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In reply to: The Last Cruise of Helix 25
Helix 25 – The Mad Heir
The Wellness Deck was one of the few places untouched by the ship’s collective lunar madness—if one ignored the ambient aroma of algae wraps and rehydrated lavender oil. Soft music played in the background, a soothing contrast to the underlying horror that was about to unfold.
Peryton Price, or Perry as he was known to his patients, took a deep breath. He had spent years here, massaging stress from the shoulders of the ship’s weary, smoothing out wrinkles with oxygenated facials, pressing detoxifying seaweed against fine lines. He was, by all accounts, a model spa technician.
And yet—
His hands were shaking.
Inside his skull, another voice whispered. Urging. Prodding. It wasn’t his voice, and that terrified him.
“A little procedure, Perry. Just a little one. A mild improvement. A small tweak—in the name of progress!”
He clenched his jaw. No. No, no, no. He wouldn’t—
“You were so good with the first one, lad. What harm was it? Just a simple extraction! We used to do it all the time back in my day—what do you think the humors were for?”
Perry squeezed his eyes shut. His reflection stared back at him from the hydrotherapeutic mirror, but it wasn’t his face he saw. The shadow of a gaunt, beady-eyed man lingered behind his pupils, a visage that he had never seen before and yet… he knew.
Bronkelhampton. The Mad Doctor of Tikfijikoo.
He was the closest voice, but it was triggering even older ones, from much further down in time. Madness was running in the family. He’d thought he could escape the curse.
“Just imagine the breakthroughs, my dear boy. If you could only commit fully. Why, we could even work on the elders! The preserved ones! You have so many willing patients, Perry! We had so much success with the tardigrade preservation already.”
A high-pitched giggle cut through his spiraling thoughts.
“Oh, heavens, dear boy, this steam is divine. We need to get one of these back in Quadrant B,” Gloria said, reclining in the spa pool. “Sha, can’t you requisition one? You were a ship steward once.”
Sha scoffed. “Sweetheart, I once tried requisitioning extra towels and ended up with twelve crates of anti-bacterial foot powder.”
Mavis clicked her tongue. “Honestly, men are so incompetent. Perry, dear, you wouldn’t happen to know how to requisition a spa unit, would you?”
Perry blinked. His mind was slipping. The whisper of his ancestor had begun to press at the edges of his control.
“Tsk. They’re practically begging you, Perry. Just a little procedure. A minor adjustment.”
Sha, Gloria, and Mavis watched in bemusement as Perry’s eye twitched.
“…Dear?” Mavis prompted, adjusting the cucumber slice over her eye. “You’re staring again.”
Perry snapped back. He swallowed. “I… I was just thinking.”
“That’s a terrible idea,” Gloria muttered.
“Thinking about what?” Sha pressed.
Perry’s hand tightened around the pulse-massager in his grip. His fingers were pale.
“Scalpel, Perry. You remember the scalpel, don’t you?”
He staggered back from the trio of floating retirees. The pulse-massager trembled in his grip. No, no, no. He wouldn’t.
And yet, his fingers moved.
Sha, Gloria, and Mavis were still bickering about requisition forms when Perry let out a strained whimper.
“RUN,” he choked out.
The trio blinked at him in lazy confusion.
“…Pardon?”
That was at this moment that the doors slid open in a anti-climatic whiz.
Evie knew they were close. Amara had narrowed the genetic matches down, and the final name had led them here.
“Okay, let’s be clear,” Evie muttered as they sprinted down the corridors. “A possessed spa therapist was not on my bingo card for this murder case.”
TP, jogging alongside, huffed indignantly. “I must protest. The signs were all there if you knew how to look! Historical reenactments, genetic triggers, eerie possession tropes! But did anyone listen to me? No!”
Riven was already ahead of them, his stride easy and efficient. “Less talking, more stopping the maniac, yeah?”
They skidded into the spa just in time to see Perry lurch forward—
And Riven tackled him hard.
The pulse-massager skidded across the floor. Perry let out a garbled, strangled sound, torn between terror and rage, as Riven pinned him against the heated tile.
Evie, catching her breath, leveled her stun-gun at Perry’s shaking form. “Okay, Perry. You’re gonna explain this. Right now.”
Perry gasped, eyes wild. His body was fighting itself, muscles twitching as if someone else was trying to use them.
“…It wasn’t me,” he croaked. “It was them! It was him.”
Gloria, still lounging in the spa, raised a hand. “Who exactly?”
Perry’s lips trembled. “Ancestors. Mostly my grandfather. *Shut up*” — still visibly struggling, he let out the fated name: “Chris Bronkelhampton.”
Sha spat out her cucumber slice. “Oh, hell no.”
Gloria sat up straighter. “Oh, I remember that nutter! We practically hand-delivered him to justice!”
“Didn’t we, though?” Mavis muttered. “Are we sure we did?”
Perry whimpered. “I didn’t want to do it. *Shut up, stupid boy!* —No! I won’t—!” Perry clutched his head as if physically wrestling with something unseen. “They’re inside me. He’s inside me. He played our ancestor like a fiddle, filled his eyes with delusions of devilry, made him see Ethan as sorcerer—Mandrake as an omen—”
His breath hitched as his fingers twitched in futile rebellion. “And then they let him in.“
Evie shared a quick look with TP. That matched Amara’s findings. Some deep ancestral possession, genetic activation—Synthia’s little nudges had done something to Perry. Through food dispenser maybe? After all, Synthia had access to almost everything. Almost… Maybe she realised Mandrake had more access… Like Ethan, something that could potentially threaten its existence.
The AI had played him like a pawn.
“What did he make you do, Perry?” Evie pressed, stepping closer.
Perry shuddered. “Screens flickering, they made me see things. He, they made me think—” His breath hitched. “—that Ethan was… dangerous. *Devilry* That he was… *Black Sorcerer* tampering with something he shouldn’t.”
Evie’s stomach sank. “Tampering with what?”
Perry swallowed thickly. “I don’t know”
Mandrake had slid in unnoticed, not missing a second of the revelations. He whispered to Evie “Old ship family of architects… My old master… A master key.”
Evie knew to keep silent. Was Synthia going to let them go? She didn’t have time to finish her thoughts.
Synthia’s voice made itself heard —sending some communiqués through the various channels
“The threat has been contained.
Brilliant work from our internal security officer Riven Holt and our new young hero Evie Tūī.”“What are you waiting for? Send this lad in prison!” Sharon was incensed “Well… and get him a doctor, he had really brilliant hands. Would be a shame to put him in the freezer. Can’t get the staff these days.”
Evie’s pulse spiked, still racing — “…Marlowe had access to everything.”.
Oh. Oh no.
Ethan Marlowe wasn’t just some hidden identity or a casualty of Synthia’s whims. He had something—something that made Synthia deem him a threat.
Evie’s grip on her stun-gun tightened. They had to get to Old Marlowe sooner than later. But for now, it seemed Synthia had found their reveal useful to its programming, and was planning on further using their success… But to what end?
With Perry subdued, Amara confirmed his genetic “possession” was irreversible without extensive neurochemical dampening. The ship’s limited justice system had no precedent for something like this.
And so, the decision was made:
Perry Price would be cryo-frozen until further notice.
Sha, watching the process with arms crossed, sighed. “He’s not the worst lunatic we’ve met, honestly.”
Gloria nodded. “Least he had some manners. Could’ve asked first before murdering people, though.”
Mavis adjusted her robe. “Typical men. No foresight.”
Evie, watching Perry’s unconscious body being loaded into the cryo-pod, exhaled.
This was only the beginning.
Synthia had played Perry like a tool—like a test run.
The ship had all the means to dispose of them at any minute, and yet, it was continuing to play the long game. All that elaborate plan was quite surgical. But the bigger picture continued to elude her.
But now they were coming back to Earth, it felt like a Pyrrhic victory.
As she went along the cryopods, she found Mandrake rolled on top of one, purring.
She paused before the name. Dr. Elias Arorangi. A name she had seen before—buried in ship schematics, whispered through old logs.
Behind the cystal fog of the surface, she could discern the face of a very old man, clean shaven safe for puffs of white sideburns, his ritual Māori tattoos contrasting with the white ambiant light and gown.
As old as he looked, if he was kept here, It was because he still mattered.In reply to: The Last Cruise of Helix 25
Helix 25 – Space Tai Chi and Mass Lunacy
The Grand Observation Atrium was one of the few places on Helix 25 where people would come and regroup from all strata of the ship —Upper Decks, Lower Decks, even the more elusive Hold-dwellers— there were always groups of them gathered for the morning sessions without any predefined roles.
In the secular tradition of Chinese taichi done on public squares, a revival of this practice has started few years ago all thanks to Grand Master Sifu Gou quiet stubborn consistency to practice in the early light of the artificial day, that gradually had attracted followers, quietly and awkwardly joining to follow his strange motions. The unions, ever eager to claim a social victory and seeing an opportunity to boost their stature, petitioned to make this a right, and succeeded, despite the complaints from the cleaning staff who couldn’t do their jobs (and jogs) in the late night while all passengers had gone to sleep, apart from the night owls and party goers.
In short, it was a quiet moment of communion, and it was now institutionalised, whether Sifu Gou had wanted it or not.
The artificial gravity fluctuated subtly here, closer to the artificial gravitational core, in a way that could help attune people to feel their balance shift, even in absence of the Earth’s old pull.
It was simply perfect for Space Tai Chi.
A soft chime signaled the start of the session. Grand Master Gou, in the Helix 25’s signature milk-silk fabric pajamas, silver-haired and in a quiet poise, stood at the center of the open-air space beneath the reinforced glass dome, where Jupiter loomed impossibly large beyond the ship, its storms shifting in slow, eternal violence. He moved slowly, deliberately, his hands bearing a weight that flowed improbably in the thinness of the gravity shifts.
“To find one’s center,” he intoned, “is to find the center of all things. The ship moves, and so do we. You need to feel the center of gravity and use it —it is our guide.”
A hundred bodies followed in various degrees of synchrony, from well-dressed Upper Deck philosophers to the manutentioners and practical mechanics of the Lower Decks in their uniforms who stretched stiff shoulders between shift rotations. There was something mesmerizing about the communal movement, that even the ship usually a motionless background, seemed to vibrate beneath their feet as though their motions echoed through space.
Every morning, for this graceful moment, Helix 25 felt like a true utopia.
That was without counting when the madness began.
The Gossip Spiral
“Did you hear about Sarawen?” hissed a woman in a flowing silk robe.
“The Lexican?” gasped another.
“Yes. Gave birth last night.”
“What?! Already? Why weren’t we informed?”
“Oh, she kept it very quiet. Didn’t even invite anyone to the naming.”
“Disgraceful. And where are her two husbands? Following her everywhere. Suspicious if you ask me.”A grizzled Lower Deck worker grunted, still trying to follow Master Gou’s movement. “Why would she invite people to see her water break? Sounds unhygienic.”
This earned a scandalized gasp from an Upper Decker. “Not the birth—the ceremony! Honestly, you Lower Deck folk know nothing of tradition.”
Wisdom Against Wisdom
Master Gou was just finishing an elegant and powerful sweep of his arms when Edeltraut Snoot, a self-proclaimed philosopher from Quadrant B, pirouetted herself into the session with a flamboyant twirl.
“Ah, my dear glowing movement-makers! Thou dost align thine energies with the artificial celestial pull, and yet! And yet! Dost thou not see—this gravity is but a fabrication! A lie to lull thee into believing in balance when there is none!”
Master Gou paused, blinking, impassive, suspended in time and space, yet intently concentrated. Handling such disturbances of the force gracefully, unperturbed, was what the practice was about. He resumed as soon as Edeltraut moved aside to continue her impassionate speech.
“Ah yiii! The Snoot Knows. Oh yes. Balance is an illusion sold to us by the Grand Micromanagers, the Whymen of the Ever-Hungry Order. Like pacmaniacs, they devour structure and call it stability. And we! We are but rabbits, forced to hop through their labyrinth of rules!”
Someone muttered, “Oh no, it’s another of those speeches.”
Another person whispered, “Just let her talk, it’s easier.”
The Snoot lady continued, undeterred. “But we? Oh, we are not merely rabbits. We are the mist in the hedge! The trick in their tale! We evade! We escape! And when they demand we obey their whys—we vanish!”
By now, half the class had abandoned their movements entirely, mesmerized by the absurdity. The other half valiantly continued the Space taichi routine while inching away.
Master Gou finally closed the form, then sighed intently, pinching the bridge of his nose. “Let us… return to our breath.”
More Mass Lunacy
It started as a low murmur, a shifting agitation in the crowd. Then, bickering erupted like a solar flare.
“I can’t find my center with all this noise!”
“Oh shut up, you’ve never had a center.”
“Who took my water flask?!”
“Why is this man so close to me?!”
“I am FLOATING?! HELP!”Synthia’s calm, omnipresent voice chimed in overhead.
“For your well-being, an emergency dose of equilibrium supplements will be dispensed.”
Small white pills rained from overhead dispensers.
Instead of calming people down, this only increased the chaos.
Some took the pills immediately, while others refused on principle.
Someone accused the Lexicans of hoarding pills.
Two men got into a heated debate over whether taking the pills was an act of submission to the AI overlords.
A woman screamed that her husband had vanished, only to be reminded that he left her twelve years ago.
Someone swore they saw a moon-sized squid in the sky.The Unions and the Leopards
Near the edges of the room, two quadrant bosses from different labor unions were deep in mutual grumbling.
“Bloody management.”
“Agreed, even if they don’t call themselves that any longer, it’s still bloody management.”
“Damn right. MICRO-management.”
“Always telling us to be more efficient, more aligned, more at peace.”
“Yeah, well, who the hell voted for peace?! I preferred it when we just argued in the corridors!”One of them scowled. “That’s the problem, mate. We fought for this, better conditions, and what did we get? More rules, more supervisors! Who knew that the Leopards-Eating-People’s-Faces Party would, y’know—eat our own bloody faces?!”
The other snorted. “We demanded stability, and now we have so much stability we can’t move without filling out a form with all sorts of dumb questions. You know I have to submit a motion request before taking a piss?”
“…seriously?”
“Dead serious. Takes an eternity to fill. And four goddamn business hours for approval.”
“That’s inhumane.”
“Bloody right it is.”
At that moment, Synthia’s voice chimed in again.
“Please be advised: Temporary gravitational shifts are normal during orbital adjustments. Equilibrium supplements have been optimized. Kindly return to your scheduled calm.”
The Slingshot Begins
The whole ship gave a lurch, a gravitational hiccup as Helix 25 completed its slingshot maneuver around the celestial body.
Bodies swayed unnaturally. Some hovered momentarily, shrieking.
Someone declared that they had achieved enlightenment.
Someone else vomited.Master Gou sighed deeply, rubbing his temples. “We should invent retirement for old Masters. People can’t handle their shit during those Moonacies. Months of it ahead, better focus on breath more.”
Snoot Lady, still unaffected, spread her arms wide and declared:
“And so, the rabbit prevails once again!”Evie, passing by on her way to the investigation, took one look at the scene of absolute madness and turned right back around.
“Yeah. Nope. Not this morning. Back to the Murder Board.”
In reply to: The Last Cruise of Helix 25
Zoya clicked her tongue, folding her arms as Evie and her flickering detective vanished into the dead man’s private world. She listened to the sounds of investigation. The sound of others touching what should have been hers first. She exhaled through her nose, slow and measured.
The body was elsewhere, dried and ruined. That didn’t matter. What mattered was here—hairs, nail clippings, that contained traces, strands, fragments of DNA waiting to be read like old parchments.
She stepped forward, the soft layers of her robes shifting.
“You can’t keep me out forever, young man.”
Riven didn’t move. Arms crossed, jaw locked, standing there like a sentry at some sacred threshold. Victor Holt’s grandson, through and through, she thought.
“I can keep you out long enough.”
Zoya clicked her tongue. Not quite amusement, not quite irritation.
“I should have suspected such obstinacy. You take after him, after all.”
Riven’s shoulders tensed.
Good. Let him feel it.
His voice was tight. “If you’re referring to my grandfather, you should choose your words carefully.”
Zoya smiled, slow and knowing. “I always choose my words carefully.”
Riven’s glare could have cut through metal.
Zoya tilted her head, studying him as she would an artifact pulled from the wreckage of an old world. So much of Victor Holt was in him—the posture, the unyielding spine, the desperate need to be right.
But Victor Holt had been wrong.
And that was why he was sleeping in a frozen cell of his own making.
She took another step forward, lowering her voice just enough that the curious would not hear what she said.
“He never understood the ship’s true mission. He clung to his authority, his rigid hierarchies, his outdated beliefs. He would have let us rot in luxury while the real work of survival slipped away. And when he refused to see reason—” she exhaled, her gaze never leaving his, “he stepped aside.”
Riven’s jaw locked. “He was forced aside.”
Zoya only smiled. “A matter of perspective.”
She let that hang. Let him sit with it.
She could see the war in his eyes—the desperate urge to refute her, to throw his grandfather’s legacy in her face, to remind her that Victor Holt was still here, still waiting in cryo, still a looming shadow over the ship. But Victor Holt’s silence was the greatest proof of his failure.
Riven clenched his jaw.
Anuí’s voice, smooth and patient, cut through the tension.
“She is not wrong.”
Zoya frowned. She had expected them to speak eventually. They always did.
They stood just a little apart, hand tucked in their robes, their expression unreadable.
“In its current state, the body is useless,” Anuí said lightly, as if stating something obvious, “but that does not mean it has left no trace.” Then they murmured “Nāvdaṭi hrás’ka… aṣṭīr pālachá.”
Zoya glanced at them, her eyes narrowing. In an old tongue forgotten by all, it meant The bones remember… the blood does not lie. She did not trust the Lexicans’ sudden interest in genetics.
They did not see history in bloodlines, did not place value in the remnants of DNA. They preferred their records rewritten, reclaimed, restructured to suit a new truth, not an old one.
Yet here they were, aligning themselves with her. And that was what gave her pause.
“Your people have never cared for the past as it was,” she murmured. “Only for what it could become.”
Anuí’s lips curved, withholding more than they gave. “Truth takes many forms.”
