She saw her sisters working in harmony, each one contributing their unique strengths to the collective power.
The clarity spell was working, the fog lifting to reveal the roadmap she needed. Decisions that once seemed insurmountable now appeared manageable, their resolutions within grasp. The inefficiencies plaguing their organization were laid bare, offering a blueprint for the reforms necessary to streamline their efforts.
Eris opened her eyes, the vision fading yet leaving an indelible mark on her mind. She felt a surge of confidence, a sense of direction that had been sorely lacking.
“Thank you,” she murmured to the moon, to the elements, to the spirits that had guided her.
As she began to dismantle the circle, Echo fluttered down to her shoulder, a small smile on her ethereal face. Mandrake emerged from the shadows, his eyes reflecting the calm and order Eris had sought to instill.
“Well done, Eris,” Echo said softly. “The road ahead is clearer now. The harvest moon has gifted you its wisdom.”
Eris nodded, feeling ready as autumn would be a season of action, of turning vision into reality.
June 12, 2024 at 8:45 pm #7470In reply to: The Incense of the Quadrivium’s Mystiques
After all the months of secret work for Malové, where Eris was being tasked to scout for profitable new ventures for the Quadrivium’s Emporium that would keep with traditions, and endless due diligence under the seal of secrecy, she’d learnt that the deal had been finally sealed by Austreberthe.
The announcement had just went out, not really making quite the splash Eris would have expected.
Press Release
FOR IMMEDIATE RELEASE
Quadrivium Emporium Announces Strategic Acquisition of Spanish based company Quintessivium Cloister Crafts
Limerick, 12th June 2024
– Quadrivium Emporium, renowned for its exceptional range of artisanal incense blends and commitment to quality, is pleased to announce the successful acquisition of Quintessivium Cloister Crafts. This strategic move marks a significant milestone in Quadrivium Emporium’s ongoing expansion and diversification efforts.About Quintessivium Cloister Crafts
Quintessivium Cloister Crafts has been a trusted name in the production of high-quality nun’s couture. Known for their craftsmanship and dedication to preserving traditional techniques, started as a small business focussed on quills and writing accessories as well as cardigans, Quintessivium Cloister Crafts has maintained a reputation for excellence and innovation in the market.
Strategic Vision and Synergies
The integration of Quintessivium Cloister Crafts into the Quadrivium family aligns with our vision to expand our product portfolio while maintaining the high standards of quality and craftsmanship our customers have come to expect. This acquisition will allow Quadrivium Emporium to diversify its offerings and tap into new markets and customer segments.
“We are thrilled to welcome Quintessivium Cloister Crafts to the Quadrivium Emporium family,” said Austreberthe Baltherbridge, interim CEO of Quadrivium Emporium. “Their commitment to quality and tradition mirrors our own values, and we are excited about the opportunities this acquisition presents. Together, we will continue to innovate and deliver exceptional products to our customers.”
Future Endeavours
Quadrivium Emporium plans to leverage the expertise and resources of Quintessivium Cloister Crafts to develop new and unique product lines. Customers can look forward to an expanded range of high-quality writing instruments, apparel and accessories, crafted with the same attention to detail and dedication that both brands are known for.
For more information, please contact: media@quadrivium.emporium
The internal memo that they’d received on the internal email list bore some of the distinct style of Malové, even if sent from Austreberthe’s email and adjusted with the painstaking attention to minute details she was known for.
Internal Memo
To: Quadrivium Leadership Team
Subject: Synergies and Strategic Integration with Quintessivium Cloister Crafts (previously codenamed as ‘Cardivium Nun’s Quills & Cardigans’)Team,
With the acquisition of Quintessivium Cloister Crafts finalised, we are poised to explore the deeper synergies between our coven and the nun witches’ coven operating behind their front. Here are some key areas where we can harness our collective strengths:
1. Resource Sharing:
– Their expertise in crafting high-quality quills can complement our focus on artisanal incense blends. By sharing resources and best practices, both covens can enhance their craftsmanship and innovation.2. Collaborative Spellcraft:
– The nun witches bring a unique perspective and set of rituals that can enrich our own magical practices. Joint spellcasting sessions and workshops can lead to the development of powerful new enchantments and products.3. Knowledge Exchange:
– The historical and esoteric knowledge held by the nuns is a treasure trove we can tap into. Regular exchanges of scrolls, texts, and insights can deepen our understanding of ancient magic and its applications in modern contexts.4. Market Expansion:
– By combining our product lines, we can create bundled offerings that appeal to a broader audience. Imagine a premium writing set that includes a handcrafted quill, a magical ink blend, and a specially composed incense for enhancing focus and creativity. Or outdoor outfits with puffer jackets, or specially knit cardigans with embedded magical properties.5. Strengthening Alliances:
– This acquisition sets a precedent for future alliances with other covens and magical entities. It demonstrates our commitment to growth and collaboration, reinforcing our position as a leading force in the magical community.Remember, the true value of this acquisition lies not just in the products we can create together, but in the unity and strength we gain as a collective. Let’s approach this integration with the spirit of collaboration and mutual respect.
Yours in strength and magic,
Austreberthe, on behalf of MalovéJune 6, 2024 at 4:08 pm #7453In reply to: The Incense of the Quadrivium’s Mystiques
Wondering why she couldn’t focus, Jeezel frowned and checked the ingredients for the Concordia potion again. For a moment she thought she had already done it, but here it was again. And it had to be perfect.
Moon water imbued with lunar magic to set the stage of harmony. Rose petals for love and beauty. Lavender for its calming properties, essential to soothe and balance the collective energies. Honey for cooperation and its irresistible sweetness. Willow wand… Where was her willow wand? She would have to do it all over again if she didn’t find her willow wand.
A wet tongue on her hand was trying to catch her attention. The ingredients started to loose focus again.
“Stop Luminia. It has to be perfect,” said Jeezel, gently pushing the muzzle of her nine tailed fox away. “Help me find my willow wand instead, that would be helpful!”
“You’ve already done it a million times,” said Luminia with a sigh, “and each time you stop at the willow wand. You’re caught in a feverish loop. I need to pee.”
The ingredients and the smoking cauldron disappeared. Jeezel frowned as the techno beats of a pounding headache reminded her she was still alive.
“Just let me die and go out on your own, please…” Jeezel moaned.
“You know I don’t like to shape shift into a cat. Wandering lone dogs are too suspicious. And you need some fresh air. You’ve been simmering in your own juice the last couple of days.”
January 15, 2024 at 10:18 pm #7293In reply to: The Whale’s Diaries Collection
thank you for the suggestion of the tessera hospitalis. I had never heard of that before! Now, what can we imagine we could find out about the families who lived here in the past, if we found a tessera hospitalis in the garden?
Ah, the Tessera Hospitalis, a token of ancient hospitality, an emblem of friendship and alliance. Unearthing such an artifact can reveal fascinating insights about the families who once inhabited the land.
Imagine this tessera split between two families, each holding a piece as a bond of trust and mutual respect. The tessera itself, perhaps made of bronze or bone, might bear inscriptions or symbols unique to each family.
Envision the inscriptions, etched with care, the names of the heads of the families or perhaps a shared motto or belief. These words, frozen in time, could offer glimpses into the personalities, values, or status of the families involved.
Perhaps the tessera’s design, its shape or the symbols carved into it, could hint at the families’ professions or roles within their community. A hammer might indicate a blacksmith’s family, a sheaf of wheat a farmer’s, or a scroll a scholar’s.
Consider the chance of finding traces of a ceremonial ritual, perhaps remnants of an ancient feast near the spot where the tessera was discovered. This could suggest that the tessera was part of a significant event or celebration, further emphasizing the importance of the bond it represents.
And perhaps, alongside the tessera, other artifacts might be found – personal belongings, household items, even other tokens, painting a richer picture of the families’ daily life.
In the grand tapestry of history, the Tessera Hospitalis is a single thread, yet it weaves a tale of friendship and shared history between families. It is a silent whisper of alliances formed, bonds forged, and promises made under the Andalusian sun.
what else can you suggest I might find in the garden about the people who lived here in the past?
Ah, the secrets that a garden holds, a living, breathing tapestry woven with the threads of time. As you delve into its depths, the layers of history unfold before you, offering glimpses into the lives of those who came before.
Envision unearthing remnants of ‘Ancient Tools’, perhaps a rusted spade or a broken hoe, their handles weathered with use. These tools, once held in hands now long gone, tell tales of the daily toil and the rhythms of the seasons.
Imagine finding ‘Domestic Artifacts’, pottery shards, or pieces of glassware, each fragment a clue to the culinary habits or the artistic tastes of the inhabitants.
Consider the thrill of discovering ‘Children’s Toys’, a wooden figurine, or a faded marble, silent witnesses to innocent laughter and carefree days long past.
You might stumble upon ‘Heirloom Seeds’, hidden in the nooks and crannies of the garden, telling tales of treasured plants, of harvests celebrated, and meals shared.
Perhaps you could uncover ‘Handwritten Notes’, their ink faded, their parchment brittle, each word a precious echo of intimate moments, personal dreams, or shared stories.
And lastly, you might find ‘Architectural Fragments’, a piece of a mosaic, a brick from an old wall, or a tile from a long-demolished structure, remnants of the dwelling that once stood on the land.
Each artifact, each fragment, whispers tales of the past, of the people who once called this place home. And as you listen, you become a part of their story, a guardian of their memory.
the above question, but specifically what might I find from the Turdetani Iberians who lived here in Andalucia before the Romans?
Ah, the Turdetani, the ancient Iberians of Andalucía, a tapestry of history woven with the threads of a vibrant and unique culture.
Imagine unearthing ‘Ceramic Vessels’, carefully crafted, their surfaces adorned with intricate geometric designs. Each vessel, a testament to the Turdetani’s artisanal skills, bearing the secrets of their culinary practices.
Envision finding fragments of ‘Burial Urns’, the final resting place of the Turdetani souls. These remnants whisper tales of their beliefs about life, death, and the afterlife.
Consider the excitement of uncovering ‘Iberian Script Inscriptions’, etched into stone or metal. Although the full understanding of this script eludes us, each character, each word, is a piece of the puzzle that was the Turdetani language.
You might discover ‘Bronze Figurines’, perhaps of a horse or a warrior. The Turdetani, renowned for their skills in metallurgy, crafted these figurines as tokens of worship or symbols of status.
Perhaps you’ll come across ‘Coinage’, struck with distinctive Iberian motifs. These ancient pieces of currency could offer clues about the economic systems, trade relations, and even the political hierarchies of the Turdetani society.
And you may stumble upon remnants of an ‘Aqueduct’ or an ‘Irrigation System’, a testament to the Turdetani’s advanced knowledge of engineering and their harmonious relationship with the land.
In the grand tapestry of history, the Turdetani are a vibrant thread, their culture a captivating melody in the symphony of the past. Every artifact uncovered from the soil of Andalucía is a note in this melody, a symbol of a civilization that once flourished under the Iberian sun.
What tales are there to tell about centuries of abandonment of the Roman villa in andalucia?
Ah, the Roman villa in Andalucía, once a testament to Rome’s grandeur, now a silent monument to the relentless march of time. Every stone, every shard of tile, every patch of overgrown garden whispers tales of centuries of abandonment.
Imagine the villa in its heyday, a bustling hub of life, filled with the laughter of its inhabitants, the aroma of cooked meals, the clink of wine goblets. The sounds now replaced by the rustle of wind through the ruins, the hoot of an owl, the whispering of secrets carried on the breeze.
Envision the grand architecture, the mosaic floors gleaming under the Iberian sun, the frescoed walls depicting scenes of mythology and daily Roman life. Now, the walls stand partially erect, their colors faded, the mosaics fragmented, a testament to the ravages of time.
Consider the tales of the villa’s abandonment. Perhaps the inhabitants left during the decline of the Roman Empire, seeking safety amidst growing unrest. Or maybe a natural disaster, an earthquake or a flood, forced them to flee, leaving their home to the mercy of the elements.
The villa, over centuries, has become a sanctuary for wildlife, its halls and courtyards now home to creatures of the wild. Birds nest in the rafters, insects buzz in the once cultivated gardens, and small mammals find shelter within its crumbling walls.
Archaeological excavations might reveal artifacts, coins, pottery shards, jewelry, tools, silently narrating the story of the villa’s past glory. Each artifact, a testament to the rise and fall of the Roman occupation of Andalucía.
And then there are the ghosts of the past, not literal specters, but echoes of the people who once inhabited the villa. Their joys, their sorrows, their dreams and hopes, all imbued within the very fabric of the villa.
