Search Results for 'similar'

Forums Search Search Results for 'similar'

Viewing 20 results - 1 through 20 (of 112 total)
  • Author
    Search Results
  • #7856
    ÉricÉric
    Keymaster

      Chapter Title: A Whiff of Inspiration – a work in progress by Elizabeth Tattler

      The morning light slanted through the towering windows of the grand old house, casting a warm glow upon the chaos within. Elizabeth Tattler, famed author and mistress of the manor, found herself pacing the length of the room with the grace of a caged lioness. Her mind was a churning whirlpool of creative fury, but alas, it was not the only thing trapped within.

      Finnley!” she bellowed, her voice echoing off the walls with a resonance that only years of authoritative writing could achieve. “Finnley, where are you hiding?”

      Finnley, emerging from behind the towering stacks of Liz’s half-finished manuscripts, wielded her trusty broom as if it were a scepter. “I’m here, I’m here,” she grumbled, her tone as prickly as ever. “What is it now, Liz? Another manuscript disaster? A plot twist gone awry?”

      “Trapped abdominal wind, my dear Finnley,” Liz declared with dramatic flair, clutching her midsection as if to emphasize the gravity of her plight. “Since two in the morning! A veritable tempest beneath my ribs! I fear this may become the inspiration—or rather, aspiration—for my next novel.”

      Finnley rolled her eyes, a gesture she had perfected over years of service. “Oh, for Flove’s sake, Liz. Perhaps you should bottle it and sell it as ‘Creative Muse’ for struggling writers. Now, what do you need from me?”

      “Oh, I’ve decided to vent my frustrations in a blog post. A good old-fashioned rant, something to stir the pot and perhaps ruffle a few feathers!” Liz’s eyes gleamed mischievously. “I’m certain it shall incense 95% of my friends, but what better way to clear the mind and—hopefully—the bowels?”

      At that moment, Godfrey, Liz’s ever-distracted editor, shuffled in with a vacant look in his eyes. “Did someone mention something about… inspiration?” he asked, blinking as if waking from a long slumber.

      “Yes, Godfrey, inspiration!” Liz exclaimed, waving her arms dramatically. “Though in my case, it’s more like… ‘inflation’! I’ve become a gastronaut! ” She chuckled at her own pun, eliciting a groan from Finnley.

      Godfrey, oblivious to the undercurrents of the conversation, nodded earnestly. “Ah, splendid! Speaking of which, have you written that opening scene yet, Liz? The publishers are rather eager, you know.”

      Liz threw her hands up in mock exasperation. “Dear Godfrey, with my innards in such turmoil, how could I possibly focus on an opening scene?” She paused, eyes narrowing thoughtfully. “Unless, of course, I were to channel this very predicament into my story. Perhaps a character with a similar plight, trapped on a space station with only their imagination—and intestinal distress—for company.”

      Finnley snorted, her stern facade cracking ever so slightly. “A tale of cosmic flatulence, is it? Sounds like a bestseller to me.”

      And with that, Liz knew she had found her muse—an unorthodox one, to be sure, but a muse nonetheless. As the words began to flow, she could only hope that relief, both literary and otherwise, was soon to follow.

      (story repeats at the beginning)

      #7650
      Yurara FamelikiYurara Fameliki
      Participant

        Some elements for inspiration as to the backstory of the group and how it could tie to the current state of the story:

        :fleuron2:

        Here’s a draft version of the drama surrounding Éloïse and Monsieur Renard (the “strange couple”), incorporating their involvement with Darius, their influence on the group’s dynamic, and the fallout that caused the estrangement five years ago.

        The Strange Couple: Éloïse and Monsieur Renard

        Winter 2019: Paris, Just Before the Pandemic

        The group’s last reunion before their estrangement was supposed to be a celebration—one of those rare moments when their diverging paths aligned. They had gathered in Paris in late December, the city cloaked in gray skies and glowing light. The plan was simple: a few days together, catching up, exploring old haunts, and indulging in the kind of reckless spontaneity that had defined their earlier years.

        It was Darius who disrupted the rhythm. He had arrived late to their first dinner, rain-soaked and apologetic, with Éloïse and Monsieur Renard in tow.

        First Impressions of Éloïse and Monsieur Renard

        Éloïse was striking—lithe, dark-haired, with sharp eyes that seemed to unearth secrets before you could name them. She moved with a predatory grace, her laughter a mix of charm and edge. Renard was her shadow, older and impeccably dressed, his silvery hair and angular features giving him the air of a fox. He spoke little, but when he did, his words had the weight of finality, as if he were accustomed to being obeyed.

        “They’re just friends,” Darius said when the others exchanged wary glances. “They’re… interesting. You’ll like them.”

        But it didn’t take long for Éloïse and Renard to unsettle the group. At dinner, Éloïse dominated the conversation, her stories wild and improbable—of séances in abandoned mansions, of lost artifacts with strange energies, of lives transformed by unseen forces. Renard’s occasional interjections only added to the mystique, his tone implying he’d seen more than he cared to share.

        Lucien, ever the skeptic, found himself drawn to Éloïse despite his instincts. Her talk of energies and symbols resonated with his artistic side, and when she mentioned labyrinths, his attention sharpened.

        Elara, in contrast, bristled at their presence. She saw through their mystique, recognizing in Renard the manipulative charisma of someone who thrived on control.

        Amei was harder to read, but she watched Éloïse and Renard closely, her silence betraying a guardedness that hinted at deeper discomfort.

        Darius’s Growing Involvement

        Over the following days, Darius spent more time with Éloïse and Renard, skipping planned outings with the group. He spoke of them with a reverence that was uncharacteristic, praising their insight into things he’d never thought to question.

        “They see connections in everything,” he told Amei during a rare moment alone. “It’s… enlightening.”

        “Connections to what?” she asked, her tone sharper than she intended.

        “Paths, people, purpose,” he replied vaguely. “It’s hard to explain, but it feels… right.”

        Amei didn’t press further, but she mentioned it to Elara later. “It’s like he’s slipping into something he can’t see his way out of,” she said.

        The Séance

        The turning point came during an impromptu gathering at Éloïse and Renard’s rented apartment—a dimly lit space filled with strange objects: glass jars of cloudy liquid, intricate carvings, and an ornate bronze bell hanging above the mantelpiece.

        Éloïse had invited the group for what she called “an evening of clarity.” The others arrived reluctantly, wary of what she had planned but unwilling to let Darius face it alone.

        The séance began innocuously enough—Éloïse guiding them through what she described as a “journey inward.” She spoke in a low, rhythmic tone, her words weaving a spell that was hard to resist.

        Then things took a darker turn. She asked them to focus on the labyrinth she had drawn on the table—a design eerily similar to the map Lucien had found weeks earlier.

        “You must find your center,” she said, her voice dropping. “But beware the edges. They’ll show you things you’re not ready to see.”

        The room grew heavy with silence. Darius leaned into the moment, his eyes closed, his breathing steady. Lucien tried to focus but felt a growing unease. Elara sat rigid, her scientific mind railing against the absurdity of it all. Amei’s hands gripped the edge of the table, her knuckles white.

        And then, the bell rang.

        It was faint at first, a distant chime that seemed to come from nowhere. Then it grew louder, resonating through the room, its tone deep and haunting.

        “What the hell is that?” Lucien muttered, his eyes snapping open.

        Éloïse smiled faintly but said nothing. Renard’s expression remained inscrutable, though his fingers tapped rhythmically against the table, as if counting something unseen.

        Elara stood abruptly, breaking the spell. “This is ridiculous,” she said. “You’re playing with people’s minds.”

        Darius’s eyes opened, his gaze unfocused. “You don’t understand,” he said softly. “It’s not a game.”

        The Fallout

        The séance fractured the group.

        • Elara: Left the apartment furious, calling Renard a charlatan and vowing never to entertain such nonsense again. Her relationship with Darius cooled, her disappointment palpable.
        • Lucien: Became fascinated with the labyrinth and its connection to his art, but he couldn’t shake the unease the séance had left. His conversations with Éloïse deepened in the following days, further isolating him from the group.
        • Amei: Refused to speak about what she’d experienced. When pressed, she simply said, “Some things are better left forgotten.”
        • Darius stayed with Éloïse and Renard for weeks after the others left Paris, becoming more entrenched in their world. But something changed. When he finally returned, he was distant and cagey, unwilling to discuss what had happened during his time with them.

        Lingering Questions

        1. What Happened to Darius with Éloïse and Renard?
          • Darius’s silence suggests something traumatic or transformative occurred during his deeper involvement with the couple.
        2. The Bell’s Role:
          • The bronze bell that rang during the séance ties into its repeated presence in the story. Was it part of the couple’s mystique, or does it hold a deeper significance?
        3. Lucien’s Entanglement:
          • Lucien’s fascination with Éloïse and the labyrinth hints at a lingering connection. Did she influence his art, or was their connection more personal?
        4. Éloïse and Renard’s Motives:
          • Were they simply grifters manipulating Darius and others, or were they genuinely exploring something deeper, darker, and potentially dangerous?

        Impact on the Reunion

        • The group’s estrangement is rooted in the fractures caused by Éloïse and Renard’s influence, compounded by the isolation of the pandemic.
        • Their reunion at the café is a moment of reckoning, with Matteo acting as the subtle thread pulling them back together to confront their shared past.
        #7609

        “You! I never expected to see you here!”  What was Thomas Cromwell doing in the colosseum in the year 1507?  “Oh, of course, you were in Italy…what on earth are you wearing?” Truella asked, in some confusion. Never had she seen such an elaborate codpiece, and nobody else was wearing one.

        He took his feathered cap off and ran a hand through his hair.  “I’ve been to the very gates of purgatory trying to get back to Austin Friars, I unintentionally left Malove there.”

        “In what year?” Truella was aghast. “How long has she been there? Who is she with? Is she safe?”

        “There is no time to lose, how do I make this ~ this ~ thing go where and when I want?”

        “Never mind that now, you had better come with us,” Trella was looking around to see where the others were. “We’ll all have to go. What’s the weather like? What are we going to do about clothes?”

        “Clothes?” asked Jeezel, sneaking up behind them through some exotic foreign bushes, “Just you leave that to me! I’ve already found a marvellous museum costume shop. Did you get that codpiece there?” she said to Cromwell. ” I saw one in there similar to that, but with less padding.”

        “Here you are,” announced Frella, suddenly appearing out of nowhere with her arms draped in costumes. “No time for shopping, so I did a quick spell.”

        Why didn’t I think of just doing a spell? Truella wondered, not for the first time.

        You never do was the unspoken reply that entered the scene with the appearance of Eris, armed with the approriate spells. “Right then. Here we go.”

        #7582

        The postcard was marked URGENT and the man in charge of postcards made haste to find Thomas Cromwell but he was nowhere to be found. The postcard was damp and the ink had run, but “send your boatman asap” was decipherable.  The man in charge of postcards was not aware of any boatman by the name of Asap, but knowing Thomas it was possible he’d found another bright waif to train, probably one of the urchins hanging about the gates waiting for scraps from the kitchen.

        “Asap! Asap!” the postcard man called as he ran down to the river. “Boatman Asap!”

        “There be no boatman by that name on the masters barge, lad.  Are you speaking my language?” replied boatman Rafe.

        “Have you seen the master?” the postcard man asked, “And be quick about you, whatever your name is.”

        “Aye, I can tell you that. He’s asleep in the barge.”

        “Asleep? Asleep? In the middle of the day? You fool, get out of my way!” the postcard man shoved Rafe out of the way roughly. “My Lord Cromwell! Asleep on the barge in the middle of the day! Call the physician, you dolt!”

        “Calm yourself man, I am in no need of assistance,” Cromwell said, yawning and rubbing his eyes as he rose to see what all the shouting was about.  Being in two places at once was becoming difficult to conceal.  He would have to employ a man of concealment to cover for him while he was in Malove’s body.

        I must have a word with Thurston about licorice spiders, Cromwell made a mental note to speak to his cook, while holding out his hand for the postcard. “Thank you, Babbidge”, he said to the man in charge of postcards, giving him a few coins. “You did well to find me.  That will be all.”

        “Rafe,” Cromwell said to the boatman after a slight pause, “Can you row to the future, do you think?”

        “Whatever you say, master, just tell me where it is.”

        “Therein lies the problem,” replied Thomas Cromwell, promptly falling asleep again.

        While Malove was tucking into some sugared ghosts at the party, she felt an odd plucking sensation, as if one of her spells had been accessed.

