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  • #720

    As the bride and groom were exchanging the rings, Al was brought back a few weeks earlier, when Becky had announced the little group she and Sean would get married. The initial excitement gone, Tina, Sam and Al had been given the honor to organize that very special day, while Becky surely wouldn’t care to be bothered by such petty things.

    I think she’s already getting that distinguished snobbish style of the Wricks muttered Tina who was not so fond of being handed down these kinds of unprompted crottes.
    Al, who was probably thinking as much managed a Don’t be so hard on her, that’ll be a mighty fine wedding, after all, marrying a Wrick has its advantages, we don’t have to be measly on the expenditures
    Sam, a bit lost in circles, had acknowledged.

    Well, that had been fun after all, at least Al was thinking, he had not needed to deal with Becky’s own mood fluctuations. As the only Sumafi of the group, he had willingly taken care of the list of the guests, and all the catering orders, while Tina was taking care of the decoration (bride included), and Sam was arranging for the organization and rental of the places and hotels for the wedding and its slew of guests.

    Of course, as intimate Becky had first required the wedding to be, she had soon changed her mind, and had not resisted long the temptation to gather lots of people she had almost forgotten over the years.
    Al could almost see clear as day — now the weather had brighten up a bit — in his mind his notepad full of Becky’s recommendations:

    Becky’s family and friends
    Sam, Tina & Al (of course)
    Sabine Baina (mother) and Patel Mahapushtra, her new husband (a child’s toys mogul)
    Dan (father) and Dory (step-mother; might fear a trip to New Venice, you’ll have to use some extra coaxing with her)

    [long list of friends, snipped for reader’s comfort]

    Sean’s family and friends
    (mother deceased, father unwilling to come, pretexting his rheumatisms and not being able travel so far, but most likely unwilling to see Sean)
    Sean’s children, Perry and Guiny
    (aunt and cousin, Deirdre and Dorean Wrick) — Al’s update: they have unexpected guests coming back from Russia at their home, wonder if they could come? Becky: Sure!… Mmmm, Russia you said?

    Now, finding some great gift for someone as easily distracted as Becky, and as spoiled as Sean was another ball of wax…

    #1690

    In reply to: Synchronicity

    F LoveF Love
    Participant

      Oxshift :yahoo_rofl:

      ahem, well for my latest synchs:

      I followed numberplate J533 into town this morning.

      Lemon synchs please see my previous comment well … i finally threw out the last of these lemons I had stored in my fridge yesterday, and thought fondly of the whole lemon synch thing. Then I noticed today that Tracy had posted the lemon tree song again in her ramblings thread. A short time later I picked up the local hawkes bay newspaper in order to peruse it, and saw that the whole front page was a picture of Noel Lucas (we don’t know him, I just include his name for accuracy) and a big heading A ZEST FOR THE BEST. Noel was holding up a lemon, which looked to be about as big as his head. It weighed 756gms.

      Apparently on Jan 12th there was a story of a 600gm lemon (unfortunately I missed this story .. as you can see our local newspaper is full of riveting news …) and now a lemon war has started as lemon growers vie for the biggest lemon.

      Noel has never fertilized his lemons and attributes it to climate changes. He has lived in the same house same house since 1983 and this is the biggest crop ever.

      Director of the Lemon marketing board believes the bumper crop is due to an “evolutionary leap.” hahahaha

      I think this is also a Nadia synch, biggest baby, biggest lemon… oh and also Hercules the biggest dog.

      #696
      AvatarJib
      Participant

        Georges and Salome’s journal

        From Georges’ account of his first encounter with Shu Lom Agamon. Part II

        We first met in a series of dreams. I realized we were planning that even before we objectively took our decision with Salome to travel to this dimension, since in the dreams I was recalling previous encounters with him. Shu-Lom was a focus of Blöhmul, and Blöhmul was in many ways connected to this particular travel.

        In the dreams we were meeting in a sort of semi spherical place, surrounded by 12 gates. The floor was composed of several materials, and the pattern was quite similar to the portal we used to travel to this dimension though a bit different as it included other aspect-tiles of the Jorid.