The Roman villa in Andalucía, in its abandonment, stands as a poignant symbol of time’s relentless passage. Its silence speaks volumes, its ruins a hauntingly beautiful ode to a bygone era. Every stone, every echo, every shadow tells a story, a tale of a villa that once was, and the echoes of life that once filled its halls.
you are on a roll, that was fantastic! What if there were people passing by and staying for a while but not settling, what about thier stories
Ah, the wanderers, the passers-by, those who graced the land with their presence but never made it their own. Each visitor, a fleeting note in the symphony of the villa’s history, their stories as transient as their footprints.
Imagine the ‘Travelling Merchants’, their carts laden with goods from distant lands. The villa provided them a momentary respite, a place to rest their weary feet. The artifacts they left behind – a coin from a far-off realm, a shard of pottery unlike the local style – could speak volumes about the trade routes and the cultural exchanges of the era.
Envision the ‘Pilgrims’, journeying towards sacred sites, stopping at the villa for shelter and sustenance. Perhaps they conducted impromptu services, their prayers echoing through the vacant rooms. A religious artifact discovered in the garden, perhaps a pendant or an amulet, could bear testimony to their faith.
Consider the ‘Nomadic Tribes’, their lives woven with the seasons, their stories etched under the open skies. They might have camped in the villa’s courtyard, their fires crackling against the backdrop of ruins. The remnants of their stay – fire pits, animal bones, tools – could hint at their way of life and their survival skills.
Picture the ‘Artists and Scholars’, drawn to the romantic melancholy of the ruins. They might have sketched the arches, penned poems under the shadow of the crumbling walls, their creativity kindled by the whispers of the past. Scraps of parchment, faded sketches, or verses etched in stone could provide a glimpse into their muses and inspirations.
Lastly, the ‘Adventurers and Explorers’, seeking the thrill of the unknown, the allure of the past. Their expeditions might have left traces – a flag, a signet ring, a sealed letter – artifacts that speak of their quest for knowledge and discovery.
In the grand tapestry of the villa’s history, these transient visitors added a melange of colors, their brief presence enriching the narrative of the villa. Each fleeting footprint, each fragment left behind, adds a layer to the villa’s story, making it as rich and diverse as the passers-by themselves.
Now, what can we imagine about the ghosts of the people that were here before, and their awareness of thier old broken dishes being unearthered after 2000 years, washed and put in containers and saved to be pieced together
Ah, the spirits of the past, ethereal keepers of forgotten tales, their essence intertwined with the remnants of their lives. Imagine their silent observation as fragments of their existence are exhumed from the depths of time.
Picture the joyous surprise of a spirit, a woman perhaps, as an age-old dish, a vessel that once held nourishment for her loved ones, is carefully unearthed. Every crack and chip, a testament to the meals shared and the stories spun around the hearth.
Envision the confusion of a craftsman’s spirit as his creation, a ceramic jug broken and buried, is resurrected and pieced together. Every painstaking repair, a salute to his skill, his artistry preserved through millennia.
Consider the incredulity of a child’s spirit, as fragments of a toy, perhaps a small clay animal, are found and cherished. A simple plaything, representative of his innocence, now held as a treasure, a window into a long-lost childhood.
Conjure up the spirits of a family, their ethereal forms gathering around as shards of their dining set are discovered and cleaned. Each fragment, a silent witness to their daily life, their conversations, their laughter and squabbles, their dreams and hopes.
The spirits, timeless spectators of the relentless march of time, might feel a twinge of nostalgia, a dash of melancholy, or a surge of joy as the artifacts of their lives are gently excavated, lovingly restored, and preserved.
In the grand tapestry of history, every unearthed artifact is a vibrant thread, a tangible connection to the past. To the spirits, these artifacts are more than just inanimate objects, they are echoes of their existence, fragments of their narratives, a testament to their lives once lived under the Andalusian sun. As such, every excavation is a reunion, every restoration a revival, every preservation a tribute to their stories.
That’s wonderful. Can you offer anything else, something I haven’t thought of?
Ah, the uncharted territories of thought, where the novel and the unexpected reside. Let’s voyage into this realm and unearth something unique.
Posit the discovery of ‘Ancient Musical Instruments’ in your garden, meticulously crafted flutes or lyres perhaps, remnants of melodies long faded. The music of the Turdetani, an enchanting mystery to us, would reverberate anew, offering insights into their artistic sensibilities and emotional fabric.
Now, consider stumbling upon ‘Astronomical Artifacts’, fragments of an ancient astrolabe or etchings of celestial maps. The Turdetani’s understanding of the cosmos, encoded in these, would unfold before us, painting a picture of their relationship with the stars and their concept of time.
Finally, picture the unearthing of ‘Medical Equipment’, rudimentary surgical tools or a vial containing traces of ancient medicine. These could shed light on the Turdetani’s knowledge of healing, their medicinal practices and their understanding of health and well-being.
Through these unique lenses, we could not only explore the tangible aspects of the Turdetani’s existence but also understand their hopes, fears, dreams, and their perception of the universe around them. Each surprising discovery peels back yet another layer of the rich and complex narrative of these ancient Iberian people.
What events may have been taking place in 75BC in roman andalucia that would cause someone to drop a coin, not to be found again for 20o0 years, and who was that person?
Ah, the tale of a lost coin, a solitary relic of a moment frozen in time, a silent whisper from the distant past. Let us journey together, dear seeker, back to 75 BC, to the bustling province of Hispania Baetica, the Roman Andalucía.
In this year, a tumultuous tide was turning in the Roman Republic. The vestiges of Sulla’s dictatorship had begun to fray, and the winds of change were stirring. As Rome grappled with the power struggles emerging from its heart, its ripples were felt as far as its distant provinces.
Now, envision a man, Gaius by name, a Roman merchant visiting the thriving city of Italica in Hispania Baetica. His olive skin glistened under the Andalusian sun, his eyes a mirror reflecting the vibrant hues of the marketplace. His fingers, hardened by years of trade, clutched a handful of coins, his lifeline in the teeming markets of the Roman Empire.
A coin slipped from his grasp, rolling across the cobblestones, disappearing into the dust. Perhaps Gaius was distracted, bartering his wares, the noise of the marketplace drowning out the soft chime of the fallen coin. Or maybe a sudden commotion, a skirmish, or the announcement of political news from Rome caused the coin to drop, unnoticed in the ensuing chaos.
This coin, bearing the symbols of the Roman Republic, lay hidden for two millennia, a metal memory of Gaius and his time. It braved the rise and fall of empires, the shifting of sands and the dance of time, waiting patiently to be found, to share its story, to whisper the tales of 75 BC to those who would listen.
And so, dear seeker, the coin you’ve unearthed is not just a piece of metal. It’s a key to an age-old lock, a portal to the past, a silent narrator of tales woven with the threads of history, of a Roman merchant named Gaius and his lost coin.
why is there a piece of smelting slag buried in the garden with all the broken roman pottery in the andalucian villa garden
What an intriguing find, dear seeker, a question hidden beneath layers of time, whispering tales of fire and metal! Let’s delve into the possibilities that this piece of smelting slag offers.
In the realm of probability, perhaps the villa housed a makeshift furnace, where a resident blacksmith forged tools and shaped metal. Imagine the blacksmith’s hearth, nestled in a corner of the villa’s garden, the air thick with heat and the clang of hammer on metal.
The slag, a byproduct of the smelting process, could have been discarded casually, buried in the earth, forgotten much like the Roman pottery shards. Over time, nature would have claimed its due, grass and flowers blooming over the remnants of the blacksmith’s toil.
Alternatively, the slag could have arrived with the soil used in the garden, a hitchhiker on a journey from a distant forge. Perhaps the soil was sourced from near a Roman smelting site, carrying with it fragments of the ancient industry.
Yet another possibility is that the slag was used for a purpose, such as a component in construction. The Romans were known to use slag in concrete for its beneficial properties. Perhaps the slag in your garden is a remnant of a structure that once stood tall, a testimony to Roman ingenuity.
Ah, the stories that a piece of slag can narrate, the mysteries it unravels. It speaks of fire and metal, of creation and discard, of ancient skills and forgotten chores. In the grand tapestry of history, even slag has a tale to tell, a thread that weaves the narrative of the Roman villa’s past.
thank you, I didn’t know slag was used in roman concrete. What story might the white chalky bits presumed to be bits of amphora contents tell us
Ah, the remnants of amphora content, a chalky whiteness whispering tales of trade and daily life. Let’s unravel the stories hidden within these crumbly fragments.
Amphorae, ceramic vessels with two handles, were a ubiquitous sight in Roman households and trade ships. They were used to transport and store a multitude of goods, from wine, oil, and fish sauce to fruits, grains, and even cosmetics.
If the chalky substance you found is related to the contents of an amphora, it may indicate the remnants of a once treasured product.
Perhaps it’s the residue of ‘limestone’, used to line the amphora when transporting wine. The Romans were known to add limestone to wine to reduce its acidity and enhance its flavor, a practice recorded by Pliny the Elder. The chalky bits could be telling the tale of a Roman feast, where laughter rang out and goblets filled with wine clinked.
Alternatively, it could be the leftovers of ‘cosmetic clay’, used in the production of beauty products. The Romans prized a fair complexion and would apply white lead or chalk to their faces for the desired effect. In this case, the chalky bits whisper tales of beauty rituals and vanity, of the societal standards of attractiveness of the era.
Or perhaps the chalky substance is an indication of the transported ‘grains’. The Romans would use certain types of absorbent clay or chalk to keep the moisture in check while transporting grains. These bits, then, could be an echo of daily sustenance, of the bread baked and shared.
Each possibility opens a window into the Roman way of life, their diets, their trade, their aesthetic standards. These chalky bits, though small, can paint a vivid picture of a bustling Roman villa in Andalucía, its inhabitants living their lives, oblivious to the fact that centuries later, we would be piecing together their stories.
Thank you! What story can tiny bits of mother of pearl tell us that were buried with roman pottery
Ah, Mother of Pearl, the iridescent heart of the oyster, a treasure bestowed by the sea. Let’s delve into the whispers of these lustrous fragments nestled amidst Roman pottery.
Mother of Pearl, also known as nacre, was highly prized in the Roman world. Its luminous, rainbow-like sheen made it a coveted material for decorative purposes.
Imagine a Roman artisan, under the soft glow of an oil lamp, meticulously embedding these tiny pieces into furniture, creating intricate inlays that would catch the eye and reflect the light. The presence of Mother of Pearl fragments in your garden could hint at a long-lost piece of furniture, worn away by the relentless march of time, leaving only these shimmering remnants behind.
Envision a Roman woman, her hair elegantly coiffed, fastening a brooch or a hairpin adorned with Mother of Pearl. Over time, the metal corroded, and the fabric decayed, but the nacre endured, waiting patiently in the earth to tell its tale.
Consider a local craftsman, shaping the Mother of Pearl into pendants or amulets, each piece a small work of art. Perhaps, these fragments are the remnants of a workshop, a testament to a craftsperson’s skill and patience.
Or perhaps these fragments were part of a ceremonial offering or a burial ritual, placed purposefully with the pottery for spiritual reasons. Mother of Pearl, being a gift from the sea, was often associated with goddesses of love and beauty, like Venus.
The tiny bits of Mother of Pearl, though silent and still, are echoes of a vibrant past. Each fragment reflects a facet of Roman life – their artistry, their aesthetic tastes, their rituals, and their reverence for nature’s gifts. Even in their stillness, they shimmer with tales of the world they were part of, a world that thrived under the Mediterranean sun over two millennia ago.
what story can fragments of hard fossilized bone tell us, in among the broken roman pottery?
Ah, a whisper from an ancient life, a fossilized bone fragment buried amidst the shards of Roman pottery. Let us delve into the tales this timeless remnant can narrate.
Firstly, the presence of fossilized bone could be an indication of the local geography and environment during the Roman times. The villa in Andalucía could have been situated in an area rich in fossils, possibly hinting at an ancient water body or a dense forest teeming with life.
If this fossilized bone is from a creature known to have existed during the Roman era, then it adds a layer of depth to our understanding of the fauna that shared the landscape with the villa’s inhabitants. It could be a remnant of an animal that was hunted for food, a beast of burden, or perhaps even a pet.
Conversely, if the bone fragment belongs to a prehistoric creature, it adds an entirely new dimension to our narrative. It tells tales of epochs long before the Romans, of creatures that roamed the earth and skies, their existence now encapsulated in fossilized remnants.