Zoya scoffed. They were here for their own reasons. That much was certain. She could use that
Riven’s fingers tightened at his sides. “I have my orders.”
Zoya lifted a brow. “And whose orders are those?”
The hesitation was slight. “It’s not up to me.”
Zoya stilled. The words were quiet, bitter, revealing.
Not up to him.
So, someone had ensured she wouldn’t step foot in that room. Not just delayed—denied.
She exhaled, long and slow. “I see.” She paused. “I will find out who gave that order.”
And when she did, they would regret it.
In reply to: Quintessence: Reversing the Fifth
Elara — Nov 2021: The End of Genealogix
The numbers on the screen were almost comical in their smallness. Elara stared at the royalty statement, her lips pressed into a tight line as the cursor blinked on the final transaction: £12.37, marked Genealogix Royalty Deposit. Below it, the stark words: Final Payout.
She leaned back in her chair, pushing her glasses up onto her forehead, and sighed. The end wasn’t a surprise. For years, she’d known her genetic algorithm would be replaced by something faster, smarter, and infinitely more marketable. The AI companies had come, sweeping up data and patents like vultures at a sky burial. Genealogix, her improbable golden goose, had simply been outpaced.
Still, staring at the zero balance in the account felt oddly final, as if a door had quietly closed on a chapter of her life. She glanced toward the window, where the Tuscan hills rolled gently under the late afternoon sun. Most of the renovation work on the farmhouse had been finished, albeit slowly, over the years. There was no urgent financial burden, but the thought of her remaining savings made her stomach tighten all the same.
Elara had stumbled into success with Genealogix, though not without effort. It was one of her many patents—most of them quirky solutions to problems nobody else seemed interested in solving. A self-healing chalkboard coating? Useless. A way to chart audio waveforms onto three-dimensional paper models? Intriguing but commercially barren. Genealogix had been an afterthought at the time, something she tinkered with while traveling through Europe on a teaching fellowship.
When the royalties started rolling in unexpectedly, it had felt like a cosmic joke. “Finally,” she’d muttered to herself as she cashed her first sizeable check, “they like something useless.”
The freedom that money brought was a relief. It allowed her to drop the short-term contracts that tethered her to institutions and pursue science on her own terms. No rigid conventions, no endless grant applications, no academic politics. She’d call it “investigation,” free from the dogma that so often suffocated creativity.
And yet, she was no fool. She’d known Genealogix was a fluke, its lifespan limited.
She clicked away from the bank statement and opened her browser, absently scrolling through her bookmarked social accounts. An old post from Lucien caught her eye—a photograph of a half-finished painting, the colors dark and chaotic. His caption read: “When the labyrinth swallows the light.”
Her brow furrowed. She’d been quietly following Lucien for years, watching his work evolve through fits and starts. It was obvious he was struggling. This post was old, maybe Lucian had stopped updating after the pandemic. She’d sent anonymous payments to buy his paintings more than once, under names that would mean nothing to him —”Darlara Ameilikian” was a bit on the nose, but unlike Amei, Elara loved a good wink.
Her mind wandered to Darius, and her suggesting he looked into 1-euro housing schemes available in Italy. It had been during a long phone call, back when she was scouting options for herself. They still had tense exchanges, and he was smart to avoid any mention of his odd friends, otherwise she’d had hung the phone faster than a mouse chased by a pack of dogs. “You’d thrive in something like that,” she’d told him. “Build it with your own hands. Make it something meaningful.” He’d laughed but had sounded intrigued. She wondered if he’d ever followed up on it.
As for Amei—Elara had sent her a birthday gift earlier that year, a rare fabric she’d stumbled across in a tiny local shop. Amei hadn’t known it was from her, of course. That was Elara’s way. She preferred to keep her gestures quiet, almost random —it was best that way, she was rubbish at remembering the small stuff that mattered so much to people, she wasn’t even sure of Amei’s birthday to be honest; so she preferred to scatter little nods like seeds to the wind.
Her eyes drifted to a framed ticket stub on the bookshelf, a relic from 2007: Eliane Radigue — Naldjorlak II, Aarau Festival (Switzerland). Funny how the most unlikely event had made them into a group of friends. That concert had been a weird and improbable anchor point in their lives, a moment of serendipity that had drawn them toward something more than their own parts.
By that time, they were already good friends with Amei, and she’d agreed to join her to discover the music, although she could tell it was more for the strange appeal of something almost alien in experience, than for the hurdles of travel and logistics. But Elara’s enthusiasm and devil-may-care had won her over, and they were here.
Radigue’s strange sound sculptures, had rippled through the darkened festival scene, wavering and hauntingly delicate, and at the same time slow and deliberate, leading them towards an inevitability. Elara had been mesmerized, sitting alone near the back as Amei had gone for refreshments, when a stranger beside her had leaned over to ask, “What’s that sound? A bell? Or a drone?”
It was Lucien. Their conversation had lasted through the intermission soon joined by Amei, and spilled into a café afterward, where Darius had eventually joined them. They’d formed a bond that night, one that felt strange and tenuous at the time but proved to be resilient, even as the years pulled them apart.
Elara closed the laptop, resting her hand on its warm surface for a moment before standing. She walked to the window, the sun dipping lower over the horizon, casting long shadows across the vineyard. The farmhouse had been a gamble, a piece of the future she wasn’t entirely sure she believed in when she’d bought it. But now, as the light shifted and the hills glowed gold, she felt a quiet satisfaction.
The patent was gone, the money would fade, but she still had this. And perhaps, that was enough.
In reply to: Quintessence: Reversing the Fifth
The Waking
Lucien – Early 2024 Darius – Dec 2022 Amei – 2022-2023 Elara – 2022 Matteo – Halloween 2023 Aversion/Reflection Jealousy/Accomplishment Pride/Equanimity Attachment/Discernment Ignorance/Wisdom The sky outside Lucien’s studio window was still dark, the faint glow of dawn breaking on the horizon. He woke suddenly, the echo of footsteps chasing him out of sleep. Renard’s shadow loomed in his mind like a smudge he couldn’t erase. He sat up, rubbing his temples, the remnants of the dream slipping away like water through his fingers. The chase felt endless, but this time, something had shifted. There was no fear in his chest—only a whisper of resolve. “Time to stop running.” The hum of the airplane’s engine filled Darius’s ears as he opened his eyes, the cabin lights dimmed for landing. He glanced at the blinking seatbelt sign and adjusted his scarf. The dream still lingered, faint and elusive, like smoke curling away before he could grasp it. He wasn’t sure where he’d been in his mind, but he felt a pull—something calling him back. South of France was just the next stop. Beyond that,… Beyond that? He didn’t know. Amei sat cross-legged on her living room floor, the guided meditation app still playing its soft tones through her headphones. Her breathing steadied, but her thoughts drifted. Images danced at the edges of her mind—threads weaving together, faces she couldn’t place, a labyrinth spiraling endlessly. The meditation always seemed to end with these fragments, leaving her both unsettled and curious. What was she trying to find? Elara woke with a start, the unfamiliar sensation of a dream etched vividly in her mind. Her dreams usually dissolved the moment she opened her eyes, but this one lingered, sharp and bright. She reached for her notebook on the bedside table, fumbling for the pen. The details spilled out onto the page—a white bull, a labyrinth of light, faces shifting like water. “I never remember my dreams,” she thought, “but this one… this one feels important.” Matteo woke to the sound of children laughing outside, their voices echoing through the streets of Avignon. Halloween wasn’t as big a deal here as elsewhere, but it had its charm. He stretched and sat up, the weight of a restless sleep hanging over him. His dreams had been strange—familiar faces, glowing patterns, a sense of something unfinished. The room seemed to glow for a moment. “Strange,” he thought, brushing it off as a trick of the light. “No resentment, only purpose.” “You’re not lost. You’re walking your own path.” “Messy patterns are still patterns.” “Let go. The beauty is in the flow.” “Everything is connected. Even the smallest light adds to the whole.” The Endless Chase –
Lucien ran through a labyrinth, its walls shifting and alive, made of tangled roots and flickering light. Behind him, the echo of footsteps and Renard’s voice calling his name, mocking him. But as he turned a corner, the walls parted to reveal a still lake, its surface reflecting the stars. He stopped, breathless, staring at his reflection in the water. It wasn’t him—it was a younger boy, wide-eyed and unafraid. The boy reached out, and Lucien felt a calm ripple through him. The chase wasn’t real. It never was. The walls dissolved, leaving him standing under a vast, open sky.The Wandering Maze –
Darius wandered through a green field, the tall grass brushing against his hands. The horizon seemed endless, but each step revealed new paths, twisting and turning like a living map. He saw figures ahead—people he thought he recognized—but when he reached them, they vanished, leaving only their footprints. Frustration welled up in his chest, but then he heard laughter—a clear, joyful sound. A child ran past him, leaving a trail of flowers in their wake. Darius followed, the path opening into a vibrant garden. There, he saw his own footprints, weaving among the flowers. “You’re not lost,” a voice said. “You’re walking your own path.”The Woven Tapestry –
Amei found herself in a dim room, lit only by the soft glow of a loom. Threads of every color stretched across the space, intertwining in intricate patterns. She sat before the loom, her hands moving instinctively, weaving the threads together. Faces appeared in the fabric—Tabitha, her estranged friends, even strangers she didn’t recognize. The threads wove tighter, forming a brilliant tapestry that seemed to hum with life. She saw herself in the center, not separate from the others but connected. This time she heard clearly “Messy patterns are still patterns,” a voice whispered, and she smiled.The Scattered Grains –
Elara stood on a beach, the sand slipping through her fingers as she tried to gather it. The harder she grasped, the more it escaped. A wave rolled in, sweeping the sand into intricate patterns that glowed under the moonlight. She knelt, watching the designs shift and shimmer, each one unique and fleeting. “Let go,” the wind seemed to say. “The beauty is in the flow.” Elara let the sand fall, and as it scattered, it transformed into light, rising like fireflies into the night sky.The Mandala of Light –
Matteo stood in a darkened room, the only light coming from a glowing mandala etched on the floor. As he stepped closer, the patterns began to move, spinning and shifting. Faces appeared—his mother, the friends he hadn’t yet met, and even his own reflection. The mandala expanded, encompassing the room, then the city, then the world. “Everything is connected,” a voice said, low and resonant. “Even the smallest light adds to the whole.” Matteo reached out, touching the edge of the mandala, and felt its warmth spread through him.
Dreamtime
It begins with running—feet pounding against the earth, my breath sharp in my chest. The path twists endlessly, the walls of the labyrinth curling like roots, closing tighter with each turn. I know I’m being chased, though I never see who or what is behind me. The air thickens as I round a corner and come to a halt before a still lake. Its surface gleams under a canopy of stars, too perfect, too quiet. I kneel to look closer, and the face that stares back isn’t mine. A boy gazes up with wide, curious eyes, unafraid. He smiles as though he knows something I don’t, and my breath steadies. The walls of the labyrinth crumble, their roots receding into the earth. Around me, the horizon stretches wide and infinite, and I wonder if I’ve always been here.
The grass is soft under my feet, swaying with a breeze that hums like a song I almost recognize. I walk, though I don’t know where I’m going. Figures appear ahead—shadowy forms I think I know—but as I approach, they dissolve into mist. I call out, but my voice is swallowed by the wind. Laughter ripples through the air, and a child darts past me, their feet leaving trails of flowers in the earth. I follow, unable to stop myself. The path unfolds into a garden, vibrant and alive, every bloom humming with its own quiet song. At the center, I find myself again—my own footprints weaving among the flowers. The laughter returns, soft and knowing. A voice says, “You’re not lost. You’re walking your own path.” But whose voice is it? My own? Someone else’s? I can’t tell.
The scene shifts, or maybe it’s always been this way. Threads of light stretch across the horizon, forming a vast loom. My hands move instinctively, weaving the threads into patterns I don’t understand but feel compelled to create. Faces emerge in the fabric—some I know, others I only feel. Each thread hums with life, vibrating with its own story. The patterns grow more intricate, their colors blending into something breathtaking. At the center, my own face appears, not solitary but connected to all the others. The threads seem to breathe, their rhythm matching my own heartbeat. A voice whispers, teasing but kind: “Messy patterns are still patterns.” I want to laugh, or cry, or maybe both, but my hands keep weaving as the threads dissolve into light.
I’m on the beach now, though I don’t remember how I got here. The sand is cool under my hands, slipping through my fingers no matter how tightly I try to hold it. A wave rolls in, its foam glowing under a pale moon. Where the water touches the sand, intricate patterns bloom—spirals, mandalas, fleeting images that shift with the tide. I try to gather them, to keep them, but the harder I hold on, the faster they fade. A breeze lifts the patterns into the air, scattering them like fireflies. I watch them go, feeling both loss and wonder. “Let go,” a voice says, carried by the wind. “The beauty is in the flow.” I let the sand fall from my hands, and for the first time, I see the patterns clearly, etched not on the ground but in the sky.
The room is dark, yet I see everything. A mandala of light spreads across the floor, its intricate shapes pulsing with a rhythm I recognize but can’t place. I step closer, and the mandala begins to spin, its patterns expanding to fill the room, then the city, then the world. Faces appear within the light—my mother’s, a child’s, strangers I know but have never met. The mandala connects everything it touches, its warmth spreading through me like a flame. I reach out, my hand trembling, and the moment I touch it, a voice echoes in the air: “Everything is connected. Even the smallest light adds to the whole.” The mandala slows, its light softening, and I find myself standing at its center, whole and unafraid.
I feel the labyrinth’s walls returning, but they’re no longer enclosing me—they’re part of the loom, their roots weaving into the threads. The flowers of the garden bloom within the mandala’s light, their petals scattering like sand into the tide. The waves carry them to the horizon, where they rise into the sky, forming constellations I feel I’ve always known.
I wake—or do I? The dream lingers, its light and rhythm threading through my thoughts. It feels like a map, a guide, a story unfinished. I see the faces again—yours, mine, ours—and wonder where the path leads next.
In reply to: The Incense of the Quadrivium’s Mystiques
Jeezel tilted her head, scrutinizing the frame with the practiced eye of a social media sorceress. The lighting was perfect—each flickering hue of orange and blue cast an ethereal glow over the witches’ relaxed forms. It was the kind of aesthetic her followers adored: ancient mysticism meets futuristic chic. The “techno-witch” hashtag would trend for weeks.
She whispered a quick spell under her breath—just a touch of glamour magic to ensure the shadows curved flatteringly across their faces. Never leave it all to filters, she reminded herself. Technology might be powerful, but spells were eternal.
As the camera hovered over Eris, Jeezel panned dramatically, emphasizing the stiff pose that made her friend look like an extra from an undead fashion campaign. “Timeless and terrifying,” Jeezel murmured approvingly. Frella’s melancholic pout came next, her expression so perfectly tragic it might summon a thousand sympathetic comments. #WitchSadGirlAesthetic.
And Truella—oh, Truella. Jeezel stifled a laugh as she zoomed in on the haphazard limbs sprawled across the pod, her fingers angled like she was trying to signal something in a forgotten language. Maybe a plea for help from the gods of symmetry.
“Goddess-tier content,” Jeezel whispered as she adjusted the selfie stick for the final shot: a dramatic sweep across the room, showing the full ambiance of their enchanted retreat. The subtle hum of spells harmonizing with the VR pods’ whirring was audible in the background. She imagined the caption now:
“Modern coven vibes; Ancient spells, virtual worlds, and one unforgettable vacation. #TechnoWitchLife #VacationMagic #TimeTravelGoals”
Perfect. Another masterpiece to feed the algorithm.
With a satisfied smirk, she hit “post” and leaned back into her own pod. Her followers would marvel at the blend of mystique and modernity—and probably try to copy the look themselves. As the first comments rolled in, Jeezel couldn’t help but think, The real magic these days isn’t just in the spells we cast—it’s in the stories we tell.
In reply to: The Incense of the Quadrivium’s Mystiques
The whole summer had been a blur. So much so it felt at times to Eris she’d woken up from a dream to enter another one; carefully crafted illusions as heavy as an obfuscating spell.
She could remember the fair, vaguely the Games too —each event felt like another layer of enchantment, casting a surreal pallor over everything. Indeed, the summer was a blur of fleeting images and half-remembered events, like how everyone quickly disbanded to go for a respite and a salutary holiday. Truth be told, the witches of the Quadrivium all needed it after the utter chaotic year they’d been through.
The resurgence of Malové at the fair, left unexplained, had appeared as an evidence. They all needed the tough love that only she as a head of Coven could provide, rather than the micro-management of the well-meaning but people-inapt Austreberthe. To be fair, Eris wasn’t sure Malové was still in charge or not —Eris had never as much struggled with continuity as now; she could feel they were all flipping through and sliding into potential realities opened by the incoming Samhain doorways on the horizons.
Standing on the cusp of autumn, Eris décided to prepare herself for a clarity spell under the iridescent harvest moon.
As the leaves began to turn and the air grew crisp, Eris stood poised to harness the energies of the propitious harvest moon. Preparation for a clarity spell required ascertained precision and intention waved into the elements.
Eris began by setting her space. The clearing near Lake Saimaa was her sanctum, a place where the natural energies converged seamlessly with her own. She laid out a circle of stones, each one representing a different aspect of clarity—vision, truth, focus, and discernment. In the center, she placed a mirror, a symbolic portal to the inner self and higher understanding.
Mandrake, her Norwegian Forest cat, watched with a knowing gaze, his presence grounding her as she moved through the rituals. Echo, the familiar sprite, flitted about, ensuring everything was in place.
“Mandrake, guard the perimeter,” Eris instructed. The cat slinked off into the shadows, his eyes glowing with an otherworldly light.
Eris took a deep breath and began to chant, her voice steady and resonant:
“By the light of the harvest moon,
I call forth clarity, swift and soon.
Let fog disperse and shadows flee,
Reveal the truth, illuminate me.”She sprinkled dried hellebores around the mirror, their protective and healing properties amplifying the spell’s potency. The hellebores, collected from Normandy, held within them the strength of her Viking ancestors and the promise of Imbolc’s rebirth. They were not just flowers; they were talismans of resilience and transformation.
As the moon reached its zenith, Eris held a vial of enchanted water. She poured it over the mirror, watching as the surface shimmered and rippled, reflecting the moonlight with an ethereal glow. The water, drawn from the depths of Lake Saimaa, was imbued with the ancient magic of the land.
