Search Results for 'active'

Aum Geog spent a long time seating motionless before the piece of parchment which had just been delivered by a specially trained fincheon.
Fincheons were not particularly elegant, (not to say downright ugly) one had to admit, but they were very convenient, once you noticed that their feathers were a special shining tint of grey which almost made them invisible. They always knew how to fly back, and this one had made no exception.
But it was a bearer of annoying news for the newly appointed Elder of the Monastery who was trying to curb his irateness by staying still.

This… he was at a loss for words. Breathe, breathe he exhorted himself.

A few months ago, when he was appointed Elder, his patient work of diligence seemed to have just paid off. He had thought he would be given the keys, and more importantly, the chalice.
But that sly dog of Hrih had decided otherwise. He had transmitted the chalice to that irresponsible and naïve novice Franiel, while giving him a bunch of rusted keys he didn’t give two poohs about.
Of course, it was only a matter of time before he could get it back, all he had to do was to make Franiel uncomfortable enough that he willingly relinquish the ownership to someone… someone like himself of course!
The annoying thing about this damn chalice you see, is that it won’t properly function with anyone else than the rightful owner (except for small uninteresting tricks). Obviously, Hrih didn’t want him to have access to its powers, but that old monkey was now gone, and there wasn’t much he could do about what was going on.

In fact, the plan was nearly perfect. Two birds, one stone. Bring Franiel to have some appropriate spell modifications carved onto that chalice, and have him give it back to the Elder, Aum Geog himself.
Obviously, he couldn’t just let go such a precious artifact in the nature without appropriate stealthy surveillance. Thanks to one of his faithful servants, Brother Derwish, he was kept informed of the progresses. A former master of disguises that a other-Worldly experience had him join the orders, Brother Derwish was no short of brains nor tricks in his bag, and that parchment was another proof of it.
If he had renounced to contact Elder Aum Geog directly through the glowing balls, and take the risks of unexpected delays, it was because they were most probably watched and their communication monitored.

So here went the news:

SPARFLY HAS MADE CONTACT WITH BIRD OF PREY. EGG DISAPPEARED.
NESTING CHANGED TREE. GNAT STICKS TO THE POOH.

Brother Derwish imaginative poetry could mean but one thing. Or two perhaps.

The little twit had been watched by someone else who had showed him some of the powers of the egg… err, the chalice. It would have partly activated the chalice, and make it disappear unless its owner needs it enough to have it appear again. Obviously, without chalice, or thinking it was lost, he had changed his course to another place.
Hopefully, Brother Derwish was following his trail closely.

If more disastrous news had to come, Elder Aum Geog would have to summon his char of marmoths (big toothed hibernating woolliphants) and go there by himself.

Leonard was content. It had not happened exactly as he had thought, but as he had explained to Malvina, the only wise thing to do was to teach the boy about the powers of the chalice. That would active its self-protective cloaking power, and have the boy temporarily relieved of this burden.
For if he had been entrusted the chalice by the old Abbot, that was surely for a good reason.

As Franiel had been moving, Leonard had had Moufle watch over him. Apparently, Leonard and his dog weren’t the only ones on his trail… The wiry gangly tonsured guy clothed in a potatoes sack didn’t seem to be here by chance either…

Al woke up from a series of lucid dreams, interspersed with false awakening in which he was in the same space arrangement, but visibly another time space or even dimension… He was quite familiar now with these stuff, and could remember them well, but still had doubt about the implications of the strange imageries he was getting glimpses of.
It was like his tatami (because at this time, Al was finding more comfortable to sleep on the rice-straw mattress) was a flying carpet with its own volition, and Albert, like some modern-time Aladdin, was finding himself plunged right into new horizons.

Last vision had almost made him blush of the deranged aspects of his mind. Sure he was finding Becky rather attractive (who wouldn’t, he was wondering), but imaging her scantily clad in that skimpy dress in the middle of the bushes was surely some trick of his luscious mind rather than some bona fide connection of his magic tatami.

