Search Results for 'music'

After having had a wheel ride in the garden, Grandpa Wrick came back a little less in-tense.

“Mmm, I suppose this game isn’t as much fun as I expected. I want to give it another try, adding a little something more.” he said to the kids when their cartoon had finished. India Louise, Cuthbert, and their friends Flynn and of course Lisbelle (who had been quiet in the background, playing with her pet rabbit Ginger) started listening with a mild interest —the whimsical Lord Wrick having proved countless times he had no qualms at making a fool of himself, and thus at entertaining children.

“What I want to achieve, by playing this game of snowflakes,” he said after a pause “is paying more attention at your stream of consciousness.”

“You see, I’ve been reading the classical Circle of Eights countless times in my young age, and dear old Yurara didn’t have much interest in creating links between her narratives. This is what I want to do with this game: pay attention to the links.

In this game of snowflakes, the stories (flakes) matter less than the links you build between them, and thus the pattern that is created.
We have the choice to continue and detail the previous story, in which case, the link is obvious, or we may want to start another one. But we need to know what, from the previous entry, prompted you to create that special new story you are about to write or tell.

Just like in a dream, when you explore a scene, some object will jump at your attention, and propel you to another dream story. Just like that, I want to spend more time exploring the transitions between each scenes and story blurbs that we tell. The links don’t necessarily have to be an object, of course not.
It can be an idea, a theme, a music, virtually anything, provided that it can make some sense as to why it is used as a transition…”

Seeing the children waiting for more, he pursued: “a good introduction to this game would be for you to try to follow your train of thoughts during the day. Try to do mentally that small exercise before you go to sleep, and remember the transitions of your whole day, and you’ll see how complex it can become, how often you pass and zap from one thing to another.

Take even one event that lasts a few minutes like eating a honey sandwich at breakfast, can make you think of dozens of things like the texture of the bread, the fields of wheat, or the butter, the glass jar filled with honey and the bees that made it, the swarm of bees can carry you even further into another time, or towards a bear or into a movie maybe.

I want that you pause to take time to break this down, so that your audience can follow the transition from one story to another, and that it makes perfect sense for them.”

#10

Arona got imperiously brave, or stupid, and moved slowly out into the light.

Holy Arona found herself always flattered at the reaction.

“I heard the music, and enjoyed the distraction. If this riddle will allow to listen” at last a box with no corn or a gold tree inside?

she leapt up on the eggs too, all morning eggs had been coming to her hungry right now, but maybe Dory was her animals in her life. She had a quite funny thing Fiona noticed. She had a box of Angel cards, and had the music card guide herself, beautiful music …

“Believe it or not, it suddenly seems like the shifting symphony makes more sense than the ninth (and Beethoven doesn’t make you dumb), if you see my drift…”
“I could, if you’d stop talking in riddles” Lavender told Harvey with but the slightest hint of exasperation in her otherwise perfectly adorable soft and beautiful voice.

“I don’t even know what I’m talking about actually, it’s like I’m channeling some deranged poet”
“Yeah, that or being taken over by aliens …” 

“You know, I miss a sense of continuity… When I can’t follow the leaping frog in at least a pattern that makes sense, I gradually loose all interest. At least if I know the frog is going that way to look for tasty maggots, or that other way to lay a few eggs, or that other way to mate with psychotropic toads, I can hop or fly along… “
Lavender smiled a lovely smile.

“There it’s like a frog without purpose; it’s running in all directions, keep changing colours like a chameleon, and no matter how I try, I can’t figure the simplest pattern.”
“Maybe you should ask your super computer floogle ?”
“Yeah… it would tell me that figures without a pattern are called irrational or even transcendent… Not that it would help me in the least. Usually, when you can’t find a pattern, it’s because you don’t use the proper decomposition.”
“You want to dissect the poor frog?”
“No… Not even sure why I bother with the frog at all… It can do what it wants in the pond after all…”

Yann got the phone call. It was a bit early where they were now living with Yurick, so he inferred that the call was probably coming from France. Looking at the caller ID, the familiar +33 index made him smile; it was indeed from France.

“Coucou!”

The clear young voice was unmistakable.

“Hey, Chiara, comment ça va?”

His niece was now a young pretty damsel, and still, Yann still remembered her fondly as the little baby who was dancing with great amusement at the sound of any music.
It has been long they had talked, and they chatted for awhile.

“Uncle Yann, can I ask you something?”
“Sure sweetie, what do you want to know?”
“I found stuff you wrote some time ago, about Alienor, and dragons, and these stories are fascinating… I want to know more about it; tell me…”

“Jeeze, I can’t help to be continuously amazed by Becky” Al said more to himself than to Tina who was reading silently in the room next to his.
“She struggles so hard at times, when all she needs is a little attention…” he continued in his breath.