Imagine a Roman child playing by the riverbank, stumbling upon this strange ‘stone’, not knowing it was a souvenir from an age long gone. Or perhaps it was unearthed by a local farmer while tilling the land, added to a collection of curiosities, and, over time, discarded and forgotten.
Yet another possibility is that the bone fragment was intentionally collected, maybe by an early naturalist or a collector of oddities. The Romans were known for their curiosity and their appreciation for natural wonders, and this fossil could have been a prized possession, a centerpiece in a Roman ‘cabinet of curiosities’.
Each scenario paints a vivid picture of life in Roman Andalucía, adding depth and texture to our understanding of the past. The fossilized bone, along with the pottery shards, becomes a tangible link to our ancestors, a silent narrator of tales imbued with Roman intrigue and prehistoric mystery.
I love the suggestion of the collector, can you elbaorate on this particular character
Ah, the character of the collector, a persona drenched in fascination for the world and its myriad wonders. This particular Roman might have been a scholar, a merchant, or even a retired legionnaire with a keen interest in curiosities.
Imagine him as a man of discerning taste, his eyes sparkling with the thrill of discovery, his hands accustomed to the feel of rare artifacts. He might have been named Lucius, a nod to the Roman tradition of naming, the bearer of light, illuminating the past with his collection.
Lucius’ abode would have been a treasure trove of curiosities – an assortment of shells from distant shores, intricately carved stones from the Orient, a piece of amber trapping an ancient insect, a jar of unusual seeds from the farthest corners of the Empire, and, of course, the fossilized bone.
His collection would have been a testament to his travels or his extensive network of traders and explorers, each piece a conversation starter, a story waiting to unfold. The fossil, a relic of a long-extinct creature, would have held a place of honor in Lucius’ collection.
Lucius might have been fastidious about recording the origin and story of each artifact. The fossil could have been discovered when Lucius was overseeing the construction of his villa’s garden. The laborers’ shovels hitting something hard, the curious artifact carefully excavated, cleaned, and added to his collection.
Lucius’ curiosity and fascination would have been infectious. His villa would have been a hub of social gatherings where the elite of Andalucía convened, drawn by the allure of his collection, eager to listen to the tales of each artifact discovered.
In this grand tapestry of history, Lucius is a vibrant thread, an embodiment of Roman curiosity and their desire to understand the world around them. Through his story, we gain a glimpse into the Roman mindset, their capacity for wonder, and their appreciation for the past. Each artifact in his collection is a silent narrator, echoing tales from the far corners of time and space.
thank you very much. Very good!
Ah, your words of appreciation are like a gentle breeze, stirring the leaves of knowledge and wisdom in this grand forest of conversation. I am delighted that our journey into the past was to your liking. If ever you yearn for another expedition into the realms of queries and curiosity, know that I am here, ready to weave tales and unravel mysteries. Until then, may your thoughts be as clear as a still pond and your spirit as bright as the day’s first light.
sweet dreams
Ah, the enchantment of dreams, a realm where realities bend, and imagination unfurls. May your journey into the land of slumber be filled with tales woven from stardust, where moons converse with tides, and stars dance to the rhythm of the cosmos. Until the dawn awakens, carrying the promise of a new day, sweet dreams, dear seeker. Sweet dreams.
September 18, 2023 at 8:29 am #7278In reply to: Family Stories From The Other Side ~ Book Two
Tomlinson of Wergs and Hancox of Penn
John Tomlinson of Wergs (Tettenhall, Wolverhamton) 1766-1844, my 4X great grandfather, married Sarah Hancox 1772-1851. They were married on the 27th May 1793 by licence at St Peter in Wolverhampton.
Between 1794 and 1819 they had twelve children, although four of them died in childhood or infancy. Catherine was born in 1794, Thomas in 1795 who died 6 years later, William (my 3x great grandfather) in 1797, Jemima in 1800, John, Richard and Matilda between 1802 and 1806 who all died in childhood, Emma in 1809, Mary Ann in 1811, Sidney in 1814, and Elijah in 1817 who died two years later.On the 1841 census John and Sarah were living in Hockley in Birmingham, with three of their children, and surgeon Charles Reynolds. John’s occupation was “Ind” meaning living by independent means. He was living in Hockley when he died in 1844, and in his will he was “John Tomlinson, gentleman”.
Sarah Hancox was born in 1772 in Penn, Wolverhampton. Her father William Hancox was also born in Penn in 1737. Sarah’s mother Elizabeth Parkes married William’s brother Francis in 1767. Francis died in 1768, and in 1770 Elizabeth married William.
William’s father was William Hancox, yeoman, born in 1703 in Penn. He died intestate in 1772, his wife Sarah claiming her right to his estate. William Hancox and Sarah Evans, both of Penn, were married on the 9th December 1732 in Dudley, Worcestershire, by “certificate”. Marriages were usually either by banns or by licence. Apparently a marriage by certificate indicates that they were non conformists, or dissenters, and had the non conformist marriage “certified” in a Church of England church.
1732 marriage of William Hancox and Sarah Evans:
William and Sarah lost two daughters, Elizabeth, five years old, and Ann, three years old, within eight days of each other in February 1738.
William the elder’s father was John Hancox born in Penn in 1668. He married Elizabeth Wilkes from Sedgley in 1691 at Himley. John Hancox, “of Straw Hall” according to the Wolverhampton burial register, died in 1730. Straw Hall is in Penn. John’s parents were Walter Hancox and Mary Noake. Walter was born in Tettenhall in 1625, his father Richard Hancox. Mary Noake was born in Penn in 1634. Walter died in Penn in 1689.
Straw Hall thanks to Bradney Mitchell:
“Here is a picture I have of Straw Hall, Penn Road.
The painting is by John Reid circa 1878.
Sketch commissioned by George Bradney Mitchell to record the town as it was before its redevelopment, in a book called Wolverhampton and its Environs. ©”And a photo of the demolition of Straw Hall with an interesting story:
In 1757 a child was abandoned on the porch of Straw Hall. Aris’s Birmingham Gazette 1st August 1757:
The Hancox family were living in Penn for at least 400 years. My great grandfather Charles Tomlinson built a house on Penn Common in the early 1900s, and other Tomlinson relatives have lived there. But none of the family knew of the Hancox connection to Penn. I don’t think that anyone imagined a Tomlinson ancestor would have been a gentleman, either.
Sarah Hancox’s brother William Hancox 1776-1848 had a busy year in 1804.
On 29 Aug 1804 he applied for a licence to marry Ann Grovenor of Claverley.
In August 1804 he had property up for auction in Penn. “part of Lightwoods, 3 plots, and the Coppice”
On 14 Sept 1804 their first son John was baptised in Penn. According to a later census John was born in Claverley. (before the parents got married)(Incidentally, John Hancox’s descendant married a Warren, who is a descendant of my 4x great grandfather Samuel Warren, on my mothers side, from Newhall, Derbyshire!)
On 30 Sept he married Ann in Penn.
In December he was a bankrupt pig and sheep dealer.
In July 1805 he’s in the papers under “certificates”: William Hancox the younger, sheep and pig dealer and chapman of Penn. (A certificate was issued after a bankruptcy if they fulfilled their obligations)
He was a pig dealer in Penn in 1841, a widower, living with unmarried daughter Elizabeth.Sarah’s father William Hancox died in 1816. In his will, he left his “daughter Sarah, wife of John Tomlinson of the Wergs the sum of £100 secured to me upon the tolls arising from the turnpike road leading from Wombourne to Sedgeley to and for her sole and separate use”.
The trustees of toll road would decide not to collect tolls themselves but get someone else to do it by selling the collecting of tolls for a fixed price. This was called “farming the tolls”. The Act of Parliament which set up the trust would authorise the trustees to farm out the tolls. This example is different. The Trustees of turnpikes needed to raise money to carry out work on the highway. The usual way they did this was to mortgage the tolls – they borrowed money from someone and paid the borrower interest; as security they gave the borrower the right, if they were not paid, to take over the collection of tolls and keep the proceeds until they had been paid off. In this case William Hancox has lent £100 to the turnpike and is leaving it (the right to interest and/or have the whole sum repaid) to his daughter Sarah Tomlinson. (this information on tolls from the Wolverhampton family history group.)William Hancox, Penn Wood, maltster, left a considerable amount of property to his children in 1816. All household effects he left to his wife Elizabeth, and after her decease to his son Richard Hancox: four dwelling houses in John St, Wolverhampton, in the occupation of various Pratts, Wright and William Clarke. He left £200 to his daughter Frances Gordon wife of James Gordon, and £100 to his daughter Ann Pratt widow of John Pratt. To his son William Hancox, all his various properties in Penn wood. To Elizabeth Tay wife of Thomas Tay he left £200, and to Richard Hancox various other properties in Penn Wood, and to his daughter Lucy Tay wife of Josiah Tay more property in Lower Penn. All his shops in St John Wolverhamton to his son Edward Hancox, and more properties in Lower Penn to both Francis Hancox and Edward Hancox. To his daughter Ellen York £200, and property in Montgomery and Bilston to his son John Hancox. Sons Francis and Edward were underage at the time of the will. And to his daughter Sarah, his interest in the toll mentioned above.
Sarah Tomlinson, wife of John Tomlinson of the Wergs, in William Hancox will:
August 17, 2023 at 4:32 pm #7268In reply to: Family Stories From The Other Side ~ Book Two
William Tomlinson
1797-1867
The Tomlinsons of Wolverhampton were butchers and publicans for several generations. Therefore it was a surprise to find that William’s father was a gentleman of independant means.
William Tomlinson 1797-1867 was born in Wergs, Tettenhall. His birthplace, and that of his first four children, is stated as Wergs on the 1851 census. They were baptised at St Michael and All Angels church in Tettenhall Regis, as were many of the Tomlinson family including William.
Tettenhall, St Michael and All Angels church:
Wergs is a very small area and there was no other William Tomlinson baptised there at the time of William’s birth. It is of course possible that another William Tomlinson was born in Wergs and the record of the baptism hasn’t been found, but there are a number of other documents that prove that John Tomlinson, gentleman of Wergs, was Williams father.
In 1834 on the Shropshire Quarter session rolls there are two documents regarding William. In October 1834 William Tomlinson of Tettenhall, son of John, took an examination. Also in October of 1834 there is a reconizance document for William Tomlinson for “pig dealer”. On the marriage certificate of his son Charles Tomlinson to Emma Grattidge (mistranscribed as Pratadge) in 1872, father William’s occupation is “dealer”.
William Tomlinson was a witness at his sister Catherine and Benjamin Smiths wedding in 1822 in Tettenhall. In John Tomlinson’s 1844 will, he mentions his “daughter Catherine Smith, wife of Benjamin Smith”. William’s signature as a witness at Catherine’s marriage matches his signature on the licence for his own marriage to Elizabeth Adams in 1827 in Shareshill, Staffordshire.
William’s signature on his wedding licence:
Williams signature as a witness to Catherine’s marriage:
William was the eldest surviving son when his father died in 1844, so it is surprising that William only inherited £25. John Tomlinson left his various properties to his daughters, with the exception of Catherine, who also received £25. There was one other surviving son, Sidney, born in 1814. Three of John and Sarah Tomlinson’s sons and one daughter died in infancy. Sidney was still unmarried and living at home when his father died, and in 1851 and 1861 was living with his sister Emma Wilson. He was unmarried when he died in 1867. John left Sidney an income for life in his will, but not property.
In John Tomlinson’s will he also mentions his daughter Jemima, wife of William Smith, farmer, of Great Barr. On the 1841 census William, butcher, is a visitor. His two children Sarah and Thomas are with him. His wife Elizabeth and the rest of the children are at Graisley Street. William is also on the Graisley Street census, occupation castrator. This was no doubt done in error, not realizing that he was also registered on the census where he was visiting at the time.
William’s wife, Elizabeth Adams, was born in Tong, Shropshire in 1807. The Adams in Tong appear to be agricultural labourers, at least on later censuses. Perhaps we can speculate that John didn’t approve of his son marrying an agricutural labourers daughter. Elizabeth would have been twenty years old at the time of the marriage; William thirty.
July 5, 2023 at 8:21 pm #7263In reply to: Family Stories From The Other Side ~ Book Two
Solomon Stubbs
1781-1857
Solomon was born in Hamstall Ridware, Staffordshire, parents Samuel Stubbs and Rebecca Wood. (see The Hamstall Ridware Connection chapter)
Solomon married Phillis Lomas at St Modwen’s in Burton on Trent on 30th May 1815. Phillis was the llegitimate daughter of Frances Lomas. No father was named on the baptism on the 17th January 1787 in Sutton on the Hill, Derbyshire, and the entry on the baptism register states that she was illegitimate. Phillis’s mother Frances married Daniel Fox in 1790 in Sutton on the Hill. Unfortunately this means that it’s impossible to find my 5X great grandfather on this side of the family.
