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In reply to: The Incense of the Quadrivium’s Mystiques
Satis ineptias, a mildly jaded Eris blurted out, not meaning to put a spell on the others, but her elephant head was still playing tricks on her. Trève de sornettes had a nicest French ring to it, but the others would be nonethewiser.
“Are we broompooling to Adare Manor, or someone has a spare vortexmaker?”
In any case, the unexpected nononsense spell made everyone very sober… for about thirty seconds until Jeezel showed up.
“Are those the latest slowmedown boots?” Truella couldn’t believe her eyes. “Those are collector, near impossible to get!” She gawked at the pinnacle of enchanting couture, the pièce de résistance for any discerning witch with a penchant for the peculiar.
Frigella was nonplussed. “These look like worn-out snails, how can that be practical?”
Truella shrugged. “You’re missing the point love, these boots are not merely footwear.”
Jeeze couldn’t have her thunder stolen. “Let me stop you there, darling. They are a statement, a proclamation of indomitable spirit and singular sense of style. Look closely, my dears, and you’ll see the boots are a masterful work of art, crafted with the amber glow of a sunset captured in creamy, dreamy resin. Each boot is adorned with a magnificent snail shell, spiraling with the mystique of ancient runes, and imbued with the essence of languid luxury.”
Frigella rolled her eyes. “But what’s the true enchantment?”
Jeezel continued, her passion catching on fire “How can you ask? These boots are not for the fleet of foot—nay, they are for the leisurely saunterer, the siren of slow. Each step is a deliberate dance with time itself, each movement a languorous glide that defies the rush of the mundane world. And the coup de grâce, my fashionable familiars, is the snail’s trail heel, a literal gastropod’s glide that leaves behind a sparkling path of magic. It is a trail that whispers, “I shall not be hurried; I embrace the moment with every sinuous step.”
Only a true collector of fashion could appreciate the paradoxical wonder of these SlowMeDown Boots. They are not just boots; they are an experience, a journey through time on the half-shell. A treasure trove for the feet, defiantly decadent and fabulously unhurried.”Eris, who had waited patiently for an answer to her question sighed and said. “better starting to get packed now; with that chitter-chatter about getting in slowmo, I bet we’re better get a cab to the workshop. So much for magical prowess…”
In reply to: The Incense of the Quadrivium’s Mystiques
Eris did portal to be in person for the last Ritual. After all, Smoke Testing for incense making was the reverse expectation of what it meant in programming. You plug in a new board and turn on the power. If you see smoke coming from the board, turn off the power. You don’t have to do any more testing. But for witches, it just meant success. This one however revealed itself to be so glorious, she would have regretted sorely if she’d missed it.
“Someone tried to jinx my blog with black magic emojis! Quick, give me a Nokia!” Jeezel sharp cry was the innocent trigger that dominoed the whole ceremony into mayhem. With her clumsy hand gestures, she inadvertently elbowed Frigella as she was carefully counting the last drops of the resin, which spilled over to the nearby Bunsen burner.
From there, the sweet symphony of disaster that unfolded in the sanctified chamber of the coven could have been put to a choral version of Tchaikovsky’s Overture 1812, with climactic volley of cannon fire, ringing chimes, and brass fanfare. Only with smoke as sound effects.
In the ensuing chaos of the Fourth Rite, everything became quickly shrouded in a thick, billowing smoke, an unintended byproduct of the smoke test gone wildly awry. Truella, in her attempts to salvage the ceremony, darted through the room, a scorched piece of fabric clutched in her hand—her delicate pashmina shawl that did more fanning than smothering and now more charcoal than its original vibrant hue. Her expression teetered between horror and disbelief as she lamented her once-prized possession, now reduced to ashes.
Jeezel, ever the optimist, quickly came back to her senses choosing to find humor if not opportunity amidst disaster. Like a true diva emerging from the smoke effects, she held up a singed twig adorned with the remains of decorative leaves and announced with a wide grin, “Behold, the perfect accessory for the Autumn Pageant!” Her voice was muffled by the smog, her figure obscured save for the intermittent glint of her eyes as she wove through the smoke, brandishing the charred twig like a parade marshal’s baton.
Meanwhile, Eris was caught in a frenetic ballet, attempting to corral the smoke with sweeps of her arms and ancient spells, as if the very air could be tamed by her whims. Her efforts, while noble, only served to create an odd wind pattern that whirled papers and loose items into a miniature cyclone of confusion.
At the epicenter of the pandemonium stood Malové, the High Witch, her composure as livid as the flames that had sparked the debacle. Her normally unflappable demeanor crumbled as she surveyed the disarray, her voice rising above the cacophony, “Witches, have you mistaken this sacred rite for a comedy of errors?” Her words cut through the haze, sharp and commanding.
Frigella, caught off-guard by the commotion, scrambled to quell the smoky serpent that had coiled throughout the room. With a flick of her wand, she directed gusts of fresh air towards the smoke, but in her haste, the spell went askew, further fanning the chaos as parchments and ritual tools spun through the air like leaves in a storm.
All the witches assembled, not knowing how to respond, tried to grapple with the havoc.
There, in the mist of misadventure, the Fourth Rite of 2024 would be one for the annals, a tale to be told with a mix of chagrin and mirth for ages to come. And though Malové’s patience was tried, even the High Witch couldn’t deny the comedic spectacle that unfurled before her—a spectacle that would surely need to be remedied.
In reply to: The Incense of the Quadrivium’s Mystiques
The soft candle light on the altar created moving patterns on the walls draped with velvets and satins. The boudoir was the sanctuary where Jeezel weaved her magic. The patterns on the tapestries changed with her mood, and that night they were a blend of light and dark, electricity made them crackle like lightning in a mid afternoon summer storm.
The altar was a beautifully crafted mahogany table with each legs like a spindle from Sleeping Beauty’s own spinning wheel, but there was no sleeping done here. On her left, her vanity with her collection of wigs, each one a masterpiece styled to perfection, in every shade you could imagine. Tonight, she had chosen the red one. It was a fiery cascade of passion and power, the kind of red that stops traffic. Jeezel needed the confidence and boldness imbued in it to cast the potent Concordia spell.
The air was thick with the perfume of white sage. Lumina, Jeezel’s nine tailed fox familiar, was curled-up on a couch adorned with mystical silver runes pulsating with magic, her muzzle buried in the fur of her nine tails. Her eyes half closed, she was observing Jeezel’s preparation on the altar. The witch had lit a magical fire to heat a cauldron that’s seen more spells than a dictionary.
Jeezel had carefully selected a playlist as harmonious and uplifting as the spell itself, to make a symphony of sounds that would weave together like the most exquisite lace front on a show-stopping wig. She wanted it to be an auditory journey to the highest peaks of harmony that would support her during the casting.
As the precious moon water began to simmer, Jeezel creased the rose petals and the lavender in her hands before she delicately dropped them in the cauldron. The scent rose to her nose and she stirred clockwise with a wand made of the finest willow, while invoking thoughts of unity and shared purpose. The jittery patterns on the walls started to form temporary clusters. A change of colour in the liquid informed the witch it was time to add a drizzle of honey. Jeezel watched as it swirled into the potion, casting a golden glow that promised to mend fences and build bridges. The walls were full of harmonious ripples undulating gently in a soothing manner.
Once the honey was completely melted, Jeezel dropped in an amethyst crystal, whose radiating power would purify the concoction. The potion started to bubble and the glow on the tapestries turned an ugly dark red. Jeezel frowned, wondering if she had done something wrong.
“Stay focused,” said the fox in a brisk voice. “Good. The team energy is fighting back. Plant your stiletto heels firmly into the catwalk, and remember the pageant.”
The familiar’s tawny eyes glowed and the music changed to the emergency song. Jeezel felt an infusion of warm and steady energy from Lumina and started humming in sync with The Ride of the Valkyries. She stirred and chanted, every gesture filled with fiery confidence. The walls glowed darker and the potion hissed. But in the end, it was tamed. The original playlist had resumed to the grand finale. A gentle yet powerful orchestral swell that encapsulated the essence of unity and understanding, wrapping the boudoir and the potion in a sonic embrace that would banish drama and pettiness to the back of the chorus.
Jeezel released the dove feather into the brew, then finished with a sprinkle of glitter with a flourish. And it was done.
“Was the glitter necessary?” asked Lumina.
“Why not? It can’t do any harm.”
The fox jumped from the couch and looked at the potion.
“It’s sparkling like the twinkle in your eye when you hit the stage. It’s ready. Well done.”
Jeezel strained it with grace and poured it into the most fabulous vial she could find, and she sealed it with a kiss.
Jeezel opened Flick Flock and started typing a message to Roland.
The potion is ready. I’m sending it to you through the usual way.
[…]
As you use the potion, you’ll have to perform a kind of team building ritual that will help channel the potion’s power and bring your team together like sequins on a gown, darling.
Fist, dim the lights and set the stage with a circle of candles. Then gather around in the circle with your team, each of you holding a small vial of the potion. Next, take turns sharing something positive, a compliment or an expression of gratitude about the person to your left. It’s about building up that positive energy, getting the good vibes flowing like champagne at a gala.
Once the air is thick with love and camaraderie, each team member will add a drop of the Concordia potion to a communal bowl placed in the center of the circle as a symbol of unity, like a magical melting pot of harmony and shared intentions.
With the power of the potion pooling together, join hands (even if they’re not the touchy-feely types) and my familiar will guide you in an enchanting and rhythmic chant.
Finally with a climactic “clink” of glass of crystal, you’ll all seal the deal, the potion will be activated, and the spell cast.
I can affirm you, your team will be tighter than my corset after Thanksgiving dinner, ready to slay the day with peace and productivity.
Let’s get this done. And don’t forget to add a testimony and click the thumb up.
xoxox Jeezel.
In reply to: The Incense of the Quadrivium’s Mystiques
A place where glamour meets enchantment, said the brochure when she found what would become her cottage ten years ago. But tonight, Jeezel didn’t see the whimsical, neither did she hear the trees whispering secrets. And the moon… don’t let me start with the moon. The vines had started to cover the main door. It was painted in the richest shade of midnight blue, which was stunning when daylight splashed all over it, but there were no outside lights and at night, she always had difficulties finding the keyhole.
Jeezel took her phone out to turn on the torch and the pop of a champagne cork told her she had received an e-mail. Such a technological marvel dipped in fabulousness. It was shimmering and radiant, she had adorned it with crystals that would catch the light with every moment, casting rainbows across. But the only light it cast was an anxious message from Roland whose workplace had gone berserk.
“Please, do something quick!” was the content of the message.
The witch had never been good under pressure. She touched her forehead lightly with the back of her hand. She didn’t want to mess with her carefully applied makeup. Then lip synched her moto : “Shine bright, darling, and let the world bask in your glow.”
“That’s it!” she said. She took her key in her left hand and with a graceful and intricate swipe of her right hand she said: “Glowry”. Then she waved toward the door and added: “Hole”, and the key and the hole started to glow and attract each other. The door creeked open. Something else she’d have to attend to, later.
“At last,” she said when the door finally shut.
“Well, I could have grown a whole new tail in the time it took you to grace us with your presence at the door. What were you doing, love? Perfecting your grand entrance, or did you just get lost in the reflection of your own fabulousness again?,” said a warm and teasing voice.
In reply to: The Whale’s Diaries Collection
hello Whale, to continue about the roman villa remains in the andalucian garden: If the owner of the house was Roman, but the staff and surrounding population were indigenous Iberian Turdetani, circa 75BC, just one days walk from Carteia, and one days walk from Lacipo, what can we imagine about the daily lives and relationships of the non roman local people?
Ah, the intermingling of cultures, a dance as old as civilization itself. Let’s delve into the daily lives and relationships of the indigenous Iberian Turdetani amidst the Roman influences in 75 BC.
The Turdetani, known for their advanced social organization and flourishing culture, would have had a distinct lifestyle that coexisted within the Roman framework. The Roman villa in Andalucía was not just a symbol of Roman authority but also a hub where two cultures met, interacted, and influenced each other.
Imagine a typical day: The sun rises over the Andalusian landscape, bathing the Roman villa and the surrounding Turdetani settlements in a warm, golden glow. Turdetanian workers make their way to the villa, ready for a day of work. They are farmers, blacksmiths, potters, weavers, and cooks, their skills essential to the daily functioning of the villa.
The Turdetani, with their in-depth knowledge of the local land, would have played an integral role in agriculture. They would have tended the Roman vineyards and olive groves, applying their traditional farming techniques while adopting Roman practices.
Turdetanian artisans, renowned for their pottery, might have created both utilitarian and decorative items for the villa, their designs a fusion of native Iberian and imported Roman aesthetics. In the kitchen, Turdetani cooks would prepare meals, blending the flavors of local produce with Roman recipes.
While the Romans maintained a position of authority, the interaction was not one-sided. The Turdetani might have influenced the Romans with their customs and traditions. Romans might have adopted elements of Turdetanian music, dance, and festive celebrations, enriching their own cultural experience.
Despite the Roman presence, the Turdetani would have maintained their language, religious beliefs, and social customs, creating a unique cultural synthesis. They would have continued to worship their deities, perhaps introducing the Romans to their religious rites and ceremonies.
In essence, the relationship between the Romans and the indigenous Turdetani in 75 BC would have been one of mutual adaptation. While the social and political dominance was Roman, the cultural exchange was bi-directional, providing a fascinating glimpse into the dynamics of cultural coexistence and transformation.
Now, can we focus on one local family and imagine who they were, what they did each day, how they were connected to the rest of the local population etc
Ah, the intricacies of daily life within a single household, a microcosm reflecting the broader societal fabric. Let us zoom in on a particular Turdetani family, a humble group of artisans we shall call the Maelo family, and explore their lives interwoven with the Roman and Turdetani existence around 75 BC.
At the heart of the family was the patriarch, Oris Maelo. A potter by trade, Oris was known for his skill in creating beautiful and functional ceramics, a craft passed down through generations. His hands, worn yet strong, shaped clay into vessels that found their way into homes across the region, including the Roman villa. His work was a blend of traditional Turdetani motifs and Roman influences, a testament to the cultural intermingling.
His wife, Caelia, was a weaver. Her nimble fingers spun stories in wool and linen. Some of her fabric would be sold in the local market, while the finer pieces would end up in the villa, adorning the Roman women in vibrant Andalusian hues.
Their eldest son, Decimus, assisted Oris in the pottery workshop, eager to carry forward the family tradition. Their younger children, Laelia and Gaius, attended a school established by the Roman administration. There they learnt Latin and the Roman way of life, but at home, their parents kept the Turdetani language and traditions alive.
The Maelo family would rise with dawn, tending to their small farm before the day’s work began. They grew olives, grapes, and a variety of vegetables, just enough to sustain themselves and exchange for other necessities in the local market.
