-
Search Results
-
In reply to: Snowflakes of Tens
While Yuhara and Sylvestrus were exploring Second Life worlds (Frolic Caper~Belle was still on an extended leave of absence), Blithe Gambol, although she didn’t entirely realize it at the time, was exploring First Life worlds on the Coast of Light.
Blithe and her partner Winn set off for the drum festival in the late afternoon heat, with the intention of reaching the Light Coast before sundown. The strong low sun flickered on and off as it hid behind trees and hills, and the hot dry wind whipped Blithes hair into her eyes, leaving the heavy heat of the Coast of the Sun behind and tranforming it into a light bone dry atmosphere that seemed to suck the air out of Blithe’s lungs. She filled the vacuum with smoke, listening to the words of the music playing ~ must be a reason why I’m king of my castle….king of my castle…it reminded her of Dealea’s story about King Author.
When they reached Vejer de la Frontera they made a wrong turning, although they were well aware that no turning is a wrong one. The new direction took them in a circle behind the Vejer promontory, through the umbrella pines along the coast. The sky was golden yellow behind the black sillouttes on one side, with a periwinkle sea on the other, rocky pale grey outcrops blushed with pink paddling in the gently lapping waves.
As they entered the village of Canos de Meca, they slowed to crawl behind the inching cars, as tanned people in brightly coloured clothes wove in and out of the traffic, and in and out of the exotic looking bars and restaurants. Blithe remembered the Second Life worlds she had been exploring earlier that day, and wondered if Second Life came with the smells of sardines barbequeing on the beach, or a warm breeze wafting past laden with snatches of laughter and conversation. Visually, certainly, Second Life would be hard presssed to beat the visual appeal of Canos de Meca at sunset on an August evening. There were plenty of opportunities to observe the people and the hostelries, as the traffic got progressively worse until it eventually came to a standstill. The narrow lanes were lined with parked cars, and throngs of people carrying coolers made their way to the sand dunes near the lighthouse.
Eventually, after several slow drives past looking for a miraculous parking space that didn’t appear, Blithe and Winn found a restaurant in between the coastal villages that was strangely empty of people. Even Winn, who was much less inclined towards fanciful imaginings than Blithe, remarked on how surreal the place was. It could have been anywhere in Spain, so strangely ordinary was its appearance in comparison to the Moorish beach hippy style of the villages. They ordered food, and relaxed in easy silence in the oasis of calm ordinariness. Blithe wondered if the place actually existed or if she had created it out of thin air, just for a respite and a parking place, and a clean unoccupied loo. Another First Life world, perhaps, constructed in the moment to meet the current requirements of ease.
At 11:11, after another two drives through the crawling cars and crowds, Winn turned the car around and headed for home. At 12:12 they reached the Coast of the Sun, shrouded in sea mist, and at 1:00am precisely, they arrived home. Later, as Blithe lay on the bed listening to the drums playing on the music machine, she closed her eyes and saw the sunset over the Atlantic, and felt the ocean breeze of the fan. She projected her attention to the dunes of Trafalgar ~ which, incidentally, didn’t take two hours, it was instant. In another instant, she was back in her bedroom, sipping agua con gas on the rocks and chatting to Winn. Seconds later, she was in a vibrant nightclub overlooking the beach, dancing in spirit between the jostling holidaymakers being served at the bar. She imagined that one or two of them noticed her energy.
Clearly, teleporting from one place to another had its benefits. The question of parking, for example, wouldn’t arise. But Blithe wouldn’t have wanted to miss the late afternoon drive to the Coast of Light, and the golden slanting lightbeams flickering between the cork oaks making their cork shorn trunks glow red, or the ocean appearing over the crest of a hill. And if she had arrived in an instant at the location she was intending to visit, then she would never have encountered the sunset from the particular angle of the approach via the wrong turn. Variety ~ and impulse, and the opportunities of the unexpected turns ~ was the weft of weaving First Life worlds ~ or was it the warp?
link: weaving worlds
In reply to: Snowflakes of Tens
After having had a wheel ride in the garden, Grandpa Wrick came back a little less in-tense.
