Search Results for 'exploring'

“Oooh, isn’t that a funny place” Granola was surprised to have jumped in the odd unexplored corners of the story.
“No wait, that’s just a rambling thread, not even a story… No matter.”

While the paint was drying on the fresh developments, she had found herself slowed down and frozen in still frames while she was waiting for her friends to move the characters along. It was a rather unpleasant situation —granted, it was still a nice change from the erratic jumps from mental spaces to mental spaces.
But, now it was getting boring, and when her monkey mind was getting bored, she started to shift again.
She blinked back a few times; it was like hitting a refresh button to see if the characters had moved while she was gone, after all, her focus Tiku has her own agency. But since all time was now, it was really just a matter of tuning to the right frequency and follow the mood. Gosh, she started to think like Ailil; it wasn’t a comforting thought.

“What is there to learn here? I’m obviously getting lost in sideway explorations.”

She was familiar with the theory of the Hero’s Journey (or Heroine, thank you), and she found that progress and fun was often found in the most chaotic of places, exploring and transcending the unknown. Even if the natural tendency was to draw back to the known. But known is boring and stale, right?

The Man in Pistachio was still somewhere around, with the Teleporter in Pink, and the Telepath in Teal. That much was known, but not much else.
It was tempting to add more things to the known, like their names, and garments and things. How long before these known would lead to more forgotten things?

Would she dare? After all, nobody was here to see and judge. And what’s more, it would beat the waiting for another plot advancement.

She decided to be the Grinner in Bordeaux. Wait, that was too poetic, and too confusing… and too French.
So, let us be the Red Woman in Grin.

And she would be called Josette.

The day after their arrival, Alexandria took Leroway and Jolly on a tour of the abandoned village, inviting them to choose a dwelling for themselves. The other new arrivals had chosen places with the least structural damage, places with roofs remaining, regardless of the size or position, for reasons of immediate practicality. Leroway set his sights on the grandest house just outside the castle walls, perched above the other houses. There was very little roof left, but the thick stone walls were standing firm, and the gaping windows provided impressive views. Jolly was delighted with the spacious inner courtyard and crumbling fountain, picturing the flowering Solandra vines she would plant there once the restorations had been completed.

Leroway had been making mental notes of salvagable materials as they toured the village, and had soon enlisted the help of Lobbocks and a few of the other young men to drag sheets of corrugated iron from crumbling pig pens and stables and other useable items up the winding streets to the house. To cut a long story short, it wasn’t long at all before Leroway had the new villagers organized into efficient teams, under his innovative direction.

Trustinghampton started to take shape. More people arrived and joined in the reconstruction process. Shelter, firewood, and food were the priorities, but Leroway had ideas for the future and during the scavenging he started to collect potentially useful items in the barn adjoining his house.

Jolly and Eleri became friends, and spent much of their days exploring the surrounding countryside in search of edible or medicinal ~ or indeed magical ~ plants. After their walks they conferred with the old woman, Cornelia, showing her the plants they’d gathered and comparing notes on their potential uses. The young women were well versed in plant lore, but the old one had the benefit of a lifetimes learning and experience.

Cornelia had always lived just outside the village, and had watched the old inhabitants gradually die off or move to the lowlands. The last ones to leave had begged her to join them, but she had refused. She had been born next to the old stones and she would die next to them. Eleri and Jolly had asked her about those strange stones, and Cornelia had enigmatically replied that one day she would tell them the secrets of the stones. When the time was right.

Glynis rose at dawn to gather herbs for her potions—it is the best time to collect the flowered herbs, just as the dew evaporates and before the heat of the day. And usually she loves the freshness of the early morning but her night had been long and restless, full of strange dreams which had left her with an uneasy feeling.

The grass is cold on her bare feet and so she treads lightly and with haste. She stops though to pat the statue of a dwarf on his small concrete head. “Hello, Mr Cutie-Pie,” she says, as she does every day when she passes by. The dwarf is the only statue in the garden and she often wonders how he came to be there; he seems a lonely little chap.

When she first came upon the house, although house is not really a grand enough word for the beautiful mansion it must once have been, she spent hours exploring its many rooms. It seemed the occupants had left in a great hurry without ever returning for their things. This seemed strange to Glynis, for only one wing was badly damaged by fire. The rest was largely intact although over the years had fallen into disrepair and now was home to all manner of small critters.