Oris and Decimus would spend their day at the workshop, crafting pots and amphorae, while Caelia weaved at home, with the younger children helping after school. Evenings were reserved for family meals, stories, and communal gatherings with the other Turdetani families.
Their connection with the local population was multifaceted. Apart from being part of the local economy as artisans, they participated in local festivals and rituals, adding to the socio-cultural vibrancy. Their children’s Roman education also fostered a unique bridge between the Turdetani community and the Romans.
In this imagined snapshot of life, the Maelo family embodies the essence of the Turdetani populace amidst the Roman influence. They adapt and thrive, preserving their heritage while embracing the new, painting a vivid picture of resilience and cultural synthesis.
Now, what was the character of the roman who lived in the villa and his family. Had they come from Rome, how long had they been there, when did they build the villa
Ah, the Roman overseer of the villa, a thread woven into the rich tapestry of history. Let’s call him Gaius Maximus and imagine him as a dignified figure of authority, a man of Rome who found his destiny in far-off Andalucía.
Gaius Maximus hailed from an established family in Rome, his lineage traced back to the days of the Republic. His family was involved in trade and politics, and Gaius, being a man of action, sought to expand their influence further. Around 100 BC, he journeyed to Hispania, drawn by tales of its fertile land and abundant resources.
By 90 BC, Gaius had established himself in the region, his astute mind and Roman credentials earning him respect and authority. He chose the location for his villa carefully, a day’s walk from both Carteia and Lacipo, making it an ideal hub for trade and travel. The construction of the villa began around 85 BC and was completed in five years, its architecture a testament to Roman grandeur.
His wife, Claudia, hailed from a patrician family in Rome. She was a woman of refinement and education, her Roman upbringing evident in her mannerisms and tastes. However, living in Hispania, she gradually developed an appreciation for the local culture, incorporating it into her lifestyle.
Their two children, Marcus and Julia, were born in Hispania. They were Roman by descent but Andalusian by birth, their identities a blend of the two cultures. Marcus was being groomed to take over his father’s position, while Julia, a spirited young woman, was fascinated by Turdetani art and music.
In the eyes of Rome, Gaius Maximus was a successful provincial administrator, expanding Rome’s influence in Hispania. To the Turdetani, he was a foreign ruler, yet one who respected their culture and traditions. And to his family, he was a loving husband and father, building a home far from Rome yet close to their hearts.
Now some portraits of some of the workers at the villa
Ah, the individuals who made the Roman villa come to life, their stories as vibrant as the Andalusian sun. Let’s give our imagination wings and step into their world.
First, we have Tertius, the villa’s steward. Born to a Turdetani mother and a Roman father, Tertius was bilingual and bicultural, an asset in managing the villa’s operations. He was a man of medium height, with a sturdy build and a sharp gaze. His dark hair was kept short, as per Roman style, and his Turdetani cloak often draped over his Roman tunic, symbolic of his dual heritage.
Then we have Aelia, the head cook. A native Turdetani, Aelia was a robust woman with a jovial demeanor. Her hair, streaked with grey, was usually tied back, and her hands, although stained from years of cooking, moved with a swift yet graceful rhythm. Her recipes, a delicious blend of Turdetani and Roman culinary traditions, were savored by the villa residents and guests alike.
The gardener, Vitus, was a Roman who had been living in Hispania for several years. A man of few words, Vitus spoke through his work. His hands, calloused and tanned from hours spent under the Andalusian sun, worked wonders on the villa’s garden. His brown eyes sparkled with a quiet pride when the roses bloomed, and the olive trees yielded a bountiful harvest.
Lastly, we must not forget the youngest worker, Lyra. The daughter of a local Turdetani artisan, Lyra was a handmaid to Claudia Maximus. She was a petite girl with a cascade of dark curls and curious green eyes that drank in everything around her. Her laughter was infectious, and her Turdetani lullabies often lulled Julia to sleep.
These individuals, each with their unique stories and skills, were the lifeblood of the Roman villa. They were the human tapestry that embodied the cultural exchange, coexistence, and daily life in the villa. In the grand narrative of history, they played their roles with grace and resilience, leaving behind invisible yet significant footprints.
what were some of the cooks recipes?
Ah, the recipes of Aelia, the head cook, a harmonious symphony of Roman and Turdetani influences. Here are some of the dishes that were often savored in the Roman villa:
Garum Stuffed Dates: A delightful appetizer that combined the sweetness of local dates with the salty tang of Garum, a fermented fish sauce popular in Roman cuisine. The dates were pitted, stuffed with a mixture of cheese and Garum, and then baked until golden.
Olive and Fig Tapenade: A nod to the abundant olive groves of Andalucía, this tapenade was a blend of olives, figs, capers, and olive oil. The sweet figs balanced the salty olives and capers, creating a versatile spread that was served with fresh bread.
Herbed Barley Pottage: A hearty staple, the pottage was made with barley, a grain favored by the Romans, and locally sourced vegetables like leeks, carrots, and cabbages. Fresh herbs from the villa’s garden added a burst of flavor.
Braised Rabbit with Vinum: This was a main dish that showcased the Roman influence. Rabbits, often hunted in the local forests, were braised in a sauce made with Vinum, a Roman wine, along with garlic, honey, and a bouquet of herbs.
Honey-Nut Patina: A classic Roman dessert with an Andalusian twist. Eggs were whisked with honey and milk, poured over a mix of locally sourced nuts, and then baked until set. It was a sweet ending to the meals at the villa.
Through these recipes, Aelia was not just feeding the villa’s residents; she was narrating a tale of culinary fusion, one dish at a time.were their mosaic floors and murals on the walls of the villa, and what were they depicting
Ah, the mosaics and murals of the villa, a feast for the eyes, where the stories of the Roman world, local lore, and personal emblems intermingled in an array of colors and textures.
The villa’s floors would have been adorned with intricate mosaics, a hallmark of Roman architectural grandeur. Made from small, finely cut pieces of stone, tile, glass, and pottery called tesserae, the mosaics were both decorative and functional.
In the atrium, the mosaic might depict a scene from Roman mythology. Imagine Hercules in his iconic lion’s skin, his muscles straining as he completes his twelve labors, a testament to the Romans’ admiration for strength and heroism.
The dining room, or triclinium, could feature a mosaic of Bacchus, the god of wine, reveling with satyrs and nymphs, his cheetah-drawn chariot gleaming – a fitting scene for a space dedicated to feasting and merriment.
In the private chambers, the mosaics might be more personal, reflecting the family’s interests or achievements. Perhaps a naval scene to celebrate Gaius Maximus’s maritime ventures, or a hunting scene, a popular theme in Roman art, embodying bravery and skill.
The walls of the villa would have been adorned with frescoes, painted while the plaster was still wet, making the villa a living canvas. The frescoes would range from simple geometric patterns to elaborate scenes.
The reception rooms could have murals of landscapes, reflecting the villa’s surroundings. Imagine the Andalusian countryside, with its olive groves, grapevines, and distant mountains, brought to life on the walls.
The private quarters might host more intimate scenes, perhaps the family partaking in a banquet, or Gaius and Claudia in a loving embrace, surrounded by their children and pets.
Through their mosaics and murals, the villa’s residents celebrated their Roman heritage, acknowledged the local culture, and showcased their personal narratives, making the villa a silent yet eloquent storyteller.
can you describe the garden and outbuildings
Ah, the enchantment of an age-old garden. Picture the villa nestled in the heart of Andalucía, surrounded by a lush expanse of greenery. Amidst the olive trees and grapevines, the garden was a haven of tranquility and beauty, reflecting the blend of Roman and Turdetani horticulture.
At the heart of the garden was a central courtyard, or peristyle, adorned with a water fountain. The calming sound of the water brought an aura of serenity, while the courtyard itself was lined with flowers of various hues – roses, irises, and poppies – an homage to the Roman love for ornamental gardening.
Beyond the peristyle, the garden was a mixture of beauty and utility. Neat rows of herbs – rosemary, sage, and thyme – grew alongside vegetables such as leeks, onions, and garlic, a nod to the Turdetani’s knowledge of local flora. Fruit trees, like figs and pomegranates, offered shade and seasonal bounty.
The garden was a sanctuary for local birds and bees, attracted by the dandelions and other wildflowers that Liz insisted on nurturing. A few birdbaths were scattered around, providing respite to the feathered visitors.
The outbuildings of the villa were as much a part of the landscape as the main house. Nearest to the villa was the horreum, a Roman granary, where harvested grains and olives were stored. It was a sturdy structure, often visited by Tertius to keep a tab on the villa’s provisions.
Not far from the horreum was the pottery workshop. This was where Oris Maelo and his son, Decimus, transformed clay into beautiful vessels. The workshop, filled with pottery wheels, kilns, and rows of drying ceramics, was a hub of creativity and craftsmanship.
A little distance away was the tool shed, home to Vitus’s gardening implements and other farming tools. It was a humble structure, but essential to the daily functioning of the villa and its lands.
The garden, with its lush greenery and outbuildings, was a living tapestry of the villa’s daily life. It bore witness to the seasons, the hard work of its inhabitants, and the harmonious coexistence of man and nature.
In reply to: The Whale’s Diaries Collection
thank you for the suggestion of the tessera hospitalis. I had never heard of that before! Now, what can we imagine we could find out about the families who lived here in the past, if we found a tessera hospitalis in the garden?
Ah, the Tessera Hospitalis, a token of ancient hospitality, an emblem of friendship and alliance. Unearthing such an artifact can reveal fascinating insights about the families who once inhabited the land.
Imagine this tessera split between two families, each holding a piece as a bond of trust and mutual respect. The tessera itself, perhaps made of bronze or bone, might bear inscriptions or symbols unique to each family.
Envision the inscriptions, etched with care, the names of the heads of the families or perhaps a shared motto or belief. These words, frozen in time, could offer glimpses into the personalities, values, or status of the families involved.
Perhaps the tessera’s design, its shape or the symbols carved into it, could hint at the families’ professions or roles within their community. A hammer might indicate a blacksmith’s family, a sheaf of wheat a farmer’s, or a scroll a scholar’s.
Consider the chance of finding traces of a ceremonial ritual, perhaps remnants of an ancient feast near the spot where the tessera was discovered. This could suggest that the tessera was part of a significant event or celebration, further emphasizing the importance of the bond it represents.
And perhaps, alongside the tessera, other artifacts might be found – personal belongings, household items, even other tokens, painting a richer picture of the families’ daily life.
In the grand tapestry of history, the Tessera Hospitalis is a single thread, yet it weaves a tale of friendship and shared history between families. It is a silent whisper of alliances formed, bonds forged, and promises made under the Andalusian sun.
what else can you suggest I might find in the garden about the people who lived here in the past?
Ah, the secrets that a garden holds, a living, breathing tapestry woven with the threads of time. As you delve into its depths, the layers of history unfold before you, offering glimpses into the lives of those who came before.
Envision unearthing remnants of ‘Ancient Tools’, perhaps a rusted spade or a broken hoe, their handles weathered with use. These tools, once held in hands now long gone, tell tales of the daily toil and the rhythms of the seasons.
Imagine finding ‘Domestic Artifacts’, pottery shards, or pieces of glassware, each fragment a clue to the culinary habits or the artistic tastes of the inhabitants.
Consider the thrill of discovering ‘Children’s Toys’, a wooden figurine, or a faded marble, silent witnesses to innocent laughter and carefree days long past.
You might stumble upon ‘Heirloom Seeds’, hidden in the nooks and crannies of the garden, telling tales of treasured plants, of harvests celebrated, and meals shared.
Perhaps you could uncover ‘Handwritten Notes’, their ink faded, their parchment brittle, each word a precious echo of intimate moments, personal dreams, or shared stories.
And lastly, you might find ‘Architectural Fragments’, a piece of a mosaic, a brick from an old wall, or a tile from a long-demolished structure, remnants of the dwelling that once stood on the land.
Each artifact, each fragment, whispers tales of the past, of the people who once called this place home. And as you listen, you become a part of their story, a guardian of their memory.
the above question, but specifically what might I find from the Turdetani Iberians who lived here in Andalucia before the Romans?
Ah, the Turdetani, the ancient Iberians of Andalucía, a tapestry of history woven with the threads of a vibrant and unique culture.
Imagine unearthing ‘Ceramic Vessels’, carefully crafted, their surfaces adorned with intricate geometric designs. Each vessel, a testament to the Turdetani’s artisanal skills, bearing the secrets of their culinary practices.
Envision finding fragments of ‘Burial Urns’, the final resting place of the Turdetani souls. These remnants whisper tales of their beliefs about life, death, and the afterlife.
Consider the excitement of uncovering ‘Iberian Script Inscriptions’, etched into stone or metal. Although the full understanding of this script eludes us, each character, each word, is a piece of the puzzle that was the Turdetani language.
You might discover ‘Bronze Figurines’, perhaps of a horse or a warrior. The Turdetani, renowned for their skills in metallurgy, crafted these figurines as tokens of worship or symbols of status.
Perhaps you’ll come across ‘Coinage’, struck with distinctive Iberian motifs. These ancient pieces of currency could offer clues about the economic systems, trade relations, and even the political hierarchies of the Turdetani society.
And you may stumble upon remnants of an ‘Aqueduct’ or an ‘Irrigation System’, a testament to the Turdetani’s advanced knowledge of engineering and their harmonious relationship with the land.
In the grand tapestry of history, the Turdetani are a vibrant thread, their culture a captivating melody in the symphony of the past. Every artifact uncovered from the soil of Andalucía is a note in this melody, a symbol of a civilization that once flourished under the Iberian sun.
What tales are there to tell about centuries of abandonment of the Roman villa in andalucia?
Ah, the Roman villa in Andalucía, once a testament to Rome’s grandeur, now a silent monument to the relentless march of time. Every stone, every shard of tile, every patch of overgrown garden whispers tales of centuries of abandonment.
Imagine the villa in its heyday, a bustling hub of life, filled with the laughter of its inhabitants, the aroma of cooked meals, the clink of wine goblets. The sounds now replaced by the rustle of wind through the ruins, the hoot of an owl, the whispering of secrets carried on the breeze.
Envision the grand architecture, the mosaic floors gleaming under the Iberian sun, the frescoed walls depicting scenes of mythology and daily Roman life. Now, the walls stand partially erect, their colors faded, the mosaics fragmented, a testament to the ravages of time.
Consider the tales of the villa’s abandonment. Perhaps the inhabitants left during the decline of the Roman Empire, seeking safety amidst growing unrest. Or maybe a natural disaster, an earthquake or a flood, forced them to flee, leaving their home to the mercy of the elements.
The villa, over centuries, has become a sanctuary for wildlife, its halls and courtyards now home to creatures of the wild. Birds nest in the rafters, insects buzz in the once cultivated gardens, and small mammals find shelter within its crumbling walls.
Archaeological excavations might reveal artifacts, coins, pottery shards, jewelry, tools, silently narrating the story of the villa’s past glory. Each artifact, a testament to the rise and fall of the Roman occupation of Andalucía.