“Mmm, I suppose this game isn’t as much fun as I expected. I want to give it another try, adding a little something more.” he said to the kids when their cartoon had finished. India Louise, Cuthbert, and their friends Flynn and of course Lisbelle (who had been quiet in the background, playing with her pet rabbit Ginger) started listening with a mild interest —the whimsical Lord Wrick having proved countless times he had no qualms at making a fool of himself, and thus at entertaining children.
“What I want to achieve, by playing this game of snowflakes,” he said after a pause “is paying more attention at your stream of consciousness.”
“You see, I’ve been reading the classical Circle of Eights countless times in my young age, and dear old Yurara didn’t have much interest in creating links between her narratives. This is what I want to do with this game: pay attention to the links.
In this game of snowflakes, the stories (flakes) matter less than the links you build between them, and thus the pattern that is created.
We have the choice to continue and detail the previous story, in which case, the link is obvious, or we may want to start another one. But we need to know what, from the previous entry, prompted you to create that special new story you are about to write or tell.Just like in a dream, when you explore a scene, some object will jump at your attention, and propel you to another dream story. Just like that, I want to spend more time exploring the transitions between each scenes and story blurbs that we tell. The links don’t necessarily have to be an object, of course not.
It can be an idea, a theme, a music, virtually anything, provided that it can make some sense as to why it is used as a transition…”Seeing the children waiting for more, he pursued: “a good introduction to this game would be for you to try to follow your train of thoughts during the day. Try to do mentally that small exercise before you go to sleep, and remember the transitions of your whole day, and you’ll see how complex it can become, how often you pass and zap from one thing to another.
Take even one event that lasts a few minutes like eating a honey sandwich at breakfast, can make you think of dozens of things like the texture of the bread, the fields of wheat, or the butter, the glass jar filled with honey and the bees that made it, the swarm of bees can carry you even further into another time, or towards a bear or into a movie maybe.
I want that you pause to take time to break this down, so that your audience can follow the transition from one story to another, and that it makes perfect sense for them.”
In reply to: Snowflakes of Tens
Grandpa Wrick interrupted “did I mention that your first story needs a beginning and an end, of course? The snowflake must be complete so that others can expand on it.”
Take an example: Alice in Wonderland. You could start with : “A young girl follows a rabbit, falls down the rabbit hole, meets all sorts of strange people and in the end she wakes up to find out it was probably only a dream”. Then built up from that. Ideally to create something like a book-length worth of clues and details and all… For instance, you could detail the rabbit’s habits, or the strange people, putting it in perspective of the initial blurb or following developments. It would be like re-re-rewatching a beloved movie, only to pay attention to the finer details in the background…
In reply to: The Eights’ Shift, Stories
Sadness, whilst not being entirely unheard of, was alot more uncommon during the days of the Gardenation. The weather was kindness itself, and everyone, naturally enough, was at liberty to grow whatever they wanted in their gardens. There were no rules and regulations in the Gardenation; it worked on a sort of expanded “pay forward” system, not that there was any pay, or forward thinking for that matter, involved. The genesis of the new collaberation of independant garden nations (although it was actually more of a renaissance, simultaneous time notwithstanding) had come about as a result of the widespread discontent of the populace with all of the political parties, in just about every nation on the planet.
During a particularly wild and raucous bridge tart birthday party (they were always having birthday parties; it was always somebody’s birthday somewhere, after all) the avant garde shift pioneers, as well as the twelve Wisp rats, came up with a plan ~ of sorts. It was more of an imaginative play really.
One of the children had been bemoaning the fact that his friend in another nation could grow whatever he wanted in his garden, and he couldn’t, in his own nation. He asked the bridge tarts if they could create a new nation, from all the independant garden nations all over the world. The bridge tarts decided that it was a fine idea and set about bridging the independant garden nations all over the world together, in energy.
Some of the bridge tarts worked on the connecting links between the garden nations all over the globe, and some of the bridge tarts were instrumental in innovative new gardening ideas. One of them experimented with pulling funny faces at the seedlings, which resulted in bizarre comical blooms. New ideas bounced from one gardenation to another, originating you might say in all gardenations at the same time, so connected were they in energy.
Given sufficient motivation, the Gardenation might have started sooner ~ notwithstanding simultaneous time. Or perhaps they already did.
In reply to: Scrying the Word Cloud
sharon told later surprise saying cloud create spiders supposed gift characters strange family…
:weather-showers-scattered: 
In reply to: Scrying the Word Cloud
In reply to: Yuki’s Livrary
January 21 st, 2010
About Worlds creating and dreamwalking
Has it occurred to you that your current technologies [such as social websites] are more than a little reflection of what you are doing as essence.