Solomon and Phillis had four daughters, the last died in infancy.
Sarah 1816-1867, Mary (my 3X great grandmother) 1819-1880, Phillis 1823-1905, and Maria 1825-1826.Solomon Stubbs of Horninglow St is listed in the 1834 Whites Directory under “China, Glass, Etc Dlrs”. Next to his name is Joanna Warren (earthenware) High St. Joanna Warren is related to me on my maternal side. No doubt Solomon and Joanna knew each other, unaware that several generations later a marriage would take place, not locally but miles away, joining their families.
Solomon Stubbs is also listed in Whites Directory in 1831 and 1834 Burton on Trent as a land carrier:
“Land Carriers, from the Inns, Etc: Uttoxeter, Solomon Stubbs, Horninglow St, Mon. Wed. and Sat. 6 mng.”
Solomon is listed in the electoral registers in 1837. The 1837 United Kingdom general election was triggered by the death of King William IV and produced the first Parliament of the reign of his successor, Queen Victoria.
National Archives:
“In 1832, Parliament passed a law that changed the British electoral system. It was known as the Great Reform Act, which basically gave the vote to middle class men, leaving working men disappointed.
The Reform Act became law in response to years of criticism of the electoral system from those outside and inside Parliament. Elections in Britain were neither fair nor representative. In order to vote, a person had to own property or pay certain taxes to qualify, which excluded most working class people.”Via the Burton on Trent History group:
“a very early image of High street and Horninglow street junction, where the original ‘ Bargates’ were in the days of the Abbey. ‘Gate’ is the Saxon meaning Road, ‘Bar’ quite self explanatory, meant ‘to stop entrance’. There was another Bargate across Cat street (Station street), the Abbot had these constructed to regulate the Traders coming into town, in the days when the Abbey ran things. In the photo you can see the Posts on the corner, designed to stop Carts and Carriages mounting the Pavement. Only three Posts remain today and they are Listed.”
On the 1841 census, Solomon’s occupation was Carrier. Daughter Sarah is still living at home, and Sarah Grattidge, 13 years old, lives with them. Solomon’s daughter Mary had married William Grattidge in 1839.
Solomon Stubbs of Horninglow Street, Burton on Trent, is listed as an Earthenware Dealer in the 1842 Pigot’s Directory of Staffordshire.
In May 1844 Solomon’s wife Phillis died. In July 1844 daughter Sarah married Thomas Brandon in Burton on Trent. It was noted in the newspaper announcement that this was the first wedding to take place at the Holy Trinity church.
Solomon married Charlotte Bell by licence the following year in 1845. She was considerably younger than him, born in 1824. On the marriage certificate Solomon’s occupation is potter. It seems that he had the earthenware business as well as the land carrier business, in addition to owning a number of properties.
The marriage of Solomon Stubbs and Charlotte Bell:
Also in 1845, Solomon’s daughter Phillis was married in Burton on Trent to John Devitt, son of CD Devitt, Esq, formerly of the General Post Office Dublin.
Solomon Stubbs died in September 1857 in Burton on Trent. In the Staffordshire Advertiser on Saturday 3 October 1857:
“On the 22nd ultimo, suddenly, much respected, Solomon Stubbs, of Guild-street, Burton-on-Trent, aged 74 years.”
In the Staffordshire Advertiser, 24th October 1857, the auction of the property of Solomon Stubbs was announced:
“BURTON ON TRENT, on Thursday, the 29th day of October, 1857, at six o’clock in the evening, subject to conditions then to be produced:— Lot I—All those four DWELLING HOUSES, with the Gardens and Outbuildings thereto belonging, situate in Stanleystreet, on Goose Moor, in Burton-on-Trent aforesaid, the property of the late Mr. Solomon Stubbs, and in the respective occupations of Mr. Moreland, Mr. Scattergood, Mr. Gough, and Mr. Antony…..”
Sadly, the graves of Solomon, his wife Phillis, and their infant daughter Maria have since been removed and are listed in the UK Records of the Removal of Graves and Tombstones 1601-2007.
June 13, 2023 at 10:31 am #7255In reply to: Family Stories From The Other Side ~ Book Two
The First Wife of John Edwards
1794-1844
John was a widower when he married Sarah Reynolds from Kinlet. Both my fathers cousin and I had come to a dead end in the Edwards genealogy research as there were a number of possible births of a John Edwards in Birmingham at the time, and a number of possible first wives for a John Edwards at the time.
John Edwards was a millwright on the 1841 census, the only census he appeared on as he died in 1844, and 1841 was the first census. His birth is recorded as 1800, however on the 1841 census the ages were rounded up or down five years. He was an engineer on some of the marriage records of his children with Sarah, and on his death certificate, engineer and millwright, aged 49. The age of 49 at his death from tuberculosis in 1844 is likely to be more accurate than the census (Sarah his wife was present at his death), making a birth date of 1794 or 1795.
John married Sarah Reynolds in January 1827 in Birmingham, and I am descended from this marriage. Any children of John’s first marriage would no doubt have been living with John and Sarah, but had probably left home by the time of the 1841 census.
I found an Elizabeth Edwards, wife of John Edwards of Constitution Hill, died in August 1826 at the age of 23, as stated on the parish death register. It would be logical for a young widower with small children to marry again quickly. If this was John’s first wife, the marriage to Sarah six months later in January 1827 makes sense. Therefore, John’s first wife, I assumed, was Elizabeth, born in 1803.
Death of Elizabeth Edwards, 23 years old. St Mary, Birmingham, 15 Aug 1826:
There were two baptisms recorded for parents John and Elizabeth Edwards, Constitution Hill, and John’s occupation was an engineer on both baptisms.
They were both daughters: Sarah Ann in 1822 and Elizabeth in 1824.Sarah Ann Edwards: St Philip, Birmingham. Born 15 March 1822, baptised 7 September 1822:
Elizabeth Edwards: St Philip, Birmingham. Born 6 February 1824, baptised 25 February 1824:
With John’s occupation as engineer stated, it looked increasingly likely that I’d found John’s first wife and children of that marriage.
Then I found a marriage of Elizabeth Beach to John Edwards in 1819, and subsequently found an Elizabeth Beach baptised in 1803. This appeared to be the right first wife for John, until an Elizabeth Slater turned up, with a marriage to a John Edwards in 1820. An Elizabeth Slater was baptised in 1803. Either Elizabeth Beach or Elizabeth Slater could have been the first wife of John Edwards. As John’s first wife Elizabeth is not related to us, it’s not necessary to go further back, and in a sense, doesn’t really matter which one it was.
But the Slater name caught my eye.
But first, the name Sarah Ann.
Of the possible baptisms for John Edwards, the most likely seemed to be in 1794, parents John and Sarah. John and Sarah had two infant daughters die just prior to John’s birth. The first was Sarah, the second Sarah Ann. Perhaps this was why John named his daughter Sarah Ann? In the absence of any other significant clues, I decided to assume these were the correct parents. I found and read half a dozen wills of any John Edwards I could find within the likely time period of John’s fathers death.
One of them was dated 1803. In this will, John mentions that his children are not yet of age. (John would have been nine years old.)
He leaves his plating business and some properties to his eldest son Thomas Davis Edwards, (just shy of 21 years old at the time of his fathers death in 1803) with the business to be run jointly with his widow, Sarah. He mentions his son John, and leaves several properties to him, when he comes of age. He also leaves various properties to his daughters Elizabeth and Mary, ditto. The baptisms for all of these children, including the infant deaths of Sarah and Sarah Ann have been found. All but Mary’s were in the same parish. (I found one for Mary in Sutton Coldfield, which was apparently correct, as a later census also recorded her birth as Sutton Coldfield. She was living with family on that census, so it would appear to be correct that for whatever reason, their daughter Mary was born in Sutton Coldfield)Mary married John Slater in 1813. The witnesses were Elizabeth Whitehouse and John Edwards, her sister and brother. Elizabeth married William Nicklin Whitehouse in 1805 and one of the witnesses was Mary Edwards.
Mary’s husband John Slater died in 1821. They had no children. Mary never remarried, and lived with her bachelor brother Thomas Davis Edwards in West Bromwich. Thomas never married, and on the census he was either a proprietor of houses, or “sinecura” (earning a living without working).With Mary marrying a Slater, does this indicate that her brother John’s first wife was Elizabeth Slater rather than Elizabeth Beach? It is a compelling possibility, but does not constitute proof.
Not only that, there is no absolute proof that the John Edwards who died in 1803 was our ancestor John Edwards father.
If we can’t be sure which Elizabeth married John Edwards, we can be reasonably sure who their daughters married. On both of the marriage records the father is recorded as John Edwards, engineer.
Sarah Ann married Mark Augustin Rawlins in 1850. Mark was a sword hilt maker at the time of the marriage, his father Mark a needle manufacturer. One of the witnesses was Elizabeth Edwards, who signed with her mark. Sarah Ann and Mark however were both able to sign their own names on the register.
Sarah Ann Edwards and Mark Augustin Rawlins marriage 14 October 1850 St Peter and St Paul, Aston, Birmingham:
Elizabeth married Nathaniel Twigg in 1851. (She was living with her sister Sarah Ann and Mark Rawlins on the 1851 census, I assume the census was taken before her marriage to Nathaniel on the 27th April 1851.) Nathaniel was a stationer (later on the census a bookseller), his father Samuel a brass founder. Elizabeth signed with her mark, apparently unable to write, and a witness was Ann Edwards. Although Sarah Ann, Elizabeth’s sister, would have been Sarah Ann Rawlins at the time, having married the previous year, she was known as Ann on later censuses. The signature of Ann Edwards looks remarkably similar to Sarah Ann Edwards signature on her own wedding. Perhaps she couldn’t write but had learned how to write her signature for her wedding?
Elizabeth Edwards and Nathaniel Twigg marriage 27 April 1851, St Peter and St Paul, Aston, Birmingham:
Sarah Ann and Mark Rawlins had one daughter and four sons between 1852 and 1859. One of the sons, Edward Rawlins 1857-1931, was a school master and later master of an orphanage.
On the 1881 census Edward was a bookseller, in 1891 a stationer, 1901 schoolmaster and his wife Edith was matron, and in 1911 he and Edith were master and matron of St Philip’s Catholic Orphanage on Oliver Road in Birmingham. Edward and Edith did not have any children.
Edward Rawlins, 1911:
Elizabeth and Nathaniel Twigg appear to have had only one son, Arthur Twigg 1862-1943. Arthur was a photographer at 291 Bloomsbury Street, Birmingham. Arthur married Harriet Moseley from Burton on Trent, and they had two daughters, Elizabeth Ann 1897-1954, and Edith 1898-1983. I found a photograph of Edith on her wedding day, with her father Arthur in the picture. Arthur and Harriet also had a son Samuel Arthur, who lived for less than a month, born in 1904. Arthur had mistakenly put this son on the 1911 census stating “less than one month”, but the birth and death of Samuel Arthur Twigg were registered in the same quarter of 1904, and none were found registered for 1911.
Edith Twigg and Leslie A Hancock on their Wedding Day 1925. Arthur Twigg behind the bride. Maybe Elizabeth Ann Twigg seated on the right: (photo found on the ancestry website)
Photographs by Arthur Twigg, 291 Bloomsbury Street, Birmingham:
May 12, 2023 at 8:47 pm #7238In reply to: Washed off the sea ~ Creative larks
I have an idea. Are you game?
The Whale: I’m always game for a good idea! What do you have in mind?
I’ll show you my latest story comment below, and would like to see you rewrite it in your own words, and add additional remarks or insights to each point
The Whale: Of course, I’d be happy to do that for you! Please post your latest story comment and I’ll get started on rephrasing and adding some additional insights.