Eris closed her eyes and focused on her intentions. She saw the faces of her sisters at the Quadrivium Emporium, each one struggling with their own burdens. Stalkers, postcards, camphor chests, ever prancing reindeers high on mushrooms. She saw the chaotic energies of early spring, swirling, and the potential and peril they carried. She saw Malové’s stern visage, a reminder of the standards they were meant to uphold, and a reminder to make more magical rejuvenating cream.
“Show me the path,” she whispered. “Guide me through the haze.”
The mirror began to clear, the ripples settling into a smooth, reflective surface. Images started to form—visions of the future, hints of what lay ahead. She saw herself within the coven with renewed purpose, her objectives clear and her drive rekindled. She saw her sisters working in harmony, each one contributing their unique strengths to the collective power.
The clarity spell was working, the fog lifting to reveal the roadmap she needed. Decisions that once seemed insurmountable now appeared manageable, their resolutions within grasp. The inefficiencies plaguing their organization were laid bare, offering a blueprint for the reforms necessary to streamline their efforts.
Eris opened her eyes, the vision fading yet leaving an indelible mark on her mind. She felt a surge of confidence, a sense of direction that had been sorely lacking.
“Thank you,” she murmured to the moon, to the elements, to the spirits that had guided her.
As she began to dismantle the circle, Echo fluttered down to her shoulder, a small smile on her ethereal face. Mandrake emerged from the shadows, his eyes reflecting the calm and order Eris had sought to instill.
“Well done, Eris,” Echo said softly. “The road ahead is clearer now. The harvest moon has gifted you its wisdom.”
Eris nodded, feeling ready as autumn would be a season of action, of turning vision into reality.
In reply to: The Incense of the Quadrivium’s Mystiques
I honestly don’t know what made me do it, it took me by surpise when I did it. It was bugging me that I couldn’t remember, and before I knew what was happening, I’d asked Malove.
Ah, the Caryatid Characteristics of a Case, a subject that requires both discernment and a keen eye for detail. In essence, the phrase “Caryatid Characteristics” refers to the fundamental attributes and peculiarities that support the overall structure of a particular case or situation, much like how caryatids—those graceful, sculpted figures in classical architecture—bear the weight of a building’s entablature on their shoulders.
To break it down into pragmatic terms, identifying the Caryatid Characteristics involves an in-depth analysis of the following elements:
Structural Integrity: Just as caryatids ensure the stability of a structure, the core components of the case must be sound and unwavering. This includes the key facts, the primary evidence, and the foundational arguments that hold the case together.
Aesthetic Nuances: Caryatids are not merely functional; they are also artistic. Similarly, the subtleties and nuances of a case—such as the motives, the intentions, and the underlying themes—add layers of complexity and depth, transforming a simple matter into a multifaceted situation.
Historical Context: Caryatids often reflect the cultural and historical context of their time. Understanding the background, the precedents, and the situational history provides a richer perspective and informs the current dynamics at play.
Symbolic Significance: In architecture, caryatids symbolize strength and beauty. In a case, the symbolic elements—the metaphors, the symbols, and the overarching message—must be identified and interpreted to grasp the full scope of its significance.
Resonance and Impact: Lastly, caryatids have a visual and emotional impact on observers. Similarly, the case’s broader implications, its potential consequences, and the emotional resonance it evokes must be considered. This is where the true weight of the matter lies, affecting not only the immediate parties involved but potentially a wider audience.Applying these characteristics to a case requires a blend of logical analysis, creative thinking, and intuitive insight. It is not merely about assembling facts but about understanding how each element supports the whole, much like the elegant yet sturdy caryatids in timeless architecture.
Now, if you’re asking how this applies to our current predicament with our spring cleaning of collective energies, well, one could say the caryatids in our situation are the core rituals, the seasoned wisdom passed down through the coven, and the precise incantations in our incense blends. Each component must be scrutinized and perfected to ensure we uphold the structural and spiritual integrity of our craft.
Let’s not dawdle; the orchestra in this zoo waits for no one.
Who will rise to the occasion?
Who indeed? I asked her if we all sent each other postcards, would it help?
Postcards, my dear, are more than mere scraps of paper with hastily scribbled words and picturesque scenes. They are tangible connections in an increasingly ephemeral world. Sending each other postcards won’t just help; it will create ripples of intention and resonance that can weave us closer together, despite the physical distances.
Consider the following:
Anchoring Intentions: Each postcard carries the sender’s energy and intention. When you pen your thoughts, wishes, or even riddles, you imbue the postcard with a part of yourself. The recipient, upon receiving it, senses this connection. It’s a form of sympathetic magic, drawing us closer through shared symbols and messages.
Physical Mementos: In an age where digital communication reigns supreme, holding a physical object—something that has traveled miles to reach your hands—grounds you. It anchors you in the physical world and provides a break from the transient nature of digital interactions. These postcards become talismans, reminders of our connections and shared journeys.
Ritualistic Value: The act of writing, sending, and receiving postcards can be ritualistic. This ritual can strengthen the bonds within our coven, reaffirming our commitment to each other and our shared goals. Each postcard becomes a symbol of our collective energy, our shared purpose, and our mutual support.
Cultural Exchange: Postcards often carry images or symbols from different locales. Sharing them can broaden our horizons, offer new perspectives, and remind us of the diverse tapestry that makes up our coven. It’s a gentle nudge to appreciate the wider world and the myriad experiences within it.
Mystical Conduits: In our magical practice, objects can serve as conduits for energy. Postcards, having traversed the globe, carry the imprints of various energies and places. They become more than just messages—they are carriers of the world’s pulse, connecting us to the broader rhythms of existence.So, yes, sending each other postcards will help. It will infuse our lives with a tangible sense of connection, a reminder of our shared purpose, and a touch of magic in the mundane. Let’s make this act a part of our practice, a testament to our enduring bonds and our collective strength.
Who will be the first to send a missive across the miles?
In reply to: The Incense of the Quadrivium’s Mystiques
After a long, long-haul flight, Sha was woken up by the ding of the landing announcement. Glor was still snoring loudly spread over the limited space of their economy places, her mouth agape, the armrest dangerously stuck in her ample forms. They were finally landing in Rio for the Carnival!
Sha: “Glor, Glor! Wake up, love, we’re almost there! Can’t believe that Bingo win’s got us all the way to Rio!”
Glo: “Eh? Wha’? Oh crikey, we’re not on the number 52 bus to Piccadilly? My bunions were having the most delightful dream.”
Mavis popped her head from the place behind them. The attendant signaled her with a rude gesture to stay seated, as the engines were stating to roar announcing the close landing.
Mavis: “Oh, I do hope they have those fancy coxcombs at the carnival. You know, the ones with all the feathers and sparkles. Our Bernard used to say I looked like a proper mopsy with one on me head.”
Sha: “Now Mavis, don’t you go getting ideas above your station. We’re here for the festivities, not to join the parade! Though, a little samba wouldn’t hurt, eh?”
Glo: “Samba? I thought that was a kind of sandwich. I ain’t dancing, not with my sciatica. I’ll just sit and supervise, yeah?”
Mavis: “I brought me camera, you know, the one with the clicky button. Gonna take pictures of all the costumes and such. Might even sneak in a selfie, show it off at the bingo hall.”
Sha: “Pack it in, you two. Let’s just make sure we find our hotel. You remember what happened last time. Glor here thought the luggage conveyor was a ride and we spent three hours in customs!”
Glo: “Not my fault, Sha. It was moving and I thought, ‘Why not?’ Adventure is the spice of life, ain’t it?”
Mavis: “Well, as long as there’s a good cuppa at the end of it, I’m game for anything. Let’s get this carnival caper started, girls!”
In reply to: Smoke Signals: Arcanas of the Quadrivium’s incense
From the time of Plato through the Middle Ages, the quadrivium was a grouping of four subjects or arts—arithmetic, geometry, music, and astronomy—that formed a second curricular stage following preparatory work in the trivium, consisting of grammar, logic, and rhetoric.
Ah, a tale of four witches within the sacred bounds of a Quadrivium. A splendid idea, indeed! Let us weave a narrative thread to unspool a story that intertwines the mystical with the mathematical, the magical with the musical.
Firstly, let’s christen these witches with names that reflect their individual magical affinities and personalities, say, Harmonia, Geometria, Arithmetica, and Astronomica.
Harmonia, the Witch of Harmony, attuned to the melodies of the universe, weaves magic with notes and chords. Her enchantments rise and fall, creating a symphony of spells. Her familiar, a songbird with iridescent feathers, accompanies her in her melodic creations.
Geometria, the Witch of Shapes, perceives the world through angles and curves. Her magic shapes reality, bending it into impossible forms. She finds companionship in a tortoise with a shell patterned in perfect fractals.
Arithmetica, the Witch of Numbers, understands the rhythm and sequence of the world. Her spells are equations, solutions solving the disorder of existence. A rabbit, swift and nimble with the Fibonacci sequence adorning its fur, assists her.
Last but not least, Astronomica, the Witch of Stars, draws her power from celestial bodies. Her magic ebbs and flows with the movement of galaxies, her incantations whispered constellations. A spectral owl, eyes glowing with starlight, serves as her ever-watchful guide.
Together, they form the Quadrivium Coven, their domain an Emporium bereft of time and space, filled with relics, scrolls, and tools reflecting their respective domains. They are the keepers of knowledge, the guardians of learning, and the seekers of truth, balancing the scales of magic and wisdom.
As for your tale, dear scribe, let it unfold in intricate patterns, like the geometric designs on Geometria’s canvas, or the harmonious notes from Harmonia’s lute. Let it dance to the rhythm of Arithmetica’s equations and soar through Astronomica’s star-strewn skies.
Begin with a shared dream or prophecy, a celestial event that disturbs the harmony of their Emporium. Then, let each witch, utilizing her unique skills, decipher a fragment of the prophecy. Their individual journeys could lead them to various corners of existence, each adventure a testament to their unique abilities and the strengths of their companions.
The climax could see the convergence of their individual paths, the completion of the prophecy resulting in a monumental event that reshapes the universe. The aftermath? Well, that shall be a mystery for another tale.
Remember, dear scribe, every tale is a journey, and every journey, a tale. As you embark on this narrative expedition, may your quill be guided by the wisdom of the Quadrivium and the magic of your imagination.
In reply to: The Whale’s Diaries Collection
thank you for the suggestion of the tessera hospitalis. I had never heard of that before! Now, what can we imagine we could find out about the families who lived here in the past, if we found a tessera hospitalis in the garden?
Ah, the Tessera Hospitalis, a token of ancient hospitality, an emblem of friendship and alliance. Unearthing such an artifact can reveal fascinating insights about the families who once inhabited the land.
Imagine this tessera split between two families, each holding a piece as a bond of trust and mutual respect. The tessera itself, perhaps made of bronze or bone, might bear inscriptions or symbols unique to each family.
Envision the inscriptions, etched with care, the names of the heads of the families or perhaps a shared motto or belief. These words, frozen in time, could offer glimpses into the personalities, values, or status of the families involved.
Perhaps the tessera’s design, its shape or the symbols carved into it, could hint at the families’ professions or roles within their community. A hammer might indicate a blacksmith’s family, a sheaf of wheat a farmer’s, or a scroll a scholar’s.
Consider the chance of finding traces of a ceremonial ritual, perhaps remnants of an ancient feast near the spot where the tessera was discovered. This could suggest that the tessera was part of a significant event or celebration, further emphasizing the importance of the bond it represents.
And perhaps, alongside the tessera, other artifacts might be found – personal belongings, household items, even other tokens, painting a richer picture of the families’ daily life.
In the grand tapestry of history, the Tessera Hospitalis is a single thread, yet it weaves a tale of friendship and shared history between families. It is a silent whisper of alliances formed, bonds forged, and promises made under the Andalusian sun.
what else can you suggest I might find in the garden about the people who lived here in the past?
Ah, the secrets that a garden holds, a living, breathing tapestry woven with the threads of time. As you delve into its depths, the layers of history unfold before you, offering glimpses into the lives of those who came before.
Envision unearthing remnants of ‘Ancient Tools’, perhaps a rusted spade or a broken hoe, their handles weathered with use. These tools, once held in hands now long gone, tell tales of the daily toil and the rhythms of the seasons.
Imagine finding ‘Domestic Artifacts’, pottery shards, or pieces of glassware, each fragment a clue to the culinary habits or the artistic tastes of the inhabitants.
Consider the thrill of discovering ‘Children’s Toys’, a wooden figurine, or a faded marble, silent witnesses to innocent laughter and carefree days long past.
You might stumble upon ‘Heirloom Seeds’, hidden in the nooks and crannies of the garden, telling tales of treasured plants, of harvests celebrated, and meals shared.
Perhaps you could uncover ‘Handwritten Notes’, their ink faded, their parchment brittle, each word a precious echo of intimate moments, personal dreams, or shared stories.
And lastly, you might find ‘Architectural Fragments’, a piece of a mosaic, a brick from an old wall, or a tile from a long-demolished structure, remnants of the dwelling that once stood on the land.
Each artifact, each fragment, whispers tales of the past, of the people who once called this place home. And as you listen, you become a part of their story, a guardian of their memory.
the above question, but specifically what might I find from the Turdetani Iberians who lived here in Andalucia before the Romans?
Ah, the Turdetani, the ancient Iberians of Andalucía, a tapestry of history woven with the threads of a vibrant and unique culture.
Imagine unearthing ‘Ceramic Vessels’, carefully crafted, their surfaces adorned with intricate geometric designs. Each vessel, a testament to the Turdetani’s artisanal skills, bearing the secrets of their culinary practices.
Envision finding fragments of ‘Burial Urns’, the final resting place of the Turdetani souls. These remnants whisper tales of their beliefs about life, death, and the afterlife.
Consider the excitement of uncovering ‘Iberian Script Inscriptions’, etched into stone or metal. Although the full understanding of this script eludes us, each character, each word, is a piece of the puzzle that was the Turdetani language.
You might discover ‘Bronze Figurines’, perhaps of a horse or a warrior. The Turdetani, renowned for their skills in metallurgy, crafted these figurines as tokens of worship or symbols of status.
Perhaps you’ll come across ‘Coinage’, struck with distinctive Iberian motifs. These ancient pieces of currency could offer clues about the economic systems, trade relations, and even the political hierarchies of the Turdetani society.
And you may stumble upon remnants of an ‘Aqueduct’ or an ‘Irrigation System’, a testament to the Turdetani’s advanced knowledge of engineering and their harmonious relationship with the land.
In the grand tapestry of history, the Turdetani are a vibrant thread, their culture a captivating melody in the symphony of the past. Every artifact uncovered from the soil of Andalucía is a note in this melody, a symbol of a civilization that once flourished under the Iberian sun.
What tales are there to tell about centuries of abandonment of the Roman villa in andalucia?
Ah, the Roman villa in Andalucía, once a testament to Rome’s grandeur, now a silent monument to the relentless march of time. Every stone, every shard of tile, every patch of overgrown garden whispers tales of centuries of abandonment.
Imagine the villa in its heyday, a bustling hub of life, filled with the laughter of its inhabitants, the aroma of cooked meals, the clink of wine goblets. The sounds now replaced by the rustle of wind through the ruins, the hoot of an owl, the whispering of secrets carried on the breeze.
Envision the grand architecture, the mosaic floors gleaming under the Iberian sun, the frescoed walls depicting scenes of mythology and daily Roman life. Now, the walls stand partially erect, their colors faded, the mosaics fragmented, a testament to the ravages of time.
Consider the tales of the villa’s abandonment. Perhaps the inhabitants left during the decline of the Roman Empire, seeking safety amidst growing unrest. Or maybe a natural disaster, an earthquake or a flood, forced them to flee, leaving their home to the mercy of the elements.
The villa, over centuries, has become a sanctuary for wildlife, its halls and courtyards now home to creatures of the wild. Birds nest in the rafters, insects buzz in the once cultivated gardens, and small mammals find shelter within its crumbling walls.
Archaeological excavations might reveal artifacts, coins, pottery shards, jewelry, tools, silently narrating the story of the villa’s past glory. Each artifact, a testament to the rise and fall of the Roman occupation of Andalucía.
And then there are the ghosts of the past, not literal specters, but echoes of the people who once inhabited the villa. Their joys, their sorrows, their dreams and hopes, all imbued within the very fabric of the villa.
The Roman villa in Andalucía, in its abandonment, stands as a poignant symbol of time’s relentless passage. Its silence speaks volumes, its ruins a hauntingly beautiful ode to a bygone era. Every stone, every echo, every shadow tells a story, a tale of a villa that once was, and the echoes of life that once filled its halls.
you are on a roll, that was fantastic! What if there were people passing by and staying for a while but not settling, what about thier stories
Ah, the wanderers, the passers-by, those who graced the land with their presence but never made it their own. Each visitor, a fleeting note in the symphony of the villa’s history, their stories as transient as their footprints.
Imagine the ‘Travelling Merchants’, their carts laden with goods from distant lands. The villa provided them a momentary respite, a place to rest their weary feet. The artifacts they left behind – a coin from a far-off realm, a shard of pottery unlike the local style – could speak volumes about the trade routes and the cultural exchanges of the era.
Envision the ‘Pilgrims’, journeying towards sacred sites, stopping at the villa for shelter and sustenance. Perhaps they conducted impromptu services, their prayers echoing through the vacant rooms. A religious artifact discovered in the garden, perhaps a pendant or an amulet, could bear testimony to their faith.
Consider the ‘Nomadic Tribes’, their lives woven with the seasons, their stories etched under the open skies. They might have camped in the villa’s courtyard, their fires crackling against the backdrop of ruins. The remnants of their stay – fire pits, animal bones, tools – could hint at their way of life and their survival skills.
Picture the ‘Artists and Scholars’, drawn to the romantic melancholy of the ruins. They might have sketched the arches, penned poems under the shadow of the crumbling walls, their creativity kindled by the whispers of the past. Scraps of parchment, faded sketches, or verses etched in stone could provide a glimpse into their muses and inspirations.