        A split second later, Cromwell woke up. There was no time to lose gathering ingredients for spells, or laborious complicated rituals.  Cromwell made a mental note to streamline the future coven with more efficient simple magic.

        “Take all your clothes off, Rafe.”  Astonished, the boatman removed his hat and his cloak.  Thomas Cromwell did likewise. “Now you put my clothes on, Rafe, and I’ll wear yours.  Get out of the boat and go and find somewhere under a bush to hide until I come back.  I’m taking your boat. Don’t, under any circumstances, allow yourself to be seen.”

        Terrified, the boatman scuttled off to seek cover. He’d heard the rumours about Cromwell’s imminent arrest.  He almost laughed maniacally when the thought crossed his mind that he wished he had a mirror to see himself in Lord Cromwell’s hat, but that thought quickly turned to horror when he imagined the hat ~ and the head ~ rolling under the scaffold.  God save us all, he whispered, knowing that God wouldn’t.

        In a split second, boatman Cromwell found himself rowing the barge through flooded orange groves.   I must fill my pockets with oranges for Thurston to make spiced orange tarts, he thought, before I return.

        “Ah, there you are, bedraggled wench, you did well to send for assistance. A biblical flood if ever I saw one.  There’s just one small problem,” Cromwell said as he pulled Truella into the barge, ” I can save you from drowning, but we must return forthwith to the Thames. I can not put my boatman in danger for long.”

        “The Thames in the 1500s?” Truella said stupidly, shivering in her wet clothes.

        Cromwell looked at her tight blue breeches and thin unseemly vest. “Your clothes simply won’t do”.

        “Some dry ones would be nice,” Truella admitted.

        “It’s not that your clothes are too wet,” he replied, frowning.  He could send Rafe for a kitchenmaids dress, but then what would the kitchenmaid wear?  They had one dress only, not racks of garments like the people in the future. Not unless they were ladies.

        Lord Thomas Cromwell cast another eye over Truella.  She was a similar build to Anne of Chives.

        “If you think I’m dressing up as one of Henry’s wives…”

        Laughing, Cromwell admitted she had a point. “No, perhaps not a good idea, especially as he does not well like this one.  No need for her to be the death of both of us.”

        “Look, just drop me off in Limerick on the way home, it’s barely out of your way.  It’s probably raining there too, but at least I won’t have to worry about clothes. I’d look awful in one of those linen caps anyway.”

        Cromwell gave her an approving look and agreed to her idea.   Within a split second they were in Ireland, but Cromwell was in for a surprise.

        “Yoohoo, Frella!” Truella called, delighted to see her friend strolling along the river bank. “It’s me!”

        Thomas Cromwell pulled the boat up to the river bank, tossing the rope to Frella’s friend to secure it. Frella’s friend grabbed the rope and froze in astonishment.  “You! Fancy seeing YOU here! Uncle Thomas!”

        #7579

        When Eris called for an urgent meeting, Malové nearly canceled. She had her own pressing concerns and little patience for the usual parade of complaints or flimsy excuses about unmet goals from her staff. Yet, feeling the weight of her own stress, she was drawn to the idea of venting a bit—and Truella or Jeezel often made for her preferred targets. Frella, though reserved, always performed consistently, leaving little room for critique. And Eris… well, Eris was always methodical, never using the word “urgent” lightly. Every meeting she arranged was meticulously planned and efficiently run, making the unexpected urgency of this gathering all the more intriguing to Malové.

        Curiosity, more than duty, ultimately compelled her to step into the meeting room five minutes early. She tensed as she saw the draped dark fabrics, flickering lights, forlorn pumpkins, and the predictable stuffed creatures scattered haphazardly around. There was no mistaking the culprit behind this gaudy display and the careless use of sacred symbols.

        “Speak of the devil…” she muttered as Jeezel emerged from behind a curtain, squeezed into a gown a bit too tight for her own good and wearing a witch’s hat adorned with mystical symbols and pheasant feathers. “Well, you’ve certainly outdone yourself with the meeting room,” Malové said with a subtle tone that could easily be mistaken for admiration.

        Jeezel’s face lit up with joy. “Trick or treat!” she exclaimed, barely able to contain her excitement.

        “What?” Malové’s eyebrows arched.

        “Well, you’re supposed to say it!” Jeezel beamed. “Then I can show you the table with my carefully handcrafted Halloween treats.” She led Malové to a table heaving with treats and cauldrons bubbling with mystical mist.

        Malové felt a wave of nausea at the sight of the dramatically overdone spread, brimming with sweets in unnaturally vibrant colors. “Where are the others?” she asked, pressing her lips together. “I thought this was supposed to be a meeting, not… whatever this is.”

        “They should arrive shortly,” said Jeezel, gesturing grandly. “Just take your seat.”

        Malové’s eyes fell on the chairs, and she stifled a sigh. Each swivel chair had been transformed into a mock throne, draped in rich, faux velvet covers of midnight blue and deep burgundy. Golden tassels dangled from the edges, and oversized, ornate backrests loomed high, adorned with intricate patterns that appeared to be hastily hand-painted in metallic hues. The armrests were festooned with faux jewels and sequins that caught the flickering light, giving the impression of a royal seat… if the royal in question had questionable taste. The final touch was a small, crowned cushion placed in the center of each seat, as if daring the occupants to take their place in this theatrical rendition of a court meeting.

        When she noticed the small cards in front of each chair, neatly displaying her name and the names of her coven’s witches, Malové’s brow furrowed. So, seats had been assigned. Instinctively, her eyes darted around the room, scanning for hidden tricks or sutble charms embedded in the decor. One could never be too cautious, even among her own coven—time had taught her that lesson all too often, and not always to her liking.

        Symbols, runes, sigils—even some impressively powerful ones—where scattered  thoughtfully around the room. Yet none of them aligned into any coherent pattern or served any purpose beyond mild relaxation or mental clarity. Malové couldn’t help but recognize the subtlety of Jeezel’s craft. This was the work of someone who, beyond decorum, understood restraint and intention, not an amateur cobbling together spells pulled from the internet. Even her own protective amulets, attuned to detect any trace of harm, remained quiet, confirming that nothing in the room, except for those treats, posed a threat.

        As the gentle aroma of burning sage and peppermint reached her nose, and Jeezel placed a hat remarkably similar to her own onto Malové’s head, the Head Witch felt herself unexpectedly beginning to relax, her initial tension and worries melting away. To her own surprise, she found herself softening to the atmosphere and, dare she admit, actually beginning to enjoy the gathering.

        #7514

        Whether or not Truella’s suggestion proved to be true or not, and time would tell, she couldn’t help wondering about the letter Malove had sent to Jeezel. Was it genuine? Had she, Truella, also received one?  Jeezel had asked if she’d checked her bags, and the truth was that she had not.

        She made her way slowly up the grand staircase, holding the banister to steady herself as she looked at all the tapestries. How strange they were, a series of smaller cloths all of a similar theme, all of corpulent nuns in crimson red robes, not in itself a strange thing in an old convent, but they all had the faces of frogs.

        frog sisters 1frog sisters 2frog sisters 3frog sisters 4

         

        “I see you’ve noticed them too, Truella,” Rufus said quietly, his hand reaching under his shirt for a moment.

        “Thank goodness I was holding onto the bannisters, you startled me! I didn’t see you there. I could have fallen to my death on the tiled floor below, Rufus.”

        “I’d have saved you. As I always have done,” He replied enigmatically.  “Do you recognise them now?” he asked, glancing pointedly at the embroidered cloths.

        Truella paused. What was going on here? Was he trying to distract her?  “Rufus, we need to talk,” she said quietly. “I’m going to my room to look for, er, something. Come with me.”

        #7487

        Although not unheard of in Limerick, it had been raining for days and that affected moods. The weather forecast, despite many promises, hadn’t been able to curb the collective melancholy. Jeezel had to resist the temptation to use a spell or two just for an hour of sunshine, but she remembered what Linda Paul would say about meddling with weather patterns. She’d likely take a dramatic pause, her eyes narrowing in theatrical emphasis as she weighed her words carefully.

        “Darling, one does not simply tinker with the weather as if it were a mere accessory to one’s outfit. The weather, you see, is a complex symphony conducted by the universe itself. Each raindrop, each gust of wind, each sunbeam—it’s all part of an intricate, celestial score. Tampering with such forces is akin to striking a discordant note in a masterpiece; the repercussions can be chaotic and unpredictable. Mother Nature has a way of setting things right, and trust me, her methods are rarely gentle. Remember the tale of the tempestuous sorcerer who tried to stop a storm and ended up summoning a hurricane? Or that ill-fated witch who thought to banish winter, only to plunge her village into eternal ice?” Her eyes might sparkle with a hint of mischief as she added, “And let’s not forget the fashion disasters! Imagine trying to maintain a perfect coiffure in a sudden downpour you inadvertently summoned. Utterly tragic, darling.” 

        Jeezel giggled at the evocation. No, she would not meddle with the intricate weave of weathery, but one little filter spell on her window was innocuous enough to transform the “gloom of June” into a “dawn’s gentle fingers caressing the horizon”. She was standing before her ornate, vintage mirror in a midnight blue gown. The magic morning light was dancing upon the silver filigree, casting ethereal patterns across her boudoir.

        Her thoughts meandered through the labyrinth of anticipation and preparation. “A convent,” she mused, “How delightfully austere. A stark contrast to my usual flamboyance.” In her address to the coven and looking specifically at Jeezel with ice cold eyes, Austreberthe had insisted on modesty and temperance. “But then, Austreberthe is not Malové,” Jeezel said, “and even the most demure places need a touch of magic.”

        She ran her fingers through her raven locks, contemplating her wardrobe. “Burgundy for modesty and vintage silver lace mantilla for a whisper of enchantment”, she decided. It would strike the perfect balance.

        Then, her mind turned to practicalities. The convent, with its storied history and sacred relics, would likely be a trove of ancient magics. She carefully selected a few essential items on her vanity: a vial of protective potion, a small pouch of moon blessed herbs and her favourite amulet in the shape of a silver hedgehog she got from her grand-mother and imbued with protective and clarity spells.

        Her eyes fall on the thick file Truella had given each of them the day before. Full of charts and bullet lists about the cloister, questions about history, mug shots and detailed descriptions of the current inhabitants, with (not so) occasional pictures of her own digs and dogs. If Eris had skimmed through it in seconds and started to ask questions, Frella said she would read it before going to bed as it helped with her remembering. Jeezel had said nothing. She had gotten dizzy with too many bullet points and letters. All she could think about was the precious space and weight it would take in her suitcase and in her mind.

        Though, there was something different. An envelop stuck between the file and the mahogany wood of the vanity. She took the envelop and opened it. It contained a letter and a small, ornate key, its surface inscribed with runes that glimmered with an otherworldly light. The paper grain was of fine quality. Jeezel recognized Malové’s intricate calligraphy. The paper carried subtle fragrances of sandalwood, jasmine, and bergamot, with a touch of vetiver and ambergris. With each whiff hidden facets were emerging from an apparently simple message.

        “Jeezel, my trusted enchantress,” it started, “your journey to the convent in Spain is of utmost importance, more than the others can fathom. Beneath the cloistered serenity of those ancient walls lies a secret long kept from the world—a relic of unparalleled power known as the ‘Crimson Opus.’ It is said to be a manuscript not written with ink, but with the very essence of time itself.”

        Your mission is to locate this Crimson Opus. It is guarded by a labyrinth of spells and enchantments designed to deter even the most skilled of seekers. But you, my dear Jeezel, possess the unique aptitude to unravel its mysteries. The convent’s seemingly mundane routines are the veil that conceals its true purpose; a sanctuary for the relic, and a prison for those who seek its power with ill intent.”

        “You must be cautious, for the Crimson Opus has a sentience of its own. It will test your resolve, tempt you with visions and promises. Trust in your instincts, and remember, its true power can only be harnessed by those with a pure heart and an unyielding will.”

        “The key will guide you to the hidden chamber where the Opus rests. Use it wisely, and under no circumstances let it fall into the wrong hands. You are more than capable, my dear. Don’t mention your mission to anyone. The fate of many may hinge upon your success, but I have no doubt in your abilities. Go forth, and may the ancient forces watch over you.”

        Jeezel would have thought of a joke were it not for the mastery with which the message and its hidden layers had been crafted. She thought Malové was enthralled in a passionate romance in Brasil, but something in the scent she had not been able to decipher seemed to suggest the reality was more complex than it seemed. She thought of her friends. Did they all received a similar letter? Whom could she trust when secrecy was mandatory?