Corrie:

Aunt Idle had passed out in the armchair drinking her sherry last night when I went to show her what me and Clove found online when we were googling map stuff, mumbling she was and dribbling a bit. Prune said something peculiar, but when pressed she wouldn’t explain what she meant. Something about Aunt Idle speaking in the same funny accent as Grace, though gawd knows who Grace is, Prune wouldn’t say. Secretive little bugger, our Prune.

After breakfast Aunt Idle asked how our home schooling was going this week, so I told her we’d been exploring geographical anomalies and rare maps. She had an impressed look on her face; that is, until we showed her the link we’d found about the mysterious box full of maps and diagrams. That’s when her hand flew to her mouth, just like the other day when she saw us carrying that map covered mannequin up the drive.

“1977! Oh my god!” she exclaimed, and then “Tampa! Florida! of course!” and then infuriatingly, wouldn’t explain what she meant.

Corrie:

It was the look on Aunt Idle’s face when she saw them that scared me. There’s something strange going on, and not just everyone acting weird, that’s pretty normal around here, but this was a different kind of weird.

When Aunt Idle nearly suffocated me with that big hug while she was trying to hide that piece of paper, I didn’t think anything of it. Probably hiding another bill I thought, not wanting us to worry about the debts piling up. Mater wandering off like that was pretty strange, but old people do daft things. I knew all about it because I’d been reading up on dementia. They imagine things and often feel persecuted, claim someone stole their old tea set, things like that, forgetting they gave it away 30 years ago, stuff like that. So I wasn’t worried about either of them acting strange when Clove and I decided to go treasure hunting in the old Brundy house, we just decided to out and explore just for the hell of it, for something to do.

The Brundy house was set apart from the rest of the abandoned houses, down a long track through the woods, nice and shady in the trees without the sun glaring down on our heads. Me and Clove had been there years ago but we were little then, and scared to go inside, so we’d just peeked in the windows and scared each other with ghost and murderer stories until we heard a bang inside and then ran like hell until we couldn’t breathe. Probably just a rat knocking something over, but we never went back. We weren’t scared to, it was further to walk to the Brundy place and there were so many other abandoned houses to play in that were closer to home.

We weren’t scared to go inside this time. It was a big place, quite grand it must have been back in the day, big entrance hallway with an awesome staircase like in Gone With the Wind where Scarlett fell down the stairs, but the stair carpet was all in shreds and some of the steps banisters were broken, but the steps looked sound enough so up we went, for some reason drawn up there first before exploring the ground floor rooms.

Clove turned left at the top of the stairs and I turned right and went into the first bedroom. My hand flew to my mouth. I wonder why we do that, put a hand over our mouth when we’re surprised, well that’s what I did when I saw the cat mummy on the bed. I didn’t scream or anything, not like Clove did a minute later from the other side of the house. It wasn’t a mummy with bandages like an Egyptian one, it was just totally desiccated like a little skeleton covered in bleached leather. It was a fascinating thing to see really but the minute I heard Clove scream I ran out of the room and down the landing. It’s not like Clove to scream. Well who screams in real life, the only time I ever heard screaming was in a movie. People usually say what the fuck or oh my god, they don’t scream. But Clove screamed when she saw the room full of mannequins because to be fair it did look like a room full of ghosts or zombies in the half light from the shuttered windows. She was laughing by the time I reached her, a bit hysterically, and we clutched each other as we went over to open the shutters to get a better look. It was pretty creepy, even if they were only mannequins.

They were kind of awesome in the light, all covered in maps, there were 22 of them, we counted them, a whole damn room full of map covered mannequins in various poses, men, women and kid sized. Really clever the way the maps were stuck all over them, looked like arteries and veins, and real cool the way Riga joined up with Boston, and Shanghai with Lisbon, like as if you really could just travel down a vein from Tokyo to Bogota, or cross a butt cheek to get from Mumbai to Casablanca.

We hadn’t noticed at first that we’d been shuffling through a load of paper on the floor. The floor was covered in ripped up maps, must have been hundreds of maps all torn up and strewn all over the floor.