Good thing too that the joggers (or thought-forms, whatever they might have been) in the park in which the magic tatami had landed couldn’t see the projected form of Al, because he was unable to move right now, except for some embarrassing lower part of his body. Now the tatami was looking like a circus tent. Oh dear… the wedding had been really hard on his nerves, he reckoned.

When he finally woke up, he noticed some voice messages on his telephone from Becky and thought he would probably skip mentioning his last synchronicity of his
What was she wanting that necessitated a dozen messages on his phone? Couldn’t she just call Sean, or was he still incapacitated by the gallons of vodka he had “injested”?
Well, surely the matter would wait for him to shave, for he was starting to look like Mr Cavern, with the huge hunger too —he smiled at the idea that dear Becky would surely fear he might eat a clue by mistake…

Moments later, after a good shower, fresh clothes and some slices of buttered nuts bread with pumpkin jam, he telepathically connected to Becky, wondering why she had not thought of that method in the first place… What was the point of all these group meditations together with Sam and Tina if they couldn’t make good profit of the enhanced neurological pathways they had built together. Granted Becky had always been a bit reluctant to use it, or perhaps just forgetful of that possibility… Anyway…

— CAN’T YOU JUST KNOCK BEFORE YOU CONNECT! a shriek suddenly filled his skull

Al immediately shut the visual, blushing of the renewed deranged vision…

— Sorry, I just…
— Oh, no need to trail forever on that… I’ve found someone to help me, and yes, I do remember how to connect telepathically!

With that, all was left in Al’s skull was a big whooshing wind.

tjmarshall57: hahahaha as if it’s not bad enough with the weeding, now poor girl has blotches all over her face!
tjmarshall57: wedding not weeding
tjmarshall57: do russian wear velis?
tjmarshall57: veils
tjmarshall57: hhhm, blessing by a shaman, plaiting together of the couples hair….(is Becky still blad?)
tjmarshall57: The biggest concern at the wedding is to have enough liquor. A Russian Wedding is an event where everybody must be drunk. No one will be surprised if people drink themselves to unconscious on the wedding – and many do.
tjmarshall57: well, that will appeal to Sean
tjmarshall57: You are probably surprised to find out that a Russian wedding lasts for 2 days!! (Well, at least. Some weddings last as long as a week, and this is something to be proud of and remember for years: it means the couple had enough liquor to go on and on, and enough devoted friends to stay.)
tjmarshall57: The Russian church ceremony is colorful and solemn but the complete traditional ceremony is very long, and as guests and the couple have to stand during the ceremony (there are no benches in Russian churches at all; people must stand during all church services), faints are not rare.
tjmarshall57: right, so a fair amount of fainting and drunkeness then
tjmarshall57: Then the witnesses continue running the wedding, reading jokes and poems, and sometimes asking the new couple questions to make fun of them.
tjmarshall57: Franci will you be my witness, you’d be perfect
tjmarshall57: “Za molodykh!” (“For the newlywed!”)
tjmarshall57: Traditionally money is considered as the best gift, and is given in an envelope. Some time after the beginning of the reception when people start to become drunk the witnesses will ask everybody to give their gifts and one of the witnesses will collect envelopes from the rest of the guests with a tray.
tjmarshall57: Then people have time to dance. First dance is opened by the new couple. After the music starts, there is no exact script anymore, and witnesses can relax a little. They still occasionally announce a toast but do not entertain the guests with jokes and poems; guests by this time are already having lots of fun and are able to entertain themselves.

