Search Results for 'tay'

Baltazar made a face as he swallowed the time travel sickness pill. “Could have made them smaller” he grumbled.

Intu rolled her eyes. “Stop being such a jess and take this” she said, handing him a smoking frothing potion in a tall silver cup. “For the side effects of the Replicator.”

“I hate this time of year. Trying to be in a hundred places at once, all because of that stupid tradition.”

“How do you think I feel?” asked Jesus. “At least you don’t have to wear a nappy.”

“It’s not a nappy, it’s swaddling clothes. Haven’t they finished with all that religion stuff yet?” said Baltazar. “Maybe if we just don’t turn up, it will bring the end forward? Can’t we just stay here in Tartessos? Bugger their parades, I’m not going again.”

Intu gasped. “Baltazar, you can’t let me down now. This might very well be the last time, if everything goes according to plan. I tell you what, I’ll make a deal with you. I’ll arrange for you to meet the reindeer pee travelling salesman on the way.”

There was no place like home, notwithstanding that home could be considered to be anywhere at all. Home in this case was Blithe’s patio one balmy September evening. Citronella candles flickered on the table, and coloured fairy lights strobed in strings along the facade of the house. A rosy glow emanated from the bedroom window and Blithe took a snapshot, noticing later the fly screen visible, overlayed onto the bedroom scene. Not only was the view of the bedroom limited by the width of the camera lens, it was also limited in the sense that the wire screen was obscuring almost half of what would have been visible if the photograph had been taken from the other side of the screen, or, with no screen at all in between the lens and the view of the room. However, despite having such a partial view of the whole, the remainder that was viewable was still identifiable as a bedroom.

Blithe wasn’t about to remove the screen however, because it was doing its job of screening, or filtering out, the unwanted insects. That wasn’t to say that she was denying the existance of those insects, or that they weren’t welcome on the other side of the screen, just that she was selectively screening the unwanted items from a particular scene. If, for example, the room was full of insects, Blithe might have been preoccupied with them, to the exclusion of whatever else she might have preferred to focus on within the bedroom. Out on the patio, however, the insects were, if not always entirely welcome, appreciated. The praying mantis and the dragonfly were welcome, and the butterflies and moths were always welcome, because Blithe had associated the energy of those insects with familiar welcome energies. The wasps, flies and ants were not translated in the same way, but were appreciated for entirely different reasons, being an aid to exploring such issues as irritation (and occasionally, pain). Blithe had to admit that despite the praying mantis and dragonfly being welcome, it would not be true to say that they were welcome in the bedroom, however.

There had been times when Blithe wished that the whole patio was enclosed in screens, but the trouble with screens was that they tended to filter out everything of a certain size, although perhaps that was more a beleif about physical screens than anything else. Was it possible to filter out flies and wasps, but allow dragnflies and butterflies? Possible surely, she thought, but perhaps not with physical wire screen devices and associated beleifs.

A few days previously Blithe had cleaned the mesh filter on her kitchen tap, unrestricting the flow. Coincidentally, her friend had also had a tap mesh restricted flow incident, and had removed the mesh filter altogether. Another friend had removed a window screen for cleaning, and had chosen not to replace it, as she was appreciating the allowance of much more light. And then another friend had mentioned a dream, of dragonflies under a screen that was covering a pool. She had lifted the screen in the dream, to allow the dragonflies to escape, and yet some of the dragonflies chose to stay under the screen.

Intrigued with the words screen and mesh, which meant the same thing in one respect, but not in others, Blithe investigated the definitions. To screen could be to filter out the unwanted, but to mesh was to weave together. But were they so different, really? A screen was also a blank place on which to project images ~ meshed and woven selectively screened and filtered images, perhaps.

{link ~ weaving}

It was hot, although not as hot as usual for the month of August on the southern slopes of the Serrania de Ronda. It had rained, the black clouds and thunder a welcome respite from the searing dry heat of an Andalucian summer, plumping up the blackberries and washing the dust from the leaves of the fig trees. Blithe Gambol hadn’t seen her old friend Granny Mosca for months, although she wasn’t quite sure what had kept her from visiting for so long. Blithe loved Granny Mosca’s cottage tucked away in the saddle behind the fat hill and there had been times when she’d visited often, just to drink in the magical air and feast her eyes on the beauty of the surroundings. Dry golden weeds scratched her legs as she made her way along the dirt path, and she was mindful of the fat black snake she’d once seen basking on the stone walls as she reached into the brambles to pluck blackberries and take photographs.