        One of them was the diapason, vibrating between them both, and the compass was imprinted on the spherical ceiling, moving slowly like a starry night sky. The central triangle was showing some blended colorful energy patterns, changing with the orientation of their discussion.

        — Each gate is connected with the others, was saying the Guardian, and you can use them to go wherever you want on the 3 planets. We created their physical manifestations, though they are not physical in the first place. The twelve gates are our representation of our own essence families in this dimension. I can tell you the names by which we call them if you want…

        My silent acquiescing was enough, and as he was telling me the names, each corresponding gate was activated until they were all illuminating the room with their iridescent colors.

        Part III

        #1997

        In reply to: Scrying the Word Cloud

        ÉricÉric
        Keymaster

          A cloud-assisted demented rewrite, just for fun…

          PERPLEXED BY THAT PARTICULAR case, THE sheriff HAD HIS glassES floatING BEFORE HIS eyeS.

          SOME mean rather weird beings… THE brotherHOOD OF magic NEEDED TO SEND Elikozoe INTO A space Craft TO CARE FOR THE boy WHO felt six motherSHIPS COMING IN HIS dreams.

          DURING THESE moments easily FORGOTTEN, SOME others young legends WERE sent Aside TO answer AND bounce WITH alone aspects THAT wondered HOW TO keep focused.

          THE trees WERE laughing “yeah!” THEY SAID, AS Anita FELT cold AMONG THE roseS randomLY SCATTERED.
          SOME told HER ABOUT love, AS SHE asked WHETHER dragons REALLY seemed LIKE nothing ELSE SHE HAD SEEN BEFORE.

          Chris turned wondering ABOUT nature THESE days WHEN everyone, Elizabeth INCLUDED, KEPT thinking WHAT THEIR hair looked LIKE FROM behind.

          DEEP inside, SOME help began slightly TO COME TO THE lady AS SOON AS THE dark cloud HAD taken HER TO sleep. THE truth IN particular WAS LIKE A friend WITH purple COLOURS AND A skull IN HIS HAND, WHO sat WAITING FOR HER.
          “let HOPE COME, despite whatever FATE bringS TO THE door! YOU must wait SOMETIMES, AS factS follow!”

          Nice Tina WAS caught floating ON THE STREAM, AND moving ALONG IN A green jogGING GEAR WAS Joe, BOTH full OF IDEAS THAT gave THEIR friends AN experience NEWLY created. BUT THEY needed magpieS AND tried FOR THESE creatureS INSERTION TO work.

          FOR Arona, ALL WAS happening ON Earth LIKE SOME important dream. IT WAS LIKE dancing IN A real play, WITH THE sea NEARBY.
          A series OF dog-EARED BOOKS WERE NEARLY outside, AND deep INSIDE, SHE KNEW THE novelS WERE close TO surface OUR dimension, WITH HER head looking BEYOND, AS perhaps Yurick WOULD AGREE.
          HIS heart often sounds interesting, BUT OF ALL THE ones SHE liked, IT SHOULD BE herself.
          THE Duane SHALL BE rememberED, SHE thought, IN DUE times…

          WITH THE goat, Anna suddenly giveS THE blue busy spiders SOME NEW reality, AND Kay IS getting hot. SHE HAD forgotten THAT handS COULD BE making names, AND SHOUTING HER CreEd, THE voice OF THE girl SAID IT matterED THAT THE story became shouted IN THE sky.
          Eric WAS ENduring Sanso WHO loved THE sandY BEACHES.

          STAYING clear THIS NEW year DEMANDS SOME self AWARENESS, ESPECIALLY ON THE yellow CHAKRA points, TO ALLEVIATE UNNECESSARY physical pain.