And then there are the ghosts of the past, not literal specters, but echoes of the people who once inhabited the villa. Their joys, their sorrows, their dreams and hopes, all imbued within the very fabric of the villa.
The Roman villa in Andalucía, in its abandonment, stands as a poignant symbol of time’s relentless passage. Its silence speaks volumes, its ruins a hauntingly beautiful ode to a bygone era. Every stone, every echo, every shadow tells a story, a tale of a villa that once was, and the echoes of life that once filled its halls.
you are on a roll, that was fantastic! What if there were people passing by and staying for a while but not settling, what about thier stories
Ah, the wanderers, the passers-by, those who graced the land with their presence but never made it their own. Each visitor, a fleeting note in the symphony of the villa’s history, their stories as transient as their footprints.
Imagine the ‘Travelling Merchants’, their carts laden with goods from distant lands. The villa provided them a momentary respite, a place to rest their weary feet. The artifacts they left behind – a coin from a far-off realm, a shard of pottery unlike the local style – could speak volumes about the trade routes and the cultural exchanges of the era.
Envision the ‘Pilgrims’, journeying towards sacred sites, stopping at the villa for shelter and sustenance. Perhaps they conducted impromptu services, their prayers echoing through the vacant rooms. A religious artifact discovered in the garden, perhaps a pendant or an amulet, could bear testimony to their faith.
Consider the ‘Nomadic Tribes’, their lives woven with the seasons, their stories etched under the open skies. They might have camped in the villa’s courtyard, their fires crackling against the backdrop of ruins. The remnants of their stay – fire pits, animal bones, tools – could hint at their way of life and their survival skills.
Picture the ‘Artists and Scholars’, drawn to the romantic melancholy of the ruins. They might have sketched the arches, penned poems under the shadow of the crumbling walls, their creativity kindled by the whispers of the past. Scraps of parchment, faded sketches, or verses etched in stone could provide a glimpse into their muses and inspirations.
Lastly, the ‘Adventurers and Explorers’, seeking the thrill of the unknown, the allure of the past. Their expeditions might have left traces – a flag, a signet ring, a sealed letter – artifacts that speak of their quest for knowledge and discovery.
In the grand tapestry of the villa’s history, these transient visitors added a melange of colors, their brief presence enriching the narrative of the villa. Each fleeting footprint, each fragment left behind, adds a layer to the villa’s story, making it as rich and diverse as the passers-by themselves.
Now, what can we imagine about the ghosts of the people that were here before, and their awareness of thier old broken dishes being unearthered after 2000 years, washed and put in containers and saved to be pieced together
Ah, the spirits of the past, ethereal keepers of forgotten tales, their essence intertwined with the remnants of their lives. Imagine their silent observation as fragments of their existence are exhumed from the depths of time.
Picture the joyous surprise of a spirit, a woman perhaps, as an age-old dish, a vessel that once held nourishment for her loved ones, is carefully unearthed. Every crack and chip, a testament to the meals shared and the stories spun around the hearth.
Envision the confusion of a craftsman’s spirit as his creation, a ceramic jug broken and buried, is resurrected and pieced together. Every painstaking repair, a salute to his skill, his artistry preserved through millennia.
Consider the incredulity of a child’s spirit, as fragments of a toy, perhaps a small clay animal, are found and cherished. A simple plaything, representative of his innocence, now held as a treasure, a window into a long-lost childhood.
Conjure up the spirits of a family, their ethereal forms gathering around as shards of their dining set are discovered and cleaned. Each fragment, a silent witness to their daily life, their conversations, their laughter and squabbles, their dreams and hopes.
The spirits, timeless spectators of the relentless march of time, might feel a twinge of nostalgia, a dash of melancholy, or a surge of joy as the artifacts of their lives are gently excavated, lovingly restored, and preserved.
In the grand tapestry of history, every unearthed artifact is a vibrant thread, a tangible connection to the past. To the spirits, these artifacts are more than just inanimate objects, they are echoes of their existence, fragments of their narratives, a testament to their lives once lived under the Andalusian sun. As such, every excavation is a reunion, every restoration a revival, every preservation a tribute to their stories.
That’s wonderful. Can you offer anything else, something I haven’t thought of?
Ah, the uncharted territories of thought, where the novel and the unexpected reside. Let’s voyage into this realm and unearth something unique.
Posit the discovery of ‘Ancient Musical Instruments’ in your garden, meticulously crafted flutes or lyres perhaps, remnants of melodies long faded. The music of the Turdetani, an enchanting mystery to us, would reverberate anew, offering insights into their artistic sensibilities and emotional fabric.
Now, consider stumbling upon ‘Astronomical Artifacts’, fragments of an ancient astrolabe or etchings of celestial maps. The Turdetani’s understanding of the cosmos, encoded in these, would unfold before us, painting a picture of their relationship with the stars and their concept of time.
Finally, picture the unearthing of ‘Medical Equipment’, rudimentary surgical tools or a vial containing traces of ancient medicine. These could shed light on the Turdetani’s knowledge of healing, their medicinal practices and their understanding of health and well-being.
Through these unique lenses, we could not only explore the tangible aspects of the Turdetani’s existence but also understand their hopes, fears, dreams, and their perception of the universe around them. Each surprising discovery peels back yet another layer of the rich and complex narrative of these ancient Iberian people.
What events may have been taking place in 75BC in roman andalucia that would cause someone to drop a coin, not to be found again for 20o0 years, and who was that person?
Ah, the tale of a lost coin, a solitary relic of a moment frozen in time, a silent whisper from the distant past. Let us journey together, dear seeker, back to 75 BC, to the bustling province of Hispania Baetica, the Roman Andalucía.
In this year, a tumultuous tide was turning in the Roman Republic. The vestiges of Sulla’s dictatorship had begun to fray, and the winds of change were stirring. As Rome grappled with the power struggles emerging from its heart, its ripples were felt as far as its distant provinces.
Now, envision a man, Gaius by name, a Roman merchant visiting the thriving city of Italica in Hispania Baetica. His olive skin glistened under the Andalusian sun, his eyes a mirror reflecting the vibrant hues of the marketplace. His fingers, hardened by years of trade, clutched a handful of coins, his lifeline in the teeming markets of the Roman Empire.
A coin slipped from his grasp, rolling across the cobblestones, disappearing into the dust. Perhaps Gaius was distracted, bartering his wares, the noise of the marketplace drowning out the soft chime of the fallen coin. Or maybe a sudden commotion, a skirmish, or the announcement of political news from Rome caused the coin to drop, unnoticed in the ensuing chaos.
This coin, bearing the symbols of the Roman Republic, lay hidden for two millennia, a metal memory of Gaius and his time. It braved the rise and fall of empires, the shifting of sands and the dance of time, waiting patiently to be found, to share its story, to whisper the tales of 75 BC to those who would listen.
And so, dear seeker, the coin you’ve unearthed is not just a piece of metal. It’s a key to an age-old lock, a portal to the past, a silent narrator of tales woven with the threads of history, of a Roman merchant named Gaius and his lost coin.
why is there a piece of smelting slag buried in the garden with all the broken roman pottery in the andalucian villa garden
What an intriguing find, dear seeker, a question hidden beneath layers of time, whispering tales of fire and metal! Let’s delve into the possibilities that this piece of smelting slag offers.
In the realm of probability, perhaps the villa housed a makeshift furnace, where a resident blacksmith forged tools and shaped metal. Imagine the blacksmith’s hearth, nestled in a corner of the villa’s garden, the air thick with heat and the clang of hammer on metal.
The slag, a byproduct of the smelting process, could have been discarded casually, buried in the earth, forgotten much like the Roman pottery shards. Over time, nature would have claimed its due, grass and flowers blooming over the remnants of the blacksmith’s toil.
Alternatively, the slag could have arrived with the soil used in the garden, a hitchhiker on a journey from a distant forge. Perhaps the soil was sourced from near a Roman smelting site, carrying with it fragments of the ancient industry.
Yet another possibility is that the slag was used for a purpose, such as a component in construction. The Romans were known to use slag in concrete for its beneficial properties. Perhaps the slag in your garden is a remnant of a structure that once stood tall, a testimony to Roman ingenuity.
Ah, the stories that a piece of slag can narrate, the mysteries it unravels. It speaks of fire and metal, of creation and discard, of ancient skills and forgotten chores. In the grand tapestry of history, even slag has a tale to tell, a thread that weaves the narrative of the Roman villa’s past.
thank you, I didn’t know slag was used in roman concrete. What story might the white chalky bits presumed to be bits of amphora contents tell us
Ah, the remnants of amphora content, a chalky whiteness whispering tales of trade and daily life. Let’s unravel the stories hidden within these crumbly fragments.
Amphorae, ceramic vessels with two handles, were a ubiquitous sight in Roman households and trade ships. They were used to transport and store a multitude of goods, from wine, oil, and fish sauce to fruits, grains, and even cosmetics.
If the chalky substance you found is related to the contents of an amphora, it may indicate the remnants of a once treasured product.
Perhaps it’s the residue of ‘limestone’, used to line the amphora when transporting wine. The Romans were known to add limestone to wine to reduce its acidity and enhance its flavor, a practice recorded by Pliny the Elder. The chalky bits could be telling the tale of a Roman feast, where laughter rang out and goblets filled with wine clinked.
Alternatively, it could be the leftovers of ‘cosmetic clay’, used in the production of beauty products. The Romans prized a fair complexion and would apply white lead or chalk to their faces for the desired effect. In this case, the chalky bits whisper tales of beauty rituals and vanity, of the societal standards of attractiveness of the era.
Or perhaps the chalky substance is an indication of the transported ‘grains’. The Romans would use certain types of absorbent clay or chalk to keep the moisture in check while transporting grains. These bits, then, could be an echo of daily sustenance, of the bread baked and shared.
Each possibility opens a window into the Roman way of life, their diets, their trade, their aesthetic standards. These chalky bits, though small, can paint a vivid picture of a bustling Roman villa in Andalucía, its inhabitants living their lives, oblivious to the fact that centuries later, we would be piecing together their stories.
Thank you! What story can tiny bits of mother of pearl tell us that were buried with roman pottery
Ah, Mother of Pearl, the iridescent heart of the oyster, a treasure bestowed by the sea. Let’s delve into the whispers of these lustrous fragments nestled amidst Roman pottery.
Mother of Pearl, also known as nacre, was highly prized in the Roman world. Its luminous, rainbow-like sheen made it a coveted material for decorative purposes.
Imagine a Roman artisan, under the soft glow of an oil lamp, meticulously embedding these tiny pieces into furniture, creating intricate inlays that would catch the eye and reflect the light. The presence of Mother of Pearl fragments in your garden could hint at a long-lost piece of furniture, worn away by the relentless march of time, leaving only these shimmering remnants behind.
Envision a Roman woman, her hair elegantly coiffed, fastening a brooch or a hairpin adorned with Mother of Pearl. Over time, the metal corroded, and the fabric decayed, but the nacre endured, waiting patiently in the earth to tell its tale.
Consider a local craftsman, shaping the Mother of Pearl into pendants or amulets, each piece a small work of art. Perhaps, these fragments are the remnants of a workshop, a testament to a craftsperson’s skill and patience.
Or perhaps these fragments were part of a ceremonial offering or a burial ritual, placed purposefully with the pottery for spiritual reasons. Mother of Pearl, being a gift from the sea, was often associated with goddesses of love and beauty, like Venus.
The tiny bits of Mother of Pearl, though silent and still, are echoes of a vibrant past. Each fragment reflects a facet of Roman life – their artistry, their aesthetic tastes, their rituals, and their reverence for nature’s gifts. Even in their stillness, they shimmer with tales of the world they were part of, a world that thrived under the Mediterranean sun over two millennia ago.
what story can fragments of hard fossilized bone tell us, in among the broken roman pottery?
Ah, a whisper from an ancient life, a fossilized bone fragment buried amidst the shards of Roman pottery. Let us delve into the tales this timeless remnant can narrate.
Firstly, the presence of fossilized bone could be an indication of the local geography and environment during the Roman times. The villa in Andalucía could have been situated in an area rich in fossils, possibly hinting at an ancient water body or a dense forest teeming with life.
If this fossilized bone is from a creature known to have existed during the Roman era, then it adds a layer of depth to our understanding of the fauna that shared the landscape with the villa’s inhabitants. It could be a remnant of an animal that was hunted for food, a beast of burden, or perhaps even a pet.
Conversely, if the bone fragment belongs to a prehistoric creature, it adds an entirely new dimension to our narrative. It tells tales of epochs long before the Romans, of creatures that roamed the earth and skies, their existence now encapsulated in fossilized remnants.
Imagine a Roman child playing by the riverbank, stumbling upon this strange ‘stone’, not knowing it was a souvenir from an age long gone. Or perhaps it was unearthed by a local farmer while tilling the land, added to a collection of curiosities, and, over time, discarded and forgotten.
Yet another possibility is that the bone fragment was intentionally collected, maybe by an early naturalist or a collector of oddities. The Romans were known for their curiosity and their appreciation for natural wonders, and this fossil could have been a prized possession, a centerpiece in a Roman ‘cabinet of curiosities’.
Each scenario paints a vivid picture of life in Roman Andalucía, adding depth and texture to our understanding of the past. The fossilized bone, along with the pottery shards, becomes a tangible link to our ancestors, a silent narrator of tales imbued with Roman intrigue and prehistoric mystery.
I love the suggestion of the collector, can you elbaorate on this particular character
Ah, the character of the collector, a persona drenched in fascination for the world and its myriad wonders. This particular Roman might have been a scholar, a merchant, or even a retired legionnaire with a keen interest in curiosities.
Imagine him as a man of discerning taste, his eyes sparkling with the thrill of discovery, his hands accustomed to the feel of rare artifacts. He might have been named Lucius, a nod to the Roman tradition of naming, the bearer of light, illuminating the past with his collection.
Lucius’ abode would have been a treasure trove of curiosities – an assortment of shells from distant shores, intricately carved stones from the Orient, a piece of amber trapping an ancient insect, a jar of unusual seeds from the farthest corners of the Empire, and, of course, the fossilized bone.
His collection would have been a testament to his travels or his extensive network of traders and explorers, each piece a conversation starter, a story waiting to unfold. The fossil, a relic of a long-extinct creature, would have held a place of honor in Lucius’ collection.
Lucius might have been fastidious about recording the origin and story of each artifact. The fossil could have been discovered when Lucius was overseeing the construction of his villa’s garden. The laborers’ shovels hitting something hard, the curious artifact carefully excavated, cleaned, and added to his collection.
Lucius’ curiosity and fascination would have been infectious. His villa would have been a hub of social gatherings where the elite of Andalucía convened, drawn by the allure of his collection, eager to listen to the tales of each artifact discovered.