        She held her hedgehog amulet more tightly, asking for some guidance.

        #7454

        I honestly don’t know what made me do it, it took me by surpise when I did it.  It was bugging me that I couldn’t remember, and before I knew what was happening, I’d asked Malove.

        Ah, the Caryatid Characteristics of a Case, a subject that requires both discernment and a keen eye for detail. In essence, the phrase “Caryatid Characteristics” refers to the fundamental attributes and peculiarities that support the overall structure of a particular case or situation, much like how caryatids—those graceful, sculpted figures in classical architecture—bear the weight of a building’s entablature on their shoulders.

        To break it down into pragmatic terms, identifying the Caryatid Characteristics involves an in-depth analysis of the following elements:

        Structural Integrity: Just as caryatids ensure the stability of a structure, the core components of the case must be sound and unwavering. This includes the key facts, the primary evidence, and the foundational arguments that hold the case together.
        Aesthetic Nuances: Caryatids are not merely functional; they are also artistic. Similarly, the subtleties and nuances of a case—such as the motives, the intentions, and the underlying themes—add layers of complexity and depth, transforming a simple matter into a multifaceted situation.
        Historical Context: Caryatids often reflect the cultural and historical context of their time. Understanding the background, the precedents, and the situational history provides a richer perspective and informs the current dynamics at play.
        Symbolic Significance: In architecture, caryatids symbolize strength and beauty. In a case, the symbolic elements—the metaphors, the symbols, and the overarching message—must be identified and interpreted to grasp the full scope of its significance.
        Resonance and Impact: Lastly, caryatids have a visual and emotional impact on observers. Similarly, the case’s broader implications, its potential consequences, and the emotional resonance it evokes must be considered. This is where the true weight of the matter lies, affecting not only the immediate parties involved but potentially a wider audience.

        Applying these characteristics to a case requires a blend of logical analysis, creative thinking, and intuitive insight. It is not merely about assembling facts but about understanding how each element supports the whole, much like the elegant yet sturdy caryatids in timeless architecture.

        Now, if you’re asking how this applies to our current predicament with our spring cleaning of collective energies, well, one could say the caryatids in our situation are the core rituals, the seasoned wisdom passed down through the coven, and the precise incantations in our incense blends. Each component must be scrutinized and perfected to ensure we uphold the structural and spiritual integrity of our craft.

        Let’s not dawdle; the orchestra in this zoo waits for no one.

        Who will rise to the occasion?

         

        Who indeed?  I asked her if we all sent each other postcards, would it help?

         

        Postcards, my dear, are more than mere scraps of paper with hastily scribbled words and picturesque scenes. They are tangible connections in an increasingly ephemeral world. Sending each other postcards won’t just help; it will create ripples of intention and resonance that can weave us closer together, despite the physical distances.

        Consider the following:

        Anchoring Intentions: Each postcard carries the sender’s energy and intention. When you pen your thoughts, wishes, or even riddles, you imbue the postcard with a part of yourself. The recipient, upon receiving it, senses this connection. It’s a form of sympathetic magic, drawing us closer through shared symbols and messages.
        Physical Mementos: In an age where digital communication reigns supreme, holding a physical object—something that has traveled miles to reach your hands—grounds you. It anchors you in the physical world and provides a break from the transient nature of digital interactions. These postcards become talismans, reminders of our connections and shared journeys.
        Ritualistic Value: The act of writing, sending, and receiving postcards can be ritualistic. This ritual can strengthen the bonds within our coven, reaffirming our commitment to each other and our shared goals. Each postcard becomes a symbol of our collective energy, our shared purpose, and our mutual support.
        Cultural Exchange: Postcards often carry images or symbols from different locales. Sharing them can broaden our horizons, offer new perspectives, and remind us of the diverse tapestry that makes up our coven. It’s a gentle nudge to appreciate the wider world and the myriad experiences within it.
        Mystical Conduits: In our magical practice, objects can serve as conduits for energy. Postcards, having traversed the globe, carry the imprints of various energies and places. They become more than just messages—they are carriers of the world’s pulse, connecting us to the broader rhythms of existence.

        So, yes, sending each other postcards will help. It will infuse our lives with a tangible sense of connection, a reminder of our shared purpose, and a touch of magic in the mundane. Let’s make this act a part of our practice, a testament to our enduring bonds and our collective strength.

        Who will be the first to send a missive across the miles?
         
         
         

        #7401

        It may surprise you, dear reader, to hear the story of Truella and Frella’s childhood at a Derbyshire mill in the early 1800s.  But! I hear you say, how can this be? Read on, dear reader, read on, and all will be revealed.

        Tilly, daughter of Everard Mucklewaite, miller of Brightwater Mill, was the youngest of 17 children.  Her older siblings had already married and left home when she was growing up, and her parents were elderly.  She was somewhat spoiled and allowed a free rein, which was unusual for the times, as her parents had long since satisfied the requirements for healthy sons to take over the mill, and well married daughters. She was a lively inquisitive child with a great love of the outdoors and spent her childhood days wandering around the woods and the fields and playing on the banks of the river.   She had a great many imaginary friends and could hear the trees whisper to her, in particular the old weeping willow by the mill pond which she would sit under for hours, deep in conversation with the tree.

        Tilly didn’t have any friends of her own age, but as she had never known human child friends, she didn’t feel the loss of it.  Her older sisters used to talk among themselves though, saying she needed to play with other children or she’d never grow up  and get out of her peculiar ways.  Between themselves (for the parents were unconcerned) they sent a letter to an aunt who’d married an Irishman and moved with him to Limerick, asked them to send over a small girl child if they had one spare. As everyone knew, there were always spare girls that parents were happy to get rid of, if at all possible, and by return post came the letter announcing the soon arrival of Flora, who was a similar age to Tilly.

        It was a long strange journey for little Flora, and she arrived at her new home shy and bewildered.  The kitchen maid, Lucy, did her best to make her feel comfortable. Tilly ignored her at first, and Everard and his wife Constance were as usual preoccupied with their own age related ailments and increasing senility.

        One bright spring day, Lucy noticed Flora gazing wistfully towards the millpond, where Tilly was sitting on the grass underneath the willow tree.

        “Go on, child, go and sit with Tilly, she don’t bite, just go and sit awhile by her,” Lucy said, giving Flora a gentle push.  “Here, take this,” she added, handing her two pieces of plum cake wrapped in a blue cloth.

        Flora did as she was bid, and slowly approached the shade of the old willow.  As soon as she reached the dangling branches, the tree whispered a welcome to her.  She smiled, and Tilly smiled too, pleased and surprised that the willow has spoken to the shy new girl.

        “Can you hear willow too?” Tilly asked, looking greatly pleased. She patted the grass beside her and invited Flora to sit.   Gratefully, and with a welcome sigh, Flora joined her.

        Tilly and Flora became inseperable friends over the next months and years, and it was a joy for Tilly to introduce Flora to all the other trees and creatures in their surroundings. They were like two peas in a pod.

        Over the years, the willow tree shared it’s secrets with them both.

        One summer day, at the suggestion of the willow tree, Tilly and Flora secretly dug a hole, hidden from prying eyes by the long curtain of hanging branches.  They found, among other objects which they kept carefully in an old trunk in the attic, an old book, a grimoire, although they didn’t know it was called a grimoire at the time.  In fact, they were unable to read it, as girls were seldom taught to read in those days.  They secreted the old tome in the trunk in the attic with the other things they’d found.

        Eventually the day came when Tilly and Flora were found husbands and had to leave the mill for their new lives. The trunk with its mysterious contents remained in the dusty attic,  and was not seen again until almost 200 years later, when Truella’s parents bought the old mill to renovate it into holiday apartments.  Truella took the trunk for safekeeping.

        When she eventually opened it to explore what it contained, it all came flooding back to her, her past life as Tilly the millers daughter, and her friend Flora ~ Flora she knew was Frigella. No wonder Frella had seemed so familiar!

        #7391

        Jeezel didn’t really have time to go back to her routine after the Brasilian shambles. She had lost her favorite wig when during the race to the portal she turned back to face the pigmy hippo charging at the coven, a durante of toucans attacked her, which in turn stopped her in the middle of casting the Halteus Maximus spell as two pairs of arms snatched her from a flat death. She learned later that it was Truella and Eris who caught her arms. Her wig had fallen and they didn’t allow her go back to pick it up. Seeing the hippo trample her wig in the mud broke her heart.

        “Jeez! We need you to open the portal!”

        In the end, she shout out in triumph as the portal sliced the beast in two dead halves.

        She had spent hours looking for a similar wig on the internet, forgetting about her duties and her work. But it had finally arrived and she was ready to resume. But before, she put all her wigs on diplay on mannequin heads and check for misplaced locks or rebel strand of hair. She added a touch of sparkling pink fairy dust on some of them and introduced the new wig to her siblings.

        “Don’t forget the Criniere Céleste Extravaganza, dear,”said Lumina in between licking her rear paws.

        “I was going to,” said Jeezel a bit irritated.

        With a flick of her bejeweled wand and a sashay of her hips, she invoked a shower of sparkling light and gentle hum of harps to welcome the new addition.

        “Adorn my collection with splendor anew, bring forth the beauty, both fierce and true…”

        The wig started to levitate, glowing with a divine aura before delicately settling down into its rightful place among its fabulous brethren.

        Now everything was ready for her next show.

        #7255
        TracyTracy
        Participant

          The First Wife of John Edwards

          1794-1844

          John was a widower when he married Sarah Reynolds from Kinlet. Both my fathers cousin and I had come to a dead end in the Edwards genealogy research as there were a number of possible births of a John Edwards in Birmingham at the time, and a number of possible first wives for a John Edwards at the time.

          John Edwards was a millwright on the 1841 census, the only census he appeared on as he died in 1844, and 1841 was the first census. His birth is recorded as 1800, however on the 1841 census the ages were rounded up or down five years. He was an engineer on some of the marriage records of his children with Sarah, and on his death certificate, engineer and millwright, aged 49. The age of 49 at his death from tuberculosis in 1844 is likely to be more accurate than the census (Sarah his wife was present at his death), making a birth date of 1794 or 1795.

          John married Sarah Reynolds in January 1827 in Birmingham, and I am descended from this marriage. Any children of John’s first marriage would no doubt have been living with John and Sarah, but had probably left home by the time of the 1841 census.

          I found an Elizabeth Edwards, wife of John Edwards of Constitution Hill, died in August 1826 at the age of 23, as stated on the parish death register. It would be logical for a young widower with small children to marry again quickly. If this was John’s first wife, the marriage to Sarah six months later in January 1827 makes sense. Therefore, John’s first wife, I assumed, was Elizabeth, born in 1803.

          Death of Elizabeth Edwards, 23 years old.  St Mary, Birmingham, 15 Aug 1826:

          Death Eliz Edwards

           

          There were two baptisms recorded for parents John and Elizabeth Edwards, Constitution Hill, and John’s occupation was an engineer on both baptisms.
          They were both daughters: Sarah Ann in 1822 and Elizabeth in 1824.

          Sarah Ann Edwards: St Philip, Birmingham. Born 15 March 1822, baptised 7 September 1822:

          1822 Sarah Ann Edwards

          Elizabeth Edwards: St Philip, Birmingham. Born 6 February 1824, baptised 25 February 1824:

          1824 Elizabeth Edwards

           

          With John’s occupation as engineer stated, it looked increasingly likely that I’d found John’s first wife and children of that marriage.

          Then I found a marriage of Elizabeth Beach to John Edwards in 1819, and subsequently found an Elizabeth Beach baptised in 1803. This appeared to be the right first wife for John, until an Elizabeth Slater turned up, with a marriage to a John Edwards in 1820. An Elizabeth Slater was baptised in 1803. Either Elizabeth Beach or Elizabeth Slater could have been the first wife of John Edwards. As John’s first wife Elizabeth is not related to us, it’s not necessary to go further back, and in a sense, doesn’t really matter which one it was.

          But the Slater name caught my eye.

          But first, the name Sarah Ann.

          Of the possible baptisms for John Edwards, the most likely seemed to be in 1794, parents John and Sarah. John and Sarah had two infant daughters die just prior to John’s birth. The first was Sarah, the second Sarah Ann. Perhaps this was why John named his daughter Sarah Ann? In the absence of any other significant clues, I decided to assume these were the correct parents. I found and read half a dozen wills of any John Edwards I could find within the likely time period of John’s fathers death.