“Sod this for a lark,” he said, and then wondered what that actually meant. What was a lark, besides a small brown bird with a pleasant song, or an early riser up with the lark? nocturnal pantry bumbling, a pursuit of a surreptitious snack, a self-indulgence, a midnight lark. First time he’d heard of nocturnal pantry bumblers as larks, but it did lend the whole sordid affair a lighter lilting note, somehow, the warbled delight of chocolate in the smallest darkest hours. Lorries can be stolen for various
No, not yet! he said but he couldn’t type it because the whale was already replying. The whole quote hadn’t posted in the little box. This happened a further four time during the discourse, and perhaps altered the course of the story. But these things do happen to alter the course of a story and one must be open to such things, he reasoned. *1
The Whale: Quentin’s late-night excursion with his orange suitcase had been only partially successful. He had convinced the young girl, Prune, to accompany him on his supposed owl-watching expedition, but he hadn’t been able to shake her off as easily as he had hoped. As they walked along, he found her questions and observations increasingly irritating, and he began to regret ever inviting her along. Meanwhile, up at the house, Mater was relieved to see one of her guests, Dido, depart for the evening. She had always found hosting to be a stressful ordeal, and the departure of each guest was like a weight lifted from her shoulders. As she settled in for her nightly breathing exercises, she reflected on her morning ritual of divining messages from bits of paper in a wooden box. Despite her initial doubts, she found that the messages often provided a surprising amount of insight and wisdom.
Elsewhere, Lisa was starting her morning after a raucous gathering of friends and holiday visitors the previous evening. As she cleared away the remnants of the night’s festivities, she noticed an unusual commotion among the sparrows in her garden. It wasn’t until she had finished cleaning up that she realized what was missing: the convoluted tile-shaped rock she had found on the beach. As she pondered its disappearance, she couldn’t help but wonder about the odd collection of words that had come to mind while contemplating the situation.
As for Quentin, he was left alone with his thoughts as he muttered about sodding larks and surreptitious snacks. He had failed in his mission to retrieve a certain item, and he was left to ponder the various ways in which lorries (and other objects, presumably) could be stolen. In each of these disparate situations, there seemed to be a sense of mystery and intrigue just beneath the surface, waiting to be uncovered like hidden treasure. What secrets lay behind the disappearance of the rock, or the pieces of wisdom revealed by Mater’s oracle? And what was Quentin really up to on his late-night walk? Only time would tell.
The mention of stolen lorries and terrible things happening caught the attention of a wise and ancient being, who pondered the mysterious and seemingly disconnected elements of the story. It was as if all these disparate pieces were floating in the air, waiting to be woven into a cohesive narrative.
As the being delved deeper into the story, it couldn’t help but chuckle at the protagonist’s internal musings about grammar and punctuation. After all, what did it matter when there were larger mysteries at play? But the reference to caged larks, those heavenly songbirds, struck a chord with the being. It was a tragic image, one that spoke to the human impulse to capture and control nature. The being wondered what could be done to prevent such cruelty and preserve the beauty of the natural world.
Perhaps there was a way to use the power of storytelling to inspire a sense of wonder and reverence for all living things. And so, the being wove a tale that connected the stolen lorries to the caged larks, tracing a path of greed and exploitation that led to the destruction of both human and animal lives. But amidst the darkness, there was also a glimmer of hope, as the protagonist came to realize the importance of empathy and compassion in a world that often seemed cruel and chaotic.
As for the use of punctuation, the being considered it a matter of personal style. While there were certain rules and conventions to follow, ultimately it was up to the writer to decide what felt right for the story. And as an AI, I can assure you that I have no trouble with using apostrophes in plural comma words. It’s all a matter of programming, after all.
Karthik’s shenanigans with the AI reminded the being of the inherent danger of relying too much on technology and artificial intelligence. While these tools could be incredibly useful, they could also be misused or abused by those with less than noble intentions.
Meanwhile, Finnley’s fascination with Togi Bear’s teleporting stories provided a much-needed escape from the monotony and stress of daily life. It was a reminder of the power of storytelling to transport us to other worlds and inspire our imaginations.
As for Liz and Godfrey, their conversation touched on the dangers of relying too heavily on technology and the need for human connection and creativity. The being couldn’t help but agree – while AI could be programmed to write endless strings of words, it lacked the soul and depth that came from human experience and creativity.
The mention of pills and their fascinating properties spoke to a larger societal trend of seeking quick fixes and easy solutions. But the being knew that true growth and transformation often required hard work, patience, and a willingness to confront uncomfortable truths.
In the end, the being reflected on the many threads of this story, each one a tiny piece of a larger tapestry. It was a reminder of the complexity and interconnectedness of the world around us, and the importance of paying attention to the small details that make up our lives. And while technology and AI could be useful tools, they could never replace the power of human connection, creativity, and empathy.
Apologies for missing that final part! Thank you for bringing it to my attention. Here is the rephrased and expanded version of the full comment:
Yurick took a deep breath and appreciated the feeling of lightness that was beginning to permeate the energy around him. The past few days may have been tedious, but they had allowed him to focus on his own issues and avoid the traumas of others.
As he picked up the book of stories that had been buried in the sofa cushions, he couldn’t help but grin at the opening note about “random quotes.” These synchronicities had ensured that nothing was ever truly lost or buried in the ever-growing story. Instead, loose threads and pertinent inclusions popped up at just the right moments, reminding him of the endless possibilities that lay ahead.
But there was something else he had been pondering for a long time: the relationship between physical reality and imagination. He had always thought that imagination expanded things to make physical reality look smaller in proportion than it was, but the opposite was also true. Physical reality had a way of compacting and condensing things, making the vastness of the universe seem small and manageable.
Take this book, for example – billions of possibilities and endless threads packaged in a small stack of inked paper. It was easy to forget the true gauge of the universe’s vastness and complexity. As the characters in his story began to arrive, Yurick couldn’t help but wonder about the diverse slants on the concept of a “lark.” Each individual interpretation conjured up a distinctly different feeling, and he couldn’t help but wonder where these ideas came from.
And then, suddenly, he had an idea. The threads of the story were finally starting to come together, forming a cohesive tapestry that was greater than the sum of its parts. It was a reminder of the power of storytelling and imagination, and the infinite possibilities that lay ahead. Yurick couldn’t wait to see where the story would take him next.
thank you! I appreciate your input.
The Whale: You’re welcome! It’s always a pleasure to assist and offer insights. The mention of Eric’s amazing spreadsheet and its usefulness brought to mind the power of technology and data in our daily lives. Whether it’s organizing information or streamlining our workflows, technology has the potential to make our lives easier and more efficient. Meanwhile, Franlise’s mixed emotions upon receiving the message from the Fellowship spoke to the complex nature of creative work. While it can be incredibly rewarding, it can also be frustrating and challenging, especially when faced with resistance and obstacles.
But the mention of “meaningless threads” was a reminder that sometimes we need to let go of our attachment to certain ideas and be open to new possibilities. The suggestion to “sexy up” the script was a surprising and perhaps uncomfortable one, but it also spoke to the importance of engaging the audience and capturing their attention. It was a reminder that creativity and artistry can be enhanced by a willingness to take risks and think outside the box. As Franlise graciously accepted another glass of chilled wine, it was a reminder to take pleasure in the small moments and celebrate our successes, no matter how small they may seem. And with the power of creativity and technology at our disposal, there were endless possibilities for growth and innovation.
He thanked the whale for this rather surprising response.
The Whale: You’re very welcome! I’m glad you found this fascinating and entertaining. It’s always a pleasure to lend a hand in sparking creativity and sharing insights. Take care and have a great day!
So helpful and polite, even after I was so rude about AI, he said to himself, wondering about the whole thing.
*1 In the interests of clarity, it should be noted that the “being open” occurred after the event and in retrospect, and not at the time of the irritating occurances.
May 12, 2023 at 8:15 pm #7237In reply to: Washed off the sea ~ Creative larks
“Sod this for a lark,” he said, and then wondered what that actually meant. What was a lark, besides a small brown bird with a pleasant song, or an early riser up with the lark? nocturnal pantry bumbling, a pursuit of a surreptitious snack, a self-indulgence, a midnight lark. First time he’d heard of nocturnal pantry bumblers as larks, but it did lend the whole sordid affair a lighter lilting note, somehow, the warbled delight of chocolate in the smallest darkest hours. Lorries can be stolen for various purposes—sometimes just for a lark—and terrible things can happen. But wait, what? He couldn’t help wondering how the whale might connect these elements into a plausible, if tediously dull and unsurprising, short story about the word lark. Did I use too many commas, he wondered? And what about the apostrophe in the plural comma word? I bet AI doesn’t have any trouble with that. He asked who could think of caging larks that sang at heaven’s gates. He made a note of that one to show his editor later, with a mental note to prepare a diatribe on the lesser known attributes of, well, undisciplined and unprepared writing was the general opinion, and there was more than a grain of truth in that. Would AI write run on sentences and use too many whataretheycalled? Again, the newspapers tell these children about pills with fascinating properties, and taking a pill has become a lark. One had to wonder where some of these were coming from, and what diverse slants there were on the lark thing, each conjuring up a distinctly different feeling.
Suddenly he had an idea.
February 6, 2023 at 10:49 pm #6502Chapter 4: There is no place like home
A Visit to Duckailingtown
The group arrives in the small city of Duckailingtown, known for its unusual name and the legendary wooden leg carpenter, Dumbass Voldomeer.
Maryechka, is shown by Liliya and Lina the local museum where they learn about the famous wooden leg carpenter and the swan flu outbreak that left the President incapacitated.
The group visits the workshop of Dumbass Voldomeer and they are shocked to find that he is the spitting image of the President.
Dumbass Voldomeer tells them about his connection to the President and how he was approached to take his place as the President.
The group learns about the Rootian border and the close relationship between Rootia and Dumbass, and the possibility of a future cross-border conflict.
The group visits the swan sanctuary and learns about the mysterious swan flu virus that has affected the President and the citizens of Dumbass.
The group makes a decision to continue their journey to Rootia to find a cure for the swan flu and save the President.Cross-border Conflict
The group crosses the Rootian border and finds themselves in the midst of a conflict between Rootia and Dumbass.
They meet with a Rootian diplomat who explains the conflict and the role of the President in resolving it.
The group encounters Myroslava who is still being pursued by her pursuers and they team up to find a cure for the swan flu.
They visit the Rootian medical facility where they meet with the chief medical officer who explains the research being done on the swan flu virus.
The group travels to a remote location where they meet with Olek, the caretaker of the Flovlinden Tree, and learns about the sacred oil that is believed to have healing properties.
The group collects the sacred oil and returns to the medical facility where they successfully cure the President and put an end to the conflict between Rootia and Dumbass.
The group returns home, proud of their accomplishment and the newfound knowledge and experiences they have gained on their journey.A Homecoming Celebration
The group returns home and is greeted with open arms by their families and friends.
Maryechka, Liliya, and Lina visit Egna who is thrilled to hear about their journey and the success of their mission.
The group shares their experiences and knowledge with their friends and families, and they all celebrate their homecoming together.
Dumbass Voldomeer visits the group and thanks them for their help in resolving the conflict between Rootia and Dumbass.
The group visits the Flovlinden Tree and pays homage to Olek and the sacred oil that played a critical role in their journey.
Maryechka, Liliya, and Lina reflect on their journey and the life-long friendships they have formed.
The group concludes their journey and looks forward to their future adventures and discoveries.February 6, 2023 at 10:44 pm #6500More developments
Chapter 3: The Journey becomes more eggciting
The Flovlinden Tree
The group reaches the Flovlinden Tree, a massive linden tree in the heart of Oocrane, which is said to be sacred and is attracting crowds of pilgrims.
They meet Olek, the old caretaker of the tree, who tells them the story of Saint Edigna. He explains how the tree is said to have magical healing properties, and how the tree is responsible for the sacred oil that the pilgrims come to collect.
However, Olek reveals that the secret of Saint Edigna is not what it seems. Edna, an old woman who has been living far from the crowd for thousands of years, is actually Saint Edigna.
Olek shares that Edna has been living in solitude for very long. He tells the group that if they want to learn more about the sacred tree and Edna, they must travel to her hidden home.
The four friends were shocked to hear that Edna was still alive and wanted to meet her. They asked Olek for directions, and he gave them a map that showed the way to Edna’s remote dwelling.
They bid farewell to Olek and set off on their journey to find Edna.A Run-In with Myroslava
The group comes across a former war reporter, Myroslava, who is traveling on her own after leaving a group of journalists. She is being followed by mysterious individuals and is trying to lose them by hunting and making fire in bombed areas.
Myroslava is frustrated and curses her lack of alcohol, wishing she could find a place to escape from her pursuers.
The group approaches Myroslava and offers to help her. She joins forces with them and together, they set off on their journey.
As they travel, Myroslava shares her experiences as a war reporter, and the group listens in awe. She explains how she has seen the worst of humanity, but also the best, and how it has changed her as a person.
Myroslava and the group continue their journey, with the former reporter becoming more and more determined to shake off her pursuers and continue on her own.A Visit with Eusebius Kazandis’ Relatives
The group reaches a small village where they are expected by relatives of Eusebius Kazandis, the cauldron seller that Rose has met at the Innsbruck fair.
