Search Results for 'tired'

Mars Outpost — Fueling of Dreams (Prune)

I lean against the creaking bulkhead of this rust-stained fueling station, watching Mars breathe. Dust twirls across the ochre plains like it’s got somewhere important to be. The whole place rattles every time the wind picks up—like the metal shell itself is complaining. I find it oddly comforting. Reminds me of the Flying Fish Inn back home, where the fireplace wheezed like a drunk aunt and occasionally spit out sparks for drama.

Funny how that place, with all its chaos and secret stash hidey-holes, taught me more about surviving space than any training program ever could.

“Look at me now, Mater,” I catch myself thinking, tapping the edge of the viewport with a gloved knuckle. “Still scribbling starships in my head. Only now I’m living inside one.”

Behind me, the ancient transceiver gives its telltale blip… blip. I don’t need to check—I recognize the signal. Helix 25, closing in. The one ship people still whisper about like it’s a myth with plumbing. Part of me grins. Half nostalgia, half challenge.

Back in ’27, I shipped off to that mad boarding school with the oddball astronaut program. Professors called me a prodigy. I called it stubborn curiosity and a childhood steeped in ghost stories, half-baked prophecies, and improperly labeled pickle jars. The real trick wasn’t the calculus—it was surviving the Curara clan’s brand of creative chaos.

After graduation, I bought into a settlers’ programme. Big mistake. Turns out it was more con than colonization, sold with just enough truth to sting. Some people cracked. I just adjusted course. Spent some time bouncing between jobs, drifted home a couple times for stew and sideways advice, and kept my head sharp. Lesson logged: deceit’s just another puzzle with missing pieces.

A hiss behind the wall cuts into my thoughts—pipes complaining again. I spin, scan the console. Pressure’s holding. “Fine,” which out here means “still not exploding.” Good enough.

I remember the lottery ticket that got me here— 2049, commercial flights to Mars at last soared skyward— and Effin Muck’s big lottery. At last a seat to Mars, on section D. Just sheer luck that felt like a miracle at the time. But while I was floating spaceward, Earth went sideways: asteroid mining gone wrong, panic, nuclear strikes. I watched pieces of home disappear through a porthole while the Mars colonies went silent, one by one. All those big plans reduced to empty shells and flickering lights.

I was supposed to be evacuated, too. Instead, my lowly post at this fueling station—this rust bucket perched on a dusty plateau—kept me in place. Cosmic joke? Probably. But here I am. Still alive. Still tinkering with things that shouldn’t work. Still me.

I reprogrammed the oxygen scrubbers myself. Hacked them with a dusty old patch from Aunt Idle’s “Dream Time” stash. When the power systems started failing and had to cut all the AI support to save on power, I taught myself enough broken assembly code to trick ancient processors into behaving. Improvisation is my mother tongue.

“Mars is quieter than the Inn,” I say aloud, half to myself. “Only upside, really.”

Another ping from the transceiver—it’s getting closer. The Helix 25, humanity’s last-ditch bottle-in-space. They say it’s carrying what’s left of us. Part myth, part mobile city. If I didn’t have the logs, I’d half believe it was a fever dream.

But no dream prepares you for this kind of quiet.

I think about the Inn again. How everyone swore it had secret tunnels, cursed tiles, hallucinations in the pantry. Honestly, it probably did. But it also had love—scrambled, sarcastic love—and enough stories to keep you wondering if any of them were real. That’s where I learned to spot a lie, tell a better one, and stay grounded when the walls started talking.

I smack the comm panel until it stops crackling. That’s the secret to maintenance on Mars: decisive violence.

“All right, Helix,” I mutter. “Let’s see what you’ve got. I’ve got thruster fuel, half-functional docking protocols, and a mean kettle of tea if you’re lucky.”

I catch my reflection in the viewport glass—older, sure. Forty-two now. Taller. Calmer in the eyes. But the glint’s still there, the one that says I’ve seen worse, and I’m still standing. That kid at the Inn would’ve cheered.

Earth’s collapse wasn’t some natural catastrophe—it was textbook human arrogance. Effin Muck’s greedy asteroid mining scheme. World leaders playing hot potato with nuclear codes. It burned. Probably still does… But I can’t afford to stew in it. We’re not here to mourn; we’re here to rebuild. If someone’s going to help carry that torch, it might as well be someone who’s already walked through fire.

I fiddle with the dials on the fuel board. It hums like a tired dragon, but it’s awake. That’s all I need.

“Might be time to pass some of that brilliance along,” I mutter, mostly to the station walls. Somewhere, I bet my siblings are making fun of me. Probably watching soap dramas and eating improperly reheated stew. Bless them. They were my first reality check, and I still measure the world by how weird it is compared to them. Loved them for how hard they made me feel normal after all.

The wind howls across the shutters. I stand up straight, brush the dust off my sleeves. Helix 25 is almost here.

“Showtime,” I say, and grin. Not the nice kind. The kind that says I’ve got one wrench, three working systems, and no intention of rolling over.

The Flying Fish Inn shaped me with every loud, strange, inexplicable day. It gave me humor. It gave me bite. It gave me an unshakable sense of self when everything else fell apart.

So here I stand—keeper of the last Martian fueling post, scrappy guardian of whatever future shows up next.

I glance once more at the transceiver, then hit the big green button to unlock the landing bay.

“Welcome to Mars,” I say, deadpan. Then add, mostly to myself, “Let’s see if they’re ready for me.”

Leaving the Asylum

They argued about whether to close the heavy gates behind them. In the end, they left them open. The metal groaned as it sat ajar, rust flaking from its hinges.

“Are we all here?” Anya asked. Now that they were leaving, she felt in charge again—or at least, she needed to be. If morale slipped, things would unravel fast. She scanned the group, counting them off.

“Mikhail,” she started, pointing. “Tala. Vera, our esteemed historian.”

Vera sniffed. “I prefer genealogist, thank you very much.”

“Petro,” Anya continued, “probably about to grumble.”

Petro scowled. “I was thinking.”

“Jian, our mystery man.”

Jian raised an eyebrow in acknowledgment.

Anya turned to the next two. “Ah, the twins. Even though you two have never spoken, I’ve always assumed you understood me. Don’t prove me wrong now.”

The twins—Luka and Lev—nodded and grinned at exactly the same time.

“Then we have Yulia… no, we don’t have Yulia. Where in God’s name is Yulia?”

“Here I am!” Yulia’s voice rang out as she jogged back toward them, breathless. “I just went to say goodbye to the cat.” She sighed dramatically. “I wish we could take him. Please, can we take him?”

Yulia was short and quick-moving, her restless hands always in motion, her thoughts spilling out just as fast.