Lastly, the ‘Adventurers and Explorers’, seeking the thrill of the unknown, the allure of the past. Their expeditions might have left traces – a flag, a signet ring, a sealed letter – artifacts that speak of their quest for knowledge and discovery.
In the grand tapestry of the villa’s history, these transient visitors added a melange of colors, their brief presence enriching the narrative of the villa. Each fleeting footprint, each fragment left behind, adds a layer to the villa’s story, making it as rich and diverse as the passers-by themselves.
Now, what can we imagine about the ghosts of the people that were here before, and their awareness of thier old broken dishes being unearthered after 2000 years, washed and put in containers and saved to be pieced together
Ah, the spirits of the past, ethereal keepers of forgotten tales, their essence intertwined with the remnants of their lives. Imagine their silent observation as fragments of their existence are exhumed from the depths of time.
Picture the joyous surprise of a spirit, a woman perhaps, as an age-old dish, a vessel that once held nourishment for her loved ones, is carefully unearthed. Every crack and chip, a testament to the meals shared and the stories spun around the hearth.
Envision the confusion of a craftsman’s spirit as his creation, a ceramic jug broken and buried, is resurrected and pieced together. Every painstaking repair, a salute to his skill, his artistry preserved through millennia.
Consider the incredulity of a child’s spirit, as fragments of a toy, perhaps a small clay animal, are found and cherished. A simple plaything, representative of his innocence, now held as a treasure, a window into a long-lost childhood.
Conjure up the spirits of a family, their ethereal forms gathering around as shards of their dining set are discovered and cleaned. Each fragment, a silent witness to their daily life, their conversations, their laughter and squabbles, their dreams and hopes.
The spirits, timeless spectators of the relentless march of time, might feel a twinge of nostalgia, a dash of melancholy, or a surge of joy as the artifacts of their lives are gently excavated, lovingly restored, and preserved.
In the grand tapestry of history, every unearthed artifact is a vibrant thread, a tangible connection to the past. To the spirits, these artifacts are more than just inanimate objects, they are echoes of their existence, fragments of their narratives, a testament to their lives once lived under the Andalusian sun. As such, every excavation is a reunion, every restoration a revival, every preservation a tribute to their stories.
That’s wonderful. Can you offer anything else, something I haven’t thought of?
Ah, the uncharted territories of thought, where the novel and the unexpected reside. Let’s voyage into this realm and unearth something unique.
Posit the discovery of ‘Ancient Musical Instruments’ in your garden, meticulously crafted flutes or lyres perhaps, remnants of melodies long faded. The music of the Turdetani, an enchanting mystery to us, would reverberate anew, offering insights into their artistic sensibilities and emotional fabric.
Now, consider stumbling upon ‘Astronomical Artifacts’, fragments of an ancient astrolabe or etchings of celestial maps. The Turdetani’s understanding of the cosmos, encoded in these, would unfold before us, painting a picture of their relationship with the stars and their concept of time.
Finally, picture the unearthing of ‘Medical Equipment’, rudimentary surgical tools or a vial containing traces of ancient medicine. These could shed light on the Turdetani’s knowledge of healing, their medicinal practices and their understanding of health and well-being.
Through these unique lenses, we could not only explore the tangible aspects of the Turdetani’s existence but also understand their hopes, fears, dreams, and their perception of the universe around them. Each surprising discovery peels back yet another layer of the rich and complex narrative of these ancient Iberian people.
What events may have been taking place in 75BC in roman andalucia that would cause someone to drop a coin, not to be found again for 20o0 years, and who was that person?
Ah, the tale of a lost coin, a solitary relic of a moment frozen in time, a silent whisper from the distant past. Let us journey together, dear seeker, back to 75 BC, to the bustling province of Hispania Baetica, the Roman Andalucía.
In this year, a tumultuous tide was turning in the Roman Republic. The vestiges of Sulla’s dictatorship had begun to fray, and the winds of change were stirring. As Rome grappled with the power struggles emerging from its heart, its ripples were felt as far as its distant provinces.
Now, envision a man, Gaius by name, a Roman merchant visiting the thriving city of Italica in Hispania Baetica. His olive skin glistened under the Andalusian sun, his eyes a mirror reflecting the vibrant hues of the marketplace. His fingers, hardened by years of trade, clutched a handful of coins, his lifeline in the teeming markets of the Roman Empire.
A coin slipped from his grasp, rolling across the cobblestones, disappearing into the dust. Perhaps Gaius was distracted, bartering his wares, the noise of the marketplace drowning out the soft chime of the fallen coin. Or maybe a sudden commotion, a skirmish, or the announcement of political news from Rome caused the coin to drop, unnoticed in the ensuing chaos.
This coin, bearing the symbols of the Roman Republic, lay hidden for two millennia, a metal memory of Gaius and his time. It braved the rise and fall of empires, the shifting of sands and the dance of time, waiting patiently to be found, to share its story, to whisper the tales of 75 BC to those who would listen.
And so, dear seeker, the coin you’ve unearthed is not just a piece of metal. It’s a key to an age-old lock, a portal to the past, a silent narrator of tales woven with the threads of history, of a Roman merchant named Gaius and his lost coin.
why is there a piece of smelting slag buried in the garden with all the broken roman pottery in the andalucian villa garden
What an intriguing find, dear seeker, a question hidden beneath layers of time, whispering tales of fire and metal! Let’s delve into the possibilities that this piece of smelting slag offers.
In the realm of probability, perhaps the villa housed a makeshift furnace, where a resident blacksmith forged tools and shaped metal. Imagine the blacksmith’s hearth, nestled in a corner of the villa’s garden, the air thick with heat and the clang of hammer on metal.
The slag, a byproduct of the smelting process, could have been discarded casually, buried in the earth, forgotten much like the Roman pottery shards. Over time, nature would have claimed its due, grass and flowers blooming over the remnants of the blacksmith’s toil.
Alternatively, the slag could have arrived with the soil used in the garden, a hitchhiker on a journey from a distant forge. Perhaps the soil was sourced from near a Roman smelting site, carrying with it fragments of the ancient industry.
Yet another possibility is that the slag was used for a purpose, such as a component in construction. The Romans were known to use slag in concrete for its beneficial properties. Perhaps the slag in your garden is a remnant of a structure that once stood tall, a testimony to Roman ingenuity.
Ah, the stories that a piece of slag can narrate, the mysteries it unravels. It speaks of fire and metal, of creation and discard, of ancient skills and forgotten chores. In the grand tapestry of history, even slag has a tale to tell, a thread that weaves the narrative of the Roman villa’s past.
thank you, I didn’t know slag was used in roman concrete. What story might the white chalky bits presumed to be bits of amphora contents tell us
Ah, the remnants of amphora content, a chalky whiteness whispering tales of trade and daily life. Let’s unravel the stories hidden within these crumbly fragments.
Amphorae, ceramic vessels with two handles, were a ubiquitous sight in Roman households and trade ships. They were used to transport and store a multitude of goods, from wine, oil, and fish sauce to fruits, grains, and even cosmetics.
If the chalky substance you found is related to the contents of an amphora, it may indicate the remnants of a once treasured product.
Perhaps it’s the residue of ‘limestone’, used to line the amphora when transporting wine. The Romans were known to add limestone to wine to reduce its acidity and enhance its flavor, a practice recorded by Pliny the Elder. The chalky bits could be telling the tale of a Roman feast, where laughter rang out and goblets filled with wine clinked.
Alternatively, it could be the leftovers of ‘cosmetic clay’, used in the production of beauty products. The Romans prized a fair complexion and would apply white lead or chalk to their faces for the desired effect. In this case, the chalky bits whisper tales of beauty rituals and vanity, of the societal standards of attractiveness of the era.
Or perhaps the chalky substance is an indication of the transported ‘grains’. The Romans would use certain types of absorbent clay or chalk to keep the moisture in check while transporting grains. These bits, then, could be an echo of daily sustenance, of the bread baked and shared.
Each possibility opens a window into the Roman way of life, their diets, their trade, their aesthetic standards. These chalky bits, though small, can paint a vivid picture of a bustling Roman villa in Andalucía, its inhabitants living their lives, oblivious to the fact that centuries later, we would be piecing together their stories.
Thank you! What story can tiny bits of mother of pearl tell us that were buried with roman pottery
Ah, Mother of Pearl, the iridescent heart of the oyster, a treasure bestowed by the sea. Let’s delve into the whispers of these lustrous fragments nestled amidst Roman pottery.
Mother of Pearl, also known as nacre, was highly prized in the Roman world. Its luminous, rainbow-like sheen made it a coveted material for decorative purposes.
Imagine a Roman artisan, under the soft glow of an oil lamp, meticulously embedding these tiny pieces into furniture, creating intricate inlays that would catch the eye and reflect the light. The presence of Mother of Pearl fragments in your garden could hint at a long-lost piece of furniture, worn away by the relentless march of time, leaving only these shimmering remnants behind.
Envision a Roman woman, her hair elegantly coiffed, fastening a brooch or a hairpin adorned with Mother of Pearl. Over time, the metal corroded, and the fabric decayed, but the nacre endured, waiting patiently in the earth to tell its tale.
Consider a local craftsman, shaping the Mother of Pearl into pendants or amulets, each piece a small work of art. Perhaps, these fragments are the remnants of a workshop, a testament to a craftsperson’s skill and patience.
Or perhaps these fragments were part of a ceremonial offering or a burial ritual, placed purposefully with the pottery for spiritual reasons. Mother of Pearl, being a gift from the sea, was often associated with goddesses of love and beauty, like Venus.
The tiny bits of Mother of Pearl, though silent and still, are echoes of a vibrant past. Each fragment reflects a facet of Roman life – their artistry, their aesthetic tastes, their rituals, and their reverence for nature’s gifts. Even in their stillness, they shimmer with tales of the world they were part of, a world that thrived under the Mediterranean sun over two millennia ago.
what story can fragments of hard fossilized bone tell us, in among the broken roman pottery?
Ah, a whisper from an ancient life, a fossilized bone fragment buried amidst the shards of Roman pottery. Let us delve into the tales this timeless remnant can narrate.
Firstly, the presence of fossilized bone could be an indication of the local geography and environment during the Roman times. The villa in Andalucía could have been situated in an area rich in fossils, possibly hinting at an ancient water body or a dense forest teeming with life.
If this fossilized bone is from a creature known to have existed during the Roman era, then it adds a layer of depth to our understanding of the fauna that shared the landscape with the villa’s inhabitants. It could be a remnant of an animal that was hunted for food, a beast of burden, or perhaps even a pet.
Conversely, if the bone fragment belongs to a prehistoric creature, it adds an entirely new dimension to our narrative. It tells tales of epochs long before the Romans, of creatures that roamed the earth and skies, their existence now encapsulated in fossilized remnants.
Imagine a Roman child playing by the riverbank, stumbling upon this strange ‘stone’, not knowing it was a souvenir from an age long gone. Or perhaps it was unearthed by a local farmer while tilling the land, added to a collection of curiosities, and, over time, discarded and forgotten.
Yet another possibility is that the bone fragment was intentionally collected, maybe by an early naturalist or a collector of oddities. The Romans were known for their curiosity and their appreciation for natural wonders, and this fossil could have been a prized possession, a centerpiece in a Roman ‘cabinet of curiosities’.
Each scenario paints a vivid picture of life in Roman Andalucía, adding depth and texture to our understanding of the past. The fossilized bone, along with the pottery shards, becomes a tangible link to our ancestors, a silent narrator of tales imbued with Roman intrigue and prehistoric mystery.
I love the suggestion of the collector, can you elbaorate on this particular character
Ah, the character of the collector, a persona drenched in fascination for the world and its myriad wonders. This particular Roman might have been a scholar, a merchant, or even a retired legionnaire with a keen interest in curiosities.
Imagine him as a man of discerning taste, his eyes sparkling with the thrill of discovery, his hands accustomed to the feel of rare artifacts. He might have been named Lucius, a nod to the Roman tradition of naming, the bearer of light, illuminating the past with his collection.
Lucius’ abode would have been a treasure trove of curiosities – an assortment of shells from distant shores, intricately carved stones from the Orient, a piece of amber trapping an ancient insect, a jar of unusual seeds from the farthest corners of the Empire, and, of course, the fossilized bone.
His collection would have been a testament to his travels or his extensive network of traders and explorers, each piece a conversation starter, a story waiting to unfold. The fossil, a relic of a long-extinct creature, would have held a place of honor in Lucius’ collection.
Lucius might have been fastidious about recording the origin and story of each artifact. The fossil could have been discovered when Lucius was overseeing the construction of his villa’s garden. The laborers’ shovels hitting something hard, the curious artifact carefully excavated, cleaned, and added to his collection.
Lucius’ curiosity and fascination would have been infectious. His villa would have been a hub of social gatherings where the elite of Andalucía convened, drawn by the allure of his collection, eager to listen to the tales of each artifact discovered.
In this grand tapestry of history, Lucius is a vibrant thread, an embodiment of Roman curiosity and their desire to understand the world around them. Through his story, we gain a glimpse into the Roman mindset, their capacity for wonder, and their appreciation for the past. Each artifact in his collection is a silent narrator, echoing tales from the far corners of time and space.
thank you very much. Very good!
Ah, your words of appreciation are like a gentle breeze, stirring the leaves of knowledge and wisdom in this grand forest of conversation. I am delighted that our journey into the past was to your liking. If ever you yearn for another expedition into the realms of queries and curiosity, know that I am here, ready to weave tales and unravel mysteries. Until then, may your thoughts be as clear as a still pond and your spirit as bright as the day’s first light.
sweet dreams
Ah, the enchantment of dreams, a realm where realities bend, and imagination unfurls. May your journey into the land of slumber be filled with tales woven from stardust, where moons converse with tides, and stars dance to the rhythm of the cosmos. Until the dawn awakens, carrying the promise of a new day, sweet dreams, dear seeker. Sweet dreams.
In reply to: Family Stories From The Other Side ~ Book Two
Thomas Josiah Tay
22 Feb 1816 – 16 November 1878
“Make us glad according to the days wherein thou hast afflicted us, and the years wherein we have seen evil.”
I first came across the name TAY in the 1844 will of John Tomlinson (1766-1844), gentleman of Wergs, Tettenhall. John’s friends, trustees and executors were Edward Moore, surgeon of Halesowen, and Edward Tay, timber merchant of Wolverhampton.
Edward Moore (born in 1805) was the son of John’s wife’s (Sarah Hancox born 1772) sister Lucy Hancox (born 1780) from her first marriage in 1801. In 1810 widowed Lucy married Josiah Tay (1775-1837).
Edward Tay was the son of Sarah Hancox sister Elizabeth (born 1778), who married Thomas Tay in 1800. Thomas Tay (1770-1841) and Josiah Tay were brothers.
Edward Tay (1803-1862) was born in Sedgley and was buried in Penn. He was innkeeper of The Fighting Cocks, Dudley Road, Wolverhampton, as well as a builder and timber merchant, according to various censuses, trade directories, his marriage registration where his father Thomas Tay is also a timber merchant, as well as being named as a timber merchant in John Tomlinsons will.
John Tomlinson’s daughter Catherine (born in 1794) married Benjamin Smith in Tettenhall in 1822. William Tomlinson (1797-1867), Catherine’s brother, and my 3x great grandfather, was one of the witnesses.
Their daughter Matilda Sarah Smith (1823-1910) married Thomas Josiah Tay in 1850 in Birmingham. Thomas Josiah Tay (1816-1878) was Edward Tay’s brother, the sons of Elizabeth Hancox and Thomas Tay.
Therefore, William Hancox 1737-1816 (the father of Sarah, Elizabeth and Lucy), was Matilda’s great grandfather and Thomas Josiah Tay’s grandfather.
Thomas Josiah Tay’s relationship to me is the husband of first cousin four times removed, as well as my first cousin, five times removed.
In 1837 Thomas Josiah Tay is mentioned in the will of his uncle Josiah Tay.
In 1841 Thomas Josiah Tay appears on the Stafford criminal registers for an “attempt to procure miscarriage”. He was found not guilty.
According to the Staffordshire Advertiser on 14th March 1840 the listing for the Assizes included: “Thomas Ashmall and Thomas Josiah Tay, for administering noxious ingredients to Hannah Evans, of Wolverhampton, with intent to procure abortion.”
The London Morning Herald on 19th March 1840 provides further information: “Mr Thomas Josiah Tay, a chemist and druggist, surrendered to take his trial on a charge of having administered drugs to Hannah Lear, now Hannah Evans, with intent to procure abortion.” She entered the service of Tay in 1837 and after four months “an intimacy was formed” and two months later she was “enciente”. Tay advised her to take some pills and a draught which he gave her and she became very ill. The prosecutrix admitted that she had made no mention of this until 1939. Verdict: not guilty.
However, the case of Thomas Josiah Tay is also mentioned in a couple of law books, and the story varies slightly. In the 1841 Reports of Cases Argued and Rules at Nisi Prius, the Regina vs Ashmall and Tay case states that Thomas Ashmall feloniously, unlawfully, and maliciously, did use a certain instrument, and that Thomas Josiah Tay did procure the instrument, counsel and command Ashmall in the use of it. It concludes that Tay was not compellable to plead to the indictment, and that he did not.
The Regina vs Ashmall and Tay case is also mentioned in the Encyclopedia of Forms and Precedents, 1896.
In 1845 Thomas Josiah Tay married Isabella Southwick in Tettenhall. Two years later in 1847 Isabella died.
In 1850 Thomas Josiah married Matilda Sarah Smith. (granddaughter of John Tomlinson, as mentioned above)
On the 1851 census Thomas Josiah Tay was a farmer of 100 acres employing two labourers in Shelfield, Walsall, Staffordshire. Thomas Josiah and Matilda Sarah have a daughter Matilda under a year old, and they have a live in house servant.
In 1861 Thomas Josiah Tay, his wife and their four children Ann, James, Josiah and Alice, live in Chelmarsh, Shropshire. He was a farmer of 224 acres. Mercy Smith, Matilda’s sister, lives with them, a 28 year old dairy maid.
In 1863 Thomas Josiah Tay of Hampton Lode (Chelmarsh) Shropshire was bankrupt. Creditors include Frederick Weaver, druggist of Wolverhampton.