Rounding a corner in the path she gasped at the incongrous and alarming sight of a bright yellow bulldozer just meters from Granny Mosca’s cottage. The bulldozer was flattening a large area of prickly pear cactuses. Unfortunately for the cactuses, it was fruiting time, and Blithe wondered if Granny Mosca had first picked the fruits and suspected that she had, those that she could reach. Nothing that could be eaten was left unpicked ~ Blithe remembered the many sacks of almonds that Granny had given her over the years, very few of which she had bothered to shell and eat.

The bulldozer was making an entranceway to the tiny derelict cottage that was situated next to Granny Mosca’s house. Granny had asked Blithe if she wanted to buy it, and she had wanted to buy it eventually, but the purchase of a derelict building hadn’t been a priority at the time. Now it looked as if she was too late, that someone else had bought it, perhaps to use as a holiday home. Horrified, Blithe called out for Granny, who was often in the goat shed or away across the hidden saddle valley cutting weeds to feed the poultry, but there was no sign of her. Two alien looking turkeys gobbled in response, and the black and white chained dog barked menacingly.

As Blithe retraced her steps along the dirt path it occured to her that whoever was planning to use the derelict cottage might be a very interesting person, someone she might be very pleased to make the acquaintance of in due course. After all, she had noticed that the holiday guests staying at the casitas on the other side of the fat hill were all sympathetic to the magical nature of the location, many of them arriving from a previous visit to a particularly interesting location in the Alpujarras ~ a convergence of ley lines. When questioned as to why they chose the fat hill casitas, they simply said they liked the countryside. Either they weren’t telling, or they were simply unaware objectively of the connection of the locations. Blithe could sense the connections though, both the locations, and that the people choosing to vacation at the fat hill were connected to it.

For one hundred and forty seven thousand years, Blithe had had an energy presence at the fat hill, although it was half a century of her current focus before she remembered it. She had felt protective of it, when she finally remembered it, as if she had a kind of responsibility to it. This place can look after itself quite well on its own, she reminded herself. The fat hill had watched while Franco’s Capitan looted the Roman relics, and watched as Blithe stumbled upon the remains of Roman and Iberian cities, and the fat hill had laughed when Blithe first tried to find the entrance to the interior and got stuck in thorn bushes. Later, the fat hill had smiled benignly when Granny Mosca led her to the entrance ~ without a thorn bush in sight. The cave entrance had been blocked with boulders then. Blithe had given some thought to an excavation, wondering how to achieve it without attracting the attention of the locals, but now she wondered if one day, when the time was right, she would find the entrance clear, as if by magic. Magic, after all, was by no means impossible.

{link: feast for the birds}

They were thick as theives, freinds for thousands of centuries, or even more; sometimes thick, sometimes theives, and anything else you might imagine. They got together again and again in this time and that, here, there and elsewhere, just for the fun of it. There was nothing they liked more than a puzzling occurance, or a riddle, or a basket full of clues to ponder over, unravel, and turn around and around, toying with meanings until they found one they liked. They had a home in The City, sort of a home base so to speak, where they met regularly each night in the dream state, regardless of which time or place they spent their waking hours. It was sometimes a releif to meet up at home in The City and always a pleasure: sometimes it was hard to stay under the radar back down on the ground, it was part of the job to stand out in the crowd, which often resulted in a lynching, or a ducking, or the stocks, at the very least. All too often it ended up on top of a bonfire, tied to a stake.

One day in one of the Decembers, in amongst all the sweet dreams they often shared, they started having some unsettling group dreams, where they all felt like they were betwixt and between, falling through the cracks you might say. It was a feeling similar to dying of thirst, although it wasn’t really a physical thirst, it was more than that, a hungry yearning sort of thing. Some of them had strange nightmares, of a monstrous beast, and some of them actually saw beasts in the daytime too, especially on those falling through the cracks days. When they met up at home in The City, they compared notes about the beasts, and not always, but sometimes they found they were mirroring each others beasts. That often ended up in a heated debate, because the more mirroring that occurred, the more real the beast seemed. Some said that the beasts that appeared when you fell through the cracks were in a deep ravine, in a manner of speaking, and not of this plane at all. Others argued that if the beasts appeared through the cracks, then they were on this plane.