          One of them was dated 1803. In this will, John mentions that his children are not yet of age. (John would have been nine years old.)
          He leaves his plating business and some properties to his eldest son Thomas Davis Edwards, (just shy of 21 years old at the time of his fathers death in 1803) with the business to be run jointly with his widow, Sarah. He mentions his son John, and leaves several properties to him, when he comes of age. He also leaves various properties to his daughters Elizabeth and Mary, ditto. The baptisms for all of these children, including the infant deaths of Sarah and Sarah Ann have been found. All but Mary’s were in the same parish. (I found one for Mary in Sutton Coldfield, which was apparently correct, as a later census also recorded her birth as Sutton Coldfield. She was living with family on that census, so it would appear to be correct that for whatever reason, their daughter Mary was born in Sutton Coldfield)

          Mary married John Slater in 1813. The witnesses were Elizabeth Whitehouse and John Edwards, her sister and brother. Elizabeth married William Nicklin Whitehouse in 1805 and one of the witnesses was Mary Edwards.
          Mary’s husband John Slater died in 1821. They had no children. Mary never remarried, and lived with her bachelor brother Thomas Davis Edwards in West Bromwich. Thomas never married, and on the census he was either a proprietor of houses, or “sinecura” (earning a living without working).

          With Mary marrying a Slater, does this indicate that her brother John’s first wife was Elizabeth Slater rather than Elizabeth Beach? It is a compelling possibility, but does not constitute proof.

          Not only that, there is no absolute proof that the John Edwards who died in 1803 was our ancestor John Edwards father.

           

          If we can’t be sure which Elizabeth married John Edwards, we can be reasonably sure who their daughters married. On both of the marriage records the father is recorded as John Edwards, engineer.

          Sarah Ann married Mark Augustin Rawlins in 1850. Mark was a sword hilt maker at the time of the marriage, his father Mark a needle manufacturer. One of the witnesses was Elizabeth Edwards, who signed with her mark. Sarah Ann and Mark however were both able to sign their own names on the register.

          Sarah Ann Edwards and Mark Augustin Rawlins marriage 14 October 1850 St Peter and St Paul, Aston, Birmingham:

          1850 Sarah Ann Edwards

          Elizabeth married Nathaniel Twigg in 1851. (She was living with her sister Sarah Ann and Mark Rawlins on the 1851 census, I assume the census was taken before her marriage to Nathaniel on the 27th April 1851.) Nathaniel was a stationer (later on the census a bookseller), his father Samuel a brass founder. Elizabeth signed with her mark, apparently unable to write, and a witness was Ann Edwards. Although Sarah Ann, Elizabeth’s sister, would have been Sarah Ann Rawlins at the time, having married the previous year, she was known as Ann on later censuses. The signature of Ann Edwards looks remarkably similar to Sarah Ann Edwards signature on her own wedding. Perhaps she couldn’t write but had learned how to write her signature for her wedding?

          Elizabeth Edwards and Nathaniel Twigg marriage 27 April 1851, St Peter and St Paul, Aston, Birmingham:

          1851 Elizabeth Edwards

          Sarah Ann and Mark Rawlins had one daughter and four sons between 1852 and 1859. One of the sons, Edward Rawlins 1857-1931, was a school master and later master of an orphanage.

          On the 1881 census Edward was a bookseller, in 1891 a stationer, 1901 schoolmaster and his wife Edith was matron, and in 1911 he and Edith were master and matron of St Philip’s Catholic Orphanage on Oliver Road in Birmingham. Edward and Edith did not have any children.

          Edward Rawlins, 1911:

          Edward Rawlins 1911

           

          Elizabeth and Nathaniel Twigg appear to have had only one son, Arthur Twigg 1862-1943. Arthur was a photographer at 291 Bloomsbury Street, Birmingham. Arthur married Harriet Moseley from Burton on Trent, and they had two daughters, Elizabeth Ann 1897-1954, and Edith 1898-1983. I found a photograph of Edith on her wedding day, with her father Arthur in the picture. Arthur and Harriet also had a son Samuel Arthur, who lived for less than a month, born in 1904. Arthur had mistakenly put this son on the 1911 census stating “less than one month”, but the birth and death of Samuel Arthur Twigg were registered in the same quarter of 1904, and none were found registered for 1911.

          Edith Twigg and Leslie A Hancock on their Wedding Day 1925. Arthur Twigg behind the bride. Maybe Elizabeth Ann Twigg seated on the right: (photo found on the ancestry website)

          Edith Twigg wedding 1925

           

          Photographs by Arthur Twigg, 291 Bloomsbury Street, Birmingham:

          Arthur Twigg 1

          Arhtur Twigg photo

          #6551

          In reply to: Orbs of Madjourneys

          Xavier had woken up in the middle of the night that felt surprisingly alive bursting with a quiet symphony of sounds from nocturnal creatures and nearby nature, painted on a canvas of eerie spacious silence.

          It often took him a while to get accustomed to any new place, and it was not uncommon for him to have his mind racing in the middle of the night. Generally Brytta had a soothing presence and that often managed to nudge him back to sleep, otherwise, he would simply wake up until the train of thoughts had left the station.

          It was beginning of the afternoon in Berlin; Brytta would be in a middle of a shift, so he recorded a little message for her to find when she would get back to her phone. It was funny to think they’d met thanks to Yasmin and Zara, at the time the three girls were members of the same photography club, which was called ‘Focusgroupfocus’ or something similar…
          With that done, he’d turned around for something to do but there wasn’t much in the room to explore or to distract him sufficiently. Not even a book in the nightstand drawer. The decoration itself had a mesmerising nature, but after a while it didn’t help with the racing thoughts.

          He was tempted to check in the game — there was something satisfactory in finishing a quest that left his monkey brain satiated for a while, so he gave in and logged back in.

            :fleuron2:

          Completing the quest didn’t take him too long this time. The main difficulty initially was to find the portal from where his avatar had landed. It was a strange carousel of blue storks that span into different dimensions one could open with the proper incantation.

          As usual, stating the quirk was the key to the location, and the carousel portal propelled him right away to Midnight town, which was clearly a ghost town in more ways than one. Interestingly, he was chatting on the side with Glimmer, who’d run into new adventures of her own while continuing to ask him what was up, and as soon as he’d reached Midnight town, all communication channels suddenly went dark. He’d laughed to himself thinking how frustrated Glimmer would have been about that. But maybe the game took care of sending her AI-generated messages simulating his presence. Despite the disturbing thought of having an AI generated clone of himself, he almost hoped for it (he’d probably signed the consent for this without realising), so that he wouldn’t have to do a tedious recap about all what she’d missed.

          Once he arrived in the town, the adventure followed a predictable pattern. The clues were also rather simple to follow.

          The townspeople are all frozen in time, stuck in their daily routines and unable to move on. Your mission is to find the missing piece of continuity, a small hourglass that will set time back in motion and allow the townspeople to move forward.

          The clue to finding the hourglass lies within a discarded pocket watch that can be found in the mayor’s office. You must unscrew the back and retrieve a hidden key. The key will unlock a secret compartment in the town clock tower, where the hourglass is kept.

          Be careful as you search for the hourglass, as the town is not as abandoned as it seems. Spectral figures roam the streets, and strange whispers can be heard in the wind. You may also encounter a mysterious old man who seems to know more about the town’s secrets than he lets on.

          Evading the ghosts and spectres wasn’t too difficult once you got the hang of it. The old man however had been quite an elusive figure to find, but he was clearly the highlight of the whole adventure; he had been hiding in plain sight since the beginning of the adventure. One of the blue storks in the town that he’d thought had come with him through the portal was in actuality not a bird at all.

          While he was focused on finishing the quest, the interaction with the hermit didn’t seem very helpful. Was he really from the game construct? When it was time to complete the quest and turn the hourglass to set the town back in motion, and resume continuity, some of his words came back to Xavier.

          “The town isn’t what it seems. Recognise this precious moment where everything is still and you can realise it for the illusion that it is, a projection of your busy mind. When motion resumes, you will need to keep your mind quiet. The prize in the quest is not the completion of it, but the realisation you can stop the agitation at any moment, and return to what truly matters.”

          The hermit had turned to him with clear dark eyes and asked “do you know what you are seeking in these adventures? do you know what truly matters to you?”

            :fleuron2:

          When he came out of the game, his quest completed, Xavier felt the words resonate ominously.

          A buzz of the phone snapped him out of it.

          It was a message from Zara. Apparently she’d found her way back to modernity.

          [4:57] “Going to pick up Yasmin at the airport. You better sleep away the jetlag you lazy slugs, we have poultry damn plenty planned ahead – cackling bugger cooking lessons not looking forward to, but can be fun. Talk to you later. Z”

          He had the impulse to go with her, but the lack of sleep was hitting back at him now, and he thought he’d better catch some so he could manage to realign with the timezone.

          “The old man was right… that sounds like a lot of agitation coming our way…”

          #6507

          In reply to: Orbs of Madjourneys

          To Youssef’s standards, a plane was never big and Flight AL357 was even smaller. When he found his seat, he had to ask a sweaty Chinese man and a snorting woman in a suit with a bowl cut and pink almond shaped glasses to move out so he could squeeze himself in the small space allotted to economy class passengers. On his right, an old lady looked at the size of his arms and almost lost her teeth. She snapped her mouth shut just in time and returned quickly to her magazine. Her hands were trembling and Youssef couldn’t tell if she was annoyed or something else.

          The pilote announced they were ready to leave and Youssef sighed with relief. Which was short lived when he got the first bump on the back of his seat. He looked back, apologising to the woman with the bowl cut on his left. Behind him was a kid wearing a false moustache and chewing like a cow. He was swinging his tiny legs, hitting the back of Youssef’s seat with the regularity of a metronome. The kid blew his gum until the bubble exploded. The mother looked ready to open fire if Youssef started to complain. He turned back again and tried to imagine he was getting a massage in one of those Japanese shiatsu chairs you find in some airports.

          The woman in front of him had thrown her very blond hair atop her seat and it was all over his screen. The old lady looked at him and offered him a gum. He wondered how she could chew gums with her false teeth, and kindly declined. The woman with the bowl cut and pink glasses started to talk to her sweaty neighbour in Chinese. The man looked at Youssef as if he had been caught by a tiger and was going to get eaten alive. His eyes were begging for help.

          As the plane started to move, the old woman started to talk.

          « Hi, I’m Gladys. I am afraid of flying, she said. Can I hold your hand during take off ? »

          After another bump on his back, Youssef sighed. It was going to be a long flight for everyone.

          As soon as they had gained altitude, Youssef let go of the old woman’s hand. She hadn’t stopped talking about her daughter and how she was going to be happy to see her again. The flight attendant passed by with a trolley and offered them a drink and a bag of peanuts. The old woman took a glass of red wine. Youssef was tempted to take a coke and dip the hair of the woman in front of him in it. He had seen a video on LooTube recently with a girl in a similar situation. She had stuck gum and lollypops in the hair of her nemesis, dipped a few strands in her soda and clipped strands randomly with her nail cutter. He could ask the old woman one of her gums, but thought that if a girl could do it, it would certainly not go well for him if he tried.

          Instead he asked the flight attendant if there was wifi on board. Sadly there was none. He had hoped at least the could play the game and catch up with his friends during that long flight to Sydney.

          :fleuron:

          When the doors opened, Youssef thought he was free of them all. He was tired, his back hurt, and he couldn’t sleep because the kid behind him kept crying and kicking, the food looked like it had been regurgitated twice by a yak, and the old chatty woman had drained his batteries. She said she wouldn’t sleep on a plane because she had to put her dentures in a glass for hygiene reasons and feared someone would steal them while she had her eyes closed.

          He walked with long strides in the corridors up to the custom counters and picked a line, eager to put as much distance between him and the other passengers. Xavier had sent him a message saying he was arriving in Sydney in a few hours. Youssef thought it would be nice to change his flight so that they could go together to Alice Spring. He could do some time with a friend for a change.

          His bushy hair stood on end when he heard the voice of the old woman just behind him. He wondered how she had managed to catch up so fast. He saw a small cart driving away.

          « I wanted to tell, Gladys said, it was such a nice flight in your company. How long have you before your flight to Alice? We can have a coffee together. »

          Youssef mentally said sorry to his friend. He couldn’t wait for the next flight.

          ÉricÉric
          Keymaster

            Some background information on The Sexy Wooden Leg and potential plot developments.