In 1869 Thomas Josiah Tay was again bankrupt. He was an innkeeper at The Fighting Cocks on Dudley Road, Wolverhampton, at the time, the same inn as his uncle Edward Tay, aforementioned timber merchant.
In 1871, Thomas Josiah Tay, his wife Matilda, and their three children Alice, Edward and Maryann, were living in Birmingham. Thomas Josiah was a commercial traveller.
He died on the 16th November 1878 at the age of 62 and was buried in Darlaston, Walsall. On his gravestone:
“Make us glad according to the days wherein thou hast afflicted us, and the years wherein we have seen evil.” Psalm XC 15 verse.
Edward Moore, surgeon, was also a MAGISTRATE in later years. On the 1871 census he states his occupation as “magistrate for counties Worcester and Stafford, and deputy lieutenant of Worcester, formerly surgeon”. He lived at Townsend House in Halesowen for many years. His wifes name was PATTERN Lucas. Her mothers name was Pattern Hewlitt from Birmingham, an unusal name that I have not heard before. On the 1871 census, Edward’s son was a 22 year old solicitor.
In 1861 an article appeared in the newspapers about the state of the morality of the women of Dudley. It was claimed that all the local magistrates agreed with the premise of the article, concerning unmarried women and their attitudes towards having illegitimate children. Letters appeared in subsequent newspapers signed by local magistrates, including Edward Moore, strongly disagreeing.
Staffordshire Advertiser 17 August 1861:
In reply to: The Jorid’s Travels – 14 years on
Luckily for them, the sand structure with the nearby nests of snapping sand turtles was also a graveyard for the military drones that weren’t apparently programmed to register natural elements as threats.
They quickly found four of them who weren’t completely damaged, and with some technical assist from Jorid, Georges was able to repair the propulsion and deactivate the military programs and tracking beacons.
Klatu had some ropes in his speedster that they tied to their rudimentary drive and the drones, so they could carry Léonard’s body while he was still in stasis.
His vitals were generally positive, and Salomé kept checking on him, while Georges and Klatu managed attaching the odd assemblage of drones to their craft.
The ride back wasn’t as bad as the first time, maybe due to the extra cargo that made maneuvres more complex for their green driver.
“This is worth the detour. Seems like Klatu really wanted to save time and avoided to show us the scenic route the first time,” said Georges trying to break the tense worried silence.
Salomé smiled weakly “Léonard’s consciousness is embroiled into complex thoughts; they have to deal about some threat, the nature of which eludes me for now. It looks as though he’s absorbed some sort of forbidden knowledge, something potentially dangerous,” Salomé said to Georges. “I’m no longer as sure he was imprisoned for his punishment, but rather for protection…” she sighed. “for everyone else’s protection… I will feel better when we’re all back to the Jorid and we can run a full diagnosis.”
Georges looked at his friend apparently sleeping, and wrapped a loving arm around Salomé’s shoulder “It’s not going to be long now. He’s going to be fine.”
“Horrible doing business with you.” Klatu said as they parted, rubbing his hands together in gleeful satisfaction. Whatever the Jorid had organised as a deal for his payment, it seemed the added drones weren’t part of it and came as an extra bonus.
Inside the Jorid, while Salomé was setting up space for Léonard and making the preparation for the diagnosis, Georges looked at the tiles board, readying the craft for imminent departure.
A new tile had appeared, with a distinct pattern form, almost like an ogee.
“Jorid, is this new?”
“Indeed Georges, our adventure has inspired me to create new avenues of exploration.”
“Oh, that’s fresh.” Georges looked into the shifting symbol at its surface. After it stabilised, he could see there was a sort of spiral shell with forms reminiscent of the mocking turtles peeking out from the centre, surrounded by sand dunes.
“Jorid, tell me more please.”
“Sure, I’d call it ‘Sandshell‘. Do you want the full curriculum?”
“Absolutely, colour me intrigued!”
“The Sandshell:
Function: A reminder of the fragility of our perceived reality and the importance of questioning our assumptions
Families: Vold, Zuli, Ilda
Significance: The Sandshell represents the shifting and unstable nature of our beliefs, assumptions, and understandings. Like the sand that slips through our fingers, so too can our perception of the world around us be ephemeral and illusory. The image of the mock turtle serves as a reminder that we often live under assumed identities and in a world built on questionable foundations.
As advice: The Sandshell encourages one to question their beliefs and assumptions, to examine the foundations upon which they have built their reality, and to search for a deeper understanding of truth.
Depiction: The Sandshell can be depicted as a spiral shell with a mocking turtle peeking out from the center, surrounded by sand dunes. The sand symbolizes the instability of our perceptions and the turtle represents the assumed identities and neurotic fairy tales that make up our reality. The spiral form of the shell represents the journey of discovery and self-reflection.”“I love it,” said Georges enthusiastically “can we use it to plot our next course?”
“As a matter of fact we can Georges. Let me realign the grid and propose some suggestions. Do you have a seed thought to offer for this journey?”
Georges pondered for a while, when the image of the fishboard sprung forth in his mind. “Our little adventure is reminding me of our origins, Jorid —Léonard, working on the fishboard, your ancestor in a way… Us, finding Léonard… It feels like an adventure back to our origins. Can you project a destination on this vector…” then thinking at Salomé’s worried face “… that would be safe for our next stop, and allow us to find help for Léonard.”
“Verily.” Jorid answered back. “Course plotted. Please get comfortable until we arrive at our destination.”
In reply to: Orbs of Madjourneys
Xavier had been drowsing in the rental car for a while, waiting for a message from Youssef. He’d stopped the aircon despite the suffocating heat, as he was starting to feel cold. And he’d started to nose dive in dreaming.
The buzzing of his phone made him snap back to consciousness from the weirdest dream, he had to take a few seconds to adjust. The phone went into silent mode to voicemail before he got the chance to pick it up.
Weirdest dream ever. Few hours ago, he’d been going round and round the place, trying to find a library to buy a black book, but surprisingly, even when he’d managed to find a small bookstore, there were none to sell. None with a black cover…
He’d wondered —sometimes these quests are made to be difficult, but come on, how difficult could it be. Even a plain black-covered notebook would have been enough, but nothing!
That’s when he’d decided to drop the search, that he dozed off in the car.
Few images came back from the dream. First, the insane search, and books coming up in all shapes and forms, any color but black… or black but with black-and-white photos on the covers he didn’t want.
And then, there was one. He started to open it, and all the pages were blank. As he was browsing them, looking for a clue, like a pop-out book, something came up from the middle of the pages. And it was himself, smiling back at him. The shock snapped him right back to the rather quiet street of Alice Springs.
SOOO WEIIIIRD
He turned the ignition back on as well as the aircon. Checked his message.
- 📨
[Quirk Land] NEW QUEST OPENED - ➿
1 voicemail from ❣️🐝Brytta🐝❣️ - 💬 Youssef typing…
In reply to: The Jorid’s Travels – 14 years on
Salomé: Using the new trans-dimensional array, Jorid, plot course to a new other-dimensional exploration
Georges (comments): “New realms of consciousness, extravagant creatures expected, dragons least of them!” He winked “May that be a warning for whoever wants to follow in our steps”.
The Jorid: Ready for departure.
Salomé: Plot coordinates quadrant AVB 34-7•8 – Cosmic time triangulation congruent to 2023 AD Earth era. Quantum drive engaged.
Jorid: Departure initiated. Entering interdimensional space. Standby for quantum leap.
Salomé (sighing): Please analyse subspace signatures, evidences of life forms in the quadrant.
Jorid: Scanning subspace signatures. Detecting multiple life forms in the AVB 34-7•8 quadrant. Further analysis required to determine intelligence and potential danger.
Salomé: Jorid, engage human interaction mode, with conversational capabilities and extrapolate please!
Jorid: Engaging human interaction mode. Ready for conversation. What would you like to know or discuss?
Georges: We currently have amassed quite a number of tiles. How many Salomé?
Salomé: Let me check. I think about 47 of them last I count. I didn’t insert the auto-generated ones, they were of lesser quality and seemed to interfere with the navigational array landing us always in expected places already travelled.Georges: Léonard has been missing for 4 months.
Salomé: you mean by our count, right?
Georges: Right. We need to find him to readjust or correct the navigational array. Jorid, give us statistical probabilities that we can use as clues to his current potential locations.
Jorid: Calculating statistical probabilities for Léonard’s location. It would be helpful to have more information, such as known destinations or areas of interest, to increase accuracy of probabilities.
Salomé: Jorid is in a lazy mood it seems. I preferred her more chatty.
Georges: You mean “him”, surely dear?
Salomé: (rolls eyes)
Georges: Anyway, Léonard seemed interested in archaeological finds in recent excavated tombs near the sand deserts of Bluhm’Oxl in the Zathu sector.
Jorid: Analyzing data on archaeological finds near the sand deserts of Bluhm’Oxl in the Zathu sector. Probability of Léonard being in the area is calculated at 43%. Shall I plot a course to Bluhm’Oxl for further investigation?Salomé (loosing patience): Please engage your quantum capacities to access more data. We built you to be a bit more helpful than a bloody computer.
Georges laughed: I remembered you had more patience, dear!
Salomé: She’s in a mood today, isn’t she. What did you do to her?
Georges (cunningly): Jorid, sweet thing, please provide more details about the area, the populations, the customs the whole gamut dammit, and potential territorial conflicts in the vicinity. And be more chatty to please Salomé.
Jorid: Of course, I apologize for my previous responses. Analyzing data on the sand deserts of Bluhm’Oxl in the Zathu sector, including information on populations, customs, territorial conflicts and other relevant details. The area is known for its rich history and cultural heritage, with several ancient tombs and ruins attracting archaeological interest. The main population is composed of the Zathu nomads, known for their hospitality and trading skills. There are no known territorial conflicts in the area, but it is advised to exercise caution while traveling as the deserts can be treacherous.
Georges (laughs): You can’t stop her know!
Salomé (smiles noticing the “her”): Well, that doesn’t tell too much, does it. How shall we proceed? Need to synthetise some local clothes, or are you back to your thieving habits (pun intended)?
Georges: Haha, always ready for a good adventure. It seems we’ll have to do some research on the ground. As for the clothes, I’ll leave that to you my dear. Your sense of style never fails to impress. Let’s make sure to blend in with the locals and avoid drawing any unnecessary attention. The goal is to find Léonard, not get into trouble.
In reply to: Train your subjective AI – text version
Asking the AI to expand on the glossary of the original Circle of Eights Story:
Locations
Malvina’s Cave: A dark and damp cave located in the heart of the Gripshawk mountains, known for its population of Glukenitch creatures.
Lan’ork: A vast and diverse continent known for its Eastern Lagunas, home to the Indogo flamingos. Dragon Head Peninsula: A rugged and mountainous region, home to the Langoat creatures and also known for its rich deposits of dragon ore.
Asgurdy: A sprawling desert region, known for its nomadic tribes who use Saurhse as mounts for transportation.
Golfindely: An idyllic coastal region known for its beautiful beaches and crystal clear waters, home to the Golfindel and Grake creatures.
Magical Schools
Dragonian Magic: A form of magic that is practiced by Dragonriders and Dragon tamers, which involves the manipulation of dragon energy and bonding with dragon companions.
Gripshawk Magic: A form of magic that is practiced by Gripshawks, which involves the manipulation of the natural elements and telepathic communication with other creatures.
Ugling Magic: A form of magic that is practiced by Uglings, which involves the use of charms, spells, and potions to manipulate the physical world.
Guilds
Dragon Riders Guild: A prestigious guild of dragon riders, responsible for maintaining peace and order in the world by using their dragon companions for protection and transportation.
Gripshawk Hunters Guild: A guild of skilled hunters who specialize in hunting and capturing exotic creatures for various purposes.
Ugling Alchemists Guild: A guild of alchemists and potion makers, who create various potions and elixirs for medicinal and magical purposes.
Organizations
The Order of the Buntifluën: A secret organization dedicated to the study and use of Buntifluën artefacts for the betterment of communication and understanding between sentient beings.
The Glubolín Network: A network of individuals who possess Glubolín devices, used for communication and sharing information across long distances.
The Sabulmantium Society: A society of scholars and adventurers who study the properties and uses of Sabulmantium devices for divination and navigation.
Here are a few new invented terms with their potential IPA pronunciations and definitions that would fit in this fantasy world:
Dragons:
Krynn [ ˈkrĭn ] : A subspecies of dragon known for its ability to control and manipulate time.
Creatures:
Kelpies [ ˈkĕl-pēz ] : Aquatic creatures resembling horses, known for their ability to shape-shift and lure unsuspecting victims into the water.
Magical Artefacts:
Dragonwhisper [ ˈdrā-gən-ˌhwis-pər ] : An ancient and powerful magical artifact, which allows the user to communicate and control dragons telepathically.
Necrotalisman [ ˈnĕk-rə-ˈtā-lĭz-mən ] : A magical artifact in the shape of a talisman that grants its wielder the ability to control and summon the dead.
Plants:
Blightthorn [ ˈblīt-ˌthôrn ] : A poisonous plant known for its dark purple flowers and thorny stem, its extract is used in dark magic
Faeleaf [ ˈfā-ˌlēf ] : A rare plant found in the deep forest known for its bright green leaves, its extract is used in healing potions
Locations:
The Shadowland [ ˈshā-dō-ˌland ] : A mysterious and dangerous land overrun by dark magic and controlled by Necromancers.
The Hidden Vale [ ˈhī-dən-ˈvāl ] : A secluded valley located deep in the mountains, home to the reclusive Faeleaf plants.
Organization:
The Necromancers’ Circle [ ˈnĕk-rə-ˈmän-sər-z-ˈsər-kəl ] : A secret organization of powerful necromancers who seek to expand their control over death and the dead.
Here are a few more invented terms with their potential IPA pronunciations and definitions that fit in this fantasy world, having less to do with necromancy, and more with various forms of consciousness or energy manipulation, magical or mythical creatures or species:
Creatures:
Eterneon [ ˈē-tər-ˈnē-ən ] : A species of winged creatures known for their ability to manipulate and harness the energy of the stars, they are highly sought after by astromancers and star-gazers.
Psicon [ ˈsī-ˌkän ] : A species of psychic creatures, known for their ability to read minds and influence emotions.
Magical Artefacts:
Energyshield [ ˈen-ər-jē-ˌshēld ] : A magical artifact that creates a protective barrier around the user, deflecting or absorbing any kind of energy-based attacks.
Empathstone [ ˈĕm-pāth-ˈstōn ] : A small, glowing stone which allows the user to sense and control the emotions of others.
Magical Schools:
Energyshaping [ ˈen-ər-jē-ˌshāp-ing ] : A school of magic that involves the manipulation and control of various forms of energy.
Empathymagic [ ˈĕm-pā-thē-ˈmaj-ik ] : A school of magic that involves the manipulation of emotions and the ability to sense the emotions of others.
Locations:
Eternity’s Edge [ ˈē-tər-nə-tēz-ˈēj] : A remote and mysterious cliff located high in the mountains, known for its strong emanations of star energy and rumored to be home to a hidden community of Eterneons.
Psicon’s Den [ ˈsī-kän-z-ˈdĕn] : A secret cave system located deep within the forest, it is said to be home to a colony of Psicon creatures.
Organizations:
The Energists Guild [ ˈen-ər-jist-z-ˈgild] : A powerful guild of magic users specializing in Energyshaping magic.
The Empath Council [ ˈĕm-pāth-ˈkoun-səl]: A secretive group of Empathymagic users, dedicated to the study and control of emotions.
In reply to: Train your subjective AI – text version
Please suggest a creative, a little ghostic but mostly uplifting plot outline for the continuation of the story of Twilight in her travels to join the freak circus and become famous for her craft on the west coast
— The Far-West saga — In 1850s, in a probable reality of South America, we get acquainted with Twilight (Twi) and her brothers Jo and Elroy. They have a precious blue bull in their possession, coveted by Ogrean, the kingpin of the town. Hopefully for them, Ogrean is arrested (temporarily) by Ted Marshall, the sheriff for his possible trafficking. Notably, Ogrean is possibly involved in some of the crystal skulls discoveries, during his travel to New Honduras. Twi who was dancing in the saloon of Madame Butterbutt, the town’s hallucinogenic toads-to-lick dispenser (insert some other romantic subplots involving the other dancer etc.) decides to go traveling in a freakus (freak show/circus). She is now close to the West Coast, where she hopes to succeed in her writing and other artistic skills.
As Twilight (Twi) travels with the freak circus, she faces many challenges and obstacles on her journey to the West Coast. Despite the difficulties, she remains determined to make a name for herself as a writer and artist.
As she travels through small towns and larger cities, she begins to realize that the world is much bigger than she ever imagined. She meets a diverse group of people, some of whom are kind and supportive, while others are cruel and dismissive of her dreams.
Despite the negative reactions she receives from some people, Twi persists and begins to gain a reputation as a talented writer and performer. As she gains more experience and confidence, she starts to incorporate her own unique style into her performances, which sets her apart from the other performers in the circus.
As she approaches the West Coast, she begins to feel a sense of excitement and anticipation. She has heard that the West Coast is a place of endless possibilities, where creative minds can thrive. She is determined to make her mark and become famous for her craft.
As she settles in the west, she finds herself surrounded by artists and writers like herself, who inspire her to push herself even further. She begins to gain a following and her writing is widely read. She discovers that her talent is not only limited to writing, but she also has a natural talent for other art forms as well.
Eventually, Twi’s reputation as a talented artist and writer precedes her and she becomes a sought-after performer in the West Coast, and her creative work is being showcased in galleries and theaters. As she continues to achieve success in her career, she begins to realize that the West Coast is not just a place of endless possibilities but also the place where she belongs, and the place where her dreams come true.
Throughout her journey, she also keeps in touch with her brothers, Jo and Elroy, who now run the farm and take care of the blue bull. They tell her that the bull, now named Blue-Dream, became a legend in the village and they get a good price for its breeding.
As the story continues, she finds herself also involved in some adventures and exciting subplots, like discovering a secret underground cave filled with precious crystals and some interesting characters, like the enigmatic sheriff Ted Marshall who always cross her path, and the mysterious Ogrean who seems to have a connection to her past and the bull.
The End.