And so it went on, and on. There were many more puzzling occurances to come, and lots of meanings to be considered, rejected, or taken on board for the friends, as thick as thieves, to turn around and around, and hold up to the mirror for closer inspection and dissection. They were making a tapestry, a huge rich colourful tapestry, and all the puzzling occurences, and even the beasts, were depicted in the colourful threads and patterns. They were the warp, you might say, of the weave. Love was the weft.

“Congratulations, Liz” Godfrey remarked drily. “Are you supposed to use three months worth of creative writing challenges in one entry?”

“Don’t be silly, Godfrey, of course not. Rules are meant to be broken, that’s what they’re for.”

That’s when a particularly shiny object caught Pickel’s eyes. It was on the table, in plain sight, but it was as if the others couldn’t see it. Of course, they don’t have their head, thought Pickel… but he’d forgotten that he’d left his head at home too.
As he was approaching the table, Gnarfle noticed that he wasn’t following the bird keeper and the others in the other room and decided to stay with him. Maybe he wanted to play some game and Gnarfle would be glad to indulge him.

The other room was full of birds, and Silly’s throat got suddenly constricted as she let out a raucous gag.
Which startled both her father and the wise Peamon who let out an indescribable laugh.
PeAAHAHAHAHAHAHAHA, it’s just here, thanks little one!
Pee was a bit confused as he couldn’t see what the wise Peamon was showing them, and the little peagirl was trying not to think of the smell of the aviary… ( how do I know such a word? she thought to herself.)

Ann was savooring a coughee with Lavender and Phenol. It was certainly not easy to follow a conversation when you were coughing all the time after a sip of coughee but it was quite savoory and tasty, and Flove knows why it was soo expensive.
Phenol was one of those students at the worserversity with acne and he or she wouldn’t allow another person to see his or her real face. So maybe for convenience only we can call him or her: IT.
It was the only moment you could hear a sound coming out of ITs hood, during thoose coughee sessions it was hard to keep completely silent.
Ann was very curious though, and it could be the only reason that she kept asking Phenol to come. She was still in search of clooes about that when a man arrived.

He was wearing a black hood and speaking with that particular raucous voice you only hear in movies… She got the chills and asked him to join their company. Lavender rolled her eyes because the man with the raucous voice stepped on her right foot. Not that she suffered much, because she couldn’t feel her right leg since that accident a few years ago.

The man ordered a coughee with croombs and stayed there, saying nothing. That was not unpleasant at all, since Ann was chatting and coughing, taking the coughs of the others as a yes or a no to her questions. At least an acknowledgment that she was heard.

Sanso had been hanging around for far too long, trying to make sense of all the funny ideas that people have, and trying to get to grips with all their adventures and escapades, their convoluted ponderings, and all the friends and associates that were continually weaving themselves through the many threads. He’d all but forgotten that he was a wanderer by nature, used to travelling alone. Somehow he’d become stuck in their ways, despite not ever really fitting in completely, and he wasn’t entirely sure how it had happened. Perhaps it had been the broccoli. With a defiant devil may care spirit, he’d eaten the broccoli
from the jar marked “You Fool”, when all the others had chosen the broccoli in the jar labeled “Thank You”. Well, he’d chosen it, there was no blaming anyone else for it, after all. But the effects had all but worn off, and he was starting to get the old familiar itch to travel again, to explore.

“You can go in any direction you want” he heard himself say as he mentally transported himself back to a scene in his Story. “You’ll always be at the centre of everything.”

How very strange that he’d forgotten that. That brocolli was powerful stuff.

“You interpret the signs however you want to…” the voice of Sanso In Another Scene continued, “and then you act on it. And I’ll tell you this as well, it’s about time you stopped rehashing Old Scenes and started exploring some new ones. Just go, go now! Put one foot in front of the other, and just go ~ go back into the cave.”

Sanso was on the verge of protesting that he didn’t have a plan, and then remembered how much he liked surprises.