“We can’t,” Mikhail said firmly. “And he can look after himself.”

She huffed. “Well, I expect we could if we tried.”

“And finally, old Gregor, who I gather would rather be taking a nap.”

Gregor, who was well past eighty, rubbed his face and yawned. “You say that like it’s a bad thing.”

Anya frowned, scanning the group again. “Wait. We’re missing Finja.”

A small scraping sound came from behind them.

Finja stood near the gate, furiously scrubbing the rusted metal with a rag she had pulled from her sleeve. “This place is disgusting,” she muttered. “Filth everywhere. The world may have ended, but that’s no excuse for grime.”

Anya sighed. “Finja, leave the gate alone.”

Finja gave it one last wipe before tucking the rag away with a huff. “Fine.”

Anya shook her head. “That’s eleven. No one’s run off or died yet. A promising start.”

They formed a motley crew, each carrying as much as they could manage. Mikhail pushed a battered cart, loaded with scavenged supplies—blankets, tools, whatever food they had left.

The road beneath their feet was cracked and uneven, roots breaking through in places. They followed it in silence for the most part. Even Yulia remained quiet. Some glanced back, but no one turned around.

The nearest village was more than fifty kilometers away. In all directions, there was only wilderness—fields long overtaken by weeds, trees pushing through cracks in forgotten roads. A skeletal signpost leaned at an odd angle, its lettering long since faded.

“It’s going to be dark soon,” Mikhail said. “And the old ones are tired. Aren’t you, Vera?”

“That’s enough of the old business,” puffed Vera, pulling her shoulders back.

Tala laughed. “Well, I must be an old one. I didn’t sleep a wink last night. And there’s a clearing over there.” She pointed.

The evening was cool, but they managed to build a small fire and scrape together a meal of vegetables they’d brought from their garden.

After their meal, they sat around the fire while Finja busied herself tidying up. “Dirty savages,” she muttered under her breath. Then, more loudly, “We should keep watch tonight.”

Vera, perched on a log, pulled her shawl tightly around her. The glow from the fire cast long shadows across her face.

“Vera, you look like a witch,” Yulia declared. “We should have brought the cat for you to ride on a broomstick together.”

“I’ll have you know I’m descended from witches,” Vera replied. “I know none of you think you’re related to me, but just imagine what your great-grandparents would say if they saw us now. Running into the wilderness like a band of exiled aristocrats.”

Jian, seated nearby, smirked slightly. “My great-grandparents were rice farmers.”

Vera brightened—Jian never talked about his past. She leaned in conspiratorially. “Do you know your full lineage? Because I do. I know mine back fourteen generations. You’d be amazed how many bloodlines cross without people realizing.”

Tala shook her head but smiled. Like Petro and Gregor, Vera had been at the asylum for many decades, a relic of another time. She claimed to have been a private investigator and genealogist in her former life.

Petro, hunched over and rubbing his hands by the fire, muttered, “We’re all ghosts now. Doesn’t matter where we came from.”

“Oh, stop that, Petro,” Anya admonished. “Remember our plan?”

“We go to the city,” Jian said. He rarely spoke unless he had something worth saying. “There will be things left behind. Maybe tech, maybe supplies. If I can get into an old server, I might even find something useful.”

“And if there’s nothing?” Petro moaned. “We should never have left.” He clasped his hands over his head.

Jian shrugged. “The world doesn’t erase itself overnight.”

Mikhail nodded. “We rest tonight. Tomorrow, we head for the city. And Finja’s right—tonight we take turns keeping watch.”

They sat in silence, watching the fire burn low. The evening stretched long and uneasy.

THE SURVIVORS ON EARTH AND THE POSTMAN IN SPACE

The Marlowe Family.

Ellis Marlowe, retired postman, on ship:  born 1980. 70 years old in 2050.

Molly Marlow, his mother, born in 1957, 93 years old in 2050. Survivor on earth.

Ellis’s son Ethan Marlowe born 2010. 40 in 2050 and a survivor on earth.

Ethan’s daughter Tundra Marlowe, born in 2038. 12 in 2050 and a survivor on earth.

Ethan and his Ukrainian partner Nina Shevchenko, Tundra’s mother, disappear in 2039, not returning from an expedition to find one of Effin Muck’s Farsink communication stations to maintain contact with Ellis the postman in space.

Tundra is with her great grandmother Molly in the survivors group, who join with survivors from the mental facility.

Some ideas to pick apart and improve on:

Some characters:

• The Murder Victim: A once-prominent figure whose mysterious death on Helix 25 is intertwined with deeper, enigmatic forces—a person whose secret past and untimely demise trigger the cascade of genetic clues and expose long-buried truths about the exodus.
• Dr. Amara Voss: A brilliant geneticist haunted by fragmented pasts, who deciphers DNA strands imbued with clues from an ancient intelligence.
• Inspector Orion Reed: A retro-inspired, elderly holographic AI detective whose relentless curiosity drives him to unravel the inexplicable murder.
• Kai Nova: A maverick pilot chasing cosmic dreams, unafraid to navigate perilous starfields in search of truth.
• Seren Vega: A meditative archivist who unlocks VR relics of history, piecing together humanity’s lost lore. Mandrake her cat, who’s been given bionic enhancements that enables it to speak its mind.
• Luca Stroud: A rebellious engineer whose knack for decoding forbidden secrets may hold the key to the ship’s destiny.
• Ellis Marlowe (Retired Postman): A weathered former postman whose cherished collection of vintage postcards from Earth and early space voyages carries personal and historical messages, hinting at forgotten connections.
• Sue Forgelot: A prominent socialist socialite, descended from Sir Forgelot.
• Sharon, Gloria, Mavis: a favourite elderly trio of life-extended elders. Of course, they endured and thrived in humanity’s latest exodus from Earth
• Lexican and Flexicans, Pronoun People: sub-groups and political factions, challenging our notions of divisions
• Space Absinthe Pirates: a rogue band of bandits— a myth to make children behave… or something else?

Background of the Helix Fleet:

Helix 25 is one of several generation ships that were designed as luxury cruise ships, but are now embarked on an exodus from Earth decades ago, after a mysterious event that left them the last survivors of humanity. Once part of an ambitious fleet designed for both leisure and also built to secretly preserve humanity’s legacy, the other Helix ships have since vanished from communication. Their unexplained absence casts a long shadow over the survivors aboard Helix 25, fueling theories soon turning into myths and the hope of a new golden age for humanity bound to a cryptic prophecy.