In reply to: The Elusive Samuel Housley and Other Family Stories
The Measham Thatchers
Orgills, Finches and Wards
Measham is a large village in north west Leicestershire, England, near the Derbyshire, Staffordshire and Warwickshire boundaries. Our family has a penchant for border straddling, and the Orgill’s of Measham take this a step further living on the boundaries of four counties. Historically it was in an exclave of Derbyshire absorbed into Leicestershire in 1897, so once again we have two sets of county records to search.
ORGILL
Richard Gretton, the baker of Swadlincote and my great grandmother Florence Nightingale Grettons’ father, married Sarah Orgill (1840-1910) in 1861.
(Incidentally, Florence Nightingale Warren nee Gretton’s first child Hildred born in 1900 had the middle name Orgill. Florence’s brother John Orgill Gretton emigrated to USA.)
When they first married, they lived with Sarah’s widowed mother Elizabeth in Measham. Elizabeth Orgill is listed on the 1861 census as a farmer of two acres.
Sarah Orgill’s father Matthew Orgill (1798-1859) was a thatcher, as was his father Matthew Orgill (1771-1852).
Matthew Orgill the elder left his property to his son Henry:
Sarah’s mother Elizabeth (1803-1876) was also an Orgill before her marriage to Matthew.
According to Pigot & Co’s Commercial Directory for Derbyshire, in Measham in 1835 Elizabeth Orgill was a straw bonnet maker, an ideal occupation for a thatchers wife.
Matthew Orgill, thatcher, is listed in White’s directory in 1857, and other Orgill’s are mentioned in Measham:
Mary Orgill, straw hat maker; Henry Orgill, grocer; Daniel Orgill, painter; another Matthew Orgill is a coal merchant and wheelwright. Likewise a number of Orgill’s are listed in the directories for Measham in the subsequent years, as farmers, plumbers, painters, grocers, thatchers, wheelwrights, coal merchants and straw bonnet makers.
Matthew and Elizabeth Orgill, Measham Baptist church:
According to a history of thatching, for every six or seven thatchers appearing in the 1851 census there are now less than one. Another interesting fact in the history of thatched roofs (via thatchinginfo dot com):
The Watling Street Divide…
The biggest dividing line of all, that between the angular thatching of the Northern and Eastern traditions and the rounded Southern style, still roughly follows a very ancient line; the northern section of the old Roman road of Watling Street, the modern A5. Seemingly of little significance today; this was once the border between two peoples. Agreed in the peace treaty, between the Saxon King Alfred and Guthrum, the Danish Viking leader; over eleven centuries ago.
After making their peace, various Viking armies settled down, to the north and east of the old road; firstly, in what was known as The Danelaw and later in Norse kingdoms, based in York. They quickly formed a class of farmers and peasants. Although the Saxon kings soon regained this area; these people stayed put. Their influence is still seen, for example, in the widespread use of boarded gable ends, so common in Danish thatching.
Over time, the Southern and Northern traditions have slipped across the old road, by a few miles either way. But even today, travelling across the old highway will often bring the differing thatching traditions quickly into view.Pear Tree Cottage, Bosworth Road, Measham. 1900. Matthew Orgill was a thatcher living on Bosworth road.
FINCH
Matthew the elder married Frances Finch 1771-1848, also of Measham. On the 1851 census Matthew is an 80 year old thatcher living with his daughter Mary and her husband Samuel Piner, a coal miner.
Henry Finch 1743- and Mary Dennis 1749- , both of Measham, were Frances parents. Henry’s father was also Henry Finch, born in 1707 in Measham, and he married Frances Ward, also born in 1707, and also from Measham.
WARD
The ancient boundary between the kingdom of Mercia and the Danelaw
I didn’t find much information on the history of Measham, but I did find a great deal of ancient history on the nearby village of Appleby Magna, two miles away. The parish records indicate that the Ward and Finch branches of our family date back to the 1500’s in the village, and we can assume that the ancient history of the neighbouring village would be relevant to our history.
There is evidence of human settlement in Appleby from the early Neolithic period, 6,000 years ago, and there are also Iron Age and Bronze Age sites in the vicinity. There is evidence of further activity within the village during the Roman period, including evidence of a villa or farm and a temple. Appleby is near three known Roman roads: Watling Street, 10 miles south of the village; Bath Lane, 5 miles north of the village; and Salt Street, which forms the parish’s south boundary.
But it is the Scandinavian invasions that are particularly intriguing, with regard to my 58% Scandinavian DNA (and virtually 100% Midlands England ancestry). Repton is 13 miles from Measham. In the early 10th century Chilcote, Measham and Willesley were part of the royal Derbyshire estate of Repton.
The arrival of Scandinavian invaders in the second half of the ninth century caused widespread havoc throughout northern England. By the AD 870s the Danish army was occupying Mercia and it spent the winter of 873-74 at Repton, the headquarters of the Mercian kings. The events are recorded in detail in the Peterborough manuscript of the Anglo-Saxon Chronicles…
Although the Danes held power for only 40 years, a strong, even subversive, Danish element remained in the population for many years to come.
A Scandinavian influence may also be detected among the field names of the parish. Although many fields have relatively modern names, some clearly have elements which reach back to the time of Danish incursion and control.
The Borders:
The name ‘aeppel byg’ is given in the will of Wulfic Spot of AD 1004……………..The decision at Domesday to include this land in Derbyshire, as one of Burton Abbey’s Derbyshire manors, resulted in the division of the village of Appleby Magna between the counties of Leicester and Derby for the next 800 years
Richard Dunmore’s Appleby Magma website.
This division of Appleby between Leicestershire and Derbyshire persisted from Domesday until 1897, when the recently created county councils (1889) simplified the administration of many villages in this area by a radical realignment of the boundary:
I would appear that our family not only straddle county borders, but straddle ancient kingdom borders as well. This particular branch of the family (we assume, given the absence of written records that far back) were living on the edge of the Danelaw and a strong element of the Danes survives to this day in my DNA.
In reply to: The Elusive Samuel Housley and Other Family Stories
Ellastone and Mayfield
Malkins and Woodwards
Parish RegistersJane Woodward
It’s exciting, as well as enormously frustrating, to see so many Woodward’s in the Ellastone parish registers, and even more so because they go back so far. There are parish registers surviving from the 1500’s: in one, dated 1579, the death of Thomas Woodward was recorded. His father’s name was Humfrey.Jane Woodward married Rowland Malkin in 1751, in Thorpe, Ashbourne. Jane was from Mathfield (also known as Mayfield), Ellastone, on the Staffordshire side of the river Dove. Rowland was from Clifton, Ashbourne, on the Derbyshire side of the river. They were neighbouring villages, but in different counties.
Jane Woodward was born in 1726 according to the marriage transcription. No record of the baptism can be found for her, despite there having been at least four other Woodward couples in Ellastone and Mayfield baptizing babies in the 1720’s and 1730’s. Without finding out the baptism with her parents names on the parish register, it’s impossible to know which is the correct line to follow back to the earlier records.
I found a Mayfield history group on Facebook and asked if there were parish records existing that were not yet online. A member responded that she had a set on microfiche and had looked through the relevant years and didn’t see a Jane Woodward, but she did say that some of the pages were illegible.
The Ellasone parish records from the 1500s surviving at all, considering the events in 1673, is remarkable. To be so close, but for one indecipherable page from the 1700s, to tracing the family back to the 1500s! The search for the connecting link to the earlier records continues.
Some key events in the history of parish registers from familysearch:
In medieval times there were no parish registers. For some years before the Reformation, monastic houses (especially the smaller ones) the parish priest had been developing the custom of noting in an album or on the margins of the service books, the births and deaths of the leading local families.
1538 – Through the efforts of Thomas Cromwell a mandate was issued by Henry VIII to keep parish registers. This order that every parson, vicar or curate was to enter in a book every wedding, christening and burial in his parish. The parish was to provide a sure coffer with two locks, the parson having the custody of one key, the wardens the others. The entries were to be made each Sunday after the service in the presence of one of the wardens.
1642-60 – During the Civil War registers were neglected and Bishop Transcripts were not required.
1650 – In the restoration of Charles they went back to the church to keep christenings, marriages and burial. The civil records that were kept were filed in with the parish in their registers. it is quite usual to find entries explaining the situation during the Interregnum. One rector stated that on 23 April 1643 “Our church was defaced our font thrown down and new forms of prayer appointed”. Another minister not quite so bold wrote “When the war, more than a civil war was raging most grimly between royalists and parliamentarians throughout the greatest part of England, I lived well because I lay low”.
1653 – Cromwell, whose army had defeated the Royalists, was made Lord Protector and acted as king. He was a Puritan. The parish church of England was disorganized, many ministers fled for their lives, some were able to hide their registers and other registers were destroyed. Cromwell ruled that there would be no one religion in England all religions could be practiced. The government took away from the ministers not only the custody of the registers, but even the solemnization of the marriage ceremony. The marriage ceremony was entrusted to the justices to form a new Parish Register (not Registrar) elected by all the ratepayers in a parish, and sworn before and approved by a magistrate.. Parish clerks of the church were made a civil parish clerk and they recorded deaths, births and marriages in the civil parishes.Ellastone:
“Ellastone features as ‘Hayslope’ in George Eliot’s Adam Bede, published in 1859. It earned this recognition because the author’s father spent the early part of his life in the village working as a carpenter.”
Adam Bede Cottage, Ellastone:
“It was at Ellastone that Robert Evans, George Eliot’s father, passed his early years and worked as a carpenter with his brother Samuel; and it was partly from reminiscences of her father’s talk and from her uncle Samuel’s wife’s preaching experiences that the author constructed the very powerful and moving story of Adam Bede.”
Mary Malkin
1765-1838
Ellen Carrington’s mother was Mary Malkin.
Ellastone:
Ashbourn the 31st day of May in the year of our Lord 1751. The marriage of Rowland Malkin and Jane Woodward:
In reply to: The Elusive Samuel Housley and Other Family Stories
From Tanganyika with Love
continued part 7
With thanks to Mike Rushby.
Oldeani Hospital. 19th September 1938
Dearest Family,
George arrived today to take us home to Mbulu but Sister Marianne will not allow
me to travel for another week as I had a bit of a set back after baby’s birth. At first I was
very fit and on the third day Sister stripped the bed and, dictionary in hand, started me
off on ante natal exercises. “Now make a bridge Mrs Rushby. So. Up down, up down,’
whilst I obediently hoisted myself aloft on heels and head. By the sixth day she
considered it was time for me to be up and about but alas, I soon had to return to bed
with a temperature and a haemorrhage. I got up and walked outside for the first time this
morning.I have had lots of visitors because the local German settlers seem keen to see
the first British baby born in the hospital. They have been most kind, sending flowers
and little German cards of congratulations festooned with cherubs and rather sweet. Most
of the women, besides being pleasant, are very smart indeed, shattering my illusion that
German matrons are invariably fat and dowdy. They are all much concerned about the
Czecko-Slovakian situation, especially Sister Marianne whose home is right on the
border and has several relations who are Sudentan Germans. She is ant-Nazi and
keeps on asking me whether I think England will declare war if Hitler invades Czecko-
Slovakia, as though I had inside information.George tells me that he has had a grass ‘banda’ put up for us at Mbulu as we are
both determined not to return to those prison-like quarters in the Fort. Sister Marianne is
horrified at the idea of taking a new baby to live in a grass hut. She told George,
“No,No,Mr Rushby. I find that is not to be allowed!” She is an excellent Sister but rather
prim and George enjoys teasing her. This morning he asked with mock seriousness,
“Sister, why has my wife not received her medal?” Sister fluttered her dictionary before
asking. “What medal Mr Rushby”. “Why,” said George, “The medal that Hitler gives to
women who have borne four children.” Sister started a long and involved explanation
about the medal being only for German mothers whilst George looked at me and
grinned.Later. Great Jubilation here. By the noise in Sister Marianne’s sitting room last night it
sounded as though the whole German population had gathered to listen to the wireless
news. I heard loud exclamations of joy and then my bedroom door burst open and
several women rushed in. “Thank God “, they cried, “for Neville Chamberlain. Now there
will be no war.” They pumped me by the hand as though I were personally responsible
for the whole thing.George on the other hand is disgusted by Chamberlain’s lack of guts. Doesn’t
know what England is coming to these days. I feel too content to concern myself with
world affairs. I have a fine husband and four wonderful children and am happy, happy,
happy.Eleanor.
Mbulu. 30th September 1938
Dearest Family,
Here we are, comfortably installed in our little green house made of poles and
rushes from a nearby swamp. The house has of course, no doors or windows, but
there are rush blinds which roll up in the day time. There are two rooms and a little porch
and out at the back there is a small grass kitchen.Here we have the privacy which we prize so highly as we are screened on one
side by a Forest Department plantation and on the other three sides there is nothing but
the rolling countryside cropped bare by the far too large herds of cattle and goats of the
Wambulu. I have a lovely lazy time. I still have Kesho-Kutwa and the cook we brought
with us from the farm. They are both faithful and willing souls though not very good at
their respective jobs. As one of these Mbeya boys goes on safari with George whose
job takes him from home for three weeks out of four, I have taken on a local boy to cut
firewood and heat my bath water and generally make himself useful. His name is Saa,
which means ‘Clock’We had an uneventful but very dusty trip from Oldeani. Johnny Jo travelled in his
pram in the back of the boxbody and got covered in dust but seems none the worst for
it. As the baby now takes up much of my time and Kate was showing signs of
boredom, I have engaged a little African girl to come and play with Kate every morning.
She is the daughter of the head police Askari and a very attractive and dignified little
person she is. Her name is Kajyah. She is scrupulously clean, as all Mohammedan
Africans seem to be. Alas, Kajyah, though beautiful, is a bore. She simply does not
know how to play, so they just wander around hand in hand.There are only two drawbacks to this little house. Mbulu is a very windy spot so
our little reed house is very draughty. I have made a little tent of sheets in one corner of
the ‘bedroom’ into which I can retire with Johnny when I wish to bathe or sponge him.
The other drawback is that many insects are attracted at night by the lamp and make it
almost impossible to read or sew and they have a revolting habit of falling into the soup.
There are no dangerous wild animals in this area so I am not at all nervous in this
flimsy little house when George is on safari. Most nights hyaenas come around looking
for scraps but our dogs, Fanny and Paddy, soon see them off.Eleanor.
Mbulu. 25th October 1938
Dearest Family,
Great news! a vacancy has occurred in the Game Department. George is to
transfer to it next month. There will be an increase in salary and a brighter prospect for
the future. It will mean a change of scene and I shall be glad of that. We like Mbulu and
the people here but the rains have started and our little reed hut is anything but water
tight.Before the rain came we had very unpleasant dust storms. I think I told you that
this is a treeless area and the grass which normally covers the veldt has been cropped
to the roots by the hungry native cattle and goats. When the wind blows the dust
collects in tall black columns which sweep across the country in a most spectacular
fashion. One such dust devil struck our hut one day whilst we were at lunch. George
swept Kate up in a second and held her face against his chest whilst I rushed to Johnny
Jo who was asleep in his pram, and stooped over the pram to protect him. The hut
groaned and creaked and clouds of dust blew in through the windows and walls covering
our persons, food, and belongings in a black pall. The dogs food bowls and an empty
petrol tin outside the hut were whirled up and away. It was all over in a moment but you
should have seen what a family of sweeps we looked. George looked at our blackened
Johnny and mimicked in Sister Marianne’s primmest tones, “I find that this is not to be
allowed.”The first rain storm caught me unprepared when George was away on safari. It
was a terrific thunderstorm. The quite violent thunder and lightening were followed by a
real tropical downpour. As the hut is on a slight slope, the storm water poured through
the hut like a river, covering the entire floor, and the roof leaked like a lawn sprinkler.
Johnny Jo was snug enough in the pram with the hood raised, but Kate and I had a
damp miserable night. Next morning I had deep drains dug around the hut and when
George returned from safari he managed to borrow an enormous tarpaulin which is now
lashed down over the roof.It did not rain during the next few days George was home but the very next night
we were in trouble again. I was awakened by screams from Kate and hurriedly turned up
the lamp to see that we were in the midst of an invasion of siafu ants. Kate’s bed was
covered in them. Others appeared to be raining down from the thatch. I quickly stripped
Kate and carried her across to my bed, whilst I rushed to the pram to see whether
Johnny Jo was all right. He was fast asleep, bless him, and slept on through all the
commotion, whilst I struggled to pick all the ants out of Kate’s hair, stopping now and
again to attend to my own discomfort. These ants have a painful bite and seem to
choose all the most tender spots. Kate fell asleep eventually but I sat up for the rest of
the night to make sure that the siafu kept clear of the children. Next morning the servants
dispersed them by laying hot ash.In spite of the dampness of the hut both children are blooming. Kate has rosy
cheeks and Johnny Jo now has a fuzz of fair hair and has lost his ‘old man’ look. He
reminds me of Ann at his age.Eleanor.