For the briefest moment, Sanso wondered if he should leave a note for anyone, or get the laundry in before he set off, or pack a suitcase or something, but decided to start off as he meant to carry on ~ alone, impulsive and free to wander the world of his own making.

There was a large black cow blocking the entrance to the cave. The cow was dead and bloated, although it hadn’t started to smell yet. Sanso wondered whether it was a sign, and decided that it was. It would be rather pointless to create a large dead cow blocking the cave entrance if it had no significance to the story, he deduced, although he hadn’t yet worked out an appropriate meaning for the sign.

Weighing up his options, Sanso realized there were several choices he could make. He could delete the previous paragraph, and simply walk into the cave. He could wait until the cow decomposed, and then simply climb over the bones. He could wander around until he found another cave entrance, or simply teleport himself into the cave behind the cow.

However, the only option that he could think of that would include the Meaning of the Dead Cow Blocking The Cave Entrance would be to stay with the cow until the meaning had been found. If he ignored the cow, he might be Missing An Important Meaning. Notwithstanding, the meaning may turn up later, whether he forgot about it or not.

Sanso decided to sit and meditate on the Meaning of the Cow before proceeding. He could change his mind at any moment if he got bored.

“Jig up in a tree!” Armelle said quickly, scratching her wings on top of the grinning Snoot.

“The Snoot has been expecting those nasty buggers”, Gloria said sadly as a magpie started to wave.

“STAY CLEAR!” the magpie giggled. She beamed at Gloria. The confusion was now clear. She could feel it. She could consume it and become one with Armelle and the Snoot and Yuki and Rafaela , Anita, the spiders, Akayli, the werelynx, the mummified parents, Claude.

“The good thing is”, the Snoot whispered to Armelle, “you may have noticed i am twice my usual size and I may be more than happy to lend Al Becky’s children, ingested a few days before the conception”.

When Harvey Tater left Idaho, he left his childhood sweetheart Goldie Cabillaud behind. Goldie was distraught, having been led to beleive that a lasting union for the pair would result from the many years they had been freinds. There were aspects of Harvey that stayed in Idaho, or probable selves, and some of those probable selves did indeed wed the young Cabillaud girl; however, so as not to confuse the reader, we will henceforth concern ourselves with the Goldie Cabillaud that wept as her beau, Harvey Tater, boarded the FlyBoat at Gibbonsville , for parts unknown.

“You see, by no manner is it an issue if things aren’t continuous” Walter was saying, which immediately brought to Ann’s mind the latest development at her end of the group project. For some reason lately she found that she was permanently signed in, as opposed to previously, when she’d had the dickens of a job to stay signed in long enough to make an entry. Permanently connected, as it were.

“….and I know it’s almost blasphemous to say that” Walter continued, causing Ann to raise an eyebrow, “…but the crux of the matter lays in the measure with which things are expanded and linked together.”

“If I may be so bold as to interrupt, sir,” Ann couldn’t restrain herself from interjecting, “Surely that is what readers are for? Is not the purpose of the writer, or indeed any artist, to simply offer particles, or pieces, for the viewer to add, or not, as they choose, to their own continuous storylines?”

Walter opened and closed his mouth like a godfish. (Ann had to laugh at the typographical error.)

“For example” Ann continued, warming to the subject, “When I random read book pages, then channel surf the TV, followed by a random roam around online, interspersed with perhaps a few phone calls, or various incidents throughout the day, I’m making a continuous story of my own, with pages and screenshots and conversation snippets borrowed, if you like, from many external sources (and before you say anything, I am aware that no source is external, but don’t let me start digressing). The era of being ‘told’ a story to beleive in its entirety is over! Everyone knows these days that we each make our own story, with a bit of this, and a bit of that. It’s The Age of Random Tips & Snippets, after all, everyone knows that! It’s T.A.R.T.S. time now!”

Ann glanced vaguely over the bookcase, wondering where her dictionary was. Did people still use dictionaries in book form? I suppose any book will do for the purpose, she decided, and reached for the nearest book, a book about Rembrandt. She opened it randomly five times, using a ball point pen as a pointer, and selected five words for Prof Underbaker’s assignment.

…now…excite…

What a coincidence, I might be able to kill two birds with one stone here, Ann thought, with a slight shudder at the bird killing metaphor (if it was indeed a metaphor, Ann tended to skip the Labelling Words classes)…

…someone…

Ah, but who? Who shall I excite?