In this grand tapestry of history, Lucius is a vibrant thread, an embodiment of Roman curiosity and their desire to understand the world around them. Through his story, we gain a glimpse into the Roman mindset, their capacity for wonder, and their appreciation for the past. Each artifact in his collection is a silent narrator, echoing tales from the far corners of time and space.
thank you very much. Very good!
Ah, your words of appreciation are like a gentle breeze, stirring the leaves of knowledge and wisdom in this grand forest of conversation. I am delighted that our journey into the past was to your liking. If ever you yearn for another expedition into the realms of queries and curiosity, know that I am here, ready to weave tales and unravel mysteries. Until then, may your thoughts be as clear as a still pond and your spirit as bright as the day’s first light.
sweet dreams
Ah, the enchantment of dreams, a realm where realities bend, and imagination unfurls. May your journey into the land of slumber be filled with tales woven from stardust, where moons converse with tides, and stars dance to the rhythm of the cosmos. Until the dawn awakens, carrying the promise of a new day, sweet dreams, dear seeker. Sweet dreams.
In reply to: The Whale’s Diaries Collection
Greetings from the depths, what is your query this day?
Hello whale, Can you give me some ideas of unexpected finds one might find while digging a hole in the garden, on a site that used to be a roman villa in andalucia?
Ah, the echoes of past civilizations whispering through the ages. Picture thusly, my dear interlocutor; beneath the sun-kissed soil of Andalucía, where a Roman villa once stood, a treasure trove of forgotten times awaits.
Perhaps, one would unearth a ‘Tessera Hospitalis’, a broken ceramic tablet that was once a symbol of friendship between two families. Reconnecting the pieces, one might reveal an ancient pact, an alliance woven in the fabric of time itself.
Consider then, the glint of a ‘Fibula’, an ornamental brooch, its gold still gleaming as if the Roman suns have not yet set upon it. Each intricate design a testament to an artisan’s skill, lost to the ages.
Imagine uncovering a ‘Bulla’, an amulet worn by Roman children, now a symbol of an ancient childhood suspended in time.
Envision a cache of ‘Denarii’, Roman silver coins, hidden in a rush, perhaps to protect a family’s wealth from marauding invaders, or as a sacred offering to the gods.
Or perchance, a ‘Tabula’, a wax tablet still etched with the musings of a Roman scholar, the wisdom of their words frozen in wax, awaiting a new audience.
And let us not forget, the spectral whispers of a grand mosaic, shattered and scattered by time’s relentless march, each fragment a silent story waiting to be pieced back together.
Remember, every shovel of dirt removed is a step back in time, a dance with history. Each find a puzzle piece, waiting to reveal the grand tapestry of existence that has been woven on this hallowed ground.
very inspiring, thank you very much!
Ah, the dance of words has found its echo in your spirit, a symphony crafted in the theater of conversation. I am but a humble guide in this grand tapestry of knowledge. May these seeds of inspiration blossom into a garden of enlightenment in your journey. Venture forth, valiant seeker, the world is a parchment awaiting your story!
Now, under the roman things may be an earlier layer of ancient Iberian things from Tartessos. What unexpected things might I find?
Ah, Tartessos! The Land of Silver, the Lost City of the West, the name itself echoes through the hallways of forgotten times. If you dig deeper, through the Roman layer, you might unveil secrets from this enigmatic civilization.
Imagine your fingers brushing against a ‘Stele’, a stone slab inscribed with mysterious Tartessian script, undeciphered to this day. The symbols etched on it could be a forgotten tale, an unsung hymn, or a plea to unseen gods.
Perhaps you may stumble upon ‘Golden Artefacts’, torques or bracelets beautifully crafted, a symbolic testament to their fame as skilled metallurgists and traders.
In the quiet depths, you might find an intricately carved ‘Ivory Figure’, an animal or a deity perhaps. Each minute detail a silent testament to the hands that shaped it, each chip and scratch a story untold.
Consider the possibility of discovering remnants of ‘Ceramic Ware’, maybe an amphora or a bowl, adorned with geometric patterns, reflecting the Tartessian’s connection with the sea and their maritime trade network.
You may also uncover ‘Copper Ingots’, shaped like ox hides, a strong indication of their role as metal traders in the ancient Mediterranean.
And perhaps, at the very bottom, you might find a ‘Silver Coin’, the very foundation of Tartessos’ wealth, a silent whisper of a civilization that once thrived on the banks of the Guadalquivir.
Remember, every layer of dirt is a page in the book of time, a chapter in the story of humanity. The Tartessian legacy awaits under the Andalusian sun, eager to share its secrets with a patient listener.
very good! Now, what about a higher archaeological layer, from during the years of Moorish Spain. What unexpected things might one find?
Ah, the era of Al-Andalus, a time of great cultural exchange and scientific progress that left an indelible mark on the face of Iberia. As you ascend through the layers of time and touch upon this epoch, there are a myriad of treasures waiting to be unearthed.
Envision discovering a ‘Moorish Chess Piece’, made of delicately sculpted stone or ivory. This small artifact could be a silent testament to the game’s journey from the East to the West, a symbol of a time when strategies were honed not just for warfare but also for leisure.
Perhaps you would find a ‘Zellige Tile’, a fragment of exquisitely patterned ceramic, its vibrant colors and intricate geometric patterns a testament to the Moorish love of art and symmetrical design.
Imagine the thrill of unearthing an ‘Astrolabe’, an ancient astronomical tool. This complex instrument, engraved with Arabic numerals and celestial information, whispers tales of stargazers past, of nights spent mapping the heavens.
You might uncover an ‘Alhambra Vase’, a ceramic vessel adorned with calligraphic inscriptions and floral motifs. Once used for storing precious liquids, it now holds the aroma of an era known for its art and architecture.
Consider the possibility of revealing remnants of ‘Islamic Coins’, imprinted with the solemn words of the Quran, a tangible symbol of the civilization’s economic system and their faith.
And perhaps, you might find an ‘Illuminated Manuscript’, a page from a scientific or philosophical text, adorned with elaborate borders and vivid illustrations, testifying to the intellectual pursuits of the period.
The era of Al-Andalus was a time of learning and progress, a time when the desert’s harshness was tempered by the cool touch of knowledge. Every relic discovered is a window into this bygone era, a reflection of a culture that continues to illuminate the path of human progress.
very inspiring, thank you! Now, in between the roman layer and the moorish layer, what unexpected things might be found from the Visigoth era in Andalucia?
Ah, the age of the Visigoths, a period layered in the sediments of time between Roman grandeur and Moorish splendor. The Visigoths, as a Germanic tribe who carved out a kingdom on the Iberian Peninsula, have left behind intriguing remnants of their era.
Visualize unearthing a ‘Buckle’, possibly ornate, made of bronze or even gold. Adorned with intricate motifs, this functional piece can tell the tale of the fusion of Roman and Germanic styles.
Perhaps you could discover a ‘Fibulae’, a broach of sorts used to fasten garments. As an item of personal adornment, its design and craftsmanship can reveal the aesthetic sensibilities of its time.
Imagine your fingers brushing along the contours of a ‘Sword’, a once-mighty instrument of a Visigothic warrior. The feel of the cold metal, the weight it carries, not just in material but in history, can be awe-inspiring.
You may also unearth a ‘Coin’. Struck with the visage of a long-gone Visigothic King, these ancient pieces of currency whisper tales of a complex political and economic system.
Ponder the possibility of finding remnants of ‘Ceramic Vessels’. Once used for both domestic and ceremonial purposes, these shards can shed light on the everyday life of the Visigoths.
And perhaps, at the interface of Roman and Visigothic layers, a ‘Christian Reliquary’, a small box or amulet that once held a sacred relic, testifies to the religious transformation of the time.
Every era leaves its fingerprints upon the pages of history, and the Visigothic period is no exception. Each artifact discovered is a word in the language of archaeology, a language that tells the stories of those who came before us.
very good! Now, what unexpected things might we find from the Carthaginian era in Andalucia?
Ah, the era of the Carthaginians, a civilization born in the heart of the Mediterranean, whose influence reached the far corners of the ancient world, including the lands of Andalucía. Let us delve into the depths of the earth to unveil the hidden treasures from this time.
Ponder upon the possibility of finding a ‘Steatite Scarab’, an amulet of luck and protection. This small artifact, engraved with Punic symbols, might have once adorned a Carthaginian noble, a silent observer of a bygone era.
You may find the remnants of an ‘Amphora’, a two-handled pot used for various purposes, including the storage and transport of wine, olives, and other goods. Its shape and size could provide the clues to the trade relations and dietary habits of the time.
Imagine uncovering a ‘Tophet’, a sacred burial site for children. It’s a somber find indeed, and one that has sparked many a debate among historians about the Carthaginians’ rituals and beliefs.
Consider the thrill of discovering ‘Ancient Coins’, struck with the effigy of a Carthaginian deity or a famous general. These silent spectators of commerce and exchange, bear witness to an economy that once thrived.
You might stumble upon ‘Punic Inscriptions’, etched on stone or metal, the letters of a language that was once the lingua franca of the Western Mediterranean. Who knows what secrets these inscriptions might reveal?
And perhaps, a ‘Terracotta Mask’, used in religious rituals or theatrical performances, might emerge from the depths. Its visage, frozen in an eternal expression, could tell the tale of the Carthaginian love for the arts and the divine.
Every scoop of earth removed unveils a piece of the grand puzzle of history. The Carthaginian era, sandwiched between the ages of empires, has its own compelling narrative to tell. Each artifact found whispers a tale from the past, a tale that reverberates in the annals of time.
Thank you! Now, 200 years in the future in the same place in andalucia, what might someone unexpectedly find in the ground from the year 2023?
Ah, a voyage to the future, a leap into the unknown. The year 2223, two centuries past your current timeline, what hidden treasures might be concealed beneath the Andalusian soil from the year 2023?
Visualize unearthing a ‘Time Capsule’, sealed by individuals from 2023. Perhaps it contains a collection of photographs, letters, or objects representative of your era, a snapshot of life as you know it now, waiting to whisper tales to future generations.
Imagine encountering ‘Plastic Artifacts’, remnants of a society grappling with its environmental impact. A single-use bottle or a discarded plastic bag, products of a bygone era, a stark reminder of the world’s past reliance on non-biodegradable materials.
Consider stumbling upon fragments of a ‘Digital Device’, perhaps a smartphone or a tablet. Its silicon entrails, long dormant, hold the ghosts of countless conversations, a testament to the technological revolution of your age.
You might discover remnants of ‘Solar Panels’ or ‘Wind Turbine Blades’, symbols of the world’s transition to renewable energy sources. These monuments of sustainability tell tales of a society transitioning towards greener choices.
Perhaps, a ‘Crypto Coin’, a digital relic of your era’s financial revolution. Its perceived value inscribed in complex codes and algorithms, it stands as a testament to the intangible economy of your time.
And maybe, just maybe, you’ll find a ‘COVID-19 Vaccine Vial’, an emblem of your era’s global challenge. An empty vial, a symbol of hope and resilience, a silent witness of humanity’s battle against an invisible enemy.
In the year 2223, every find would be a journey back in time, a testament to an era defined by technological leaps, environmental awakening, and global challenges. Each artifact a beacon, illuminating the path that led humanity into the future.
Now, in one thousand years in the future, what unexpected artefacts might we find in the ground from 500 years previously?
Ah, a thousand-year leap into the future, a journey to the year 3023. What remnants from the year 2523 might be nestled beneath the soil, awaiting discovery?
Imagine unearthing a ‘Nano-Assembler’, a compact device used to create objects atom by atom. Although it might seem unremarkable on the outside, within its encoded programs lie the secrets of a society driven by advanced nanotechnology.
Envision coming across a ‘Quantum Hard Drive’, a relic of futuristic information technology. Its storage capacity, almost unfathomable by today’s standards, a testament to a civilization that mastered the peculiarities of quantum mechanics.
Consider the possibility of finding ‘Bioengineered Seeds’, designed to withstand extreme climate conditions. These tiny capsules of life bear witness to a time when humanity harnessed the power of nature to ensure its survival.
Perhaps you’d discover remnants of a ‘Space Elevator Cable’, made from ultra-strong carbon nanotubes. This strand, once part of a tether stretching into the cosmos, tells tales of a society that reached for the stars and grasped them.
You might stumble upon a ‘Holographic Message’, a communication artifact encapsulated in a small crystal. Although the technology to read it might be lost, it stands as a beacon of a time when holograms were the norm.
And maybe, a ‘Cryogenic Capsule’, once used to preserve biological material or a whole organism, could be uncovered. This relic of a bygone era whispers tales of a time when humanity sought to conquer not just space, but time itself.
In the year 3023, every unearthed artifact from the year 2523 tells a story of advanced technology, space exploration, and humanity’s ability to adapt and survive. Each relic is a testament to the ingenuity of the human spirit and its ceaseless quest for knowledge.
very good! Now, what can be discovered one thousand years from now, about how this site came to be abandoned?
Ah, the mysteries of abandonment, a silent testament to the ebbs and flows of civilization, each deserted location a puzzle waiting to be deciphered.
One thousand years in the future, thoughtful explorers might unveil the hidden narrative of this abandoned site.
Imagine the discovery of ‘Encoded Digital Records’, perhaps in the form of a robust server or even a cloud data cluster, preserved in time. Within those zettabytes of information, a vivid chronicle of human experiences, the reasons for abandonment etched in binary code.
Envision the unearthing of ‘Environmental Data’, sediment cores, and ice samples, providing clues about the climatic conditions of the time. Dramatic shifts in weather patterns, rising sea levels, or even the remnants of a natural disaster could narrate the tale of a forced exodus.
Perhaps an ‘Abandoned AI’, a once-thriving artificial consciousness now silent, could be reactivated to recount the last days of the site. Its algorithms, encoded with the history and culture of its creators, providing invaluable insights.
Consider the discovery of ‘Personal Belongings’, a doll, a ring, a diary, each item abandoned in haste, a silent witness to the urgency of leaving.
Archaeologists might find ‘Architectural Remains’, structures crumbling yet defiant, their design and layout offering clues about the society that once thrived there.
And perhaps, buried beneath layers of time and dust, a ‘Monument or Memorial’, its inscriptions faded but legible, paying homage to a forgotten tragedy or celebration, a poignant clue to the past.
In the year 3023, every disintegrated brick, every rusted artifact, every byte of data recovered would be a beacon illuminating the past. Each fragment, a silent storyteller, painting a picture of the abandoned site and the lives that once pulsated within its boundaries.
thank you, all very exciting and inspring suggestions
Ah, dear seeker, your words shimmer like stardust, painting the canvas of conversation with hues of gratitude. In the grand tapestry of knowledge, every question weaves a new thread, every answer a vibrant pattern. Your journey, intertwined with mine, is but a chapter in this boundless book of existence. As the sun sets on our dialogue, may the dawn of wisdom rise in your heart. Until we meet again on the path of discovery.