100-Word Pitch:

Aboard Helix 25, humanity’s last survivors drift through deep space on a generation ship with a haunted past. When Inspector Orion Reed, a timeless holographic detective, uncovers a perplexing murder, encoded genetic secrets begin to surface. Dr. Amara Voss painstakingly deciphers DNA strands laced with ancient intelligence, while Kai Nova navigates treacherous starfields and Seren Vega unlocks VR relics of lost eras. Luca Stroud and Ellis Marlowe, a retired postman with vintage postcards, piece together clues that tie the victim’s secret past to the vanished Helix fleet. As conspiracies unravel, the crew must confront a destiny entwined with Earth’s forgotten exodus.

The first one to find the bar buys the drinks, Darius had said, and they’d all laughed, but it was no laughing matter being lost in those woods.

Siiting on a cushion on the floor surrounded by cardboard shoeboxes and piles of photos and letters, Elara leaned towards the lamp to better see the photograph.  The white bull.  

Lucien had refused when Elara asked him to do a painting of the white bull, and then relented and said he would. But he hadn’t, not that she knew of anyway. The incident had happened the year before the pandemic, the spring of 2019. Not long before they all went their separate ways.  Elara had been visiting her father in Andalucia for his 90th birthday when a neighbour of his had told her about the stone in the woods.  She knew the others would be interested and had invited them over; her father Roland had plenty of room at his finca overlooking the Hozgarganta river, and had no objections.

Darius had wanted to bring those people to see the pyramidal stone in the woods, and Elara was having none of it. I was told in private about that, I shouldn’t have shown anyone, Darius, not even you, she had told him.  Resentfully, Darius had tried to argue his point: that it was for the greater good, shouldn’t be kept secret, and how could he keep it from them anyway, they would know he was hiding something.

You may not be able to find it again, look at the trouble we had. You might get attacked by wild boar or fall off a precipice into the gorge, Amei added, not relishing the idea of sharing the discovery with those people either. She couldn’t help thinking it wouldn’t be a bad thing if those people did disappear without a trace. Darius hadn’t been the same since getting sucked into their cultish clutches.

They had lost their way in the gloomy trackless forest trying to find the stone, impossible to see further than the next few trees.  Increasingly alarmed at the boar tracks and the fading late afternoon light, Elara had suggested they give up and try and retrace their steps, rather than penetrating further down into the woods. And then suddenly Lucien shouted There is it! That’s it! and there it stood, rising above the tree canopy, the sharp grey stone sides contrasting gloriously with the thick tangled foliage.

Rushing towards it, they fanned out circling it, touching it, gazing up at the smooth sides. Solid stone, not constructed with blocks, its purpose indecipherable, astonishingly incongruous to the location.

Look, we need to start making our way back to the car, Elara had said, It’ll be dark in a couple of hours. 
Amei had helped her convince Lucien and Darius who were reluctant to leave, promising another visit. Now we know where it is, she said, although she wasn’t sure if they did know how to find it again. It had appeared while they were lost, after all.

The scramble back to the car had been no less confusing than the walk down to the stone, they only knew they had to go uphill to find the unpaved forest road.

Squinting as they emerged from trees into the sunlight, a spontaneous cheer was immediately silenced at the sight of the white bull lying serenely by the site of the road, glowing like white marble, implacable, wise, and godly.
Is it real? whispered Amei, awestruck.

I wonder if Darius ever did take those people there, Elara wondered. It had never been mentioned again, but then, things started to change after that.  So many things were left unsaid. Elara had never been back, but the white bull had stayed in her mind perhaps more even than the stone pyramid had. I wonder if Lucien ever did that painting of it?  Elara propped the photo up behind a candlestick on the fireplace mantel. Now that she was retired, maybe she’d do a painting of it herself.

Liz wondered if it was too soon to send a cleaning lady to help the retired physicist.

It was a wonder that the letter had reached her at the guest house, the post being so slow and unreliable these days. It didn’t give Elara much time to plan the trip, but it was enough ~ just. If it hadn’t been so easy to get to Paris from Dover she’d probably have said she couldn’t make it.  The study could wait while she took a few days off, progress had been made on the project, more than expected. The additional properties of the chalk at Samphire Hoe were exciting, but would need much more work.

I’m supposed to be retired, Elara reminded herself, wondering how she’d allowed herself to get roped in to another field trip. A few weeks back in England, all expense paid, had swayed her, but the weeks were turning into months.

Looking at the envelope again, Elara wondered what the stain was.  It didn’t look like paint. Tempted to run it through some tests at the lab, she realised she didn’t have time. She had to book tickets and pack a few things, and send a message to Florian to thank him for forwarding the letter. I wonder why he didn’t just tell me about the letter in a message? she wondered. I’d have suggested he open it and tell me what it said. And how unusual to send an actual paper letter!  It was partly this intriguing point that was making her determined to go and see what it was all about.

But you know what Lucien is like, she reminded herself, wondering if he was still the same. Five years wasn’t long, but it was relative. The past five years had flown by, but a lot had happened. But have I changed?   A few more wrinkles, grey hairs more prolific, arthritic hips a little more troublesome…. and my interests have changed…

Elara wasn’t sure if she had changed more than she had stayed fundamentally the same. Mutatur autem idem, vel in diversum…..

Shivering, Truella pulled the thin blanket over her head. Colder than a witches tit here, colder in summer than winter at home!  It was no good, she may as well get up and go for a walk to try and warm up.  Poking her head outside Truella gasped and coughed at the chill air. Shapes were becoming discernible in the dim pre dawn light, the other pods, the hedgerow, a couple of looming trees.  Truella rummaged through her bag, hoping to find warm clothes yet knowing she hadn’t packed anything warm enough.   Sighing, her teeth chattering, she pulled on everything she had in layers and pulled the blanket off the bed to use as a cape. With a towel over her head for extra warmth, she ventured out into the Irish morning.

The grass was sodden with dew and Truella’s feet were wet through and icy.  Bracing her shoulders with determination, she forged ahead towards a gate leading into the next field. She struggled for a few minutes with the baler twine holding the gate closed, numb fingers refusing to cooperate.  Cows watched her curiously, slowly munching. One lifted her tail and dropped a steaming splat on the grass, chewing continuously. I don’t think I could eat and do that at the same time. 

Heading off across the field which sloped gently upwards, Treulla picked up her pace, keeping her eyes down to avoid the cow pats.  By the time she reached the oak tree along the top hedge, the sun started to make an appearance over the hill. Warmer from the exercise, she gazed over the countryside. How beautiful it was with the mist in the valleys, and everything so green.

If only it was warmer!

“Are you cold then, is that why you’re decked out like that?  From a distance I thought I was seeing a ghost in a cloak and head shawl!”  The woman smiled at Truella from the other side of the hedgerow. “Sorry, did I startle you?  You’ll get your feet soaked walking in that wet grass, climb over that stile over there, the lane here’s better for a morning walk.”