…pointed…

Pointed in the right direction? Addressed someone pointedly? Not to put too fine a point on it…

….time

Ann was interested to note that her selection of words started with the word NOW and ended with TIME, and popped it into her clue box in an effort to stay on course and finish the assigment.

There was no time like the present. Indeed T’Eggy was well aware that All is Now, she’d heard about that theory in Wicks, the online magazine that she’d found so enlightening. She’d been reading a copy of Wicks (a reproduction, the originals were now collectors items and very valuable ~ in an artifact rather than a monetary value kind of way, monetary value having been devalued in the early part of the century) in the teleport waiting room when she met the handsome foreignor in the dusty blue robes. Of course, it was not unusual to meet foreignors in the teleport waiting room, not unusual at all, but the tall, dark, and handsome stranger had excited her. Perhaps it was the flash of long lean tanned thigh that she glimpsed as his robes caught on the door knob. Of course, even the ‘waiting room’ was a retro touch, because there was no need to ‘wait’ for teleport travel. It seemed ironic in a way that folks in the old days had perceived ‘waiting’ as an onerous thing, an somewhat unpleasant period of clock watching and crossword puzzle books. These days ‘waiting rooms’ were popular places to meet people and choose probability pools. The latest trend was Turtle Nights, and Frog Nights, where men and women gathered in waiting rooms to choose partners, to find that special someone, loosely based on the old Hen and Stag nights.

“Do teleport stations have door knobs, Ann?” Pedro interjected.

“Oh!” Ann was momentarily non plussed.

“Non plussed? Is that a word?” asked Pedro.

“Pedro, stop interrupting! The assigment isn’t to design a teleport station!”

The teleport station had been designed in retro style, a facsimile of the Atocha train station in Madrid. Lack of need for physical details had not resulted in a lack of appreciation for physical detail simply for it’s artistic merit, not to mention historical educational value, and the TRANS (Teleport Relative to Any Now Space) Station was an award winning example of old fashioned detail. Why, it even had doorknobs, even though doors had been dispensed with several decades ago.

“I thought the assigment wasn’t to design a teleport station?” asked Pedro.

“Does it bloody matter?” retorted Ann, with a hint of exasperation. “The overall point is to write rubbish, and that’s what I’m doing!”

“I’m glad you pointed that out, Ann” remarked Pedro helpfully.

“Oh my god, look at the time!” Ann exclaimed. “It’s time for class!”

“Bugger that!” snorted Pedro. “I’d rather hear about what happened with T’Eggy and that tall dark stranger!”

Ann Aspect had started the evening course “Free the Fiction Writer Within” without much hope, but much to her surprise, she loved it. She enjoyed it so much that on impulse she quit her day job at the Frozen Flounder Company and signed up at the Fiction Writers Academy as a full time immature student.

After a few weeks of juggling the struggling to look after the children and cook for her husband, keep the house clean, and all the other things a busy wife and mother does, as well as her assignments, Ann decided that it would be much more fun to stay in the students accomodation. She left them a note on the kitchen table saying simply “Have Fun Dears, I’m off!” and left, taking nothing with her but the clothes she was wearing (and the red wig). She called in at the cash point machine on the way to the Academy and withdrew as much money as it would allow her, and then threw her bank card in the gutter. Free! A clean slate, a new life!

“It’s the 57th Creative Challenge theme, so I have to do it,” Ann remarked to her editor. “Obviously”, she added.

“What do you mean, obviously?” asked her editor (Ann had forgotten his new name in the second book, and toyed breifly with the idea of making up a new one ~ perhaps Rumbold the Pale?)

“Well, I would have thought that was obvious, Godfrey!” Ann replied tartly, secretly delighted that she’d remembered the old boy’s name. Notwithstanding, Ann continued to make little ‘cuh’ and ‘tut’ noises, and rolled her eyes a bit, until Godfrey eventually replied.

“Spiggot on the spike freak, Lingenburg Dash”.

“I beg your pardon?” Ann looked at Godfrey in astonishment. “Holy Moly, I said that earlier myself, whatever does it mean?”

“I haven’t got a clue, dear,” he replied. “Just popped into my head, you know, how it does…” His voice trailed off as he stared into space.