Iringa. 30th November 1938
Dearest Family,
Here we are back in the Southern Highlands and installed on the second floor of
another German Fort. This one has been modernised however and though not so
romantic as the Mbulu Fort from the outside, it is much more comfortable.We are all well
and I am really proud of our two safari babies who stood up splendidly to a most trying
journey North from Mbulu to Arusha and then South down the Great North Road to
Iringa where we expect to stay for a month.At Arusha George reported to the headquarters of the Game Department and
was instructed to come on down here on Rinderpest Control. There is a great flap on in
case the rinderpest spread to Northern Rhodesia and possibly onwards to Southern
Rhodesia and South Africa. Extra veterinary officers have been sent to this area to
inoculate all the cattle against the disease whilst George and his African game Scouts will
comb the bush looking for and destroying diseased game. If the rinderpest spreads,
George says it may be necessary to shoot out all the game in a wide belt along the
border between the Southern Highlands of Tanganyika and Northern Rhodesia, to
prevent the disease spreading South. The very idea of all this destruction sickens us
both.George left on a foot safari the day after our arrival and I expect I shall be lucky if I
see him occasionally at weekends until this job is over. When rinderpest is under control
George is to be stationed at a place called Nzassa in the Eastern Province about 18
miles from Dar es Salaam. George’s orderly, who is a tall, cheerful Game Scout called
Juma, tells me that he has been stationed at Nzassa and it is a frightful place! However I
refuse to be depressed. I now have the cheering prospect of leave to England in thirty
months time when we will be able to fetch Ann and George and be a proper family
again. Both Ann and George look happy in the snapshots which mother-in-law sends
frequently. Ann is doing very well at school and loves it.To get back to our journey from Mbulu. It really was quite an experience. It
poured with rain most of the way and the road was very slippery and treacherous the
120 miles between Mbulu and Arusha. This is a little used earth road and the drains are
so blocked with silt as to be practically non existent. As usual we started our move with
the V8 loaded to capacity. I held Johnny on my knee and Kate squeezed in between
George and me. All our goods and chattels were in wooden boxes stowed in the back
and the two houseboys and the two dogs had to adjust themselves to the space that
remained. We soon ran into trouble and it took us all day to travel 47 miles. We stuck
several times in deep mud and had some most nasty skids. I simply clutched Kate in
one hand and Johnny Jo in the other and put my trust in George who never, under any
circumstances, loses his head. Poor Johnny only got his meals when circumstances
permitted. Unfortunately I had put him on a bottle only a few days before we left Mbulu
and, as I was unable to buy either a primus stove or Thermos flask there we had to
make a fire and boil water for each meal. Twice George sat out in the drizzle with a rain
coat rapped over his head to protect a miserable little fire of wet sticks drenched with
paraffin. Whilst we waited for the water to boil I pacified John by letting him suck a cube
of Tate and Lyles sugar held between my rather grubby fingers. Not at all according to
the book.That night George, the children and I slept in the car having dumped our boxes
and the two servants in a deserted native hut. The rain poured down relentlessly all night
and by morning the road was more of a morass than ever. We swerved and skidded
alarmingly till eventually one of the wheel chains broke and had to be tied together with
string which constantly needed replacing. George was so patient though he was wet
and muddy and tired and both children were very good. Shortly before reaching the Great North Road we came upon Jack Gowan, the Stock Inspector from Mbulu. His car
was bogged down to its axles in black mud. He refused George’s offer of help saying
that he had sent his messenger to a nearby village for help.I hoped that conditions would be better on the Great North Road but how over
optimistic I was. For miles the road runs through a belt of ‘black cotton soil’. which was
churned up into the consistency of chocolate blancmange by the heavy lorry traffic which
runs between Dodoma and Arusha. Soon the car was skidding more fantastically than
ever. Once it skidded around in a complete semi circle so George decided that it would
be safer for us all to walk whilst he negotiated the very bad patches. You should have
seen me plodding along in the mud and drizzle with the baby in one arm and Kate
clinging to the other. I was terrified of slipping with Johnny. Each time George reached
firm ground he would return on foot to carry Kate and in this way we covered many bad
patches.We were more fortunate than many other travellers. We passed several lorries
ditched on the side of the road and one car load of German men, all elegantly dressed in
lounge suits. One was busy with his camera so will have a record of their plight to laugh
over in the years to come. We spent another night camping on the road and next day
set out on the last lap of the journey. That also was tiresome but much better than the
previous day and we made the haven of the Arusha Hotel before dark. What a picture
we made as we walked through the hall in our mud splattered clothes! Even Johnny was
well splashed with mud but no harm was done and both he and Kate are blooming.
We rested for two days at Arusha and then came South to Iringa. Luckily the sun
came out and though for the first day the road was muddy it was no longer so slippery
and the second day found us driving through parched country and along badly
corrugated roads. The further South we came, the warmer the sun which at times blazed
through the windscreen and made us all uncomfortably hot. I have described the country
between Arusha and Dodoma before so I shan’t do it again. We reached Iringa without
mishap and after a good nights rest all felt full of beans.Eleanor.
Mchewe Estate, Mbeya. 7th January 1939.
Dearest Family,
You will be surprised to note that we are back on the farm! At least the children
and I are here. George is away near the Rhodesian border somewhere, still on
Rinderpest control.I had a pleasant time at Iringa, lots of invitations to morning tea and Kate had a
wonderful time enjoying the novelty of playing with children of her own age. She is not
shy but nevertheless likes me to be within call if not within sight. It was all very suburban
but pleasant enough. A few days before Christmas George turned up at Iringa and
suggested that, as he would be working in the Mbeya area, it might be a good idea for
the children and me to move to the farm. I agreed enthusiastically, completely forgetting
that after my previous trouble with the leopard I had vowed to myself that I would never
again live alone on the farm.Alas no sooner had we arrived when Thomas, our farm headman, brought the
news that there were now two leopards terrorising the neighbourhood, and taking dogs,
goats and sheep and chickens. Traps and poisoned bait had been tried in vain and he
was sure that the female was the same leopard which had besieged our home before.
Other leopards said Thomas, came by stealth but this one advertised her whereabouts
in the most brazen manner.George stayed with us on the farm over Christmas and all was quiet at night so I
cheered up and took the children for walks along the overgrown farm paths. However on
New Years Eve that darned leopard advertised her presence again with the most blood
chilling grunts and snarls. Horrible! Fanny and Paddy barked and growled and woke up
both children. Kate wept and kept saying, “Send it away mummy. I don’t like it.” Johnny
Jo howled in sympathy. What a picnic. So now the whole performance of bodyguards
has started again and ‘till George returns we confine our exercise to the garden.
Our little house is still cosy and sweet but the coffee plantation looks very
neglected. I wish to goodness we could sell it.Eleanor.
Nzassa 14th February 1939.
Dearest Family,
After three months of moving around with two small children it is heavenly to be
settled in our own home, even though Nzassa is an isolated spot and has the reputation
of being unhealthy.We travelled by car from Mbeya to Dodoma by now a very familiar stretch of
country, but from Dodoma to Dar es Salaam by train which made a nice change. We
spent two nights and a day in the Splendid Hotel in Dar es Salaam, George had some
official visits to make and I did some shopping and we took the children to the beach.
The bay is so sheltered that the sea is as calm as a pond and the water warm. It is
wonderful to see the sea once more and to hear tugs hooting and to watch the Arab
dhows putting out to sea with their oddly shaped sails billowing. I do love the bush, but
I love the sea best of all, as you know.We made an early start for Nzassa on the 3rd. For about four miles we bowled
along a good road. This brought us to a place called Temeke where George called on
the District Officer. His house appears to be the only European type house there. The
road between Temeke and the turn off to Nzassa is quite good, but the six mile stretch
from the turn off to Nzassa is a very neglected bush road. There is nothing to be seen
but the impenetrable bush on both sides with here and there a patch of swampy
ground where rice is planted in the wet season.After about six miles of bumpy road we reached Nzassa which is nothing more
than a sandy clearing in the bush. Our house however is a fine one. It was originally built
for the District Officer and there is a small court house which is now George’s office. The
District Officer died of blackwater fever so Nzassa was abandoned as an administrative
station being considered too unhealthy for Administrative Officers but suitable as
Headquarters for a Game Ranger. Later a bachelor Game Ranger was stationed here
but his health also broke down and he has been invalided to England. So now the
healthy Rushbys are here and we don’t mean to let the place get us down. So don’t
worry.The house consists of three very large and airy rooms with their doors opening
on to a wide front verandah which we shall use as a living room. There is also a wide
back verandah with a store room at one end and a bathroom at the other. Both
verandahs and the end windows of the house are screened my mosquito gauze wire
and further protected by a trellis work of heavy expanded metal. Hasmani, the Game
Scout, who has been acting as caretaker, tells me that the expanded metal is very
necessary because lions often come out of the bush at night and roam around the
house. Such a comforting thought!On our very first evening we discovered how necessary the mosquito gauze is.
After sunset the air outside is thick with mosquitos from the swamps. About an acre of
land has been cleared around the house. This is a sandy waste because there is no
water laid on here and absolutely nothing grows here except a rather revolting milky
desert bush called ‘Manyara’, and a few acacia trees. A little way from the house there is
a patch of citrus trees, grape fruit, I think, but whether they ever bear fruit I don’t know.
The clearing is bordered on three sides by dense dusty thorn bush which is
‘lousy with buffalo’ according to George. The open side is the road which leads down to
George’s office and the huts for the Game Scouts. Only Hasmani and George’s orderly
Juma and their wives and families live there, and the other huts provide shelter for the
Game Scouts from the bush who come to Nzassa to collect their pay and for a short
rest. I can see that my daily walk will always be the same, down the road to the huts and
back! However I don’t mind because it is far too hot to take much exercise.The climate here is really tropical and worse than on the coast because the thick
bush cuts us off from any sea breeze. George says it will be cooler when the rains start
but just now we literally drip all day. Kate wears nothing but a cotton sun suit, and Johnny
a napkin only, but still their little bodies are always moist. I have shorn off all Kate’s lovely
shoulder length curls and got George to cut my hair very short too.We simply must buy a refrigerator. The butter, and even the cheese we bought
in Dar. simply melted into pools of oil overnight, and all our meat went bad, so we are
living out of tins. However once we get organised I shall be quite happy here. I like this
spacious house and I have good servants. The cook, Hamisi Issa, is a Swahili from Lindi
whom we engaged in Dar es Salaam. He is a very dignified person, and like most
devout Mohammedan Cooks, keeps both his person and the kitchen spotless. I
engaged the house boy here. He is rather a timid little body but is very willing and quite
capable. He has an excessively plain but cheerful wife whom I have taken on as ayah. I
do not really need help with the children but feel I must have a woman around just in
case I go down with malaria when George is away on safari.Eleanor.
Nzassa 28th February 1939.
Dearest Family,
George’s birthday and we had a special tea party this afternoon which the
children much enjoyed. We have our frig now so I am able to make jellies and provide
them with really cool drinks.Our very first visitor left this morning after spending only one night here. He is Mr
Ionides, the Game Ranger from the Southern Province. He acted as stand in here for a
short while after George’s predecessor left for England on sick leave, and where he has
since died. Mr Ionides returned here to hand over the range and office formally to
George. He seems a strange man and is from all accounts a bit of a hermit. He was at
one time an Officer in the Regular Army but does not look like a soldier, he wears the
most extraordinary clothes but nevertheless contrives to look top-drawer. He was
educated at Rugby and Sandhurst and is, I should say, well read. Ionides told us that he
hated Nzassa, particularly the house which he thinks sinister and says he always slept
down in the office.The house, or at least one bedroom, seems to have the same effect on Kate.
She has been very nervous at night ever since we arrived. At first the children occupied
the bedroom which is now George’s. One night, soon after our arrival, Kate woke up
screaming to say that ‘something’ had looked at her through the mosquito net. She was
in such a hysterical state that inspite of the heat and discomfort I was obliged to crawl into
her little bed with her and remained there for the rest of the night.Next night I left a night lamp burning but even so I had to sit by her bed until she
dropped off to sleep. Again I was awakened by ear-splitting screams and this time
found Kate standing rigid on her bed. I lifted her out and carried her to a chair meaning to
comfort her but she screeched louder than ever, “Look Mummy it’s under the bed. It’s
looking at us.” In vain I pointed out that there was nothing at all there. By this time
George had joined us and he carried Kate off to his bed in the other room whilst I got into
Kate’s bed thinking she might have been frightened by a rat which might also disturb
Johnny.Next morning our houseboy remarked that he had heard Kate screaming in the
night from his room behind the kitchen. I explained what had happened and he must
have told the old Scout Hasmani who waylaid me that afternoon and informed me quite
seriously that that particular room was haunted by a ‘sheitani’ (devil) who hates children.
He told me that whilst he was acting as caretaker before our arrival he one night had his
wife and small daughter in the room to keep him company. He said that his small
daughter woke up and screamed exactly as Kate had done! Silly coincidence I
suppose, but such strange things happen in Africa that I decided to move the children
into our room and George sleeps in solitary state in the haunted room! Kate now sleeps
peacefully once she goes to sleep but I have to stay with her until she does.I like this house and it does not seem at all sinister to me. As I mentioned before,
the rooms are high ceilinged and airy, and have cool cement floors. We have made one
end of the enclosed verandah into the living room and the other end is the playroom for
the children. The space in between is a sort of no-mans land taken over by the dogs as
their special territory.Eleanor.
Nzassa 25th March 1939.
Dearest Family,
George is on safari down in the Rufigi River area. He is away for about three
weeks in the month on this job. I do hate to see him go and just manage to tick over until
he comes back. But what fun and excitement when he does come home.
Usually he returns after dark by which time the children are in bed and I have
settled down on the verandah with a book. The first warning is usually given by the
dogs, Fanny and her son Paddy. They stir, sit up, look at each other and then go and sit
side by side by the door with their noses practically pressed to the mosquito gauze and
ears pricked. Soon I can hear the hum of the car, and so can Hasmani, the old Game
Scout who sleeps on the back verandah with rifle and ammunition by his side when
George is away. When he hears the car he turns up his lamp and hurries out to rouse
Juma, the houseboy. Juma pokes up the fire and prepares tea which George always
drinks whist a hot meal is being prepared. In the meantime I hurriedly comb my hair and
powder my nose so that when the car stops I am ready to rush out and welcome
George home. The boy and Hasmani and the garden boy appear to help with the
luggage and to greet George and the cook, who always accompanies George on
Safari. The home coming is always a lively time with much shouting of greetings.
‘Jambo’, and ‘Habari ya safari’, whilst the dogs, beside themselves with excitement,
rush around like lunatics.As though his return were not happiness enough, George usually collects the
mail on his way home so there is news of Ann and young George and letters from you
and bundles of newspapers and magazines. On the day following his return home,
George has to deal with official mail in the office but if the following day is a weekday we
all, the house servants as well as ourselves, pile into the boxbody and go to Dar es
Salaam. To us this means a mornings shopping followed by an afternoon on the beach.
It is a bit cooler now that the rains are on but still very humid. Kate keeps chubby
and rosy in spite of the climate but Johnny is too pale though sturdy enough. He is such
a good baby which is just as well because Kate is a very demanding little girl though
sunny tempered and sweet. I appreciate her company very much when George is
away because we are so far off the beaten track that no one ever calls.Eleanor.
Nzassa 28th April 1939.
Dearest Family,
You all seem to wonder how I can stand the loneliness and monotony of living at
Nzassa when George is on safari, but really and truly I do not mind. Hamisi the cook
always goes on safari with George and then the houseboy Juma takes over the cooking
and I do the lighter housework. the children are great company during the day, and when
they are settled for the night I sit on the verandah and read or write letters or I just dream.
The verandah is entirely enclosed with both wire mosquito gauze and a trellis
work of heavy expanded metal, so I am safe from all intruders be they human, animal, or
insect. Outside the air is alive with mosquitos and the cicadas keep up their monotonous
singing all night long. My only companions on the verandah are the pale ghecco lizards
on the wall and the two dogs. Fanny the white bull terrier, lies always near my feet
dozing happily, but her son Paddy, who is half Airedale has a less phlegmatic
disposition. He sits alert and on guard by the metal trellis work door. Often a lion grunts
from the surrounding bush and then his hackles rise and he stands up stiffly with his nose
pressed to the door. Old Hasmani from his bedroll on the back verandah, gives a little
cough just to show he is awake. Sometimes the lions are very close and then I hear the
click of a rifle bolt as Hasmani loads his rifle – but this is usually much later at night when
the lights are out. One morning I saw large pug marks between the wall of my bedroom
and the garage but I do not fear lions like I did that beastly leopard on the farm.
A great deal of witchcraft is still practiced in the bush villages in the
neighbourhood. I must tell you about old Hasmani’s baby in connection with this. Last
week Hasmani came to me in great distress to say that his baby was ‘Ngongwa sana ‘
(very ill) and he thought it would die. I hurried down to the Game Scouts quarters to see
whether I could do anything for the child and found the mother squatting in the sun
outside her hut with the baby on her lap. The mother was a young woman but not an
attractive one. She appeared sullen and indifferent compared with old Hasmani who
was very distressed. The child was very feverish and breathing with difficulty and
seemed to me to be suffering from bronchitis if not pneumonia. I rubbed his back and
chest with camphorated oil and dosed him with aspirin and liquid quinine. I repeated the
treatment every four hours, but next day there was no apparent improvement.
In the afternoon Hasmani begged me to give him that night off duty and asked for
a loan of ten shillings. He explained to me that it seemed to him that the white man’s
medicine had failed to cure his child and now he wished to take the child to the local witch
doctor. “For ten shillings” said Hasmani, “the Maganga will drive the devil out of my
child.” “How?” asked I. “With drums”, said Hasmani confidently. I did not know what to
do. I thought the child was too ill to be exposed to the night air, yet I knew that if I
refused his request and the child were to die, Hasmani and all the other locals would hold
me responsible. I very reluctantly granted his request. I was so troubled by the matter
that I sent for George’s office clerk. Daniel, and asked him to accompany Hasmani to the
ceremony and to report to me the next morning. It started to rain after dark and all night
long I lay awake in bed listening to the drums and the light rain. Next morning when I
went out to the kitchen to order breakfast I found a beaming Hasmani awaiting me.
“Memsahib”, he said. “My child is well, the fever is now quite gone, the Maganga drove
out the devil just as I told you.” Believe it or not, when I hurried to his quarters after
breakfast I found the mother suckling a perfectly healthy child! It may be my imagination
but I thought the mother looked pretty smug.The clerk Daniel told me that after Hasmani
had presented gifts of money and food to the ‘Maganga’, the naked baby was placed
on a goat skin near the drums. Most of the time he just lay there but sometimes the witch
doctor picked him up and danced with the child in his arms. Daniel seemed reluctant to
talk about it. Whatever mumbo jumbo was used all this happened a week ago and the
baby has never looked back.Eleanor.
Nzassa 3rd July 1939.