“There’s enough maps left over to do one of our own, Corrie” Clove said, reading my mind. “Let’s take some home and stick them all over something.”

“We haven’t got a mannequin at home though” I replied, but I was thinking, why not take a mannequin home with us, and some maps, and decide what to do with them later.

So that’s what we did. We gathered up the biggest fragments of map off the floor and rolled them all up and used my hair elastic to hold them together, and carried a mannequin all the way home. The sun was going down so we had to hurry a bit down the track. Clove didn’t help when she said we must look like we’re carrying a dead body with rigor mortis, that made us collapse laughing, dropping the mannequin on its head. Once we got the giggles it was hard to stop, and it made our legs weak from laughing.

We got home just as the last of the evening light disappeared, hauled the mannequin up the porch steps, where Aunt Idle was standing with her hand over her mouth. Well, that was to be expected, naturally she’d be wondering what we were carrying if she was watching us come up the drive carrying a body. It was later, when we unfolded the maps, that the look on her face freaked me out.

Most of the houses in Bonemarsh were uninhabited, in various stages of dust and decay. A number of them had been left with their interiors intact though, as if the occupants had just not come home from work one day. Exploring the empty houses was a wonderful game for the few children left in the town ~ full sized play houses, complete with full sized toys. No tiny prams or miniature tools were required to play pretend with, as they had the real things at their disposal.

Exploring the wardrobes and trunks under the beds had given them many strange costumes and unexplainable objects to play with. The children didn’t really wonder about all the wigs, not at the time, they were just delighted to have so many to play with. Later, in retrospect, they wondered why a mining town had quite so many wigs.

Lisa awoke first, sticky with sweat. Quietly, she jiggled her leg which was dead from lack of circulation, letting the others sleep. There may not be much time for rest, she reasoned, we know not what the next chapter will bring, or where it will lead. She closed her eyes again, and contemplated the feeling of restriction, thinking about other times when she had felt restricted or blocked.

There was that time when she joined the creative collaberative writing group many years ago, with the intention of developing a free flow of inspiration and imagination. Indeed that was what the advertising bumph had professed, that it was to assist people to release themselves from their writers blocks, unleash their imaginative potential, free their souls to express themselves unhindered by protocol or hidebound tradition. It had all seemed like just the ticket, just what she wanted, and she had dived into the project and gloried in the unexpected things that were born from simply letting the words flow. But then a strange thing started to happen. Every time she went to the class, her contributions were criticized, scoffed at for not following the plan, despite that there was no plan ~ no plan had been mentioned in the small print when she signed up, anyway. But other people had made plans for what she was to write, and it confused her greatly. It was troublesome because the more she enjoyed the process of writing itself, the more discouraging the group became with it’s constant criticisms of the right way to approach the process. Instead of promoting less restrictions, it was constantly advocating more restrictions, more rules to follow, endlessly complicating it all. What made it all the worse was that she so enjoyed it, looked forward to it, and benefited so much from it. Well, she had used the experience to practice not minding about other peoples opinions and to carry on regardless, not restricting herself to acquiesce to other peoples expectations, exploring her own stories and connecting links and layers with other stories ~ wasn’t that what life was all about? take what you want, and leave the rest? Steer your own ship?

Her meandering thoughts led her to the words of the old dead guru, Elbutt. Love doesn’t mean liking every comment, he had said, Love means knowing and appreciating the whole story, the whole scenario. It didn’t mean you had to find something likable about each and every role, but to acknowledge and appreciate the whole and that the roles that were played within it were a part of that whole, regardless of whether you liked them or not. That definition of love had made a great deal of sense to Lisa, who was not one to use the love word overmuch.

A cockroach climbing on her foot distracted Lisa from her thoughts, and she absentmindedly brushed it off. The cockroach was not deterred, and returned to climb on her foot repeatedly until Lisa suddenly remembered Pseu. The cockroach, once it was sure it had Lisa’s attention, scurried out into the courtyard adjoining the Processing department waiting room, stopping on a manhole cover, and then returning to Lisa’s foot, and then returning to the manhole cover.

“Are we to go down there?” whispered Lisa, pretending to cough as a guard walked past. The cockroach did a pirouette as if to confirm. Lisa furtively looked around. The guard had gone; it was time to wake Ivan and Fanella.