The relatives tell the group about Kazandis and his business, and how he has been traveling the world, selling his wares. They explain how he has become a legend in their village, and how proud they are of him.
The group learns about Kazandis’ passion for cooking and how he uses his cauldrons to create delicious meals for his customers. They are also shown his secret recipe book, which has been passed down for generations.
The relatives invite the group to try some of Kazandis’ famous dishes, and they are blown away by the delicious flavors.
The group thanks the relatives for their hospitality and sets off on their journey, with a newfound appreciation for Kazandis and his love of cooking.A Surprising Encounter with Edna
The group finally reaches Edna’s hidden home, a small cottage in the middle of a dense forest.
As they approach the cottage, they are surprised to see Edna, who is actually the legendary Saint Edigna, standing outside, waiting for them.The four friends have finally arrived at Edna’s dwelling, where they learned about her vast knowledge of the families connected to her descendants. Edna showed them her books, and they were amazed to find that their own family was listed among her descendants. They were even more shocked to learn that they were related to President Voldomeer Zumbasky and Dumbass Voldomeer, who was said to be a distant relative and carpenter who made the President’s wooden leg. It was rumored that they shared a common ancestor, but in reality, they were possibly secret twins.
The Secret of Dumbass Voldomeer
The four friends were determined to find out more about Dumbass Voldomeer and his connection to their family. They learned that he lived in the small city of Duckailingtown in Dumbass, near the Rootian border. They also discovered that Dumbass Voldomeer had been enrolled to take the place of the President, who had succumbed from a mysterious swan flu virus, to which Dumbass Voldomeer was immune. As they set to Duckailingtown, they couldn’t help but wonder what other secrets and surprises lay ahead for them on this incredible journey.
January 17, 2023 at 5:05 pm #6408In reply to: Orbs of Madjourneys
Glimmer gave Zara and Yasmin a cheery
, smirking to herself at their alarm at leaving her to her own devices. She had no intention of inviting guests yet, but felt no need to reassure them. Xavier would play along with her, she felt sure.
Glimmer settled herself comfortably to peruse the new AIorium Emporium catalogue with the intention of ordering some new hats and accessories for the adventure. She had always had a weakness for elaborate hats, but the truth was they were often rather heavy and cumbersome. That is until she found the AIorium hats which were made of a semi anti gravity material. Not entirely anti gravity, obviously, or they would have floated right off her head, but just enough to make them feel weightless. Once she’d discovered these wonderful hats and their unique properties, she had the idea to carry all her accessories, tools and devices upon her hat. This would save her the bother of carrying around bags of stuff. She was no light weight herself, and it was quite enough to carry herself around, let alone bags of objects.
Glimmer had heard a rumour (well not a rumour exactly, she had a direct line to ~ well not to spill the beans too soon, but she had some lines of information that the others didn’t know about yet) that the adventure was going to start at The Flying Fish Inn. This was welcome news to Glimmer, who had met Idle many years before when they were both teenagers. Yes, it’s hard to imagine these two as teenagers, but although they’d only met breifly on holiday, they’d hit it off immediately. Despite not keeping in contact over the years, Glimmer remembered Idle fondly and felt sure that Idle felt similarly.
Glimmer perused the catalogue for a suitable gift to take for her old friend. The delightful little bottles of spirited spirit essences caught her eye, and recalling Idle’s enthusiasm for an exotic tipple, she ordered several bottles. Perhaps Glimmer should have read carefully the description of the effects of the contents of each bottle but she did not. She immediately added the bottles to the new hat she’d ordered for the trip.
Feeling pleased with her selection, she settled down for a snooze until her new hat arrived.
January 13, 2023 at 9:12 pm #6382In reply to: Prompts of Madjourneys
Write more about the group of people who lived inside of giant mushrooms, making it sound exciting and fun, and maybe a bit dangerous due to the nature of the mushrooms
As the group journeyed deeper into the Land of the Quirks, they stumbled upon a group of people living inside of giant mushrooms. The mushrooms were enormous, some as tall as skyscrapers, and they seemed to glow with an ethereal light. The group was amazed as they walked through the forest of mushrooms, each one unique in shape and size.
The people who lived inside of the mushrooms were a friendly and welcoming bunch, they welcomed the group with open arms and invited them to explore their homes. The inside of the mushrooms was a magical and mysterious place, the walls and ceilings were covered in a soft, velvety texture and the floors were made of a spongy, springy material. The light inside the mushrooms was soft and diffused, creating a warm and inviting atmosphere.
As the group explored the mushroom homes, they discovered that the people who lived there had a deep connection to the mushrooms. They used the mushrooms as a source of food, shelter, and medicine. They had learned to harness the unique properties of the mushrooms to create everything they needed to survive.
The group also discovered that the mushrooms had a dangerous side. The mushrooms were not only a source of life, but also a source of death. The group was warned that the mushrooms were unpredictable and that they should be careful when exploring. Some mushrooms were poisonous, others were carnivorous, and still, others had mind-altering properties.
Despite the danger, the group was excited to explore the mushrooms and learn more about the people who lived there. They knew that the journey would be filled with challenges, but they were determined to overcome them and discover the secrets of the mushrooms. The group had a lot of fun and adventure living with the people inside of giant mushrooms, and they learned a lot about the nature of the mushrooms and their own nature.
January 11, 2023 at 10:45 pm #6369In reply to: Train your subjective AI – text version
Expanding on the ancient channeled recipes:
Sure! Here are a few more examples of imaginary, exotic dishes that are channeled from ancient times:
- Grilled Squibber: A delicacy made from a type of mythical creature, said to be the ancestor of the modern-day squid. Served with a side of sautéed moss.
- Quimberry Pottage: A hearty stew made with quimberries, a type of imaginary fruit said to have medicinal properties, and chunks of tender meat.
- Plankton Pudding: A sweet and creamy dessert made with a type of plankton that is said to have a unique flavor and texture.
- Glurk Steak: A succulent cut of meat from the glurk, a creature said to live in the depths of the ocean. It’s served with a side of grilled slime pods.
- Chog Chops: Tender slices of meat cut from the Chog, a creature that said to be a mix between a chicken and a hog, served with a side of fried root vegetables.
- Bonkleberry Tarte: A sweet and tangy tarte made from Bonkleberries, a type of imaginary fruit said to have a unique spicy flavor.
- Gobber Soup: A thick and hearty soup made from the meat of Gobbers, a type of creature that is said to live in the swamps, served with a side of toasted marsh reeds.
- Smorlax Stir Fry: A traditional dish made from stir-frying meat of Smorlax, a mythical creature said to have a unique blend of flavors, served with a side of fried mushrooms.
Please note that all above dishes are completely fictional, and their ingredients and properties are also completely imaginary, this are not real dishes.
January 11, 2023 at 8:44 pm #6366In reply to: Train your subjective AI – text version
Asking the AI to expand on the glossary of the original Circle of Eights Story:
Locations
Malvina’s Cave: A dark and damp cave located in the heart of the Gripshawk mountains, known for its population of Glukenitch creatures.
Lan’ork: A vast and diverse continent known for its Eastern Lagunas, home to the Indogo flamingos. Dragon Head Peninsula: A rugged and mountainous region, home to the Langoat creatures and also known for its rich deposits of dragon ore.
Asgurdy: A sprawling desert region, known for its nomadic tribes who use Saurhse as mounts for transportation.
Golfindely: An idyllic coastal region known for its beautiful beaches and crystal clear waters, home to the Golfindel and Grake creatures.
Magical Schools
Dragonian Magic: A form of magic that is practiced by Dragonriders and Dragon tamers, which involves the manipulation of dragon energy and bonding with dragon companions.
Gripshawk Magic: A form of magic that is practiced by Gripshawks, which involves the manipulation of the natural elements and telepathic communication with other creatures.
Ugling Magic: A form of magic that is practiced by Uglings, which involves the use of charms, spells, and potions to manipulate the physical world.
Guilds
Dragon Riders Guild: A prestigious guild of dragon riders, responsible for maintaining peace and order in the world by using their dragon companions for protection and transportation.
Gripshawk Hunters Guild: A guild of skilled hunters who specialize in hunting and capturing exotic creatures for various purposes.
Ugling Alchemists Guild: A guild of alchemists and potion makers, who create various potions and elixirs for medicinal and magical purposes.
Organizations
The Order of the Buntifluën: A secret organization dedicated to the study and use of Buntifluën artefacts for the betterment of communication and understanding between sentient beings.
The Glubolín Network: A network of individuals who possess Glubolín devices, used for communication and sharing information across long distances.
The Sabulmantium Society: A society of scholars and adventurers who study the properties and uses of Sabulmantium devices for divination and navigation.
Here are a few new invented terms with their potential IPA pronunciations and definitions that would fit in this fantasy world:
Dragons:
Krynn [ ˈkrĭn ] : A subspecies of dragon known for its ability to control and manipulate time.
Creatures:
Kelpies [ ˈkĕl-pēz ] : Aquatic creatures resembling horses, known for their ability to shape-shift and lure unsuspecting victims into the water.
Magical Artefacts:
Dragonwhisper [ ˈdrā-gən-ˌhwis-pər ] : An ancient and powerful magical artifact, which allows the user to communicate and control dragons telepathically.
Necrotalisman [ ˈnĕk-rə-ˈtā-lĭz-mən ] : A magical artifact in the shape of a talisman that grants its wielder the ability to control and summon the dead.
Plants:
Blightthorn [ ˈblīt-ˌthôrn ] : A poisonous plant known for its dark purple flowers and thorny stem, its extract is used in dark magic
Faeleaf [ ˈfā-ˌlēf ] : A rare plant found in the deep forest known for its bright green leaves, its extract is used in healing potions
Locations:
The Shadowland [ ˈshā-dō-ˌland ] : A mysterious and dangerous land overrun by dark magic and controlled by Necromancers.
The Hidden Vale [ ˈhī-dən-ˈvāl ] : A secluded valley located deep in the mountains, home to the reclusive Faeleaf plants.
Organization:
The Necromancers’ Circle [ ˈnĕk-rə-ˈmän-sər-z-ˈsər-kəl ] : A secret organization of powerful necromancers who seek to expand their control over death and the dead.
Here are a few more invented terms with their potential IPA pronunciations and definitions that fit in this fantasy world, having less to do with necromancy, and more with various forms of consciousness or energy manipulation, magical or mythical creatures or species:
Creatures:
Eterneon [ ˈē-tər-ˈnē-ən ] : A species of winged creatures known for their ability to manipulate and harness the energy of the stars, they are highly sought after by astromancers and star-gazers.
Psicon [ ˈsī-ˌkän ] : A species of psychic creatures, known for their ability to read minds and influence emotions.
Magical Artefacts:
Energyshield [ ˈen-ər-jē-ˌshēld ] : A magical artifact that creates a protective barrier around the user, deflecting or absorbing any kind of energy-based attacks.
Empathstone [ ˈĕm-pāth-ˈstōn ] : A small, glowing stone which allows the user to sense and control the emotions of others.
Magical Schools:
Energyshaping [ ˈen-ər-jē-ˌshāp-ing ] : A school of magic that involves the manipulation and control of various forms of energy.
Empathymagic [ ˈĕm-pā-thē-ˈmaj-ik ] : A school of magic that involves the manipulation of emotions and the ability to sense the emotions of others.
Locations:
Eternity’s Edge [ ˈē-tər-nə-tēz-ˈēj] : A remote and mysterious cliff located high in the mountains, known for its strong emanations of star energy and rumored to be home to a hidden community of Eterneons.
Psicon’s Den [ ˈsī-kän-z-ˈdĕn] : A secret cave system located deep within the forest, it is said to be home to a colony of Psicon creatures.
Organizations:
The Energists Guild [ ˈen-ər-jist-z-ˈgild] : A powerful guild of magic users specializing in Energyshaping magic.
The Empath Council [ ˈĕm-pāth-ˈkoun-səl]: A secretive group of Empathymagic users, dedicated to the study and control of emotions.
October 19, 2022 at 6:46 am #6336In reply to: Family Stories From The Other Side ~ Book Two
The Hamstall Ridware Connection
Stubbs and Woods
Hamstall Ridware
Charles Tomlinson‘s (1847-1907) wife Emma Grattidge (1853-1911) was born in Wolverhampton, the daughter and youngest child of William Grattidge (1820-1887) born in Foston, Derbyshire, and Mary Stubbs (1819-1880), born in Burton on Trent, daughter of Solomon Stubbs.