It is more indeed, and very useful as an analogy.
You have, for one, certainly noticed how different the “feel” of certain of these “sites” is, even when you are most of the time surrounded by the same set of friends and relationships? Yes you have.Let us call these sites “dimensions”. Yes, it sounds familiar, doesn’t it. You all participate in some manner into these, and you all have persona of yourself in various of these. They compete for your attention, and some of them are more popular than others —these are the ones which offer you the most fulfilling experience, not necessarily the most pleasant.
In many ways, you connect as essence through these dimensions, which reveal aspects of your personalities, aspects that are not always visible or noticed in a direct interaction. When you congregate through these sites, you also start to realize, you have access to all of the others as essence, either through proxy of friends, or by direct interaction. You are all connected.
They all have different rules, or shall we say, conventions; you can do certain things, certain others you cannot (or not yet), and others, you can, but they are not well tolerated or accepted.
We let you do all the fine analogies, you mostly get the idea. The technical rules behind those sites are like your mass beliefs. They are helpful to maneuver your “avatar” —that focus of yourself inside the system— and without them, there would simply be no interest, no interaction, no experience.
Of course, these beliefs can be bent ; with applications, made by these people wanting to develop new systems plugged into the architecture, to offer new functions, or interactions with others of these sites or dimensions.The creators of these dimensions are similar to dreamwalkers; some of them are bent on technology and development of the system at its core, but not all of them. Many in fact come with other intents, such as making the dimension a more beautiful, interactive, attractive or pleasant place. They all work together to bring the experience of the envisioned dimension to the other essences —and at some point, they also choose, themselves to interact, as a focus, fully part of their created dimension.
Having that in mind, would it not seem natural that you would integrate more functionalities to these sites, if they respond to the promises of keeping focuses interested? What you call “upgrades” are in fact a major part of the conception of these dimensions, and occur quite frequently, either driven by popular demand, or by technical need.
Such is the nature of the shift you are experiencing, which is above all a tremendous upgrade [of mass beliefs] towards a more integrated experience, without simply dropping the current dimension for another.We would finally like you to notice also that even if the biggest of these dimensions are calling for a great part of your attention, you also are attracted daily to countless others, little sites and areas, the purpose of which is different, but not less significant to your whole self.
In reply to: The Eights’ Shift, Stories
The poor Peaslanders were utterly disoriented by the blatant lack of sense in the Eighth Dimension. It was such a blessing they had for most of them already lost their head, kept safe by a dear member of the family.
Once in front of them, the glowing figure uttered ominously:
“opened everyone eye ball,
Worserversity nonsense portal deep
sheila Elizabeth bird gone surprise
come speak thread
face cat Godfrey later create”And then the figure disappeared in a fit of oink oink’s.
“I think it’s her shoes that make the strange sucking sounds in the mud” aptly remarked little Pickel.
“How come you know it was a ‘her’, it could have been a cloud as far as I know…” retorted Autie Toot who never got a chance to get a good look, with her head upside down in her arms.“Silence!” ordered Pee Stoll more raucously than he had wished to “We need to concentrate! This riddle may be the clue to the plague of blubbits, can’t you see?!”
“Well… It’s not that easy, you know” Auntie Looh objected sheepishly, while still struggling with her garments as well as with her head.“I think it’s fairly simple” ventured S’illy (whom nobody ever listened to, probably owing to her tender age as well as her melodious voice) “We got to find the Worseversity, they probably have worked on a cure; our contacts there will be a sheila called Elizabeth… and a Godfrey will provide a cat to eat the bird and put us back to our dimension…”
“Darn riddle!” sweared Pee furiously who hadn’t paid any attention “It’s probably just another bunch of nonsense!”