“What are you moaning about again?” Tina said, who unlike Becky was paying much attention even when she didn’t look like it.
“Moonbeams! Did you see that last entry? There was as close as moon and beams as you could get in the previous entries in the Reality Play… I really wonder why we make things so hard for ourselves at times…”

— Well, because it’s fun, I suppose she’ll tell you… Come on, you know how she is, you don’t need to play your sumafreak labouring it to the bitter end…
— I suspect you’re right… And who cares about randomness anyway; it doesn’t look much fun these past few days, does it?
— Sure…
— Like I say. Look, you don’t even barely write yourself; if I didn’t know you’re here, I would probably do with the Play like the tomatoes plant; uproot it and cut it in pieces in a plastic bag for recycling.
— Oh, but you have to admit the bedroom looks so much better without all these creepers around the place… All for what, twenty one tiniest tomatoes?
— Plus the last two still ripening on the cupboard, Al retorted in a sullen manner.

After a moment of silence, Tina laid her book down, and came closer
— Yeah, you’re right, I don’t find it very funny for the moment, especially with that shift of vowellness in the Ooh dimension,…
— Hehe, you mean, that nasty habit of telling ‘peanut’ instead of ‘poonut’?
— Oh yes, but not only that,… Well, it looks like all my characters are eluding me, becoming alien… if you see what I mean…
— Yes, I see; and I must say you’re doing great with that; Becky would faint at the mere mention of something becoming alien, Al couldn’t help but laugh.
— No, but seriously…
— I know. I think what we need is some more of your inimitable talent at creating syncs. You’ve always been the connector my dear with those “magifestations” of yours.

She smiled.

— Now, speaking of random syncs, what have you got to say about that; we could create a music band
— What?
— Hang on, here’s the band’s name: 57th Ward of New Orleans and we could call our first album… Mmm… That’s it: The Cup To Overflowing … What do you think?

Mmmm… that may sound weirdo, but it seems very feisty all of a sudden !

The whole week had been flying over his heads. Last Sunday, they had come back with Sam from their trip on the Floridisles, and though his body was a bit aching from the trip on the still young flight company of Yurailli Airlines, Al’s head was still swimming in the clear blue waters with the dolphins and sea dragons a soft music running in his head like a young unworried boy on the shore.

The return to New Venice was such a difference in energy that it took him a shocking cold to re-adapt. Not that he couldn’t have done without the cold, but he had chosen to allow it, for many reasons. For one, it was very self-centering, and also the more he allowed it, contrary to what people would think, the quicker it healed.

Lots of things had happened in New Venice during their little adventure in the South, and there was lots to do to keep the pace. So much difference with the peaceful silent world of the cetaceans… Not even much time to update the Reality Play which almost had gone into hibernating mode, had it not been Becky’s occasional funny entries and syncs.

Nevertheless, Al could feel that the peace of the dolphins and sea dragons had touched him on more than just the surface level. For once, he wasn’t even worried about Tina now; he could feel her discrete but present energy was strong, even though she was going onto a difficult transitional path of her own.

Q: Okay. What happens to things we create, like with
characters? Are they merely thought-forms, being extensions of
ourselves? Or do they … CAN they move on and become more?

ELIAS: This is dependent upon your choices and how you are
manipulating energy.

Now; in this, let us view what you in physical focus term to be
artistic expressions, in the area of musical composition and of
painting expressions. These are two obvious examples within your
physical creations that you may view certain qualities of the
expressions.

Now; in this, some expressions, within either musical compositions
or expressions of illustrations or paintings, may appear to be
merely an expression of the individual and hold the energy signature
of that individual, but they appear or seem to not extend any
farther, so to speak; this is figuratively speaking.

In other terms, you may encounter other types of musical
compositions or illustrated or painted compositions, and they appear
quite differently. They appear not merely to hold the energy
signature of the individual that has created them, but they also
seem to hold an energy of their own, as if they have been created
into an entity of their own.

Now; the reason that you connect with this recognition of these
types of expressions is that the composition does hold the energy
signature of the individual that has created it, but what it also
may hold is an aspect of that individual focus which has been
allowed to be projected outwardly and has been allowed to continue
independently of the focus.

This is a similar action to fragmentation, but in very physical,
figurative terms, a much, much smaller scale.

This would be likened to any individual, any focus, any essence
projecting an aspect of itself into any other element within its
physical creation – a creature, a plant, a rock. It matters not. You
hold the ability within essence to be projecting an aspect of
essence or of a particular focus into any of these elements to be
experiencing the creations of that element of your reality, such as
a creature or any vegetation, an ocean, a mountain, a rock. It
matters not.