Movements become quite hectic; some people go out “to refresh”, and at some moment in this movement the bride gets… “stolen”! She disappears, and when the groom starts looking for her, he is faced with a request for a ransom. Usually it’s his buddies who “steal” the bride. A more or less short wrangle about the amount, and he can have his new wife back. But he must watch out – the bride sometimes may be stolen a few times!

tjmarshall57: right, so we have drunkeness, fainting, jokes, poems and insults, and theft and abduction
tjmarshall57: Then there are the bride’s friends – they steal the bride’s shoe. The groom must pay ransom for the shoe too – the guests enjoy watching wrangles.
tjmarshall57: Often guests leave the wedding in such a condition that they cannot remember what happened. If this was the case with the majority of guests, then the wedding was a huge success
tjmarshall57: AHA! This is the key! I will write about it after the wedding, when nobody can remeber anything about it
tjmarshall57: Day two of the wedding:After the meal the bride must “clean” the floor in the room. The fun part is that guests are allowed to mess as much as they want while she is cleaning
tjmarshall57:
tjmarshall57: another part for you!
tjmarshall57: guests on a Russian wedding enjoy it much more than the newlywed couple who are all the time made fools of.
tjmarshall57: The most popular period for wedding ceremonies in Russia was between the Christmas and Shrovetide (a week before the spring fast). This period was called the wedding period.
tjmarshall57: well, the timing is right
tjmarshall57: One of the many superstitions still prevailing among the peasant population of Russia is that, on the occasion of a marriage, the happiness of the newly-married couple is not assured unless the parents of the contracting parties are soaked with water from head to foot. When a marriage takes place in summer this is easily accomplished by ducking the fathers and mothers in the nearest river, but in winter they are laid on the ground and rolled in the snow.
tjmarshall57: who are the parents?
tjmarshall57: Among the Koraks of Siberia a young man seeks for a maiden with considerable dowry in the form of rein-deer
tjmarshall57: oh, well we can have psychoactive reindeer pies, anyway
tjmarshall57: Kovalevsky has well shown that many of the marriage customs of this country are survivals from a primitive and prehistoric age when the woman ruled the household and had more than one husband.
tjmarshall57: hhmmmm
tjmarshall57: it all points to a distant age when the matriarchal system prevailed, and the brother was his sister’s guardian. In Little Russia the brother’s sword is decked with the red berries of the rowan tree, red being the emblem of maidenhood.
tjmarshall57: red fruit sync!
tjmarshall57: no wonder I threw the cherries away!
tjmarshall57: ahahahahha!
franci_free: oh hrllo
franci_free: goodness
franci_free: will need to read back
tjmarshall57: hahahah oh there you are
franci_free: well what a complicated theme
tjmarshall57: haahah well
franci_free: you will have to write about the wedding
tjmarshall57: the key to the whole thing is that everyone was so drunk that nobody can remeber any of it aftrwards
franci_free: hahahah
franci_free: great!
tjmarshall57: thats my angle, I think
franci_free:
tjmarshall57: and s few things fit perfectly
tjmarshall57: the red fruit
tjmarshall57: the time of year
tjmarshall57: the drunkeness, Sean will love that
franci_free: the splotches?
tjmarshall57: well, nobody will remeber that
tjmarshall57: afterwards

January 4 ^th, 2008

A communication about legends, to complement what Yurick had connected to during his sleep, with ties with the dimension of Alienor, and possibly counterparts within his dimension

Starry sky, eternal and boundless waft of dreams and legends…

Many if not all of the physical dimensions possess legends. Legends of their beginnings, and legends of their ends.
The language which legends speak is a language of symbols, and though many of the receivers of legends are prone to erect them as absolute and faithful accounts of historical soundness, they are much more mutable and protean than what may be commonly thought of them.
They are connections, bridges from a locus (point in time/space) drawn as a frontier between what is known of the now, in which civilizations of these worlds are thriving, and a locus which is forgotten, or beyond the commonly perceived world.
As such, they essentially represent boundaries.

And of course, boundaries are only boundaries because they serve a purpose. Much like boundaries drawn on maps are not necessarily representing actual obstacles which cannot be physically crossed. These are mere perceptive frontiers, which tie in the various developments of history and societal relationships.
When the civilizations, or species, as you understand them, come close to one of these perceptive boundaries, there is an interaction with the very nature of the boundary, which is receptive to the inception of volition to cross the perceptive limitation.
And a process of reshaping and expending the borders takes place, by means of insertion of new legends.