          CLAD IN teal, SHE WAS waiting FOR HIS parents’ words TO HAVE moved AND TO BE connected. Franiel HAD FELT within HIMSELF four OLD fatherS’ ADVICES, AND HAD AGREED TO TALK TO Salome’S face AND ANSWER HER call THAT HAD APPEARED quickly UPON THE wall AND HAD BEEN wandering OVER HIS bed.
          HE careD FOR THE past, AND THAT VISION WAS telling. IN THE morning, HE SAW IT AS A gift, SHINING IN SOME DISTANT island, LIKE A moviNG presence.

          Yann VowED TO FIND HIS WAY IN THE soup OF linkS, AND FIND THE OLD godS’ energy THAT kept THE planetS MOVING.
          HE heard SOMETHING, A FUGACIOUS moment following HIS ADMIRING OF THE beautiful weather, UNDER THE Glistening sun. A SINGLE dragon’S hands COULD nurse POTENT writing abIlITIeS, AND soon WOULD open GREAT awareNESS OF joy AND moveMENTS AND music WHICH WOULD MAKE HIM laugh OF ALL THAT HE WAS creating WITHIN THIS focus.

          Tracy FEELS away OF THE action. IT seems QUITE human… NOTHING IS white DURING twilight, SHE noticed, AND FELT given TO understand.
          AS MRS Bellamy, SHE WOULD HAVE stopPED LONG ago, HAD NOT come THAT powerful mummy.
          WITH Georges startING TO APPEAR, worry BECOMES quietNESS FOR Jib, AND crystal-CLEARNESS FOR Sam.
          MANY years AHEAD IN A GALAXY far-AWAY, ANOTHER Dory IS named AND readS ABOUT DR Bronklehampton’s WORKS.
          HAVING TAKING leaveS, AND BEING gone FOR ALL, OLD Hrih DELVES INTO THE skulls AND HIS eyes SEE A next hope IN A book.
          MovementS HAPPEN FOR Claudio already… THE world woke UP IN surprise.
          A known sense OF TIMESPACE-travel APPEARS IN THE commentS, AS seen THROUGH light.

          Akita’S body AND mind started TO ACT LIKE A saint AND FEEL strange under THE change.
          “TO danGER, bugger!” WAS HIS decision NO longer… HE FELT warm… Towards THE worlds treeS, askING HIMSELF IF IT WAS A game, HE SAW TWO male children PLAYING against EACH OTHER.
          THEY managed TO show HIM THAT THE Murtuane WAS familiar.
          THE whole air WAS speaking. IT sort OF opened ITSELF SO THAT HE knew later OF THAT SPECIAL room OF TIME AND SPACE, AND HAD THE WIND AGAIN BRUSH HIS skin similar TO WHEN HE WAS seeing home IN HIS HEAD.

          Felicity IN THE BEDlam SAW half-formS, COUNTING three OF THEM, INCLUDING Gustav IN THE saloon, AND Becky WHO WAS THINKING SHE WAS AGAIN IN THE wrong PLACE: A monastery!
          SHE’D RATHER HAVE yourself BE A star, AND HERSELF BE HERE TO MAKE THE FUN postS AND playing lost.

          Eight powers smiled: true saying!
          THE sisters focuses IN THEIR caveS HAD SOME fine land TO PLAY WITH.
          Apparently sound WAS key once, BUT THE VOICES IN THE night speak UNCEASINGLY, AND TO write SOME great stories, SPEAK strongLY. THEY seem TO BE feeling yesterday SOME perfect movements…

          THE marmoset HAD FOUND A family, AND funny wordS TO process. IT laughed short GIGGLES
          AS FOR myself, SAID THE cat TO Floyd, I’D create A party-LIKE life, WHERE I DO AS I please, AND LET paper WORK AND feelINGS AND desireS AND tryING AND tellING TO monkey.
          THAT shapeD SOME fun, AND syncHRONICITIES AGAIN happened SHORTLY.