In similar manner, you may project an aspect of yourself into one of
your creations or all of your creations or several of your
creations, and in this, not merely you shall recognize that this
creation appears to take on, so to speak, a life of its own, in your
terms, but other individuals shall recognize this quality also, for
you have allowed yourself to project an aspect of yourself into your
physical creation, therefore breathing into it its own
manifestation, allowing it to be continuing within its own element,
so to speak, within its own right, in a manner of speaking. Are you
understanding?

Therefore, this be your choice of how you shall be creating
within your creativity and what you shall project within it. Appear
it not strange to you that certain individuals may be deemed as
great masters and they shall be revered for their creations and
their creations shall be enduring throughout your linear physical
time, and other individuals may be creating and their expressions of
creativity do not hold this quality? This is the reason…”

Leörmn was erring through the corridors of his draggilish mind. Some of them were nicely painted he’d found, but apart from some friendly glukenitch glowing droppings, it all seemed a bit empty.

Of course, connections were ever there, floating around, and could be summoned as easily as a pleasant memory in the spacious eternal present. But those were not memories the dragon wanted to interact with.
Since they all had made that move of the cave anchoring point to the past, nothing was quite as it was. A truism of course, but sometimes you can’t do much more than state the obvious first, to be able to change it.

The remnants of the dynemotical ström (another word for wortex, or intercrossing of dimensions, or whatever you want to call this mess) was only starting to fray, and it had left them all in a kind of depressed mood. Depressed, as in less pressure, and a bit deflated.
As soon as he imagined the words, they became reality, for dragon speech is about the very essence of things, and it can make things be what they are said to be.
And so he was now morphed into a deflated rubber skin of a dragon, sliding inside the tunnel doing proutish sounds that he tried to put together into harmonious music notes, to entertain the schpurniatz colonies.

The notes started to take some funny foggy shapes and, using the painted walls as a partition, arranged some pretense of a sentence.

Words seem lamp; gives lost Malvina soon damn door, telling unexpected…

Mmm, a door? Of course, little sweet Arona had been painting a door, but why couldn’t he use it too?

The key was in bridging with the past now… that much he could tell, and perhaps that door may help.

This I Ching business wasn’t very convenient to figure out, Al was thinking.
For Becky’s draw, he had more than a handful:

All he had to do was relax, and know that the magic would appear by ways of his interpretation of these numbers.
He wanted to get 6 numbers out of these 3 comments. So, for each of the comments, he would make 2 numbers.

So, for the original comment IDs:

• 1275: 1 (odd) and 2 (even) gives (odd) ; then 7 and 5 gives (even)
• 234: 2 and 3 gives (odd) ; 3 and 4 (odd)
• 1610: 1 and 6 gives (odd) ; 1 and 0 gives (odd)

odd-even-odd-odd-odd-odd (what a bunch of odds, he thought, though barely surprised remembering the numbers came from Becky)
that’s 1-0-1-1-1-1 or |¦||||

From now on, he would spare everyone the maths, and play some interlude music while working out the magic.

(some lalala music)

and for the mutation (835,171,638): 1-0-0-0-1-1 or |¦¦¦||

And the result: ‘Fellowship of Men’ mutating to ‘Increase’

Bah… this is more fun to add more nonsense than try to figure out what it was all about. Al was finding it the moral of the story for today.

— Bloddy lamp is it, you said? Can’t find any lamp missing in there!

CRASH!

— What happened! Mavis? Are you alright?
— Oh, I think I just slipped on that blue slime ‘ere… Crashed something have I?
— Yeah, that small table there, you almost broke it!… Just like Bruce Loo, but with your bum ahahah!
— What was that crushing sound Sha?
— That small lamp there… Oh, that sounds perfect… now we can just put that skullamp to replace it…
— Yeah, let’s do that… Can’t wait to go to some more honeycomb!
— You greedy pooh Glo huhu
— There’s a false contact or something, it blinks strangely, looks like a bloddy disco ‘ere!
— Yeah, looks way better that way. We’ll have to bring back some decent music too.
— Righty oh! I’ve got my old disc from the Bungles…
— Yeahoo! Walk like a Magician!…

— Arona, my dear?

The silky voice of Malvina resounded in Arona’s ear, while she was meditating on the implications of the story Vincentius had told her.

— Yes?
— May I borrow you Buckberry and your sabulmantium for a few moments?
— Oh sure, no need to ask… Though I don’t think you require my permission for Buckberry, isn’t he free as I am?
— Oh yes he is, exactly as you said, free as you are

Arona could have sworn she felt a winking energy rippling through her flesh, making some unfamiliar electrical currents crawl underneath her skin. She would have said she was thoroughly disliking it, though she wasn’t really sure if she was.