Legends, in that way of seeing things, are not necessarily old dusty accounts sung by blind bards with jovian white beards. Not quite. They are much alive. They are created and recreated in the instant where boundaries of perceptions are being tempered with. Which makes it important to notice that they are translations of much wider movements in consciousness, spanning more than the physical dimension in which they manifest.
Many of the legends that humanity is aware of are very similar accounts, throughout your globe. And they are also projected in other dimensional areas vibrationally close to your manifestations.

You are currently fiddling with the legends of your ends of times, and that is the reason why at the same time, you are starting to create new legends. Legends of new beginnings.
In actuality, this is done oftentimes; each time a perceptual limit is crossed and seen beyond. The only difference here would be the unprecedented span of the process which is occurring now. The point where you are standing, prodding into the interactive frontier you have come across is not a single mere frontier, but a converging point of many of tinier, shorter ones. This also creates a singularity which makes the frontier respond with a sort of inertia. In fact, it is like a wide net of fine threads, which possess altogether a high absorbing potential for small energy bumps. Nonetheless, it will give way to a vastly expanded perception, as soon as the collective energy is focused upon, and steadily moving into the direction of pushing that protective envelop.

That process never ends, and during that process, new legends are being remembered. For the lands beyond the frontiers exists when you are aware of it, which in retrospect also means, it is created, or inserted as you are prodding the frontier.
In fact, you are, as you stand before that specific nexus point, being creating new legends, in that you are evaluating the potentials that you see fluctuating as a shadow world through the layer of a soap bubble, and have them blend with legends that you know of.
Your very lives become the legends of these potential worlds, and thus is the importance of your being at that locus of transition. You indeed come at that point, as much for making it possible but more so, to experience the transition and alteration of the legendary landscape. You are the bridges between a future which you are creating as you remember it, and a past which contains the clues that will be seeds for your new discoveries.
And that is a most rewarding travel, as you will come to see…

Sirielle looked through the crystalline window.

A humpback whale was passing by. Sirielle loved the song of the whales. Gorgean whales like this one were males, singing all during the rut to attract females miles away. Every season they would keep most of the same music, adding variations at times to the melody. This one was a sly one, Sirielle could tell. With its beautiful purulent budgeonic spots on its back, it was an old mighty male whale that she had seen already the past seasons, but its song had changed ever so slightly. It had probably plagiarized some of the most successful songs from other whales to become more attractive and that would make him a bit over the top.
At least, the females had a good parade for such insistent huge males, they could just put themselves upside down, close to the surface, so that the indelicate male could not have access to the holy of holies.
Sirielle felt so close to the whales.

Today, she had noticed the first changes on her body. She was growing gills, and soon would be able to breathe underwater. She was already a proficient swimmer, from a young age, as her hands and feet had grown swimfins. But the most interesting modification wouldn’t occur before a certain age.
When she had entered the room of Crystals, she had been a bit disappointed. She had expected some great ceremony with old wizened long-bearded robed priests to operate the crystals, but there had been only a young man not much older than herself, and a distracted middle-aged woman.
The Crystals had the ability to beam some specially focused light and provoke realignment of the patterns of the body. It was like the vibration carried by the light and enhanced by the crystal would be modifying the vibrational quality of her organism, and make it change itself quite naturally from the inside.

She couldn’t wait to go out in the oceanic depths and test her newly grown organs to swim with the huge cetacean.

Leörmn the dragon had been retreating silently what felt like a long time ago. For most of the dragons, as they grew in age, needed to occupy more and more of their time in dreaming.
But dreaming was not an idle occupation as human sometimes were prone to think. He was phenomenally active in the Unseen when he dreamt, and most of the times, he didn’t even have a dream corporeal existence such was the intensity of the activity, that he projected in many many many different ways at the same time.