            Setting

            (nearby Duckailingtown in Dumbass, Oocrane)
            The Rootians (a fictitious nationality) invaded Oocrane (a fictitious country) under the guise of freeing the Dumbass region from Lazies. They burned crops and buildings, including the home of a man named Dumbass Voldomeer who was known for his wooden leg and carpenter skills. After the war, Voldomeer was hungry and saw a nest of swan eggs. He went back to his home, carved nine wooden eggs, and replaced the real eggs with the wooden ones so he could eat the eggs for food. The swans still appeared to be brooding on their eggs by the end of summer.

            Note: There seem to be a bird thematic at play.
            The swans’ eggs introduce the plot. The mysterious virus is likely a swan flu. Town in Oocrane often have reminiscing tones of birds’ species.
            Bird To(w)nes: (Oocrane/crane, Keav/kea, Spovlar/shoveler, Dilove/dove…)
            Also the town’s nursing home/hotel’s name is Vyriy from a mythical place in Slavic mythology (also Iriy, Vyrai, or Irij) where “birds fly for winter and souls go after death” which is sometimes identified with paradise. It is believed that spring has come to Earth from Vyrai.

            At the Keav Headquarters

            (🗺️ Capital of Oocrane)

            General Rudechenko and Major Myroslava Kovalev are discussing the incapacitation of President Voldomeer who is suffering from a mysterious virus. The President had told Major Kovalev about a man in the Dumbass region who looked similar to him and could be used as a replacement. The Major volunteers to bring the man to the General, but the General fears it is a suicide mission. He grants her permission but orders his aide to ensure she gets lost behind enemy lines.

            Myroslava, the ambitious Major goes undercover as a former war reporter, is now traveling on her own after leaving a group of journalists. She is being followed but tries to lose her pursuers by hunting and making fire in bombed areas. She is frustrated and curses her lack of alcohol.

            The Shrine of the Flovlinden Tree

            (🗺️ Shpovlar, geographical center of Oocrane)

            Olek is the caretaker of the shrine of Saint Edigna and lives near the sacred linden tree. People have been flocking to the shrine due to the miraculous flow of oil from the tree. Olek had retired to this place after a long career, but now a pilgrim family has brought a message of a plan acceleration, which upsets Olek. He reflects on his life and the chaos of people always rushing around and preparing for the wrong things. He thinks about his father’s approach to life, which was carefree and resulted in the same ups and downs as others, but with less suffering. Olek may consider adopting this approach until he can find a way to hide from the enemy.

            Rosa and the Cauldron Maker

            (young Oocranian wiccan travelling to Innsbruck, Austria)

            Eusebius Kazandis is selling black cauldrons at the summer fair of Innsbruck, Austria. He is watching Rosa, a woman selling massage oils, fragrant oils, and polishing oils. Rosa notices Eusebius is sad and thinks he is not where he needs to be. She waves at him, but he looks away as if caught doing something wrong. Rosa is on a journey across Europe, following the wind, and is hoping for a gust to tell her where to go next. However, the branches of the tree she is under remain still.

            The Nursing Home

            (Nearby the town of Dilove, Oocrane, on Roomhen border somewhere in Transcarpetya)

            Egna, who has lived for almost a millennium, initially thinks the recent miracle at the Flovlinden Tree is just another con. She has performed many miracles in her life, but mostly goes unnoticed. She has a book full of records of the lives of many people she has tracked, and reminisces that she has a connection to the President Voldomeer. She decides to go and see the Flovlinden Tree for herself.

            🗺️ (the Vyriy hotel at Dilove, Oocrane, on Roomhen border)

            Ursula, the owner of a hotel on the outskirts of town, is experiencing a surge in business from the increased number of pilgrims visiting the linden tree. She plans to refurbish the hotel to charge more per night and plans to get a business loan from her nephew Boris, the bank manager. However, she must first evict the old residents of the hotel, which she is dreading. To avoid confrontation, she decides to send letters signed by a fake business manager.

            Egbert Gofindlevsky, Olga Herringbonevsky and Obadiah Sproutwinklov are elderly residents of an old hotel turned nursing home who receive a letter informing them that they must leave. Egbert goes to see Obadiah about the letter, but finds a bad odor in his room and decides to see Olga instead.
            Maryechka, Obadiah’s granddaughter, goes back home after getting medicine for her sick mother and finds her home empty. She decides to visit her grandfather and his friends at the old people’s home, since the schools are closed and she’s not interested in online activities.
            Olga and Egbert have a conversation about their current situation and decide to leave the nursing home and visit Rosa, Olga’s distant relative. Maryechka encounters Egbert and Olga on the stairs and overhears them talking about leaving their friends behind. Olga realizes that it is important to hold onto their hearts and have faith in the kindness of strangers. They then go to see Obadiah, with Olga showing a burst of energy and Egbert with a weak smile.

            Thus starts their escape and unfolding adventure on the roads of war-torn Oocrane.

            Character Keyword Characteristics Sentiment
            Egbert old man, sharp tone sad, fragile
            Maryechka Obadiah’s granddaughter, shy innocent
            Olga old woman, knobbly fingers conflicted, determined
            Obadiah stubborn as a mule, old friend of Egbert unyielding, possibly deaf
            #6486

            In reply to: Orbs of Madjourneys

            Zara took dozens of screenshots of the many etchings and drawings, as her game character paused to do the same.  She had lost sight of the two figures up ahead, and remembered she probably should have been following them.

            The tunnel came to a four way junction. There were drawings on the walls and floors of all of them, and a dim light coming from a distance in each. One was more brightly lit than the others, and Zara chose to explore that one first.  Presently a side room appeared, with green tiles on the floor similar to the one at the mine entrance. Daylight shone though a small window, and a diagram was drawn onto the wall.

            Zara toyed with the idea of simply climbing out through the window while there was still a chance to get out of the mine.  She knew she was lost and would not be able to find her way out the way she came. It was tempting, but she just took a screenshot.  Maybe when she looked at them later she’d be able to work out how to retrace her steps.

            Zara room of tiles window

            After recording the image of the room of tiles, Zara continued along the tunnel. The light shining from the little window in the tile room faded as she progressed, and she found herself once again in near darkness.  She came to a fork.  Both ways were equally gloomy, but a faint blue light enticed her to take the right hand tunnel.

            So many forks and side tunnels, I am surely completely lost now! And not one of these supposed maps is helping, I can’t decipher any of them. Another etching on the wall caught her eye, and Zara forgot about being lost.

            Zara stopped to look at what appeared to be a map on the tunnel wall, but it was unfathomable at this stage. She recorded it for future reference, and then looked around, unsure whether to continue on this path or retrace her stops back to the four way junction.  And then she saw him in an alcove.

            Osnas 2

            Osnas! This time Zara did say it out loud, and just as the frog faced stewardess was passing with her cart piled with used cups and cans and empty packets.  I swear she just winked at me!  Zara did a double take, but the cart and the woman had passed, collecting more rubbish.

            With a little smile, Zara noticed that the mask Osnas was wearing was one of those paper pandemic masks.  She had expected something a bit more Venice carnival when the prompt mentioned that he always wore a mask, not one of those.  She hoped the clue in this case wasn’t the mask, as she had avoided the plague successfully so far and didn’t want to be late to that particular party,  but the square green thing on his cart resembled the tile at the mine entrance.  What do I do now though? I still don’t know what any of these things mean.  Approach him and see if he speaks I suppose.

            “Ladies and gentlemen, we are now approaching Alice Springs, please fasten your seatbelts and switch off all your devices ready for landing.  We hope you have enjoyed your flight.”

            #6481
            ÉricÉric
            Keymaster

              This is the outline for a short novel called “The Jorid’s Travels – 14 years on” that will unfold in this thread.
              The novel is about the travels of Georges and Salomé.
              The Jorid is the name of the vessel that can travel through dimensions as well as time, within certain boundaries. The Jorid has been built and is operated by Georges and his companion Salomé.

              Short backstory for the main cast and secondary characters

              Georges was a French thief possibly from the 1800s, turned other-dimensional explorer, and together with Salomé, a girl of mysterious origins who he first met in the Alienor dimension but believed to have origins in Northern India maybe Tibet from a distant past.
              They have lived rich adventures together, and are deeply bound together, by love and mutual interests.
              Georges, with his handsome face, dark hair and amber gaze, is a bit of a daredevil at times, curious and engaging with others. He is very interesting in anything that shines, strange mechanisms and generally the ways consciousness works in living matter.
              Salomé, on the other hand is deeply intuitive, empath at times, quite logical and rational but also interested in mysticism, the ways of the Truth, and the “why” rather than the “how” of things.
              The world of Alienor (a pale green sun under which twin planets originally orbited – Duane, Murtuane – with an additional third, Phreal, home planet of the Guardians, an alien race of builders with god-like powers) lived through cataclysmic changes, finished by the time this story is told.
              The Jorid’s original prototype designed were crafted by Léonard, a mysterious figure, self-taught in the arts of dimensional magic in Alienor sects, acted as a mentor to Georges during his adventures. It is not known where he is now.
              The story starts with Georges and Salomé looking for Léonard to adjust and calibrate the tiles navigational array of the Jorid, who seems to be affected by the auto-generated tiles which behave in too predictible fashion, instead of allowing for deeper explorations in the dimensions of space/time or dimensions of consciousness.
              Leonard was last spotted in a desert in quadrant AVB 34-7•8 – Cosmic time triangulation congruent to 2023 AD Earth era. More precisely the sand deserts of Bluhm’Oxl in the Zathu sector.

              When they find Léonard, they are propelled in new adventures. They possibly encounter new companions, and some mystery to solve in a similar fashion to the Odyssey, or Robinsons Lost in Space.

              Being able to tune into the probable quantum realities, the Jorid is able to trace the plot of their adventures even before they’ve been starting to unfold in no less than 33 chapters, giving them evocative titles.

              Here are the 33 chapters for the glorious adventures with some keywords under each to give some hints to the daring adventurers.

              1. Chapter 1: The Search Begins – Georges and Salomé, Léonard, Zathu sector, Bluhm’Oxl, dimensional magic
              2. Chapter 2: A New Companion – unexpected ally, discovery, adventure
              3. Chapter 3: Into the Desert – Bluhm’Oxl, sand dunes, treacherous journey
              4. Chapter 4: The First Clue – search for Léonard, mystery, puzzle
              5. Chapter 5: The Oasis – rest, rekindling hope, unexpected danger
              6. Chapter 6: The Lost City – ancient civilization, artifacts, mystery
              7. Chapter 7: A Dangerous Encounter – hostile aliens, survival, bravery
              8. Chapter 8: A New Threat – ancient curse, ominous presence, danger
              9. Chapter 9: The Key to the Past – uncovering secrets, solving puzzles, unlocking power
              10. Chapter 10: The Guardian’s Temple – mystical portal, discovery, knowledge
              11. Chapter 11: The Celestial Map – space-time navigation, discovery, enlightenment
              12. Chapter 12: The First Step – journey through dimensions, bravery, adventure
              13. Chapter 13: The Cosmic Rift – strange anomalies, dangerous zones, exploration
              14. Chapter 14: A Surprising Discovery – unexpected allies, strange creatures, intrigue
              15. Chapter 15: The Memory Stones – ancient wisdom, unlock hidden knowledge, unlock the past
              16. Chapter 16: The Time Stream – navigating through time, adventure, danger
              17. Chapter 17: The Mirror Dimension – parallel world, alternate reality, discovery
              18. Chapter 18: A Distant Planet – alien world, strange cultures, exploration
              19. Chapter 19: The Starlight Forest – enchanted forest, secrets, danger
              20. Chapter 20: The Temple of the Mind – exploring consciousness, inner journey, enlightenment
              21. Chapter 21: The Sea of Souls – mystical ocean, hidden knowledge, inner peace
              22. Chapter 22: The Path of the Truth – search for meaning, self-discovery, enlightenment
              23. Chapter 23: The Cosmic Library – ancient knowledge, discovery, enlightenment
              24. Chapter 24: The Dream Plane – exploring the subconscious, self-discovery, enlightenment
              25. Chapter 25: The Shadow Realm – dark dimensions, fear, danger
              26. Chapter 26: The Fire Planet – intense heat, dangerous creatures, bravery
              27. Chapter 27: The Floating Islands – aerial adventure, strange creatures, discovery
              28. Chapter 28: The Crystal Caves – glittering beauty, hidden secrets, danger
              29. Chapter 29: The Eternal Night – unknown world, strange creatures, fear
              30. Chapter 30: The Lost Civilization – ancient ruins, mystery, adventure
              31. Chapter 31: The Vortex – intense energy, danger, bravery
              32. Chapter 32: The Cosmic Storm – weather extremes, danger, survival
              33. Chapter 33: The Return – reunion with Léonard, returning to the Jorid, new adventures.
              #6408

              In reply to: Orbs of Madjourneys

              Glimmer gave Zara and Yasmin a cheery :yahoo_wave:   , smirking to herself at their alarm at leaving her to her own devices.  She had no intention of inviting guests yet, but felt no need to reassure them.  Xavier would play along with her, she felt sure.