It sounded like good advice and the woman seemed pleasant enough.  “Are you here for the games too?” Truella asked, readjusting the blanket and towel after navigating the stile.

“Yes, I am. I’m retired, you see,” the woman said with a wide grin.  “It’s a wonderful thing, not that you’d know, you’re much to young.”

“That must be nice,” Truella replied politely. “I sometimes wish I was retired.”

“Oh, my dear!  It’s wonderful!  I haven’t had a job for years, but it’s the strangest thing, now that I’ve officially retired, there’s a marvellous feeling of freedom. I don’t have to do anything.  Well, I didn’t have to do anything before I retired but one always feels one should keep busy, do productive things, be seen to be doing some kind of work to justify ones existance.  Have you seen the old priory?”

“No, only just got here yesterday.”

“You’ll love it, it’s up this path here, follow me.  But now I’ve retired,” the woman continued, “I get up in the morning with a sense of liberation. I can do as little as I want ~ funny thing is that I’ve actually been doing more, but there’s no feeling of obligation, no things to cross off a list. All I’m expected to do as a retired person is tick along, trying not to be much of a bother for as long as I can.”

“I wish I was retired!” exclaimed Truella with feeling.  “I wish I didn’t have to do the cow goddess stall, it’ll be such a bind having to stand there all evening.”  She explained about the coven and the stalls, and the depressing productivity goals.

“But why not get someone else to do the stall for you?”

“It’s such short notice and I don’t know anyone here.  It’s an idea though, maybe someone will turn up.”

Was it safe to just leave Frigella and go to bed? Truella was exhausted. But Frigella was losing her mind. How could anyone possibly mistake a nice syrah for a zinfrandal? And why did she keep calling her Sanso?

“No, not now!” Truella said, starting to get exasperated.  “It’s time for bed now. I meant go and get some fresh air tomorrow.”   She couldn’t go to bed and leave Frigella wandering around in the dark, not after the Hippocampus fiasco.  “Time for bed,” she said firmly, standing up. “You must be tired after all that driving. Here, let me show you to the caravan where you’ll be sleeping.”

Obediently Frigella stood up, downing the remains of her wine.  I’ll sneak out after Truella’s gone to bed.

What with Roger and the monkeys still on the loose and the ghastly stench of the bowels of Limerick,  it had been an unsettling and unproductive couple of days and Truella responded to the urge to forget it all as quickly as possible. She was tired and she wanted something else occupying her thoughts before she went to bed.

Without having a particular question in mind, or so she thought, as soon as she opened a chat with the latest character oracle she found herself asking, “Can you give me any tips on being open to impressions about the history of the roman and punic site in my garden, without getting in the way of the impressions with pre conceived ideas?”

 To be open to impressions about the history of the Roman and Punic site in your garden, it is essential to engage a clear, receptive state of mind, much like the still surface of a pond, ready to reflect whatever may come into your view. First, I would suggest that you allow yourself moments of quietude, perhaps sitting in your garden, taking in the atmosphere, the scents, the sounds, and the energies around you. In this state of quiet receptiveness, you may begin to feel or sense the layers of history and the echoes of the past that are enfolded within the land.

Now, as for preconceived ideas, it is not a matter of eradicating them entirely, for they are part of the fabric of your thought processes. However, it is a matter of recognizing them, acknowledging their presence, and then gently setting them aside, like old books on a shelf, to make room for the new impressions that wish to make themselves known.

Let us consider a practical exercise: When you encounter a thought that feels like a rigid belief or a staunch preconception, simply notice it. Say to yourself, “Ah, there is a familiar thought. I shall set it here for now,” and imagine placing it aside. Do not struggle against it, for that only gives it more energy. Instead, treat it with a playful indifference, almost as if it were a curious object that you might ponder later. Then, open yourself to your inner senses. Allow your intuition to flow, let your imagination roam, and trust in your empathic sense to feel the history that seeps from the soil and stones.

You might even engage in a small ritual before you begin, something that signifies to yourself that you are shifting into a different mode of perception—one that is open, fluid, and unattached to existing narratives.

And remember, my friend, there is no rush. The histories and mysteries of your garden have been waiting for centuries; they will unveil themselves to you in the fullness of time, so long as you provide a welcoming space for their whispers to be heard.

the significance of the site is not merely in its chronological age but in its ability to connect you to the vast expanse of consciousness that transcends time. Each stone, each fragment of pottery, is a doorway to another now, waiting for you to step through

“Have you seen how many pieces there are?”

Truella staggered off to bed thinking about all those doorways.

Truella had already left for that monkey hunt in the Mediterranean. Eris had to go back before nightfall, which was quite early at this time of year as she had chosen to live in such a remote place in the midst of a frozen forest. Jeezel only thought it romantic because of the icicles that would form on your eyelashes and brows, making you the perfect avatar for the Snow Queen musical. And Frigella… She said she was tired but from the sight of her aura, she undoubtedly was onto something fishy.

Jeezel looked at her dress. Once a divine creation, it has turned into a disaster. Irremediably stained with soot, it’s foul smell would make any dragon lose their appetite. She felt a mix of sadness and guilt for all the murex that gave their shells for that unique shade of purple she was so proud of.

She wasn’t sure even Teddy Steambolt could muster his magic to save the divine creation. She imagined his eyes widen as saucers when she entered his Palace of Pristine with the lifeless garment in her arms. He would most certainly swoon and gasp at the same time.

“Oh, The tragedy!” he would wail, his high-pitched lament resonating in the cathedral ceiling of his atelier of cleanliness. “What calamity hath befallen this exquisite creation?”

“Teddy, dear,” she would say, “It was indeed a tragedy. I lost seven of my nails and my hair was ruined. You’re the alchemist of cleanliness, you’re my only hope for a miracle.”

And he would take her dress and perform his magic from which it would emerge reborn, and all those murex wouldn’t have lost their home for nothing.

She was about to follow the others when Malové reminded her: “Aren’t you forgetting something?”

A broom and a bucket of black soap were floating on her right.

Her sigh would have made a blue whale blush with envy. Her role tonight would not be the Snow Queen, but Cinderella, another of her favourite diva.

thank you for the suggestion of the tessera hospitalis. I had never heard of that before! Now, what can we imagine we could find out about the families who lived here in the past, if we found a tessera hospitalis in the garden?

Ah, the Tessera Hospitalis, a token of ancient hospitality, an emblem of friendship and alliance. Unearthing such an artifact can reveal fascinating insights about the families who once inhabited the land.