At times, he slowly woke up, barely aware of all of what he had done. In one fragment, some other focuses of his friends were in an odd classroom, and were asked whether they had read some transcripts of a trance conversation with a dragon. At the beginning the pupils had felt reluctant to answer, but some bold hands had been raised, and he knew these people, they were closely related to him. The teacher had been telling them how different the energy was, and how intense, for it was not the same kind of consciousness… Of course, Leörmn knew all of that, but it was one of the many things that had occurred during his sleep. Because all of that was a reality, occurring in other frameworks, other dimensions, other scenes, but all of them were happening.
And in another one, there was this young man who had just changed his name, looking through a sort of big flat glubolin at some parchment map that one of his friend had put in front of his eyes, and the young man was amazed at how close it looked like the map he had seen in his own dream, with rivers outlined…

Leörmn felt immensely grateful for all of these personality essences exchanging with him, and enhancing and widening his own exploration, and he felt like he wanted to modify once again the cave. He would create some guest rooms into the cave for them, if they wanted to use them. They would be furnished as they wanted to, and reflecting what was their comfort, and dear to them…
At Malvina’s request, he had already created one abode for Irtak, but now, he would also create one for the finckely Arona, the wandering Sanso, who in turn could invite some of their own guests.

And so once again, the cave was transmugrified…

When Cuthbert came back to bed after having had his cup of cocoa, India Louise was awake too.

— I saw him too, she said to her brother.
— I don’t want to see him again, these books are scarey.
— It’s intriguing, I want to know more, India Louise said, egging on him.
— When I close my eyes, I got all these roots and webs crawling, it’s mad… I can’t…
— He has found a friend to help him cross the Dark Forest to the traveling portal.
— A friend?
— Yes, a friend. She’s special.
— Tell me more…
— She’s a white unicorn, only him can see her.
— Wow…
— She’s named Mirÿnda. She’s glowing white, and he hears her speak in his mind, she shows him the way through the forest…

— Mirÿnda?! A fool in saffron robe gallivanting in the forest with a unicorn now? That’s all you could find?

Tina was taken aback…

— Well, I could have used a grizzly bear too, now I think of it… Al answered flippantly.
— Tsk tsk, replied Tina a bit annoyed. And why not a humpback whale, or an arctic lemming, or even… why, a leopard gecko for that matter?… And who’s that Mÿrinda anyway?

— I don’t know any Amanda, Fiona said to Quintin that night. Don’t really know many of Michaela & Elias’ students. She’s Yann friend, right?

Quintin had answered distractedly, as he was engrossed by his last painting…

Later that night, he couldn’t find sleep, as the dragon he was painting was still expanding his web of roots and branches in his mind’s eye. He opened his computer to see that Malika was online.

She told him something that night, something Quintin found abysmally profound and perplexing about his dragon…

— Dragons can shape shift, into anything they want to. There are several doorways/portals that they use for travel into this dimension. Malika said
— Yes, said Quintin, this drawing has something to do with these portals initially, but I struggle a bit to represent them…
— Yes, so you can just depict it to be flowing, liquid-like energy in the center, when the portal is active.
There are some that are being shone to me on the bottom of the ocean floor.
What is being shown to me, is a dragon with a tail much like a mermaid, and hands with webs, big yellow eyes…

Wow he had thought, she can really see.

Jadra, guided by Mirÿnda, had been moving quite easily through the Dark Forest. Of course, he wouldn’t have dared touch the holy creature, and so he was walking hesitantly behind, taking care of where his bare feet were touching the ground.

The Dark Forest was bordering the Marshes of Doom, and at times the limits between the two were almost indiscernible. It was said that every foul, err… fool… damn,…

— Will you stop being so buffoonish! raved Tina again.
— Perhaps I should let someone else continue then? said Albert.
— Well, that’s entertaining, replied Becky mechanically.
— OK. I’ll jump in, said Samuel, with a wide grin.

It was said that every full moon, the Mighty Shrimp would come from the shores of the Southern Seas and haunt the Marshes in search for souls to be turned into krill, so that he could be the WALRUS (Wrathful Almighty Lord Ruler of Undersea Souls).