— Oh, Malvina added as if an innocent afterthought, we are moving by the way, perhaps you may find interesting to join us for the homationing ceremony. You may learn some more about your sabulmantium.
— Well, why not, answered Arona having no idea of what a homationing ceremony could be…
— Very well, please join us in the main entrance, where I am playing the harp. We will be waiting for you.
— I’ll be there in a second.

So, they were moving? Speak about implications… Arona muttered, stroking dozing Mandrake, who had feasted on too many of the moorats crawling inside the moisteous cave tunnels.
I guess I’ll take this astounding elan as a hint that I’ll be going alone she said. A yawn for all answer.
Considering it was Mandrake, that was almost a mark of distinctive affection… or was it rather of affectionate distinction?

Moving? She didn’t want to move, not yet, not like that… And to be honest, with all the stuff in that cave, she sure didn’t want to help pack all of this, be it by magic. What an impossible task.

Vincentius the nanny was taking care of Yikes, so she was confident should anything happen, he would be alright.

On the outside of the cave, the dragons were all lined up, as if waiting for some unknown signal. Leormn first in shades of teal, and his spawns, Buckberry, with the most florid and baroque hues of purple that one could imagine, and the two facetious Heckle and Jeckle in shades of emerald, looking unusually calm.

Malvina, with Leo the little marmoset on her left shoulder, was playing her harp, while Irtak was accompanying her playing a mouth harp.
Some drums had been disposed around, and quite naturally, Arona felt like beating the measure on these, getting slowly and slowly relaxed by the music and guttural sounds produced by the throat singing dragons.
She almost laughed and broke the meditating pattern when she let the memory of Sanso come into her awareness. What a shame he’d missed that, that would have fitted him better than her.

Slowly the sounds stopped, and Malvina very gracefully rose from her stool, and greeted Arona with a loving hug. Her flowing robe was a tender orchid hue with laces of thistle pink, and her silvery peach long flowing hair were giving her the aura of a princess.

— Wait, where are Georges and Salome? She said, are they already gone?
— No, they are waiting for us at the new location, she said with a smile… Now, Leormn will start the ceremony.

Arona almost said Wait again, in anticipation of what was to come, and finally decided to let it flow. The serene look of Malvina and her motherly smile was of a nurturing reassurance.

Outside, in the grassy lands, the dragons had all grown wings and were apparently ready to take off. A pile of conic shaped dirty sand was standing in front of the entrance, that Arona had never seen before.

She could feel Buckberry answer her unspoken question without even a word being uttered. It is soil from the cave, and we will use it now.

Arona watched the dragons rise in the sky full of damp gray clouds, and wondered what they were doing.
They are doing two things, Arona answered Malvina (again that disagreeable habit of reading thoughts, couldn’t help but think Arona, wishing there would be some World around where such thing wouldn’t be so easy), first they are checking what kind of creature are staying with us and following the movement, continued Malvina, ignoring the remark, and second, they are drawing with that sand from the cave a circle to enclose the area we want to move

Arona didn’t dare say the explanations were making her even fuzzier, so she nodded as if abreast of what was going on.

Popping sounds of the dragons blinking in and out to get some more dirt almost made her dizzy, and she forgot the strangest feeling she had when she thought she heard “the area we want to move”.

— Now, continued Mavina, the sabulmantium.

The dragons were now all back, and the pile of sand had disappeared.
Arona’s attention snapped back to herself, and she handed the fine object to the lady. She couldn’t help but notice the glowing eyes of Irtak, who apparently was very eager to see what would happen.
So he will move too, she thought, hope his father won’t be too sad… Why did she felt it was a separation from this place she had found she was liking…

— If you look closely, said Malvina to no one in particular, but Arona took it for herself, you will see how easy it is to come back if you feel so inclined.

At her touch, the coloured sands in the sabulmantium’s transparent dragon shell globe started to move. And all could see the cave being formed, with all the little people, dragons, glukenitches and even Leo and Mandrake… They were all here, enclosed into a circle of sand.

— Now, if you will follow me… said Malvina who traced on the ground a curvy symbol.

And very slowly, as the whole sand scenery inside the sabulmantium was turning in a round, they all felt as though they were dissolving into the air. Yet, they were all solid, and the interior of the cave was still too.
The only thing that was moving was the exterior, twirling and changing, getting out of focus, and moving erratically at the beginning, and then getting close to a focal point. Some fine tuning was occurring.

And in a snap,
The landscape
Was
In all its splendor…

— Greetings! a smiling couple at the entrance of the cave said to the people inside.