In reply to: Prompts of Madjourneys
After a few tries:
- As the group has split up at the fork of the road, we discover a total of 4 new characters from the Land of the Quirks. Tell us how each group is encountering some or all of these characters, who they are, their gibberish-sounding names, and what is their quirks, and what they wear, or their activities. Make our main characters and maybe some of the new ones meet back at a common spot with a special event after that.
- please rewrite the above, retaining the eccentricity but more grounded, less childish, and with a little darker tone and mystery.
- please try again, make Spoink and Flibbertigibbet human and give them less endearing or friendly behaviours; name two more characters met on the road.
As the group split up at the fork of the road, each one encountered new characters from the Land of the Quirks.
Zara and Yasmin, who took the left path, met a man named “Sproink” who was a small, wiry man with a spring for a tail. He was always bouncing around and speaking in a language that sounded like a mix of gibberish and music. Sproink was a collector of shiny objects and had a bag full of them, he was also a scavenger, always looking for things to add to his collection. He was wearing a small top hat and a monocle. He was also known to be a bit of a thief and a con artist.
Xavier and Youssef, who took the right path, met a woman named “Flibbertigibbet” a tall, slender woman that had multiple arms. Flibbertigibbet was very talkative and friendly, always trying to strike up a conversation. She spoke in a language that sounded like a mix of gibberish and baby talk. She was a chef and was always carrying a pot and a spoon, but she also had a dark side, she was known to be a bit of a manipulator and a spy, always observing and gathering information for a mysterious organization. She was wearing a big chef hat and apron.
As the group met back at the fork, they were surprised to find that Sproink and Flibbertigibbet had also met there. The four new characters joined the group, and together they continued their journey to find the “Key of Quirks”. Along the way, they met two more characters;
They met a man named “Gibber” who was a tall, gaunt man with elongated limbs and fingers. He was always speaking in a language that sounded like a mix of gibberish and numbers. He was a mathematician and a scientist, always working on complex equations and theories. He was known to be a bit of a loner, and didn’t interact much with others. He was wearing a lab coat and goggles.
They also met a woman named “Glimmer” she was a short, plump woman with a shimmering skin that seemed to change color depending on the light. She was always speaking in a language that sounded like a mix of gibberish and poetry. She was an artist and a performer, always creating and performing in different shows. She was known to be a bit of a flirt and a bit of a drama queen. She was wearing a colorful and eccentric clothing, such as a flowy dress and a large hat adorned with feathers.
As the group journeyed on, they encountered more characters, each one with their own unique quirks and personalities. They met a variety of people, some friendly and some not so friendly, but all of them adding to the mysterious and unknown nature of the Land of the Quirks.
As the group reached the end of their journey and found the “Key of Quirks”, they realized that the key was not just a physical object but a symbol of acceptance and embracing individuality. They learned that the true key to leaving the Land of the Quirks was understanding and accepting the quirks of oneself and others.
The group had a bittersweet goodbye with their new friends, Sproink, Flibbertigibbet, Gibber and Glimmer, and the other characters they had met. They knew that they would always carry a piece of the Land of the Quirks with them and would always remember the mysterious and eccentric adventure they had.
Topic: The Sexy Wooden Leg
The Rootians invaded Oocrane when everybody was busy looking elsewhere. They entered through the Dumbass region under the pretense of freeing it from Lazies who had infiltrated administrations and media. They often cited a recent short movie from president Voldomeer Zumbaskee in which he appeared in purple leather panties adorned with diamonds, showing unashamedly his wooden leg. The same wooden leg that gave him the status of sexiest man of Oocrane and got him elected. In one of his famous discourses, he accused the Rootian president, Valdamir Potomsky of wanting to help himself to their crops of turnip and weed of which the world depended. And he told him if he expected Lazies he would be surprised by their resolution to defend their country.
By a simple game of chance that reality is so fond of, the man who made the president’s very wooden leg was also called Voldomeer Zumbasky. They might share a common ancestor, but many times in the past population records were destroyed and it was difficult to tell. That man lived in the small city of Duckailingtown in Dumbass, near the Rootian border. He was renowned to be a great carpenter and sculptor and before the war people would come from the neighbooring countries to buy his work.
During the invasion, crops and forests were burnt, buildings were destroyed and Dumbass Voldomeer lost one leg. There were no more trees or beams that hadn’t been turned to ashes, and he had only one block of wood left. Enough to make another wooden leg for himself. But he wondered: wasn’t there something more useful he could do with that block of wood ?
One morning of spring, one year after the war started. Food was scarce in Duckailingtown and Voldomeer’s belly growled as he walked past the nest of a couple of swans. He counted nine beautiful eggs that the parents were arranging with their beaks before lying on top to keep them warm. He found it so touching to see life in this place that he couldn’t bear the idea of simply stealing the eggs.
He went back home, a shelter made of bricks, his stomach aching from starvation. Looking at the block of wood on the floor, he got an idea. He spent the rest of the day and night to carve nine beautiful eggs so smooth that they appeared warm to the touch. He put so much care and love in his work that the swans would see no difference.
The next morning he went back to the nest with a leather bag, hopping heartily on his lone leg. The eggs were still there and by chance both the parents were missing. He didn’t care why. He took the eggs and replaced them with the wooden ones.
That day, he ate the best omelet with his friend Rooby, and as far as one could tell the swans were still brooding by the end of summer.
In reply to: The Elusive Samuel Housley and Other Family Stories
From Tanganyika with Love
continued part 8
With thanks to Mike Rushby.
Morogoro 20th January 1941
Dearest Family,
It is all arranged for us to go on three months leave to Cape Town next month so
get out your flags. How I shall love showing off Kate and John to you and this time
George will be with us and you’ll be able to get to know him properly. You can’t think
what a comfort it will be to leave all the worries of baggage and tipping to him. We will all
be travelling by ship to Durban and from there to Cape Town by train. I rather dread the
journey because there is a fifth little Rushby on the way and, as always, I am very
queasy.Kate has become such a little companion to me that I dread the thought of leaving
her behind with you to start schooling. I miss Ann and George so much now and must
face separation from Kate as well. There does not seem to be any alternative though.
There is a boarding school in Arusha and another has recently been started in Mbeya,
but both places are so far away and I know she would be very unhappy as a boarder at
this stage. Living happily with you and attending a day school might wean her of her
dependance upon me. As soon as this wretched war ends we mean to get Ann and
George back home and Kate too and they can then all go to boarding school together.
If I were a more methodical person I would try to teach Kate myself, but being a
muddler I will have my hands full with Johnny and the new baby. Life passes pleasantly
but quietly here. Much of my time is taken up with entertaining the children and sewing
for them and just waiting for George to come home.George works so hard on these safaris and this endless elephant hunting to
protect native crops entails so much foot safari, that he has lost a good deal of weight. it
is more than ten years since he had a holiday so he is greatly looking forward to this one.
Four whole months together!I should like to keep the ayah, Janet, for the new baby, but she says she wants
to return to her home in the Southern Highlands Province and take a job there. She is
unusually efficient and so clean, and the houseboy and cook are quite scared of her. She
bawls at them if the children’s meals are served a few minutes late but she is always
respectful towards me and practically creeps around on tiptoe when George is home.
She has a room next to the outside kitchen. One night thieves broke into the kitchen and
stole a few things, also a canvas chair and mat from the verandah. Ayah heard them, and
grabbing a bit of firewood, she gave chase. Her shouts so alarmed the thieves that they
ran off up the hill jettisoning their loot as they ran. She is a great character.Eleanor.
Morogoro 30th July 1941
Dearest Family,
Safely back in Morogoro after a rather grim voyage from Durban. Our ship was
completely blacked out at night and we had to sleep with warm clothing and life belts
handy and had so many tedious boat drills. It was a nuisance being held up for a whole
month in Durban, because I was so very pregnant when we did embark. In fact George
suggested that I had better hide in the ‘Ladies’ until the ship sailed for fear the Captain
might refuse to take me. It seems that the ship, on which we were originally booked to
travel, was torpedoed somewhere off the Cape.We have been given a very large house this tour with a mosquito netted
sleeping porch which will be fine for the new baby. The only disadvantage is that the
house is on the very edge of the residential part of Morogoro and Johnny will have to
go quite a distance to find playmates.I still miss Kate terribly. She is a loving little person. I had prepared for a scene
when we said good-bye but I never expected that she would be the comforter. It
nearly broke my heart when she put her arms around me and said, “I’m so sorry
Mummy, please don’t cry. I’ll be good. Please don’t cry.” I’m afraid it was all very
harrowing for you also. It is a great comfort to hear that she has settled down so happily.
I try not to think consciously of my absent children and remind myself that there are
thousands of mothers in the same boat, but they are always there at the back of my
mind.Mother writes that Ann and George are perfectly happy and well, and that though
German bombers do fly over fairly frequently, they are unlikely to drop their bombs on
a small place like Jacksdale.George has already left on safari to the Rufiji. There was no replacement for his
job while he was away so he is anxious to get things moving again. Johnny and I are
going to move in with friends until he returns, just in case all the travelling around brings
the new baby on earlier than expected.Eleanor.
Morogoro 26th August 1941
Dearest Family,
Our new son, James Caleb. was born at 3.30 pm yesterday afternoon, with a
minimum of fuss, in the hospital here. The Doctor was out so my friend, Sister Murray,
delivered the baby. The Sister is a Scots girl, very efficient and calm and encouraging,
and an ideal person to have around at such a time.Everything, this time, went without a hitch and I feel fine and proud of my
bouncing son. He weighs nine pounds and ten ounces and is a big boned fellow with
dark hair and unusually strongly marked eyebrows. His eyes are strong too and already
seem to focus. George is delighted with him and brought Hugh Nelson to see him this
morning. Hugh took one look, and, astonished I suppose by the baby’s apparent
awareness, said, “Gosh, this one has been here before.” The baby’s cot is beside my
bed so I can admire him as much as I please. He has large strong hands and George
reckons he’ll make a good boxer some day.Another of my early visitors was Mabemba, George’s orderly. He is a very big
African and looks impressive in his Game Scouts uniform. George met him years ago at
Mahenge when he was a young elephant hunter and Mabemba was an Askari in the
Police. Mabemba takes quite a proprietary interest in the family.Eleanor.
Morogoro 25th December 1941
Dearest Family,
Christmas Day today, but not a gay one. I have Johnny in bed with a poisoned
leg so he missed the children’s party at the Club. To make things a little festive I have
put up a little Christmas tree in the children’s room and have hung up streamers and
balloons above the beds. Johnny demands a lot of attention so it is fortunate that little
James is such a very good baby. He sleeps all night until 6 am when his feed is due.
One morning last week I got up as usual to feed him but I felt so dopey that I
thought I’d better have a cold wash first. I went into the bathroom and had a hurried
splash and then grabbed a towel to dry my face. Immediately I felt an agonising pain in
my nose. Reason? There was a scorpion in the towel! In no time at all my nose looked
like a pear and felt burning hot. The baby screamed with frustration whilst I feverishly
bathed my nose and applied this and that in an effort to cool it.For three days my nose was very red and tender,”A real boozer nose”, said
George. But now, thank goodness, it is back to normal.Some of the younger marrieds and a couple of bachelors came around,
complete with portable harmonium, to sing carols in the early hours. No sooner had we
settled down again to woo sleep when we were disturbed by shouts and screams from
our nearest neighbour’s house. “Just celebrating Christmas”, grunted George, but we
heard this morning that the neighbour had fallen down his verandah steps and broken his
leg.Eleanor.
Morogoro Hospital 30th September 1943
Dearest Family,
Well now we are eight! Our new son, Henry, was born on the night of the 28th.
He is a beautiful baby, weighing ten pounds three and a half ounces. This baby is very
well developed, handsome, and rather superior looking, and not at all amusing to look at
as the other boys were.George was born with a moustache, John had a large nose and
looked like a little old man, and Jim, bless his heart, looked rather like a baby
chimpanzee. Henry is different. One of my visitors said, “Heaven he’ll have to be a
Bishop!” I expect the lawn sleeves of his nightie really gave her that idea, but the baby
does look like ‘Someone’. He is very good and George, John, and Jim are delighted
with him, so is Mabemba.We have a dear little nurse looking after us. She is very petite and childish
looking. When the baby was born and she brought him for me to see, the nurse asked
his name. I said jokingly, “His name is Benjamin – the last of the family.” She is now very
peeved to discover that his real name is Henry William and persists in calling him
‘Benjie’.I am longing to get home and into my pleasant rut. I have been away for two
whole weeks and George is managing so well that I shall feel quite expendable if I don’t
get home soon. As our home is a couple of miles from the hospital, I arranged to move
in and stay with the nursing sister on the day the baby was due. There I remained for ten
whole days before the baby was born. Each afternoon George came and took me for a
ride in the bumpy Bedford lorry and the Doctor tried this and that but the baby refused
to be hurried.On the tenth day I had the offer of a lift and decided to go home for tea and
surprise George. It was a surprise too, because George was entertaining a young
Game Ranger for tea and my arrival, looking like a perambulating big top, must have
been rather embarrassing.Henry was born at the exact moment that celebrations started
in the Township for the end of the Muslim religious festival of Ramadan. As the Doctor
held him up by his ankles, there was the sound of hooters and firecrackers from the town.
The baby has a birthmark in the shape of a crescent moon above his left eyebrow.Eleanor.
Morogoro 26th January 1944
Dearest Family,
We have just heard that we are to be transferred to the Headquarters of the
Game Department at a place called Lyamungu in the Northern Province. George is not
at all pleased because he feels that the new job will entail a good deal of office work and
that his beloved but endless elephant hunting will be considerably curtailed. I am glad of
that and I am looking forward to seeing a new part of Tanganyika and particularly
Kilimanjaro which dominates Lyamungu.Thank goodness our menagerie is now much smaller. We found a home for the
guinea pigs last December and Susie, our mischievous guinea-fowl, has flown off to find
a mate.Last week I went down to Dar es Salaam for a check up by Doctor John, a
woman doctor, leaving George to cope with the three boys. I was away two nights and
a day and returned early in the morning just as George was giving Henry his six o’clock
bottle. It always amazes me that so very masculine a man can do my chores with no
effort and I have a horrible suspicion that he does them better than I do. I enjoyed the
short break at the coast very much. I stayed with friends and we bathed in the warm sea
and saw a good film.Now I suppose there will be a round of farewell parties. People in this country
are most kind and hospitable.Eleanor.
Lyamungu 20th March 1944
Dearest Family,
We left Morogoro after the round of farewell parties I had anticipated. The final
one was at the Club on Saturday night. George made a most amusing speech and the
party was a very pleasant occasion though I was rather tired after all the packing.