Some update on the current plots and maps:

Queens Team

Our main protagonists seem to have yet to digest their past adventure…

In Marseille, 2121, contestants in a Drag Queen’s contest, they had their first mission through Time Sewer mysteriously sending them in Louis XV’s Versailles, and start a quest for mysterious ferrets with keys, helped in their travelling by their ex-judge turned chaperon Sadie, equipped with an all purpose e-zapper, and the batty Sanso always keen on providing the strangest travelling devices.

They find one of the keys in the stolen ferret left in the Chapel before they even really start on their quest. Not long after that, they are also robbed of their dance opportunity and show minutes before the attempt on the King’s life, due to the network cancelling their show (and decommissioning the Time Sewer). In a last ditch attempt from Linda Pol to provide the network with a valuable pilot material for the television show, she remembers references of a crystal (sent to her anonymously), and have the Queens propelled in year 2222, Big Island, Hawaii. On arrival, they chill and get sidetracked on a visit to a (you guessed it, mysterious) techromancer.

It all appears to be part of the plan to gain life-everlasting by transmuting gold of a (yes, mysterious) cranky old billionaire in kilts named Jonbert who is living in a time-travelling submarine with sentient robots, and who has manipulated events so that the Drag Queen show would place them in possession of a special set of keys that he could then retrieve from them.
Unsurprisingly, nothing works for him as planned.

Unknown to him, the Queens had only secured one of the keys, the other being unwittingly carried away by maids of Versailles during their balloon escape, with a parrot named Huhu. Manipulated by Irina, a… err… mysterious Russian socialite with a trusty robot Mr R at her side, the parrot steals the key, but faints of exhaustion during the escape in the ocean. The parrot is however rescued by on a ghost galleon and revived by its occupants, who are on their way to a particularly momentous whale gathering in 2222. Sidetracked by a navigation tile displacement, they are in the end successful in beating the odds and arrive too in Hawaii 2222.

Equipped in breathing wetsuits, the Queens are sent in the depths of the ocean, where their clumsy and noisy explorations are carefully followed by the octopi and other inhabitants of the underwater world.
They get sidetracked and temporarily separated when some go exploring underwater caves.
Whales are gathering, and activating the giant crystal, when everyone arrives at the scene. Somehow, Mr R on Irina’s orders manages to provide to an unsuspecting Sadie the second key, which has been expertly tempered with.
Sadie, realizing this is the missing key, activates it, and unleashes a chain of events leading to a earth-shattering revelations and a breathtaking video of a St Germain hologram doing karaoke with whales and other gyrating cetaceans drunk on red algae.

The network is saved, and they are safely sent back to Marseille, where they are welcomed back by Linda Pol. It earns them a contract, which turns out to be mostly for the decommissioned Time Sewer maintenance.
They plan to turn it into a bar, in a re-enactment of their minute of fame, with fat pole-dancers as whales, and St-Germain impersonators singing contests.
Not much is heard from Sadie, who had managed to get a raise and less working hours, or of Linda Pol, last seen in Maui island, Hawaii, 2121.

With the aid of the holographic map, Irina, Mr R and little Greenie have been exploring the island.
The next day they found a crashed plane from Aeroflot, not very far from their own landing spot. It was half burried in the mud and covered in green mossy vegetation. The doors were open as an irresistible invitation to enter.

“A surprise, Mr R. I thought that this place was on your map. If I remember well, it didn’t show such an object.”
“Forgive me, madam, indeed this plane wasn’t there when I triangulated the map I showed you.”
“You mean it’s fresh ?” Irina’s voice seemed to suddenly carry some interest. “Maybe we can find some survivors”, she added, already doubting it considering all the moss on teh metallic shell.
“I’m afraid we won’t, madam. I didn’t want to bother you with that little detail until I was sure. There are objects on this island that only appear after a certain date. Have you noticed it also happens with the vegetation and the insects ?”
Irina pouted, “I prefer leaving that to your expertise.”
“Of course, madam”, said the robot, affable. “The paradox is…”
“Another paradox ? How interesting.”
“…that it doesn’t seem to include us, or that little person.”
“Any idea what the implications are ?” Irina began to wonder if there was any danger of being stuck permanently on this island.
“I have several hypothesis”, he began, “The most probable is the lost room hypothesis. We arrived there through time space displacement and are not a natural part of this environment, hence we don’t change with its natural environment or inhabitants because we are not under it’s time sequence according to the Lehmon’s law.”