“I guess we’ll just go anywhere then!” merrily suggested the Aunts each going in opposite directions while the bird rolled its eyes.In reply to: Scrying the Word Cloud
nonsense help remembered creating
fellowship yurick worry prof class obvious
create details wanted mention stay
assignment moment family god giving
somewhatIn reply to: Strings of Nines
Sanso had been hanging around for far too long, trying to make sense of all the funny ideas that people have, and trying to get to grips with all their adventures and escapades, their convoluted ponderings, and all the friends and associates that were continually weaving themselves through the many threads. He’d all but forgotten that he was a wanderer by nature, used to travelling alone. Somehow he’d become stuck in their ways, despite not ever really fitting in completely, and he wasn’t entirely sure how it had happened. Perhaps it had been the broccoli. With a defiant devil may care spirit, he’d eaten the broccoli
from the jar marked “You Fool”, when all the others had chosen the broccoli in the jar labeled “Thank You”. Well, he’d chosen it, there was no blaming anyone else for it, after all. But the effects had all but worn off, and he was starting to get the old familiar itch to travel again, to explore.“You can go in any direction you want” he heard himself say as he mentally transported himself back to a scene in his Story. “You’ll always be at the centre of everything.”
How very strange that he’d forgotten that. That brocolli was powerful stuff.
“You interpret the signs however you want to…” the voice of Sanso In Another Scene continued, “and then you act on it. And I’ll tell you this as well, it’s about time you stopped rehashing Old Scenes and started exploring some new ones. Just go, go now! Put one foot in front of the other, and just go ~ go back into the cave.”
Sanso was on the verge of protesting that he didn’t have a plan, and then remembered how much he liked surprises.
For the briefest moment, Sanso wondered if he should leave a note for anyone, or get the laundry in before he set off, or pack a suitcase or something, but decided to start off as he meant to carry on ~ alone, impulsive and free to wander the world of his own making.
There was a large black cow blocking the entrance to the cave. The cow was dead and bloated, although it hadn’t started to smell yet. Sanso wondered whether it was a sign, and decided that it was. It would be rather pointless to create a large dead cow blocking the cave entrance if it had no significance to the story, he deduced, although he hadn’t yet worked out an appropriate meaning for the sign.
Weighing up his options, Sanso realized there were several choices he could make. He could delete the previous paragraph, and simply walk into the cave. He could wait until the cow decomposed, and then simply climb over the bones. He could wander around until he found another cave entrance, or simply teleport himself into the cave behind the cow.
However, the only option that he could think of that would include the Meaning of the Dead Cow Blocking The Cave Entrance would be to stay with the cow until the meaning had been found. If he ignored the cow, he might be Missing An Important Meaning. Notwithstanding, the meaning may turn up later, whether he forgot about it or not.
Sanso decided to sit and meditate on the Meaning of the Cow before proceeding. He could change his mind at any moment if he got bored.
In reply to: Random RewrEights – The Del’Eights thread
Some shaven sheep on the floor where mother goose got pens… that’s what I call giant game! Meddling it’s intricate design, and its daft words pointed to the distinct lack of any mention of God.
We’re talking threads, spinning a myth, warming and weaving, all meaningless beleifs with which to travel, peanuts that can’t be contained inside ones own weaving, in and out of the warped story, and the weft Text.
Viewers may be considerd to be a patchwork piece. These indiviual multitudes are loom weights to create a tapestry in the style, so to speak, of the background qualities of Finnley.
In this focus you choose this situation, that of God. You shall focus an attention to detail and perfection, balance, movement, with tremendous detail.
“Tell me about it” remarked God drily, offering challenging information. “The Sumari does not concern itself with Finnley” who stuck her tongue out at God, sighed in resignation and reached for the peanuts. “No point in fighting your warp.”
In reply to: Scrying the Word Cloud
Morning cat work meaning Tina assignment
dragons taking news planet beautiful start
wondered away harvey truth yourself
communications large full surpriselinks random needed fishes please
remarked friend forgotten story
seem tree message gone
stay under create body
weaving somehow answer rememberIn reply to: The Eights’ Shift, Stories
“Allow me to explain about loom weights,” said the man in the elaborate blue turban. “You create a type of pattern, so to speak, a tapestry. The picture of the tapestry is created in the style, so to speak, of the qualities of the family that you align with. The details and the background threads of the tapestry are the expressions of qualities of the family that you are belonging to.”
“I knew this tapestry and weaving stuff would fit in somewhere” interrupted LizAnn.
“Shh!” said Finnley.