          IN THE FLOWING water, “aum” SOUNDS RIPPLED IN A huge dear dance beginning TO REFLECT himself IN images. HE sighed AS HIS attention GOT INVOLVED IN THE trip AND HE remembered…
          ON THE beach, obviously AWARE OF THE synchRONICITIES, THE creatures wanted TO CLAP THUNDEROUS applauseS.
          LIVING THE dead GUYS’ ideaS…

          #1314

          In reply to: Yuki’s Livrary

          ÉricÉric
          Keymaster

            December 3 rd

            ( Hey, that’s 12.3, might be a hint for growth… Yurick)

            A communication about coordinate points, and how to travel between idea clusters

            As the story starts to develop in a rapid and very intertwined manner, much like waves in the ocean, overlapping and rippling from and to many directions, Yurick became concerned that it may be difficult to keep track of, or rather to retain an ability to graciously navigate in it.

            Let us imagine for a moment. Take your own life. It is composed of a multitude of moments. Your construct of linear time gives you the impression that there is a continuous succession or stream of moments.
            In a manner of speaking, it is easier for you to grok the concept of multiple points of attention for your naturally associate them with your space. You can easily envision your many focuses happening all at once in a variety of places, towns or countries, and having a possibility to zoom in and out, so that to encompass more than your single current focus.
            But what you do in engaging your conceptualization with your focuses would be equally valid were you to engage it in relation to that single focus that is you, in all of its moments of actualization.
            But that would be far less familiar, as you identify quite strongly with that construct of time.

            As that story unfolds, you discover that there are an infinity of points of attention dispersed in many many comments, and one comment can include many more than one point of attention itself. What you would be tempted to do, for it is something that is very automatic in your current associations, would be to attempt to draw lines between the points, to recreate a linearity, and thus facilitate your understanding of a certain action.

            This is unnecessary and within your current movement of expansion of awareness would be counterproductive.

            But you are familiar with that concept of coordinate points. For most of you, you once again associate them strongly with the space continuum, but they could be used in many many other situations. That story being one of them.
            The coordinate points are in a manner of speaking, conglomerate of very coherent energy; they would not be “points” per se, but rather high concentration of these points of attention that your attempt to link together.
            As such, they become the links that you are in search of, for in that drawing of energy points of similar expressions, they also become passageways between the associations that the points are linked to.
            As a matter of fact, the “point” that you come to identify to the concentrated cluster of points would rather be a tone representative of that coherent energy that you can use to activate the links contained within that cluster of points.

            That would be the reason why Yurick, in coming to understand that concept, has slightly adapted the original cloud of tags in the story, so that it can expand and be used to access the coordinate points that the tags are, quite simply.

            #492

            Yurick found a very nice surprise in his mailbox. A parcel from his red bearded friend Gustav with whom he had not spoken much till Vienna .
            Funnily it was for Yurick’s birthday, and his birthday was almost two months ago. And yet, it was perfectly synchronous with his many friends popping birthdays. Malika first, soon followed by Aina, and others.

            In the parcel, there was a big stuffed panda, and an old video game Yurick was very fond of when he was a kid. It was called Monkey Island… A funny pirate’s game. He liked the island and monkey imageries. Like being in an island recently, yet not being cut off from the rest of the world…

            Oh, and there was another game, one he didn’t know about, Grim Fandango, with skeletons on the cover, like playing some strange cluedo game…

            And a novel from Proust, with Yurick’s name on it! A parody from the style of Proust’s contemporary, Balzac included…

            Wow… so many syncs. He would call his friend in the afternoon.

            #469

            Leörmn was feeling a bit weird to be so intimately explored by this Georges. He was seeing him, actually another aspect of himself with his simultaneous eye in that other time. He was wondering why Malvina was also choosing to perceive time as the other human beings. Leörmn, and other dragons had a very different way of exploring and being in time and space. They were their focus and it was simultaneous… it was also ever changing and that’s why the narrator is having lots of difficulties to translate that… but if you connect with your inner senses I’m sure you’ll get it right :D

            Well the dragon was seeing simultaneously the Georges in this particular intersection of their aspects in this now that was also connected with so many nows. He could easily follow the particular movement of this Georges and was seeing also the many paths and probabilities he was following at the same time. Leörmn had that particular multi-dimensional focus with which he could easily communicate with his human friends. He wasn’t mentioning all that they were doing in the many intersections of his self for it was unnecessary, but he was aware they weren’t fully aware… or rather that their awareness was directed differently.