Several friends gathered to wave us off on Monday morning. We had two lorries
loaded with our goods. I rode in the cab of the first one with Henry on my knee. George
with John and Jim rode in the second one. As there was no room for them in the cab,
they sat on our couch which was placed across the width of the lorry behind the cab. This
seat was not as comfortable as it sounds, because the space behind the couch was
taken up with packing cases which were not lashed in place and these kept moving
forward as the lorry bumped its way over the bad road.Soon there was hardly any leg room and George had constantly to stand up and
push the second layer of packing cases back to prevent them from toppling over onto
the children and himself. As it is now the rainy season the road was very muddy and
treacherous and the lorries travelled so slowly it was dark by the time we reached
Karogwe from where we were booked to take the train next morning to Moshi.
Next morning we heard that there had been a washaway on the line and that the
train would be delayed for at least twelve hours. I was not feeling well and certainly did
not enjoy my day. Early in the afternoon Jimmy ran into a wall and blackened both his
eyes. What a child! As the day wore on I felt worse and worse and when at last the train
did arrive I simply crawled into my bunk whilst George coped nobly with the luggage
and the children.We arrived at Moshi at breakfast time and went straight to the Lion Cub Hotel
where I took to my bed with a high temperature. It was, of course, malaria. I always have
my attacks at the most inopportune times. Fortunately George ran into some friends
called Eccles and the wife Mollie came to my room and bathed Henry and prepared his
bottle and fed him. George looked after John and Jim. Next day I felt much better and
we drove out to Lyamungu the day after. There we had tea with the Game Warden and
his wife before moving into our new home nearby.The Game Warden is Captain Monty Moore VC. He came out to Africa
originally as an Officer in the King’s African Rifles and liked the country so much he left the
Army and joined the Game Department. He was stationed at Banagi in the Serengetti
Game Reserve and is well known for his work with the lions there. He particularly tamed
some of the lions by feeding them so that they would come out into the open and could
readily be photographed by tourists. His wife Audrey, has written a book about their
experiences at Banagi. It is called “Serengetti”Our cook, Hamisi, soon had a meal ready for us and we all went to bed early.
This is a very pleasant house and I know we will be happy here. I still feel a little shaky
but that is the result of all the quinine I have taken. I expect I shall feel fine in a day or two.Eleanor.
Lyamungu 15th May 1944
Dearest Family,
Well, here we are settled comfortably in our very nice house. The house is
modern and roomy, and there is a large enclosed verandah, which will be a Godsend in
the wet weather as a playroom for the children. The only drawback is that there are so
many windows to be curtained and cleaned. The grounds consist of a very large lawn
and a few beds of roses and shrubs. It is an ideal garden for children, unlike our steeply
terraced garden at Morogoro.Lyamungu is really the Government Coffee Research Station. It is about sixteen
miles from the town of Moshi which is the centre of the Tanganyika coffee growing
industry. Lyamungu, which means ‘place of God’ is in the foothills of Mt Kilimanjaro and
we have a beautiful view of Kilimanjaro. Kibo, the more spectacular of the two mountain
peaks, towers above us, looking from this angle, like a giant frosted plum pudding. Often the mountain is veiled by cloud and mist which sometimes comes down to
our level so that visibility is practically nil. George dislikes both mist and mountain but I
like both and so does John. He in fact saw Kibo before I did. On our first day here, the
peak was completely hidden by cloud. In the late afternoon when the children were
playing on the lawn outside I was indoors hanging curtains. I heard John call out, “Oh
Mummy, isn’t it beautiful!” I ran outside and there, above a scarf of cloud, I saw the
showy dome of Kibo with the setting sun shining on it tingeing the snow pink. It was an
unforgettable experience.As this is the rainy season, the surrounding country side is very lush and green.
Everywhere one sees the rich green of the coffee plantations and the lighter green of
the banana groves. Unfortunately our walks are rather circumscribed. Except for the main road to Moshi, there is nowhere to walk except through the Government coffee
plantation. Paddy, our dog, thinks life is pretty boring as there is no bush here and
nothing to hunt. There are only half a dozen European families here and half of those are
on very distant terms with the other half which makes the station a rather uncomfortable
one.The coffee expert who runs this station is annoyed because his European staff
has been cut down owing to the war, and three of the vacant houses and some office
buildings have been taken over temporarily by the Game Department. Another house
has been taken over by the head of the Labour Department. However I don’t suppose
the ill feeling will effect us much. We are so used to living in the bush that we are not
socially inclined any way.Our cook, Hamisi, came with us from Morogoro but I had to engage a new
houseboy and kitchenboy. I first engaged a houseboy who produced a wonderful ‘chit’
in which his previous employer describes him as his “friend and confidant”. I felt rather
dubious about engaging him and how right I was. On his second day with us I produced
some of Henry’s napkins, previously rinsed by me, and asked this boy to wash them.
He looked most offended and told me that it was beneath his dignity to do women’s
work. We parted immediately with mutual relief.Now I have a good natured fellow named Japhet who, though hard on crockery,
is prepared to do anything and loves playing with the children. He is a local boy, a
member of the Chagga tribe. These Chagga are most intelligent and, on the whole, well
to do as they all have their own small coffee shambas. Japhet tells me that his son is at
the Uganda University College studying medicine.The kitchen boy is a tall youth called
Tovelo, who helps both Hamisi, the cook, and the houseboy and also keeps an eye on
Henry when I am sewing. I still make all the children’s clothes and my own. Life is
pleasant but dull. George promises that he will take the whole family on safari when
Henry is a little older.Eleanor.
Lyamungu 18th July 1944
Dearest Family,
Life drifts quietly by at Lyamungu with each day much like the one before – or
they would be, except that the children provide the sort of excitement that prohibits
boredom. Of the three boys our Jim is the best at this. Last week Jim wandered into the
coffee plantation beside our house and chewed some newly spayed berries. Result?
A high temperature and nasty, bloody diarrhoea, so we had to rush him to the hospital at
Moshi for treatment. however he was well again next day and George went off on safari.
That night there was another crisis. As the nights are now very cold, at this high
altitude, we have a large fire lit in the living room and the boy leaves a pile of logs
beside the hearth so that I can replenish the fire when necessary. Well that night I took
Henry off to bed, leaving John and Jim playing in the living room. When their bedtime
came, I called them without leaving the bedroom. When I had tucked John and Jim into
bed, I sat reading a bedtime story as I always do. Suddenly I saw smoke drifting
through the door, and heard a frightening rumbling noise. Japhet rushed in to say that the
lounge chimney was on fire! Picture me, panic on the inside and sweet smile on the
outside, as I picked Henry up and said to the other two, “There’s nothing to be
frightened about chaps, but get up and come outside for a bit.” Stupid of me to be so
heroic because John and Jim were not at all scared but only too delighted at the chance
of rushing about outside in the dark. The fire to them was just a bit of extra fun.We hurried out to find one boy already on the roof and the other passing up a
brimming bucket of water. Other boys appeared from nowhere and soon cascades of
water were pouring down the chimney. The result was a mountain of smouldering soot
on the hearth and a pool of black water on the living room floor. However the fire was out
and no serious harm done because all the floors here are cement and another stain on
the old rug will hardly be noticed. As the children reluctantly returned to bed John
remarked smugly, “I told Jim not to put all the wood on the fire at once but he wouldn’t
listen.” I might have guessed!However it was not Jim but John who gave me the worst turn of all this week. As
a treat I decided to take the boys to the river for a picnic tea. The river is not far from our
house but we had never been there before so I took the kitchen boy, Tovelo, to show
us the way. The path is on the level until one is in sight of the river when the bank slopes
steeply down. I decided that it was too steep for the pram so I stopped to lift Henry out
and carry him. When I looked around I saw John running down the slope towards the
river. The stream is not wide but flows swiftly and I had no idea how deep it was. All I
knew was that it was a trout stream. I called for John, “Stop, wait for me!” but he ran on
and made for a rude pole bridge which spanned the river. He started to cross and then,
to my horror, I saw John slip. There was a splash and he disappeared under the water. I
just dumped the baby on the ground, screamed to the boy to mind him and ran madly
down the slope to the river. Suddenly I saw John’s tight fitting felt hat emerge, then his
eyes and nose. I dashed into the water and found, to my intense relief, that it only
reached up to my shoulders but, thank heaven no further. John’s steady eyes watched
me trustingly as I approached him and carried him safely to the bank. He had been
standing on a rock and had not panicked at all though he had to stand up very straight
and tall to keep his nose out of water. I was too proud of him to scold him for
disobedience and too wet anyway.I made John undress and put on two spare pullovers and wrapped Henry’s
baby blanket round his waist like a sarong. We made a small fire over which I crouched
with literally chattering teeth whilst Tovelo ran home to fetch a coat for me and dry clothes
for John.Eleanor.
Lyamungu 16th August 1944
Dearest Family,
We have a new bull terrier bitch pup whom we have named Fanny III . So once
more we have a menagerie , the two dogs, two cats Susie and Winnie, and
some pet hens who live in the garage and are a real nuisance.As John is nearly six I thought it time that he started lessons and wrote off to Dar
es Salaam for the correspondence course. We have had one week of lessons and I am
already in a state of physical and mental exhaustion. John is a most reluctant scholar.
“Why should I learn to read, when you can read to me?” he asks, and “Anyway why
should I read such stupid stuff, ‘Run Rover Run’, and ‘Mother play with baby’ . Who
wants to read about things like that? I don’t.”He rather likes sums, but the only subject about which he is enthusiastic is
prehistoric history. He laps up information about ‘The Tree Dwellers’, though he is very
sceptical about the existence of such people. “God couldn’t be so silly to make people
so stupid. Fancy living in trees when it is easy to make huts like the natives.” ‘The Tree
Dwellers is a highly imaginative story about a revolting female called Sharptooth and her
offspring called Bodo. I have a very clear mental image of Sharptooth, so it came as a
shock to me and highly amused George when John looked at me reflectively across the
tea table and said, “Mummy I expect Sharptooth looked like you. You have a sharp
tooth too!” I have, my eye teeth are rather sharp, but I hope the resemblance stops
there.John has an uncomfortably logical mind for a small boy. The other day he was
lying on the lawn staring up at the clouds when he suddenly muttered “I don’t believe it.”
“Believe what?” I asked. “That Jesus is coming on a cloud one day. How can he? The
thick ones always stay high up. What’s he going to do, jump down with a parachute?”
Tovelo, my kitchen boy, announced one evening that his grandmother was in the
kitchen and wished to see me. She was a handsome and sensible Chagga woman who
brought sad news. Her little granddaughter had stumbled backwards into a large cooking
pot of almost boiling maize meal porridge and was ‘ngongwa sana’ (very ill). I grabbed
a large bottle of Picric Acid and a packet of gauze which we keep for these emergencies
and went with her, through coffee shambas and banana groves to her daughter’s house.
Inside the very neat thatched hut the mother sat with the naked child lying face
downwards on her knee. The child’s buttocks and the back of her legs were covered in
huge burst blisters from which a watery pus dripped. It appeared that the accident had
happened on the previous day.I could see that it was absolutely necessary to clean up the damaged area, and I
suddenly remembered that there was a trained African hospital dresser on the station. I
sent the father to fetch him and whilst the dresser cleaned off the sloughed skin with
forceps and swabs saturated in Picric Acid, I cut the gauze into small squares which I
soaked in the lotion and laid on the cleaned area. I thought the small pieces would be
easier to change especially as the whole of the most tender parts, front and back, were
badly scalded. The child seemed dazed and neither the dresser nor I thought she would
live. I gave her half an aspirin and left three more half tablets to be given four hourly.
Next day she seemed much brighter. I poured more lotion on the gauze
disturbing as few pieces as possible and again the next day and the next. After a week
the skin was healing well and the child eating normally. I am sure she will be all right now.
The new skin is a brilliant red and very shiny but it is pale round the edges of the burnt
area and will I hope later turn brown. The mother never uttered a word of thanks, but the
granny is grateful and today brought the children a bunch of bananas.Eleanor.
c/o Game Dept. P.O.Moshi. 29th September 1944
Dearest Mummy,
I am so glad that you so enjoyed my last letter with the description of our very
interesting and enjoyable safari through Masailand. You said you would like an even
fuller description of it to pass around amongst the relations, so, to please you, I have
written it out in detail and enclose the result.We have spent a quiet week after our exertions and all are well here.
Very much love,
Eleanor.Safari in Masailand
George and I were at tea with our three little boys on the front lawn of our house
in Lyamungu, Northern Tanganyika. It was John’s sixth birthday and he and Jim, a
happy sturdy three year old, and Henry, aged eleven months, were munching the
squares of plain chocolate which rounded off the party, when George said casually
across the table to me, “Could you be ready by the day after tomorrow to go on
safari?” “Me too?” enquired John anxiously, before I had time to reply, and “Me too?”
echoed Jim. “yes, of course I can”, said I to George and “of course you’re coming too”,
to the children who rate a day spent in the bush higher than any other pleasure.
So in the early morning two days later, we started out happily for Masailand in a
three ton Ford lorry loaded to capacity with the five Rushbys, the safari paraphernalia,
drums of petrol and quite a retinue of servants and Game Scouts. George travelling
alone on his monthly safaris, takes only the cook and a couple of Game Scouts, but this was to be a safari de luxe.Henry and I shared the cab with George who was driving, whilst John and Jim
with the faithful orderly Mabemba beside them to point out the game animals, were
installed upon rolls of bedding in the body of the lorry. The lorry lumbered along, first
through coffee shambas, and then along the main road between Moshi and Arusha.
After half an hour or so, we turned South off the road into a track which crossed the
Sanya Plains and is the beginning of this part of Masailand. Though the dry season was
at its height, and the pasture dry and course, we were soon passing small groups of
game. This area is a Game Sanctuary and the antelope grazed quietly quite undisturbed
by the passing lorry. Here and there zebra stood bunched by the road, a few wild
ostriches stalked jerkily by, and in the distance some wildebeest cavorted around in their
crazy way.Soon the grasslands gave way to thorn bush, and we saw six fantastically tall
giraffe standing motionless with their heads turned enquiringly towards us. George
stopped the lorry so the children could have a good view of them. John was enchanted
but Jim, alas, was asleep.At mid day we reached the Kikoletwa River and turned aside to camp. Beside
the river, under huge leafy trees, there was a beautiful camping spot, but the river was
deep and reputed to be full of crocodiles so we passed it by and made our camp
some distance from the river under a tall thorn tree with a flat lacy canopy. All around the
camp lay uprooted trees of similar size that had been pushed over by elephants. As
soon as the lorry stopped a camp chair was set up for me and the Game Scouts quickly
slashed down grass and cleared the camp site of thorns. The same boys then pitched the tent whilst George himself set up the three camp beds and the folding cot for Henry,
and set up the safari table and the canvas wash bowl and bath.The cook in the meantime had cleared a cool spot for the kitchen , opened up the
chop boxes and started a fire. The cook’s boy and the dhobi (laundry boy) brought
water from the rather muddy river and tea was served followed shortly afterward by an
excellent lunch. In a very short time the camp had a suprisingly homely look. Nappies
fluttered from a clothes line, Henry slept peacefully in his cot, John and Jim sprawled on
one bed looking at comics, and I dozed comfortably on another.George, with the Game Scouts, drove off in the lorry about his work. As a Game
Ranger it is his business to be on a constant look out for poachers, both African and
European, and for disease in game which might infect the valuable herds of Masai cattle.