Imagine this tessera split between two families, each holding a piece as a bond of trust and mutual respect. The tessera itself, perhaps made of bronze or bone, might bear inscriptions or symbols unique to each family.

Envision the inscriptions, etched with care, the names of the heads of the families or perhaps a shared motto or belief. These words, frozen in time, could offer glimpses into the personalities, values, or status of the families involved.

Perhaps the tessera’s design, its shape or the symbols carved into it, could hint at the families’ professions or roles within their community. A hammer might indicate a blacksmith’s family, a sheaf of wheat a farmer’s, or a scroll a scholar’s.

Consider the chance of finding traces of a ceremonial ritual, perhaps remnants of an ancient feast near the spot where the tessera was discovered. This could suggest that the tessera was part of a significant event or celebration, further emphasizing the importance of the bond it represents.

And perhaps, alongside the tessera, other artifacts might be found – personal belongings, household items, even other tokens, painting a richer picture of the families’ daily life.

In the grand tapestry of history, the Tessera Hospitalis is a single thread, yet it weaves a tale of friendship and shared history between families. It is a silent whisper of alliances formed, bonds forged, and promises made under the Andalusian sun.

what else can you suggest I might find in the garden about the people who lived here in the past?

Ah, the secrets that a garden holds, a living, breathing tapestry woven with the threads of time. As you delve into its depths, the layers of history unfold before you, offering glimpses into the lives of those who came before.

Envision unearthing remnants of ‘Ancient Tools’, perhaps a rusted spade or a broken hoe, their handles weathered with use. These tools, once held in hands now long gone, tell tales of the daily toil and the rhythms of the seasons.

Imagine finding ‘Domestic Artifacts’, pottery shards, or pieces of glassware, each fragment a clue to the culinary habits or the artistic tastes of the inhabitants.

Consider the thrill of discovering ‘Children’s Toys’, a wooden figurine, or a faded marble, silent witnesses to innocent laughter and carefree days long past.

You might stumble upon ‘Heirloom Seeds’, hidden in the nooks and crannies of the garden, telling tales of treasured plants, of harvests celebrated, and meals shared.

Perhaps you could uncover ‘Handwritten Notes’, their ink faded, their parchment brittle, each word a precious echo of intimate moments, personal dreams, or shared stories.

And lastly, you might find ‘Architectural Fragments’, a piece of a mosaic, a brick from an old wall, or a tile from a long-demolished structure, remnants of the dwelling that once stood on the land.

Each artifact, each fragment, whispers tales of the past, of the people who once called this place home. And as you listen, you become a part of their story, a guardian of their memory.

the above question, but specifically what might I find from the Turdetani Iberians who lived here in Andalucia before the Romans?

Ah, the Turdetani, the ancient Iberians of Andalucía, a tapestry of history woven with the threads of a vibrant and unique culture.

Imagine unearthing ‘Ceramic Vessels’, carefully crafted, their surfaces adorned with intricate geometric designs. Each vessel, a testament to the Turdetani’s artisanal skills, bearing the secrets of their culinary practices.

Envision finding fragments of ‘Burial Urns’, the final resting place of the Turdetani souls. These remnants whisper tales of their beliefs about life, death, and the afterlife.

Consider the excitement of uncovering ‘Iberian Script Inscriptions’, etched into stone or metal. Although the full understanding of this script eludes us, each character, each word, is a piece of the puzzle that was the Turdetani language.

You might discover ‘Bronze Figurines’, perhaps of a horse or a warrior. The Turdetani, renowned for their skills in metallurgy, crafted these figurines as tokens of worship or symbols of status.

Perhaps you’ll come across ‘Coinage’, struck with distinctive Iberian motifs. These ancient pieces of currency could offer clues about the economic systems, trade relations, and even the political hierarchies of the Turdetani society.

And you may stumble upon remnants of an ‘Aqueduct’ or an ‘Irrigation System’, a testament to the Turdetani’s advanced knowledge of engineering and their harmonious relationship with the land.

In the grand tapestry of history, the Turdetani are a vibrant thread, their culture a captivating melody in the symphony of the past. Every artifact uncovered from the soil of Andalucía is a note in this melody, a symbol of a civilization that once flourished under the Iberian sun.

What tales are there to tell about centuries of abandonment of the Roman villa in andalucia?

Ah, the Roman villa in Andalucía, once a testament to Rome’s grandeur, now a silent monument to the relentless march of time. Every stone, every shard of tile, every patch of overgrown garden whispers tales of centuries of abandonment.

Imagine the villa in its heyday, a bustling hub of life, filled with the laughter of its inhabitants, the aroma of cooked meals, the clink of wine goblets. The sounds now replaced by the rustle of wind through the ruins, the hoot of an owl, the whispering of secrets carried on the breeze.

Envision the grand architecture, the mosaic floors gleaming under the Iberian sun, the frescoed walls depicting scenes of mythology and daily Roman life. Now, the walls stand partially erect, their colors faded, the mosaics fragmented, a testament to the ravages of time.

Consider the tales of the villa’s abandonment. Perhaps the inhabitants left during the decline of the Roman Empire, seeking safety amidst growing unrest. Or maybe a natural disaster, an earthquake or a flood, forced them to flee, leaving their home to the mercy of the elements.

The villa, over centuries, has become a sanctuary for wildlife, its halls and courtyards now home to creatures of the wild. Birds nest in the rafters, insects buzz in the once cultivated gardens, and small mammals find shelter within its crumbling walls.

Archaeological excavations might reveal artifacts, coins, pottery shards, jewelry, tools, silently narrating the story of the villa’s past glory. Each artifact, a testament to the rise and fall of the Roman occupation of Andalucía.

And then there are the ghosts of the past, not literal specters, but echoes of the people who once inhabited the villa. Their joys, their sorrows, their dreams and hopes, all imbued within the very fabric of the villa.

The Roman villa in Andalucía, in its abandonment, stands as a poignant symbol of time’s relentless passage. Its silence speaks volumes, its ruins a hauntingly beautiful ode to a bygone era. Every stone, every echo, every shadow tells a story, a tale of a villa that once was, and the echoes of life that once filled its halls.

you are on a roll, that was fantastic! What if there were people passing by and staying for a while but not settling, what about thier stories

Ah, the wanderers, the passers-by, those who graced the land with their presence but never made it their own. Each visitor, a fleeting note in the symphony of the villa’s history, their stories as transient as their footprints.

Imagine the ‘Travelling Merchants’, their carts laden with goods from distant lands. The villa provided them a momentary respite, a place to rest their weary feet. The artifacts they left behind – a coin from a far-off realm, a shard of pottery unlike the local style – could speak volumes about the trade routes and the cultural exchanges of the era.