Irina pouted. She looked at little greenie and thought of the implications about how their new friend arrived there. Whenre did she come from ? For her to be a bog mummy, she must have been there a long time. Or did she arrived already bogged ?
Something caught her attention about the plane and distracted her of further thinking about the subject of their continuity risk in this place. The logo of the plane looked not so oldish.
“Mr R. ? What do you think the date of the crash was ?”
“The plane was lost in 2112.”

Without further thought about safety, she entered the plane, followed first by little Greenie as she have been calling her new protegee, and by the robot who despite still talking about technicalities of accidental space time crossing theory, had turned on his speleo lights.

Interestingly enough, Irina noted the clothes on the chairs or in the alleyways, here a pair of glasses, there a necklace, all layered as if the person wearing them had been puffed away.

“Well, well, what have we here ? The light Mr R, please,” said Irina with as much excitement as a snail. He obliged her with his usual professionalism, revealing a teal blue scarf with pistachio green spirals. She took the cloth and stretched it to have a better look. It was one of those artistic kind of hippy abstract patterns connecting you to the cosmos.
“I can’t think of anybody who would buy that thing, maybe she stole it from one of those duty free shops before they took off,” she said as petulantly as a pitfall trap.
“Come here little Greenie, it’s time to make you pretty.”

Irina did not have the chance to play with dolls when she was a kid, she didn’t know if she had some psychological lack or a bad doyle dating from that unremembered period of her life. She had compensated by toying with real people, playing with their emotions and deeper needs, or what they thought they needed. She became an expert at manipulating others, which gave her her first job in insurances, and then in the secret services. But then, she dealt with adults, showing emotions, or a certain level of brain activity. She wasn’t used to children stored in bogs.

She tried to put the scarf on Greenie’s head, and to smile like she had seen people do in the movies. Although something unexpected happened. Greenie became suddenly distressed and agitated. Then, she punched Irina in the face and began to mumble incoherent things.
That child is stronger than I thought. And at the same time, she noticed a name in that gibberish. Didnt she just shout : “I frigging love you, Sadie Merrie.”

“Her brainwave is showing unusual activity”, stated Mr R. “And my sensors indicate the presence has returned, with some friends. They just appeared outside of the plane.”

This is a different kettle of fish altogether from my last diving experience, Consuela was thinking. Why, this is such fun, I can not resist exploring further. Bugger those elusive tentacles, I simply must see what’s around the next bend in this watery tunnel.
Right or left? she wondered when a side tunnel branched off. She had a vague idea that turning left was perilous, so she turned right, and shortly came to a junction of eight cave tunnels leading up, down and sideways. One of the tunnels had a sign over the entrance crafted from purple limpets, saying “Get Your Mermaid Shoehorns Here”. Another tunnel entrance had a sign made of artificially manipulated pink coral saying “Willy Wave’s Wigs ~ new tentacle and seaweed designs” which was tempting, but it was the “Bloater’s Floater Bar” that seemed the most attractive choice of the moment. Consuela was curious to meet the inhabitants of this unexpected world, and the enticement of a “free cork floating bums with your first plankton smoothie” was hard to resist.

There was no place like home, notwithstanding that home could be considered to be anywhere at all. Home in this case was Blithe’s patio one balmy September evening. Citronella candles flickered on the table, and coloured fairy lights strobed in strings along the facade of the house. A rosy glow emanated from the bedroom window and Blithe took a snapshot, noticing later the fly screen visible, overlayed onto the bedroom scene. Not only was the view of the bedroom limited by the width of the camera lens, it was also limited in the sense that the wire screen was obscuring almost half of what would have been visible if the photograph had been taken from the other side of the screen, or, with no screen at all in between the lens and the view of the room. However, despite having such a partial view of the whole, the remainder that was viewable was still identifiable as a bedroom.