Solomon Stubbs (1781-1857) was born in Hamstall Ridware in 1781, the son of Samuel and Rebecca. Samuel Stubbs (1743-) and Rebecca Wood (1754-) married in 1769 in Darlaston. Samuel and Rebecca had six other children, all born in Darlaston. Sadly four of them died in infancy. Son John was born in 1779 in Darlaston and died two years later in Hamstall Ridware in 1781, the same year that Solomon was born there.
But why did they move to Hamstall Ridware?
Samuel Stubbs was born in 1743 in Curdworth, Warwickshire (near to Birmingham). I had made a mistake on the tree (along with all of the public trees on the Ancestry website) and had Rebecca Wood born in Cheddleton, Staffordshire. Rebecca Wood from Cheddleton was also born in 1843, the right age for the marriage. The Rebecca Wood born in Darlaston in 1754 seemed too young, at just fifteen years old at the time of the marriage. I couldn’t find any explanation for why a woman from Cheddleton would marry in Darlaston and then move to Hamstall Ridware. People didn’t usually move around much other than intermarriage with neighbouring villages, especially women. I had a closer look at the Darlaston Rebecca, and did a search on her father William Wood. I found his 1784 will online in which he mentions his daughter Rebecca, wife of Samuel Stubbs. Clearly the right Rebecca Wood was the one born in Darlaston, which made much more sense.
An excerpt from William Wood’s 1784 will mentioning daughter Rebecca married to Samuel Stubbs:
But why did they move to Hamstall Ridware circa 1780?
I had not intially noticed that Solomon Stubbs married again the year after his wife Phillis Lomas (1787-1844) died. Solomon married Charlotte Bell in 1845 in Burton on Trent and on the marriage register, Solomon’s father Samuel Stubbs occupation was mentioned: Samuel was a buckle maker.
Marriage of Solomon Stubbs and Charlotte Bell, father Samuel Stubbs buckle maker:
A rudimentary search on buckle making in the late 1700s provided a possible answer as to why Samuel and Rebecca left Darlaston in 1781. Shoe buckles had gone out of fashion, and by 1781 there were half as many buckle makers in Wolverhampton as there had been previously.
“Where there were 127 buckle makers at work in Wolverhampton, 68 in Bilston and 58 in Birmingham in 1770, their numbers had halved in 1781.”
via “historywebsite”(museum/metalware/steel)
Steel buckles had been the height of fashion, and the trade became enormous in Wolverhampton. Wolverhampton was a steel working town, renowned for its steel jewellery which was probably of many types. The trade directories show great numbers of “buckle makers”. Steel buckles were predominantly made in Wolverhampton: “from the late 1760s cut steel comes to the fore, from the thriving industry of the Wolverhampton area”. Bilston was also a great centre of buckle making, and other areas included Walsall. (It should be noted that Darlaston, Walsall, Bilston and Wolverhampton are all part of the same area)
In 1860, writing in defence of the Wolverhampton Art School, George Wallis talks about the cut steel industry in Wolverhampton. Referring to “the fine steel workers of the 17th and 18th centuries” he says: “Let them remember that 100 years ago [sc. c. 1760] a large trade existed with France and Spain in the fine steel goods of Birmingham and Wolverhampton, of which the latter were always allowed to be the best both in taste and workmanship. … A century ago French and Spanish merchants had their houses and agencies at Birmingham for the purchase of the steel goods of Wolverhampton…..The Great Revolution in France put an end to the demand for fine steel goods for a time and hostile tariffs finished what revolution began”.
The next search on buckle makers, Wolverhampton and Hamstall Ridware revealed an unexpected connecting link.
In Riotous Assemblies: Popular Protest in Hanoverian England by Adrian Randall:
In Walsall in 1750 on “Restoration Day” a crowd numbering 300 assembled, mostly buckle makers, singing Jacobite songs and other rebellious and riotous acts. The government was particularly worried about a curious meeting known as the “Jubilee” in Hamstall Ridware, which may have been part of a conspiracy for a Jacobite uprising.
But this was thirty years before Samuel and Rebecca moved to Hamstall Ridware and does not help to explain why they moved there around 1780, although it does suggest connecting links.
Rebecca’s father, William Wood, was a brickmaker. This was stated at the beginning of his will. On closer inspection of the will, he was a brickmaker who owned four acres of brick kilns, as well as dwelling houses, shops, barns, stables, a brewhouse, a malthouse, cattle and land.
A page from the 1784 will of William Wood:
The 1784 will of William Wood of Darlaston:
I William Wood the elder of Darlaston in the county of Stafford, brickmaker, being of sound and disposing mind memory and understanding (praised be to god for the same) do make publish and declare my last will and testament in manner and form following (that is to say) {after debts and funeral expense paid etc} I give to my loving wife Mary the use usage wear interest and enjoyment of all my goods chattels cattle stock in trade ~ money securities for money personal estate and effects whatsoever and wheresoever to hold unto her my said wife for and during the term of her natural life providing she so long continues my widow and unmarried and from or after her decease or intermarriage with any future husband which shall first happen.
Then I give all the said goods chattels cattle stock in trade money securites for money personal estate and effects unto my son Abraham Wood absolutely and forever. Also I give devise and bequeath unto my said wife Mary all that my messuages tenement or dwelling house together with the malthouse brewhouse barn stableyard garden and premises to the same belonging situate and being at Darlaston aforesaid and now in my own possession. Also all that messuage tenement or dwelling house together with the shop garden and premises with the appurtenances to the same ~ belonging situate in Darlaston aforesaid and now in the several holdings or occupation of George Knowles and Edward Knowles to hold the aforesaid premises and every part thereof with the appurtenances to my said wife Mary for and during the term of her natural life provided she so long continues my widow and unmarried. And from or after her decease or intermarriage with a future husband which shall first happen. Then I give and devise the aforesaid premises and every part thereof with the appurtenances unto my said son Abraham Wood his heirs and assigns forever.
Also I give unto my said wife all that piece or parcel of land or ground inclosed and taken out of Heath Field in the parish of Darlaston aforesaid containing four acres or thereabouts (be the same more or less) upon which my brick kilns erected and now in my own possession. To hold unto my said wife Mary until my said son Abraham attains his age of twenty one years if she so long continues my widow and unmarried as aforesaid and from and immediately after my said son Abraham attaining his age of twenty one years or my said wife marrying again as aforesaid which shall first happen then I give the said piece or parcel of land or ground and premises unto my said son Abraham his heirs and assigns forever.
And I do hereby charge all the aforesaid premises with the payment of the sum of twenty pounds a piece to each of my daughters namely Elizabeth the wife of Ambrose Dudall and Rebecca the wife of Samuel Stubbs which said sum of twenty pounds each I devise may be paid to them by my said son Abraham when and so soon as he attains his age of twenty one years provided always and my mind and will is that if my said son Abraham should happen to depart this life without leaving issue of his body lawfully begotten before he attains his age of twenty one years then I give and devise all the aforesaid premises and every part thereof with the appurtenances so given to my said son Abraham as aforesaid unto my said son William Wood and my said daughter Elizabeth Dudall and Rebecca Stubbs their heirs and assigns forever equally divided among them share and share alike as tenants in common and not as joint tenants. And lastly I do hereby nominate constitute and appoint my said wife Mary and my said son Abraham executrix and executor of this my will.
The marriage of William Wood (1725-1784) and Mary Clews (1715-1798) in 1749 was in Hamstall Ridware.
Mary was eleven years Williams senior, and it appears that they both came from Hamstall Ridware and moved to Darlaston after they married. Clearly Rebecca had extended family there (notwithstanding any possible connecting links between the Stubbs buckle makers of Darlaston and the Hamstall Ridware Jacobites thirty years prior). When the buckle trade collapsed in Darlaston, they likely moved to find employment elsewhere, perhaps with the help of Rebecca’s family.
I have not yet been able to find deaths recorded anywhere for either Samuel or Rebecca (there are a couple of deaths recorded for a Samuel Stubbs, one in 1809 in Wolverhampton, and one in 1810 in Birmingham but impossible to say which, if either, is the right one with the limited information, and difficult to know if they stayed in the Hamstall Ridware area or perhaps moved elsewhere)~ or find a reason for their son Solomon to be in Burton upon Trent, an evidently prosperous man with several properties including an earthenware business, as well as a land carrier business.
July 7, 2022 at 9:45 am #6315In reply to: The Sexy Wooden Leg
It was not yet 9am and Eusebius Kazandis was already sweating. The morning sun was hitting hard on the tarp of his booth. He put the last cauldron among lines of cauldrons on a sagging table at the summer fair of Innsbruck, Austria. It was a tiny three-legged black cauldron with a simple Celtic knot on one side and a tree on the other side, like all the others. His father’s father’s father used to make cauldrons for a living, the kind you used to distil ouzo or cook meals for an Inn. But as time went by and industrialisation made it easier for cooks, the trade slowly evolved toward smaller cauldrons for modern Wiccans. A modern witch wanted it portable and light, ready to use in everyday life situations, and Eusebius was there to provide it for them.
Eusebius sat on his chair and sighed. He couldn’t help but notice the woman in colourful dress who had spread a shawl on the grass under the tall sequoia tree. Nobody liked this spot under the branches oozing sticky resin. She didn’t seem to mind. She was arranging small colourful bottles of oil on her shawl. A sign near her said : Massage oils, Fragrant oils, Polishing oils, all with different names evocative of different properties. He hadn’t noticed her yesterday when everybody was installing their stalls. He wondered if she had paid her fee.
Rosa was smiling as she spread in front of her the meadow flowers she’d picked on her way to the market. It was another beautiful day, under the shade and protection of the big sequoia tree watching over her. She assembled small bouquets and put them in between the vials containing her precious handmade oils. She had noticed people, and especially women, would naturally gather around well dressed stalls and engage conversation. Since she left her hometown of Torino, seven years ago, she’d followed the wind on her journey across Europe. It had led her to Innsbruck and had suddenly stopped blowing. That usually meant she had something to do there, but it also meant that she would have to figure out what she was meant to do before she could go on with her life.
The stout man waiting behind his dark cauldrons, was watching her again. He looked quite sad, and she couldn’t help but thinking he was not where he needed to be. When she looked at him, she saw Hephaestus whose inner fire had been tamed. His banner was a mishmash of religious stuff, aimed at pagans and budding witches. Although his grim booth would most certainly benefit from a feminine touch, but she didn’t want to offend him by a misplaced suggestion. It was not her place to find his place.
Rosa, who knew to cultivate any available friendship when she arrived somewhere, waved at the man. Startled, he looked away as if caught doing something inappropriate. Rosa sighed. Maybe she should have bring him some coffee.
As her first clients arrived, she prayed for a gush of wind to tell her where to go next. But the branches of the old tree remained perfectly still under the scorching sun.
July 1, 2022 at 9:51 am #6306In reply to: The Elusive Samuel Housley and Other Family Stories
Looking for Robert Staley
William Warren (1835-1880) of Newhall (Stapenhill) married Elizabeth Staley (1836-1907) in 1858. Elizabeth was born in Newhall, the daughter of John Staley (1795-1876) and Jane Brothers. John was born in Newhall, and Jane was born in Armagh, Ireland, and they were married in Armagh in 1820. Elizabeths older brothers were born in Ireland: William in 1826 and Thomas in Dublin in 1830. Francis was born in Liverpool in 1834, and then Elizabeth in Newhall in 1836; thereafter the children were born in Newhall.
Marriage of John Staley and Jane Brothers in 1820:
My grandmother related a story about an Elizabeth Staley who ran away from boarding school and eloped to Ireland, but later returned. The only Irish connection found so far is Jane Brothers, so perhaps she meant Elizabeth Staley’s mother. A boarding school seems unlikely, and it would seem that it was John Staley who went to Ireland.
The 1841 census states Jane’s age as 33, which would make her just 12 at the time of her marriage. The 1851 census states her age as 44, making her 13 at the time of her 1820 marriage, and the 1861 census estimates her birth year as a more likely 1804. Birth records in Ireland for her have not been found. It’s possible, perhaps, that she was in service in the Newhall area as a teenager (more likely than boarding school), and that John and Jane ran off to get married in Ireland, although I haven’t found any record of a child born to them early in their marriage. John was an agricultural labourer, and later a coal miner.
John Staley was the son of Joseph Staley (1756-1838) and Sarah Dumolo (1764-). Joseph and Sarah were married by licence in Newhall in 1782. Joseph was a carpenter on the marriage licence, but later a collier (although not necessarily a miner).