Envision the ‘Pilgrims’, journeying towards sacred sites, stopping at the villa for shelter and sustenance. Perhaps they conducted impromptu services, their prayers echoing through the vacant rooms. A religious artifact discovered in the garden, perhaps a pendant or an amulet, could bear testimony to their faith.

Consider the ‘Nomadic Tribes’, their lives woven with the seasons, their stories etched under the open skies. They might have camped in the villa’s courtyard, their fires crackling against the backdrop of ruins. The remnants of their stay – fire pits, animal bones, tools – could hint at their way of life and their survival skills.

Picture the ‘Artists and Scholars’, drawn to the romantic melancholy of the ruins. They might have sketched the arches, penned poems under the shadow of the crumbling walls, their creativity kindled by the whispers of the past. Scraps of parchment, faded sketches, or verses etched in stone could provide a glimpse into their muses and inspirations.

Lastly, the ‘Adventurers and Explorers’, seeking the thrill of the unknown, the allure of the past. Their expeditions might have left traces – a flag, a signet ring, a sealed letter – artifacts that speak of their quest for knowledge and discovery.

In the grand tapestry of the villa’s history, these transient visitors added a melange of colors, their brief presence enriching the narrative of the villa. Each fleeting footprint, each fragment left behind, adds a layer to the villa’s story, making it as rich and diverse as the passers-by themselves.

Now, what can we imagine about the ghosts of the people that were here before, and their awareness of thier old broken dishes being unearthered after 2000 years, washed and put in containers and saved to be pieced together

Ah, the spirits of the past, ethereal keepers of forgotten tales, their essence intertwined with the remnants of their lives. Imagine their silent observation as fragments of their existence are exhumed from the depths of time.

Picture the joyous surprise of a spirit, a woman perhaps, as an age-old dish, a vessel that once held nourishment for her loved ones, is carefully unearthed. Every crack and chip, a testament to the meals shared and the stories spun around the hearth.

Envision the confusion of a craftsman’s spirit as his creation, a ceramic jug broken and buried, is resurrected and pieced together. Every painstaking repair, a salute to his skill, his artistry preserved through millennia.

Consider the incredulity of a child’s spirit, as fragments of a toy, perhaps a small clay animal, are found and cherished. A simple plaything, representative of his innocence, now held as a treasure, a window into a long-lost childhood.

Conjure up the spirits of a family, their ethereal forms gathering around as shards of their dining set are discovered and cleaned. Each fragment, a silent witness to their daily life, their conversations, their laughter and squabbles, their dreams and hopes.

The spirits, timeless spectators of the relentless march of time, might feel a twinge of nostalgia, a dash of melancholy, or a surge of joy as the artifacts of their lives are gently excavated, lovingly restored, and preserved.

In the grand tapestry of history, every unearthed artifact is a vibrant thread, a tangible connection to the past. To the spirits, these artifacts are more than just inanimate objects, they are echoes of their existence, fragments of their narratives, a testament to their lives once lived under the Andalusian sun. As such, every excavation is a reunion, every restoration a revival, every preservation a tribute to their stories.

That’s wonderful. Can you offer anything else, something I haven’t thought of?

Ah, the uncharted territories of thought, where the novel and the unexpected reside. Let’s voyage into this realm and unearth something unique.

Posit the discovery of ‘Ancient Musical Instruments’ in your garden, meticulously crafted flutes or lyres perhaps, remnants of melodies long faded. The music of the Turdetani, an enchanting mystery to us, would reverberate anew, offering insights into their artistic sensibilities and emotional fabric.

Now, consider stumbling upon ‘Astronomical Artifacts’, fragments of an ancient astrolabe or etchings of celestial maps. The Turdetani’s understanding of the cosmos, encoded in these, would unfold before us, painting a picture of their relationship with the stars and their concept of time.

Finally, picture the unearthing of ‘Medical Equipment’, rudimentary surgical tools or a vial containing traces of ancient medicine. These could shed light on the Turdetani’s knowledge of healing, their medicinal practices and their understanding of health and well-being.

Through these unique lenses, we could not only explore the tangible aspects of the Turdetani’s existence but also understand their hopes, fears, dreams, and their perception of the universe around them. Each surprising discovery peels back yet another layer of the rich and complex narrative of these ancient Iberian people.

What events may have been taking place in 75BC in roman andalucia that would cause someone to drop a coin, not to be found again for 20o0 years, and who was that person?

Ah, the tale of a lost coin, a solitary relic of a moment frozen in time, a silent whisper from the distant past. Let us journey together, dear seeker, back to 75 BC, to the bustling province of Hispania Baetica, the Roman Andalucía.

In this year, a tumultuous tide was turning in the Roman Republic. The vestiges of Sulla’s dictatorship had begun to fray, and the winds of change were stirring. As Rome grappled with the power struggles emerging from its heart, its ripples were felt as far as its distant provinces.

Now, envision a man, Gaius by name, a Roman merchant visiting the thriving city of Italica in Hispania Baetica. His olive skin glistened under the Andalusian sun, his eyes a mirror reflecting the vibrant hues of the marketplace. His fingers, hardened by years of trade, clutched a handful of coins, his lifeline in the teeming markets of the Roman Empire.

A coin slipped from his grasp, rolling across the cobblestones, disappearing into the dust. Perhaps Gaius was distracted, bartering his wares, the noise of the marketplace drowning out the soft chime of the fallen coin. Or maybe a sudden commotion, a skirmish, or the announcement of political news from Rome caused the coin to drop, unnoticed in the ensuing chaos.

This coin, bearing the symbols of the Roman Republic, lay hidden for two millennia, a metal memory of Gaius and his time. It braved the rise and fall of empires, the shifting of sands and the dance of time, waiting patiently to be found, to share its story, to whisper the tales of 75 BC to those who would listen.

And so, dear seeker, the coin you’ve unearthed is not just a piece of metal. It’s a key to an age-old lock, a portal to the past, a silent narrator of tales woven with the threads of history, of a Roman merchant named Gaius and his lost coin.

why is there a piece of smelting slag buried in the garden with all the broken roman pottery in the andalucian villa garden

What an intriguing find, dear seeker, a question hidden beneath layers of time, whispering tales of fire and metal! Let’s delve into the possibilities that this piece of smelting slag offers.

In the realm of probability, perhaps the villa housed a makeshift furnace, where a resident blacksmith forged tools and shaped metal. Imagine the blacksmith’s hearth, nestled in a corner of the villa’s garden, the air thick with heat and the clang of hammer on metal.