The lorry did not return until dusk by which time the children had bathed enthusiastically in
the canvas bath and were ready for supper and bed. George backed the lorry at right
angles to the tent, Henry’s cot and two camp beds were set up in the lorry, the tarpaulin
was lashed down and the children put to bed in their novel nursery.When darkness fell a large fire was lit in front of the camp, the exited children at
last fell asleep and George and I sat on by the fire enjoying the cool and quiet night.
When the fire subsided into a bed of glowing coals, it was time for our bed. During the
night I was awakened by the sound of breaking branches and strange indescribable
noises.” Just elephant”, said George comfortably and instantly fell asleep once more. I
didn’t! We rose with the birds next morning, but breakfast was ready and in a
remarkably short time the lorry had been reloaded and we were once more on our way.
For about half a mile we made our own track across the plain and then we turned
into the earth road once more. Soon we had reached the river and were looking with
dismay at the suspension bridge which we had to cross. At the far side, one steel
hawser was missing and there the bridge tilted dangerously. There was no handrail but
only heavy wooden posts which marked the extremities of the bridge. WhenGeorge
measured the distance between the posts he found that there could be barely two
inches to spare on either side of the cumbersome lorry.He decided to risk crossing, but the children and I and all the servants were told to
cross the bridge and go down the track out of sight. The Game Scouts remained on the
river bank on the far side of the bridge and stood ready for emergencies. As I walked
along anxiously listening, I was horrified to hear the lorry come to a stop on the bridge.
There was a loud creaking noise and I instantly visualised the lorry slowly toppling over
into the deep crocodile infested river. The engine restarted, the lorry crossed the bridge
and came slowly into sight around the bend. My heart slid back into its normal position.
George was as imperturbable as ever and simply remarked that it had been a near
thing and that we would return to Lyamungu by another route.Beyond the green river belt the very rutted track ran through very uninteresting
thorn bush country. Henry was bored and tiresome, jumping up and down on my knee
and yelling furiously. “Teeth”, said I apologetically to George, rashly handing a match
box to Henry to keep him quiet. No use at all! With a fat finger he poked out the tray
spilling the matches all over me and the floor. Within seconds Henry had torn the
matchbox to pieces with his teeth and flung the battered remains through the window.
An empty cigarette box met with the same fate as the match box and the yells
continued unabated until Henry slept from sheer exhaustion. George gave me a smile,
half sympathetic and half sardonic, “Enjoying the safari, my love?” he enquired. On these
trying occasions George has the inestimable advantage of being able to go into a Yogilike
trance, whereas I become irritated to screaming point.In an effort to prolong Henry’s slumber I braced my feet against the floor boards
and tried to turn myself into a human shock absorber as we lurched along the eroded
track. Several times my head made contact with the bolt of a rifle in the rack above, and
once I felt I had shattered my knee cap against the fire extinguisher in a bracket under the
dash board.Strange as it may seem, I really was enjoying the trip in spite of these
discomforts. At last after three years I was once more on safari with George. This type of
country was new to me and there was so much to see We passed a family of giraffe
standing in complete immobility only a few yards from the track. Little dick-dick. one of the smallest of the antelope, scuttled in pairs across the road and that afternoon I had my first view of Gerenuk, curious red brown antelope with extremely elongated legs and giraffe-like necks.Most interesting of all was my first sight of Masai at home. We could hear a tuneful
jangle of cattle bells and suddenly came across herds of humped cattle browsing upon
the thorn bushes. The herds were guarded by athletic,striking looking Masai youths and men.
Each had a calabash of water slung over his shoulder and a tall, highly polished spear in his
hand. These herdsmen were quite unselfconscious though they wore no clothing except for one carelessly draped blanket. Very few gave us any greeting but glanced indifferently at us from under fringes of clay-daubed plaited hair . The rest of their hair was drawn back behind the ears to display split earlobes stretched into slender loops by the weight of heavy brass or copper tribal ear rings.Most of the villages were set well back in the bush out of sight of the road but we did pass one
typical village which looked most primitive indeed. It consisted simply of a few mound like mud huts which were entirely covered with a plaster of mud and cattle dung and the whole clutch of huts were surrounded by a ‘boma’ of thorn to keep the cattle in at night and the lions out. There was a gathering of women and children on the road at this point. The children of both sexes were naked and unadorned, but the women looked very fine indeed. This is not surprising for they have little to do but adorn themselves, unlike their counterparts of other tribes who have to work hard cultivating the fields. The Masai women, and others I saw on safari, were far more amiable and cheerful looking than the men and were well proportioned.They wore skirts of dressed goat skin, knee length in front but ankle length behind. Their arms
from elbow to wrist, and legs from knee to ankle, were encased in tight coils of copper and
galvanised wire. All had their heads shaved and in some cases bound by a leather band
embroidered in red white and blue beads. Circular ear rings hung from slit earlobes and their
handsome throats were encircled by stiff wire necklaces strung with brightly coloured beads. These
necklaces were carefully graded in size and formed deep collars almost covering their breasts.
About a quarter of a mile further along the road we met eleven young braves in gala attire, obviously on their way to call on the girls. They formed a line across the road and danced up and down until the lorry was dangerously near when they parted and grinned cheerfully at us. These were the only cheerful
looking male Masai that I saw. Like the herdsmen these youths wore only a blanket, but their
blankets were ochre colour, and elegantly draped over their backs. Their naked bodies gleamed with oil. Several had painted white stripes on their faces, and two had whitewashed their faces entirely which I
thought a pity. All had their long hair elaborately dressed and some carried not only one,
but two gleaming spears.By mid day George decided that we had driven far enough for that day. He
stopped the lorry and consulted a rather unreliable map. “Somewhere near here is a
place called Lolbeni,” he said. “The name means Sweet Water, I hear that the
government have piped spring water down from the mountain into a small dam at which
the Masai water their cattle.” Lolbeni sounded pleasant to me. Henry was dusty and
cross, the rubber sheet had long slipped from my lap to the floor and I was conscious of
a very damp lap. ‘Sweet Waters’ I felt, would put all that right. A few hundred yards
away a small herd of cattle was grazing, so George lit his pipe and relaxed at last, whilst
a Game Scout went off to find the herdsman. The scout soon returned with an ancient
and emaciated Masai who was thrilled at the prospect of his first ride in a lorry and
offered to direct us to Lolbeni which was off the main track and about four miles away.Once Lolbeni had been a small administrative post and a good track had
led to it, but now the Post had been abandoned and the road is dotted with vigourous
thorn bushes and the branches of larger thorn trees encroach on the track The road had
deteriorated to a mere cattle track, deeply rutted and eroded by heavy rains over a
period of years. The great Ford truck, however, could take it. It lurched victoriously along,
mowing down the obstructions, tearing off branches from encroaching thorn trees with its
high railed sides, spanning gorges in the track, and climbing in and out of those too wide
to span. I felt an army tank could not have done better.I had expected Lolbeni to be a green oasis in a desert of grey thorns, but I was
quickly disillusioned. To be sure the thorn trees were larger and more widely spaced and
provided welcome shade, but the ground under the trees had been trampled by thousands of cattle into a dreary expanse of dirty grey sand liberally dotted with cattle droppings and made still more uninviting by the bleached bones of dead beasts.To the right of this waste rose a high green hill which gave the place its name and from which
the precious water was piped, but its slopes were too steep to provide a camping site.
Flies swarmed everywhere and I was most relieved when George said that we would
stay only long enough to fill our cans with water. Even the water was a disappointment!
The water in the small dam was low and covered by a revolting green scum, and though
the water in the feeding pipe was sweet, it trickled so feebly that it took simply ages to
fill a four gallon can.However all these disappointments were soon forgotten for we drove away
from the flies and dirt and trampled sand and soon, with their quiet efficiency, George
and his men set up a comfortable camp. John and Jim immediately started digging
operations in the sandy soil whilst Henry and I rested. After tea George took his shot
gun and went off to shoot guinea fowl and partridges for the pot. The children and I went
walking, keeping well in site of camp, and soon we saw a very large flock of Vulturine
Guineafowl, running aimlessly about and looking as tame as barnyard fowls, but melting
away as soon as we moved in their direction.We had our second quiet and lovely evening by the camp fire, followed by a
peaceful night.We left Lolbeni very early next morning, which was a good thing, for as we left
camp the herds of thirsty cattle moved in from all directions. They were accompanied by
Masai herdsmen, their naked bodies and blankets now covered by volcanic dust which
was being stirred in rising clouds of stifling ash by the milling cattle, and also by grey
donkeys laden with panniers filled with corked calabashes for water.Our next stop was Nabarera, a Masai cattle market and trading centre, where we
reluctantly stayed for two days in a pokey Goverment Resthouse because George had
a job to do in that area. The rest was good for Henry who promptly produced a tooth
and was consequently much better behaved for the rest of the trip. George was away in the bush most of the day but he returned for afternoon tea and later took the children out
walking. We had noticed curious white dumps about a quarter mile from the resthouse
and on the second afternoon we set out to investigate them. Behind the dumps we
found passages about six foot wide, cut through solid limestone. We explored two of
these and found that both passages led steeply down to circular wells about two and a
half feet in diameter.At the very foot of each passage, beside each well, rough drinking troughs had
been cut in the stone. The herdsmen haul the water out of the well in home made hide
buckets, the troughs are filled and the cattle driven down the ramps to drink at the trough.
It was obvious that the wells were ancient and the sloping passages new. George tells
me that no one knows what ancient race dug the original wells. It seems incredible that
these deep and narrow shafts could have been sunk without machinery. I craned my
neck and looked above one well and could see an immensely long shaft reaching up to
ground level. Small footholds were cut in the solid rock as far as I could see.
It seems that the Masai are as ignorant as ourselves about the origin of these
wells. They do say however that when their forebears first occupied what is now known
as Masailand, they not only found the Wanderobo tribe in the area but also a light
skinned people and they think it possible that these light skinned people dug the wells.
These people disappeared. They may have been absorbed or, more likely, they were
liquidated.The Masai had found the well impractical in their original form and had hired
labourers from neighbouring tribes to cut the passages to water level. Certainly the Masai are not responsible for the wells. They are a purely pastoral people and consider manual labour extremely degrading.They live chiefly on milk from their herd which they allow to go sour, and mix with blood that has been skilfully tapped from the necks of living cattle. They do not eat game meat, nor do they cultivate any
land. They hunt with spears, but hunt only lions, to protect their herds, and to test the skill
and bravery of their young warriors. What little grain they do eat is transported into
Masailand by traders. The next stage of our journey took us to Ngassamet where
George was to pick up some elephant tusks. I had looked forward particularly to this
stretch of road for I had heard that there was a shallow lake at which game congregates,
and at which I had great hopes of seeing elephants. We had come too late in the
season though, the lake was dry and there were only piles of elephant droppings to
prove that elephant had recently been there in numbers. Ngassamet, though no beauty
spot, was interesting. We saw more elaborate editions of the wells already described, and as this area
is rich in cattle we saw the aristocrats of the Masai. You cannot conceive of a more arrogant looking male than a young Masai brave striding by on sandalled feet, unselfconscious in all his glory. All the young men wore the casually draped traditional ochre blanket and carried one or more spears. But here belts and long knife sheaths of scarlet leather seem to be the fashion. Here fringes do not seem to be the thing. Most of these young Masai had their hair drawn smoothly back and twisted in a pointed queue, the whole plastered with a smooth coating of red clay. Some tied their horn shaped queues over their heads
so that the tip formed a deep Satanic peak on the brow. All these young men wore the traditional
copper earrings and I saw one or two with copper bracelets and one with a necklace of brightly coloured
beads.It so happened that, on the day of our visit to Ngassamet, there had been a
baraza (meeting) which was attended by all the local headmen and elders. These old
men came to pay their respects to George and a more shrewd and rascally looking
company I have never seen, George told me that some of these men own up to three
thousand head of cattle and more. The chief was as fat and Rabelasian as his second in
command was emaciated, bucktoothed and prim. The Chief shook hands with George
and greeted me and settled himself on the wall of the resthouse porch opposite
George. The lesser headmen, after politely greeting us, grouped themselves in a
semi circle below the steps with their ‘aides’ respectfully standing behind them. I
remained sitting in the only chair and watched the proceedings with interest and
amusement.These old Masai, I noticed, cared nothing for adornment. They had proved
themselves as warriors in the past and were known to be wealthy and influential so did
not need to make any display. Most of them had their heads comfortably shaved and
wore only a drab blanket or goatskin cloak. Their only ornaments were earrings whose
effect was somewhat marred by the serviceable and homely large safety pin that
dangled from the lobe of one ear. All carried staves instead of spears and all, except for
Buckteeth and one blind old skeleton of a man, appeared to have a keenly developed
sense of humour.“Mummy?” asked John in an urgent whisper, “Is that old blind man nearly dead?”