“In this” the man in the blue turban continued, “You may notice certain qualities and expressions throughout your focus that appear to underlie all of your directions that you choose within your particular focus. This is the influence of the family that you are belonging to – in this situation, that of Sumafi.” He looked pointedly at Godfrey. “You shall notice throughout your focus what may be expressed as an attention to detail in the qualities of the Sumafi family, and at times this may be associated within your societal beliefs and definitions as a type of perfectionism.
“This is counterbalanced by the Sumari” he said with a glance at LizAnn, “Who do not concern their movement with tremendous attention to detail.”
“Tell me about it” remarked Godfrey drily.
The man in the blue turban grinned and continued, “The expression and qualities of the Sumari are merely to be creating new directions and offering challenging information which shall spark new explorations of your reality. But the attention of the Sumari does not concern itself with outcomes or endings or detail.”
“Yes, we had noticed” interjected Finnley, who stuck her tongue out at LizAnn. LizAnn made a rude gesture to Finnley and said “See, I told you I couldn’t help it.”
Godfrey sighed in resignation and reached for the peanuts. “I suppose the point of all that is that there’s no point in fighting your warp. Or is it weft?”
In reply to: The Eights’ Shift, Stories
Ann had to admit it wasn’t a bad idea. She wondered why she hadn’t thought of that herself. Why haven’t I been expressing more of the perecption in front of my eyes, I wonder? The more she thought about it, the more confused she became. It did sound like a good idea, and she was pleased that she had created another ‘her’ as it were, to mention it.
On the other hand, of course, there was nothing stopping Walter (or was it Gordon? No, Godfrey…wait, wasn’t it Al?) from creating another one of his ‘hims’ masked as an Ann to express more of her perceptions in HIS own ‘It’s All You’ story.
Am I getting this right? Ann whispered to her left ear.
Topic: Probably Real
She woke up at noon and it was 100 degrees, or 37 degrees, whichever you prefer, but whichever way you look at it, it was not a good temperature to wake up to. Everything was pointing in the direction of going solo, playing the game on her own for awhile, or at least until she was in a regular habit of giving herself priority, giving more attention to her own creative pursuits, and less time to the futile attempts to keep group projects going. She supposed for a moment that making a start whilst hot, tired, discouraged and confused was not the most ideal mood for a start, but at least it was a start. She wasn’t even entirely sure what it was she was actually starting, but suspected that it didn’t much matter, in the grand scheme (or lack thereof) of things.
She’d had a moment of inspiration when she started reading a book. She’d only read a few pages and had no idea how the book would turn out, but the format was interesting. Julie had had an idea, simmering on a back burner for years, to write a book. It always seemed to want to be an autobiographical book, and that’s where she always came unstuck because she couldn’t see the point of that, not that she was overly concerned about whether anyone would want to read it or not, but she often came unstuck when she wondered about how all the characters in the book might feel about it, which is why that moment of inspiration in the bathroom the other day seemed like such a good idea.
She could write a book about a probability party, perhaps called ‘Probably Real’, (maybe with the subtitle ‘Probably Not’.) There would be an occasion, the details of which she hadn’t worked out yet, in which various (not all, she soon realized!) of her probable selves met ~ such as in the Atkinson book, in some quiet desolate place with no interruptions (obviously somewhere with no internet connection, although there was always the danger of picking up a freak broadband WiFi), where they had all the time in the world to tell their tales, compare notes as it were.
Which was where the fiction idea came in ~ of course! Just call it fiction! Would just one of the probable selves be telling the truth, relating the only true version of Julie’s life? And if so, which one was the real probable self? All the characters in the book would have probable selves and probable lives; which of them was the real probable self, the official version? No-one would ever know.
Of course, anyone versed in the metaphysical mechanics of probabilities and such would realize that all probable versions are real, at the same time as all being, in a certain sense, fiction ~ made up. The only question was, would that be too unlimiting to contain within the confines of one book, but time (so to speak) would tell.
Procrastination had set in, as usual, not that that is a bad thing, and things pretty much carried on as usual for a few days. Julie noticed the puppy tugging at a particular magazine from the bottom of the magazine rack over the course of those few days, and eventually the magazine was rather pointedly poking out from the bottom of the pile, it’s title clearly showing: a booklet on How To Write FICTION, with FICTION in big letters.
Never the less, the procrastination continued, although the clue was duly noted. It hadn’t been the first time a Writing A Book incident had occured.