Blithe wasn’t about to remove the screen however, because it was doing its job of screening, or filtering out, the unwanted insects. That wasn’t to say that she was denying the existance of those insects, or that they weren’t welcome on the other side of the screen, just that she was selectively screening the unwanted items from a particular scene. If, for example, the room was full of insects, Blithe might have been preoccupied with them, to the exclusion of whatever else she might have preferred to focus on within the bedroom. Out on the patio, however, the insects were, if not always entirely welcome, appreciated. The praying mantis and the dragonfly were welcome, and the butterflies and moths were always welcome, because Blithe had associated the energy of those insects with familiar welcome energies. The wasps, flies and ants were not translated in the same way, but were appreciated for entirely different reasons, being an aid to exploring such issues as irritation (and occasionally, pain). Blithe had to admit that despite the praying mantis and dragonfly being welcome, it would not be true to say that they were welcome in the bedroom, however.

There had been times when Blithe wished that the whole patio was enclosed in screens, but the trouble with screens was that they tended to filter out everything of a certain size, although perhaps that was more a beleif about physical screens than anything else. Was it possible to filter out flies and wasps, but allow dragnflies and butterflies? Possible surely, she thought, but perhaps not with physical wire screen devices and associated beleifs.

A few days previously Blithe had cleaned the mesh filter on her kitchen tap, unrestricting the flow. Coincidentally, her friend had also had a tap mesh restricted flow incident, and had removed the mesh filter altogether. Another friend had removed a window screen for cleaning, and had chosen not to replace it, as she was appreciating the allowance of much more light. And then another friend had mentioned a dream, of dragonflies under a screen that was covering a pool. She had lifted the screen in the dream, to allow the dragonflies to escape, and yet some of the dragonflies chose to stay under the screen.

Intrigued with the words screen and mesh, which meant the same thing in one respect, but not in others, Blithe investigated the definitions. To screen could be to filter out the unwanted, but to mesh was to weave together. But were they so different, really? A screen was also a blank place on which to project images ~ meshed and woven selectively screened and filtered images, perhaps.

{link ~ weaving}

While Yuhara and Sylvestrus were exploring Second Life worlds (Frolic Caper~Belle was still on an extended leave of absence), Blithe Gambol, although she didn’t entirely realize it at the time, was exploring First Life worlds on the Coast of Light.

Blithe and her partner Winn set off for the drum festival in the late afternoon heat, with the intention of reaching the Light Coast before sundown. The strong low sun flickered on and off as it hid behind trees and hills, and the hot dry wind whipped Blithes hair into her eyes, leaving the heavy heat of the Coast of the Sun behind and tranforming it into a light bone dry atmosphere that seemed to suck the air out of Blithe’s lungs. She filled the vacuum with smoke, listening to the words of the music playing ~ must be a reason why I’m king of my castle….king of my castle…it reminded her of Dealea’s story about King Author.

When they reached Vejer de la Frontera they made a wrong turning, although they were well aware that no turning is a wrong one. The new direction took them in a circle behind the Vejer promontory, through the umbrella pines along the coast. The sky was golden yellow behind the black sillouttes on one side, with a periwinkle sea on the other, rocky pale grey outcrops blushed with pink paddling in the gently lapping waves.

As they entered the village of Canos de Meca, they slowed to crawl behind the inching cars, as tanned people in brightly coloured clothes wove in and out of the traffic, and in and out of the exotic looking bars and restaurants. Blithe remembered the Second Life worlds she had been exploring earlier that day, and wondered if Second Life came with the smells of sardines barbequeing on the beach, or a warm breeze wafting past laden with snatches of laughter and conversation. Visually, certainly, Second Life would be hard presssed to beat the visual appeal of Canos de Meca at sunset on an August evening. There were plenty of opportunities to observe the people and the hostelries, as the traffic got progressively worse until it eventually came to a standstill. The narrow lanes were lined with parked cars, and throngs of people carrying coolers made their way to the sand dunes near the lighthouse.

Eventually, after several slow drives past looking for a miraculous parking space that didn’t appear, Blithe and Winn found a restaurant in between the coastal villages that was strangely empty of people. Even Winn, who was much less inclined towards fanciful imaginings than Blithe, remarked on how surreal the place was. It could have been anywhere in Spain, so strangely ordinary was its appearance in comparison to the Moorish beach hippy style of the villages. They ordered food, and relaxed in easy silence in the oasis of calm ordinariness. Blithe wondered if the place actually existed or if she had created it out of thin air, just for a respite and a parking place, and a clean unoccupied loo. Another First Life world, perhaps, constructed in the moment to meet the current requirements of ease.