            This Georges, and this Salome were similar to Malvina. He was fully aware of the vastness of her being and of her deep understanding of his own vastness. They were connected and intersected in numerous ways. This creature of theirs was here too. She was with Malvina. In other intersections she was manifesting a different shape, this one was interesting also. Her energy was subtly different also, there were different energies that were intersecting with other aspects of these Georges and Salome.

            The room was reshaped in himself, so it was reshaped in what the humans would call the outside… but it was inside, there was no such thing as outside.

            For a few days, this particular intersection of himself was changing also because Malvina was altering this aspect of herself she was calling her thought process. She was disassociating many layers of energies, of patterns and rearranging them. It was a fun reorganization for him also… in a manner of speaking it had already happened, but it was a new exploration and it was radiating in many probabilities. He added a smell of roses in the cave, an impulse. The shades of pink he added in the crystals was not a random choice either :yahoo_rose:

            He realized now what was the new energy he’d been feeling, he added some qualities and aspects to this exploration and included a fleck of himself in the Leo. What a funny creature. His aspects intersecting with it were all full of joy and fun. It was a good choice, he thought as a translation of his excitement in this new exploration. He was enjoying tremendously this present of this Salome.

            He shape-shifted a little to reorganize his scales on his shoulders so the Leo could easily rest there, and projected himself to Malvina.

            :www:

            #301

            Illi was quite pleased with the sand dragons.

            HHHMMM, they don’t repulse me like dragons usually do. I think it’s because they are sand dragons, and sand is so much nicer than slimy cold scales. Well! Illi thought, I really wouldn’t know if they are slimy or cold, because, for the love of all-that-is, I would not choose to venture that close!

            Illi chose to ignore her rather paradoxical musings on loving all that is, which would by definition include the beastly dragons, and turned her attention to the sand giant slouching patiently at the end of the beach.

            Now giants, that’s another thing entirely. I am quite enamoured of giants, and this one looks so familiar!

            Illi leaned back against the sand dragons bulky body and closed her eyes, reminiscing about her early years as Illi Fergusson, and her eccentric family.

            ~~~

            When Illi was a young child she rarely saw her parents, the eccentric Lord Gustard Willoughby Fergusson and his charmingly batty second wife, Floribunda Chaiise-Loriket. Illi stayed at home in the anscestral country pile in Dorset, Rubbingdon Hall, with Nanny Chraddock while her parents travelled the world in search of giant bones and artifacts. Their travels took them far and wide, from the jungles of South America to the deserts of North Africa; from the mountains of Spain to the arid eternity of the Australian outback.

            Illi used to play a game with Cranky (as she affectionately called nanny Chraddock) in the long months while her parents were away, called Wish House. Every room in the sprawling Elizabethan house was a different time and place, and the moment they entered the room they imagined themselves to be different people, in other times. Petunia Duster the maid loved to join in too; consequently not alot of housework got done, but with Gus and Flora always off travelling, nobody minded. Playing was, after all, so much more important than dust. In fact, a thick layer of dust made the rooms all the more mysterious and magical.

            #1308

            In reply to: Yuki’s Livrary

            ÉricÉric
            Keymaster

              September 24 th

              Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

              Relevant extracts:

              At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
              […] HE KNEW HIS WAY INSIDE !
              When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
              focus opening/doors ; time/space…
              The central cavernous part is some kind of key center, where anyone can meet…

              This has inspired Quintin to write some notes too.
              He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

              September 26 th

              The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

              Here would be what we will say to him, if he wants to listen:

              « Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
              Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
              These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
              And you begin to really experience it, and really pay attention.