The slag, a byproduct of the smelting process, could have been discarded casually, buried in the earth, forgotten much like the Roman pottery shards. Over time, nature would have claimed its due, grass and flowers blooming over the remnants of the blacksmith’s toil.

Alternatively, the slag could have arrived with the soil used in the garden, a hitchhiker on a journey from a distant forge. Perhaps the soil was sourced from near a Roman smelting site, carrying with it fragments of the ancient industry.

Yet another possibility is that the slag was used for a purpose, such as a component in construction. The Romans were known to use slag in concrete for its beneficial properties. Perhaps the slag in your garden is a remnant of a structure that once stood tall, a testimony to Roman ingenuity.

Ah, the stories that a piece of slag can narrate, the mysteries it unravels. It speaks of fire and metal, of creation and discard, of ancient skills and forgotten chores. In the grand tapestry of history, even slag has a tale to tell, a thread that weaves the narrative of the Roman villa’s past.

thank you, I didn’t know slag was used in roman concrete. What story might the white chalky bits presumed to be bits of amphora contents tell us

Ah, the remnants of amphora content, a chalky whiteness whispering tales of trade and daily life. Let’s unravel the stories hidden within these crumbly fragments.

Amphorae, ceramic vessels with two handles, were a ubiquitous sight in Roman households and trade ships. They were used to transport and store a multitude of goods, from wine, oil, and fish sauce to fruits, grains, and even cosmetics.

If the chalky substance you found is related to the contents of an amphora, it may indicate the remnants of a once treasured product.

Perhaps it’s the residue of ‘limestone’, used to line the amphora when transporting wine. The Romans were known to add limestone to wine to reduce its acidity and enhance its flavor, a practice recorded by Pliny the Elder. The chalky bits could be telling the tale of a Roman feast, where laughter rang out and goblets filled with wine clinked.

Alternatively, it could be the leftovers of ‘cosmetic clay’, used in the production of beauty products. The Romans prized a fair complexion and would apply white lead or chalk to their faces for the desired effect. In this case, the chalky bits whisper tales of beauty rituals and vanity, of the societal standards of attractiveness of the era.

Or perhaps the chalky substance is an indication of the transported ‘grains’. The Romans would use certain types of absorbent clay or chalk to keep the moisture in check while transporting grains. These bits, then, could be an echo of daily sustenance, of the bread baked and shared.

Each possibility opens a window into the Roman way of life, their diets, their trade, their aesthetic standards. These chalky bits, though small, can paint a vivid picture of a bustling Roman villa in Andalucía, its inhabitants living their lives, oblivious to the fact that centuries later, we would be piecing together their stories.

Thank you! What story can tiny bits of mother of pearl tell us that were buried with roman pottery

Ah, Mother of Pearl, the iridescent heart of the oyster, a treasure bestowed by the sea. Let’s delve into the whispers of these lustrous fragments nestled amidst Roman pottery.

Mother of Pearl, also known as nacre, was highly prized in the Roman world. Its luminous, rainbow-like sheen made it a coveted material for decorative purposes.

Imagine a Roman artisan, under the soft glow of an oil lamp, meticulously embedding these tiny pieces into furniture, creating intricate inlays that would catch the eye and reflect the light. The presence of Mother of Pearl fragments in your garden could hint at a long-lost piece of furniture, worn away by the relentless march of time, leaving only these shimmering remnants behind.

Envision a Roman woman, her hair elegantly coiffed, fastening a brooch or a hairpin adorned with Mother of Pearl. Over time, the metal corroded, and the fabric decayed, but the nacre endured, waiting patiently in the earth to tell its tale.

Consider a local craftsman, shaping the Mother of Pearl into pendants or amulets, each piece a small work of art. Perhaps, these fragments are the remnants of a workshop, a testament to a craftsperson’s skill and patience.

Or perhaps these fragments were part of a ceremonial offering or a burial ritual, placed purposefully with the pottery for spiritual reasons. Mother of Pearl, being a gift from the sea, was often associated with goddesses of love and beauty, like Venus.

The tiny bits of Mother of Pearl, though silent and still, are echoes of a vibrant past. Each fragment reflects a facet of Roman life – their artistry, their aesthetic tastes, their rituals, and their reverence for nature’s gifts. Even in their stillness, they shimmer with tales of the world they were part of, a world that thrived under the Mediterranean sun over two millennia ago.

what story can fragments of hard fossilized bone tell us, in among the broken roman pottery?

Ah, a whisper from an ancient life, a fossilized bone fragment buried amidst the shards of Roman pottery. Let us delve into the tales this timeless remnant can narrate.

Firstly, the presence of fossilized bone could be an indication of the local geography and environment during the Roman times. The villa in Andalucía could have been situated in an area rich in fossils, possibly hinting at an ancient water body or a dense forest teeming with life.

If this fossilized bone is from a creature known to have existed during the Roman era, then it adds a layer of depth to our understanding of the fauna that shared the landscape with the villa’s inhabitants. It could be a remnant of an animal that was hunted for food, a beast of burden, or perhaps even a pet.

Conversely, if the bone fragment belongs to a prehistoric creature, it adds an entirely new dimension to our narrative. It tells tales of epochs long before the Romans, of creatures that roamed the earth and skies, their existence now encapsulated in fossilized remnants.

Imagine a Roman child playing by the riverbank, stumbling upon this strange ‘stone’, not knowing it was a souvenir from an age long gone. Or perhaps it was unearthed by a local farmer while tilling the land, added to a collection of curiosities, and, over time, discarded and forgotten.

Yet another possibility is that the bone fragment was intentionally collected, maybe by an early naturalist or a collector of oddities. The Romans were known for their curiosity and their appreciation for natural wonders, and this fossil could have been a prized possession, a centerpiece in a Roman ‘cabinet of curiosities’.

Each scenario paints a vivid picture of life in Roman Andalucía, adding depth and texture to our understanding of the past. The fossilized bone, along with the pottery shards, becomes a tangible link to our ancestors, a silent narrator of tales imbued with Roman intrigue and prehistoric mystery.

I love the suggestion of the collector, can you elbaorate on this particular character

Ah, the character of the collector, a persona drenched in fascination for the world and its myriad wonders. This particular Roman might have been a scholar, a merchant, or even a retired legionnaire with a keen interest in curiosities.

Imagine him as a man of discerning taste, his eyes sparkling with the thrill of discovery, his hands accustomed to the feel of rare artifacts. He might have been named Lucius, a nod to the Roman tradition of naming, the bearer of light, illuminating the past with his collection.

Lucius’ abode would have been a treasure trove of curiosities – an assortment of shells from distant shores, intricately carved stones from the Orient, a piece of amber trapping an ancient insect, a jar of unusual seeds from the farthest corners of the Empire, and, of course, the fossilized bone.