At 11:11, after another two drives through the crawling cars and crowds, Winn turned the car around and headed for home. At 12:12 they reached the Coast of the Sun, shrouded in sea mist, and at 1:00am precisely, they arrived home. Later, as Blithe lay on the bed listening to the drums playing on the music machine, she closed her eyes and saw the sunset over the Atlantic, and felt the ocean breeze of the fan. She projected her attention to the dunes of Trafalgar ~ which, incidentally, didn’t take two hours, it was instant. In another instant, she was back in her bedroom, sipping agua con gas on the rocks and chatting to Winn. Seconds later, she was in a vibrant nightclub overlooking the beach, dancing in spirit between the jostling holidaymakers being served at the bar. She imagined that one or two of them noticed her energy.

Clearly, teleporting from one place to another had its benefits. The question of parking, for example, wouldn’t arise. But Blithe wouldn’t have wanted to miss the late afternoon drive to the Coast of Light, and the golden slanting lightbeams flickering between the cork oaks making their cork shorn trunks glow red, or the ocean appearing over the crest of a hill. And if she had arrived in an instant at the location she was intending to visit, then she would never have encountered the sunset from the particular angle of the approach via the wrong turn. Variety ~ and impulse, and the opportunities of the unexpected turns ~ was the weft of weaving First Life worlds ~ or was it the warp?

link: weaving worlds

Sanso had been hanging around for far too long, trying to make sense of all the funny ideas that people have, and trying to get to grips with all their adventures and escapades, their convoluted ponderings, and all the friends and associates that were continually weaving themselves through the many threads. He’d all but forgotten that he was a wanderer by nature, used to travelling alone. Somehow he’d become stuck in their ways, despite not ever really fitting in completely, and he wasn’t entirely sure how it had happened. Perhaps it had been the broccoli. With a defiant devil may care spirit, he’d eaten the broccoli
from the jar marked “You Fool”, when all the others had chosen the broccoli in the jar labeled “Thank You”. Well, he’d chosen it, there was no blaming anyone else for it, after all. But the effects had all but worn off, and he was starting to get the old familiar itch to travel again, to explore.

“You can go in any direction you want” he heard himself say as he mentally transported himself back to a scene in his Story. “You’ll always be at the centre of everything.”

How very strange that he’d forgotten that. That brocolli was powerful stuff.

“You interpret the signs however you want to…” the voice of Sanso In Another Scene continued, “and then you act on it. And I’ll tell you this as well, it’s about time you stopped rehashing Old Scenes and started exploring some new ones. Just go, go now! Put one foot in front of the other, and just go ~ go back into the cave.”

Sanso was on the verge of protesting that he didn’t have a plan, and then remembered how much he liked surprises.

For the briefest moment, Sanso wondered if he should leave a note for anyone, or get the laundry in before he set off, or pack a suitcase or something, but decided to start off as he meant to carry on ~ alone, impulsive and free to wander the world of his own making.

There was a large black cow blocking the entrance to the cave. The cow was dead and bloated, although it hadn’t started to smell yet. Sanso wondered whether it was a sign, and decided that it was. It would be rather pointless to create a large dead cow blocking the cave entrance if it had no significance to the story, he deduced, although he hadn’t yet worked out an appropriate meaning for the sign.

Weighing up his options, Sanso realized there were several choices he could make. He could delete the previous paragraph, and simply walk into the cave. He could wait until the cow decomposed, and then simply climb over the bones. He could wander around until he found another cave entrance, or simply teleport himself into the cave behind the cow.

However, the only option that he could think of that would include the Meaning of the Dead Cow Blocking The Cave Entrance would be to stay with the cow until the meaning had been found. If he ignored the cow, he might be Missing An Important Meaning. Notwithstanding, the meaning may turn up later, whether he forgot about it or not.

Sanso decided to sit and meditate on the Meaning of the Cow before proceeding. He could change his mind at any moment if he got bored.