              « As was expressed many times, “essence” is no thing. It is an action.
              The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
              In that, your purpose, you see, is only to experience, nothing more, nothing less.
              And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
              Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
              Just as your dreams at night overlap and blend into each other.
              Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

              « That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

              « Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
              In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

              « Let us explain this in other terms.
              When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
              In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
              You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
              Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

              « We will let you ponder this, and we will continue our own story, writing about you… »

              September 28 th

              This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
              Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

              Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
              It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
              And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
              It is almost limitless in your understanding.
              As is your magic.

              This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
              The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
              The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

              As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
              In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

              With that said, let us see how much more will appear from that sandbox…

              September 30 th

              The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

              The Secret Life of Margaret Wrick , a newspaper cut from 2033.

              October 7 th

              The dragon Naasir’s dream
              A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

              And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry

              #79
              ÉricÉric
              Keymaster

                These are excerpts from Yuki’s diary, explaining some of the details of the experiment called — Malvina’s story —.

                Note: for the reader not familiar with all the names here is a quick reminder:

                • Araili > Yann, Írtak, Sam, Jacob …
                • Armelle > Fiona, Arona, Tina, Qixi …
                • Rafaela > Dory, Illi, Becky, Rodney …
                • Yuki > Quintin, Al, Janice …

                September 12 th, 2007

                Today, an experiment has been launched by Quintin. Time will tell if it will bear some fruit, but the idea sounds good.
                Having people join in a story telling, and see what happens, what are the “lessons” one can draw from this…

                Armelle, Rafaela and Araili are already on the starting-blocks, though Quintin is not quite aware yet.

                I can hear some thoughts: Let’s say for the moment that there are no rules. We will see what prompts the desire for having rules…

                September 13 th

                Some of the people familiar with Janice and her friends’ adventures have already joined in with much enthusiasm.
                This first comment seems very promising.

                Right now, it feels easy and fun.

                Quintin seems to think that everything is very straightforward.
                The magical world with the cave in one part, separated from the “real” world. (Two Worlds, and he thinks that will be enough to content Rafaela, ahaha, how presumptuous)
                The first he sees as a representation of what psychologists think of as “subconscious”, and the other being the conscious, physical part.

                But of course, he thinks he knows better than that. He calls the first one “subjective” rather than subconscious, because it’s a translation of subjects which unfold in many related objects in the “objective” or physical world.
                That’s a good point, though a bit distorted. It would be better to say Malvina’s World is a translation of the subjective, in the manner of a Heroic Dimension.
                But the thing is, that he missed the point in thinking one World is more “real” than the other.
                We’ll be having some fun soon…

                First remark… The second comment of the story has been interrupted abruptly in the middle of a sentence. That is interesting. We will urge Quintin to leave it as it is, despite his feeling of it being awkward.
                We will appeal to his imagination.
                It seems he has heard the suggestion.

                September 14 th

                For the most part, the story starts to get much involvement. Lots of energies are being projected into it, and with every adjunct, each participant’s perception stretches to accommodate the changes and smooth out the bumps in their own sense of continuity.

                But as I expected, some challenges seem to appear already.
                Is it raining or not in that world?
                The question seems simple, but it is very profound and Fiona seems to struggle a bit with it, as is Quintin. The question frame itself [“that World”] shows where the difficulty lies.

                He seems to avoid the discrepancy and pretend that he has not seen it. Mmmm, avoiding the obstacles… that will very soon come right back in front of you dear Quintin, for Dory is quite playful.
                At least Fiona has been challenging Dory for not paying attention… Armelle’s ineffable loving ruthlessness!
                How will it unfold?
                Rafaela seems to be delighting herself as though she’s preparing some mischief, but Dory struggles in the “back”…

                September 15 th

                Dory is indeed very playful and her imagination is unrestrained. I extend much appreciation to this focus of Rafaela, especially as Quintin has to stretch his imagination to make things “fit”.

                Quintin is still avoiding the issues that appear sporadically and prefers to stay focused on his own perception of the story… Careful Quintin :face-smile:

                Yann joins the fun —objectively, that is, for Araili has been present already since the very beginning.