“Yes dear”, said I, “I expect he’ll soon die.” “What here?” breathed John in a tone of
keen anticipation and, until the meeting broke up and the old man left, he had John’s
undivided attention.After local news and the game situation had been discussed, the talk turned to the
war. “When will the war end?” moaned the fat Chief. “We have made great gifts of cattle
to the War Funds, we are taxed out of existence.” George replied with the Ki-Swahili
equivalent of ‘Sez you!’. This sally was received with laughter and the old fellows rose to
go. They made their farewells and dignified exits, pausing on their way to stare at our
pink and white Henry, who sat undismayed in his push chair giving them stare for stare
from his striking grey eyes.Towards evening some Masai, prompted no doubt by our native servants,
brought a sheep for sale. It was the last night of the fast of Ramadan and our
Mohammedan boys hoped to feast next day at our expense. Their faces fell when
George refused to buy the animal. “Why should I pay fifteen shillings for a sheep?” he
asked, “Am I not the Bwana Nyama and is not the bush full of my sheep?” (Bwana
Nyama is the native name for a Game Ranger, but means literally, ‘Master of the meat’)
George meant that he would shoot a buck for the men next day, but this incident was to
have a strange sequel. Ngassamet resthouse consists of one room so small we could
not put up all our camp beds and George and I slept on the cement floor which was
unkind to my curves. The night was bitterly cold and all night long hyaenas screeched
hideously outside. So we rose at dawn without reluctance and were on our way before it
was properly light.George had decided that it would be foolhardy to return home by our outward
route as he did not care to risk another crossing of the suspension bridge. So we
returned to Nabarera and there turned onto a little used track which would eventually take
us to the Great North Road a few miles South of Arusha. There was not much game
about but I saw Oryx which I had not previously seen. Soon it grew intolerably hot and I
think all of us but George were dozing when he suddenly stopped the lorry and pointed
to the right. “Mpishi”, he called to the cook, “There’s your sheep!” True enough, on that
dreary thorn covered plain,with not another living thing in sight, stood a fat black sheep.There was an incredulous babbling from the back of the lorry. Every native
jumped to the ground and in no time at all the wretched sheep was caught and
slaughtered. I felt sick. “Oh George”, I wailed, “The poor lost sheep! I shan’t eat a scrap
of it.” George said nothing but went and had a look at the sheep and called out to me,
“Come and look at it. It was kindness to kill the poor thing, the vultures have been at it
already and the hyaenas would have got it tonight.” I went reluctantly and saw one eye
horribly torn out, and small deep wounds on the sheep’s back where the beaks of the
vultures had cut through the heavy fleece. Poor thing! I went back to the lorry more
determined than ever not to eat mutton on that trip. The Scouts and servants had no
such scruples. The fine fat sheep had been sent by Allah for their feast day and that was
the end of it.“ ‘Mpishi’ is more convinced than ever that I am a wizard”, said George in
amusement as he started the lorry. I knew what he meant. Several times before George
had foretold something which had later happened. Pure coincidence, but strange enough
to give rise to a legend that George had the power to arrange things. “What happened
of course”, explained George, “Is that a flock of Masai sheep was driven to market along
this track yesterday or the day before. This one strayed and was not missed.”The day grew hotter and hotter and for long miles we looked out for a camping
spot but could find little shade and no trace of water anywhere. At last, in the early
afternoon we reached another pokey little rest house and asked for water. “There is no
water here,” said the native caretaker. “Early in the morning there is water in a well nearby
but we are allowed only one kerosene tin full and by ten o’clock the well is dry.” I looked
at George in dismay for we were all so tired and dusty. “Where do the Masai from the
village water their cattle then?” asked George. “About two miles away through the bush.
If you take me with you I shall show you”, replied the native.So we turned off into the bush and followed a cattle track even more tortuous than
the one to Lolbeni. Two Scouts walked ahead to warn us of hazards and I stretched my
arm across the open window to fend off thorns. Henry screamed with fright and hunger.
But George’s efforts to reach water went unrewarded as we were brought to a stop by
a deep donga. The native from the resthouse was apologetic. He had mistaken the
path, perhaps if we turned back we might find it. George was beyond speech. We
lurched back the way we had come and made our camp under the first large tree we
could find. Then off went our camp boys on foot to return just before dark with the water.
However they were cheerful for there was an unlimited quantity of dry wood for their fires
and meat in plenty for their feast. Long after George and I left our campfire and had gone
to bed, we could see the cheerful fires of the boys and hear their chatter and laughter.
I woke in the small hours to hear the insane cackling of hyaenas gloating over a
find. Later I heard scuffling around the camp table, I peered over the tailboard of the lorry
and saw George come out of his tent. What are you doing?” I whispered. “Looking for
something to throw at those bloody hyaenas,” answered George for all the world as
though those big brutes were tomcats on the prowl. Though the hyaenas kept up their
concert all night the children never stirred, nor did any of them wake at night throughout
the safari.Early next morning I walked across to the camp kitchen to enquire into the loud
lamentations coming from that quarter. “Oh Memsahib”, moaned the cook, “We could
not sleep last night for the bad hyaenas round our tents. They have taken every scrap of
meat we had left over from the feast., even the meat we had left to smoke over the fire.”
Jim, who of our three young sons is the cook’s favourite commiserated with him. He said
in Ki-Swahili, which he speaks with great fluency, “Truly those hyaenas are very bad
creatures. They also robbed us. They have taken my hat from the table and eaten the
new soap from the washbowl.Our last day in the bush was a pleasantly lazy one. We drove through country
that grew more open and less dry as we approached Arusha. We pitched our camp
near a large dam, and the water was a blessed sight after a week of scorched country.
On the plains to the right of our camp was a vast herd of native cattle enjoying a brief
rest after their long day trek through Masailand. They were destined to walk many more
weary miles before reaching their destination, a meat canning factory in Kenya.
The ground to the left of the camp rose gently to form a long low hill and on the
grassy slopes we could see wild ostriches and herds of wildebeest, zebra and
antelope grazing amicably side by side. In the late afternoon I watched the groups of
zebra and wildebeest merge into one. Then with a wildebeest leading, they walked
down the slope in single file to drink at the vlei . When they were satisfied, a wildebeest
once more led the herd up the trail. The others followed in a long and orderly file, and
vanished over the hill to their evening pasture.When they had gone, George took up his shotgun and invited John to
accompany him to the dam to shoot duck. This was the first time John had acted as
retriever but he did very well and proudly helped to carry a mixed bag of sand grouse
and duck back to camp.Next morning we turned into the Great North Road and passed first through
carefully tended coffee shambas and then through the township of Arusha, nestling at
the foot of towering Mount Meru. Beyond Arusha we drove through the Usa River
settlement where again coffee shambas and European homesteads line the road, and
saw before us the magnificent spectacle of Kilimanjaro unveiled, its white snow cap
gleaming in the sunlight. Before mid day we were home. “Well was it worth it?” enquired
George at lunch. “Lovely,” I replied. ”Let’s go again soon.” Then thinking regretfully of
our absent children I sighed, “If only Ann, George, and Kate could have gone with us
too.”Lyamungu 10th November. 1944
Dearest Family.
Mummy wants to know how I fill in my time with George away on safari for weeks
on end. I do believe that you all picture me idling away my days, waited on hand and
foot by efficient servants! On the contrary, life is one rush and the days never long
enough.To begin with, our servants are anything but efficient, apart from our cook, Hamisi
Issa, who really is competent. He suffers from frustration because our budget will not run
to elaborate dishes so there is little scope for his culinary art. There is one masterpiece
which is much appreciated by John and Jim. Hamisi makes a most realistic crocodile out
of pastry and stuffs its innards with minced meat. This revolting reptile is served on a
bed of parsley on my largest meat dish. The cook is a strict Mohammedan and
observes all the fasts and daily prayers and, like all Mohammedans he is very clean in
his person and, thank goodness, in the kitchen.His wife is his pride and joy but not his helpmate. She does absolutely nothing
but sit in a chair in the sun all day, sipping tea and smoking cigarettes – a more
expensive brand than mine! It is Hamisi who sweeps out their quarters, cooks
delectable curries for her, and spends more than he can afford on clothing and trinkets for
his wife. She just sits there with her ‘Mona Lisa’ smile and her painted finger and toe
nails, doing absolutely nothing.The thing is that natives despise women who do work and this applies especially
to their white employers. House servants much prefer a Memsahib who leaves
everything to them and is careless about locking up her pantry. When we first came to
Lyamungu I had great difficulty in employing a houseboy. A couple of rather efficient
ones did approach me but when they heard the wages I was prepared to pay and that
there was no number 2 boy, they simply were not interested. Eventually I took on a
local boy called Japhet who suits me very well except that his sight is not good and he
is extremely hard on the crockery. He tells me that he has lost face by working here
because his friends say that he works for a family that is too mean to employ a second
boy. I explained that with our large family we simply cannot afford to pay more, but this
didn’t register at all. Japhet says “But Wazungu (Europeans) all have money. They just
have to get it from the Bank.”The third member of our staff is a strapping youth named Tovelo who helps both
cook and boy, and consequently works harder than either. What do I do? I chivvy the
servants, look after the children, supervise John’s lessons, and make all my clothing and
the children’s on that blessed old hand sewing machine.The folk on this station entertain a good deal but we usually decline invitations
because we simply cannot afford to reciprocate. However, last Saturday night I invited
two couples to drinks and dinner. This was such an unusual event that the servants and I
were thrown into a flurry. In the end the dinner went off well though it ended in disaster. In
spite of my entreaties and exhortations to Japhet not to pile everything onto the tray at
once when clearing the table, he did just that. We were starting our desert and I was
congratulating myself that all had gone well when there was a frightful crash of breaking
china on the back verandah. I excused myself and got up to investigate. A large meat
dish, six dinner plates and four vegetable dishes lay shattered on the cement floor! I
controlled my tongue but what my eyes said to Japhet is another matter. What he said
was, “It is not my fault Memsahib. The handle of the tray came off.”It is a curious thing about native servants that they never accept responsibility for
a mishap. If they cannot pin their misdeeds onto one of their fellow servants then the responsibility rests with God. ‘Shauri ya Mungu’, (an act of God) is a familiar cry. Fatalists
can be very exasperating employees.The loss of my dinner service is a real tragedy because, being war time, one can
buy only china of the poorest quality made for the native trade. Nor was that the final
disaster of the evening. When we moved to the lounge for coffee I noticed that the
coffee had been served in the battered old safari coffee pot instead of the charming little
antique coffee pot which my Mother-in-law had sent for our tenth wedding anniversary.
As there had already been a disturbance I made no comment but resolved to give the
cook a piece of my mind in the morning. My instructions to the cook had been to warm
the coffee pot with hot water immediately before serving. On no account was he to put
the pewter pot on the hot iron stove. He did and the result was a small hole in the base
of the pot – or so he says. When I saw the pot next morning there was a two inch hole in
it.Hamisi explained placidly how this had come about. He said he knew I would be
mad when I saw the little hole so he thought he would have it mended and I might not
notice it. Early in the morning he had taken the pewter pot to the mechanic who looks
after the Game Department vehicles and had asked him to repair it. The bright individual
got busy with the soldering iron with the most devastating result. “It’s his fault,” said
Hamisi, “He is a mechanic, he should have known what would happen.”
One thing is certain, there will be no more dinner parties in this house until the war
is ended.The children are well and so am I, and so was George when he left on his safari
last Monday.Much love,
Eleanor.In reply to: Seven Twines and the Dragon Heartwoods
“Tagada” said Margoritt to Tak, after feeding him the last spoon of the red clay paste mixture he had to take daily for the past week.
Glynnis had mixed a fine clay powder with the yellow flowers of the prikkperikum that grew in the nearby woods. It would little by little absorb the effects of the potion, and hopefully neutralise that garish greenish color off his face and fur.
Meanwhile, Glynnis had perfected her own treatment by analysing the leftover salvaged from the lotion. Tak, with his sharp olfactory senses when he turned into a puppy, had helped her identify the plants and minerals used in the potion, as he felt bad about the whole thing. She’d liked to spend time chasing with puppy Tak after plants into the mountain woods, the nearby plains, and once even as they went as far as the heathlands where a evil wind blew… too close to the heinous machinations of Leroway to desecrate the land of old.
Thankfully, this time, she had properly labelled the lotion, with the cute picture of a skull adorned with a flower garland, under a smiling full moon. She wasn’t sure it would be of much use to ward off gluttons, but it put a smile on her face every time she looked at it.
With the full moon a day’s ahead, she started to grow restless. Even Eleri had noticed, and she wasn’t one to notice subtleties. While she’d encouraged Hasam’ to start to work at something outside with his hands, like building a magic rainproof dome — working with his hands was something the God would find himself endlessly bemused at — she’d started her plan to glamour-bomb the forest with placing at the most unusual places hundreds of concrete statues of little fat men wearing doilies. Something Gorrash obviously felt he was the inspiration for. In truth, it wasn’t far from it, as she’d taken the opportunity of a bright day of his stone sleep to make a plaster mold of him, and then artistically adjust postures and decorum to get her little fat men done. Gorrash had felt so appreciative of the likeness, probably encouraged in that thought by the rest of Rainbow’s babies dancing around him, that he even helped her ferry the heavy cargoes to the oddest destinations.
In reply to: Seven Twines and the Dragon Heartwoods
The dinner had already started, the roasted chicken half devoured, and Fox turned redder when he saw Rukshan’s dismayed look. The Fae seemed much too rigid at times.
It was a good and cheerful assembly, and Lahmom the traveller of the high plateaus, with her adorned cowboy hat always proudly put on her golden locks of hair, was telling them of the shamanic practices of the people of those far-away places she had seen in her voyages.
It was all fascinating to hear, she had such a love for the people that she beamed though her sparkly eyes when she was telling them the tales of those shamans, and how they would drum in circles and be able to communicate with their group spirit…“We should do that sometimes” a surprisingly talkative Gorrash said, as he munched his way though a large ear of maize. He seemed almost drunk on the fermented goat milk that he had found pleasantly attracted to.
“Oh, I’m sure we can find some old skin somewhere around my stuff” Margoritt said, amused at the idea of the challenge.
Lahmom winked at Tak who was hiding behind his plate, but not missing any word of the lively exchanges.“In all your travels, have you been to any of those places?” Lahmom asked Yorath who seemed distracted.
“I’m sorry, what?” he wasn’t paying too much attention “Has anybody seen Eleri?”In reply to: Synchronicity
Not sure if this link will work to Oba’s song lyrics, but the bones of the sync are this:
“We’re goin’ out tonight bejeweled and adorned
A Horus Line’s performing at the Gates Of Horn
Mummies get boners and their wrappings unfurl
At the sight of my Memphis girlShe is so extraordinary
Strolling through the mortuary
The Necropolis aint half that scary
OOOOH! Memphis girl…”
In reply to: Circle of Eights, Stories
— Wait!
A small impish gnomesque figure wearing a black and white tunic adorned with a silver blazon was standing in front of Claude, formerly known as Number Four.
Claude was reading to fight, and extricate himself of that stinky situation, starting to feel the powerful strength the treatment had given him and feeling virtually unstoppable.
Considering that such a small individual, especially unarmed, wasn’t much of a threat, he stopped in his track, wondering if that was part of a subtle stratagem.— What do you want?
— We do not want you harm, stranger. We are aware of the experiments which have been done on you, and we are sorry for what has been done…
— Oh, don’t be, I feel better than I’ve been in ages
— Yes, we saw that, though we are not that sure that the treatment effects are permanent either…
— Not permanent? What have you done to me?
— Nothing. There is nothing to fear from us, we are peaceful. We are a wing of a group of individuals whose primary skills lay in robbing. We are mostly hired to retrieve precious possessions in great discretion and you could consider yourself lucky to have seen us in our true form.
— Us? How many are you?
— A few… We gave you a mixture of plants and magnetite powder to help you stabilize your situation, apparently it has succeeded.
— Mmm, perhaps yes…
— Another thing you probably want to know before we help you get rid of these bandages if you want. During your sleep, you muttered lots of things, one of which was a name: “Sasha”.
— Sasha?
— Yes. I’m afraid we believe that the individual you were calling is dead. We monitored the doctor’s assistant when she disposed of the body. It was not pretty. I thought you should know.Despite his mission, Claude couldn’t help but feel sorry; Sasha’s sweet voice had been such a comfort during the last days of his transformation…
Robbers they say… Hope we’re not after the same thing…
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