It was easy, in this case, to remember that date, because it was right around the time of the 1999/2000 milenium party, right around the time when that particular roller coaster had derailed. While unpacking the boxes of books and putting them on the shelves of yet another rented house ~ a particularly garish and tasteless monstrosity, a drug baron’s dream of unfunctional largeness with hideous coloured glass windows (it’s the sheer randomness of the colours that’s so awful, G had remarked) ~ a book flew off the shelf, quite literally, and landed alone in the middle of the floor some distance away from the bookshelf.
Becoming A Writer was the name of the book, and the funny thing was that she had been thinking of writing a book but didn’t know where to start, and had been toying with the idea of buying a book on writing a book. So she read the book and started writing, a little bit every day, following the books advice to just start writing, even if it’s just ‘I can’t think of what to write’. There was plenty to write about as it turned out, but circumstances changed, another sudden move of house ensued, another rollercoaster ride, and the writing stopped for awhile.
But back to the book, Becoming A Writer. For a long time, Julie had no recollection of buying that book, and wondered by what magic had it appeared at her feet. Many years later she perhaps would have simply accepted the magic, and would have known that she created the book in that moment. But at the time she didn’t, and in due course constructed a memory of buying the book some years previously at a car boot sale somewhere along the coast road.
(We did buy the book, piped up PSJ2, and I actually read it, unlike you, as soon as I bought it. My 5th book is about to be published, a lightweight comedy/detective series about the Costa del Crime)
PSJ2’s interjection reminded PSJ1 (Good grief, we’ll have to think of a solution to the probable self names, she noted) that she had in fact started writing a book about the Costa del Crime, called Peregrino’s, or perhaps that was the name she’d given to the bar, the central hub, of the book. Of course, that was in the days when bars had been her central hub; she doubted very much if she would choose a bar as the central hub of a book now. She hadn’t got very far with the book, and had burned it when PSA1 got busted, just in case. What to do first, bury the (probable, it must be remembered) pump action shotgun, or burn the book. She had buried the gun, under cover of darkness, in the back garden, wrapping it in plastic bags and blankets, making it look for all the world like the body of a dead child. It was dark, it was raining, and there weren’t many neighbours out there in the orange groves, and she could do no more than hope for the best that she hadn’t been seen.
No doubt there was a probable self who did choose to create being seen, but if so she hadn’t arrived at the probability party (yet, at any rate) with her tale.
That it had been a major probability junction was certain. Not just the gun burying incident, which had turned out to be no more than merely incidental, but the events leading up to it.
In reply to: Scrying the Word Cloud
head getting rubbish bag — felt others sister given dreaming … finally opened deep god
piglets fellowship = short individuals dancing arona away
create!In reply to: Strings of Nines
Ann opened the letter from Morgana and read:
“The Fellowship congratulates and thanks you for your continuity work on the script. We acknowledge the extreme difficulties you contend with as you face erratic forces resistant to any form of continuity and seeking only to create meaningless threads. The Fellowship also advises the script will be even further improved if you could sexy it up a bit.”
“Good God” said Ann, momentarily nonplussed.
In reply to: Scrying the Word Cloud
lavender stop story ~
exclaimed, “whole string needed!”
taking jorid present questions
sense lovely funny close create
creating patterns
possible game
In reply to: Strings of Nines
“That would depend” Gordon replied “On whether you wish to create plain white functional cotton or an elaborate brocade tapestry. You may wish to create strong reliable durable corduroy with it’s dependable grooves, or something eye catching in contrasting black and white. Gossamer fine colours, or sturdy weaves, lace and beadwork, traditional designs, and new ones, always new ones, take your pick!”
“I’ve forgotten what it was I was choosing now, Gordon” replied Ann. “Pass the walnuts.”
In reply to: Strings of Nines
Ann was beginning to wonder about the two Yoland threads that she appeared to have created, somewhat unwittingly, and possibly ill advisedly. There had been some discussions on bi polar extremes recently at one of her quilting bees, and there were all the black and white outfits and soft furnishings at the lunch party, as well as the interior designers flowers all coming up white this year instead of colours.
Ann knew enough about the magnitudes of potential strings (otherwise known as MP’s) to appreciate that she had a choice whether to attach any symbolic meaning to any of this, or not, in myraids of merry multitudinous ways, methodical, medicinal, mesmerising, or otherwise.