                September 16 th

                Halcyons days…
                My dear friend Archie is answering some of Quintin and Yann’s questions.
                Something starts to dawn on Quintin. But his mind is on other matters.

                He understands that the energies of the writers are melding in writing the story, but he still tends to think that they blend completely.

                September 18 th

                Quintin has been drawing some of the characters of the story. It’s interesting.
                He had good insights, as Yann will tell him later that his clothes today were exactly the same as the colours he had drawn.

                Characters drawn:

                • Mavina, Leörmn the dragon and weaszchilla, Írtak, Huÿgens (and Fjutch), Arona and Illi (the gripshawk)
                • Malika, Quintin, Yann, Fiona and Dory

                Interestingly, Fiona resolves her issues in her cave.
                Dory too, but she did not need the cave to do this.

                September 21 st

                For Quintin, the story seems to lose all common sense, as some characters move from World to World. You could have expected that Quintin!
                And Dory pops in and out, in her mind, in her dream state, or in future timeline mixed with present or past one.
                Quintin will soon realize that he himself is doing this constantly, though he does not register it.

                But the worst thing for him is that there are bleedthroughs in between Worlds. The Reality Times newspaper was brilliant Rafaela, a perfect trigger for the beliefs that the Worlds are closed and impermeable to each other!

                Archie has been answering new questions about that story and this had been quite interesting for all of the participants.
                There is much for them to digest from the realization that each of them had been creating their own versions of the stories through their perceptions. And that they were each having their version of the story, drawing from each other’s input, like a conductor of an orchestra incorporating some instruments.

                Of course, some things still matter, and one of the point of the story is also to discover these.

                September 22 nd

                Quintin has been drawing new characters.

                Characters drawn:

                • Båd Al’Guz (Bådul), BelleDora, Buckberry the dragon, the twin dragon eggs, Archibald the parrot, Sanso the Wanderer
                • Illi Fergusson, another Illi that Quintin has tried to sneak in as a bait for Dory, with hints that she is disengaged (or “dead” in common vernacular) and merges with others of her focuses…
                • Jacqueline Bleomelen (Nanny Gibbon), Lord Wrick, his great grand children the twins Cuthbert and India Louise, Manfred, William P. Jobsworth the painter

                A new perception trick: Dory felt relieved upon seeing the moth feelers of BelleDora.
                She had at first thought they were whiskers, which was not Quintin’s intent…

                September 23 rd

                Quintin seems to have connected to a map drawn by Lord Wrick, when the old Lord has started to document his great grand children travels.

                Quintin had tried to put some annotations on this fragment, but he doesn’t yet completely understand that his perception of this World, though accurate, is only valid in this present moment, and may change at any time.

                Up to now, here are the names he could find:

                • North: the Icy Lands, and Dragon Cemeteries
                • Center: Goldfindely, homeland of Arona, connected to the Warring Kingdoms of Lan’ork by the Isthmus of Ghört’s Hammer. The Isthmus of the Dragon Head seems to lead to Malvina’s cave and hideout. Mount Elok’ram is pointed as the highest place of the World yet discovered. Three main rivers are drawn: in the ancient myths of the people of this land, they represent the three Daughters of Ghört, weavers of men’s destinies: Tibreÿa, Uleÿa, and Snimeÿa. Snimeÿa cuts the thread of life, which is shown as the river leads after many meanders to the Marshes of Doom.
                • Far East, North: the Land of Båd Al’Guz, Åsgurdy. A harsh mountainous land of islands and seas.
                  Both parts of the World seem to ignore each other till now, as they are separated by the Great Rift, which in the past has deterred many intrepid navigators.
                • South: the Desert Lands. Illi’s birthplace, rarely explored by humans thus unaware of most of its marvels, gripshawks nomadic tribes included.

                When he discussed Arona’s village with Fiona, Quintin had the vision of some dolphin-like creatures, but bright yellow. They are called golfindels and are mostly seen on the northern shores of Arona’s homeland, which is thus called Golfindely.

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