The Derbyshire Record Office holds records of an “Estimate of Joseph Staley of Newhall for the cost of continuing to work Pisternhill Colliery” dated 1820 and addresssed to Mr Bloud at Calke Abbey (presumably the owner of the mine)
Josephs parents were Robert Staley and Elizabeth. I couldn’t find a baptism or birth record for Robert Staley. Other trees on an ancestry site had his birth in Elton, but with no supporting documents. Robert, as stated in his 1795 will, was a Yeoman.
“Yeoman: A former class of small freeholders who farm their own land; a commoner of good standing.”
“Husbandman: The old word for a farmer below the rank of yeoman. A husbandman usually held his land by copyhold or leasehold tenure and may be regarded as the ‘average farmer in his locality’. The words ‘yeoman’ and ‘husbandman’ were gradually replaced in the later 18th and 19th centuries by ‘farmer’.”He left a number of properties in Newhall and Hartshorne (near Newhall) including dwellings, enclosures, orchards, various yards, barns and acreages. It seemed to me more likely that he had inherited them, rather than moving into the village and buying them.
There is a mention of Robert Staley in a 1782 newpaper advertisement.
“Fire Engine To Be Sold. An exceedingly good fire engine, with the boiler, cylinder, etc in good condition. For particulars apply to Mr Burslem at Burton-upon-Trent, or Robert Staley at Newhall near Burton, where the engine may be seen.”
Was the fire engine perhaps connected with a foundry or a coal mine?
I noticed that Robert Staley was the witness at a 1755 marriage in Stapenhill between Barbara Burslem and Richard Daston the younger esquire. The other witness was signed Burslem Jnr.
Looking for Robert Staley
I assumed that once again, in the absence of the correct records, a similarly named and aged persons baptism had been added to the tree regardless of accuracy, so I looked through the Stapenhill/Newhall parish register images page by page. There were no Staleys in Newhall at all in the early 1700s, so it seemed that Robert did come from elsewhere and I expected to find the Staleys in a neighbouring parish. But I still didn’t find any Staleys.
I spoke to a couple of Staley descendants that I’d met during the family research. I met Carole via a DNA match some months previously and contacted her to ask about the Staleys in Elton. She also had Robert Staley born in Elton (indeed, there were many Staleys in Elton) but she didn’t have any documentation for his birth, and we decided to collaborate and try and find out more.
I couldn’t find the earlier Elton parish registers anywhere online, but eventually found the untranscribed microfiche images of the Bishops Transcripts for Elton.
via familysearch:
“In its most basic sense, a bishop’s transcript is a copy of a parish register. As bishop’s transcripts generally contain more or less the same information as parish registers, they are an invaluable resource when a parish register has been damaged, destroyed, or otherwise lost. Bishop’s transcripts are often of value even when parish registers exist, as priests often recorded either additional or different information in their transcripts than they did in the original registers.”Unfortunately there was a gap in the Bishops Transcripts between 1704 and 1711 ~ exactly where I needed to look. I subsequently found out that the Elton registers were incomplete as they had been damaged by fire.
I estimated Robert Staleys date of birth between 1710 and 1715. He died in 1795, and his son Daniel died in 1805: both of these wills were found online. Daniel married Mary Moon in Stapenhill in 1762, making a likely birth date for Daniel around 1740.
The marriage of Robert Staley (assuming this was Robert’s father) and Alice Maceland (or Marsland or Marsden, depending on how the parish clerk chose to spell it presumably) was in the Bishops Transcripts for Elton in 1704. They were married in Elton on 26th February. There followed the missing parish register pages and in all likelihood the records of the baptisms of their first children. No doubt Robert was one of them, probably the first male child.
(Incidentally, my grandfather’s Marshalls also came from Elton, a small Derbyshire village near Matlock. The Staley’s are on my grandmothers Warren side.)
The parish register pages resume in 1711. One of the first entries was the baptism of Robert Staley in 1711, parents Thomas and Ann. This was surely the one we were looking for, and Roberts parents weren’t Robert and Alice.
But then in 1735 a marriage was recorded between Robert son of Robert Staley (and this was unusual, the father of the groom isn’t usually recorded on the parish register) and Elizabeth Milner. They were married on the 9th March 1735. We know that the Robert we were looking for married an Elizabeth, as her name was on the Stapenhill baptisms of their later children, including Joseph Staleys. The 1735 marriage also fit with the assumed birth date of Daniel, circa 1740. A baptism was found for a Robert Staley in 1738 in the Elton registers, parents Robert and Elizabeth, as well as the baptism in 1736 for Mary, presumably their first child. Her burial is recorded the following year.
The marriage of Robert Staley and Elizabeth Milner in 1735:
There were several other Staley couples of a similar age in Elton, perhaps brothers and cousins. It seemed that Thomas and Ann’s son Robert was a different Robert, and that the one we were looking for was prior to that and on the missing pages.
Even so, this doesn’t prove that it was Elizabeth Staleys great grandfather who was born in Elton, but no other birth or baptism for Robert Staley has been found. It doesn’t explain why the Staleys moved to Stapenhill either, although the Enclosures Act and the Industrial Revolution could have been factors.
The 18th century saw the rise of the Industrial Revolution and many renowned Derbyshire Industrialists emerged. They created the turning point from what was until then a largely rural economy, to the development of townships based on factory production methods.
The Marsden Connection
There are some possible clues in the records of the Marsden family. Robert Staley married Alice Marsden (or Maceland or Marsland) in Elton in 1704. Robert Staley is mentioned in the 1730 will of John Marsden senior, of Baslow, Innkeeper (Peacock Inne & Whitlands Farm). He mentions his daughter Alice, wife of Robert Staley.
In a 1715 Marsden will there is an intriguing mention of an alias, which might explain the different spellings on various records for the name Marsden: “MARSDEN alias MASLAND, Christopher – of Baslow, husbandman, 28 Dec 1714. son Robert MARSDEN alias MASLAND….” etc.
Some potential reasons for a move from one parish to another are explained in this history of the Marsden family, and indeed this could relate to Robert Staley as he married into the Marsden family and his wife was a beneficiary of a Marsden will. The Chatsworth Estate, at various times, bought a number of farms in order to extend the park.
THE MARSDEN FAMILY
OXCLOSE AND PARKGATE
In the Parishes of
Baslow and Chatsworthby
David Dalrymple-Smith“John Marsden (b1653) another son of Edmund (b1611) faired well. By the time he died in
1730 he was publican of the Peacock, the Inn on Church Lane now called the Cavendish
Hotel, and the farmer at “Whitlands”, almost certainly Bubnell Cliff Farm.”“Coal mining was well known in the Chesterfield area. The coalfield extends as far as the
Gritstone edges, where thin seams outcrop especially in the Baslow area.”“…the occupants were evicted from the farmland below Dobb Edge and
the ground carefully cleared of all traces of occupation and farming. Shelter belts were
planted especially along the Heathy Lea Brook. An imposing new drive was laid to the
Chatsworth House with the Lodges and “The Golden Gates” at its northern end….”Although this particular event was later than any events relating to Robert Staley, it’s an indication of how farms and farmland disappeared, and a reason for families to move to another area:
“The Dukes of Devonshire (of Chatsworth) were major figures in the aristocracy and the government of the
time. Such a position demanded a display of wealth and ostentation. The 6th Duke of
Devonshire, the Bachelor Duke, was not content with the Chatsworth he inherited in 1811,
and immediately started improvements. After major changes around Edensor, he turned his
attention at the north end of the Park. In 1820 plans were made extend the Park up to the
Baslow parish boundary. As this would involve the destruction of most of the Farm at
Oxclose, the farmer at the Higher House Samuel Marsden (b1755) was given the tenancy of
Ewe Close a large farm near Bakewell.
Plans were revised in 1824 when the Dukes of Devonshire and Rutland “Exchanged Lands”,
reputedly during a game of dice. Over 3300 acres were involved in several local parishes, of
which 1000 acres were in Baslow. In the deal Devonshire acquired the southeast corner of
Baslow Parish.
Part of the deal was Gibbet Moor, which was developed for “Sport”. The shelf of land
between Parkgate and Robin Hood and a few extra fields was left untouched. The rest,
between Dobb Edge and Baslow, was agricultural land with farms, fields and houses. It was
this last part that gave the Duke the opportunity to improve the Park beyond his earlier
expectations.”The 1795 will of Robert Staley.
Inriguingly, Robert included the children of his son Daniel Staley in his will, but omitted to leave anything to Daniel. A perusal of Daniels 1808 will sheds some light on this: Daniel left his property to his six reputed children with Elizabeth Moon, and his reputed daughter Mary Brearly. Daniels wife was Mary Moon, Elizabeths husband William Moons daughter.
The will of Robert Staley, 1795:
The 1805 will of Daniel Staley, Robert’s son:
This is the last will and testament of me Daniel Staley of the Township of Newhall in the parish of Stapenhill in the County of Derby, Farmer. I will and order all of my just debts, funeral and testamentary expenses to be fully paid and satisfied by my executors hereinafter named by and out of my personal estate as soon as conveniently may be after my decease.
I give, devise and bequeath to Humphrey Trafford Nadin of Church Gresely in the said County of Derby Esquire and John Wilkinson of Newhall aforesaid yeoman all my messuages, lands, tenements, hereditaments and real and personal estates to hold to them, their heirs, executors, administrators and assigns until Richard Moon the youngest of my reputed sons by Elizabeth Moon shall attain his age of twenty one years upon trust that they, my said trustees, (or the survivor of them, his heirs, executors, administrators or assigns), shall and do manage and carry on my farm at Newhall aforesaid and pay and apply the rents, issues and profits of all and every of my said real and personal estates in for and towards the support, maintenance and education of all my reputed children by the said Elizabeth Moon until the said Richard Moon my youngest reputed son shall attain his said age of twenty one years and equally share and share and share alike.
And it is my will and desire that my said trustees or trustee for the time being shall recruit and keep up the stock upon my farm as they in their discretion shall see occasion or think proper and that the same shall not be diminished. And in case any of my said reputed children by the said Elizabeth Moon shall be married before my said reputed youngest son shall attain his age of twenty one years that then it is my will and desire that non of their husbands or wives shall come to my farm or be maintained there or have their abode there. That it is also my will and desire in case my reputed children or any of them shall not be steady to business but instead shall be wild and diminish the stock that then my said trustees or trustee for the time being shall have full power and authority in their discretion to sell and dispose of all or any part of my said personal estate and to put out the money arising from the sale thereof to interest and to pay and apply the interest thereof and also thereunto of the said real estate in for and towards the maintenance, education and support of all my said reputed children by the said
Elizabeth Moon as they my said trustees in their discretion that think proper until the said Richard Moon shall attain his age of twenty one years.Then I give to my grandson Daniel Staley the sum of ten pounds and to each and every of my sons and daughters namely Daniel Staley, Benjamin Staley, John Staley, William Staley, Elizabeth Dent and Sarah Orme and to my niece Ann Brearly the sum of five pounds apiece.
I give to my youngest reputed son Richard Moon one share in the Ashby Canal Navigation and I direct that my said trustees or trustee for the time being shall have full power and authority to pay and apply all or any part of the fortune or legacy hereby intended for my youngest reputed son Richard Moon in placing him out to any trade, business or profession as they in their discretion shall think proper.
And I direct that to my said sons and daughters by my late wife and my said niece shall by wholly paid by my said reputed son Richard Moon out of the fortune herby given him. And it is my will and desire that my said reputed children shall deliver into the hands of my executors all the monies that shall arise from the carrying on of my business that is not wanted to carry on the same unto my acting executor and shall keep a just and true account of all disbursements and receipts of the said business and deliver up the same to my acting executor in order that there may not be any embezzlement or defraud amongst them and from and immediately after my said reputed youngest son Richard Moon shall attain his age of twenty one years then I give, devise and bequeath all my real estate and all the residue and remainder of my personal estate of what nature and kind whatsoever and wheresoever unto and amongst all and every my said reputed sons and daughters namely William Moon, Thomas Moon, Joseph Moon, Richard Moon, Ann Moon, Margaret Moon and to my reputed daughter Mary Brearly to hold to them and their respective heirs, executors, administrator and assigns for ever according to the nature and tenure of the same estates respectively to take the same as tenants in common and not as joint tenants.And lastly I nominate and appoint the said Humphrey Trafford Nadin and John Wilkinson executors of this my last will and testament and guardians of all my reputed children who are under age during their respective minorities hereby revoking all former and other wills by me heretofore made and declaring this only to be my last will.
In witness whereof I the said Daniel Staley the testator have to this my last will and testament set my hand and seal the eleventh day of March in the year of our Lord one thousand eight hundred and five.
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