              Glimmer settled herself comfortably to peruse the new AIorium Emporium catalogue with the intention of ordering some new hats and accessories for the adventure.  She had always had a weakness for elaborate hats, but the truth was they were often rather heavy and cumbersome. That is until she found the AIorium hats which were made of a semi anti gravity material.  Not entirely anti gravity, obviously, or they would have floated right off her head, but just enough to make them feel weightless.  Once she’d discovered these wonderful hats and their unique properties, she had the idea to carry all her accessories, tools and devices upon her hat. This would save her the bother of carrying around bags of stuff.  She was no light weight herself, and it was quite enough to carry herself around, let alone bags of objects.

              Glimmer had heard a rumour (well not a rumour exactly, she had a direct line to ~ well not to spill the beans too soon, but she had some lines of information that the others didn’t know about yet) that the adventure was going to start at The Flying Fish Inn.   This was welcome news to Glimmer, who had met Idle many years before when they were both teenagers.  Yes, it’s hard to imagine these two as teenagers, but although they’d only met breifly on holiday, they’d hit it off immediately.  Despite not keeping in contact over the years, Glimmer remembered Idle fondly and felt sure that Idle felt similarly.

              Glimmer perused the catalogue for a suitable gift to take for her old friend.  The delightful little bottles of spirited spirit essences caught her eye, and recalling Idle’s enthusiasm for an exotic tipple, she ordered several bottles.  Perhaps Glimmer should have read carefully the description of the effects of the contents of each bottle but she did not. She immediately added the bottles to the new hat she’d ordered for the trip.

              Feeling pleased with her selection, she settled down for a snooze until her new hat arrived.

               

              Glimmers New Hat

              #6350
              TracyTracy
              Participant

                Transportation

                Isaac Stokes 1804-1877

                 

                Isaac was born in Churchill, Oxfordshire in 1804, and was the youngest brother of my 4X great grandfather Thomas Stokes. The Stokes family were stone masons for generations in Oxfordshire and Gloucestershire, and Isaac’s occupation was a mason’s labourer in 1834 when he was sentenced at the Lent Assizes in Oxford to fourteen years transportation for stealing tools.

                Churchill where the Stokes stonemasons came from: on 31 July 1684 a fire destroyed 20 houses and many other buildings, and killed four people. The village was rebuilt higher up the hill, with stone houses instead of the old timber-framed and thatched cottages. The fire was apparently caused by a baker who, to avoid chimney tax, had knocked through the wall from her oven to her neighbour’s chimney.

                Isaac stole a pick axe, the value of 2 shillings and the property of Thomas Joyner of Churchill; a kibbeaux and a trowel value 3 shillings the property of Thomas Symms; a hammer and axe value 5 shillings, property of John Keen of Sarsden.

                (The word kibbeaux seems to only exists in relation to Isaac Stokes sentence and whoever was the first to write it was perhaps being creative with the spelling of a kibbo, a miners or a metal bucket. This spelling is repeated in the criminal reports and the newspaper articles about Isaac, but nowhere else).

                In March 1834 the Removal of Convicts was announced in the Oxford University and City Herald: Isaac Stokes and several other prisoners were removed from the Oxford county gaol to the Justitia hulk at Woolwich “persuant to their sentences of transportation at our Lent Assizes”.

                via digitalpanopticon:

                Hulks were decommissioned (and often unseaworthy) ships that were moored in rivers and estuaries and refitted to become floating prisons. The outbreak of war in America in 1775 meant that it was no longer possible to transport British convicts there. Transportation as a form of punishment had started in the late seventeenth century, and following the Transportation Act of 1718, some 44,000 British convicts were sent to the American colonies. The end of this punishment presented a major problem for the authorities in London, since in the decade before 1775, two-thirds of convicts at the Old Bailey received a sentence of transportation – on average 283 convicts a year. As a result, London’s prisons quickly filled to overflowing with convicted prisoners who were sentenced to transportation but had no place to go.

                To increase London’s prison capacity, in 1776 Parliament passed the “Hulks Act” (16 Geo III, c.43). Although overseen by local justices of the peace, the hulks were to be directly managed and maintained by private contractors. The first contract to run a hulk was awarded to Duncan Campbell, a former transportation contractor. In August 1776, the Justicia, a former transportation ship moored in the River Thames, became the first prison hulk. This ship soon became full and Campbell quickly introduced a number of other hulks in London; by 1778 the fleet of hulks on the Thames held 510 prisoners.
                Demand was so great that new hulks were introduced across the country. There were hulks located at Deptford, Chatham, Woolwich, Gosport, Plymouth, Portsmouth, Sheerness and Cork.

                The Justitia via rmg collections:

                Justitia

                Convicts perform hard labour at the Woolwich Warren. The hulk on the river is the ‘Justitia’. Prisoners were kept on board such ships for months awaiting deportation to Australia. The ‘Justitia’ was a 260 ton prison hulk that had been originally moored in the Thames when the American War of Independence put a stop to the transportation of criminals to the former colonies. The ‘Justitia’ belonged to the shipowner Duncan Campbell, who was the Government contractor who organized the prison-hulk system at that time. Campbell was subsequently involved in the shipping of convicts to the penal colony at Botany Bay (in fact Port Jackson, later Sydney, just to the north) in New South Wales, the ‘first fleet’ going out in 1788.

                 

                While searching for records for Isaac Stokes I discovered that another Isaac Stokes was transported to New South Wales in 1835 as well. The other one was a butcher born in 1809, sentenced in London for seven years, and he sailed on the Mary Ann. Our Isaac Stokes sailed on the Lady Nugent, arriving in NSW in April 1835, having set sail from England in December 1834.

                Lady Nugent was built at Bombay in 1813. She made four voyages under contract to the British East India Company (EIC). She then made two voyages transporting convicts to Australia, one to New South Wales and one to Van Diemen’s Land (Tasmania). (via Wikipedia)

                via freesettlerorfelon website:

                On 20 November 1834, 100 male convicts were transferred to the Lady Nugent from the Justitia Hulk and 60 from the Ganymede Hulk at Woolwich, all in apparent good health. The Lady Nugent departed Sheerness on 4 December 1834.

                SURGEON OLIVER SPROULE

                Oliver Sproule kept a Medical Journal from 7 November 1834 to 27 April 1835. He recorded in his journal the weather conditions they experienced in the first two weeks:

                ‘In the course of the first week or ten days at sea, there were eight or nine on the sick list with catarrhal affections and one with dropsy which I attribute to the cold and wet we experienced during that period beating down channel. Indeed the foremost berths in the prison at this time were so wet from leaking in that part of the ship, that I was obliged to issue dry beds and bedding to a great many of the prisoners to preserve their health, but after crossing the Bay of Biscay the weather became fine and we got the damp beds and blankets dried, the leaks partially stopped and the prison well aired and ventilated which, I am happy to say soon manifested a favourable change in the health and appearance of the men.

                Besides the cases given in the journal I had a great many others to treat, some of them similar to those mentioned but the greater part consisted of boils, scalds, and contusions which would not only be too tedious to enter but I fear would be irksome to the reader. There were four births on board during the passage which did well, therefore I did not consider it necessary to give a detailed account of them in my journal the more especially as they were all favourable cases.

                Regularity and cleanliness in the prison, free ventilation and as far as possible dry decks turning all the prisoners up in fine weather as we were lucky enough to have two musicians amongst the convicts, dancing was tolerated every afternoon, strict attention to personal cleanliness and also to the cooking of their victuals with regular hours for their meals, were the only prophylactic means used on this occasion, which I found to answer my expectations to the utmost extent in as much as there was not a single case of contagious or infectious nature during the whole passage with the exception of a few cases of psora which soon yielded to the usual treatment. A few cases of scurvy however appeared on board at rather an early period which I can attribute to nothing else but the wet and hardships the prisoners endured during the first three or four weeks of the passage. I was prompt in my treatment of these cases and they got well, but before we arrived at Sydney I had about thirty others to treat.’

                The Lady Nugent arrived in Port Jackson on 9 April 1835 with 284 male prisoners. Two men had died at sea. The prisoners were landed on 27th April 1835 and marched to Hyde Park Barracks prior to being assigned. Ten were under the age of 14 years.

                The Lady Nugent:

                Lady Nugent

                 

                Isaac’s distinguishing marks are noted on various criminal registers and record books:

                “Height in feet & inches: 5 4; Complexion: Ruddy; Hair: Light brown; Eyes: Hazel; Marks or Scars: Yes [including] DEVIL on lower left arm, TSIS back of left hand, WS lower right arm, MHDW back of right hand.”

                Another includes more detail about Isaac’s tattoos:

                “Two slight scars right side of mouth, 2 moles above right breast, figure of the devil and DEVIL and raised mole, lower left arm; anchor, seven dots half moon, TSIS and cross, back of left hand; a mallet, door post, A, mans bust, sun, WS, lower right arm; woman, MHDW and shut knife, back of right hand.”

                 

                Lady Nugent record book

                 

                From How tattoos became fashionable in Victorian England (2019 article in TheConversation by Robert Shoemaker and Zoe Alkar):

                “Historical tattooing was not restricted to sailors, soldiers and convicts, but was a growing and accepted phenomenon in Victorian England. Tattoos provide an important window into the lives of those who typically left no written records of their own. As a form of “history from below”, they give us a fleeting but intriguing understanding of the identities and emotions of ordinary people in the past.
                As a practice for which typically the only record is the body itself, few systematic records survive before the advent of photography. One exception to this is the written descriptions of tattoos (and even the occasional sketch) that were kept of institutionalised people forced to submit to the recording of information about their bodies as a means of identifying them. This particularly applies to three groups – criminal convicts, soldiers and sailors. Of these, the convict records are the most voluminous and systematic.
                Such records were first kept in large numbers for those who were transported to Australia from 1788 (since Australia was then an open prison) as the authorities needed some means of keeping track of them.”

                On the 1837 census Isaac was working for the government at Illiwarra, New South Wales. This record states that he arrived on the Lady Nugent in 1835. There are three other indent records for an Isaac Stokes in the following years, but the transcriptions don’t provide enough information to determine which Isaac Stokes it was. In April 1837 there was an abscondment, and an arrest/apprehension in May of that year, and in 1843 there was a record of convict indulgences.

                From the Australian government website regarding “convict indulgences”:

                “By the mid-1830s only six per cent of convicts were locked up. The vast majority worked for the government or free settlers and, with good behaviour, could earn a ticket of leave, conditional pardon or and even an absolute pardon. While under such orders convicts could earn their own living.”

                 

                In 1856 in Camden, NSW, Isaac Stokes married Catherine Daly. With no further information on this record it would be impossible to know for sure if this was the right Isaac Stokes. This couple had six children, all in the Camden area, but none of the records provided enough information. No occupation or place or date of birth recorded for Isaac Stokes.

                I wrote to the National Library of Australia about the marriage record, and their reply was a surprise! Issac and Catherine were married on 30 September 1856, at the house of the Rev. Charles William Rigg, a Methodist minister, and it was recorded that Isaac was born in Edinburgh in 1821, to parents James Stokes and Sarah Ellis!  The age at the time of the marriage doesn’t match Isaac’s age at death in 1877, and clearly the place of birth and parents didn’t match either. Only his fathers occupation of stone mason was correct.  I wrote back to the helpful people at the library and they replied that the register was in a very poor condition and that only two and a half entries had survived at all, and that Isaac and Catherines marriage was recorded over two pages.

                I searched for an Isaac Stokes born in 1821 in Edinburgh on the Scotland government website (and on all the other genealogy records sites) and didn’t find it. In fact Stokes was a very uncommon name in Scotland at the time. I also searched Australian immigration and other records for another Isaac Stokes born in Scotland or born in 1821, and found nothing.  I was unable to find a single record to corroborate this mysterious other Isaac Stokes.

                As the age at death in 1877 was correct, I assume that either Isaac was lying, or that some mistake was made either on the register at the home of the Methodist minster, or a subsequent mistranscription or muddle on the remnants of the surviving register.  Therefore I remain convinced that the Camden stonemason Isaac Stokes was indeed our Isaac from Oxfordshire.