Well, at least, that’s what Jadra had heard in his youth, when you tend to believe everything… So he was weary of the hiki-hiki sounds in the night that might have been the dreaded call of the Mighty Shrimp.

Quintin was having a strange dream. He was a huge whale, along with another one he knew was Yann, swimming powerfully in the vast ocean, passing by strange creatures that could have been mermaids or improbable fishes, when his gaze was attracted by a stream of glittering particles of light.

The lights were enticing, he would have said even “mouth-watering”, had he not had the baleens full of water already…

Salome was moving through layers of consciousness, something humans focused in physical dimensions would have found difficult to grasp, as it was nothing that could be easily conceptualized. She was, as best as she could put, like a huge cloud of lightness coalescing into a form, when she decided to project her aspect.

Taking form into a dimension required no effort in actuality, the consensus reality created by all the essences focused into the reality making quite a strong pull. She only needed to move her attention to what she wanted to manifest. Altering her reality slowly around her, to move closer to the desired effect.

She was not only traveling through time and space, but also through multitudinous layers of dimensions unnoticed to many humans —in fact, she was not really moving, but that was a convenient way of telling things for humans…

She said “humans”, because she was fond of this particular dimension, where she’d had lots of experiences.

When moving through the dimensions, it had her projected focus of attention constantly and naturally adapt its form to the psychological environment.

Here, she had just moved through a honey-drops dimension, where focuses were drops of golden honey-like substance, and as she moved through it, her own aspect had changed to that of a sand-glass shaped drop of honey.

This was great fun for her to see the ease with which she could focus into this infinite variety of adventures, but for now, her pull was to some more complex physical dimensions.

She started to move again, de-focusing, past the lazy honey drops.

The honey drops were now shape-shifting to a whole immense field of snake-like strings of light, and they all started to converge to a direction. She knew the feeling. She followed the strong pull.

This morning, Fiona and Quintin had a small impromptu chat —or rather, prompted by the story they were all weaving, that Archie, the puppet black panther, had been telling them last week-end that it was a magic connection between all of them…

Quintin: Your story was great!

Fiona: Thank you So was yours.

Have you written any more since I last looked at the story?

Quintin: no, I’m not that much inspired… I even considered to wrap in up in a way, but seeing you were all drawing so much from it, I think I will leave it open ever after…

Fiona: no, wrap it up if you feel.

I have drawn what I wanted. I will go and blow up the cave if we don’t finish it

Quintin: Ahahaha! Don’t restrict yourself

Fiona: When you started the Malvina story, did you have an idea where it would go, or did you pick that one because you had no idea?

Quintin: This one nagged me because there were many people I felt behind it and I did not know how to get them to show up and make their presences known. And I felt that it was loose enough too, to allow people to jump into it; and there was your initial interest in the picture

Fiona: The endearing dragons…

Quintin: Yeah…

But I had strictly no idea about the rest. It was just a bet, on luck…

That’s funny, because I had a strange impression of a little girl yesterday, in a futuristic city, named something like Janice , and it was like she knew now what she wanted to do, and it was something similar to that, something like creating worlds for other people, in which they could have fun, or heal, or explore things…

Fiona: And did she have any impression of what form that could take? Like books, or games or what…

Quintin: No, it was much more “real” in fact…

Fiona: you know like the card-captor game which I suppose is interactive, so real

Quintin: Yeah, perhaps a bit like that, yes; or like creating a ball of energy in which people can be drawn and experience as they will. It’s only a translation, but that’s the idea… in a way, that’s very similar to a game or a book, but only that it just feels totally “real”

Fiona: So a little bit like I have done with the story, to resolve something

Quintin: yeah, exactly, or with your paintings

Fiona: It can be really useful to take on other personas to do that, even like in drama type situations, being someone else…

Quintin: Yeah, people can unleash their imagination.

And I think there are still lots of things that we can expand in this universe in fact, not only related to the cave…

Fiona: such as? eggsamples?