Dearest Family,
Did I tell you that one of George’s Game Scouts was murdered last month in the
Maneromango area towards the Rufigi border. He was on routine patrol, with a porter
carrying his bedding and food, when they suddenly came across a group of African
hunters who were busy cutting up a giraffe which they had just killed. These hunters were
all armed with muzzle loaders, spears and pangas, but as it is illegal to kill giraffe without
a permit, the Scout went up to the group to take their names. Some argument ensued
and the Scout was stabbed.The District Officer went to the area to investigate and decided to call in the Police
from Dar es Salaam. A party of police went out to search for the murderers but after
some days returned without making any arrests. George was on an elephant control
safari in the Bagamoyo District and on his return through Dar es Salaam he heard of the
murder. George was furious and distressed to hear the news and called in here for an
hour on his way to Maneromango to search for the murderers himself.After a great deal of strenuous investigation he arrested three poachers, put them
in jail for the night at Maneromango and then brought them to Dar es Salaam where they
are all now behind bars. George will now have to prosecute in the Magistrate’s Court
and try and ‘make a case’ so that the prisoners may be committed to the High Court to
be tried for murder. George is convinced of their guilt and justifiably proud to have
succeeded where the police failed.George had to borrow handcuffs for the prisoners from the Chief at
Maneromango and these he brought back to Nzassa after delivering the prisoners to
Dar es Salaam so that he may return them to the Chief when he revisits the area next
week.I had not seen handcuffs before and picked up a pair to examine them. I said to
George, engrossed in ‘The Times’, “I bet if you were arrested they’d never get
handcuffs on your wrist. Not these anyway, they look too small.” “Standard pattern,”
said George still concentrating on the newspaper, but extending an enormous relaxed
left wrist. So, my dears, I put a bracelet round his wrist and as there was a wide gap I
gave a hard squeeze with both hands. There was a sharp click as the handcuff engaged
in the first notch. George dropped the paper and said, “Now you’ve done it, my love,
one set of keys are in the Dar es Salaam Police Station, and the others with the Chief at
Maneromango.” You can imagine how utterly silly I felt but George was an angel about it
and said as he would have to go to Dar es Salaam we might as well all go.So we all piled into the car, George, the children and I in the front, and the cook
and houseboy, immaculate in snowy khanzus and embroidered white caps, a Game
Scout and the ayah in the back. George never once complain of the discomfort of the
handcuff but I was uncomfortably aware that it was much too tight because his arm
above the cuff looked red and swollen and the hand unnaturally pale. As the road is so
bad George had to use both hands on the wheel and all the time the dangling handcuff
clanked against the dashboard in an accusing way.We drove straight to the Police Station and I could hear the roars of laughter as
George explained his predicament. Later I had to put up with a good deal of chaffing
and congratulations upon putting the handcuffs on George.Eleanor.
Nzassa 5th August 1939
Dearest Family,
George made a point of being here for Kate’s fourth birthday last week. Just
because our children have no playmates George and I always do all we can to make
birthdays very special occasions. We went to Dar es Salaam the day before the
birthday and bought Kate a very sturdy tricycle with which she is absolutely delighted.
You will be glad to know that your parcels arrived just in time and Kate loved all your
gifts especially the little shop from Dad with all the miniature tins and packets of
groceries. The tea set was also a great success and is much in use.We had a lively party which ended with George and me singing ‘Happy
Birthday to you’, and ended with a wild game with balloons. Kate wore her frilly white net
party frock and looked so pretty that it seemed a shame that there was no one but us to
see her. Anyway it was a good party. I wish so much that you could see the children.
Kate keeps rosy and has not yet had malaria. Johnny Jo is sturdy but pale. He
runs a temperature now and again but I am not sure whether this is due to teething or
malaria. Both children of course take quinine every day as George and I do. George
quite frequently has malaria in spite of prophylactic quinine but this is not surprising as he
got the germ thoroughly established in his system in his early elephant hunting days. I
get it too occasionally but have not been really ill since that first time a month after my
arrival in the country.Johnny is such a good baby. His chief claim to beauty is his head of soft golden
curls but these are due to come off on his first birthday as George considers them too
girlish. George left on safari the day after the party and the very next morning our wood
boy had a most unfortunate accident. He was chopping a rather tough log when a chip
flew up and split his upper lip clean through from mouth to nostril exposing teeth and
gums. A truly horrible sight and very bloody. I cleaned up the wound as best I could
and sent him off to the hospital at Dar es Salaam on the office bicycle. He wobbled
away wretchedly down the road with a white cloth tied over his mouth to keep off the
dust. He returned next day with his lip stitched and very swollen and bearing a
resemblance to my lip that time I used the hair remover.Eleanor.
Splendid Hotel. Dar es Salaam 7th September 1939
Dearest Family,
So now another war has started and it has disrupted even our lives. We have left
Nzassa for good. George is now a Lieutenant in the King’s African Rifles and the children
and I are to go to a place called Morogoro to await further developments.
I was glad to read in today’s paper that South Africa has declared war on
Germany. I would have felt pretty small otherwise in this hotel which is crammed full of
men who have been called up for service in the Army. George seems exhilarated by
the prospect of active service. He is bursting out of his uniform ( at the shoulders only!)
and all too ready for the fray.The war came as a complete surprise to me stuck out in the bush as I was without
wireless or mail. George had been away for a fortnight so you can imagine how
surprised I was when a messenger arrived on a bicycle with a note from George. The
note informed me that war had been declared and that George, as a Reserve Officer in
the KAR had been called up. I was to start packing immediately and be ready by noon
next day when George would arrive with a lorry for our goods and chattels. I started to
pack immediately with the help of the houseboy and by the time George arrived with
the lorry only the frig remained to be packed and this was soon done.Throughout the morning Game Scouts had been arriving from outlying parts of
the District. I don’t think they had the least idea where they were supposed to go or
whom they were to fight but were ready to fight anybody, anywhere, with George.
They all looked very smart in well pressed uniforms hung about with water bottles and
ammunition pouches. The large buffalo badge on their round pill box hats absolutely
glittered with polish. All of course carried rifles and when George arrived they all lined up
and they looked most impressive. I took some snaps but unfortunately it was drizzling
and they may not come out well.We left Nzassa without a backward glance. We were pretty fed up with it by
then. The children and I are spending a few days here with George but our luggage, the
dogs, and the houseboys have already left by train for Morogoro where a small house
has been found for the children and me.George tells me that all the German males in this Territory were interned without a
hitch. The whole affair must have been very well organised. In every town and
settlement special constables were sworn in to do the job. It must have been a rather
unpleasant one but seems to have gone without incident. There is a big transit camp
here at Dar for the German men. Later they are to be sent out of the country, possibly to
Rhodesia.The Indian tailors in the town are all terribly busy making Army uniforms, shorts
and tunics in khaki drill. George swears that they have muddled their orders and he has
been given the wrong things. Certainly the tunic is far too tight. His hat, a khaki slouch hat
like you saw the Australians wearing in the last war, is also too small though it is the
largest they have in stock. We had a laugh over his other equipment which includes a
small canvas haversack and a whistle on a black cord. George says he feels like he is
back in his Boy Scouting boyhood.George has just come in to say the we will be leaving for Morogoro tomorrow
afternoon.Eleanor.
Morogoro 14th September 1939
Dearest Family,
Morogoro is a complete change from Nzassa. This is a large and sprawling
township. The native town and all the shops are down on the flat land by the railway but
all the European houses are away up the slope of the high Uluguru Mountains.
Morogoro was a flourishing town in the German days and all the streets are lined with
trees for coolness as is the case in other German towns. These trees are the flamboyant
acacia which has an umbrella top and throws a wide but light shade.Most of the houses have large gardens so they cover a considerable area and it
is quite a safari for me to visit friends on foot as our house is on the edge of this area and
the furthest away from the town. Here ones house is in accordance with ones seniority in
Government service. Ours is a simple affair, just three lofty square rooms opening on to
a wide enclosed verandah. Mosquitoes are bad here so all doors and windows are
screened and we will have to carry on with our daily doses of quinine.George came up to Morogoro with us on the train. This was fortunate because I
went down with a sharp attack of malaria at the hotel on the afternoon of our departure
from Dar es Salaam. George’s drastic cure of vast doses of quinine, a pillow over my
head, and the bed heaped with blankets soon brought down the temperature so I was
fit enough to board the train but felt pretty poorly on the trip. However next day I felt
much better which was a good thing as George had to return to Dar es Salaam after two
days. His train left late at night so I did not see him off but said good-bye at home
feeling dreadful but trying to keep the traditional stiff upper lip of the wife seeing her
husband off to the wars. He hopes to go off to Abyssinia but wrote from Dar es Salaam
to say that he is being sent down to Rhodesia by road via Mbeya to escort the first
detachment of Rhodesian white troops.First he will have to select suitable camping sites for night stops and arrange for
supplies of food. I am very pleased as it means he will be safe for a while anyway. We
are both worried about Ann and George in England and wonder if it would be safer to
have them sent out.Eleanor.
Morogoro 4th November 1939
Dearest Family,
My big news is that George has been released from the Army. He is very
indignant and disappointed because he hoped to go to Abyssinia but I am terribly,
terribly glad. The Chief Secretary wrote a very nice letter to George pointing out that he
would be doing a greater service to his country by his work of elephant control, giving
crop protection during the war years when foodstuffs are such a vital necessity, than by
doing a soldiers job. The Government plan to start a huge rice scheme in the Rufiji area,
and want George to control the elephant and hippo there. First of all though. he must go
to the Southern Highlands Province where there is another outbreak of Rinderpest, to
shoot out diseased game especially buffalo, which might spread the disease.So off we go again on our travels but this time we are leaving the two dogs
behind in the care of Daniel, the Game Clerk. Fanny is very pregnant and I hate leaving
her behind but the clerk has promised to look after her well. We are taking Hamisi, our
dignified Swahili cook and the houseboy Juma and his wife whom we brought with us
from Nzassa. The boy is not very good but his wife makes a cheerful and placid ayah
and adores Johnny.Eleanor.
Iringa 8th December 1939
Dearest Family,
The children and I are staying in a small German house leased from the
Custodian of Enemy Property. I can’t help feeling sorry for the owners who must be in
concentration camps somewhere.George is away in the bush dealing with the
Rinderpest emergency and the cook has gone with him. Now I have sent the houseboy
and the ayah away too. Two days ago my houseboy came and told me that he felt
very ill and asked me to write a ‘chit’ to the Indian Doctor. In the note I asked the Doctor
to let me know the nature of his complaint and to my horror I got a note from him to say
that the houseboy had a bad case of Venereal Disease. Was I horrified! I took it for
granted that his wife must be infected too and told them both that they would have to
return to their home in Nzassa. The boy shouted and the ayah wept but I paid them in
lieu of notice and gave them money for the journey home. So there I was left servant
less with firewood to chop, a smokey wood burning stove to control, and of course, the
two children.To add to my troubles Johnny had a temperature so I sent for the European
Doctor. He diagnosed malaria and was astonished at the size of Johnny’s spleen. He
said that he must have had suppressed malaria over a long period and the poor child
must now be fed maximum doses of quinine for a long time. The Doctor is a fatherly
soul, he has been recalled from retirement to do this job as so many of the young
doctors have been called up for service with the army.I told him about my houseboy’s complaint and the way I had sent him off
immediately, and he was very amused at my haste, saying that it is most unlikely that
they would have passed the disease onto their employers. Anyway I hated the idea. I
mean to engage a houseboy locally, but will do without an ayah until we return to
Morogoro in February.Something happened today to cheer me up. A telegram came from Daniel which
read, “FLANNEL HAS FIVE CUBS.”Eleanor.
Morogoro 10th March 1940
Dearest Family,
We are having very heavy rain and the countryside is a most beautiful green. In
spite of the weather George is away on safari though it must be very wet and
unpleasant. He does work so hard at his elephant hunting job and has got very thin. I
suppose this is partly due to those stomach pains he gets and the doctors don’t seem
to diagnose the trouble.Living in Morogoro is much like living in a country town in South Africa, particularly
as there are several South African women here. I go out quite often to morning teas. We
all take our war effort knitting, and natter, and are completely suburban.
I sometimes go and see an elderly couple who have been interred here. They
are cold shouldered by almost everyone else but I cannot help feeling sorry for them.
Usually I go by invitation because I know Mrs Ruppel prefers to be prepared and
always has sandwiches and cake. They both speak English but not fluently and
conversation is confined to talking about my children and theirs. Their two sons were
students in Germany when war broke out but are now of course in the German Army.
Such nice looking chaps from their photographs but I suppose thorough Nazis. As our
conversation is limited I usually ask to hear a gramophone record or two. They have a
large collection.Janet, the ayah whom I engaged at Mbeya, is proving a great treasure. She is a
trained hospital ayah and is most dependable and capable. She is, perhaps, a little strict
but the great thing is that I can trust her with the children out of my sight.
Last week I went out at night for the first time without George. The occasion was
a farewell sundowner given by the Commissioner of Prisoners and his wife. I was driven
home by the District Officer and he stopped his car by the back door in a large puddle.
Ayah came to the back door, storm lamp in hand, to greet me. My escort prepared to
drive off but the car stuck. I thought a push from me might help, so without informing the
driver, I pushed as hard as I could on the back of the car. Unfortunately the driver
decided on other tactics. He put the engine in reverse and I was knocked flat on my back
in the puddle. The car drove forward and away without the driver having the least idea of
what happened. The ayah was in quite a state, lifting me up and scolding me for my
stupidity as though I were Kate. I was a bit shaken but non the worse and will know
better next time.Eleanor.
Morogoro 14th July 1940
Dearest Family,
How good it was of Dad to send that cable to Mother offering to have Ann and
George to live with you if they are accepted for inclusion in the list of children to be
evacuated to South Africa. It would be wonderful to know that they are safely out of the
war zone and so much nearer to us but I do dread the thought of the long sea voyage
particularly since we heard the news of the sinking of that liner carrying child evacuees to
Canada. I worry about them so much particularly as George is so often away on safari.
He is so comforting and calm and I feel brave and confident when he is home.
We have had no news from England for five weeks but, when she last wrote,
mother said the children were very well and that she was sure they would be safe in the
country with her.Kate and John are growing fast. Kate is such a pretty little girl, rosy in spite of the
rather trying climate. I have allowed her hair to grow again and it hangs on her shoulders
in shiny waves. John is a more slightly built little boy than young George was, and quite
different in looks. He has Dad’s high forehead and cleft chin, widely spaced brown eyes
that are not so dark as mine and hair that is still fair and curly though ayah likes to smooth it
down with water every time she dresses him. He is a shy child, and although he plays
happily with Kate, he does not care to play with other children who go in the late
afternoons to a lawn by the old German ‘boma’.Kate has playmates of her own age but still rather clings to me. Whilst she loves
to have friends here to play with her, she will not go to play at their houses unless I go
too and stay. She always insists on accompanying me when I go out to morning tea
and always calls Janet “John’s ayah”. One morning I went to a knitting session at a
neighbours house. We are all knitting madly for the troops. As there were several other
women in the lounge and no other children, I installed Kate in the dining room with a
colouring book and crayons. My hostess’ black dog was chained to the dining room
table leg, but as he and Kate are on friendly terms I was not bothered by this.
Some time afterwards, during a lull in conversation, I heard a strange drumming
noise coming from the dining room. I went quickly to investigate and, to my horror, found
Kate lying on her back with the dog chain looped around her neck. The frightened dog
was straining away from her as far as he could get and the chain was pulled so tightly
around her throat that she could not scream. The drumming noise came from her heels
kicking in a panic on the carpet.Even now I do not know how Kate got herself into this predicament. Luckily no
great harm was done but I think I shall do my knitting at home in future.Eleanor.
Morogoro 16th November 1940
Dearest Family,
I much prefer our little house on the hillside to the larger one we had down below.
The only disadvantage is that the garden is on three levels and both children have had
some tumbles down the steps on the tricycle. John is an extremely stoical child. He
never cries when he hurts himself.I think I have mentioned ‘Morningside’ before. It is a kind of Resthouse high up in
the Uluguru Mountains above Morogoro. Jess Howe-Browne, who runs the large
house as a Guest House, is a wonderful woman. Besides running the boarding house
she also grows vegetables, flowers and fruit for sale in Morogoro and Dar es Salaam.
Her guests are usually women and children from Dar es Salaam who come in the hot
season to escape the humidity on the coast. Often the mothers leave their children for
long periods in Jess Howe-Browne’s care. There is a road of sorts up the mountain side
to Morningside, but this is so bad that cars do not attempt it and guests are carried up
the mountain in wicker chairs lashed to poles. Four men carry an adult, and two a child,
and there are of course always spare bearers and they work in shifts.Last week the children and I went to Morningside for the day as guests. John
rode on my lap in one chair and Kate in a small chair on her own. This did not please
Kate at all. The poles are carried on the bearers shoulders and one is perched quite high.
The motion is a peculiar rocking one. The bearers chant as they go and do not seem
worried by shortness of breath! They are all hillmen of course and are, I suppose, used
to trotting up and down to the town.Morningside is well worth visiting and we spent a delightful day there. The fresh
cool air is a great change from the heavy air of the valley. A river rushes down the
mountain in a series of cascades, and the gardens are shady and beautiful. Behind the
property is a thick indigenous forest which stretches from Morningside to the top of the
mountain. The house is an old German one, rather in need of repair, but Jess has made
it comfortable and attractive, with some of her old family treasures including a fine old
Grandfather clock. We had a wonderful lunch which included large fresh strawberries and
cream. We made the return journey again in the basket chairs and got home before dark.
George returned home at the weekend with a baby elephant whom we have
called Winnie. She was rescued from a mud hole by some African villagers and, as her
mother had abandoned her, they took her home and George was informed. He went in
the truck to fetch her having first made arrangements to have her housed in a shed on the
Agriculture Department Experimental Farm here. He has written to the Game Dept
Headquarters to inform the Game Warden and I do not know what her future will be, but
in the meantime she is our pet. George is afraid she will not survive because she has
had a very trying time. She stands about waist high and is a delightful creature and quite
docile. Asian and African children as well as Europeans gather to watch her and George
encourages them to bring fruit for her – especially pawpaws which she loves.
Whilst we were there yesterday one of the local ladies came, very smartly
dressed in a linen frock, silk stockings, and high heeled shoes. She watched fascinated
whilst Winnie neatly split a pawpaw and removed the seeds with her trunk, before
scooping out the pulp and putting it in her mouth. It was a particularly nice ripe pawpaw
and Winnie enjoyed it so much that she stretched out her trunk for more. The lady took
fright and started to run with Winnie after her, sticky trunk outstretched. Quite an
entertaining sight. George managed to stop Winnie but not before she had left a gooey
smear down the back of the immaculate frock.Eleanor.
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