                 

                I found a history society newsletter article that mentioned Isaac Stokes, stone mason, had built the Glenmore church, near Camden, in 1859.

                Glenmore Church

                 

                From the Wollondilly museum April 2020 newsletter:

                Glenmore Church Stokes

                 

                From the Camden History website:

                “The stone set over the porch of Glenmore Church gives the date of 1860. The church was begun in 1859 on land given by Joseph Moore. James Rogers of Picton was given the contract to build and local builder, Mr. Stokes, carried out the work. Elizabeth Moore, wife of Edward, laid the foundation stone. The first service was held on 19th March 1860. The cemetery alongside the church contains the headstones and memorials of the areas early pioneers.”

                 

                Isaac died on the 3rd September 1877. The inquest report puts his place of death as Bagdelly, near to Camden, and another death register has put Cambelltown, also very close to Camden.  His age was recorded as 71 and the inquest report states his cause of death was “rupture of one of the large pulmonary vessels of the lung”.  His wife Catherine died in childbirth in 1870 at the age of 43.

                 

                Isaac and Catherine’s children:

                William Stokes 1857-1928

                Catherine Stokes 1859-1846

                Sarah Josephine Stokes 1861-1931

                Ellen Stokes 1863-1932

                Rosanna Stokes 1865-1919

                Louisa Stokes 1868-1844.

                 

                It’s possible that Catherine Daly was a transported convict from Ireland.

                 

                Some time later I unexpectedly received a follow up email from The Oaks Heritage Centre in Australia.

                “The Gaudry papers which we have in our archive record him (Isaac Stokes) as having built: the church, the school and the teachers residence.  Isaac is recorded in the General return of convicts: 1837 and in Grevilles Post Office directory 1872 as a mason in Glenmore.”

                Isaac Stokes directory

                #6306
                TracyTracy
                Participant

                  Looking for Robert Staley

                   

                  William Warren (1835-1880) of Newhall (Stapenhill) married Elizabeth Staley (1836-1907) in 1858. Elizabeth was born in Newhall, the daughter of John Staley (1795-1876) and Jane Brothers. John was born in Newhall, and Jane was born in Armagh, Ireland, and they were married in Armagh in 1820. Elizabeths older brothers were born in Ireland: William in 1826 and Thomas in Dublin in 1830. Francis was born in Liverpool in 1834, and then Elizabeth in Newhall in 1836; thereafter the children were born in Newhall.

                  Marriage of John Staley and Jane Brothers in 1820:

                  1820 marriage Armagh

                   

                   

                  My grandmother related a story about an Elizabeth Staley who ran away from boarding school and eloped to Ireland, but later returned. The only Irish connection found so far is Jane Brothers, so perhaps she meant Elizabeth Staley’s mother. A boarding school seems unlikely, and it would seem that it was John Staley who went to Ireland.

                  The 1841 census states Jane’s age as 33, which would make her just 12 at the time of her marriage. The 1851 census states her age as 44, making her 13 at the time of her 1820 marriage, and the 1861 census estimates her birth year as a more likely 1804. Birth records in Ireland for her have not been found. It’s possible, perhaps, that she was in service in the Newhall area as a teenager (more likely than boarding school), and that John and Jane ran off to get married in Ireland, although I haven’t found any record of a child born to them early in their marriage. John was an agricultural labourer, and later a coal miner.

                  John Staley was the son of Joseph Staley (1756-1838) and Sarah Dumolo (1764-). Joseph and Sarah were married by licence in Newhall in 1782. Joseph was a carpenter on the marriage licence, but later a collier (although not necessarily a miner).

                  The Derbyshire Record Office holds records of  an “Estimate of Joseph Staley of Newhall for the cost of continuing to work Pisternhill Colliery” dated 1820 and addresssed to Mr Bloud at Calke Abbey (presumably the owner of the mine)

                  Josephs parents were Robert Staley and Elizabeth. I couldn’t find a baptism or birth record for Robert Staley. Other trees on an ancestry site had his birth in Elton, but with no supporting documents. Robert, as stated in his 1795 will, was a Yeoman.

                  “Yeoman: A former class of small freeholders who farm their own land; a commoner of good standing.”
                  “Husbandman: The old word for a farmer below the rank of yeoman. A husbandman usually held his land by copyhold or leasehold tenure and may be regarded as the ‘average farmer in his locality’. The words ‘yeoman’ and ‘husbandman’ were gradually replaced in the later 18th and 19th centuries by ‘farmer’.”

                  He left a number of properties in Newhall and Hartshorne (near Newhall) including dwellings, enclosures, orchards, various yards, barns and acreages. It seemed to me more likely that he had inherited them, rather than moving into the village and buying them.

                  There is a mention of Robert Staley in a 1782 newpaper advertisement.

                  “Fire Engine To Be Sold.  An exceedingly good fire engine, with the boiler, cylinder, etc in good condition. For particulars apply to Mr Burslem at Burton-upon-Trent, or Robert Staley at Newhall near Burton, where the engine may be seen.”

                  fire engine

                   

                  Was the fire engine perhaps connected with a foundry or a coal mine?

                  I noticed that Robert Staley was the witness at a 1755 marriage in Stapenhill between Barbara Burslem and Richard Daston the younger esquire. The other witness was signed Burslem Jnr.

                   

                  Looking for Robert Staley

                   

                  I assumed that once again, in the absence of the correct records, a similarly named and aged persons baptism had been added to the tree regardless of accuracy, so I looked through the Stapenhill/Newhall parish register images page by page. There were no Staleys in Newhall at all in the early 1700s, so it seemed that Robert did come from elsewhere and I expected to find the Staleys in a neighbouring parish. But I still didn’t find any Staleys.

                  I spoke to a couple of Staley descendants that I’d met during the family research. I met Carole via a DNA match some months previously and contacted her to ask about the Staleys in Elton. She also had Robert Staley born in Elton (indeed, there were many Staleys in Elton) but she didn’t have any documentation for his birth, and we decided to collaborate and try and find out more.

                  I couldn’t find the earlier Elton parish registers anywhere online, but eventually found the untranscribed microfiche images of the Bishops Transcripts for Elton.

                  via familysearch:
                  “In its most basic sense, a bishop’s transcript is a copy of a parish register. As bishop’s transcripts generally contain more or less the same information as parish registers, they are an invaluable resource when a parish register has been damaged, destroyed, or otherwise lost. Bishop’s transcripts are often of value even when parish registers exist, as priests often recorded either additional or different information in their transcripts than they did in the original registers.”

                   

                  Unfortunately there was a gap in the Bishops Transcripts between 1704 and 1711 ~ exactly where I needed to look. I subsequently found out that the Elton registers were incomplete as they had been damaged by fire.

                  I estimated Robert Staleys date of birth between 1710 and 1715. He died in 1795, and his son Daniel died in 1805: both of these wills were found online. Daniel married Mary Moon in Stapenhill in 1762, making a likely birth date for Daniel around 1740.

                  The marriage of Robert Staley (assuming this was Robert’s father) and Alice Maceland (or Marsland or Marsden, depending on how the parish clerk chose to spell it presumably) was in the Bishops Transcripts for Elton in 1704. They were married in Elton on 26th February. There followed the missing parish register pages and in all likelihood the records of the baptisms of their first children. No doubt Robert was one of them, probably the first male child.

                  (Incidentally, my grandfather’s Marshalls also came from Elton, a small Derbyshire village near Matlock.  The Staley’s are on my grandmothers Warren side.)

                  The parish register pages resume in 1711. One of the first entries was the baptism of Robert Staley in 1711, parents Thomas and Ann. This was surely the one we were looking for, and Roberts parents weren’t Robert and Alice.

                  But then in 1735 a marriage was recorded between Robert son of Robert Staley (and this was unusual, the father of the groom isn’t usually recorded on the parish register) and Elizabeth Milner. They were married on the 9th March 1735. We know that the Robert we were looking for married an Elizabeth, as her name was on the Stapenhill baptisms of their later children, including Joseph Staleys.  The 1735 marriage also fit with the assumed birth date of Daniel, circa 1740. A baptism was found for a Robert Staley in 1738 in the Elton registers, parents Robert and Elizabeth, as well as the baptism in 1736 for Mary, presumably their first child. Her burial is recorded the following year.

                  The marriage of Robert Staley and Elizabeth Milner in 1735:

                  rbt staley marriage 1735

                   

                  There were several other Staley couples of a similar age in Elton, perhaps brothers and cousins. It seemed that Thomas and Ann’s son Robert was a different Robert, and that the one we were looking for was prior to that and on the missing pages.

                  Even so, this doesn’t prove that it was Elizabeth Staleys great grandfather who was born in Elton, but no other birth or baptism for Robert Staley has been found. It doesn’t explain why the Staleys moved to Stapenhill either, although the Enclosures Act and the Industrial Revolution could have been factors.

                  The 18th century saw the rise of the Industrial Revolution and many renowned Derbyshire Industrialists emerged. They created the turning point from what was until then a largely rural economy, to the development of townships based on factory production methods.

                  The Marsden Connection

                  There are some possible clues in the records of the Marsden family.  Robert Staley married Alice Marsden (or Maceland or Marsland) in Elton in 1704.  Robert Staley is mentioned in the 1730 will of John Marsden senior,  of Baslow, Innkeeper (Peacock Inne & Whitlands Farm). He mentions his daughter Alice, wife of Robert Staley.

                  In a 1715 Marsden will there is an intriguing mention of an alias, which might explain the different spellings on various records for the name Marsden:  “MARSDEN alias MASLAND, Christopher – of Baslow, husbandman, 28 Dec 1714. son Robert MARSDEN alias MASLAND….” etc.

                  Some potential reasons for a move from one parish to another are explained in this history of the Marsden family, and indeed this could relate to Robert Staley as he married into the Marsden family and his wife was a beneficiary of a Marsden will.  The Chatsworth Estate, at various times, bought a number of farms in order to extend the park.

                  THE MARSDEN FAMILY
                  OXCLOSE AND PARKGATE
                  In the Parishes of
                  Baslow and Chatsworth

                  by
                  David Dalrymple-Smith

                  John Marsden (b1653) another son of Edmund (b1611) faired well. By the time he died in
                  1730 he was publican of the Peacock, the Inn on Church Lane now called the Cavendish
                  Hotel, and the farmer at “Whitlands”, almost certainly Bubnell Cliff Farm.”

                  “Coal mining was well known in the Chesterfield area. The coalfield extends as far as the
                  Gritstone edges, where thin seams outcrop especially in the Baslow area.”

                  “…the occupants were evicted from the farmland below Dobb Edge and
                  the ground carefully cleared of all traces of occupation and farming. Shelter belts were
                  planted especially along the Heathy Lea Brook. An imposing new drive was laid to the
                  Chatsworth House with the Lodges and “The Golden Gates” at its northern end….”

                  Although this particular event was later than any events relating to Robert Staley, it’s an indication of how farms and farmland disappeared, and a reason for families to move to another area:

                  “The Dukes of Devonshire (of Chatsworth)  were major figures in the aristocracy and the government of the
                  time. Such a position demanded a display of wealth and ostentation. The 6th Duke of
                  Devonshire, the Bachelor Duke, was not content with the Chatsworth he inherited in 1811,
                  and immediately started improvements. After major changes around Edensor, he turned his
                  attention at the north end of the Park. In 1820 plans were made extend the Park up to the
                  Baslow parish boundary. As this would involve the destruction of most of the Farm at
                  Oxclose, the farmer at the Higher House Samuel Marsden (b1755) was given the tenancy of
                  Ewe Close a large farm near Bakewell.
                  Plans were revised in 1824 when the Dukes of Devonshire and Rutland “Exchanged Lands”,
                  reputedly during a game of dice. Over 3300 acres were involved in several local parishes, of
                  which 1000 acres were in Baslow. In the deal Devonshire acquired the southeast corner of
                  Baslow Parish.
                  Part of the deal was Gibbet Moor, which was developed for “Sport”. The shelf of land
                  between Parkgate and Robin Hood and a few extra fields was left untouched. The rest,
                  between Dobb Edge and Baslow, was agricultural land with farms, fields and houses. It was
                  this last part that gave the Duke the opportunity to improve the Park beyond his earlier
                  expectations.”

                   

                  The 1795 will of Robert Staley.