Quintin: You said it! The eggs and relationships with dragons, all the magical artifacts or creatures. Didn’t you want a baby dragon?

Fiona: Yeah, I told you I did, but you just said some riddle!

Quintin: Did I? That’s not like me

Fiona: Ahahhaha! It is you to the core

Quintin: LOL, damn me!

Fiona: Well, that is a bit strong, but …

Quintin: Ahahahahah. I said you would have to earn his trust? (or hers, for that matter)

Fiona: I can’t remember the eggsact wording, I think I had to work for it though, like you weren’t just handing out dragons on a plate

Quintin: It could bound with you very strongly and help you unravel your unknown magical powers. It’s not just a creature, it’s a complex personality, you cannot just take it like a puppy. There is a sharing between the two…

Fiona: So are you going to allocate baby dragons to people or what? Or shall I just go and find an egg that no one knew was there

Quintin: Ahahah, no, they will not be allocated, they will choose their own partners

Fiona: Ahahaha, one minute you say it is my story! And now you are back in control

Quintin: Ahahaha, the story has a willing of its own too…

Try to do what you want, it’s not a matter of control ; it’s just you’ll know what clicks and what does not…

Quintin: And actually, I don’t think everyone will be interested in dragons…

Fiona: How does a dragon help one learn magic powers?

Quintin: It’s just because there is an openness between the two; let me find something for you, that Elias (you know, Michaela’s partner), has told to me and Yann, when we had them on the phone last month.

Elias : I would express to you that, as you focus your energies with each other, and you allow yourselves to merge and feel into each others’ energies, you may in actuality each discover some obstacles that the other may not necessarily be aware of yet, and you can share that with each other, and therefore facilitate your interactions even further.

Fiona: And how having a baby dragon could help unleash our magic powers then?

Quintin: It helps because it reinforces your trust in your own abilities to connect. It’s not directing, it’s a sharing and exploration for both of them; that’s why they are picky. As you would be picky too, knowing you would share together all the darkest corners…

Fiona: I am not sure if i have dark corners

Quintin: it was a metaphor

Fiona: ahahahhahahahahahah

Fiona: I know, so was mine

Quintin: ahahahahah

Fiona: I was thinking I feel really accepting of myself

Quintin: Yeah, that’s the point in the little adventure before you meet it.

You have shown your trust in yourself and in your abilities, and your self-centeredness, which is essential, for the dragon doesn’t want a frail personality. Because he drops his defenses too when he shares and bonds.

Fiona: Well I think it sounds scarey now, what if no dragon picked me…

Quintin: There will be instant recognition. And you don’t “need” a dragon actually, that’s what is important: it’s a catalyst, nothing more, nothing less…

Fiona: True.

Quintin: Like Arona managed to sneak into the cave without giving the answer to the riddle (egg-sitingly) because it mattered not to her, whatever the outcome, she was directing of herself.

Fiona: I felt like I have pictures now to assist me. I link strongly to pictures as a quick reference when I start to feel something like a negative emotion, for instance I may start to worry about how I am going to have enough money, or whatever, and I could quickly link to the spider picture

Quintin: you mean, you create an imagery, right? That is something which I like in your stories and emails; even though it is not necessary to create imagery, it’s always so entertaining, like having these funny creatures pop in the cave!

Fiona: Ahahahaha yes

Quintin: And also, in creating imagery, it helps you seeing it in a more neutral way

Fiona: I suppose it is just a quick trigger for the desired belief. I can link in quickly with the child, when I start to feel left out, for example.

Quintin: yeah, beliefs as an alphabet or a palette, neutral, but that can create words and sentences or images. And the imagery of the child was very similar for me, to that of the playfulness picture

Fiona: Yeah, I know… That’s what I said to you with the playfulness picture

Quintin: Of course, you know

Fiona: That I related most to the figure of blue hat… and big feet

Quintin: Ahahaha, stomping on the poor key-fish

Fiona: Nearly…

Quintin: Have to go now, thank you for this enjoyable conversation

Fiona: See you!