“I’ll google it.” As Ann started the search, she realized she’d completely forgotten that she was doing the 57th Creative Challenge entry. “Blimey O Riley, what am I LIKE” she said to herself, with a wry grin ~ she wasn’t altogether sure what wry meant, but somehow she felt it was wry ~ “Now what was the theme again?”

“Misery Loves Company” Godfrey piped up. “And dare I say, it’s rather obvious what has occurred here.”

“What do you mean, obvious?” retorted Ann, somewhat snarkily, although nowhere near as snarkily as Lavender might have said it.

Godfrey resisted the urge to respoond with a few little ‘cuh’s’ and ‘tut’s’, and chose to simply smile enigmatically.

Ann scowled at her old freind and said “If you don’t spell it out, you maddening old coot, I’ll write you out of this story. I’ll delete you.”

“You can write me out of YOUR story if you wish, but I may continue to write YOU into MY story.”

“Oh Gawd, WHAT?” Ann said to herself. “Where did that come from?”

“Ann, let me explain.”

“You sound just like Elias, Godfrey!”

“Ha! Ha! Ha!”

“Ahahahahahahah”

“Now shut up and pay attention”

“Elias would never say that”

“That’s YOU saying that, Ann, to yourself,” said Godfrey.

“YOU said that Godfrey, it’s right here in black and white!” retorted Ann.

“It’s never black and white, Ann, and it’s only here in black and white as ME saying it because YOU wrote it.”

“Well there’s no answer to that” replied Ann. She went to put the kettle on.

Ann returned to her computer with a steaming mug of tea.

“Now, shall we get back to the point, Ann?” inquired Godfrey, with a wry grin.

“I must look up that word later”, Ann mused. “I seem to be inordinately fond of the word wry tonight, I wonder why. I Wonder Wry…”

“ANN!” Godfrey shouted. “Back to the point!”

Ann looked pained. “What point?”

“The point of this story, and the obvious occurence therein.”

“Welp, you’ve lost me there, Gordon, there was a point?”

“Oh My God, this could go on all night” Gordon was wringing his hands.

“Good God Gordon, didn’t see you come in!” exclaimed Godfrey.

Ann was giggling helplessly. She was rather pleased with the way she covered her faux pas over the editors name.

“‘Ann was giggling helplessly’; you see Ann, there is your clue!” Godfrey said excitedly, as he read aloud what Ann had just written.

“OH! NOW I get it! D’oh! Nonsense loves company! Giggling loves company! No wonder I couldn’t stay focused on misery!”

The Yoland that was making things up (as opposed to the Yoland that was reporting the facts) was going to stay in Chefchaouen for a few days. Chaouen, as it was known, was a mountain village in the Shift Mountains in Rococco, not far from the beaches of the Spreaditarainian, not far from the Ayemuirmann Stretch.

The Yoland that was reporting the facts wondered where this was going.

Arthur Bickerswell-Snodley had been delighted to receive Ann’s invitation to stay with her at Little Big Hopeswell for the May Day weekend. He hadn’t seen Ann for 570 years, although they had remained in contact through the years, at first by old fashioned handwritten letters, and later by email —as well, of course, by telepathic means and out of body rendezvous— but this was to be an actual physical visit.

Arthur travelled by train to Chipping Else Hampton, where Jibblington, Ann’s chauffeur and general dogsbody, met him in the old jalopy, a rather grand old Silver Ghost Rolls.
Jibblington, it must be stated, worked part time for Ann, as did the enigmatic cleaning lady, Franlise — both were merely aspects of much larger personalities elsewhere engaged in myriad pursuits. Jibblington was a much of a mystery to Ann as dear Franlise was, not to mention old Godfrey Pig Littleton. Godrey’s flooh, in point of fact, had been the catalyst behind Ann’s invitation to Arthur.

While Jibblington and Bickerswell-Snodley glided along the country lanes, cushioned and buoyant in the silver car’s plush, if a trifle vulgar, crimson upholstery, Ann tutted in exasperation as Godfrey pestered her to finish her latest entry to the Play.

“I haven’t finished it yet, Godfrey, sheesh!” she exclaimed. “OK, OK!” Godfrey was rather rudely drumming his fingers on her desk. “Here, you can read what I’ve written so far.”