                  Inriguingly, Robert included the children of his son Daniel Staley in his will, but omitted to leave anything to Daniel.  A perusal of Daniels 1808 will sheds some light on this:  Daniel left his property to his six reputed children with Elizabeth Moon, and his reputed daughter Mary Brearly. Daniels wife was Mary Moon, Elizabeths husband William Moons daughter.

                  The will of Robert Staley, 1795:

                  1795 will 2

                  1795 Rbt Staley will

                   

                  The 1805 will of Daniel Staley, Robert’s son:

                  This is the last will and testament of me Daniel Staley of the Township of Newhall in the parish of Stapenhill in the County of Derby, Farmer. I will and order all of my just debts, funeral and testamentary expenses to be fully paid and satisfied by my executors hereinafter named by and out of my personal estate as soon as conveniently may be after my decease.

                  I give, devise and bequeath to Humphrey Trafford Nadin of Church Gresely in the said County of Derby Esquire and John Wilkinson of Newhall aforesaid yeoman all my messuages, lands, tenements, hereditaments and real and personal estates to hold to them, their heirs, executors, administrators and assigns until Richard Moon the youngest of my reputed sons by Elizabeth Moon shall attain his age of twenty one years upon trust that they, my said trustees, (or the survivor of them, his heirs, executors, administrators or assigns), shall and do manage and carry on my farm at Newhall aforesaid and pay and apply the rents, issues and profits of all and every of my said real and personal estates in for and towards the support, maintenance and education of all my reputed children by the said Elizabeth Moon until the said Richard Moon my youngest reputed son shall attain his said age of twenty one years and equally share and share and share alike.

                  And it is my will and desire that my said trustees or trustee for the time being shall recruit and keep up the stock upon my farm as they in their discretion shall see occasion or think proper and that the same shall not be diminished. And in case any of my said reputed children by the said Elizabeth Moon shall be married before my said reputed youngest son shall attain his age of twenty one years that then it is my will and desire that non of their husbands or wives shall come to my farm or be maintained there or have their abode there. That it is also my will and desire in case my reputed children or any of them shall not be steady to business but instead shall be wild and diminish the stock that then my said trustees or trustee for the time being shall have full power and authority in their discretion to sell and dispose of all or any part of my said personal estate and to put out the money arising from the sale thereof to interest and to pay and apply the interest thereof and also thereunto of the said real estate in for and towards the maintenance, education and support of all my said reputed children by the said
                  Elizabeth Moon as they my said trustees in their discretion that think proper until the said Richard Moon shall attain his age of twenty one years.

                  Then I give to my grandson Daniel Staley the sum of ten pounds and to each and every of my sons and daughters namely Daniel Staley, Benjamin Staley, John Staley, William Staley, Elizabeth Dent and Sarah Orme and to my niece Ann Brearly the sum of five pounds apiece.

                  I give to my youngest reputed son Richard Moon one share in the Ashby Canal Navigation and I direct that my said trustees or trustee for the time being shall have full power and authority to pay and apply all or any part of the fortune or legacy hereby intended for my youngest reputed son Richard Moon in placing him out to any trade, business or profession as they in their discretion shall think proper.
                  And I direct that to my said sons and daughters by my late wife and my said niece shall by wholly paid by my said reputed son Richard Moon out of the fortune herby given him. And it is my will and desire that my said reputed children shall deliver into the hands of my executors all the monies that shall arise from the carrying on of my business that is not wanted to carry on the same unto my acting executor and shall keep a just and true account of all disbursements and receipts of the said business and deliver up the same to my acting executor in order that there may not be any embezzlement or defraud amongst them and from and immediately after my said reputed youngest son Richard Moon shall attain his age of twenty one years then I give, devise and bequeath all my real estate and all the residue and remainder of my personal estate of what nature and kind whatsoever and wheresoever unto and amongst all and every my said reputed sons and daughters namely William Moon, Thomas Moon, Joseph Moon, Richard Moon, Ann Moon, Margaret Moon and to my reputed daughter Mary Brearly to hold to them and their respective heirs, executors, administrator and assigns for ever according to the nature and tenure of the same estates respectively to take the same as tenants in common and not as joint tenants.

                  And lastly I nominate and appoint the said Humphrey Trafford Nadin and John Wilkinson executors of this my last will and testament and guardians of all my reputed children who are under age during their respective minorities hereby revoking all former and other wills by me heretofore made and declaring this only to be my last will.

                  In witness whereof I the said Daniel Staley the testator have to this my last will and testament set my hand and seal the eleventh day of March in the year of our Lord one thousand eight hundred and five.

                   

                  #6284
                  TracyTracy
                  Participant

                    To Australia

                    Grettons

                    Charles Herbert Gretton 1876-1954

                    Charles Gretton, my great grandmothers youngest brother, arrived in Sydney Australia on 12 February 1912, having set sail on 5 January 1912 from London. His occupation on the passenger list was stockman, and he was traveling alone.  Later that year, in October, his wife and two sons sailed out to join him.

                    Gretton 1912 passenger

                     

                    Charles was born in Swadlincote.  He married Mary Anne Illsley, a local girl from nearby Church Gresley, in 1898. Their first son, Leslie Charles Bloemfontein Gretton, was born in 1900 in Church Gresley, and their second son, George Herbert Gretton, was born in 1910 in Swadlincote.  In 1901 Charles was a colliery worker, and on the 1911 census, his occupation was a sanitary ware packer.

                    Charles and Mary Anne had two more sons, both born in Footscray:  Frank Orgill Gretton in 1914, and Arthur Ernest Gretton in 1920.

                    On the Australian 1914 electoral rolls, Charles and Mary Ann were living at 72 Moreland Street, Footscray, and in 1919 at 134 Cowper Street, Footscray, and Charles was a labourer.  In 1924, Charles was a sub foreman, living at 3, Ryan Street E, Footscray, Australia.  On a later electoral register, Charles was a foreman.  Footscray is a suburb of Melbourne, and developed into an industrial zone in the second half of the nineteenth century.

                    Charles died in Victoria in 1954 at the age of 77. His wife Mary Ann died in 1958.

                    Gretton obit 1954

                     

                    Charles and Mary Ann Gretton:

                    Charles and Mary Ann Gretton

                     

                    Leslie Charles Bloemfontein Gretton 1900-1955

                    Leslie was an electrician.   He married Ethel Christine Halliday, born in 1900 in Footscray, in 1927.  They had four children: Tom, Claire, Nancy and Frank. By 1943 they were living in Yallourn.  Yallourn, Victoria was a company town in Victoria, Australia built between the 1920s and 1950s to house employees of the State Electricity Commission of Victoria, who operated the nearby Yallourn Power Station complex. However, expansion of the adjacent open-cut brown coal mine led to the closure and removal of the town in the 1980s.

                    On the 1954 electoral registers, daughter Claire Elizabeth Gretton, occupation teacher, was living at the same address as Leslie and Ethel.

                    Leslie died in Yallourn in 1955, and Ethel nine years later in 1964, also in Yallourn.

                     

                    George Herbert Gretton 1910-1970

                    George married Florence May Hall in 1934 in Victoria, Australia.  In 1942 George was listed on the electoral roll as a grocer, likewise in 1949. In 1963 his occupation was a process worker, and in 1968 in Flinders, a horticultural advisor.

                    George died in Lang Lang, not far from Melbourne, in 1970.

                     

                    Frank Orgill Gretton 1914-

                    Arthur Ernest Gretton 1920-

                     

                    Orgills

                    John Orgill 1835-1911

                    John Orgill was Charles Herbert Gretton’s uncle.  He emigrated to Australia in 1865, and married Elizabeth Mary Gladstone 1845-1926 in Victoria in 1870. Their first child was born in December that year, in Dandenong. They had seven children, and their three sons all have the middle name Gladstone.

                    John Orgill was a councillor for the Shire of Dandenong in 1873, and between 1876 and 1879.

                    John Orgill:

                    John Orgill

                     

                    John Orgill obituary in the South Bourke and Mornington Journal, 21 December 1911:

                    John Orgill obit

                     

                     

                    John’s wife Elizabeth Orgill, a teacher and a “a public spirited lady” according to newspaper articles, opened a hydropathic hospital in Dandenong called Gladstone House.

                    Elizabeth Gladstone Orgill:

                    Elizabeth Gladstone Orgill

                     

                    On the Old Dandenong website:

                    Gladstone House hydropathic hospital on the corner of Langhorne and Foster streets (153 Foster Street) Dandenong opened in 1896, working on the theory of water therapy, no medicine or operations. Her husband passed away in 1911 at 77, around similar time Dr Barclay Thompson obtained control of the practice. Mrs Orgill remaining on in some capacity.

                    Elizabeth Mary Orgill (nee Gladstone) operated Gladstone House until at least 1911, along with another hydropathic hospital (Birthwood) on Cheltenham road. She was the daughter of William Gladstone (Nephew of William Ewart Gladstone, UK prime minister in 1874).

                    Around 1912 Dr A. E. Taylor took over the location from Dr. Barclay Thompson. Mrs Orgill was still working here but no longer controlled the practice, having given it up to Barclay. Taylor served as medical officer for the Shire for before his death in 1939. After Taylor’s death Dr. T. C. Reeves bought his practice in 1939, later that year being appointed medical officer,

                    Gladstone Road in Dandenong is named after her family, who owned and occupied a farming paddock in the area on former Police Paddock ground, the Police reserve having earlier been reduced back to Stud Road.

                    Hydropathy (now known as Hydrotherapy) and also called water cure, is a part of medicine and alternative medicine, in particular of naturopathy, occupational therapy and physiotherapy, that involves the use of water for pain relief and treatment.

                    Gladstone House, Dandenong:

                    Gladstone House

                     

                     

                    John’s brother Robert Orgill 1830-1915 also emigrated to Australia. I met (online) his great great grand daughter Lidya Orgill via the Old Dandenong facebook group.

                    John’s other brother Thomas Orgill 1833-1908 also emigrated to the same part of Australia.

                    Thomas Orgill:

                    Thomas Orgill

                     

                    One of Thomas Orgills sons was George Albert Orgill 1880-1949:

                    George Albert Orgill

                     

                    A letter was published in The South Bourke & Mornington Journal (Richmond, Victoria, Australia) on 17 Jun 1915, to Tom Orgill, Emerald Hill (South Melbourne) from hospital by his brother George Albert Orgill (4th Pioneers) describing landing of Covering Party prior to dawn invasion of Gallipoli:

                    George Albert Orgill letter

                     

                    Another brother Henry Orgill 1837-1916 was born in Measham and died in Dandenong, Australia. Henry was a bricklayer living in Measham on the 1861 census. Also living with his widowed mother Elizabeth at that address was his sister Sarah and her husband Richard Gretton, the baker (my great great grandparents). In October of that year he sailed to Melbourne.  His occupation was bricklayer on his death records in 1916.

                    Two of Henry’s sons, Arthur Garfield Orgill born 1888 and Ernest Alfred Orgill born 1880 were killed in action in 1917 and buried in Nord-Pas-de-Calais, France. Another son, Frederick Stanley Orgill, died in 1897 at the age of seven.

                    A fifth brother, William Orgill 1842-   sailed from Liverpool to Melbourne in 1861, at 19 years of age. Four years later in 1865 he sailed from Victoria, Australia to New Zealand.

                     

                    I assumed I had found all of the Orgill brothers who went to Australia, and resumed research on the Orgills in Measham, in England. A search in the British Newspaper Archives for Orgills in Measham revealed yet another Orgill brother who had gone to Australia.

                    Matthew Orgill 1828-1907 went to South Africa and to Australia, but returned to Measham.

                    The Orgill brothers had two sisters. One was my great great great grandmother Sarah, and the other was Hannah.  Hannah married Francis Hart in Measham. One of her sons, John Orgill Hart 1862-1909, was born in Measham.  On the 1881 census he was a 19 year old carpenters apprentice.  Two years later in 1883 he was listed as a joiner on the passenger list of the ship Illawarra, bound for Australia.   His occupation at the time of his death in Dandenong in 1909 was contractor.

                    An additional coincidental note about Dandenong: my step daughter Emily’s Australian partner is from Dandenong.

                     

                     

                    Housleys

                    Charles Housley 1823-1856

                    Charles Housley emigrated to Australia in 1851, the same year that his brother George emigrated to USA.  Charles is mentioned in the Narrative on the Letters by Barbara Housley, and appears in the Housley Letters chapters.

                     

                    Rushbys

                    George “Mike” Rushby 1933-

                    Mike moved to Australia from South Africa. His story is a separate chapter.

                  Viewing 20 results - 1 through 20 (of 112 total)