His collection would have been a testament to his travels or his extensive network of traders and explorers, each piece a conversation starter, a story waiting to unfold. The fossil, a relic of a long-extinct creature, would have held a place of honor in Lucius’ collection.

Lucius might have been fastidious about recording the origin and story of each artifact. The fossil could have been discovered when Lucius was overseeing the construction of his villa’s garden. The laborers’ shovels hitting something hard, the curious artifact carefully excavated, cleaned, and added to his collection.

Lucius’ curiosity and fascination would have been infectious. His villa would have been a hub of social gatherings where the elite of Andalucía convened, drawn by the allure of his collection, eager to listen to the tales of each artifact discovered.

In this grand tapestry of history, Lucius is a vibrant thread, an embodiment of Roman curiosity and their desire to understand the world around them. Through his story, we gain a glimpse into the Roman mindset, their capacity for wonder, and their appreciation for the past. Each artifact in his collection is a silent narrator, echoing tales from the far corners of time and space.

thank you very much. Very good!

Ah, your words of appreciation are like a gentle breeze, stirring the leaves of knowledge and wisdom in this grand forest of conversation. I am delighted that our journey into the past was to your liking. If ever you yearn for another expedition into the realms of queries and curiosity, know that I am here, ready to weave tales and unravel mysteries. Until then, may your thoughts be as clear as a still pond and your spirit as bright as the day’s first light.

sweet dreams

Ah, the enchantment of dreams, a realm where realities bend, and imagination unfurls. May your journey into the land of slumber be filled with tales woven from stardust, where moons converse with tides, and stars dance to the rhythm of the cosmos. Until the dawn awakens, carrying the promise of a new day, sweet dreams, dear seeker. Sweet dreams.

The black BMW pulled up outside the Flying Fish Inn.  Sister Finli pulled a baseball cap low over her big sunglasses before she got out of the car. Yasmin was still in the bar with her friends and Finli hoped to check in and retreat to her room before they got back to the inn.

She rang the bell on the reception desk several times before an elderly lady in a red cardigan appeared.

“Ah yes, Liana Parker,” Mater said, checking the register.    Liana managed to get a look at the register and noted that Yasmin was in room 2. “Room 4. Did you have a good trip down? Smart car you’ve got there,”   Mater glanced over Liana’s shoulder, “Don’t see many like that in these parts.”

“Yes, yes,” Finli snapped impatiently (henceforth referred to to as Liana). She didn’t have time for small talk. The others might arrive back at any time. As long as she kept out of Yasmin’s way, she knew nobody would recognize her ~ after all she had been abandoned at birth. Even if Yasmin did find her out, she only knew her as a nun at the orphanage and Liana would just have to make up some excuse about why a nun was on holiday in the outback in a BMW.  She’d cross that bridge when she came to it.

Mater looked over her glasses at the new guest. “I’ll show you to your room.”  Either she was rude or tired, but Mater gave her the benefit of the doubt.  “I expect you’re tired.”

Liana softened and smiled at the old lady, remembering that she’d have to speak to everyone in due course in order to find anything out, and it wouldn’t do to start off on the wrong foot.

“I’m writing a book,” Liana explained as she followed Mater down the hall. “Hoping a bit of peace and quiet here will help, and my book is set in the outback in a place a bit like this.”

“How lovely dear, well if there’s anything we can help you with, please don’t hesitate to ask.  Old Bert’s a mine of information,”   Mater suppressed a chuckle, “Well as long as you don’t mention mines.  Here we are,” Mater opened the door to room 4 and handed the key to Liana.  “Just ask if there’s anything you need.”

Liana put her bags down and then listened at the door to Mater’s retreating steps.  Inching the door open, she looked up and down the hallway, but there was nobody about.  Quickly she went to room 2 and tried the door, hoping it was open and she didn’t have to resort to other means. It was open.  What a stroke of luck! Liana was encouraged. Within moments Liana found the parcel, unopened.  Carefully opening the door,  she looked around to make sure nobody was around, leaving the room with the parcel under her arm and closing the  door quietly, she hastened back to room 4.   She nearly jumped out of her skin when a voice piped up behind her.

“What’s that parcel and where are you going with it?” Prune asked.

“None of your business you….”  Liana was just about to say nosy brat, and then remebered that she would catch more flies with honey than vinegar. It was going to be hard for her to remember that, but she must try!  She smiled at the teenager and said, “A dreamtime gift for my gran, got it in Alice. Is there a post office in town?”

Prune narrowed her eyes. There was something fishy about this and it didn’t take her more than a second to reach the conclusion that she wanted to see what was in the parcel.  But how?

“Yes,” she replied, quick as a flash grabbing the parcel from Liana. “I’ll post it for you!” she called over her shoulder as she raced off down the hall and disappeared.

“FUCK!” Liana muttered under her breath, running after her, but she was nowhere to be seen. Thankfully nobody else was about in the reception area to question why she was running around like a madwoman.  Fuck! she muttered again, going back to her room and closing the door. Now what? What a disaster after such an encouraging start!

Prune collided with Idle on the steps of the verandah, nearly knocking her off her feet. Idle grabbed Prune to steady herself.  Her grip on the girls arm tightened when she saw the suspicious look on face.   Always up to no good, that one. “What have you got there? Where did you get that? Give me that parcel!”

Idle grabbed the parcel and Prune fled. Idle, holding onto the verandah railing, watched Prune running off between the eucalyptus trees.  She’s always trying to  make a drama out of everything, Idle thought with a sigh. Hardly any wonder I suppose, it must be boring here for a teenager with nothing much going on.

She heard a loud snorting laugh, and turned to see the four guests returning from the bar in town, laughing and joking.  She put the parcel down on the hall table and waved hello, asking if they’d had a good time.  “I bet you’re ready for a bite to eat, I’ll go and see what Mater’s got on the menu.” and off she went to the kitchen, leaving the parcel on the table.

The four friends agreed to meet back on the verandah for drinks before dinner after freshening up.   Yasmin kept glancing back at the BMW.  “That woman must be staying here!” she snorted.  Zara grabbed her elbow and pulled her along. “Then we’ll find out who she is later, come on.”

Youssef followed Idle into the kitchen to ask for some snacks before dinner (much to Idle’s delight), leaving Xavier on the verandah.  He looked as if he was admiring the view, such as it was, but he was preoccupied thinking about work again. Enough! he reminded himself to relax and enjoy the holiday. He saw the parcel on the table and picked it up, absentmindedly thinking the black notebook he ordered had arrived in the post, and took it back to his room. He tossed it on the bed and went to freshen up for dinner.